i just remembered when it all began to fall apart i was in mid-thirties weary of taking advantage of women i wanted to change grow become better person more compassionate find loving respectful relationship maybe marriage i knew i needed to step away stop

chicago 1985 Odysseus is a stranger to himself living someone else’s life does he really want what Mom Dad Chris want? is he lying to everyone else or himself? he snorts another line of ******* moves on to next girl in dizzy way he is having time of his life so much occasion to waste doors to open slam rooms to pass through “In the room the women come and go, talking of Michelangelo, and time yet for a hundred indecisions, and for a hundred visions and revisions” thank you t.s. elliott his ****** liaisons carry on from several weeks to several months begin with him adoring some girl or she adoring him little fires that burn themselves out for his part infidelity is rarely in question instead typically he or she feels let down by some personal response or character trait and simply stops calling in actuality no girl ever bothers to stick around they follow his lead and evaporate his mind draws a blank he wonders what do girls want? Deep inside he knows nothing in life is greater than the love of a woman he would have liked all those girls to be just one girl but she is missing where is she? occasionally he will run into one of his ex-lovers on street she wears an expression that hints why didn’t you phone me back? why did you stop calling? he suspects she is playing victim in self-satisfying charade in fact Odysseus crosses into new territory it is difficult to go back he hones his edge no longer is he wonder-stuck child possessed by curiosity for girls he requires **** and kink longer buildups then urgent bursts of effort drawn out climaxes nameless girl wearing tight jeans cowboy boots braids whom he meets in drake hotel elevator pushes stop button she ***** him off he has **** *** with tan-skinned french-canadian female tourist in telephone booth on north avenue gorgeous longhaired creole girl from new orleans ***** him on fire escape stairs **** *** with skinny punk girl in dark alley dutch foreign exchange student gives him ******* between parked cars on clark street weird awkward *** with goth girl in graveyard ****** by older blond woman who positioning herself underneath table in ritzy restaurant he has *** with chatty college sorority girl in jet lavatory he goes down on nerd girl wearing thick glasses in criticism section of depaul’s library he gets ****** ****** by perfect stranger in lake michigan each evening before he goes out prowling he looks in mirror wonders what strange female he will have *** with tonight it always surprises him what a person might not admit to or accept but allow or give in to if the right moment or if the right person is there not that he is particularly the right person rather he stumbles onto an astonishing streak there is the paris/milantokyo fashion model with stylish french haircut who possesses astonishing beauty perfect ***** and haughty temper after night of too many ***** martinis and ******* she announces “you and your friends are going nowhere  you’re all second-rate artist losers! and your cousin and his group are obnoxious *******” she flips him the finger then shoves him he shoves back resulting in dual arrests and domestic violence charges there is the tall blond stripper who totally fulfills his ****** desires once she lets him insert garden hose up her **** laughs uproariously as stream of water shoots out on another occasion she requests he *** in her *** he begins to believe he will marry her she insists she is too low class for his family one night she drunkenly hurls champagne bottle gives him black eye drives away crashes her car there is blue-eyed sweetheart with divine ****** loving touch who after months of sleeping with Odysseus confesses she is ******* some other guy and swears she will be faithful in the future she begs for his forgiveness as he loses it pushes her out door throwing her clothes after her one girl lights candles gives him full body massage ******* another girl holds him tight cries pushes him away one girl writes confessions with permanent markers on walls of closet another girl slaps him yells why? why why why! one girl runs to toilet pukes passes out on floor another girl sits up all night talking teasing never relieving him another girl falls asleep snores while he is in conversation one girl makes fun of small left ******* later gossips to her girlfriends he meets girl who will do anything except allow him to enter her ****** he meets girl who is professional escort she offers to do him for free she has lots of toys videos he declines they mess around she gets him off with ******* he meets girl whose ***** hair grows to mid-thigh she incessantly calls for her dog Bertram! he meets girl who shivers moans furiously cries laughs when he climaxes he meets girl with self-inflicted scars on arms legs who only wants it up her **** he meets girl who likes gagging deep-******* him to skull-**** her harder the better he meets girl whose ******* are so fierce she loses complete control drenching him sheets with her fluids excrement he meets girl who wants ******* squeezed so tightly he fears he will draw blood he meets girl who likes to talk ***** slaps his face as he is reaching ****** he meets girl with gargantuan ***** ******* as large as thumb she gurgles hot breaths later tries to steal string of beads he meets girl who enjoys lactating on his thighs while she gives him head he meets girl who knows how to contract vaginal muscles so tightly all he does is sustain ******* inside her in order to reach ****** he meets girl who pees tiny squirts while he penetrates her **** she laughs wildly he meets girl with furry mound who requests he **** on her as she masturbates he declines she reproaches him accusing you’re not nearly as freethinking as you pretend to be in fact you’re full of ****! he meets girl who wants him to act out **** they struggle he meets girl who desires to be ******* whipped he is not into inflicting pain he meets large strong girl who forces him he never tells anyone about incident he becomes mindful many females are more depraved than him women remain puzzle to Odysseus he is repeatedly astounded shocked can never predict about girl what her ******* ****** will look like whether she has eager *** or what are her secret desires he is explorer women are vast mystery he wonders are females as sexually driven as males? are they as vulnerable? is their **** like tiny *****? he speculates if completely unknown attractive woman walks up to any average man grabs his crotch many possibly most men will willingly allow it are women that weak? more than anything what most excites Odysseus is female lust handjobs are test of adequacy distinguishing character having masturbated thousands of times he thrills in having girl do it he delights in watching her arousal just staring at his ******* is captivated by method of her fingers hands revitalized by degree of her determination throughout he needs to ****** her ******* ****** *** titillated as she licks lips after swallowing ***** he realizes if he were female he would be total nymphomaniac yet he finds it difficult to imagine desiring men are all so like him women are so strange fascinatingly different he craves their otherness Odysseus loves women more than they love themselves smell sight of them sends him into frenzy problem is he fears their power over him

it’s been 25 years since those days i live alone for many years in tucson arizona have not been with a woman for long long time last relationship 2001 with crack ***** i hang my head cry wish for love wonder do i deserve to be loved pray to be forgiven

[Part the First]

There's some giddy, childish sensation
The hope of a new generation

Faceless cameras war for my voice
A flashing ocean of stomps and shoves
Taken from me is my choice
Given is a false sense of love
They smile too wide to be true
Contorted and stretched, like some plastic
But they're all I have before the blue
So deep breaths, and then come dramatics

People who pass me by
Don't seem to realise
The emptiness of the sky
When they look into my eyes

They ask:
Is it lonely up in space?
Is it a cold, abandoned place?
Is it bright amongst the stars?
Do you know who you really are?

[Part the Second]

My life has faded to drunken thoughts
Reality doesn't confirm what can't be bought

The multicoloured psychedelia
Of nebula turning to rainbows
Now looks more fake than ever
And so my sanity goes
There's a beast out there, lurking
I'm not sure if it wants me
But my hope is hiding, sulking
From the abyss that can hear and see

The worst way to die is alone
Where there's no one who can help me
As my punishment destroys my home
At least, from my memory

They screech:
It's so lonely up in space
It's a cold, abandoned place
It's too bright amongst the stars
I think I'm dreaming too far

[Part the Third]

The faintest echo of laughter
Presents itself as my only answer

It's distant, like someone drowning in ecstasy
But it rings from the walls to my ears
The effect of the starry-eyed seas
Has mutated into whimpering fears
I know I'm not amongst the stars anymore
But the damage cannot be undone
So I gave myself to the floor
I could lie here, and never see the sun

Space could've never actually existed
Just a vivid fantasy of escape
But my mind has been so twisted
It must've been the cruelty of fate

They wonder:
Was it lonely up in space?
Was it a cold, abandoned place?
Will the stars ever forgive?
Do I still have a life to live?

I have done it again.
One year in every ten
I manage it----

A sort of walking miracle, my skin
Bright as a **** lampshade,
My right foot

A paperweight,
My face a featureless, fine
Jew linen.

Peel off the napkin
0 my enemy.
Do I terrify?----

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.

This is Number Three.
What a trash
To annihilate each decade.

What a million filaments.
The peanut-crunching crowd
Shoves in to see

Them unwrap me hand and foot
The big strip tease.
Gentlemen, ladies

These are my hands
My knees.
I may be skin and bone,

Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.

The second time I meant
To last it out and not come back at all.
I rocked shut

As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.

Dying
Is an art, like everything else,
I do it exceptionally well.

I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.

It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical

Comeback in broad day
To the same place, the same face, the same brute
Amused shout:

'A miracle!'
That knocks me out.
There is a charge

For the eyeing of my scars, there is a charge
For the hearing of my heart----
It really goes.

And there is a charge, a very large charge
For a word or a touch
Or a bit of blood

Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.

I am your opus,
I am your valuable,
The pure gold baby

That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.

Ash, ash ---
You poke and stir.
Flesh, bone, there is nothing there----

A cake of soap,
A wedding ring,
A gold filling.

Herr God, Herr Lucifer
Beware
Beware.

Out of the ash
I rise with my red hair
And I eat men like air.

it didn’t take a lot a look a few words a few more looks bam not that any girl stuck around and so it was on to the next nothing is precious everything is possible forget what you know leave the road behind invent dance new dance cough spit breathe dance verbs multiplying gazillions of verbs stars what is it about art in my mind i hear all these things i was going to express all these itches scratch pick scabs get drunk write poetry dance ******* in your mouth ******* in my mouth salty sea surfing waves Caravaggio Courbet Turner Goya Ad Reinhardt Rothko Rimbaud Johnny Unitas Walter Payton Annie Proulx Patty Berglund Hannah Wilke Kim Gordon dark clouds rainbows meteor showers lantern licorice amethyst bone

in the end it’s you and your maker ashes to ashes dust to dust Mom questions it’s 4:30 PM December in Chicago and pitch black i don’t understand it’s not supposed to be this dark this cold she imagines a past that never existed events never occurred

these old bones rattle and shake tremble and quake quiver and ache

it will be daylight soon and i am unprepared so terribly unfit for a new dawn suddenly realize tomorrow is today

these old bones rattle and shake tremble and quake quiver and ache

when people die in masses is it any less lonely more comforting than when you die individually or is dying solitary for everyone

these old bones rattle and shake tremble and quake quiver and ache

redemption is a powerful force but what if existence actually does not present second chances and we must live with the consequence of our mistakes

these old bones rattle and shake tremble and quake quiver and ache

if there is an afterlife do i have any say in it or are we all merely lost baggage tossed from airport to airport

these old bones rattle and shake tremble and quake quiver and ache

what if travelers at airports were met with welcoming arms shared stories food instead of suspicion body scanners separation boarding seating procedures

these old bones rattle and shake tremble and quake quiver and ache

i built a magnificent sandcastle with wide open rooms interesting views spacious bathrooms huge kitchen secret places winding stairways auspicious towers swinging rope bridges welcoming gates but the tide washed it all away

these old bones rattle and shake tremble and quake quiver and ache

i cry yet know not why am i a ***** i must take the goose by the neck whatever that means

these old bones rattle and shake tremble and quake quiver and ache

speaking personally i’m never interested in the last bite only the first bite the middle tastes rather bland all chewing gulping automatic consumption talking swallowing stifling gases

these old bones rattle and shake tremble and quake quiver and ache

horses mate with donkeys then out comes mules yet mules cannot propagate nature is so strange mysterious what is it about the attraction between donkeys and horses

these old bones rattle and shake tremble and quake quiver and ache

2 gorgeous petite charming sweet young girls are subletting my place in Tucson i imagine ménage à trios or relationship with either one of them then realized how improper my thoughts will i ever learn

these old bones rattle and shake tremble and quake quiver and ache

Reiko likes hanging out naked if the door is locked and they’re in for the evening she strips Reiko is one of those women who look better without clothes the curls under her arms are growing in dark thick her bush is filling out even her **** is hidden by silky brown hairs he cannot stop checking her out she pretends not to be aware as she trims her toenails he leers **** your cooch looks tasty Odys i like that you can speak crude to me he murmurs you really like that she answers yes i really like that he sees himself in her he is deep in sleep wakes by her hand pulling his hand down to her ***** bone he stirs confused in half sleep as she continues tugging his hand Odysseus realizes what Reiko wants it is 3 AM he touches her there warm distended begins to massage wetness gushes moves down bed puts face there she presses pumping grinding whispering repeatedly i want to *** so bad his mouth tongue breath work her hands grip his head push unyielding muscles stiffen arch shudder continues licking until her body lies still crawls up kisses her forehead hair bodies spoon fall to sleep in the morning he comments you were a naughty little girl last night Reiko grins answers i had an orangutan attack he questions an orangutan attack she confesses yeah they both laugh he has never known a woman so fierce urgent to ****** Reiko has a man’s libido she reminds him of himself they mimic each other hearing Reiko speak Odysseus’s own words back at him and visa versa convey how demanding insecure insensitive each can be to other they do not simply speak but mimic each other Reiko ‘s voice drops to low pitch as she grabs his buns kids hey Reiko Lee what do you think about us wiping each other’s butts we could become more intimate with our bodies Odysseus raises his voice sounding feminine replies Schwartzpilgrim you’re gross take a hike it is hilarious yet intuitive therapy that maintains level playing field neither allows other to be too weak or dominant

these old bones rattle and shake tremble and quake quiver and ache

it is Sunday snowing blizzard freezing cold outside Odysseus sits on floor watching Bear’s football game at Reiko’s she sits naked paging through Art Forum magazine across sofa from him he hears her crunching on bag of barbecue potato chips during half time he reaches touches her bush runs fingers through her ***** hairs twirling them in his fingers she spreads her legs wide open he smells her hair breath perspiration ****** *** feet feels both repelled and attracted he is lost in fascination gently tugs on her lips slides finger inside massages probes her opening she directs him to kneel stands above him her arms at waist her pelvic bone in his face she orders **** it **** it good he follows her instruction **** my ***** she commands as she holds his head in hands her long skinny body thrusts hips forward Reiko presses gently pumping then more furious rough into Odysseus’s face ooohhh i’m going to shoot a load baby swallow my *** she shoves ***** bone into his face bangs his nose hard yet he remains ******* her legs thighs stomach muscles tremble oh oooohhhhh ohh Odys did you see that i came just like a guy oh Odys i loved that he wipes mouth laughs

