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"sashes" poems
Today I feel light and free As my hair is caressed by the breeze Bright, beautiful, magical Today has promised and will fulfil Today, I rise in glory Like a Phoenix reborn from ashes Beautifully clothed in red satin sashes Glorious like Pegasus on Mount Olympus Today I rise, I soar in splendour As the day keeps unveiling all her grandeur Let the chains of yesterday break away! Today is here, I will not cling to yesterday!
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Apr 15, 2015
Apr 15, 2015 at 2:36 PM UTC
TODAY
A friend sends her perfumed carriage And high-bred horses to fetch me. I decline the invitation of My old poetry and wine companion. I remember the happy days in the lost capital. We took our ease in the woman's quarters. The Feast of Lanterns was elaborately celebrated - Folded pendants, emerald hairpins, brocaded girdles, New sashes - we competed To see who was most smartly dressed. Now I am withering away, Wind-blown hair, frost temples. I prefer to stay beyond the curtains, And listen to talk and laughter I can no longer share.
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2.6k
A Friend Sends Her Perfumed Carriage
My heart is what it was before, A house where people come and go; But it is winter with your love, The sashes are beset with snow. I light the lamp and lay the cloth, I blow the coals to blaze again; But it is winter with your love, The frost is thick upon the pane. I know a winter when it comes: The leaves are listless on the boughs; I watched your love a little while, And brought my plants into the house. I water them and turn them south, I snap the dead brown from the stem; But it is winter with your love,— I only tend and water them. There was a time I stood and watched The small, ill-natured sparrows’ fray; I loved the beggar that I fed, I cared for what he had to say, I stood and watched him out of sight; Today I reach around the door And set a bowl upon the step; My heart is what it was before, But it is winter with your love; I scatter crumbs upon the sill, And close the window,—and the birds May take or leave them, as they will.
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2.3k
Alms
The wrinkles they are a bit faded but have a gentle presence that fits with the folds of the 16thC altar cloth once ****** white but now stained through years of use bread and tears or wine and tiny rice biscuits! The Christ on the cross is very old   made of painted wood and the altar is surrounded with a fence of turned table-leg like posts pale blue as is much of the interior perhaps denoting Heaven and as the psalms waft music round about we look through the windows to the listening hills and streams the old birds wise will sit watching too and all the people will suddenly feel their age wow what a display of flowers the church was as full of them as people I put in the only black dress I had with dark pink roses on it too and I cut the rim of a black felt hat that had cost only Kr. 10.- in scollops and diamond cuts around the crown as it was too big for me. Then I walked down to the valley to the church, and when I entered was ushered to the very front pew, I said there must be more important family members than me to be seated, I could hide in the balcony or something but he insisted. So I had a good view of the proceedings! It think several hours waiting the ***** playing quietly in the background and finally things began to happen. I sat next to a black man, he was already dressed in black!!! The white robed "prest" came into view and with his powerful voice sang twice as loud as the congregation. After all the flower sashes had been repetitively read out, we left the church following the coffin to its final resting place. And just as had happened in the church the priest mentioned the sun and its rays came through the windows, and as he threw on the "earth to earth, dust to dust," it broke through the grey clouds again and lit up the gay flowers, the frame of black and white onlookers many in tears watching. Margaret Ann Waddicor
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Dec 14, 2015
Dec 14, 2015 at 8:57 AM UTC
A Funeral in the mountains of Norway
