Chapter Two

“I think of art, at its most significant, as a DEW line, a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.”                Marshall McLuhan  
  
I attended Bucknell University in Lewisburg, Pennsylvania because my father was incarcerated at the prison located in the same town.  My tuition subsidized to a large extent by G.I. Bill, still a significant means of financing an education for generations of emotionally wasted war veterans. “The United States Penitentiary (USP Lewisburg)” is a high-security federal prison for male inmates. An adjacent satellite prison camp houses minimum-security male offenders. My father was strictly high-security, convicted of various crimes against humanity, unindicted for sundry others. My father liked having me close by, someone on the outside he trusted, who also happened to be on his approved Visitor List. As instructed, I became his conduit for substances both illicit, like drugs, and the purely contraband, a variety of Italian cheeses, salamis, prepared baked casseroles of eggplant parmesan, cannoli, Baci chocolate from Perugia, in Tuscany, south of Florence, and numerous bottles of Italian wine, pungent aperitifs, Grappa, digestive stimulants and sweet liquors. I remained the good son until the day he died, the source of most of the mess I got myself into later on, and specifically the main caper at the heart of this story.

I must confess: my father scared the **** out of me.  Particularly during those years when he was not in jail, those years he spent at home, years coinciding roughly with my early adolescence.  These were my molding clay years, what the amateur psychologists write off with the term: “impressionable years hypothesis.” In his own twisted, grease-ball theory of child rearing, my father may have been applying the “guinea padrone hypothesis,” in his mind, nothing more certain would toughen me up for whatever he and/or Life had planned for me. Actually, his aspirations for me-given my peculiar pedigree--were non-existent as far as the family business went. He knew I’d never be either a Don or a Capo di Tutti Capi, or an Underboss or Sotto Capo.)  A Caporegime—mid-management to be sure, with as many as ten crews of soldiers reporting to him-- was also, for me, out of the question. Dad was a soldier in and of the Lucchese Family, strictly a blue-collar, knock-around kind of guy. But even soldier status—which would have meant no rise in Mafioso caste for him—was completely out of the question, never going to happen for me.

A little background: the Lucchese Family originated in the early 1920s with Gaetano “Tommy” Reina, born in 1889 in Corleone, Sicily. You know the town and its environs well. Fran Coppola did an above average job cinematizing the place in his Godfather films.  Coppola: I am a strict critic when it comes to my goombah, would-be French New Wave auteur Francis Ford Coppola.  Ever since “One From the Heart, 1982”--one of the biggest Hollywood box office flops & financial disasters of all time--he’s been a bit thin-skinned when it comes to criticism.  So, I like to zing him when I can. Actually, “One From the Heart” is worth seeing again, not just for Tom Waits soundtrack--the film’s one Academy Award nomination—but also Natasha Kinski’s ***: always Oscar-worthy in my book. My book? Interesting expression, and factually correct for once, given what you are reading right now.

Tommy Reina was the first Lucchese Capo di Tutti Capi, the first Boss of All the Bosses. By the 1930s the Luccheses pretty much controlled all criminal activity in the Bronx and East Harlem. And Reina begat Pinzolo who begat Gagliano who begat Tommy Three Finger Brown Lucchese (who I once believed, moonlighted as a knuckle ball relief pitcher for Yankees.)
Three Finger Brown gave the Lucchese Family its name. And Tommy begat Carmine Tramunti, who begat Anthony Tony Ducks Corallo. From there the succession gets a bit crazy. Tony Ducks, convicted of Rico charges, goes to prison, sentenced to life.  From behind bars he presides through a pair of candidates most deserving the title of boss: enter Vittorio Little Vic Amuso and Anthony Gaspipe Casso.  Although Little Vic becomes Boss after being nominated by Casso, it is Gaspipe really calling the shots, at least until he joins Little Vic behind bars.
Amuso-Casso begat Louis Louie Bagels Daidone, who begat the current official boss, Stephen Wonderboy Crea.  According to legend, Boss Crea got his nickname from Bernard Malamud’s The Natural, a certain part of his prodigious anatomy resembling the baseball bat hand-carved by Roy Hobbs. To me this sounds a bit too literary, given the family’s SRI Lexile/Reading Performance Scores, but who am I to mock my peoples’ lack of liberal arts education?

Begat begat Begato. (I goof on you, kind reader. Always liked the name Begato in the context of Bible-flavored genealogy. Mille grazie, King James.)

Lewisburg Penitentiary has many distinguished alumni: Whitey Bulger (1963-1965), Jimmy Hoffa (1967-1971) and John Gotti (1969-1972), for example.  And fictionally, you can add Paulie Cicero played by Paul Scorvino in Martin Scorsese’s Goodfellas, not to be confused with Paulie Walnuts Gualtieri played by Tony Sirico from the HBO TV series The Sopranos. Nor, do I refer to Paulie Gatto, the punk who ratted out Sonny Corleone in Coppola’s The Godfather, you know: “You won’t see Paulie no more,” according to fat Clemenza, played by the late Richard “Leave the gun, take my career” Castellano, who insisted to the end that he wasn’t bitter about his underwhelming post-Godfather film career. I know this for a fact from one of my cousins in the Gambino Family. I also know that the one thing the actor Castellano would never comment on was a rumor that he had connections to organized crime, specifically that he was a nephew to Paulie Castellano, the Gambino crime family boss who was assassinated in 1985, outside Midtown New York’s Sparks Steak House, an abrupt corporate takeover commissioned by John Teflon Don Gotti. But I’m really starting to digress here, although I am reminded of another interesting historical personage, namely Joseph Crazy Joe Gallo, who was also terminated “with extreme prejudice” while eating dinner at a restaurant.  Confused? And finally--not to be confused with Paul Muldoon, poetry gatekeeper at The New Yorker magazine, that Irish **** scumbag who consistently rejects publication of my work. About two years ago I started including the following comment in my on-line Contact Us, poetry submission:  “Hey Paulie, Eat a Bag of ****!”

This may come as a surprise, Gentle Reader, but I am a poet, not a Wise Guy.  For reasons to be explained, I never had access to the family business. I am also handicapped by the Liberal Arts education I received, infected by a deluge, a veritable Katrina ****** of classic literature.  That stuff in books rubs off after awhile, and I suppose it was inevitable. I couldn’t help evolving for the most part into a warm-blooded creature, unlike the reptiles and frogs I grew up with.

Again, I am a poet not a wise guy. And, first and foremost, I am a human being. Cold-blooded, I am not. I generate my own heat, which is the best definition I know for how a poet operates. But what the hell do I know? Paulie “Eat a Bag of ****” Muldoon doesn’t think much of my work. And he’s the ******* troll guarding the New Yorker’s poetry gate. Nevertheless, I’m a Poet, not a Wise Guy.  I repeat myself, I know, but it is important to establish this point right from the start of this narrative, because, if you don’t get that you’re never going to get my story.

Maybe the best way to explain my predicament—And I mean PREDICAMENT in the sense of George Santayana: "Life is not a spectacle or a feast; it is a predicament." (www.brainyquote.com), not to be confused with George’s son Carlos, the Mexican-American rock star: Oye Como Va, Babaloo!

www.youtube.com/watch?v...YouTube Dec 20, 2011 - Uploaded by a106kirk1, The Best of Santana. This song is owned by Santana and Columbia Records.

Maybe the best way for me to explain my predicament is with a poem, one of my early works, unpublished, of course, by Paulie “Eat a Bag of ****” Muldoon:

“CRAZY JOE REVISITED”  
        
by Benjamin Disraeli Sekaquaptewa-Buonaiuto

We WOPs respect criminality,
Particularly when it’s organized,
Which explains why any of us
Concerned with the purity of our bloodline
Have such a difficult time
Navigating the river of respectability.

To wit: JOEY GALLO.
WEB-BIO: (According to Bob Dylan)
“Born in Red Hook, Brooklyn in the year of who knows when,
Opened up his eyes to the tune of accordion.

“Joey” Lyrics/Send "Joey" Ringtone to your Cell
Joseph Gallo, AKA: "Joey the Blond."
He was a celebrated New York City gangster,
A made member of the Profaci crime family,
Later known as the Colombo crime family,

That’s right, CRAZY JOE!
One time toward the end of a 10-year stretch,
At three different state prisons,
Including Attica Correctional Facility in Attica, New York,
Joey was interviewed in his prison cell
By a famous NY Daily News reporter named Joe McGinnis.
The first thing the reporter sees?
One complete wall of the cell is lined with books, a
Green leather bound wall of Harvard Classics.
After a few hours mainly listening to Joey
Wax eloquently about his life,
A narrative spiced up with elegant summaries,
Of classic Greek theory, Roman history,
Nietzsche and other 19th Century German philosophers,
McGinnis is completely blown away by Inmate Gallo,
Both Joey’s erudition and the power of his intellect,
The reporter asks a question right outta
The Discrete Charm of the Bourgeoisie:
“Mr. Gallo, I must say,
The power of your erudition and intellect
Is simply overwhelming.
You are a brilliant man.
You could have been anything,
Your heart or ambition desired:
A doctor, a lawyer, an architect . . .
Yet you became a criminal. Why?”