these old bones rattle and shake tremble and quake quiver and ache

a person’s sexuality is always in question how one interprets his or her own ****** persona relative to another person’s personality response ratio how one’s power measures reacts to another’s vulnerabilities strengths Odysseus and Reiko fit well together switching roles in impulsive volley he loves her masculinity the unpredictable equation of their love he teases Reiko Lee i’m so attracted to the tomboy in you i want to **** you off and let you **** me come over here and stick that fat hard **** in my pink little **** hole all the frustration rage pain pent up inside you i want you to harness that hurt and slam it into me and shoot your load all over me **** me good Reiko Lee she looks at him strange says you’re a weird bird Schwartzpilgrim how weird do you think he asks her voice takes on a creepy overruling tone Odys, you want me to fist-******* he snaps shut up Reiko Lee get out of here she runs fingers through hair breathes out through nose taunts Odys let me ******* a ***** and ******* in the *** Odysseus’s voice grows loud Reiko Lee you’re crossing the line just because i mention some crazy thought doesn’t mean i’m actually into such weirdness don’t try to take what i say to some sound conclusion i enjoy experimenting but i’m one hundred percent male i like to test limits because i’m secure in my manhood spicing our *** life with ***** fantasies is one thing but don’t overstep i got the **** and you got the ***** let’s keep it that way don’t mess with me she replies ok ok Odys i didn’t mean to offend you

these old bones rattle and shake tremble and quake quiver and ache

often he personifies the lead and she interprets the willing or amendable he requests many ****** urges she for the most part eagerly fulfills yet knowing his desires run over the top he considerately concedes to her sensibility he asserts rule number 1 Reiko Lee please let me have my way with you ok please try to not refuse me she smiles consents ok Odys and i want the same from you he insists rule number 2 repeat after me i’m addicted to your ***** i’m codependent on your **** she repeats i’m addicted to your ***** Odys i’m codependent on your **** he challenges rule number 3 at least one ******* a day agreed? She answers yes Odys agreed later he thinks about their conversation approaches her Reiko Lee sometimes i need more than one ******* a day maybe one in the morning and one after you get home from work i need your adoring attention down there will you do that for me please she shoots sarcastic look at him what are you a cow that needs milking everyday all right Odys whatever you desire he gratefully acknowledges Reiko Lee you’re so good to me thank you next morning he says Reiko Lee when i think about you the first image that comes to mind is your eyes i love your eyes more than any other part of you she comments oh yeah more than my **** hole? he flinches surprised oh god i can’t believe you said that you are so outrageous Reiko Lee you have got the sexiest **** hole i’ve ever seen i love adore revere your hairy **** hole when are you going to let me get some of that she remarks we’ll see Schwartzpilgrim in due time the following morning he notices bathroom door is wide open peering inside he sees her sitting on toilet she looks up smiling as he nears he questions which are you doing peeing or ******* she answers why do you need to know he requests lift up and let me watch she raises her thighs knees legs curling toes on toilet seat her **** muscles pucker then a brown extent begins appearing from her hole her vaginal lips flare urethra presses as short spurt of ***** accompanies discharge the ***** length drops into bowl followed by smaller piece Odysseus perceives the action produced by her body as intimate natural expression occurring without contrivance manipulation he studies the form as if it were a sculptural object descended into water to bottom of bowl Reiko reaches for roll of toilet tissue he interrupts **** she answers let me wipe myself first it reeks in here you mean watching me taking a **** turns you on you are one sick monkey he says shut up and **** she follows his instruction after several minutes he pulls out of her mouth jerks off while she watches he shoots wildly on her chin neck chest she rubs his ***** on her ******* they both break out in laughter she says come on let’s take a shower together she begins speaking sentence he finishes it she says Odys i’m not comfortable with more than he breaks in one ******* a day i understand Reiko Lee she expresses thank you Odys one is enough agreed he replies ok ok

these old bones rattle and shake tremble and quake quiver and ache

a week passes Saturday evening she comes from work to his place with stressed look on her face she falls back into wall on floor with her legs stretched out she asks got anything to eat he answers a couple of beers in the fridge her brow furrows as she speaks in low tone Odys i’m guessing there’s something seriously wrong with you he questions wrong with me huh what she comments your physique is weird your shoulder blades and rib cage stick out you’ve got a sunken sternum he answers yeah i know it’s not really a problem more like natural peculiarities she says yeah well you’ve got other peculiarities he asks oh yeah like what she remarks i’ve never known or heard of a man who gets hard as often as you it’s deviant you’ve got some kind of disorder you need to go see a doctor he admits i know i got a problem my libido is out of control it’ll calm down it’s been a long time since i felt so hot for someone do you really think it’s serious enough to go see a doctor she answers serious enough to insist you bone me once a day he laughs Reiko Lee you had me going she grins get over here you ***** ******* and **** me good Reiko’s favorite way to ****** is with her legs closed tight she lies beneath while his ******* presses in pumping her thighs buttocks squeeze stomach muscles tense whole body jerks spasms as she reaches ****** Odysseus’s favorite position is with Reiko on top he likes her rhythms and control

these old bones rattle and shake tremble and quake quiver and ache

when Michael Vick was found guilty for dog fighting mauling cruel killing i wanted him dead dead dead but he is a brilliant quarterback and i was wrong who am i to understand another person’s background judge them maybe there is redemption

these old bones rattle and shake tremble and quake quiver and ache

if another war comes it’s China we must fight to hate fear them run hide

these old bones rattle and shake tremble and quake quiver and ache

it’s a long twisted road down a dark cold hole many are too damaged others work toward salvation yet some unscathed by all this filth

these old bones rattle and shake tremble and quake quiver and ache

on the brighter side death gets a bad rap by mortals think positive perhaps death is graduation to whatever at worst death is release from life’s disappointments expectations responsibilities burdens betrayals pain horrors

these old bones rattle and shake tremble and quake quiver and ache

i remember when Dad was dying all these new people who i still remember entered my life for a brief time it seems like the same thing is happening now

these old bones rattle and shake tremble and quake quiver and ache

Mom i’m right here behind you don’t be scared i’m watching out for you

these old bones rattle and shake tremble and quake quiver and ache

Bipolar.

The toxic word flickers across the blue screen, taunting my tears into reckoning. Everything makes sense now. Now I know each time my feelings crash there is no reason, no problem, no answer. Just disorder. My disorder. It’s swirling in my veins, intoxicating me like a drug, and sometimes I like it.

Each manic moment is incomprehensible perfection, with I as the center of its universe. The world is mine to own, the Gods mine to control. Every movement is unstoppable, the energy seeping out of my very pores. Words come easily; all I am is a flowing expression of the beauty within. Nothing is above me, all are below. I am flawless. Why can’t everyone be so perfect?

Yet each depressed crash sends me spiraling into a darkness I have never known. My nails become bitten, my hair a tangled mess. Every turn I find myself nothing but alone, no one around to notice or care or even see. They are better, everything’s better, as long as it’s without me.

I am a cyclical monster, luring in my prey before dragging it into the pits of my own personal hell. Every shattered shard refracts inviting light, yet they cut deep and only capture people in a lethal web. I am breakable, unfixable. Every shade of me I thought I understood is now a vague gray. Is this smile mine? Are these tears real? Am I feeling pain or is it just the chemicals and synapses dancing haphazardly in my brain, concocting this uncontrollable body that I do not know?

I cannot hinder my blood from screaming for help, but my heart cannot tell what my lips refuse to speak. Lips lie when I try to hide, the habitual sin I can never break. People must be punished for their sins. Locked within my prison, kept without my food, begging to be unchained yet pleading to cement my sentence. A prisoner cannot **** when they are dead.

He asks to help, but he is ignorant to the truth. My arms pull him close while my heart shoves him far away, dooming my flicker of a fantastical romance before it begins. It shoves them all away. The choice is shove or break. No one deserves this, the swirling vortex of uncertainty, depression, mania, unknown. How could I break them too? The only paths before me are to lose them or hurt them. Losing them would **** me; hurting them would **** me. My heart will be murdered either way. How inevitable it is for me to be dead.

This disorder is not terminal, yet its killing me quietly, so slowly, and forcing me to feel alone in even the most crowded room. To become an alien in my own world. They want to save me, but they don’t understand, she doesn’t understand, I am too afraid to understand. It won’t be spoken. Only on paper can my iron heart ease, only alone can I say what I know is real.

Bipolar.

1970 Odysseus visits cousin Patsy in New York City she introduces him to her best friend Lauren’s older less attractive more reclusive sister Tanya Mulhaney extremely wealthy family father founded corporation manufactures pinball machines which years later develop to video games then casino empire he favors and spoils Tanya but dies suddenly her envious sisters and mother gang up on Tanya is pale skinny flat-chested copious brown bush Odysseus sits in bathtub with Tanya and he probes in a way they hits it off maybe no boy has ever touched her in that way her complexion is so fragile slightest fluster prompts pink blotches on her cheeks neck chest back he admires her book smarts he’s attracted to her refined strangeness he thinks her bush and flat-chest are **** she laughs shyly offers to take him around the world he accepts Odysseus tells his parents Mom goes crazy yells into telephone what are you a ******? you father and i work like fools to send you to the best schools so you can make something of yourself you’re going to throw everything away to be a ***? i tell you we’ll disown you you won’t have a home to come back to do you hear me? we’ll disown you! she sobs how can you just walk out after all we have done for you? you ******* kid! Odysseus takes leave of absence from art school he and Tanya take Iberia jet 12 hour flight with stopover in Iceland to Belgium Tanya sinks into one of her moods swallows several pills to help her rest sitting on other side of Odysseus is curly haired skinny talkative musician claims he has jammed with Miles Davis and other jazz greats Odysseus says yeah right and i’ve shown with Johns and Twombly where exactly are you heading in Europe? musician answers he is a scientologist on his way to visit L. Ron Hubbard in England Odysseus does not know what Dianetics are and wants explanation he asks many questions and musician talks for hours they enjoy each other’s rapport as jet descends in Brussels they exchange home addresses in the States 9 months later when Odysseus returns to America a friend notices scribbled address while skimming through his travel journals Odys! how did you get Chick Corea’s address? do you know him? do you realize how brilliant he is? he’s a keyboard virtuoso! Odysseus questions Chick Corea? who’s Chick Corea? he looks at journal page then says oh that guy i sat next to him on the jet to Europe so he really is a famous musician huh? wow!

in October 1970 Brussels is damp chilly Tanya wears hip-hugger jeans black turtle-neck top North Face shell she huddles her arms around her chest smokes cigarettes looks through hotel room window out into gray overcast sky speaks in defeatist voice i didn’t bring clothes for this weather she picks at her plate in hotel restaurant glumly vacillates later in bed after refusing *** decides they leave tomorrow fly to Canary Islands for several weeks to get tan before traveling through Morocco during winter months Canary Islands are laden with Swedish tourists including bikini clad young girls many not wearing tops Odysseus is thinking about how to swing some of that Swedish free love once Tanya gets drunk succumbs to Odysseus’s ****** overtures it is good  one day while returning to hotel from beach 2 Spanish police stop and question Tanya and Odysseus police order to see their passports then command them into squad car police bark in Spanish rifle through their daypacks point a finger Odysseus can smell alcohol on their breaths Tanya and Odysseus are terrified police drive off main road to remote location abandoned ruins no one is around police order them to step out police drive off laughing Tanya’s complexion is crimson she sobs they could have murdered us no one would know who we are or where to find us we’re lost where are we? Odysseus looks around replies don’t worry we’ll be all right i watched where the driver was going we’ll retrace their trail

they fly to Tangier travel south by train Tanya is irritable insisting Odysseus carry her backpack Casablanca is ***** 3 men peer from sunglasses act suspicious wear tattered trench coats Tanya and Odysseus snack at cafe which provides hookahs for smoking hashish Odysseus scores several grams Tanya laughs suggests they rent car drive south travel to sandy beaches of Diabet for 6 weeks in the morning she paces around French hotel room with cigarette in one hand ashtray in other like she is sultry 1940’s Hollywood actress she stays in room and devours Penguin Classics Tolstoy Stendhal Proust Huysmans Zola turns out Tanya is sexually frigid she buys Odysseus anything he wants but does not put out they take train Marrakech it is sun drenched with blue skies mountains in distance Odysseus wants to go out explore get ***** with the natives he visits Medina daily witnessing many bizarre scenes he does not understand a woman squatting over an egg a man with no legs dragging himself through marketplace holding up cigarette butts in his hand he meets a professor who is out of work because king of Morocco has closed the universities due to teachers’ strike professor explains woman squatting over egg is fortuneteller and man dragging himself has been offered crutches many times yet makes more money playing off pity of tourists cigarette butts are for sale the professor invites Odysseus to visit Berbers in mountains Odysseus persuades Tanya she reluctantly agrees the 3 travel by bus in first-class front row seats vehicle filled with lively families chickens pig bus driver has assistant who lugs people onto bus or shoves them out door at a midpoint bus stops in little town everyone exits bus then men women children urinate in street local venders sell trinkets snacks Odysseus buys nibbles shish-kabob that later professor informs is roasted cat and dog they reenter bus wait suddenly butchered lamb flank is flung onto Odysseus’s lap a man climbs aboard bus stairs then grabs large carcass and heedlessly walks to back seat Odysseus wipes blood and slime off his jeans Tanya demurely giggles bus climbs mountains arrives at small Berber village professor leads them along narrow winding street of shanty huts sheltering merchants open kitchens professor tastes from various steaming iron kettles finally decides on one they are directed to rickety roof where they sit wait a boy comes up with plastic bowl filled with water and small box of Tide following professor they wash their hands then minutes later proprietor brings up simmering *** of couscous serves it with scratched raw plastic bowls no eating utensils they eat with their fingers Tanya seems bothered declines to partake she withdraws into silence after meal she becomes irritable complains of headache says she needs to return to Marrakech she remains standoffish on bus all the way to French hotel