The wrinkles they are a bit faded but have a gentle presence that fits with the folds of the 16thC altar cloth once ****** white but now stained through years of use bread and tears or wine and tiny rice biscuits! The Christ on the cross is very old   made of painted wood and the altar is surrounded with a fence of turned table-leg like posts pale blue as is much of the interior perhaps denoting Heaven and as the psalms waft music round about we look through the windows to the listening hills and streams the old birds wise will sit watching too and all the people will suddenly feel their age wow what a display of flowers the church was as full of them as people I put in the only black dress I had with dark pink roses on it too and I cut the rim of a black felt hat that had cost only Kr. 10.- in scollops and diamond cuts around the crown as it was too big for me. Then I walked down to the valley to the church, and when I entered was ushered to the very front pew, I said there must be more important family members than me to be seated, I could hide in the balcony or something but he insisted. So I had a good view of the proceedings! It think several hours waiting the ***** playing quietly in the background and finally things began to happen. I sat next to a black man, he was already dressed in black!!! The white robed "prest" came into view and with his powerful voice sang twice as loud as the congregation. After all the flower sashes had been repetitively read out, we left the church following the coffin to its final resting place. And just as had happened in the church the priest mentioned the sun and its rays came through the windows, and as he threw on the "earth to earth, dust to dust," it broke through the grey clouds again and lit up the gay flowers, the frame of black and white onlookers many in tears watching. Margaret Ann Waddicor
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39
Amerikeisha tapping out the drumbeat with her see through plastic mechanical pencil   Me sidewinding my way through highschool Dizzy Gillespie's  trumpet waking the souls that are buried in the lockers, Chick Corea and I are returning to forever The land where summer is the only season And daisy dukes are greatly appreciated, John Coltrane is helping me realize How beautiful girls in white dresses with blue satin sashes are, I've been dancing to Dave Brubeck since this morning And I can't get Maria out of my head I just picture Maria As this girl Feeling Pretty Oh so pretty I imagine if I saw her in the street I wouldn't double take But Take Five     Charlie Parker playing saxophone like It's as easy as brushing his teeth, Nat King Cole Serenading Hispanic women with his soothing tone Robert Glasper experimenting with his music Burning you brain like mentholated cough drops
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Nov 5, 2013
Nov 5, 2013 at 8:57 PM UTC
Human Jazz
*Raindrops on roses, And wiskers on kittens, Don't know if I really wore mittons, But I can be sure, Nothing came in brown paper packages, Which were tied up with strings,* *So I asure you, These are not some of my favourite things! Cream colored ponies, No! Crisp apple poodles, Sorry if I made a mistake, I'll go with noodles, White owls that fly with some Food in their beaks, I assure you, These are some of my unfavourite things!* *Girls in white dresses, With blue satin sashes, Snowflakes that stay on my nose and eyelashes, Silver white winters that melt into spring, Well, These are a few of my favourite things!* When the dog barks, When the bees sting, When I feel like shouting! I simply remember my unfavourite things! and then all I feel is, too bad!
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Dec 12, 2012
Dec 12, 2012 at 8:27 AM UTC
unfavourite things
We all own other people. In parts. We cut out the things we want with words and wear the pieces as badges Medals. Blood dripping sashes. Words are knives and we ask for the cuts people may deign to give us We want to be owned in those parts so we can own them in turn. I wonder what pieces I've let people take from me?
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Jun 18, 2014
Jun 18, 2014 at 7:21 PM UTC
Pieces, Parts
Thinking back to Thomas creek and sneaking a peak at the freaky little tweaker in blown out sneakers a toothless mistress second guessing ****** thrift dressed house guest ******* up my speakers blown out woofer wolfing down dinner mad slurping curry a beginner at twister her sister, disaster, got caught ******* the Doberman.. unable to find sobriety got gang ***** at the sorority doing an impression of Brad Dougherty shoes to tall falling all wobbly knees knocking hostilely like a rasta in Montgomery racially outcast Big Boi with a skin tare lash with passion unfashionable bastions with rashes wear red sashes like Communist fascists I‘m a pacifist with a speeding fist ready to dis any resistor to this transistor radio I eat filet-minion with boxers on my mind be gone, like, no one’s home and this body roams all alone with a ***** I’m a stoner, a postponer, ***** donor, out on loan bought and paid for, caught with a lawnmower, impersonating a horn blower like I was Gillespie at the Filmore, or Apollo theatre as a greater Walmart style wearing a wife beater, not a reader, sort of a ******* not like Kim, more like a mosquit-er drinking blood like it’s from a hummingbird feeder.
