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Seán Mac Falls Jan 2015
To my ears her gift  .  .  .
Sound of ocean in seashells,
  .  .  .  Whispered she loves me.
Selkies (also spelled silkies, selchies; Irish/Scottish Gaelic: selchidh, Scots: selkie fowk) are mythological creatures found in Scottish, Irish, and Faroese folklore.  Selkies are said to live as seals in the sea but shed their skin to become human on land. The legend is apparently most common in Orkney and Shetland and is very similar to those of swan maidens.

Female selkies are said to make excellent wives, but because their true home is the sea, they will often be seen gazing longingly at the ocean.  Sometimes, a selkie maiden is taken as a wife by a human man and she has several children by him.
Corinna Parr Nov 2011
I can't help that she calls me, love.
You've said yourself, she was a jealous mistress.
I'm well quit of her, and she of me,
though she still calls.

...oh but her body hides sweet pink flesh
and the salt, the salt on my tongue...


I've never regretted a night
Spent here with you, you know that, love.
There are things a mistress can't give,
And you've given them all to me.

...oh but she's wet and in her I'm slick
with me, she didn't crash, but flow...


Why doubt your own gifts?
The bread of your body,
This home made with four hands,
And the children, our love made real?

...oh but we are froth together
and moonlit dancers, fast, slow, bound...


I've never looked back and I'll always come when you call.

*...but I always look back
always come...
No human husband
could ever hold me.

Comforts, gathered,
began to stifle.

While he slept,
I would search.

Somewhere, my
seal's skin
was hidden.

It was just a
matter of time.
©Elisa Maria Argiro
Megan H Nov 2023
She gracefully walked into the ocean
Her dress flowing behind her
Welcoming the waves,
It seemed,
As an old friend.
She looked to the horizon-
Smiling,
As she dipped below the surface.

When she disappeared,
Some questioned whether she had drowned,
But no,
The Selkie had simply
Returned to her home
In the depths of the sea.
The moon at midnight
Upon a silent sea
Casting Her glow, iridescent
The waves break in hushed tones
Upon sandy shores, glittering,
In the dark of night
Receding water leaves behind
Pale bodies, sleek and stunning
White and whiskered
Drinking in Her magnificence
They shed their skins
Walking arm in arm upon this earth
Creatures of both land and sea
Naked and gleaming bodies, thrive
Beneath the stars, unseen, unheard
Quiet and graceful as the lull of the ocean
Dancing, singing, siren voices
Until the first light of dawn breaks, then
Back into their silken selves
The tide rolls in, and out again
Taking with it
The moon's sweet daughters.
/Aye, she belongs to the sea
The moon, her mother and the land,
Agh, the land be her lover
For at night she visits and joyous,
Joyous in the moonlight she sings/
Many mornings now,
as day opens its sky eyes
to early sunlight,

Silence pervades all that I am,
or might ever want to be.

Speaking is natural, and life goes on,
but for the tug on my heart,
to go deeper, ever deeper
into the ocean of silence.

Ancient lands of my ancestry
are calling me
to come home now
and
be near the sea.

My own sea, salty and blue,
red rocks plunging
into stormy union
with ultramarine.

Be that I was selkie, I was mermaid,
I know these places where I lived and loved,
breathing underwater in perfect, silent freedom.

Perfection, a sidhi,
might be,
to live as a sadhvi selkie.

Knowing timelessness
through ancient, silent wisdom,
feeling, loving, living
and swimming in unboundedness.
A sadhvi("good woman") is the feminine counterpart of a sadhu("good man") , seeking moksha, enlightenment through the path of renunciation. Most sadhus are yogis; not all yogis are sadhus.
(Thank you, Wikipedia, for giving me a place to check my facts.)
Sidhi, is Sanskrit for a perfected ability, be it compassion
or yogic flying.
See the Yoga Sutras of Patajali for more on this beautiful subject.

©Elisa Maria Argiro
Elaenor Aisling Mar 2021
His touch was
like sunlight on my skin
the sweeping skim of kelp across marbled coat
his webbed fingers tracking their rough edges
through the sand.
In the storm's howl he was calm
the chaos of waves in my belly slowed
an unearthly peace
of tide-pool eyes that stilled the seventh stream.  
The waves roll out and the waves roll in
and out my love rolls with them.
Seven tears shed at Spring tide
for love of a man
whose heart
is sea bound,
sealed.
Orkney Selkie Legend: http://www.orkneyjar.com/folklore/selkiefolk/ursilla.htm
Kavya Vats Oct 19
Heaven casted a light on her body,
Her thin fabric slipping.
Lighten her body,
Her lover is singing.
"Enlighten her body"
She lives in a castle with a Selkie and fireflies,
Her maidens will admonish you everytime you pass by.
Now and then, she shows up in her oriel window,
Giving me a glimpse of her shedded skin.
One glance, you shed and bow too,
A tear in my mouth, tasted like shrew.
For I loved an enigma,
A paradox in this timeline.
Her unsolved charisma.
Forever vanished in that shrine.