after Marrakech they take boat trip to Italy while onboard Odysseus meets Italian Count who has an eye for him Odysseus wears Jim Morrison beat-up leather jeans Bruce Lee t-shirt scraggly whiskers Count wears thin manicured beard tiny red Speedo swim trunks Tanya grins amused Count offers Odysseus and Tanya to be guests at his villa in Milan city flourishes with stylish clothes loud lively restaurants classical sculptures covered in car pollution following several weeks of aristocratic wining and dining amazing 11 course elegant soiree Odysseus botches compliance with Count’s desires they are asked to leave Tanya laughs hysterically they board train to Germany based on Tanya’s tour book they find historic hotel with wind rattling windows coin operated hot water bath in Munich Tanya stays in room Odysseus goes to dance club meets brown-hared pale skinned German girl neither speak the other’s language he pays for hourly rated room they play German girl in animated gesturing warns him as he is going down on her but he does not understand until several days later scratching beard finds ***** seeks A-200 lice treatment German version leather pants disposed Tanya knows but says nothing she buys Volkswagen they drive through Black Forest Tanya wants to visit King Ludwig’s castles Odysseus does the driving mostly they listen to the Who’s “Who’s Next” and Joni Mitchell’s “Blue” he follows Tanya’s instructions not knowing who King Ludwig was eventually he learns Ludwig was colorful character built extravagant Disney like castles and friends Richard Wagner Bavaria is cold gray brown deep forest green scenic Swiss Alps visible in southern view they drive from Neuschwanstein to Linderhof to Herrenchiemsee then Freiburg lodge in bed and breakfasts Tanya grows restless by all the driving decides to ditch car along road in northern France as Odysseus unscrews car license by road side several cars stop French people concerned they need help Tanya is anxious hoping for clean get away from abandoning vehicle they board train to Paris Tanya speaks a little French in spring of 1971 they are backpacking in search of hotel on Left Bank it rains all morning sky is overcast Tanya reads “Pride and Prejudice” Odysseus draws in sketchbook at sidewalk café sitting next to them are older Parisian couple man detects they are Americans he turns to them expresses in English his contempt why can’t you Americans learn from France’s lessons in Vietnam? Tanya and Odysseus don’t look up they feel like dumb ugly Americans within days they leave Paris

cross English Channel by boat they find temporary apartment in Earl’s Court in London it is overcast almost every day within a month they move to larger place in Chelsea with backyard with run down English garden Odysseus weeds garden plants tomatoes lettuce carrots radishes flowers Tanya stays in her room smokes reads at night they go out to ethnic restaurants one night they visit Indian restaurant a very proper English woman sitting at next table orders exotic fruit for dessert Odysseus asks waiter what kind of fruit waiter answers mango Odysseus has never seen or tasted mango English woman delicately eats the fruit with fork and knife Odysseus orders mango for dessert he attempts to imitate how English lady proceeded fruit slips around on plate finally out of frustration he picks it up in his hands bites into it he is aroused by how luscious mango is sniffing with nose scraping fruit’s skin with front teeth then ******* the seed Tanya makes a face suddenly the seed slides from his grasp shoots across table Tanya’s cheeks neck turn scarlet voice raises stop it Odys! you’re disgusting! are you intentionally trying to embarrass me? why are you doing this? he replies i’m not doing anything to you i’m enjoying the most delicious fruit i’ve ever tasted who cares what it looks like? later she laughs about incident offers to buy more mangos promises to take him shopping at Harrods tomorrow he goes along with their arrangement until it all seems like pretty background scenery to an empty intimacy missing all his friends back at art school he writes about his loneliness he feels trapped in Tanya’s web several times he sneaks English girls into his room when Tanya jealously confronts him he admits he has had enough and wants to go back to Hartford she suggests at the least they fly to Bermuda for several weeks to get tan before returning he declines on June 30 1971 Odysseus returns to Hartford and Tanya moves to San Francisco on July 3 Jim Morrison overdoses in Paris

The band starts playing at a ***** and crowded backyard.
Rebellious youth gather to cast their vote with the stomping of their doc martin boots.
Beer cans everywhere, everyone's trying to let loose the raw stranglehold their society has produced.
The guitars go off and the ritual begins.
First they assemble in the heart of the pit.
In the center individual tragedies bring fourth the wrath of a God's army.
Anarchy you call it, Ha! I call it reassurance, reassurance that this anger is surely communal.

I never saw it more clearer, the youth's power to resist: If the government wont hear us, we will create our own sound even under the batons of fascism, we spit on your rule, your control of our art.

We wont bow down to a law with our names written all over it, while another politician walks free from corruption.
While another officer guns down an un armed child and calls it self-defense.
While suspicious mass shootings continue to occur and mass cameras grow in recording.
While you send more people off to war for another countries resources.
These thoughts explode out of me into shoves, screams, ****** cuts, reckless behavior, and then finally release. Pure psychiatric release.

script on screen life is but a dream a b c d e f g gee **** g-chord ******  geezz script on screen row row your boat h i j k ellemenoh *** oh please baby *** for me let me watch you stream merrily merrily merrily script on screen q arrest tee you vee double you x why zee

last night i watched a woman answering questions about ***** size she spoke about the toilet tissue roll test for years i’ve been thinking my ***** is rather undersized (compared to studs on **** sites) this morning i took the test undid the roll from wall and stuck my ******* in the hole at first i had trouble getting it in so i guess my thickness is healthy then i slowly managed to shove the entire head of my **** out the other end by that time clear pre-*** was dripping from my ***** hole pressure from my hand gripping tissue roll felt surprisingly arousing i began ******* the roll squeezing pushing in deeper jerking almost bringing myself to ****** i passed the test the toilet tissue roll appears kind of twisted indented

what will happen next hoping for heartbreaking story with happy ending man masturbates while woman urinates both watch each other intently what is so fascinating

Asheville is small yet monumental by luck or fate he hooks up with Tim Calaprese a gregarious loving soul Tim loves women and wine and dogs particularly Farina he owns a beat up old house on steep hill overlooking downtown Asheville Odysseus rents a room for $200. a month Tim is a wine salesman and gone much of the time Odysseus is critically destitute he goes to Salvation Army they provide bed-sheets towels he sells tent and camping equipment to hippies on Haywood Street for several weeks he and Farina live on convenience store hotdogs he gets job prepping house exterior to be painted his boss tells him he is a good worker after a hard day’s work the boss lays him off he gets hired as a waiter for the dinner shift in the restaurant of a resort hotel he is weary of waiting tables but needs cash in the mornings he takes Farina to ****** Lake to swim then they go back to house paint on the porch many mornings are overcast with fog around noon sun comes out warms afternoon Odysseus loves Blue Ridge Mountains he paints a series of mountain scapes while listening continuously to Palace Brothers Pearl Jam Pavement Sebadoh Steve Earle occasionally he works on story about the clone sometime in 90’s DNA has become a factor and he needs to incorporate detail into story

on stormy afternoon in July as thunder echoes through Blue Ridge Mountains phone rings Odysseus is suffering from severe attack of food poisoning it is difficult to reach receiver phone keeps ringing it is Penelope her voice sounds shaky she says doctors have diagnosed her with leukemia it is startling shock she is only 43 years old his stomach rips he needs to run back to toilet telephone cord is not long enough Penelope says it is urgent Odysseus return to Chicago to see if he can be bone marrow match for her he tells her he will drive up immediately after food poisoning passes Penelope becomes irritable he can feel himself leaking between his legs hangs up immediately runs to toilet spends most of night in bathroom brief naps in bed in the morning he hears someone knocking at door he does not know who it is he cannot leave toilet he hears footsteps enter house call his name Odysseus are you there where are you it is Penelope and Sean he flushes toilet comes out to greet them what a weird surprise why didn’t you think to give me some notice he questions as he lies down on bed Penelope and Sean want to take Odysseus to hospital he tells them they are overreacting food poisoning will soon work its way out of his system Penelope asks if there is anything she can do Odysseus answers Farina hasn’t been out for a good walk in days Please be an angel and take her up the street there’s a field there she likes Penelope calls come here Farina let’s go for a walk Farina follows they depart out door Sean sits down at foot of bed he forcefully speaks Odysseus i know you you like to skew the facts to fit your own purposes then hammer me for whatever make-believe you can cook up when are you going to finally start being a man live up to your responsibilities Odysseus questions what facts are you talking about i’m sick as a dog now is not the time to have this talk Sean challenges yes it is you listen to me your sister is sick and needs your help Odysseus replies i’m heading to Chicago as soon as i’m well enough to travel Sean insists that’s not soon enough we’re taking you to a hospital Odysseus stands from bed Sean stands up facing him they stare each other down Odysseus goes to slip on jeans Sean stands in the way Odysseus tries to step around Sean shoves Odysseus back unto bed Odysseus stands shoves back fistfight ensues mostly Odysseus throws wild punches Sean blocks as they violently jostle out door Sean trips on wet porch falls breaks rib Odysseus grabs his pants car keys flees Penelope and Farina watch puzzled as he drives off day after incident and departure of Penelope and Sean Mom calls insists Odysseus return without delay to Chicago he answers i’m on my way Odysseus packs car with Farina drives north he feels pressure of his family envisions himself as piece of living meat whose sole purpose is to supply Penelope with bone marrow momentarily imagines his family as predators Mom is the real killer she knows how to delegate ****** Dad had been a killer for Mom Penelope has learned from Mom how to contend Odysseus is weak link he taught himself to brave harshest conditions yet is no competitor he is worker bee stupid dreamer all alone in greedy predatory world more than anything he loves and wants to help Penelope he is annoyed by nervous tension of family

one day i was talking to my little sister.
she asks me if i was ever depressed.
i tell her yes.
her eyes widen and her lips are mouthing 'why?'
'babe, i'm transgender.'
'is that it?'
so i begin to explain to her the things i feel.
i tell her how everyday i can't wait to get home
and slice open this body i don't know
with a razor from a convenience store.
i tell her i don't know how to act like
a girl for mom and dad, but apparently
i do a **** good job because they
don't notice i'm not.
i tell her that for fourteen years
i've wanted to cut my hair short
and never have to wear a skirt to church again.
i tell her about the pain and fear of
going into a public bathroom.
i tell her about the looks the kids at school give me
and the shoves from behind
about the **** binders and
the locker rooms.
i tell her that i don't know what they
want me to be, and if i can be it.
i tell her all i want is to be called 'he'
and feel like they mean it.

she pauses and gives me a look that says
even though she's too young to understand,
she does.
'i've always wanted a brother.'

Independent is the word they all use,
They tack it on me,
Let it hang a crooked ribbon.

Seeing all the things I already knew
Transcripted on the blanks of stacks of white and black,
Reverberating off chapped pink lips,
Takes me aback, shoves me into the corners of myself,
Tastes new like bird meat ****** off the bone tastes new.
I want to cut it up into little squares and abandon it in tupperware.
At least for a few days.

only today i came across what interested Heidegger
after writing being and time, a selection
of essays, revealing that he came to be interested
in language - not knowing this, by mere study
of the introduction some things became apparent -
being quiet democratic in my reading it's a shame
i don't have the academic leisurely pace of becoming
a Heidegger specialist - it's the almost damnable
pulling-apart having to cite many influences and not
focusing on one, but since i don't have academic
leisure, the summary in the introduction
by jeffrey powell (editor) of the book heidegger
and language will just have to do: apropos this
being an antidote to those bemoaning that we only
write about reading books, carefully choreographic
our lives for mints and espressos and ammoniac
(inhalants in a boxing ring nearing a knock-out) -
hide pretty bird, hide, hide pretty pretty bird
first your song inside a cage, then the cage inside
the heart, and thus the song with the cage,
silenced inside the cage, raging mad inside the heart.
well, the antidote is that i already have some ideas,
and reading the essays contained in this book would
put me off what i was intending to write about,
so, in summary, read the major work, then read introductions
of critical books from those studying the subject,
invent an original approach from that, and elsewhere.
before i venture into the whole affair of having to
reread certain passages from the introduction as to
guide me in this Bermuda Delta i what to do a little
sidewinder interlude:
in chemistry there are two major bonds (for the purpose
of what i'm intending, let us just assume that
we're only talking about π and σ bonds) -
and while psychology dehumanises man to strict
theories without clear proofs to a universal standard,
i want to do what will come later regarding Heidegger's
take on language, for me there's no clear philosophical
vocabulary to be used - i'm not into orthodoxy and
rigidity which says

                piquant sun strokes against
                the bargains of spring's last
                hope for a kept bazaar
                to bloom to then deflower
                petals from trees fall to earth
                like glasses, the tree stands
                as a reflection of shattered glass
                the petals remain the tree intact
                worn at the Royal Ascot
                or in a woman's hair.

obviously something like this is a poem - what i mean,
however, concerning what's identifiable as philosophy is
to me the following:  
                                        blah = monotone x algebraic
                                                    for­ non-differential
                                                    purposes, just filling up
                                                    the page

            blah blah blah blah blah blah subjectivity blah blah blah blah blah blah essentially blah blah blah blah blah blah in-itself blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah thing-external v. thing-internalised blah blah blah blah blah blah blah blah blah blah blah metaphysics blah etc.
                      