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May 9, 2016
May 9, 2016 at 6:03 PM UTC
crap rap 7 (MCDJpjs)
White as a sordid awakening Hollow, shallow, swallows Me like an aged cavern When mother comes in She is scared to find me Pale and blue The window is a hole Curtains like bedraggled women Clutch at themselves She stumbles through a gathering Of talkative charcoal And pastel on the floor Scattered and sallow Turpentine twists in sweet sashes Round and round her neck She calls, wavering already Diving obliquely through the sea She reaches for me on the mattress In the bookshelf, Behind easels,  pallete Beneath the bridge of the table A thousand gales of hues blow Ruffling a thousand shadows Thousand murmurs decieve her Into breathing relief. I see her heart a flickering flame: Waves of my deathlessness Shove her around. Mother, mother, come closer I call from the lean wooden Parapet of the canvas I dance her about in the sky Stroke the hair, as She cries, holding my solidity Thin, bony; her hands shake Like factory floors Rancid blooms of a stubborn faith Scotch her oak-brown skin And all the walls watch our show Disintegration occurs As she searches for me Kicking clatter and dust around I a pebble in the pebbles of me She picks, examines, throws Picks examines, throws All while tumbling Into into into the stench Of my keen blue decay Brushstroke, word, scream and plea She takes all the noise along Into the beautiful world Gaunt, I crawl clawing out I am monster now And she is painted.
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Sep 1, 2023
Sep 1, 2023 at 10:55 AM UTC
The Portrait
I'm told that I should dream so brightly 
Light bound blades and angel swords
 Care not to close my eye too tightly 
 So long as it's right side of war. 

But I can't sleep with lights so singing
 Torture methods loved by good
 When bright roots down my words mid-winging 
My walking tiptoes turn to wood.

 Let me go where winter follows
 Play with wisp-lights in the dark
 Friends with larks and darker swallows 
Bending trees to leave my mark.

 A candle lit midsummer night
 Burns stronger come the Yuletide snow
 Mirrors lie more than lover's sight
 March's Ides won't blind me so.

 So let me taint my wings with ashes
 Chip my sword with ****** smiles
 Wear my words in tattered sashes
 Beat a path towards every mile

 You color with a paper paste
 Richer blends don't fit your mold
 Now isn't that just such a waste?
 You've lost your palette to the cold.
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Feb 17, 2014
Feb 17, 2014 at 7:17 PM UTC
Heroes and Villains
October butterflies game against blue skies, wind that gusts indifferent fading buddleia’s purple sashes give one last hurrah to the peacock, admiral, as the lowering sun sees through wings that were #autumn #fall #october #butterflies #turnturnturn
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Oct 24, 2021
Oct 24, 2021 at 7:51 AM UTC
Lepidopterist
I want my heart to feel like the great Salt Lakes, reaching towards each other, constantly suspended in the moment just before contact. I want to build this anticipation, but my patience is shorter than your last haircut, when we sat by the river to discuss model trains. I want my mind to feel like a hummingbird when it finally lands to rest on the red plastic device filled with sugar water outside my mother’s kitchen window, but I’m quite a ways from home now and have been for a while. I want my stomach to feel like the tree roots, the red oaks, the ones that dwarf me and that I know would let me get my favorite kind of lost in their home, the kind we planned on visiting after graduation, but I am usually stuck in maple sap. I want my mouth to taste like strawberries, ripened scarlet in the sun, the kind my tall friend’s mother mashes up with sour rhubarb for the perfect jam to last us through winter, but more often than not, my teeth are coffee-stained and my tongue tends to be too sharp for delicate berries. I want my skin to feel like satin ribbons, the kind that tie little girl sashes before holy events and parties where they dance on their father’s toes for the first time, and find it perfectly marvelous, but I am covered in scratches and marks from building enormities. I am a patchwork from the most meaningless scraps. I was a junkyard doll with mismatch buttons eyes and melted cardboard shoes. My head is a garbage heap left out too long, my eyes are scooping all of it up, and my dress is made of someone else’s throwaway linen. My aluminum can hands stretch out for anyone’s how-town while I think of shoestring revues and paper mache.