Joey Gallo: (turning his head sideways like Peter Falk or Vincent Donofrio, with a look on his face like Go Back to Nebraska, You ******* Momo!)

“Understand something, Sonny:
Those kids who grew up to be,
Doctors and lawyers and architects . . .

They couldn’t make it on the street.”

Gallo later initiated one of the bloodiest mob conflicts,
Since the 1931 Castellammare War,
And was murdered as a result of it,
While quietly enjoying,
A plate of linguini with clam sauce,
At a table--normally a serene table--
At Umberto’s Clam House.

Italian Restaurant Little Italy - Umberto's Clam House (www.umbertosclamhouse.com)
In Little Italy New York City 132 Mulberry Street, New York City | 212-431-7545.

Whose current manager --in response to all restaurant critics--
Has this to say:
“They keep coming back, don’t they?
The joint is a holy shrine, for chrissakes!
I never claimed it was the food or the service.
Gimme a ******* break, you momo!
I should ask my paisan, Joe Pesci
To put your ******* head in a vise.”

(Again, Martin Scorsese getting it exactly right, This time in  . . . Casino (1995) - IMDb www.imdb.com/title/tt0112641/Internet Movie Database Rating: 8.2/10 - ‎241,478 votes Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. Greed, deception, money, power, and ****** occur between two  . . . Full Cast & Crew - ‎Trivia - ‎Awards - ‎(1995) - IMDb)

Given my lifelong, serious exposure to and interest in German philosophy, I subscribe to the same weltanschauung--pronounced: veltˌänˌSHouəNG—that governed Joey Gallo’s behavior.  My point and Mr. Gallo’s are exactly the same:  a man’s ability to make it on the street is the true measure of his worth.  This ethos was a prominent one in the Bronx where and when I grew up, where I came of age during the 1950s and 60s.  Italian organized crime was always an option, actually one of the preferred options--like playing for the Yankees or being a movie star—until, that is, reality set in.  And reality came in many forms. For 100% Italian kids it came in a moment of crystal adolescent clarity and self-evaluation:  Am I tough enough to make it on the street?  Am I ever going to be tough enough to make it on the street? Will I be eaten alive by more cunning, more violent predators on the street?

For me, the setting in of reality took an entirely different form.  I knew I had what it takes, i.e., the requisite ferocity for street life. I had it in spades, as they say. In fact, I’d been blessed with the gift of hyper-volatility—traced back to my great-grandfather, Pietro of the village of Moschiano, in the province of Avellino, in the region of Campania, Italia Sud. Having visited Moschiano in my early 20s and again in my late 50s, I know the place well. The village square sits “down in the holler,” like in West Virginia; the Apennine terrain, like the Appalachians, rugged and thick. Rugged and thick like the people, at least in part my people. And volatile, I am, gifted with a primitive disposition when it comes to what our good friend Abraham Maslow would call lower order needs. And please, don’t ask me to explain myself now; just keep reading, *******.  All your questions will be answered.

Great Grandfather Pietro once, at point blank range, blew a man’s head off with a lumpara, or sawed-off shotgun. It was during an argument over—get this--a penny’s worth of pumpkin seeds--one of many stories I never learned in childhood. He served 10 years in a Neapolitan penitentiary before being paroled and forced to immigrate to America.  The government of the relatively new nation--The Kingdom of Italy (1861)--came up with a unique eugenic solution for the hunger and misery down south, south of Rome, the long shin bone, ankle, foot, toes & kickball that are the remote regions of the Mezzogiorno, Southern Italy: Campania, Basilicata, Calabria, Puglia & Sicilia. Northern politicians asked themselves: how do we flush these skeevy southerners, these crooks and assassins down South, how do we flush the skifosos down the toilet—the flush toilet, a Roman invention, I report proudly and accept the gratitude on behalf of my people. Immigration to America: Fidel Castro did the same thing in the 1980s, hosing out his jails and mental hospitals with that Marielista boatlift/Emma Lazarus Remix: “Give us your tired and poor, your lunatics, thieves and murderers.” But I digress. I’ll give you my entire take on the history of Italy including Berlusconi and the “Bunga Bunga” parties with 14-year old Moroccan pole dancers . . . go ahead, skip ahead.

Yes, genetically speaking, I was sufficiently ferocious to make it on the street, and it took very little spark to light my fuse. Moreover, I’ve always been good at figuring out the angles--call it street smarts--also learned early in life. Likewise, for knowing the territory: The Bronx was my habitat. I was rapacious and predacious by nature, and if there was a loose buck out there, and legs to be broken, I knew where to go.
Yet, alas, despite all my natural talents & acquired skills, I remained persona-non-grata for the Lucchese Family. To my great misfortune, I fell into a category of human being largely shunned by Italian organized crime: Mestizo-Italiano, a diluted form of full strength 100% Italian blood. It’s one of those voodoo blood-brotherhood things practiced by Southern European, Mediterranean tribal people, only in part my people.  Growing up, my predicament was always tricky, always somewhat bizarre. Simply put: I was of a totally different tribe. Blame my exotic mother, a genuine Hopi Corn Maiden from Shungopavi, high up on Second Mesa of the Hopi Reservation, way out in northern Arizona. And if this is not sufficiently, ******* nuts enough for you, add to the child-rearing minestrone that she raised me Jewish in The Bronx.  I **** you not. I took my Bar Mitzvah Hebrew instruction from the infamous Rabbi Meir Kahane, that’s right, Meir “Crazy Rebbe” Kahane himself--pronounced kɑː'hɑːna--if you grok the phonetics.

In light of the previously addressed “impressionable years hypothesis,” I wrote a poem about my early years. It follows in the next chapter. It is an epic tale, a biographical magnum opus, a veritable creation myth, conceived one night several years ago while squatting in a sweat lodge, tripping on peyote. I

I.

One night at the Troubadour I spotted this extraordinary girl.

So I asked who she was.

‘A professional,’

That was my introduction that on a scale of one to ten

there were women who were fifteens—beautiful, bright, witty, and

oh, by the way, they worked.

Once I became aware,

I saw these women everywhere.

And I came to learn that most of them were connected to Alex



II.

She had a printer engrave a calling card

that featured a bird of paradise

borrowed from a Tiffany silver pattern

and,
under it,

Alex’s Aviary,

Beautiful and Exotic birds.



A few were women you’d see lunching at Le Dôme:

pampered arm pieces with expensive tastes

and a hint of a delicious but remote sexuality.

Many more were fresh-faced, athletic, tanned, freckled

the quintessential California girl

That you’d take for sorority queens or future BMW owners.





III.

The mechanism of Alex’s sudden notoriety is byzantine,

as these things always are.

One of her girls took up with a rotter,

the couple had a fight,

he went to the police,

the police had an undercover detective visit

(who just happened to be an attractive woman)

and ask to work for her,

she all but embraced her

—and by April of 1988 the district attorney had enough evidence

to charge her with two counts of pandering

and one of pimping.

For Alex, who is fifty-six

and has a heart condition and diabetes,

the stakes may be high.

A conviction carries the guarantee of incarceration.

For the forces of law and order,

the stakes may be higher.

Alex has let it be known that she will subpoena

every cop she’s ever met to testify at her trial.

And the revelations this might produce

—perhaps that Alex compromised policemen

by making girls available to them,

—perhaps that Alex had a deal with the police to provide information

in exchange for their blind eye to her activities

—could be hugely embarrassing to the police and the district attorney.

For Alex’s socially correct clients and friends,

for the socially correct wives of her clients and friends

and for a handful of movie and television executives

who have no idea they are dating or

married to former Alex girls,

the stakes are highest of all.



IV.

Alex’s black book is said to be a catalogue of
Le Tout Los Angeles.

In her head are the ****** secrets

of many of the city’s most important men,

to say nothing of visiting businessmen and Arab princes.

If she decides to warble,

either at her trial or in a book,

her song will shatter more than glass.





V.

A decade ago, I went to lunch at Ma Maison,

There were supposed to have been ten people there,

but only four came.

One of them was a short woman

who called me a few days later and invited me to lunch.

When I arrived, the table was set for two.

I didn’t know who Alex was or what she did,

but she knew the important facts of my situation:

I was getting divorced from a very wealthy man

and doing the legal work myself

to avail lawyers who wanted to get a big settlement for me.


Occasionally, she said, I get a call for a tall, dark-haired,

slender, flat-chested woman

—and I don’t have any.

It wouldn’t be a frequent thing.

There’d be weekends away, sometimes in Palm Springs,

sometimes in Europe.

The men will be elegant,

you’ll have your own room

—there would be no outward signs of impropriety.

And you’d get $10,000 to $20,000 for a weekend.





VI.

The tall, slender, flat-chested brunette

didn’t think it was right for her.

Alex handed her a business card

and suggested that she think about it.

To her surprise, she did

—for an entire week.

This was 1978, and $20,000 then

was like $40,000 now,

I knew it was hooking,

but Alex had never mentioned ***.



Our whole conversation seemed to be about something else.



VII.

I was born in Manila

to a Spanish-Filipina mother and German father,

and when I was twelve

a Japanese soldier came into our house

with his bayonet pointed at us,

ready to do us in.

He locked us in and set the house on fire.