                          and so on and so forth, a fixation on using a certain vocabulary to be equivalent or justification to be "apparently" talking philosophy... yet still no gain from the words of grammatical categorisation... for me? too many propositions, the basis of what the academic environment deems to be "pure" verbiage, or none (akin Wittgenstein) - that famous quote about a lion and having tea on Tuesday... or as Buddha would say: said so to shatter thus the fear of ketamine thoughtlessness;

but that's beside the point, i want to return to
how any chemist might treat psychology as a science,
keep it up to date, given that psychology likes
to shove its nose in everyday activities for a strict
expression of equivalent rubric that mathematics already
possesses and shoves into a child's brain to make
the child become accustomed to symbol encoding;
so π and σ bonds, let's say between two carbons atoms...
but in psychology we don't have the luxury of
many alternative examples...
me and language: to write in terms of optics,
to encode images rather than sounds,
language as optometry rather than a hearing-aid...
so what "elements" do we have in psychology,
essentially what defines consciousness, its sub-plot
and its unfamiliar territory - the using the dusty
Freudian units, we know the concept of the superman
(superman was a bad bad boy) from Nietzsche
evolved into the super mm hmm, and we know
there are two other units, mm hmm and the id /
it or that? it is for me, that is for scalpel for the analyst,
the prober, unlucky for the person who took to
objectifying himself, but better than being objectified -
still, remember i'm working with language in terms
of optics rather than phonetics - enough organic chemistry
diagrams and you will see that the bonding between
mm hmm, the super mm hmm and the gemini id
(one the patient, the second the analyst) trapped inside
an electron cloud of bio-electric processes is rigid and
stable due to the opposite of π and σ,
i chose the optic route using the bonds δ and ψ -
symbolically δ is the mathematical term for sum -
summation, the total of - currently i have no clue about
the significance of ψ just yet, but ψ is a symbol of
psychology like caduceus is the symbol of medicine;
a brief expansion on the natures of the bonds,
quack-science δ bonds being all alike meaning uniform
meaning holding every aspect uniformly, meaning
that a δ bond is of the same nature between mm hmm
and super mm hmm in a petri dish within the
solvent of the conscious sub-plot, likewise other variations
δ bonds are uniform bonds, i.e. ensuring one detail
is related to the other, and so to others.
ψ bonds, not much expansion here as promising detail,
asthma the highest research of breath, and all
major theoretical squeezing through the Suez -
depending on the measure of breaths, we can depend
on the internal things - but never so much Pamplona encierro
cleaning-up to do theorising an affirmative sound
like mm hmm, or other affirmative synonyms -
if it were can *****, it would be mince rather than
a clean dissection - mince meat, should mm hmm be
not an *****, let alone a body. so many attachments
to mm hmm these days, it should be attached to zoological
studies than activities of breathing: theory as a cage,
one after the over, eventually not even cages but
the caged animal turning into matryoshka doll -
Kant doesn't venture into the dynamic of his thing-in-itself
represented by the matryoshka as ad continuum -
maybe he does, but to me here merely pinpoints it,
coins the phrase noumenon and ensures the thing
is opened, god or nothing is put in it, the thing is
closed, locked and the key to unlocking it is thrown
away and never found (i'll mention a short process of
his argument some other time, most notably his
three impossibilities concerning proving the existence
of god: ontological, physico-theological and cosmological).
yes, i know, when reading these ****** books
i have to paint the arguments, i need to simplify
them, a poet reading a philosophy has to paint
the words - the best poetic technique applicable to
understanding philosophical books is imagery,
not as a technique of for the purpose of writing my own,
but as a way to paint what was written by some boffin -
precursor to understanding the three impossibilities
of proof, i find it strange that such proof is necessary,
what would you do with it? prove it once on
paper, or in your head, show it to everyone and then
slowly everyone is able, then the so called "man in
the sky" - it seems strange that scientific positivism
of the Enlightenment supposed such a proof, the proof
is more implausible than the existence - Bertrand...
just smoke your pipe and sit in the easy-chair talking
******* with Wittgenstein... more on that later.
i promised quotes from the above mentioned book
(heidegger and language)...

           das wort kommt zur sprache,
             das seyn bring sich zum wort.

working from phenomenology, to later reject it,
thus precipitating the school of deconstruction-ism,
and with Heidegger we do get to atomic elements
from words, from compounds, thank god there are
no sub-atomic ventures with language, quiet impossible
to de-construct language beyond this point,
let's face it, if you go as far as:
'as preparatory for raising the question of being...
language is one of three constituent moments in
the analysis of the being of the da in dasein (being there)'
furthered by equal atom bombardment replacing
the un-compounded sein (verb, be) with seyn (conjunction /
noun, being) - this is modern physics to my understanding,
i'm not particularly interested what he's saying,
i'm interested in painting what he's saying -
i'll spare you the details of what philosophical systematisation
is actually involved in: restricted vocabulary -
a certain limit is allowed, rigid meanings are involved,
rigidity of drilling in of non-deviation, philosophical
systems are not dishonest in that they are consistent with
a limited vocabulary - i will spare you the torture of
seeing one ball being juggled - the shrapnel of the English
language makes it even more distracting to understand,
as with the above, another e.g.?
'every saying of beyng is held in words and meanings
which are understandable in the view of everyday
references of beings, and are exclusively thought in
that view, but which as expressions of beyng,
are misunderstood...' of course i could be cherry picking
Heidegger like a Jehovah's witness cherry picking
the bible, but i'm not interested in what he's saying,
merely painting you the picture, to scale then:

books                      -              celestial objects
chapters                 -               cycles of celestial objects
paragraphs            -               prime features of
                                                 celestial objects
                                                 (e.g. Jupiter's red eye,
                                                  Saturn's ring,
                                                  Earth's oceans
                                                  and continents)
sentences                 -              
words                       -
syllables                   -
letters                        -             atoms / elements  
                                           ah, it was going oh so well,
i think i started too big, and went into too small,
which made visualising sentences and words and syllables
hard to compare what could fit between
Australia and and atoms of RuXe - by chance ruxe is
an actual word, no as stated ruthenium and xenon,
although that too, ruxir (ruxo, ruxin, ruxido) in Galician
meaning to roar.

Niacin formal chat night
She dont wanna hear about her grudges moving through the mud
In a crowded dinning hall
Shoves her platform sneakers between the path way
Locked ankles with the smite
You only ever bring in the neighbors dogs, if you only ever toss your cats in the trash

Tight hugs
Sitting close
Playful shoves
Eyes closed

Breathing in
Breathing out
Lips are silent
Heart shouts

My guy friend
Is a part of me
A part that you
May someday meet

The time we spend
Is so precious
My favorite memories
Are of us

I guess there's nothing
More to say
I'll think of something
Another day.

TRIGGER WARNING*

They met at a dance recital.

His eerie blue eyes watched her, stalked her,
riveted by sinewy skin and the way her legs stretched and parted
skillfully, seductively: she knew how to captivate her audience.

They had mutual friends.

Her curiosity thirsted for more, for she had been taken
over by an empty lust, broken by another, but the way he spoke:
she felt as pretty as his charms sounded.

They went on a date.

He kissed her, pinched her, and spread those legs
that comprised his fantasies, not caring about the bruises he left
when he took off her lacey coverings, pinning her to the floor.

They learned more about each other.

She saw the empty, carnal look in his eyes, but her pleas
and shoves were not enough to lessen the weight of him, to push
his hands or his hips away, as he broke her over and over again.

They ended the night with a kiss.

He grabbed her face like a starving man grabs his first meal,
forcing an intimacy she could never get back, but he said,
“You liked it, didn’t you.”

They kept in touch.

She tried blocking his calls, his messages, asking her if she’d
come over to his place. Like the continuous force he prodded her with,
the pounding in her head beat out a thumping heart-line of no’s.

She married off to a village chief at age of 14,
But only after being chopped of a ******* in a Maasai
Ritual of FGM, chlitoridectomy or you name it,
For the African elders strictly marry circumcised virgins,
What a ritual so pernicious that my nerves panic with fire.
She gets into a marriage now, Male sided marriage,
Where women and distaff are seen, but not heard whatsoever,
It is her well rounded buttocks, sharply ***** *****
Tight thighs and sweet sensuous moans to be made in bed
That matters most, but not her thoughts not even human feelings.
She starts of her day by morning glory; early morning *** at 5.30,
Then she jumps of her bed, whether sexually satisfied or not,
She goes straight for her broom then begins sweeping,
And scrapping her house, the main house then the kitchen,
No brassiere under her blouse or lingerie under her skirt,
For you never can tell when the chief’s cloud will accumulate,
Into thunderous rain, ready for planting and planting,
She then prepares porridge from millet and sorghum
Or Soya beans, ground nuts and simsim for the children
To take before they leave to school, both her children,
And those sired through out-growing by her husband,
Then she goes at the cow shed to milk her native cows,
Which she milks by dodging ceaseless kicks from the angst ridden cow,
She sings and whistles hymns for the cow to calm and stand balmy,
But coincidentally her last-born baby, three months old boy,
Named after the paternal grandfather wakes up,
Starts crying and croaning for attention, suckling,
She shelves milking aside, and rushes to pick the baby up
Not because of anything but lest its crying may disturb her husband
From sweet morning sleep, it is so bad and punishable.
She picks back the baby, using a shawl as a cot,
Then comes back to the milking shed, to resume her work,
Only to come to a surprise; the calf un-knoosed itself
And has suckled its mother’s udder dry, foam frothing
At the mandibles; she picks two litres of milk to her house
To the kitchen, starts cooking for her husband, two calabashes
Of tea, over spiced with milk and Kericho tea leaves,
As the husband is called to a treat of mellifluous tea,
She jumps at washing her husband’s clothes;
Unmarried brother-in-law passes by, and runs back to his cottage,
Scoops and brings his grimed Jeans Levis Straus trouser,
Also to be washed by his in-law, as the woman belongs
To the clan, to the entire community but not singly to the man
Or the husband who married her, she washes it minus qualm,
Lunch hour knocks, she rushes to the kitchen and cooks,
For the children are about to come from school, they must eat
Eat on time, if not declare this woman a public disgrace
Who can not cook for the community, forget of the children,
Evening comes; she cooks again, her baby still on the back,
The husband complains of the food being not delicious,
Salt was not enough, she did not put in pepper; a stupid woman!
She accepts her mistake and apologizes effusively, or else fire!
She goes to mend the bed for the husband to rest, plus the baby,
She goes out behind the hut to take a bath,
The husband has not yet constructed a bathroom,
For fear that evil neighbours can plant there voodoo
It can **** the husband to forego his wives and cows,
She comes back to her bedroom, when drying herself up,
The husband goes up in libido; he forcefully shoves her to the bed
As the giggles desperately, he jumps on her bust, minus foreplay,
No single kissing, pinching, nor fondling of the breast or even kissing her
On the stunted *******, he penetrates her mechanically, like a block of stone
He introduces himself deep and deeper into her,
Then he releases warm ***** into her, before even she is aroused
He falls asleep like a log of wood, leaving her wide awake on a flame
Flaming ****** desire, burning and torturing her like an abyss.
This rhythm repeats like a circa, on a pattern of regular basis,
She endured and finishes one year without getting pregnant,
The husband gets self-suspicious and irritated, very irked,
As per why the woman on whom his cows were wasted is not receiving
His very powerful seeds, to become pregnant, to carry his son,
He beats her up, ruthless flogging and kicking, kicking her buttocks,
Insulting and lambasting in heavyweight measure, down to ash pit
She apologizes and promises to be pregnant in a fortnight,
To which the man accedes; but…but…but let it be
That you miss to be pregnant, I will chase you away,
I will repossess my cows, I squandered on you
In payment of your pride price; dowry
To marry a reproductively better wife.

Consumed by the constant rolls that play
Developed so well, recorded so well
Chasing the aroma that gently caresses the keys of the grand olfactory organs
Sinking into the fibers that catch me when I’m melting
They remember the tight grip that I’ve imposed on them
The grip imposed on me
Yet I want to sift through
Entangled by the loose strands I can’t help but to make vulnerable
The sway in the tongue that rolls tones so heavy
Leaves me tender
Such fervor unfolding itself, irritating the chests it lays on
Ethanol giving shoves until the words rupture into your gaze
Listening for more in hopes the shower could saturate me again
Hopeful and tender, I immerse you in ego
Later washing away everything that froth before our eyes
Then repeating the same intoxicating copulation
Until the light breaks through and I’m presented an abbreviated endearment
Leaving me instilled until the next time it’s decided times can concur

I stand naked in front of the mirror. It looks back at me, its eyes don’t seem to follow myne. I can hear it’s thoughts as it says, “you ugly fool, why do you even bother with me…” It whispers every single one of my flaws to me and darkness fills my peripheral vision and they are all I can see. A strange, black being enters the empty, dark room and shoves a sewing needle into my ugly, skinny, white arms and then sews the rest of the string into the arms in the mirror. The beast shoves the needle into my ugly, brown eyes and connects the string to the ones in the mirror. Once every one of my flaws has been connected to my reflection I stand there stuck. The beast watches me scream in agonizing pain for hours, days, years. I think to myself, “this is no way to live,” and I go to throw my arm back, then hesitate, then I do it. I throw back my arm and I watch as the string gets ripped from my flesh. The searing pain hits me and then almost immediately the wound heals itself but it leaves a scar. I throw my head back and the strings rip from my face. The beast watches and cries, it seems to be in pain as I pull out my strings. Each missing string makes it weaker and weaker. It tries to fight me, to stop me. I resist and continue to pull out the strings. Once I get all of the strings out the beast bursts into light and the once dark and eerie room becomes bright and white. I now wear heavy, thick, soft, white robes all over my body. I turn to look at the beast and it is a beautiful pink light. The mirror had a golden frame and when I look into it I see me. I see my perfect imperfections.
END

4/17/17

You ever wanna lick a lollipop?
You ever wanna take turns licking the lollipop
With your loved one?
You ever wanna lick the lollipop at the same time
But your loved one shoves
the whole lollipop
stick and all
Down their throat
Swallows it
Asphixiates on the mere Concept
Of ever having licked the lollipop in the first place
Let alone the reality that you
You, the love of their life,
They, the victim of ultimatum
Have both licked the lollipop?
.
.
.
Have
You ever been the lollipop?

“Disaster Dan” skids into the Center's
Game Room
War Room
Control Room

Fueled by a red T-shirt
proclaiming “Vince the Pizza Prince”
He flips out his cellular...

“IT ISN'T UP TO ME!"
(Where does he get all those broken remotes?)
...flips open his cell
and shouts commands

“TURN THE POWER ON!"

“YA HEARD ME!" (He is totally in control)

“Fsssss    Fssssss   Fsssssss
THE PIPES ARE ABOUT TO BLOW!”

Drives his cruiser around the pool table
Pulls alongside
Fixes me point-blank and cockeyed

“GET THESE KIDS OUTA THE BUILDING!
THERE'S A BOMB ABOUT TA GO OFF!”

An eight-year-old spins iz finger round iz ear
and points a giggle

Dan--
the kind of guy whose life peaked
at Mount Saint Helen
Does a warlock for Halloween
Carries a portable showcase of horror
prized possessions in a dishpan
He explains his treasures

“That is NOT
a plastic scorpion!”

Offended by my ignorance
shoves it in my eyes

“THIS IS A PREDATOR ALIEN, STUPID!"
“CALIFORNIA WILL NOT COME BACK!"

Dan sorta likes me
We talk horror flicks
He forbids the serious of me

"CALIFORNIA WILL FALL OFF INTO THE OCEAN!”
he hisses in a spray of spit
Walks way, laughing, delighted!
Shaking iz head

Then back in my face again (for emphasis)

“DO YOU UNDERSTAND?!"
(He is dead serious)
"THE GUY THAT CAUSED THAT HURRICANE
WAS PAUL MCCARTNEY!"