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Jul 10, 2014
Jul 10, 2014 at 11:52 PM UTC
Don't Worry (Post-Op)
I want my heart to feel like the great Salt Lakes, reaching towards each other, constantly suspended in the moment just before contact. I want to build this anticipation, but my patience is shorter than your last haircut, when we sat by the river to discuss model trains. I want my mind to feel like a hummingbird when it finally lands to rest on the red plastic device filled with sugar water outside my mother’s kitchen window, but I’m quite a ways from home now and have been for a while. I want my stomach to feel like the tree roots, the red oaks, the ones that dwarf me and that I know would let me get my favorite kind of lost in their home, the kind we planned on visiting after graduation, but I am usually stuck in maple sap. I want my mouth to taste like strawberries, ripened scarlet in the sun, the kind my tall friend’s mother mashes up with sour rhubarb for the perfect jam to last us through winter, but more often than not, my teeth are coffee-stained and my tongue tends to be too sharp for delicate berries. I want my skin to feel like satin ribbons, the kind that tie little girl sashes before holy events and parties where they dance on their father’s toes for the first time, and find it perfectly marvelous, but I am covered in scratches and marks from building enormities. I am a patchwork from the most meaningless scraps. I was a junkyard doll with mismatch buttons eyes and melted cardboard shoes. My head is a garbage heap left out too long, my eyes are scooping all of it up, and my dress is made of someone else’s throwaway linen. My aluminum can hands stretch out for anyone’s how-town while I think of shoestring revues and paper mache.
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6
Diluted in fluency Whirling through a world A canary in a coal mine Burning the oil Sashes of solubles Solvents of solidarity Emptied cages Gleaming from a cave
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Mar 27, 2013
Mar 27, 2013 at 1:04 AM UTC
Under
I want to roll down that grassy hill, Again in Mississippi bare-footed In my ‘petticoated’, polka-dotted flouncy dress, Sashes hanging untied down the back. And walk through the fragrant gardens Of brogan wearing old-maid great aunts; Hiding half-way behind her dress, Clinging to the wrinkly flesh of my Granny’s arm.
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Mar 30, 2015
Mar 30, 2015 at 10:02 PM UTC
Memory Child
I look forward to real smiles to seeing friends I haven't seen in awhile to looking into your eyes when you tell me I'm beautiful And knowing it's true to feeling loved to feeling so full I look forward to frayed ends of ribbons tied together to sashes and passion all about to happiness and fairness to being with a person who would understand to having more than just my pen
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Aug 19, 2013
Aug 19, 2013 at 8:30 AM UTC
I Look Forward To
The road to the South Hills always has a message for me, always wants to whisper something secret to me. This special autumn day it's a message that the hills have groomed themselves and are ready for me to be overwhelmed by their beauty. The hills await me, the road whispers, and the road reveals to me how the hills have clothed themselves— brightest autumn finery brought out again this year from stuffy, hidden trunks, with gold and yellow dresses now covering the spindly legs and knobby knees of quaking aspen, while brilliant saffron sashes gird the expanse beyond the trees, with willows trimmed in scarlet and ochre meadows completing fall's wardrobe, but for the mist. Above it all, a misty veil hovers softly between trees and mountains on days such as this. Of course I'm perfectly willing to be lead by the road, for I relish where it always seems to lead— for this road never lies to me. --
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Sep 9, 2011
Sep 9, 2011 at 2:46 PM UTC
Message of the Road
Ocean eyes so deep and blue I drown in their hue beautiful and intoxicating I promise I’m not overrating Long lashes silken sashes but what enthrals most of all is the love that I see When they gaze at me
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May 8, 2013
May 8, 2013 at 9:48 AM UTC
Ocean Eyes