I haven’t been scared by much since that.



My mother always struck me as goofy,

so I jumped on a bus and ran away,

I got off in Oakland,

saw a help-wanted sign on a parish house,

and went in.

I got $200 a month for taking care of four priests.

I spent all the money on pastries for the parish house.

But I didn’t care.

It felt safe.

And the priests sparked my interest in the domestic arts

—in linen, in crystal.



A new priest arrived.

He was unpleasant,

so on a vacation in Los Angeles I took a pedestrian job,

still a teenager,

married a scientist.

We separated eight years later,

he took our two sons to another state

threatened to keep them if I didn’t agree to a divorce.

Keep them I said and hung up.

It’s not that I don’t have a maternal instinct

—though I don’t,

I just hate to be manipulated.



My second husband,

an alcoholic,

had Frank Sinatra blue eyes, and possibly

—I never knew for sure—

had a big career in the underworld

as a contract killer.

Years before we got serious,

he was going out with a famous L.A. ******,

She and her friends were so elegant

that I started spending time with them in beauty salons.

They were so fancy,

so smart

—and they knew incredible people,

like the millionaire who sat in his suite all day

just writing $5,000 checks to girls.



VIII.

I was a florist.

We got to talking.

She was a madam from England

who wanted to sell her book and go home.

I bought it for $5,000.

My husband thought it was cute.

Now you’re getting your feet wet.

Three months later,

he died.

After eleven years of marriage,

just like that.

And of the names in the book

it turned out

that half of the men were also dead.

When I began the men were old and the women were ugly.



IX.

It was like a lunch party you or I would give,

Great food Alex had cooked herself.

Major giggles with old pals.

And then,

instead of chocolate After Eight,

she served three women After Three



This man has seen a bit of life

beyond Los Angeles,

so I asked him how Alex’s stable

compared with that of Madam Claude,

the legendary Parisian procuress.

Oh, these aren’t at all like Claude’s girls,

A Claude girl was perfectly dressed and multilingual

—you could take her to the opera

and she’d understand it.





He told me that when she was 40

she looked at herself in the mirror

and said

Disgusting.

People over 40

should not have ***.

But She Was Clear That She Never Liked It

even when she was young.

Besides, she saw all the street business

go to the tall,

beautiful girls.

She thought that she never had a chance

competing against them.

Instead,

she would take their money by managing them.





X.

Going to a ****** was not looked down upon then.

It was before the pill;

Girls weren’t giving it away.

Claude specialized in

failed models and actresses,

ones who just missed the cut.

But just because they failed

in those impossible professions

didn’t mean they weren’t beautiful,

fabulous.



Like Avis

in those days,

those girls tried harder.

Her place was off the Champs,

just above a branch of the Rothschild bank, where I had an account.

Once I met her,

I was constantly making withdrawals and heading upstairs.





XI.

We took the lift

and Claude greeted us at the door.

My impression was that of the director

of an haute couture house,

very subdued,

beige and gray, very little makeup.

She took us into a lounge and made us drinks,

Whiskey,

Cognac.

There was no maid.

We made small talk for 15 minutes.

How was the weekend?

What’s the weather like in Deauville?

Then she made the segue. ‘I understand you’d like to see some jeunes filles?’

She always used ‘jeunes filles.’

This was Claude’s polite way of saying 18 to 25.

She left and soon returned

with two very tall

jeunes filles,

One was blonde.

This is Eva from Austria.

She’s here studying painting.

And a brunette,

very different,

but also very fine.

This is Claudia from Germany.

She’s a dancer.

She took the girls back into the apartment and returned by herself.

I gave my English guest first choice.

He picked the blonde.

And wasn’t disappointed.

Each bedroom had its own bidet.

There was some nice

polite conversation, and then



It was slightly formal,

but it was high-quality.

He paid Claude

200 francs,

not to the girls

In 1965, 200 francs was about $40.

Pretty girls on Rue Saint-Denis

could be had for 40 francs

so you can see the premium.

Still, it wasn’t out of reach for mere mortals.

You didn’t have to be J. Paul Getty.





XII.

A lot of them

were models at

Christian Dior

or other couture houses.

She liked Scandinavians.

That was the look then

—cold, tall, perfect.

It was cheap for the quality.

They all used her.

The best people wanted

the best women.

Elementary supply and demand.



XIII.

She had a camp number tattooed on her wrist. I saw it.

She showed it to me and Rubi.

She was proud she had survived.

We talked about the camp for hours.

It was even more fascinating than the girls.



She was Jewish

I’m certain of that.

She was horrified at the Jewish collaborators

at the camp who herded

their fellow Jews

into the gas chambers.

That was the greatest betrayal in her life.



XIV.

She was this sad,

lonely little woman.

Later, Patrick told me who she was.

I was bowled over.

It was like meeting Al Capone.

I met two of the girls

who worked for her.

One was what you would expect

Tall

Blonde

Model.

But the other looked like a Rat

Then one night

she came out

all dressed up,

I didn’t even recognize her.

She was even better than the first girl.

Claude liked to transform women like that.

That was her art.

It was very odd,

my cousin told me.

There was not much furniture

and an awful lot of telephones.

“Allô oui,”



XV.

I had so many lunches

with Claude at Ma Maison

She was vicious.

One day,

Margaux Hemingway,

at the height of her beauty, walked by.

Une bonne

—the French for maid

was how Claude cut her dead.

She reduced

the entire world

to rich men wanting *** and

poor women wanting money.

She’d love to page through Vogue and see someone

and say,

When I met her

she was called

Marlene

and she had a hideous nose

and now she’s a princess.

Or she’d see someone and say

Let’s see if she kisses me or not.

It was like

I made her,

and I can destroy her.

She was obsessed

with “fixing” people

—with Saint Laurent clothes,

with Cartier watches,

with Winston jewels,

with Vuitton luggage,

with plastic surgeons.



XVI.

Her prison number was

888

which was good luck in China

but not in California.

‘Ocho ocho ocho,’ she liked to repeat

Even in jail, she was always working,

always recruiting stunning women.

She had a beautiful Mexican cellmate

and gave her Robert Evans’s number

as the first person she should call

when she was released.



XVII.

Never have *** on the first date.



XVIII.

There will always be prostitution,

The prostitution of misery.

And the prostitution of bourgeois luxury.

They will both go on forever.



“Allô oui,”



It was so exciting to hear a millionaire

or a head of state ask,

in a little boy’s voice,

for the one thing

that only you could provide

It's not how beautiful you are, it's how you relate

--it's mostly dialogue.



She was tiny, blond, perfectly coiffed and Chanel-clad.

The French Woman: The Arab Prince, the Japanese Diplomat, the Greek Tycoon, the C.I.A. Bureau Chief — She Possessed Them All!



XIX.

She was like a slave driver in the American South

Once she took a *******,

the makeover put the girl in debt,

because Claude paid all the bills to

Dior,

Vuitton,

to the hairdressers,

to the doctors,

and the girls had to work to pay them off.

It was ****** indentured servitude.



My Swans.



It reached the point

where if you walked into a room

in London

or Rome

as much as Paris

because the girls were transportable,

and saw a girl who was

better-dressed,

better-looking,

and more distinguished than the others

you presumed

it was a girl from Claude.

It was, without doubt,

the finest *** operation ever run in the history of mankind.



**.

The girl had to be

exactly what was needed

so I had to teach her everything she didn’t know.

I played a little the role of Pygmalion.

There were basic things that absolutely had to be done.

It consisted

at the start

of the physical aspect

“surgical intervention”

to give this way of being

that was different from other girls.

Often they had to be transformed

into dream creatures

because at the start

they were not at all



Often I had to teach them how to dress.

Often they needed help

to repair

what nature had given them

which was not so beautiful.

At first they had to be tall,

with pretty gestures,

good manners.

I had lots of noses done,

chins,

teeth,

*******.

There was a lot to do.



Eight times out of ten

I had to teach them how to behave in society.

There were official dinners, suppers, weekends,

and they needed to have conversation.

I insisted they learn to speak English,

read

certain books.

I interrogated them on what they read.

It wasn’t easy.

Each time something wasn’t working,

I was obliged to say so.



You were very demanding?

I was ferocious.



It’s difficult

to teach a girl how to walk into Maxim’s

without looking

ill at ease

when they’ve never been there,

to go into an airport,

to go to the Ritz,

or the Crillon

or the Dorchester.

To find yourself

in front of a king,

three princes,

four ministers,

and five ambassadors at an official dinner.

There were the wives of those people!

Day after day

one had to explain,

explain again,

start again.

It took about two years.

There would always be a man

who would then say of her,

‘But she’s absolutely exceptional. What is that girl doing here?’ ”





XXI.

A New York publisher who visited

the Palace Hotel

in Saint Moritz

in the early seventies told me,

I met a whole bunch of them there.

They were lovely.

The johns wanted everyone to know who they were.

I remember it being said

Giovanni’s Madame Claude girl is going to be there.

You asked them where they came from and they all said

Neuilly.

Claude liked girls from good families.

More to the point she had invented their backgrounds.



I have known,

because of what I did,

some exceptional and fascinating men.

I’ve known some exceptional women too,

but that was less interesting

because I made them myself.