His counselor fills in my blank
“Dan likes the Beatles
That's the only thing he likes
that isn't heinous”

Together we swim,
Skin touching satin skin
Fingertips grazing knees and thighs
As my engine of a heart enters overdrive with glee
Her breath keeps me alive against the strain of our instincts

My breath catches and my body contorts
Until I am suddenly entangled with a hooded figure instead
His heavy limbs pin me against the wall and his hands greedily search through my home
I realize I am being robbed but
He's not a stranger

His lips warm my neck and I choke on his telltale cologne as his hands hastily break through the deepest closets that house my innocence, my treasures, and no matter how sternly I refuse, he shoves through the doors until he finds exactly what he wants

I thought it was hidden

I thought it was safe

I thought it was mine

He smiles and lavishly thrusts his hands into my special box
Thanking me,
Between heavy breaths,
for giving him access to my prized possession,
To my heart

But
when he asked for a taste
I refused. But
He insisted and
Kept pushing
Pushing
And pushing against the wooden door until it splintered and snapped and he could enter with
Or without
My permission

Once inside, I had no choice
but to let him manhandle my possessions,
I can never again close that door that He broke
To fulfill his needs and
To satisfy his craving

Although he leaves with satisfaction dripping from his palms
I know it won't last forever
His hunger will return again,
Stronger.

And no matter how much I invest in new locks
and thicker blockades around my special space
He has already stolen a taste of the core of my emotions that
That door served to protect

He will return again,
with a sense of entitlement to my insides
And I won't fight back

Because his sweaty palms and greasy skin have already leaked onto the pieces
Even those he had not yet touched
My pure and personal secret now leaves nothing but bitterness on my tongue and stains on my body

And now,
I still feel his hands, not hers
I hear his breathing

Feel his weight pressing against me,
His hands destroying my body

I become hysterical and
Tears burn my eyes and stain our sheets.

I see the panic in her eyes

She doesn't know

She doesn't know I'm ***** and broken

She doesn't know why

And I can't
stop
crying

She's scared.

I would be too

But I'm dead inside.

My mother enters the kitchen, says that her hands
are dripping, begs my father to finish his work
at the sink.  I observe, for a moment, the expression
upon her face which seems conflicted between
a desire to laugh and a need
                                               to feel clean.
I interject that clearly her fate is to have
dog placenta on her hands for all eternity.
Her disgust and amusement seem equally to rise.
After she has washed herself, she speaks of
Ponyo's last intermission between long
intervals of birthing to nap three fleeting minutes;
another contraction gave way to a wriggling
new mole who squeaked and groaned with
bizarre endearment, seizing my heart and causing
its mother's head, after jolting awake,
                                                          ­     to go limp.
Mom says it's sad-but-sweet.  Dear dog
has spent herself six times already in increments
which, as they increase, draw her spirit still closer
to a totally inevitable chasm of fled energy;
as soon as she falls asleep, yet a new indignant mass
of living parts swaddled in loose skin and wet fur
shoves its way outward, forward, world-ward.
Ponyo is not selfish.  Immediately after birth seven,
she begins to lick her offspring clean and nudge it
towards her belly, where it may feed itself.
"Only just got a break, and already she's
                                                           ­         back to work."
I'm one of five children my mother has carried
and raised--and for a human, five are many!
I'm afraid to give birth even once, despite
that a greater want of mine is to hold
my own child someday.  I wonder if that
is motherhood: discomfort and indecision
concerning the worth of the effort in labor,
in birth, in the weak moments thereafter--
stroking one's child's downy, collapsible head
and feeling a need to protect her, to nurture her,
that is more pressing even than the so-
alluring whispers which Sleep may breathe--
and even beyond these moments, when I have said
to my mother that I hate her (because
to me, it was obvious that I did not,
and was too callous, obtuse, and insensitive
to think that she might just believe it)
and then missed church the next day to stay
with her when she felt ill and tired--if this
is motherhood, I wonder.  It must be more even
than I could ever have thought like wanting
to laugh and to wring one's hands
(and even just to go to sleep)
                                                all at once.

There's a thin line between obsession and love
Often hard to discern
Obsession sits in the bathroom while you ****
Love shoves a magazine under the door

You get what you get and you don’t throw a fit.

Like it or lump it.

The only constant is change.

Stop crying or I’ll give you something to cry about!

Life isn’t fair!

If life gives you lemons…make lemonade.

I feel trapped. Trapped in this life I don’t want to be in, trapped inside my head, inside this messed up, used up body. Trapped by the conflicting voices that argue and debate constantly…never a minute of peace and quiet! Trapped!!!

I continue to live inside this chaotic crazy world of confusion and I don’t know which way is up anymore. I cancel appointments, I lash out at DT, tell him he isn't helping me and I hate him. I dissociate, to **** the pain, I abuse the drugs that have been prescribed, SI to try to get the bad out of me, I don’t sleep, most weekends I don’t even have the energy to go out of the house…but none of it matters….because “it’s all part of the process”…perhaps DT could provide me with a bullet point of the ‘process’ so I can see where I am now, and how many more bullet points there are to go…so I’ll have all the evidence and be able to make an ‘informed’ decision of whether I have the stamina to do it. Isn’t that part of the ‘discovery’ process?

Nothing gets processed, it never gets better. I don’t think I even understand the concept anymore. I mean I’ve read so much about it…treatment approaches; behavioral, psychodynamic, cognitive, eclectic, holistic, existential, person focused, CBT, DBT, and more! I’ve researched and studied trauma symptoms and what to expect, how to handle them. I’ve read about the long-term effects of childhood abuse…the fear of abandonment, inability to trust or feel safe, inability to self-soothe or regulate emotions, depression, anxiety, eating disorders, self injury, suicide ideation, the tendency to ‘repeat the trauma’.… oh, I “understand” it well, from an educational perspective. I have good insight. I can explain it to someone else…but emotionally, and physically…personally, I don’t comprehend it, I can’t apply it to me. It’s all just words, I have no personal connection to them. Just like the terms: mom, dad, safety, trust, intimacy…all words in a dictionary. I understand them, I know the ‘meaning’ of the words but I have no real human connection to them, they have no personal meaning to me. Like reading a physics book…all words and terms and models and notions and things…I sit and observe externally, but none of it is part of my internal world.

That’s my problem right now…(well, one of) is no one listens! *NO ONE HEARS ME!!! Everyone just shoves information at me – techniques, tools, lists, print outs, videos, cds, diary cards, words…and I see them, and hell, I’m pretty sure I could teach them all to anyone with an IQ over 50 – but how does it relate to me, to my life? The stupid exercises in DBT…”practice them” go to class, talk about them…
DBTC says, *“Don’t you feel better/happier/distracted/grounded/soothed now?” And I just pause and take an internal inventory and say, “NO!” I don’t because it doesn’t do what it’s supposed to do.
“Oh, well, then you must be doing something WRONG. You are a failure – you aren’t trying hard enough.” Yes, it’s my entire fault. I will try harder. And I try harder, and it doesn’t work, and then I become more frustrated, like a 1 year old trying to fit a round toy into a square hole. It doesn’t fit! And I try it over and over and over, and it still doesn’t fit. And I become more and more frustrated and feel more and more worthless and stupid…and no one listens because it’s my fault. I’m not trying hard enough! I should be able to do this! I should be able to ‘soothe’ myself and ‘ground’ myself and ‘feel safe’ and make him go away when he comes to me at night, and be happy when I’m sad…and pretend, pretend, pretend, fake it. Shut up and behave yourself, young lady, so everyone can see how much better you're doing...another DBT success story!

Nothing is shifting and I’m still stuck. Read it, live it, apply it, love it! I read the material like it’s a prerequisite class in college. I study it, I learn it, I recite it, I ace the exam, I can tutor others on the material…but like finite math – I’ll never use it, I don’t apply it in my own life. I don’t incorporate it on a personal level – it’s just a class I have to pass to graduate.

Nothing is stable, nothing is safe, there’s nowhere to turn, no one to turn too. There’s no one here – no one listens – no one cares about what I say is working or isn’t working. The echoes of my screams just resonate through the cavernous canyon. I look around for the Verizon network and there’s nothing – no one. No one HEARS ME! DT used to hear me, but not anymore because now you don’t have time. “Sure I do,” says Dear Therapist, “I have a whole hour.” And you can call me until 10pm each and every night, if you need too, and if I’m available and not (enter: in session,  at the hospital working, running…or just plain not wanting to answer the phone) I will listen. In other words, if everything else falls through, then 'maybe'. Gee, I should jump on that.

Truly, I should take it, run with it, put it in the blender with some water, and make lemonade for EVERYONE!

Yes, my world today is so much different now than it was then. The only difference is the scenery.

Everything is still there: the fear, the lack of trust, the lack of safety, the ED, the SI, SIB, the pieces of me, the unfamiliar woman in the mirror looking back at me.

There's no where to run to… no where to hide....from myself. That's what it comes down to in the end, I can't hide from myself, and I can't seem to help myself either.

It gently rocks her to sleep,
But a sleep filled with nightmares.
It sweetly drowns her lungs,
Leaving her desperate for air.
It lovingly shoves stones down her throat, making it impossible to swallow.
Finally,
It thrashes her against the jagged rocks that lie in the sea.
All she ever wanted was just a dip in the water.

The
weight of the world sitting dumbly on
those fructose eyelids.

They, in turn.      melt into the mummified  
morning.

laying in the corner forever like a
favorite-shirt
ruined in the wash.
Every other stripe on you is stained pink
from
some cheap volunteer tee that ******              up
The whole load.

Each ray from the blinds
Takes some life away.


Searing past you- into the floorboards
with
quiet fury.

Time passes_
It shoves us down into compact spaces.
(but)
I thought of you
In a shoplifter's prayer.

(There is something left that evaporates out in the form of you)

I imagined you
Still.
But growing
Like
Crystal salts
Crusting up the pores of the earth.

Vapors fumbling upwards to rehydrate
My dry fingers_


We make decisions . that stick around.

We break off blisters. Rip little things that hang off our lips.
We take breaks before we need them.
Take too long to say
**** this.

Thoughtlessness.



Somewhere out there, they are screaming loud.

Somebody either cares or
Doesn't.