And the jejune...just like that it leaves my life. And the mundane of it all? The looking of both ways and crossing, The tieing of shoelaces... the washing of hands. And the dullness of it all suddenly shines like a sharpened knife on a darkened shelf in a forgotten home That is now just a house. Glistens like that. Out of place and unexpected. And all of the sudden the sun lifts her goddess body stretching forth her sinewy limbs, just for me ...playfully fondles my skin with heat. Undeserving, inconsiderate me. And without any predisposition the ocean dredges the finest, tiniest grains of sand for me,           for me. Vain. Reckless me. Turns over an hourglass glistening with his diamond dust and just like that... And I am grateful, yes I am humbled. And I will clutch it, I will seize it. I will patronize, I will hoard. And I will covet it, herald. Proclaim. And I will know that time? Seconds hands, he stroke me now. Hours wind around my wrist and bind my eyes with red slithery silken sashes- And Love? Fickle stroke of her pen and just like that I am chosen. Moved from the side of the street where a damp mold covers the crumbling bricks... and the people I pass, they look up at me now nodding with a secret knowing. Because we are chosen for this love, We are the elite. Plucked from the remaining pugilists. And just like that he loves me. Just like that it swallows me whole ...And just like that, love. Sahn 7/2/2014
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Jul 12, 2014
Jul 12, 2014 at 12:39 PM UTC
Just Like That
Still Gabriella swears by the colour red, Torn sashes of yesterday can only consume the mindset of  her forgotten azure, as the neck of dawn sneaks accidentally, Yellow's parody the greater shame, no school or satchels of mouldy black, behind the lumme she needed more time, like a fulcrum balancing taciturn's turn.
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Feb 2, 2013
Feb 2, 2013 at 6:35 PM UTC
Colour Quest
In the quiet of the night as the world slept well into December, there were no spirits to dredge nor scars as such. I didn't have vices that demanded much. NON SUCH. A few insomniacs from my tribe burned fresh wicks of discontent as flickering light from static devices crept through half drawn sashes living rooms. But for me Non Such. Smell of sweet night grass and stilted Oleander,crickets startled into apnea. Dogs sending smoke signals of solitary illumination. But I, non such. A pace of great deliberation. Resounding over dated concrete tablets do mark my time in moonlite. But peace of mind.Nonsuch.
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May 6, 2016
May 6, 2016 at 4:46 AM UTC
I Took A Walk
Tempest triumph turmoil tomb Seeketh life or seeketh whom Ashes, bones lay beneath me Humble yourself, so you can see A wide range of locus holograms Pinched around like metal prams Escape none to route a way Knuckles grit, sinking everyday Dark puffed, stuffed grey matter Auction solidarity is no better Speech of silence, clouds of rain Piercing pledging pleading pain Thy grace, I praise as heavens open Not above but a voice has spoken Walk the steps downs, the voices called Come to us, you belong to our world Pushed dragged and pulled a few miles Clowned faces, greet with smiles Mummified shrouds hang like dolls Eyes spring out like the tennis ***** Dredged with stinkful skillful spills Rainbow colored infinite pills Wide-eyed blinks match the flurocent Contour light lights up the magnificent Bridges burn birthing ashes Torn ripped ***** worn sashes Two hands praying, Lord save our nation Two legs walk, it's another fashion Rotten forgotten the limpage lives All hands stuck in the money hives Online tariff tragic traffic terror Highlights viral vital error Known unknown captured in doubts Strapped bodies spillage by mouths Shots of needles through my veins End of life, foregone with pains! ©sim
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Feb 18, 2018
Feb 18, 2018 at 7:54 PM UTC
Apocalypse
In the streets of Delhi advertised on every sign, Is the British army’s need for you to buy buy buy. It may cost your turban, your home your family, and the worn clothes. But it’s for the greater good right? of the empire of them ‘s and those. When you pass the gender and notice his cracked lips, And coughing and dying son, You feel sympathy as you would for anyone. But you can parch him as your son cant starve too, And that’s just the law of the untouchable that are below you. Despite your status being not much better, You walk a stranger to their leering eyes, As you were the clean white sashes and ties, But they don’t realise the shackles you are also in. As the phrase goes that you see on all the ads. “You can’t make your own confections, You can’t save your own possessions, You can’t even built out of your own wood, Because for the good of the empire of the greater good, You will serve to pay the fees that are higher than you can afford to do.” When you think of that as you walk these deep streets you can’t help walking in a way of shame, As you know you can’t blame these overlords, But the submissions and laws of old, That they stole and now uphold. Never to be loss of my shackles, I pass these streets, and go on to Mumbai for the next delivery meet.