Ah, this question of the handbag.

You would be amazed by how much dust accumulates.

Or how often women’s shoe heels are scuffed.





XXII.

She would examine their teeth and finally she would make them undress.



That was a difficult moment

When they arrived they were very shy,

a bit frightened.

At the beginning when I take a look,

it’s a question of seeing if the silhouette

and the gestures are pretty.

Then there was a disagreeable moment.

I said,

I’m sorry about this unpleasantness,

but I have to ask you to get undressed,

because I can’t talk about you unless I see you.

Believe me, I was embarrassed,

just as they were,

but it had to be done,

not out of voyeurism, not at all

—I don’t like les dames horizontales.



It was very funny

because there were always two reactions.

A young girl,

very sure of herself,

very beautiful,

très bien,

would say

Yes,

Get up, and get undressed.

There was nothing to hide, everything was perfect.



There were those who

would start timidly

to take off their dress

and I would say

I knew already.

The rest is not sadism, but nearly.

I knew what I was going to find.

I would say,

Maybe you should take off your bra,

and I knew it wasn’t going to be

beautiful.

Because otherwise she would have taken it off easily.

No problem.

There were damages that could be mended.

There were some ******* that could be redone,

some not

Sometimes it can be deceptive,

you know,

you see a pretty girl,

a pretty face,

all elegant and slim,

well dressed,

and when you see her naked

it is a catastrophe.



I could judge their physical qualities,

I could judge if she was pretty, intelligent, and cultivated,

but I didn’t know how she was in bed.

So I had some boys,

good friends,

who told me exactly.

I would ring them up and say,

There’s a new one.

And afterwards they’d ring back and say,

Not bad,

Could be better, or

Nulle.



Or,

on the contrary,

She’s perfect.

And I would sometimes have to tell the girls

what they didn’t know.

A pleasant assignment?

No.

They paid.



XXIII.

Often at the beginning

they had an ami de coeur

in other words,

oh,

a journalist, a photographer, a type like that,

someone in the cinema,

an actor, not very well known.

As time went by

It became difficult

because they didn’t have a lot of time for him.

The fact of physically changing,

becoming prettier,

changing mentally to live with millionaires,

produced a certain imbalance

between them

and the little boyfriend

who had not evolved

and had stayed in his milieu.

At the end of a certain time

she would say,

I’m so much better than him. Why am I with this boy?

And they would break up by themselves.



Remember,

this was instant elevation.

For most of them it was a dream existence,

provided they liked the ***,

and those that didn’t never lasted long.

A lot of the clients were young,

and didn’t treat them like tarts but like someone from their own class.

They would buy you presents,

take you on trips.



XXIV.

For me, *** was something very accessoire

I think after a certain age

there are certain spectacles one should not give to others

Now I have a penchant for solitude.

Love, it’s a complete destroyer,

It’s impossible,

a horror,

l’angoisse.

It’s the only time in my life I was jealous.

I’m not a jealous person, but I was épouvantable.

He was jealous too.

We broke plates over each other’s heads;

we became jealous about each other’s pasts.

I said one day

It’s finished.

Sometimes I look at myself in the mirror and say:

Break my legs,

give me scarlet fever,

an attack of TB, but never that.

Not that.



XXV.

I called her into my office

Let us not exaggerate,

I sent her away.

She came back looking for employment,

but was fired again, this time for drugs.

She made menacing phone calls.

Then she arrived at the Rue de Boulainvilliers with a gun.

She shot three bullets

I was dressed in the fashion of Courrèges at this moment

He did very padded things.

I had a padded dress with a little jacket on top.

The bullet

—merci, Monsieur Courrèges

—stuck in the padding.

I was thrown forward onto the telephone.

I had one thought which went through my head:

I will die like Kennedy.

I turned round and put my hand up in a reflex.

The second bullet went through my hand.

I have two dead fingers.

It’s most useful for removing bottle tops.

In the corridor I was saved from the third bullet

because she was very tall

and I am quite petite, so it passed over my head.



XXVI.

There were men

who could decapitate,

****, and bomb their rivals

who would be frightened of me.

I would ask them how was the girl,

and they’d say

Not bad

and then

But I’m not complaining.

I was a little sadistic to them sometimes.

Some women have known powerful men because they’re their lover.

But I’ve known them all.

I had them all

here.



She will take many state secrets with her.



XXVI.

I don’t like ugly people

probably because when I was young

I wasn’t beautiful at all.

I was ugly and I suffered for it,

although not to the point of obsession.

Now that I’m an old woman,

I’m not so bad.

And that’s why

I’ve always been surrounded by people

Who

were

beautiful.

And the best way to have beautiful people around me

was to make them.

I made them very pretty.





XXVII.

I wouldn’t call what Alex gives you

‘advice,’

She spares you Nothing.

She makes a list of what she wants done,

and she really gets into it

I mean, she wants you to get your arms waxed.

She gives you names of people who do good facials.

She tells you what to buy at Neiman Marcus.

She’s put off by anything flashy,

and if you don’t dress conservatively, she’s got no problem telling you,

in front of an audience,

You look like a cheap *****!

I used to wear what I wanted when I went out

then change in the car into a frumpy sweater

when I went to give her the money she’d always go,

Oh, you look beautiful!



Marry your boyfriend,

It’s better than going to prison.

When you go out with her,

she’ll buy you a present; she’s incredibly generous that way.

And she’ll always tell you to save money and get out.

It’s frustrating to her when girls call at the end of the month

and say they need rent money.

She wants to see you do well.





We had a schedule, with cards that indicated a client’s name,

what he liked,

the names of the girls he’d seen,

and how long he’d been with them.

And I only hired girls who had another career

—if my clients had a choice between drop-dead-gorgeous

and beautiful-and-interesting,

they’d tend to take beautiful-and-interesting.

These men wanted to talk.

If they spent two hours with a girl,

they usually spent only five or ten minutes in bed.



I get the feeling that in Los Angeles, men are more concerned with looks.



XXVIII.

That was my big idea

Not to expand the book by aggressive marketing

but to make sure that nobody

mistook my girls for run-of-the-mill hookers.

And I kept my roster fresh.

This was not a business where you peddle your ***,

get exploited,

and then are cast off.

I screen clients. I’ve never sent girls to weirdos.

I let the men know:

no violence,

no costumes,

no fudge-packing.

And I talked to my girls. I’d tell them:

Two and a half years and you’re burned out.

Save your money.

This is like a hangar

—you come in, refuel, and take off.

It’s not a vacation, it’s not a goof.

This buys the singing lessons,

the dancing lessons,

the glossies.

This is to help you pay for what your parents couldn’t provide.

It’s an honorable way station—a lot of stars did this.



XXIX.

To say someone was a Claude girl is an honour, not a slur.



Une femme terrible.

She despised men and women alike.

Men were wallets. Women were holes.



By the 80s,

if you were a brunette,

the sky was the limit.

The Saudis

They’d call for half a dozen of Alex’s finest,

ignore them all evening while they

chatted,

ate,

and played cards,

and then, around midnight,

take the women inside for a fast few minutes of ***.



They’d order women up like pizza.



Since my second husband died,

I only met one man who was right for me,

He was a sheikh.

I visited him in Europe

twenty-eight times

in the five years I knew him

and I never slept with him.

He’d say

I think you fly all the way here just to tease me,

but he introduced me

by phone

to all his powerful friends.

When I was in Los Angeles, he called me twice a day.

That’s why I never went out

he would have been disappointed.



***.

Listen to me

This is a woman’s business.

When a woman does it, it’s fun

there’s a giggle in it

when a man’s involved,

he’s ******,

he’s a ****.

He may know how to keep girls in line,

and he may make money,

but he doesn’t know what I do.

I tell guys: You’re getting a nice girl.

She’s young,

She’s pleasant,

She can do things

she can certainly make love.

She’s not a rocket scientist, but she’s everything else.



The world’s richest and most powerful men, the announcer teased.

An income “in the millions,” said the arresting officer.

Pina Colapinto

A petite call girl,

who once slid between the sheets of royalty,

a green-eyed blonde helped the police get the indictment.

They really dolled her up

She looks great.

Never!

What I told her was: ‘Wash that ******.’





XXXI.

Madam Alex died at 7 p.m.

Saturday at Cedars-Sinai Medical Center,

where she had been in intensive care after recent open heart surgery

We all held her hand when they took her off the life support

This was the passing of a legend.

Because she was the mother superior of prostitution.

She was one of the richest women on earth.

The world came to her.

She never had to leave the house.

She was like Hugh Hefner in that way.


It's like losing a friend

In all the years we played cat and mouse,

she never once tried to corrupt me.

We had a lot of fun.


To those who knew her

she was as constant

as she was colorful

always ready with a good tidbit of gossip

and a gourmet lunch for two.

She entertained, even after her conviction on pandering charges,

from the comfy depths of her blue four-poster bed at her home near Doheny Drive,

surrounded by knickknacks and meowing cats,

which she fed fresh shrimp from blue china plates.



XXXII.

She stole my business,

my books,

my girls,

my guys.

I had a good run.

My creatures.

Make Mommy happy

Oh! He is the most enchanting cat that I have ever known.