He chase her down,
He chased her shine.
He caught her veil, He caught it just in time.
They teleported to the heaven divine,
"The Selkie is finally mine"
Selkie and her midnight lover roam around in the afterlife,
They eat picked out lilies from the clouds.
And memories that are no longer alive,
Since they are no longer alive.
Tantalus kinda love
Peter Davies Apr 2015
The selkie sits on solemn sands,
Her hair a curtain wet.
She sings her songs of splendid seas -
A shining silhouette.

Her lily coat lies loosely strung,
Her shoulders slim and white,
She sighs with sounds of salty spray;
A voice of naught and night.
A play on Irish folklore and alliterations
DAEJR Apr 2012
Fracture infinity –
splinter it.
Pause the cresting wave,
let it **** and jitter,
let it fight to break,
let it’s shadow stay a mountain.
Keep possibility
in the womb of the unknown.
Don’t let the water break
the surface of his skin,
because tonight
his skin keeps me warm,
wraps around me,
and our skins fold into something new,
something I want to be,
and I hate my cold feet.
Seán Mac Falls Jun 2012
I am alone with you.
A fire burns in the distance
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud
Two of us, alone, as one
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin
Your slender legs, columns that taught  
The Greeks in Helens age, touched the water  
And the sky. I saw the milky way that night.

Síneánn, I am your Pablo
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone you are the hinge  
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes  
I hold your skin, my Selkie
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance
In the country of the sun
We end at the house in Umbria
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.
Unicorn sprinkles,
Daffodils jam,
A little star's twinkle
And some dragon ham.

Some emerald clovers,
A pint of fairy dust,
A handful of stover
And some canned gust.

Teardrops of a Selkie,
Well shaken, not stirred,
The horseshoe of a kelpie,
Late Iron Age sherds.

Some fizzy witchcraft,
One bottle or two,
And maybe a draught
Of love potion too.
Someone challenged me to add my shopping list in here and to have it called a poem. I think they had no idea what they were asking of me, so... here is my shopping list. Enjoy!
~~~~~~~~~~~~~~~~~~~
Verses crept under my
  Selkie      
like incarnatio Tattoos
   billowing surface

    blood
             streams
         dream

To break out like ripeness'
       like
Inevitability
  opens up a delight of a persimmon  

a passion, a mad devotion
     transfering abundance
                     to
  satiate flesh flames

a sentient transformation
     from crystal clear
primal
       scream Journey
to ethereal mind-
   waves tumbling unending  
  down on my
tummy
    with yours  

         sweet sweat's
   shimmering plankton
      surrounds me as
        your love's energy
  
   u n en ding  u n d u l a ti on

~~~~~~~~~~~~~~~~~~~~~~~
Imagined by
Impeccable Space
Poetic beauty
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Steaming, pale pink, moments ago
these rosebuds were sleeping, dried, unfragrant.

Now, like a single paper flower that blossoms from within
its scrubbed clam shell, held together lightly, then opening slowly
in its requisite, tall, crystalline glass of water,
these tiny buds are softening, unfurling, reviving,
intoxicating me with this heady, womanly scent, and
moistening my face as I lean over this healing brew you sent for me.

Born of humans, linked to me by human blood and a shared, ancient selkie ancestry,
wise, beautiful, deep eyes, flowing dark hair, blessings pour forth from you
in all, and every moment, of your gentle, earnest, worshiping life.

Kinswoman to my open heart,
to our ceaseless inquiries into sacred mysteries,
your power to transform finds me
wherever I am.
Copyrighted by Elisa Maria Argiro 2017
Seán Mac Falls Aug 2012
I am alone with you. 
A fire burns in the distance,
It lights our faces 
As before in the empty cinema, 
Where we arrived, at some beginning, 
To watch a foreign film. Our eyes, 
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air 
And the moony screen, 
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings. 