The marks on the carpet know better than
us
How to last forever

I must look like a train-wreck to everyone at this party. Emaciated-chic melting into the couch with shaky hands and sweaty palms has never looked good on anyone. I can’t tell if the bass pounding from the stereo has seeped through my skin or if my heart has turned into a battering ram, using all of its power to break through my sternum. You think I would have learned after all these years-- benzos and ***** are never a good combination. But I still have at least fifty bucks to make at this party off of over-privileged, toxin-craving youth. Besides, it’s a bearable feeling, and I can just sleep it off on the couch here tonight.
       I survey the room, attempting to remember where the stairs to the basement were located. After forcing my drooping eyelids to stay open, I watch a parade of lax bros make their way up the stairs and into the kitchen. They are a mess of scrawny limbs floating in pinnies and their air-filled heads are capped off with snapbacks. Their smugness is laughable and mostly, if not entirely, induced by massive amounts of *******. Please. The only reason people show up to this dump is because of the free ***** and the always-entertaining fight that is guaranteed to happen by the end of the party. Even then, the crowd is mostly freshmen, and they just don’t know any better.
       A booming yooooo crashes down the staircase and stumbles towards me. I refrain from rolling my eyes.
       “Hey, you!” I have no idea who this is.
       “Whatchyew got tonight?” asks the greasy manchild with a few scraggly hairs bursting out of his chin.
       “Depends on what you’re looking for,” I respond, wishing I had worn something other than an oversized sweater and leggings. You shouldn’t hide everything in your cleavage.
       “How much you want for the zannies?”
       Hoping to never see this scumbag again, I figure it wouldn’t hurt to scare him off by jumping the price to seven bucks a bar. But before I can even grab the plastic bag out of my bra, I’m momentarily blinded by piercing red and blue LEDs out the window.
       “Aw, shiiiit,” he says as he races toward the back door.
       I struggle out of the crevice in the couch and calmly follow the manchild, pushing my way through the crowd by the door. My car is waiting patiently for me in the cul de sac, and once I get past the herd of screaming freshmen, I’ll be in the clear. Anyone will move if you start throwing elbows directly into their ribs. It’s a nice party trick to use when the cops show up.
       I’m able to make it onto the back porch, but I can’t seem to find the strength that is located in my legs. My strong limbs have been replaced by jellyfish tentacles. I grab onto the railing of the steps, but I learn quickly that it’s not going to help. I trip over my feet, the stairs, the air, everything, until I am able to lean heavily on the driver’s side of my car.
       The booming yooooo reappears.
       ******* it. I can’t deal with this kid right now.
       “I just gotta text that the cops are on their way back here. Better get out.”
       ****. I face the car and begin to fumble with my keys. While I attempt to find the one that will open this machine, I listen to the wail of sirens a few streets down. I finally retrieve it, but I realize by the time I start the car and head towards home, the cops will be here, and I can’t ruin my spotless record. The knee-high hedges lining the circle would never be able to completely cover me, and every other house on this street looks unfamiliar. I press a small, blue button and hear a pop in the back. Normally at this time, my common sense would **** in and tell me that the trunk of a car isn’t exactly a good place to hide, but I’m starting to feel the cold through the numbness. And the last thing I want to deal with is explaining to my parents how their angel has taken herself off of her meds to make some extra cash.  Better get comfortable, I guess.
       I lumber into the trunk, thankful that there are at least some blankets left over from the last time I went camping with my family. Breathing heavily, I pull the lid behind me. From here, several familiar voices grow frantic and demanding: Dump that **** now... Get rid of it... I don’t care how much you spent, I’m not getting caught with it... I roll gently onto my side, careful not to shake the car, only to rediscover the plastic bag filled with Xanax.
       I freeze when I hear cars pull up nearby. The crash of heavy metal doors boom through the hectic sounds of the people trying their hardest to get out of the way. I listen to the rough growl of a sturdy boot as it kicks aside pieces of broken glass and plastic cups.
       “You think that after the fourth time we’ve busted this house, they would get the hint,” says a stern officer. I imagine him as they type with a faded buzz cut, bulging muscles, and aviator sunglasses even though it’s well past midnight.
       “Well, kids will be kids,” says a more seasoned member of the law. He sounds like my grandfather and has probably seen more terrifying images than an underage girl in skimpy clothing puking in a nearby flowerbed. It seems as though the stern officer is herding the party-goers towards the back of the patrol car.
       “That’s no excuse,” says Stern Cop.
       “So you’re telling me that you never went to a party or had a beer before you turned 21?”
       “Well, that’s different. I was in control.”
       Hearing your rights sounds much less dramatic in real life than it does on TV. For these underage drinkers, it’s a sped-up process that is muffled by their own sobs. The metallic clink of handcuffs echoes through the air and immediately hushes everyone. Soft Cop chuckles and gently closes the door, attempting not to startle the shaken-up criminals.
       I am finally able to exhale as a car drives away, but I don’t feel as if I’ve gotten away with anything. I shift onto my back and look up at the roof of the trunk, illuminated by the blue-green light of my cell phone. Glancing down at the screen, I see the time: 1:47 a.m. I’m going to have to venture out into the world eventually.
       As I gather my strength and roll towards the trunk release, I feel my keys in my pocket along with a tiny click. Immediately, my car begins to scream. I scramble for my keys, hoping that no one is here to witness the embarrassing mess I’ve made of myself. Once I finally get the car to calm down, I hear an intoxicating mix of chuckles and mild profanities strung together. It’s Soft Cop. He knows.
       “Is everything alright in there?” asks Soft Cop as he knocks on the trunk.
       What am I supposed to say? Yeah, everything’s fine. Just chillin’ out here. No worries.
       “Uh... yes, sir. Just give me a moment.”
       I unlock the trunk and start push it upwards, but Soft Cop has managed to get to it first. He is a tall, thick man with a glorious salt-and-pepper colored mustache. His soft eyes look tired like a basset hound’s. I see his name-tag–– G. Lewis. He looks like a Gary.
       “Didjya get a little stuck?” he asks.
       “Yeah.” I smile and try not to let my nervous laugh creep through.
       Gary looks around the cul de sac and back into the trunk, reaching his chubby fingers towards me. As he helps me out, I notice that he’s a lot stronger than he looks.
       “Sorry for breaking up the party tonight. Have fun?” he asks, tilting his head towards me, eyes curious and comforting.
       “For a little. I didn’t get to stay very long.”
       He nods his head towards my car. “If you don’t mind me asking,” he chuckles, “how’d you wind up in there?”
“I guess I just got scared. I didn’t want to get in trouble for being here.”
       Gary finds this amusing and swears that by now, every other cop has left the area. He explains that he’s been left to make sure nothing starts back up. He shoves his hands in his pockets and kicks around an empty Miller Lite can.
       “Listen, I can tell you’ve been drinking.” His voice has changed. I know this tone. This is the tone of Your Mother and I both love you very much, and we’re not mad. We’re just disappointed. He looks me straight in the eyes, concern written all over his face. “Correct?”
       There’s no point lying to him, but who wants to be the one throw themselves under the bus? I’m trying to put the words together, but all I can manage is incoherent babbling.
       “Don’t worry. You’re not in trouble,” he insists. “I just don’t want you driving away in this state. You seemed to have a hard time finding the steering wheel.” A smirk emerges on his face, eventually growing in size to a radiating smile. He’s proud of that one.
       “Yeah, I guess I could take a nap in the backseat.”
       “How about I just drop you off at your house. You can pick up your car in the morning. Sound like a plan?”
       “Yes, sir.”
       We look at each other for a second. No thank you is needed. No more words are necessary. I relax my shoulders and look up at the clear sky. I feel the wind blow, and I don’t seem to mind the biting December wind.
       “Didn’t bring a coat?” asks Gary.
       “Didn’t match my outfit.”
       “You sound just like my granddaughter.” He laughs. “You even have the same blonde hair and big green eyes. It’s uncanny.”
       He then stops and looks down on the ground, eyes growing wide and serious. I know what he’s looking at. I was hoping he wouldn’t see my stash that is now laying on the street: eight white pills in a plastic sandwich bag, sweaty from making a quick escape from under my sweater.
       Gary sighs and lets his lips purse, still looking at the bag. The salt-and-pepper mustache takes over his mouth. He gathers his hands on his hips, shoulders hunching forward. He stays like this as I avoid the opportunity to make eye contact. After drawing some air into his lungs, he finally has the courage to look up with sullen and wet eyes.
       “Well,” he says as he regains his composure. He kicks the bag into a nearby storm grate. “Let’s get you home.”

I wonder 'oo and wot 'e was,
That 'Un I got so slick.
I couldn't see 'is face because
The night was 'ideous thick.
I just made out among the black
A blinkin' wedge o' white;
Then biff! I guess I got 'im crack --
The man I killed last night.

I wonder if account o' me
Some ***** will go *****,
And 'eaps o' lives will never be,
Because 'e's stark and dead?
Or if 'is missis damns the war,
And by some candle light,
Tow-headed kids are prayin' for
The Fritz I copped last night.

I wonder, 'struth, I wonder why
I 'ad that 'orful dream?
I saw up in the giddy sky
The gates o' God agleam;
I saw the gates o' 'eaven shine
Wiv everlastin' light:
And then . . . I knew that I'd got mine,
As 'e got 'is last night.

Aye, bang beyond the broodin' mists
Where spawn the mother stars,
I 'ammered wiv me ****** fists
Upon them golden bars;
I 'ammered till a devil's doubt
Fair froze me wiv affright:
To fink wot God would say about
The bloke I corpsed last night.

I 'ushed; I wilted wiv despair,
When, like a rosy flame,
I sees a angel standin' there
'Oo calls me by me name.
'E 'ad such soft, such shiny eyes;
'E 'eld 'is 'and and smiled;
And through the gates o' Paradise
'E led me like a child.

'E led me by them golden palms
Wot 'ems that jeweled street;
And seraphs was a-singin' psalms,
You've no ideer 'ow sweet;
Wiv cheroobs crowdin' closer round
Than peas is in a pod,
'E led me to a shiny mound
Where beams the throne o' God.

And then I 'ears God's werry voice:
"Bill 'agan, 'ave no fear.
Stand up and glory and rejoice
For 'im 'oo led you 'ere."
And in a nip I seemed to see:
Aye, like a flash o' light,
My angel pal I knew to be
The chap I plugged last night.

Now, I don't claim to understand --
They calls me Bonehead Bill;
They shoves a rifle in me 'and,
And show me 'ow to ****.
Me job's to risk me life and limb,
But . . . be it wrong or right,
This cross I'm makin', it's for 'im,
The cove I croaked last night.

Drifting off in mid-day
She is there in my parent's house
Where she should not be
She's never met them
been inside their home

...and besides
She's dead...

Don't know where I drop my brains off
or my heart
when sleeping
I so clearly know this
but I dismiss it
for the moment--
go along with joy
to have her with me once again

She looks so well!
Her pale skin flushed
below her ragged, reddish hair
Wearing peacock blue sateen
as always
dressed to ****
to go somewhere
anywhere
away
from loneliness
from cancer

...and she had included me
on her glorious outing
without title
without honor
I had been her teacher-friend
like an elder wedding guest
she had grown
beyond ...

She helps me dump my canvas bag of poems
on my parent's bed
Where I conceived them
or they conceived me

“What about this one?
Or this is a good one too!
I know you can do this!
You read so well!”
she says
I'm thinking, “This is not like Jenn,
so reversed
for her to give a thought...
and besides, it is not even my event!"

Now she's in my mother's place
in her 1950's closet
pushing hangers across the rail
She would find it--
something
I could wear

I am so transported by the smell
of memories
that I don't care
mothballs, lavender, perfume
I get distracted deep within
almost losing track in the euphoria
to have found my friend again
I lose a moment in the soft fur of mom's mink
clipped together mouth to tail
to form the stole
an ouroboros
With its beady eyes
on me
like death
would drape across my shoulders
given half a chance

When from its mouth of glamorous lies....
Jenn shoves me through life's opened door
She has found that dress!
I wore...

the one with hope, and future's
purple flowers
dropped waist and scalloped neck
Yes, It would do, “Yes!"

But now,
she makes excuse to leave
...of meeting Joe
...of going on ahead...

I know
she must

as this is all some clabbered past
a gift of dreams
Still, I want to hug her
just one last....

but she feels empty...

In embrace
she turns to ash

Her eyes danced with the tiny flames that held a secret
each growing brighter when they urged to yank
the oxygen from her heart and let the sparks console
the deep holes bursting with pleasure
She dabbles in the waves of fire and brimstone
The honey dipped arms monopolize the dry neck
Squeezing harder, and harder
The metallic taste of rust shoves in front her teeth
Her eyes beg to fall out to stop witnessing the desecration
She tries not to let the secret out
but her decomposed body bows down to the forensic earth
Lying in her death bed she knows
She tasted the burnt coals
And forgot to tell Adam
She won't see him in heaven.

Larissa Lou McCasky is hurting relapses needs Clyde Eli Moskowitz to stay at her side and more than anything he wants to help her through this difficult time yet there is nothing he can do but watch his most precious angel be devoured in her own flames at first it is drinking he can not keep up with her she drinks until she feels oblivion next drugging she goes back to old destructive ways she practiced after divorce 15 years ago Clyde will not go there with her Larissa stops writing reading her sewing machine sits dormant hairs around her ******* grow long she makes demands he is not capable of giving Clyde is *** addict he reads to Larissa from Yukio Mishima’s Madame de Sade “the more exalted the man the more refined his pleasures” Larissa learns from Clyde then she insists on more goes beyond him buffalo meat is tough Clyde shows her how to cook it with water little lime juice Larissa repudiates his coaching she prefers to chew the meat tough sometimes she hears war drums beating in her heart Clyde owns 3 guns in his house 2 pistols and a shotgun he keeps them hidden from Larissa

2

spirit dog is dog that stays long after dog dies sometimes spirit dog needs to be fed or water left out in case spirit dog is thirsty spirit dog makes you question did you do enough when dog was alive spirit dog dogs you with faint sounds in house dogs you in dreams in bed at night dogs you when you look in face of other dogs spirit dog does not ever leave your side

3

the artist is will always be at odds with him/herself society the system when his/her work becomes viable commercially it becomes corporatized part of the system imagine Nine Inch Nails song Closer lyric “i want to ******* like an animal” becoming elevator music

4

concerning creation establish location characters then sit back let imagination go wild take your time think it through the weirder the better there are no mistakes just pure improvisation

5

what power did her dog Sweeny sanction within Larissa that Clyde could not fulfill? was it Sweeny’s absolute dependency that brought out her nurturing instinct? Clyde needs Larissa yet wants her more than he needs her when spirit dog inside Larissa gets hungry she indulges him

6

Larissa takes to the streets and that’s where real damage commences slow at first old man with worn out $20 bill then young punk who shoves her out penniless with mouthful of *** then biker dude gives her lift unto back of Harley rides her back to clubhouse feeds her rohypnol 13 men pull a train stub out lit cigarette butts on her face and ******* then crack 2 front teeth shoving shotgun down her throat another up her *** and take bets on where the shots will meet they decide instead to leave her naked with no water in the desert Mexicans sneaking across border rescue her escort her to Tucson she finds her way to Clyde’s house begging he stands in doorway sees missing teeth scars on cheeks chin above left eye damage beyond his understanding how to fix feels both fear and tears welling up lies to her tells her he has new girlfriend she knows he’s lying wanders off gets arrested for vagrancy then disorderly conduct then prostitution

7

every author faces the dilemma of how to fix what they have broken if the work is to be original then it must break from convention

8

Larissa Lou McCasky has an epiphany in Pima County jail when she gets out she will find a job sewing or writing or proof-reading maybe all 3 then she will find a dog and after she is settled Larissa will look up Clyde Eli Moskowitz and try her best to win him back and regain paradise lost yet knowing it is unlikely she will gratefully accept whatever comes her way and remember to honor respect spirit dog and vigilantly at times keep him on leash

9

Larissa keeps promise to herself she and Clyde meet at Sky bar it is 3 years since their first meeting she has more gray hair than he her teeth are patched up

LARISSA i’ve missed you Clyde and thought about us a lot

CLYDE i’ve missed you too Larissa you look lovely like good things are happening around you i forgot how beautiful you are

LARISSA chill on the flattery Clyde i’ve found a new dog and named it Eli after you he’s ******* outside see him

CLYDE wow that’s your Catahoula hound that licked my hand on the way in wow where did you find him

LARISSA animal rescue hey Clyde if you don’t mind i’ll just cut to the chase you know i want to come home with you

CLYDE slow down girl one step at a time let’s order some drinks and talk and yes i would love getting back with you

BARTENDER may i help you

LARISSA yes i’d like a Shirley Temple and my friend here can have whatever he wants my treat

CLYDE guess i’ll have what the lady is having

LARISSA you quit drinking too

CLYDE yup starting now with you

LARISSA i love you Clyde i really truly do

This is chapter one; your opinions  are a blessing?!



As Obliteration Comes...

What is there to think of a man who goes, so far, out of his way in the destruction of the woman who loves him; Years beyond the assault she could not, would not speak about… a woman, … within her devastation tries to dissociate and desperately tries to make it… not be?!  Of this day…, she tells no-one; … only those there knew, they were there in the aftermath and saw. There at the place she’s works and holds a different name;  a place where she could not report  to police…, not without turning her world inside out, a destruction which becomes impossible to avoid?! Considering such a thing leaves behind evidence of its unspoken crime. Unknowing all … He hates her for acts of duplicity; as if she’d want any other than he, who owns her heart?!
The day
I know Denise’s men; for the most-part, their ******* Freaks! I’d never normally go near any of them?! But, this man had pleasant eyes; I knew Denise was going to be in before I leave… so I sat with him.
He tells me he and Denise know each-other through my other Agent, Lisa; I worked with more than one agent, AI-Talent and Top Entertainers Talent Agency all for my NY, Conn. and NJ gigs. I had Lisa for all gigs at after-hours and for those long-distance clubs.    
(Lisa’s the agent which was going to give me up to the Rode Island police, when we were all on the way home from a four week gig we did in Boston’s Pussycat’s Lounge. An unforgettable time to say the least ;)

Kal walks over around 3:30 and whispers “Denise is a no-show tonight could you stay until her replacement gets here?”