She was, how can I say it,

classy.

When she first hired me

she thought I was too young to take her case.

I was 43.

I'm going to give you some gray hairs by the time this is over.

She was right.





XXXIII.

I was fond of Heidi

But she has a streak that is so vindictive.



If there is pure evil, it is Madame Alex.





XXXIV.

I was born and raised in L.A.

My dad was a famous pediatrician.

When he died, they donated a bench to him at the Griffith Park Observatory.



I think that Heidi wanted to try her wings

pretty early,

and I think that she met some people

who sort of took all her potential

and gave it a sharp turn



She knew nothing.

She was like a little parrot who repeated what she was supposed to say.



Alex and I had a very intense relationship;

I was kind of like the daughter she loved and hated,

so she was abusive and loving at the same time.



Look, I know Madam Alex was great at what she did

but it's like this:

What took her years to build,

I built in one.

The high end is the high end,

and no one has a higher end than me.

In this business, no one steals clients.

There's just better service.



XXXV.

You were not allowed to have long hair

You were not allowed to be too pretty

You were not allowed to wear too much makeup or be too glamorous

Because someone would fall in love with you and take you away.

And then she loses the business



XXXVI.

I was pursued because

come on

in our lifetime,

we will never see another girl of my age

who lived the way I did,

who did what I did so quickly,

I made so many enemies.

Some people had been in this line of business

for their whole lives, 30 or 40 years,

and I came in and cornered the market.

Men don't like that.

Women don't like that.

No one liked it.



I had this spiritual awakening watching an Oprah Winfrey video.

I was doing this 500-hour drug class

and one day the teacher showed us this video,

called something like Make It Happen.

Usually in class I would bring a notebook

and write a letter to my brother or my journal,

but all of a sudden this grabbed my attention

and I understood everything she said.

It hit me and it changed me a lot.

It made me feel,

Accept yourself for who you are.

I saw a deeper meaning in it

but who knows, I might have just been getting my period that day!



XXXVII.

Hello, Gina!

You movie star!

Yes you are!

Gina G!

Hello my friend,

Hello my friend,

Hello my movie star,

Ruby! Ruby Boobie!

Braaawk!

Except so many women say,

Come on, Heidi

you gotta do the brothel for us; don't let us down.

It would be kind of fun opening up an exclusive resort,

and I'll make it really nice,

like the Beverly Hills Hotel

It'll feel private; you'll have your own bungalow.

The only problem out here is the climate—it's so brutal.

Charles Manson was captured a half hour from Pahrump.



I said, Joe! What are you doing?

You gotta get, like,

a garter belt and encase it in something

and write,

This belonged to Suzette Whatever,

who entertained the Flying Tigers during World War II.

Get, like, some weird tools and write,

These were the first abortion tools in the brothel,

you know what I mean?

Just make some **** up!

So I came out here to do some research

And then I realized,

What am I doing?

I'm Heidi Fleiss. I don't need anyone.

I can do this.

When I was doing my research, in three months

I saw land go from 30 thousand an acre

to 50 thousand an acre,

and then it was going for 70K!

It's urban sprawl

—we're only one hour from Las Vegas.

Out here the casinos are only going to get bigger,

prostitution is legal, it's only getting better.





XXXVIII.

The truth is

deep down inside,

I just can't do business with him

He's the type of guy who buys Cup o' Noodles soup for three cents

and makes his hookers buy it back from him for $5.

It's not my style at all.

Who wants to be 75 and facing federal charges?

It was different at my age when I

at least...come on, I lived really well.

I was 22,

25 at the time?

It was fun then, but now I wouldn't want

to deal with all that *******

—the girls and blah blah blah.

But the money was really good.



I would've told someone they were out of their ******* mind

if they'd said in five years I'd be living with all these animals like this.

It's hard-core; how I live;

It's totally a nonfunctional atmosphere for me

It's hard to get anything done because

It’s so time-consuming.

I feel like they're good luck though....

I do feel that if I ever get rid of them,

I will be jinxed and cursed the rest of my life

and nothing I do will ever work again.



Guys kind of are a hindrance to me

Certainly I have no problem getting laid or anything.

But a man is not a priority in my life.

I mean, it's crazy, but I really have fun with my parrots.



XXXIX.

I started a babysitting circle when I wasn't much older than 9

And soon all the parents in the neighborhood

wanted me to watch over their children.

Even then I had an innate business sense.

I started farming out my friends

to meet the demand.

My mother showered me with love and my father,

a pediatrician,

would ask me at the dinner table,

What did you learn today?

I ran my neighborhood.

I just pick up a hustle really easily,

I was a waitress and I met an older guy who looked like Santa Claus.



Alex was a 5' 3" bald-headed Filipina

in a transparent muu muu.

We hit it off.

I didn't know at the time that I was there to pay off the guy's gambling debt.

It's in and out,

over and out.

Do you think some big-time producer

or actor is going to go to the clubs and hustle?



Columbia Pictures executive says:

I haven’t done anything that should cause any concern.

Jeez, it's like the Nixon enemies list.

I hope I'm on it.

If I'm not, it means I must not be big enough

for people to gossip about me.



That's right ladies and gentlemen.

I am an alleged madam and that is a $25 *****!

If you live out here,

you've got to hate people.

You've got to be pretty antisocial

How you gonna come out here with only 86 people?

That's Fred.

He's digging to China.

You look good.

Yeah, you too.

It's coming along here.

Yeah, it is.

I wanted to buy that lot there, but I guess it's gone?

That's mine, man! That's all me.

Really?

I thought there was a lot between us.

No. We're neighbors.



He's a cute guy

He's entertaining.

See, I kind of did do something shady to him.

I thought my property went all the way back

and butted up against his.

But there was one lot between us right there.

He said he was buying it,

but I saw the 'For Sale' sign still up there,

So I went and called the broker and said,

I'm an all-cash buyer.

So I really bought it out from under him.

But he's got plenty of room, and I need the space for my parrots.

Pahrump will always be Pahrump, but Crystal is going to be nice

All you need are four or five fancy houses and it'll flush everyone out

and it'll be a nice area.

They're all kind of weird here, but these people will go.

Like this guy here,

someone needs to **** him.

I was just saying to my dad that these parrots are born to a really ******-up world

He goes, Heidi, no, no; the world is a beautiful garden.

It's just, people are destroying it.

I’m looking into green building options

I don't want anything polluting,

I want a huge auditorium,

but it'll be like a jungle where my birds can really fly!

Where they can really do what they're supposed to do.

There were over 300 birds in there!

That lady,

She ran the exotic-birds department for the Tropicana Hotel,

which is a huge job.

She called me once at 3:30 in the morning

Come over here and help me feed this baby!

Some baby parrot.

And I ran over there in my pajamas

—I knew there was something else wrong

and she was like

Get me my oxygen!

Get me this, get me that.

I called my dad; he was like,

I don't know, honey, you better call the paramedics.

They ended up getting a helicopter.

And they were taking her away

in the wind with her IV and blood and everything

and she goes, Heidi, you take care of my birds.

And she dies the next day.

She was just a super-duper person.



XL.

I relate to the lifestyle she had before,

Now, I'm just a citizen.

I'm clean,

I'm sober,

I'm married,

I work at Wal-Mart.

I'm proud to say I know her. I look into her eyes

and we relate.





I got out in 2000,

so I've been sending her money for seven years

She was…whatever.

Girlfriend?

Yeah, maybe.

But ***, I tried like two times,

and I'm just not gay.

She gets out in about eight or nine months

and I told her I would get her a house.

But nowhere near me.

I didn't touch her,

but I'd be, like...

a funny story:

I told her,

Don't you ever ******* think

about contacting me in the real world.

I'm not a lesbian.

Then about two years ago, I got an e-mail from her,

or she called me and said, 'Google my name.'

So I Googled her name,

and she has this huge company.

Huge!

She won, like, Woman of the Year awards.

So I called her and I go,

Not bad.

She goes, 'Well, I did all that because you called me a loser.'

I go, '****, I should've called you more names

you probably would've found the cure for cancer by now.



XLI.

No person shall be employed by the licensee

who has ever been convicted of

a felony involving moral turpitude

But I qualify,

I mean, big deal, so I'm a convicted felon.

Being in the *** industry, you can't be so squeaky-clean.

You've got to be hustling.

Nighttime is really enchanting here

It's like a whole 'nother world out here, it really is

I’m so far removed from my social life and old surroundings.

Who was it, Oscar Wilde, I think, who said

people can adjust to anything.

I was perfectly adjusted in the penitentiary,

and I was perfectly adjusted to living in a château in France.



We had done those drug addiction shows together

Dr. Drew.

Afterward we were friendly

and he'd call me every now and then.

He'd act like he had his stuff together.

But it was all a lie.

Everything is a lie.

I brought him to a Humane Society event at Paramount Studios last year.

He was just such a mess.

So out of it.

He stole money from my purse.

He's such a drug addict because he's so afraid of being fat.

He liked horse ****, though. He did like horse ****.

This one woman that would have *** with a horse on the internet,

He told me that’s his favorite actress.

Better than Meryl Streep.



XLII.

The cops could see

why these women were taking over trade.