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd, 
Coffee was nectar, our words  
Were whispering petals. 
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean 
In your eyes, I was cleansed  
By your tears.  I have always 
Known you. 

Across the border on the far island, 
You stepped into the waters with me 
And when you disrobed you lit the stars 
And the stars and my eyes kissed your skin, 
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night. 

Síneánn, I am your Pablo, 
We are two white birds sailing 
Over the foam of the sea. 
Solvent to my stone, you are the hinge
To my casement world.  Rain petal 
Voice, lithe, alabaster woman, 
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week. 

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word 
Siberia, my light Rosaleen. 
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.
Katy Lewellen Apr 2013
Stolen selkie skins:

hang me out to dry in the morning light,
in the lore of long forgotten illusions of lovers
dying out to sea -
we forget it was all a dream.

I thought she was a painting, at first,
perfectly perched on the shore
with fingers laced around the sun and her
belly protruding sickness, her mouth exuding sores
and my heart creating sea salt waves against my breast.

We were the cat and the king -
slinking around her legs, between,
for a taste of something sweet, something sick
from within her.

She painted me the cat, her pet cheetah,
ever obedient and ready to run and
fetch the skin of lovers,
fetch the skin of hearts
that would never love again.
Seán Mac Falls Nov 2013
I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.
Blodeuwedd is the Welsh Goddess of spring created from flowers.  In the late Christianized myth, She was created by the great magicians Math and Gwydion to be Lleu's mate, in response to a curse pronounced by his mother that he would never have a wife from any race then on the Earth. They fashioned Blodeuwedd from flowers and breathed life into Her.  In Welsh, blodeuwedd, meaning "Flower-face", is a name for the owl.

She represents temporary beauty and the bright blooming that must come full circle through death: She is the promise of autumn visible in spring.

Pronunciation: bluh DIE weth ("th" as in "weather")  Alternate spellings: Blodeuedd, Blodewedd.

Selkies (also known as silkies or selchies) are mythological creatures found in Faroese,Icelandic, Irish, and Scottish folklore. The word derives from earlier Scots selich, (from Old English seolh meaning seal). Selkies are said to live as seals in the sea but shed their skin to become human on land. The legend apparently originated on the Orkney and Shetland Islands and is very similar to those of swan maidens.
Seán Mac Falls Mar 2013
I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.
Blodeuwedd is the Welsh Goddess of spring created from flowers.  In the late Christianized myth, She was created by the great magicians Math and Gwydion to be Lleu's mate, in response to a curse pronounced by his mother that he would never have a wife from any race then on the Earth. They fashioned Blodeuwedd from flowers and breathed life into Her.  In Welsh, blodeuwedd, meaning "Flower-face", is a name for the owl.

She represents temporary beauty and the bright blooming that must come full circle through death: She is the promise of autumn visible in spring.

Pronunciation: bluh DIE weth ("th" as in "weather")  Alternate spellings: Blodeuedd, Blodewedd.



Selkies (also known as silkies or selchies) are mythological creatures found in Faroese,Icelandic, Irish, and Scottish folklore. The word derives from earlier Scots selich, (from Old English seolh meaning seal). Selkies are said to live as seals in the sea but shed their skin to become human on land. The legend apparently originated on the Orkney and Shetland Islands and is very similar to those of swan maidens.
Sylph Nov 2019
A blanket of light
warms me
As i glide through the waters
with my selkie friends at my side
darting through the water
and teasing me for letting my thoughts get the best of me
I remember

He saw me
His eyes the color of the forest
His hair the color of fire
We fell for each other
And the string on our finger pulled us like magnets into each others arms

We spent so long together
And i loved him
More than life
I loved our daughter
More than my sea

But the pull
It tugged at my heart
At my mind
my skin
My soul
I couldnt resist its call
i tried
and tried for years

but i couldnt fight a match that had
never been possible for me to win in the first place
I couldnt fight my home
My very being
The beholder of my soul

I know they will forgive me one day
Our tight knot can not undone

Not even when
                                  Fate cuts my string
This is based off some selkie myths and legends
Seán Mac Falls Dec 2014
I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.
Blodeuwedd is the Welsh Goddess of spring created from flowers.  In the late Christianized myth, She was created by the great magicians Math and Gwydion to be Lleu's mate, in response to a curse pronounced by his mother that he would never have a wife from any race then on the Earth. They fashioned Blodeuwedd from flowers and breathed life into Her.  In Welsh, blodeuwedd, meaning "Flower-face", is a name for the owl.