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Nov 11, 2020
Nov 11, 2020 at 3:20 PM UTC
The Salts Bitter Taste
My life is a string of periods drawn out in a line ____ A garland of punctuated pearls only worthy divers can find. . . . Haters treated it like a dump of dashes -- Hurled their "quotations" Shoved me into (parentheses) And struck at me with oblique slashes / Then “lovingly” draped it all on my frail torso Like Miss Universe sashes But as a bold series of commas, I learned to hum between rhythm and rhyme With a necklace of exclamation points around the throat of my heart and mind! ♥ A dangling pair of ellipsis earrings... Playful as a wind chime A wristband of semicolons; Clutching my watch’s face As my face watches time Haters tried so hard to dictate my life’s story But those words are Allah’s composition throughout eternity I embrace His decree And I name the punctuations mine!
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Jan 28, 2021
Jan 28, 2021 at 3:31 AM UTC
Punctuate Life With Your Soul's Feelings
Amica mea columba, I whisper to Amy as she prepares my bath. Domitia has left us after a long afternoon of talk and gossip. Marcus is off on one of Caesar's campaigns; his love making (as such as it is) has ceased. Amy is now my bed mate, my love, my dove. Puella, Domitia had called to Amy, as if Amy were her slave girl and not mine. Now she prepares me for the bath; undresses me, undoing the sashes and undoing me in heart and mind. Last night her fingers slid into me, aroused me from deep slumber, broke me in like a wild stallion is tamed. Last night I kissed her ******* lips touched soft flesh, mouthed teats as an infant greedily. I am naked now, ready for my bathe. Annona, she whispers, the water is done. She stands and watches me, her hands nearby to aid; her eyes feeding on my body; her tongue at the side of her mouth, lingering, that too, last night, inside me, like *********
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Feb 16, 2016
Feb 16, 2016 at 3:17 AM UTC
LIKE ********* 47BC
Sashes on the pavement, lovers in a ditch singing their own love songs in the highest pitch, the Heartbreak City banks, full of disgusting ****** and tramps - welcome to your new Empire of dust, forever lit beneath low phosphour lamps strutting down those streets with your hands on your hips filthy smile smeared over those tempestuous lips, stinking of the latest high maintenance fragrance the ****** arrogance that flips and fits the hottest ***** I've ever seen from a nobody to the penultimate Killer Queen, champagne, diamonds, expensive tastes, spending money on luxuries and other waste oh I love your exotic ideas, your shattering impatient thoughts spreading the *** craze that warps and distorts, your people slumber in poverty, weep at your knees instead of mercy you gift them with drug addiction and disease children crying upon high streets lawyers demanding prostitutes for tax receipts - oh here they come - the worst is un-seen oh here they come - both unjust and un-clean the beautiful people are mannequins and they hide in shadows birthed from ****** within Satan's abysmal gallows clicking fingernails rotted and curled whispering everything makes sense in a senseless world - this perfection is not what it used to be your quest is useless, for can't you see - the beautiful people are plague, and they hide behind trees and sooner or later they'll catch you, steal and contort your dreams.
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Dec 4, 2016
Dec 4, 2016 at 2:14 PM UTC
The Perfectionists