Girls with these looks charged upwards of $500 an hour.

The Russians had undercut them with a bargain rate of $150 an hour.

One thing they are not is lazy.

In the USSR

they grew up with no religion, no morality.

Prostitution is not considered a bad thing.

In fact, it’s considered a great way to make money.

That’s why it’s exploding here.

What we saw was just a tip of the iceberg.

These girls didn’t come over here expecting to be nannies.

They knew exactly what they wanted and what they were getting into.

The madam who organized this raid

was making $4 million a year,

laundered through Russian-owned banks in New York City

These are brutal people.

They are all backstabbers.

They’re entrepreneurs.

They’re looking at $10,000 a month for turning tricks.

For them, that’s the American dream.



XLIII.

If you’re not into something,

don’t be into it

But,

if you want to take some whipped cream,

put it between your toes,

have your dog licking it up and,

at the same time,

have your girlfriend poke you in the eye,

then that’s fine.

That’s a little weird but we shouldn’t judge.



She was my best friend then

and I consider her one of my best friends now,

because when I was going through Riker’s

and everyone abandoned me,

including my boyfriend,

I was hysterical,

crying,

and she was the one that was there.

And, when somebody needed to step up to the plate,

that’s who did, and I have an immense amount of

loyalty, respect, and love for her.

And if she’s going to prison for eight years

—that’s what she’s sentenced for

—I’ll go there,

and I’ll go there every week,

for eight years.

That’s the type of person I am.

the earth is curved - sure y’all knew that.  
but to get to the Northwest,
Interstate 84
ain’t le route plus directe

nope curve north to Ontario,
wave to Bex as I cross over
London and Toronto, also can’t recall
which poet from Rochester hails,
or did they shuffle off to Buffalo?

Crossing Erie, Huron, and Michigan Great Lakes all,
brings to mind
my mother’s birthplace,
Last of the Mohicans,
and the three years I did in the Cleveland Penitentiary,
where sun was illegal and baseball was a pretend play
of cowboys and Indians
but by god, it made me
the penitent fella I am today

Look skyward to Montreal,
yes, there he is, the Leo Priest,
the baffled king,
blessing this poetic meet ‘n greet trip
with a smiling unsurprising
hallelujah

Apparently some US citizens still can traverse O Canada,
even if one forgot their passports,
and are not PNG’s (Persons Not so GREAT)

over Minneapolis shed a tear for Diane,
a poet- gone-missing, and wonder if you reader come from
St. Cloud, Fargo or Duluth, Bismarck or Aberdeen,
surely they still speak poetic English there
in a twangy metering methodology  - well, message me asap

wow there really is a Saskatoon!

the pilot asks us to lean left in our seats
to help turn the plane
so we go to Portland and not to Vancouver...
me thinks he might be a touch Rockie Mountain High,
considering we are at 30 thousand something Imperial,
as he walks the main cabin with an oxygen mask and a
huuuuuge grin

see the distant Cascades
through a crack in the shuttered windows,
must be close to “the coast”
(as if, harrumph, there were but one)

ah, words in the clouds, ripe for the plucking
must be getting close to Oregon,
where poets grow on trees, woody words like ****,
and log-float poems down the Columbia to the sea

gonna drink me some poets
under the table cause this
trip I ain’t no driving and I am already
“flying” ‘n scribing and arriving
on a high tide and a good wind

Tonight I will
Enjoy my bed
While you lay in yours
I wonder if you regret it all
After the first night when guards closed the doors
When you were on the inside
With absolutely nothing you could do
I still can’t believe the time has come
Punishment for the destruction that comes with you
I never thought it’d be real
You understanding what it feels like
To be a powerless prisoner
Giving everything you got- to still lose the fight

Do you lose sleep over me
Putting you where you belong
Do the voices in your head still tell you I’m in the wrong?

I wonder how many months
It will take to break your spirit

All you have is your thoughts
How many memories till you hear it

The muffled screams, my terrified eyes
Or are your memories filled with stories saying I’m the bad guy

Blaming your true colors on account of being high
While you looked down at me on the floor, beating me just enough not to die

Are you angry with me because I got away?

If you could see me tomorrow do you know what you would say?
I think you would walk right past me
Without even a look
Making me feel like I was nothing
It’s the biggest play from your book

I think about this often
If I had the chance, what would I say
I forgive you for making the biggest mistake of your life
Knowing I’m the one that got away

Imagine a castle in the middle of a city
It sticks out to say the least
A sentinel of the city
The Kingdom of Fairmount
Steve Buscemi says it is
a prison of:
Silence
Cats
Ghosts
Tourists
Filmmakers
Gangsters
I crane my neck and take one last look
before heading to the Trestle Inn
for a drink and dancers.

Pencil - ****** - ***** - Penalize -Pentagram - Pentagon - Pentagonal - Penitentiary -Pensive - Peninsula - P.......

....Plagued. What is it to be plagued? Haunted?
Seiged by an inescapable force?
Haulted?
IMMOVABLE.
ability to move, yet achieving no valuable distance.
A struggle writhing within ones self.

Pen -Pent- Pent up- P...

....Please, no more....

....more miles high.....
Stakes,
In the ground.....

Great stakes.....
High,
So very high.
Unreachable.
Unattainable.

Pen-Pensive-Pacing- to pace back and forth down a narrow stretch of newly carpeted hallway.
A door.

Adoring.....
Adorable....
Sweet.

Innocence left?
       May be none left.

Name of Teacher:*___________________________________________
Teacher/Course Evaluation: Fall Semester, Humanities Block (History & English) Hopi High School, Keams Canyon, Arizona, Bureau of Indian Affairs (BIA).

_______________ (1) This course was: (A) always different; never boring; sometimes even enjoyable (B) like a sleeping pill, an experience similar to having narcolepsy (C) like being sentenced to a maximum-security penitentiary for a semester; what did I do in a previous incarnation that stored up so much bad karma for me to deserve being here?   (D) a semester living under a totalitarian regime; this teacher would have fit right in with ******’s “Gestapo” (E) what I imagine it would have been like at Herot, Hrothgar’s royal mead hall in Beowulf, whenever the monster Grendel came calling.

_______________ (2) This teacher:  (A) knows how to teach, knows a great deal about this subject and others, creates a classroom atmosphere that resonates with teenagers and truly cares whether I show up ready to learn (B) never remembers my name, let alone my birthday (C) actually hates me and has made several attempts on my life (D) should have his license to teach revoked; can wiring my desk for electric shocks be legal?
(E) often wanders off, leaving us alone in the classroom for as long as 30 minutes at a time while out in the parking lot screaming about aliens and/or Bolsheviks.

_______________ (3) Compared to all other teachers I’ve had since kindergarten, this teacher: (A) is one of the best, certainly in the top 10% (B) has the worst personal hygiene; aren’t teachers required to bathe at least once a month? (C) has the least credibility; he tells me nothing but “lies, ****** lies and statistics” (D) frightens me the most, particularly whenever the moon waxes full (E) is obviously the one most in need of a good 12-step recovery program.

_______________ (4) This teacher’s grading system:   (A) is objective and reflects what I earn; not subjectively based on whether he likes my face or not (B) is based on a point system that is clearly explained and fairly administered (C) is based on assignments that are challenging but not impossibly difficult (D) includes opportunities to earn at least some extra credit (E) A, B, C & D (F) none of these; sometimes I think he pulls my grade out of his ***.

_____________(5) If I could change one thing about this teacher or his class, I'd: (A) change nothing: this teacher belongs in Sir Thomas More’s Utopia (B) insist that he use English in the classroom, not that "clicks and pops" sound-effect language he learned while backpacking in sub-Saharan Africa one summer (C) tear down that rice-paper-thin, cardboard wall separating his classroom from the one next door (D) demand that an FBI Trained and Certified Document Examiner review his BIA job application, teaching credential, college transcripts and fingerprint card (E) remove sheep and goats*.

So This... “ Cancel Culture “...
Now Seems To Be Structured...
To... RESTRICT Numbers...

And Now Be The CONDUCTOR... !!!
of What Folks Say And What Gets Played...

Via TV Or Stage And WHO Gets Paid...
As If THEY Are Some SPECIAL Class...
Who Know How Far Free Speech Should Go... !?!

But It Seems As Though They’re A Little LATE... !!!
Where EXACTLY Were They When The... KKK...
Used To ****** Slaves Just Because of Their Race... !!!

Oh, Because These Days,
Things Have REALLY Changed...

Are These People INSANE...
And NOT Using Their Brains... ?!?

Because We STILL Have SLAVES... !!!
And Heads Who CLEARLY Want To DICTATE...

Are They Cancelling THEM...
Or Doing What THEY SAY... !?!

Or Just Causing PROBLEMS...
Over Gender And Race... ?!?

Well Some It Now Seems...
Who’ve Made BIG MONEY... !!!

Are UNCOMFORTABLE With...
Them... CANCELLING... !!!

When It Comes To Free Speech...
And Indeed The Arts Because of Policies...
That Seem To STINK Like FARTS... !!!

Have They Cancelled BOMBS...
Or RACIST... Sitcoms...

Oh Yes NOW They Have... !!!
AFTER These Shows Have...
Made PLENTY of CASH...
And Been Shown Across Lands...