She represents temporary beauty and the bright blooming that must come full circle through death: She is the promise of autumn visible in spring.

Pronunciation: bluh DIE weth ("th" as in "weather")  Alternate spellings: Blodeuedd, Blodewedd.


Selkies (also known as silkies or selchies) are mythological creatures found in Faroese,Icelandic, Irish, and Scottish folklore. The word derives from earlier Scots selich, (from Old English seolh meaning seal). Selkies are said to live as seals in the sea but shed their skin to become human on land. The legend apparently originated on the Orkney and Shetland Islands and is very similar to those of swan maidens.
JRS Jan 2018
I live in the north with the hoodies and the loons,
Where the wild gorse grows and prickles the brooms,
Where fields and pastures roll into mounds,
Which fold into mountains which tickle the clouds.

I live in the north, more water than rock,
Grey, green and blue like glas on the loch,
Reflecting the perfect mirror of the moon,
Are the world's oldest rocks, from which it was hewn.

I live in the north where cold winds blow,
Bringing hailstones and hurricanes, sunshine and snow,
To pristine white sand beaches where white waves come foaming,
To the straths and the glens serene in the gloaming.

I live in the north, the land of the Scots,
Named after the Irish, the natives forgot,
A land of Vikings and Picts, through war and through fire,
They bested the worst of the Roman empire.

I live in the north where the music runs deep,
It can make you laugh till you cry or a grown man weep,
A reel to make you believe any fable,
A blast of the pipes'll have you dance on the table.

I live in the north, still ruled by a king,
Monarch of the glen, lord of the ling,
Whose forests lack trees and whose lands are bare,
Save for the lonely, hunted hare.

I live in the north where magic is real,
And you can never be sure if it's selkie or seal,
Where the goddess Aurora paints the night sky green,
And dances with more stars than you've ever seen.
Seán Mac Falls Jun 2014
I am alone with you.
A fire burns in the distance
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud
Two of us, alone, as one
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin
Your slender legs, columns that taught  
The Greeks in Helens age, touched the water  
And the sky. I saw the milky way that night.

Síneánn, I am your Pablo
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone you are the hinge  
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes  
I hold your skin, my Selkie
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance
In the country of the sun
We end at the house in Umbria
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.
Lauren Sage Dec 2015
something heretical in our sera
a peeking thing, half mischievous
and i, trying to see if you are my mirror if you
recognize the streak in me as your own something familiar smelling like the sweat beneath your arms the
glossy glint off your scleras the
trail of forest on your body
heretical
something wild in the the skin that slips beneath my hands like a
many-worn silk of some old god like a
selkie would feel about the centuries old earth and the
neverchanging of days, darkbrightdarkbrightdark

something freeing about the sting of winter air in my nostrils something
ripped away from my long exiles in the city something
replenished in the true empty fullness of a silent tundra a
dirt-covered snowbank a
grey iceflow on the water something
dissident and infidel about your soul and mine together something
potent in our marrow something
wild and
freeing and

dying
Seán Mac Falls Jun 2015
I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.
Blodeuwedd is the Welsh Goddess of spring created from flowers.  In the late Christianized myth, She was created by the great magicians Math and Gwydion to be Lleu's mate, in response to a curse pronounced by his mother that he would never have a wife from any race then on the Earth. They fashioned Blodeuwedd from flowers and breathed life into Her.  In Welsh, blodeuwedd, meaning "Flower-face", is a name for the owl.

She represents temporary beauty and the bright blooming that must come full circle through death: She is the promise of autumn visible in spring.

Pronunciation: bluh DIE weth ("th" as in "weather")  Alternate spellings: Blodeuedd, Blodewedd.

Selkies (also known as silkies or selchies) are mythological creatures found in Faroese,Icelandic, Irish, and Scottish folklore. The word derives from earlier Scots selich, (from Old English seolh meaning seal). Selkies are said to live as seals in the sea but shed their skin to become human on land. The legend apparently originated on the Orkney and Shetland Islands and is very similar to those of swan maidens.
.
Seán Mac Falls Dec 2015
( sha-neen )*

I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.
Blodeuwedd is the Welsh Goddess of spring created from flowers.  In the late Christianized myth, She was created by the great magicians Math and Gwydion to be Lleu's mate, in response to a curse pronounced by his mother that he would never have a wife from any race then on the Earth. They fashioned Blodeuwedd from flowers and breathed life into Her.  In Welsh, blodeuwedd, meaning "Flower-face", is a name for the owl.