What, as-if I would say no?
It was one extra set and I would be out of here at 5pm!
” No problem! But, I need to be out of here by five?!”

“Janice, cool! Callie lives on the other end of the Market; she said she’ll cab it down!” Kal looks relieved.

  But as it goes with Denise’s friend; he was, to say the least, miffed!
“Denise told me to be here! Why…? If she wasn’t going…”  
I tell him, “If Denise told you to be here? She’ll stop by later or she’ll send someone in to get you! Right?”
He orders me another drink; he stews about where Denise could be…; Meanwhile, Denise’s replacement is nowhere to be found?!
It’s now 6pm?!
“There’s no-way, no way in hell, I’ll make it out to Rockaway’s by 8pm!” thinking to myself …, ‘I can’t be late?! I’ve never been late!’
“This is not my day!?”
Denise’s friend turns to me and says,” I’ll drop you down at the train; Hell, I’m going down to midtown; the hell with waiting for Denise! So, if you can use a ride down to the city?”
As he says this Callie flies through the door.

As you know; I’m an *******!  I was totally elated thinking of the possibility about being out there with Joe by 9- 9:30! ‘He’s saying he can get me down to the A train and from there… One straight run! Oh, Baby!’
What a ******* *******; I’d never… I wasn’t thinking.

“That’s so nice of you; thank you!” Stupidly, “You have no idea; Let me go in the back and get my stuff!”
I never before..; “You can’t know how much this helps me out! Thank you! “      

   I tell Kal he’s was giving me the ride.  Kal smiles, “Thanks man! She’s a good girl… take care of her! “
  
He takes my bags to carry them outside for me; It was so bright outside. After a seven hour long day of being inside drinking with that pounding music and those pulsating lights; the outdoors seem so foreign?! I look to see where his car was parked?
He laughs saying, “I put it in the lot across the street! Willey’s lot was full when I got here.”

Still thanking him for driving me downtown while crossing over Hunts Point Avenue; we reach his car he opens his back door to place my bags on the seat… fumbling the bags one of them falls to the ground. I remember hearing his laughter as I bent over to get my bag; all the bags were flying towards me!? Before, I could… I …   the back of my head hit the edge of the door… my bags were on top of me … and all the weight? I try but couldn’t make a sound! I was in the back of his car. All my bags moving, cutting into me and him pressing down; …clawing, pawing all over! My bags cutting into my skin; His arm pressing against my chest!  I heard, “Don’t… **** … Die!”   I couldn’t feel… Breathe? And; Snap! …Blackness.    
Then, I remember… falling!? I was…. a body empty nothing-more as it’s pushed out the door and hits gravel! Bags slam hard onto…, all of what remains left of it.  
There’s sound of an engine? There’s shower of gravel? Car-horns are heard blaring in the distance; still breathing.  
I’m not sure how…??? I pick stuff off the ground. My mind’s numb, thinking all I could… I need home to clean this… I’ll make it gone??? I’ll make it… not have happened!’
I took a cab from *****’s; All the way from the South Bronx! I still don’t remember that time to my home; I only remember getting out of the second cab, The Rockaway’s Play-land; I remember watching for the A-train to go by… thinking; ‘I’ll tell Joe I took the train out. He’ll never know… he can’t?! He told me not to go; he told me to be out here with him to meet his friend. This is my fault.’ The head’s not… Hide, it didn’t happen just forget the last twenty-four hours?! I turn the corner and walk down the block towards the bungalow; he was there.
‘He’ll leave you; it’s your fault you went to work; he told you not to go… No, nothing happened?! He loves me? I love him!!! Nothing happened!’
When he saw me? He didn’t even ask anything about my not having all my bags? I always carry my three extra large duffels and a pocketbook?
I walk in the yard with only money in my pants and not even one bag?
If I were here straight from work and had left the club when I suppose to off I’d been here no later than 8pm?
I show up ten moments to four in the morning, without bags and he doesn’t say a thing about it; not even a single word about this long-sleeve shirt covering my cuts and bruises?
He smiles; he tells me his friend’s still sleeping but when he wakes-up we’ll all go to breakfast. His friend comes out and we sat and talked for a few moments. Joe hadn’t notice but his friend asks me if I was alright: I said, “Yeah hadn’t eaten all day; Joe says we’re going out for food. His friend took his car and Joe and I met him there. The whole time sitting there in the Crossbay Diner with his friend I kept thinking;
‘If Joe and I were with each other it would be as if nothing happened? It will be it never happen?! That’s what I need to do!? I’ll be fine. Everything… fine.’
  After breakfast his friend got into his car and left;
Joe says he needs to head home to get some rest later-on he’s taking his mom, Rose, out to her other son’s house.
And, he says he’ll come for me once he drops her off… and we’ll go to the place underneath the Throgs-neck bridge  
How hard it was…
Joe parks and takes out his jug of ***** and grapefruit then begins talking? He’s talking???
As if there wasn’t …?  Like nothing happened… nothing??? He was simply sitting there saying something about Vincent and Helga???
“They’re going to drive mom home!”
He’s smiles? Saying, “They’ll take mom home from their house so we can stay here as long as we want!”
Every time he tries reaching for that jug or reaches out to put his hands on me…; I’d jump!?   I felt my skin crawling; there was a bubbling sensation all over in every last place that was touched; I felt my skin as if it going to burst out with blisters of poison! I needed to get home!? I need to wash this..!? I need not to have his hands touch… This thing I was???
‘He touches me, so help me God, I’ll open this car and run and throw myself into that water! I was shaking, I was sitting on the arm-rest of the door and I began yelling!? “Take Me Home! “
“You son of a …!  Can‘t you see; Can‘t you see!”
“I need home! I don‘t feel well!? “
“You, *******!  Get me home!”
No Clue. Still, He’s clueless to any difference??? He yells back at me, “What’s your problem?  You on the rag or something?”
He drove me home.  I open the door before he could try to park and I run inside; I locked myself into the bathroom. By time I was out the sun was up!

The phone begins ringing.  It’s Kelli Ann, “Sometime last night my grandma, Rose, died. “
I dropped the phone. My sister got on… with Kelli.
I just stood there numb; thinking how…
‘Dear God! Joe and I were at the bridge!  
If I told him what happened he would have been with her.”
He would have left me; But, He would have been with Rose?

Rose was the most amazing person to me; I adore her, I denied her… and I stopped him from being with her.
‘I didn’t want to lose him; I couldn’t see losing me again?!
And, I made it so he wasn’t there… for her.’
All the times he’s walked away from me, so many times; He’d say nothing and show up at the house with some girl.
And introduce her to the family; that was his way telling me just how important I was… That was his way of telling me he didn’t want me. And, I would stand there… act as if it wasn’t a big deal… ‘It must be nice… no feelings?’
But then after a while he would come back; It be like none of them knew a thing?! Yeah, not even what I did for a living?! When asked, what I did for a living, I’d tell them; I work as a Entertainment Manager for bars throughout the Tri-State area; Yeah right; I was entertaining and I did Manage… (I manage to get to and from my gigs and I was entertainment!) So, it’s not complete truth or lie. And, HELL, Joe can’t think too poorly of what I do; after-all it was his idea?!

It’s only three days before his birthday and here’s Joe having to make the arrangements for Rose’s ( his mother’s) wake; He turns to me and says,” My mom had these spills often before..; But, she’d always come back to me! I’d hold her hand and I’d call to her!  I wish I had been out by Vincent’s. She maybe…. Maybe she’d still be here with us.”
I felt… numb.
That night we were all at the wake;
I hover in doorways watching every person go in than back out again. I kept looking at Joe; I didn’t know why, but my mind, I wish it was him in that **** box. Isn’t that sick!  As much as I love Rose I’d wish her son could trade places??? How that would have been unbearable for Rose and yet…
The biggest reason Joe and I kept our being together a secret was her; She was by no means the only… not by a long-shot!  But, she was a most important reason. I could have never dealt with even a thought of her hating me for loving her son; I fear… loss; now, she’s gone. I love her; I want her back! I want her to know; I want to tell her! She never knew… he’s her grandchild? She’ll never know now.  Here knowing…, seeing everyone around feeling this loss for Rose; because of me… she might have still been here…? Only if…?
Thoughts, ‘My life is imploding; it’s all moving in slow motion. I don’t know how far… I don’t know if… I’ll survive this… this time? ’ I cling to straws; I can’t lose Joe; I can’t make my sister leave home? She’ll never make it on her own; I can’t tell Joe what happened? Then he’ll know all of this, everything, is my fault?!  I stopped him from being with Rose when she needed him most.
What if he’s to ask about little Joe…? With the way he feels about my sister? I never gave him an opportunity to ask out-right if he’s his before; it wasn’t me who told him. When I let him know I was having a baby I told him,” You could be the godfather?! He agreed to that… He didn’t ask, he didn’t want to know; and I couldn’t ever take the chance… Not then, not now; He’ll take my child away; He’ll take him and leave me?! I’ll have nothing I’ll be…?!
Say nothing; …perform as you go; Stay in survival mode!

The day of the burial:  We went to church and everybody goes up to the front. I didn’t know where to sit? None of the family told me where…?  Then, Kay Young, a neighbor and friend of my mother’s pulls me over and says to sit in the last row near her; so that’s what I did. Afterwards, when we were all outside someone told me to get into a car; a car which turns-out to be Lynne’s car!? Lynne and Kelli together were the ones who made it that Joe found out about the baby.
Thoughts, ‘… imploding; It’s all moving slowly… don’t know how far… or if I’ll survive, All this … this time? ’

After my son was born Lynne was the one who told Joey that others are saying little Joe was his… Joe wouldn’t ask me if he was the father and I was more than glad not to tell him! Yes, I know it’s extremely selfish; but I couldn’t risk losing another one. But, if I did I would have turned Joe’s life upside down for nothing.    
(My Joe was a preemie; barely six months along when he was born. My tiny baby boy needed to stay in a hospital from June 6 until Aug. 31st.. )  
It was June;  
We, a whole crew of us, were out at Rockaway‘s;
Kelli Ann and Lynne were making drinks and I had maybe five big drinks in those 20 oz. cups. To say I was blotto is beyond an understatement!

The two of them get going; they were told and they know that my baby was Joe’s; And, I have to tell him!

“I don’t know what you girls are talking… You’re wrong! Leave it alone!”  
“Everyone knows how you feel about him!?”
“What? Leave this alone! You don’t know what you’re talking…”  
“You’re going to have to tell him….?”
“Leave this alone; this is none of you business and you haven’t any idea of what you’re talking about!”  
“If you don’t tell him I will!”
“I’m telling the two of you to leave the man alone!”
“Well, he needs; he has a right to know!”  
I got up and say, “Apparently, I do need to talk to him about something? Don’t I?!

I turn to go find Joey! I need to talk to him about what Lynne and Kelli are saying to me…??? There, in mid-turn, I slap in face into his chest; Joe’s standing there hearing every word of what was being said.
He yells at me; saying, ”What… This is ******-up!”
I start crying; I run towards the beach! Thinking, How am I going to tell him? How can I say I couldn’t tell you, I could trust you! How do you say to the man you love that you left him to believe he wasn’t… because having this baby means more than he does; And, if he knew he was the father when he was told about the baby he would have just been another person, in this life, trying to stop this baby from being born. I lost too many; He’s mine! No-one’s taking him from me. Not even his father.  How do you say this…  
I went up to the bench on the boardwalk; I would always sit in that same spot; I was crying.  
Joe comes up behind me;
He says,” What are you going to do now? **** yourself!?”

I didn’t try looking at him; I just spoke holding my tears, ” No…, You’re not worth that!”
A long time passes as the two of us stare out at the surf.
He said,” So…?”

Painfully, I remind him his words he told me, at Christmas time, when we first…;
“Joe, do you remember, what you said to me? The very first time I told you how much I love you? Do you remember?  Joe, you told me, “Don’t!”  
Then you told me, “You’re just for now?! No attachments! Remember?”    

Joey turns and goes back to the bungalow; He gathered up his stuff, takes Lynne and leaves. He wouldn’t speak to me again until mid-October after, I got little Joe back after my mother and my grandfather kidnapped him.
When I got my baby back his stomach… There was something wrong? Every time I try to give him his milk it wasn’t staying down in his tiny body?!
I was so frightened; I saw Rose outside the house and I ran-up to her for help; she goes downstairs with the baby and gets out baby cereal she mixed it with the baby-milk?
“Rose? The doctors told me I’m not to give the baby anything but the baby-milk?”
  
Rose said, “Don’t worry; I’ve seen this before… Don’t you get scared?”

She force-fed Joey some of mix and in moments the baby threw-up every drop of what Rose gave him; she cleans him up and shoves the bottle of plain baby-milk into his mouth; He was drinking it on his own!
She tells me the baby’s stomach was shut-down. She says, “Sometimes baby’s go through this failure to thrive when there’s too much turmoil around them. But, this little guy here is alright now.” She hands him to me and says, “Now, He has his Mama.”
Joe came down stairs from his room he must have heard the yelp I made as the baby threw-up the cereal-mixture.
Rose saved the baby’s life that day, her grandbaby.
And, now, I’m sitting in this *****’s Lynne’s car; I’m going to say goodbye to dearest woman I ever knew… ‘I wish it was me going into that hole.
Later, we all went to eat out at a place on the Blvd and then the family came back home. We stayed up late and Joe’s brother from Florida with his wife and their two kids went upstairs. They bunked-down in Rose’s living room and Joe and I were down the basement in the kitchen. We finish cleaning the dishes and he tells me to come with him to his room;
“They will sleep ‘til three; Both, Butchy and Sandy have been drinking since seven this morning.”
I went with him; I felt so numb. I belong to him; I love him. I just need to let this happen then everything will be the way it’s…I am his.