... INTERNATIONALLY... !!!

On TV’s AND Indeed BIG SCREENS... !!!

REPEATEDLY For The World To See...

So Where Have They Been... ?!?

BEFORE Gender Themes...
And... INEQUALITIES...
Became The Very Fabric of SOCIETIES... ?!?

Where APPARENTLY...
... EVERYBODY Was FREE...
To Be Who They Wanna Be...

Well That’s A FALLACY...
That’s NOT REALITY... !!!

Just Like PIPE DREAMS... !!!

Oh But SUDDENLY... !!!
These New CANCEL POLICE...

Are CANCELLING...
And Now DAMAGING... !!!

The Careers of Those...
Who WON’T Be Controlled... !!!

Like Those Who Speak...
What They Want... FREELY... !!!

So They Can CANCEL ME... !!!
Cos That’s How I NOW BE... !!!

NOT Some HUMAN SHEEP...
For Them To Shepherd And Keep...
In Some PENITENTIARY...
Just Because of Free Speech...

That DOESN’T Tread... “ Lightly “...

Cos’ I ALREADY KNOW...
How... CANCELLING Goes... !!!

Because It’s Really Not New...
It’s What Censors Do... !!!

But Here’s Some TRUTH...
To UPSET Their Crews...  !!!

It’s One Rule For THEM...
But NOT The Same For You... !!!

If You’re NOT ONE...
Who’ll Keep Your Mouth SHUT...
To APPEASE These Teams...

Who Now Want TOTAL CONTROL... !!!

That’s Just The Way That The Story Now Goes...
NO Bambi Or THUMPER To Be Some Foot Drummer... !!!

Just A Breed of Vultures...
Now Willing To PUNCTURE...
Careers Like BAD Plumbers... !!!

Whose Force Has A Cause...
Now Trying To ENFORCE..

What Should Be Put ASUNDER...
This... TRULY RIDICULOUS... !!!

..... “ Cancel Culture “..... !!!

birds on barbed wire,
watching over me,
lodged in a private
penitentiary.

birds on barbed wire,
not a chirp or peep they make,
they just perch between the barbs,
watch, waiting, wait, watching me
shiver in silence, violence shake.

birds on barbed wire,
will neither spread wings,
or take flight,
these wire-bound birds
will not
leave me out of their sight;

-nor will any such
birds on barbed wire
call out or make cry,
these birds on the wire
are here to wait and watch me
just die.
___

birds, barbed wire:
http://beautyineverything.com/5082513864

Wars to settle old scores and there
are no wars to end all wars,
that's a fallacy.

The dead are blind and they can't see.

I watch it all on the TV
brought and bought
by
CNN, C4 and the BBC,
screaming,
but they're deaf to me
a lonely voice
unheard amid the glamour!

Oh war
Oh war,
what is the war we're fighting for?
this time
next time,
anytime
someone wants to climb up with a gun and
wants to settle old scores there and then.

But I watch it all on the TV
quite comfortably
in my safety net,
while others play it out to
pay,
what debt?
to society.

In the ghetto
Huh they say you can be anything
You wanna be
So i joined the army
Notknowing that I'll still
Face tragedy and racism aint went no where
It feels ghostly evil stares
Of past scornful memories
They traded stock off the fields
And put us in the penitentiary
I got my first arrest in elementary
Just for being black on a sunday
Walkin' on a one way street
Preachers aint talking about that
Cuz they know theyll get lynched for that
Now they follow anything
And everything
That attracts money fortune and fame
You know the name?
We die more for the name of the father
Religion is *******
No matter whats coming out the puplits
They still gone ****
Think of you as a nigguh belittle
Troublesome and only good
For cheap labor
Be good and ya might get a penny  raise
For good behavior
Still lookin' a savior?
That ***** been dead think abiut it
He died at 33 ?
Now ask yo self how many nigguhs
Died before 33? Ships full of slaves?
Lots of babies young men and women
Mothers fathers to sons n daughters
Two thousand fifteen and we
Still seeing slaughter ???
Can you see me running from the police
And we still think we run the streets
Peep game homies
Its no longer about racism
Its about us as a minority
Wither white black mexican or puerto rican
We all slaves
Payin' debts to society before we
Took our first ****
**** how could this be ?
My birth belongs to a bank industry
So all my real gangstas thugs to hustlers
Yea even wall street yall slaves too
Wake up the time is now
Gotta mind gotta use it
Or else these muthaphukkas will abuse it
This aint nothing new
Since the sun been shinin'
The same from beginning to end
The world was castedwith sin
There was darkness before light
Now that I'vegot the light
Its time to enlightened others
With the torch i aquired
Not long before ill be retired and life expired
For trying to reach for the truth
And many more
Live carefully
Cuz this is somethin' 2 die 4....
The ghetto!!!!

Forever unhappy.
These words echo throughout my mind searching for a landing spot
as if my mind was made up of cliffs, instead of a straight cave.
                         Damage done throughout the years
      has broken off
                           pieces
                                 of matter
                                             from the sides,
seemingly making me unstable
when in reality each groove offers security to those
brave enough to enter my darkness and venture forth.
                  Forever unhappy
has become the theme of my penitentiary.
He wrote it as I felt it,
                    but when the earth shook with our last kiss it still didn’t budge.  
Emancipation- if there is such a thing- has failed to find me
                                                             despite the fact that I left.
I took a liberty walk into a straightjacket because the truth is:
                          I cannot escape him.
Since his absence, I have lost feeling. If I’m not preoccupied, I’m numb.
I press through the day normally
                 except for the occasional external
                                  faltering to submission
                                                    in doses of anxiety attacks
where my hyperventilation becomes a rhythm of its own
until I find myself distracted once again.
I’m forcing myself to be more involved with life, but it’s false hope.
                                  I know he resides in me,
waiting rather impatiently for my return. Lurking like a demon,
yet shadowed to preserve innocence
so when the light renders him different, we can both blame my vision.

I once read an essay that made perfect sense
It gave an alternative to cure expense

It was a proposal that was quite modest
I wish I'd have thought of it, to be honest

It was from the early eighteenth century
It would empty the full penitentiary

Babies are free until they are at least one
Then they are fat, tender, and ripe in the sun

Parents can sell them to the politicians
They will use them as part of their nutrition

It is a win for everyone, you can tell
After all, we're already going to Hell

Sell the babies for politicians to eat
Use the money for a superfluous treat

We should kindly thank Mr. Jonathan Swift
For solving all our problems with this great gift

The darker I am
Then the harder to see
Me in anything besides a penitentiary
Because that’s the view people get
Even from the six
Mixes me into a criminal description
Where Dark skin
means a quick conviction
Also I’m none to bright
Since my skin ain’t light
But instead that got replaced with might
Which makes me aggressive
If you ask anyone
who more likely to fight
Of course the dark one
so run
Dare we shed a tear
police come near
As being dark skin
and crying brings fear
Because we can’t
check our emotions
My dear
Ladies of shade I feel your pain
Your viewed uglier than most
Because your skin
Doesn’t roast
But I bet they still joke
and call you toast
Despite having the
most unblemished skin around
They treat you like coffee grounds
They don’t even like your sound
Saying you yell all day
Even when your voice is sultry
Enough to slay
Yellow for the fellows ain’t so mellow
Immediately he soft
cause of complexion
But look at his reflection and the cops
Will make a exception
Your a pretty boy
That can annoy joy out of a toy
My fair ladies
this might be shady
But your as needy as a Brady
Latest shoes all the fenty
Ask anyone and
god blessed you plenty
They say you not humble
But I see your bumble
Your gracious until a rumble
Where does all this lip
come from
Look in the mirror
We bad mouth our bother
Even if we have same the mother
All because life makes us a runner
Stop increasing hate
And dictate our fate
By improving for all our sake

ON the one hand the steel works.
On the other hand the penitentiary.
Sante Fe trains and Alton trains
Between smokestacks on the west
And gray walls on the east.
And Lockport down the river.

Part of the valley is God's.
And part is man's.
The river course laid out
A thousand years ago.
The canals ten years back.

The sun on two canals and one river
Makes three stripes of silver
Or copper and gold
Or shattered sunflower leaves.
    Talons of an iceberg
    Scraped out this valley.
    Claws of an avalanche loosed here.

I feel like I’m trapped
Inside my own home

I feel like I’m stuck
With nowhere to roam

Locked up in a jail cell
With nothing but dust

Up the stairs
Down to lunch

Over to gym
And under the rush

The people are rude
The food isn’t kind

And in the darkness
I'm the only one blind

Everyone stares
But I'm nothing new

Work and work
Till my days through

when the sky gets cloudy and the sun fades away
and people are playing the silly games that they play,
when all my attempts have somehow been crushed
and to think of tomorrow just wrenches my guts,
i'll send you my love through the rain ...

when my brothers die and pour out their blood
to find their peace face down in the mud,
when the sound of their struggle is soaked by the storm
'midst thousands of bodies all twisted and torn,
i will,
i will still
send you my love through the rain ...

but if your love has passed me by,
I won't be seen to sit and cry;
i'll curse myself as I curse the crime
that crushed your love 'neath the wait of time,
and i ...
i'll send you my love through the pain.