She represents temporary beauty and the bright blooming that must come full circle through death: She is the promise of autumn visible in spring.

Pronunciation: bluh DIE weth ("th" as in "weather")  Alternate spellings: Blodeuedd, Blodewedd.


Selkies (also known as silkies or selchies) are mythological creatures found in Faroese,Icelandic, Irish, and Scottish folklore. The word derives from earlier Scots selich, (from Old English seolh meaning seal). Selkies are said to live as seals in the sea but shed their skin to become human on land. The legend apparently originated on the Orkney and Shetland Islands and is very similar to those of swan maidens.
.
Seán Mac Falls May 2018
(Pronounced: sha-neen)

I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.
.
Blodeuwedd is the Welsh Goddess of spring created from flowers.  In the late Christianized myth, She was created by the great magicians Math and Gwydion to be Lleu's mate, in response to a curse pronounced by his mother that he would never have a wife from any race then on the Earth. They fashioned Blodeuwedd from flowers and breathed life into Her.  In Welsh, blodeuwedd, meaning "Flower-face", is a name for the owl.

She represents temporary beauty and the bright blooming that must come full circle through death: She is the promise of autumn visible in spring.

Pronunciation: bluh DIE weth ("th" as in "weather")  Alternate spellings: Blodeuedd, Blodewedd.


Selkies (also known as silkies or selchies) are mythological creatures found in Faroese,Icelandic, Irish, and Scottish folklore. The word derives from earlier Scots selich, (from Old English seolh meaning seal). Selkies are said to live as seals in the sea but shed their skin to become human on land. The legend apparently originated on the Orkney and Shetland Islands and is very similar to those of swan maidens.
.
Sian Rogers Oct 2019
A wind it blew, a change it brought
A project of history

I lost her by the sea
a selkie skin, a withered seal
I lost him in the woods
a nymph, as strong as a tree
I lost her in a dream
a fairie, would you believe?

A wind it blew, a change it brought
A project of modernity

I lost it in a book
a chemical to help my skin peel
I lost it on a cliff
a thought, or was it a scream?
I lost it in my head
an imagination put to bed

A wind it blew, a change it brought
A project of eternity
Marie Feb 2022
her hometown was
a tale of ole
a gasping ghost born
by a rush of gold
and great depression
it was full of stolen
selkie daughters
in a dust bowl sea
their hidden skins rotten
and
dead men hollowed
but still walking
their mined hopes left
emptied and long forgotten
so
she left it all behind
to wet her bones
in her landlocked grave
america's very own
born and raised
lady of the lake
there she still lay                  
a small-town myth                
of what it’s like                      
to have lived being haunted
Nallely Martinez Nov 2019
Life.
Life is so beautiful.
Yet people question it.
It lays a veil of enlightenment over our heads.
God, how I wish to enjoy life,
To seek out every bit and truly become passionate.
But so many people are focused on the bigger picture,
It's like no one has time to enjoy the little things.
The tiny details,
The little fragments of emotion,
That confidence, oh God, how I love that.
That aura of knowing what you want,
That stroke of beautiful luck,
I yearn for it.
But something has perturbed my usual inquiries.
I can't feel happiness as I used to, more importantly I don't feel sadness neither.
It's metamorphose into something completely different.
It's horrible,
It's fragmented yet I despise it,
I can feel the air it leaves like a rock on Atlas's back.
Forced to carry the weight of whatever it could be whether or not it even feels any relative emotion.
Nights where I cower wondering where it might be next,
So twisted and perverted, too dedicated to the cause of smothering me.
It's like a chamber where you can no longer breathe,
A see through glass where you've already lost all hope.
How can I go out like this?
How can I function like this?
Every seemingly little thread of excitement is cut by those three old hags of fate.
I stare blindly into a future where I cannot see my marble road.
Why?
Oh why?
When will I find my new hermit shell?
When will I carry the fruits of my labor?
When will I stop holding my tongue?
When will I stop questioning every action I make?
I want to rip myself apart just to find what's inside my crevices.
For where is my life?
Across the shore forever out of reach?
Or lost at sea joining the sirens calling out for me?
Perhaps I must collect it like that of a selkie,
And hold it under chains, trapped like a banshee.
Forever wailing out for help,
To an audience that no longer enjoy opera.
I hate the way it looks at me,
A spitting image that I wish to utterly destroy.
I wrote this during a very dark time of my life, and I treat it with much love.

— The End —