I kept saying, “My Love, I belong to you! I need you! I love you! Joe, you are everything to me!  You are my life! My head kept whispering” You didn’t stop it; you allowed another to take what belongs to Joe.
You are nothing.
I kept repeating to Joe, “I belong to you Always, I’m yours.” I kept saying the words over and over to him; I didn’t want to stop telling him, I am his…
When he fell asleep and I was sure he was asleep; I got up and slipped out of his room. Sandy caught me leaving his room; I saw her and I stood there like a deer in headlights!
Sandy just asked, “Is he still up in there?”
I said, “No.” and, I went fast out the door and ran home.
I need to check on my sister and my son; I didn’t want Joe’s brother or any of the rest of the family getting any notions. Running into Sandy as I left Joe’s room scared the hell out of me! But, she was … Sandy didn’t remember seeing me. She says she doesn’t remember anything after she ate dinner down-stairs.
That was the last time him and me…              
Joe was pretty busy while the out-of-towners’ were stopping by and with all the paperwork needed to be done…  I just hung-out with Kelli; I figure, when he’s not too busy he’ll talk to me.
It was a few weeks after that night; Joe comes up stairs where Kelli and I were; he asked Kelli to leave us alone.

He handed me all the papers he was holding for me and told me,” Don’t you ever talk to me again! You are a nothing; do you hear me? A nobody! You’re a worthless ***** and I don’t want to ever have to look at you again!”
Then, he went down and locked the door, hard.  
Kelli Ann comes back in and asks why he’s acting like that towards me; I told her, I don’t know?  And, I didn‘t?! I didn’t until nearly two months later when I went to the doctors; then, I knew.
I have gone back to work; But, I will never go back up to *****’s!
I met-up with Denise a few days after I went back to work; we were both at the Golden Dollar; she was just leaving as I’m walking in…  She slaps $350.into my hand saying, “Thanks for taking care of my friend! Gotta’run!” She’s out the door before I could tell her what happen to me wasn’t, by any means, by chose.
Time passes; it’s now, nearing my birthday; I’m hearing about how Joe’s spending his time with Lynne; So, I decide I to write a letter to Kelli. I could stop kelli from mistreating Joe, for what wasn’t ever Joe’s choice in the first place, and I can stop Joe from being convinced into taken my child away from me by that *****, Lynne.
Joe wants to be with that… that’s his business; she thinks the two them will take my child? Not that *****!  That ***** won’t ever get to put her hands on my child! After what she did on June 4th and 28th and so many other times… With his wanting to be with her it makes it a whole lot easier for me to feel a deep disgust towards him. Joe thought me to be such a no-body; he thinks me so cheap… He left me months ago unaware… in pain and he thinking I would want…
  Fine, two birds’ one stone?!   I don’t want her mistreating him for our not being together… It’s not his fault I went to work; but if he’s going to try at any point to come and take little Joe away?! I can’t let that to ever happen!
I wrote Kelli a letter saying his in no way my child’s father and for her to stop mistreating him like he had done something wrong his mother has died and you are being nasty to him. I can’t be friends with you anymore I have too much in my life I need to take care of my son and my sister and I told her I hope the best for her in her life. I wrote… using six pages of words but this is the full gist of it.
I thought if some day things are different and he and I find our way back to one another again; Kelli would have a chance to confront me in front of him about the letter and I’d be able to ask Joe for a signed a waiver of parental rights and then I could ask him to have a DNA test done. But for now, my son will remain where he belongs…with me.

How it is that all this started; why must this be...

I.

Up the stairs Suzann without an E went.
8" X 10" bright white rectangles dotted
the yellowing and dusty walls,
clean reminders of bad family photos.
Her parents, Bob and Theresa,
had picked out wallpaper. Lilacs
and vines and oranges. Why? She
didn't know.

She tossed her backpack on the floor
at the foot of her bed. Her senior book
was still on the night stand. Charity and
Faith, her sometimes friends, had spent
the last two weeks filling out every page
of theirs, printing hazy images on cheap
photo paper at their homes and sliding them
into the plastic holders or taping them to
the pages without.

They coerced boys they
had liked or still liked or would like if to
fill out pages. When the boys simply signed
their names or names and football numbers,
they guilted them into writing more. Give
me something to remember you by.

Suzann liked to look at only one boy,
Casey Stephen Fuchs, pronounced "Fox,"
though you know that's just what the family
said. She didn't want him to write in her
senior book. She enjoyed the space between
them. She knew what her peers didn't:
she was seventeen.
She knew she didn't know
the right words yet. She knew the heart-bursting
flutters she felt were temporary--enjoy them, she thought,
shut up and enjoy them.

Her parents set her curfew at 10:30. So
this Friday, like most Fridays, she stays
home.

She opens ****** in the City of Mystics,
a novel she's burned through. Fifty pages
or so left. She likes detectives. The methodical
stalking, the idiosyncratic theories and philosophies
that allow them to connect dot after dot.

She shuts her eyes and sends herself walking down
the streets of New York, where hot dog vendors
whistle and say, "Nice legs." She flags down a cab.
She sees Casey across the street. What are you doing
here, stranger? She waves the cab on.
The driver, a brown-skinned man from some vague
country, throws his arms up. "C'mon."

She cuts across the traffic, dodging a white stretch limo,
a black Hummer, a hearse.

Casey's straight hair hangs over his left eye. It's both
melodramatic and troubled. There's a small shift
at the corners of his lips, the corners of lips, this
is a detail she writes of often in her journal--why?

She can almost hear Casey ask her, "What brings you here?"

"Business."

"What kind?"

"None of yours."

He takes this as an entry for a kiss. Not yet, handsome. No no.

"Make whatever you want for dinner," her mom shouts up the stairs.
"There's stuff for nachos if you want nachos. Some luncheon meat too.
Only one piece of bread though."

"Okay."

"Alright. Just whenever. Dad and I are going to go ahead."

"Okay."

"Alright."

Get me out of here. Suzann's whole life is small: small town,
small family, small church, all packed with small brained, short-sighted people. She wants New York or Chicago. She wants a badge--no not a badge. She'll be a vigilante. "You're not a cop," they'll tell her.

"Thank God," she'll say. "If I were a cop then there'd be nobody protecting these streets."

II.

She's read mysteries set in the middle of nowhere, small towns like her own Kiev, Missouri. They always feel phony. Not enough churches.
Not enough bored dads hitting on cheerleaders.
No curses. Every small town has a curse. Kiev's?
Every year someone in the senior class dies.

As far back as anyone she knew could remember
anyways. Drunk driving, falling asleep at the wheel,
texting while driving, all that crap is what was usually
blamed.

This smelly boy named Todd Louden moved out of Kiev
in the fall semester of his senior year a couple years ago.
Suzann was a freshman.

A few months after he was gone, people started saying
he'd killed himself with a shotgun. First United Methodist
added his family to the prayer list. They had a little service out
by this free-standing wall by the library where he used
to play wall ball during lunch. People cried. Suzann didn't know
anyone that hung out with him. Maybe that's why
they cried, unreconcilable guilt--that's what her dad
said.

Then in the spring Todd moved back. The cross planted
by the wall with his name confused him.
He'd just been staying with his grandma. Nothing crazy.
The churches never said anything about that. He was
just the smelly kid again. Well until late-April when
he got ran over by a drunk or texting driver.
They hadn't even pulled up the cross by the wall ball site
yet.

III.

You call it the middle of nowhere, a place where the roads didn't have proper names until a couple years back, roads now marked with green signs and white numbers like 3500 and 1250, numbers the state mandated so the ambulances can find your dying ***--well if the signs haven't been rendered unreadable by .22 rounds.

The roads used to be known only to locals. They'd give them names like the Jogline or Wilzetta or Lake Road, reserved knowledge for the sake of identifying outsiders. But that day is fading.

What makes nowhere somewhere? What grants space a name?

The dangerous element. The drifter that hops a fence, carrying a shotgun in a tote bag. Violence gave us O.K. Corral. Violence gave us Waco. Historians get nostalgic for those last breaths of innocence. The quiet. The storm. The dead quiet.

IV.

It's March and not a single senior has died.
So when she hears the front door open
around 2 a.m., Suzann isn't surprised.
She doesn't think it's ego that's made
her believe it'd be her to die--but it is.

She hears the fridge door open.
Cabinets open.
Cabinets close.
She hears ice drop into
the glass. Liquid poured.

She clicks her tongue in
her dry mouth. She puts
a hand to her chest. Her
heart beats slow.
She rests her head on
the pillow. It's heavy
yet empty, yet full--
not of thoughts.

She can't remember the name
of any shooting victims.
She remembers the shooters.
Jared Lee Loughner, Seung-Hui Cho,
James Eagan Holmes, Adam Lanza.
No victims.

She hears the intruder set the glass on the counter.
He doesn't walk into the living room.
He starts up the stairs. His steps are
soft, deliberate. What does he want?
Her death. She knows this. He is only a vehicle.
Nameless until. Has he done this before?
Fast or slow?

He's just outside her room, and she doesn't
remember a single victim's name. She hears
a bag unzip. She hears a click.

If he shoots her, Suzann Dunken, there's
no way the newspaper will get her name
right. Her name may or may not scroll
across CNN's marquee for a day or two.
If it does, it won't be spelled correctly.
This makes her move. Wrapping
her comforter around her body, she
tip-toes to the wall next to her door.

She hears a doorknob turn.
It's not hers.

He's going into her parents' bedroom.
They're both heavy sleepers.
She opens her own door slowly.
She steps into the hall. She sees the man.
The man does not see her.
She see the man and grabs a family
portrait. The man does not see her,
and he creeps closer to her parents.
She sees the man standing then she
sees the man falling after she strikes him
with the corner of the family portrait.
The man sees her as he scrambles to get
his bearing. She strikes him, again with
the corner. This time she connects with his eye.
A light comes on. "Suzann," her mother says.
He tries to aim the gun. Again she strikes.
He screams. He reaches for his eyes with
his left hand. Now with the broad side she
swings. She connects. She connects again.
The man shoves her off, stumbles to his feet.
By this time, her dad reaches her side.
One strong push and the man crashes into
the wall outside the room, putting a hole
in the drywall.

He recovers and retreats down the stairs
and out the door into blackness.

Her mother phones the police.
She pants more than speaks
into the receiver.

"Suzann," her dad says. "Sweetheart."

Suzann looks at the portrait, taken at JC Penny when
she was in the sixth grade. The glass is cracked.
She removes the back. She pulls out the photo.

"Did you get a good look at him?"

This photo. Her mother let her do anything
she wanted to her hair before they took it.
So she, of course, dyed it purple.

"That's right," her mother says.
"It's about half a mile east of the
3500 and 1250 intersection. Uh-huh."

Her dad sits down next to her.

"How long do you think it'll take them
to find us?"

There's a shift at the corners of her mouth,
and she nods, just nods.

We start in Greek Street.
Not any night,
But the end,
A grand finale;
Last orders,
At the Coach & Horses,
Before the corporate boyz move in to whitewash,
Where inky Boho Jeffrey Bernard drank,
And Gary Dunnington, the actor, and his mates are on the ****.

Meanwhile, a mom runs her hands,
Though my strands.
'Tell me everything,' she enthuses,'about your hair.'
But there’s nothing to say:
I barely wash it,
Never brush it,
And only finger combe it.
But she carries on in my locks,
Then off to dinner with her bloke.

We head off to Trisha's at 57,
A lively basement heaven:
In energy, in noise, in smoke.
I chat with Mark.
Got his heart broke:
It’s hard
To sever those traumatic bonds,
Thick as pillar posts,
When love ***** up,
Goodbye, the cocktail of toxicity,
That had you on a high,
The ***, the texts, the tenderness,
And, oh, the bliss.

Kass, a boxer musician, comes
And shakes our hands.
He’s in Armani,
And says,
His eyes dark little raisins,
'I prefers a poet over a bruiser.'
And, 'I don’t fight no more,
If I did - so I don't bother -
I’d **** ‘em.

In the corner,
Two girls with dreamy eyes:
So I read ‘em love poems.

Then Jessica Appleby's head pops round the door.
We hug and then swap tales:
'I’m all messed up,' I tell her.
'What not her, the one you wrote that poem for.'
'My man,' she confides changing the subject,
'All crazy passion and wild *** for two months -
Then nothing.
Just fizzled out like it was never meant to be.'

She exits.

'You alright Gary?'
'Yeah, you?'
'Fine.'
But I don’t buy him a beer,
A bottle of Peroni is £5.
'No, it’s £3,' he says, 'if you pay cash.'
I head for the bar.
Three times I explain to the barman, it’s £3 cash.
'Who told you that?' he says slamming the bottle down.
'Gary,' I say defensively.
'Well, tell Gary, if he doesn’t shut the **** up,
He’ll be paying a fiver, too.'

A young American artist, Kirsty, starts talking to me.
She’s trying to get ahead in art,
And says, that when she was a kid,
On a blazing Tuscany night filled with stars,
She walked out onto a stone balustrade balcony,
And knew in that moment,
She was no longer her mom and dad,
But herself, Kirsty.

The boxer musician shoves a tall fellow hard against the wall,
The altercation,
Is over before it starts.

Kass gives me a wolfish smile.
Mark buys me a drink.
Kirsty goes to the toilet.
The corner girls have left.
Mark slips his stool.

Everyone is cleared from the yard,
Just Gary and I linger
With a feisty young bar lady,
Serving the Bohos of Soho.

Drinking in their pathos,
Exhaling in the shadows,
Mingling in their juices.
My ****** up heart beats
With the Bohos of Soho.
Ahhh, the Bohos of Soho keep many an hour.
The Bohos of Soho,
The Bohos of Soho,
The Bohos of Soho,
Have many lives,
The Bohos of Soho are a good seed.
You and I,
In Soho,
For last orders.

This silence is of the other sort.

Not that silence of stillness born;
That meditative calm that washes you
when morning's light shyly peeks
through your curtains.

No, this is the *malignant sort,
an out of control cellular growth,

(A Growth!)
that pushes out other thought
and claims the territories
of your mind all for
himself.

for himself.

This silence screams at you, "Listen to me!",

"Listen, now, lover!

And you can't do anything
but hear his absent,
his vacant,

that vacant,

that Voice!

This is the silence that shoves his way into your brain
and demands attention.
He stamps his foot and shouts
"Look at me!"

Are you looking?

And all you can do is stare at his
invisible,

His implacable

Face.

You wonder,
"Who are you, to invade

"my sanctuary?!"

But then it comes to you,
in that moment of

Reckoning:

You left your key laying

casually

on the window sill outside your door,
red ribbon tied on,
an exclamation point,

That mocking point!

No, you can't blame this silence.

You are the one who left the light burning brightly,
in your window,

that small, indescript window,

all night long.


http://www.youtube.com/watch?v=SE_l1hLps1g&feature;=shareice.