It is the 23rd century,
The other rebels are showcased in the penitentiary
In the city’s center street
To gratify the remnants of the sensory.

They’re beheld through double-paned hybrid walls of palladium, aluminum oxide and diamond;
In each cell their own reflection’s seen

Endlessly.

There is no blue sky, no scent of trees;
The cells’ sounds rebound and resound

To promote censoring.

It all began in the 21st century;
Now, ancient relics are kept in a technological cemetery,
Guarded by a sophisticated sentry.

Unbound knowledge damaged our brains,
Progress became our shackle and chains.
We—humanity—became dependent like a candle and flame
And gradually, drastically, society managed to change.
All who resisted were banished in shame,
Then our history was lost; I’m lucky to even know my family name.

I am the last rebel.
I know of tambourines, timbre and treble.
I know of beauty that once made men tremble.
I know of the past gods;

Before we made the last devil.

Now we are the drones.
We mass-produced their bodies, now we are the clones.
Now they think, speak and feel for us—we are just bones.
We built our father’s house upon these rocks:

We are the stones.

If any should read this before the ripples of time dwindle,
I’ll be plain: we surrendered human expression to digital signals and symbols.
We once made music from thimbles and cymbals,
Praised the Lord on the timbrels,
Shouted aloud atop the shingles.
It was all so profound, because it was so simple.
Eventually what the experts, geniuses and pros found
Was a way to hose down

A waterfall.

Now, propriety is: No psaltry, poetry or piety.
The cemetery holds the devices which ushered the end of society.
But I have seen them;
I devised a scheme to sneak in silently
And study the history privately.

I was stunned. Stricken, as with fear,
And for the first time in years
My eyes leaked with tears.

If I could talk to them,
If I could ask a question,
If I could somehow call,
I’d ask why—just why did you allow it all?!
How could you not foresee the downfall?!
Why did not some societal siren sound off?

Speaking of sirens...
Oh, no...
They’ve found my lair...
See, this is why I’ve found fault!

Now I am a rebel—a renegade—forced to live like a groundhog

Simply because I seek to enlighten and warn all,
Like one who foresaw
The siege of Warsaw.

If this is ever found, preserve my last words:
LONG LIVE THE REVOLUTION

Signed,

The Last Outlaw

Reed Jobs X

Miss me
Missed me
Now you've got to kiss me.
If you kiss me mister,
I might tell my sister.

If I tell her,
she might tell my mother
and my mother,
she might tell my father

and my father,
he won't be too happy,
he'll have to come up from the city,
And then we both can't be happy,
so I wouldn't miss me,
if you get me, mister see?

Missed me,
miss me now,
If you kiss me,
you must think I'm pretty.

If you think so,
you must want to **** me.
If you **** me,
it must mean you love me.
If you love me,
you would never leave me

it's as simple as can be!
So Mister, now you've got to kiss me.
If you miss me, mister,
why do you keep leaving me?

if you trick me,
I will make you suffer,
and they'll get you,
mister,

put you in the slammer
and forget you,
then you'll miss me won't you,
miss me?

Missed me, missed me,
now you've got no chance to kiss me.
if you kissed me,
mister, take responsibility.

I'm fragile,
mister, just like any girl would be
so misunderstood
so treat me good,
so treat me delicately.

Missed...
now you've gone and done it,
hope you're happy in the county penitentiary
it serves you right for kissing little girls,

but I will visit,
if you miss me.
Say you miss me!

How's the food?
they "feed" you?

Do you miss me?
Will you kiss me,
through the window?

Will they ever let you go?
I miss you mister,
so....

PROCRASTINATION
By
Joe McDonald

Part I:

How often can I keep putting off everything in life that must be done to the point of frustration and despair?  

How often will my work sit and stare at me with the eyes of hungry children always whining their demands for my attention to each task always wanting my full being beyond my own inner abilities and doubt?

How often can I walk past the damaged concrete step on my own house that sneers at me everyday as I walk up to my front door?

How often can I make promises to old friends to get together, celebrate life, and not expect them to wait on my return call of cancelation because of illusionary diseases?

How often can I feign in my backyard the beauty of my roses, sipping white grape while the grass under my bare feet remains brown, coarse, and over grown with dandelions stifling all vegetation?

How often can I pledge my good faith to a worthy cause by ending up watching from the back row as the needs prosper or fail regardless of my lack of motivation?

How often will constant kicking of the can down the yellow brick road be considered the excellence of a long line of Shakespearean resumes?

How often will my lack of courage blind me to opportunities of abundance and force my family to a life of stagnant economic asperity?

How often will I consent to others disrespect of my mastery of skills to the verge of closing my mind to all that is important to dwell in a soup of anger, self-doubts, and ache?

How often will the peeling paint, blistering off of my house like shards of cheese at my wedding feast, augment my anguished indifference finding every physical, spiritual, and any other of a multitude  of “…Why not’s…” festering in my dome of “..Do it tomorrow’s…”?

How often can I rattle my saber of position, roar my battle cry of “Tomorrow” to postpone today’s tasks? Bundling them all into neat piles of future promise completions. All the time smiling a grin of a used car salesman.


How often can I sit on my couch on sunny Saturday mornings enjoying the sun rise? Its beams slowly sliding across the finished oak; warming my unkempt hovel to the boiling point that tuffs of unwanted cat fur dancing over the varnished grain like tumbleweeds in a Sam Pechinpah film. Yet, I sip my morning brew, acknowledging their existence but, my head movies are of other unattended illusions.

How often can my inability to act or respond be accepted by those who expect perfection in all things?

How often can I permit the disappointment of a moment fire the indifference toward the needs of the here and now?

How often will my journey up my front walk be changed from the joy of daffodils and hyacinths filling the air with aromas of lung cleansing delights only to rediscover the pine foliage  are still dressed in the lights of Christmas past?

How often will I put off leading because of failure of seeing the needs of those who need leadership? They cry out for direction but, plead for independence. I use the pleas to drown out the cries.

How often will I have the epiphany of a lifetime only to have inaction and fear
drag it down to the bowels of an enlighten brain ****?



Part II:

I keep plugging in the mechanism of delay to power the animal of the moment.

I blind myself over and over and over and over again again again again to my abilities of now in favor of promises of later.

I smell success in the air every time I do the nows but, the stench of celebration’s to come is easer, sweater, more in line with who I am and not who I want to be.

I hear the praise and accolades of present victories and in time I’ll drag my triumphs out over the gravel road of time until they have lost their luster.

I’ll blindly stare at the tube of adult babysitting, at images of various eye candies trying to escape my own drive to do and yet failing in this as well.

I can’t spit out the bitter taste of the act of putting everything off nor drown it in the wine of determination without repeated reminder that I am drinking from the same cup of vintage to come.

I spend much needed dollars and valued hours gorging myself on self-help aids and assistance. Only they too become part of the beast’s feast of my misused time.

I awake every Monday with dreams of a new but, I’m so accessible to countless distractions. By Friday I face the inevitable doom of looking back over the landscape of a week gone up in the flames of the undone.

I try to grab each day by its throat. Choke out the desired results. Only it offers the slights resistance and I let it go to torment me from its lair growling “…not now, not now, not now…”

I’ll spend time with my mate for life. Half of me is relishing the moments with her. Half is wandering over the tablets of what I haven’t done.

I have mismanaged, misused, balled up, blundered, fouled up, mishandled, muddled, muffed, spoiled, and fumbled the footballs of my life again and again avoiding all that has to be done now driven farther down the boulevard. Constantly stopping at any insignificant store front; staring at juvenile trinkets of distraction.

I have sinned over and over again. I offer prayers to anyone who will listen. Begging for the enlightenment to solve my weakness. “… quia pecccavi nimis cogitatione verbo et in cogitations, et in hoc opera, quod ego facere non, mea culpa, mea culpa, mea maxima culpa…”



Part III:

Who else do I have to make suffer in confused patience waiting for the promised end results of my superficial excellence?

What has to be done to make me arise from the ash of self doubt, indecision, and fear to conquer this demon within my psyche?

Where are the answers I seek in my time of apathy?

Why has this inferior deity have such a grasp on me?

When! Again, when!!! When will I face this issue and start to find the peace of timely attainment?






(“… that I have sinned through my own fault in my thoughts and my words, in what I have done and what I have failed to do, through my fault, through my fault, through my most grievous fault…”)
Part IV:

I have lived with this for over a half century.
Trying to climb out of the hole of misused time.
Falling back into my penitentiary.
Serving a sentence of intimate crime.


The venting is complete, pity-pats written down.
My confession exposed for all to share, witness.
If this public sacrament exposes me a clown.
Mock away; have your jest. For I could care less.


My Ginsberg rant is to open doors of avowals.
To aid in my cure; in hope start my salvation.
To trust myself; to believe in oneself. I am all.
To look into the morning glass willing a reincarnation.


Only I can face the beast and make it heel.
Down inside I have to find the straight for each day.
Try a new, lighter approach; a new Don Marquis feel.
“…procrastination is the art of keeping up with yesterday…”




April 2014

Anxiety gnaws at the walls...
tearing at the black, blue, and yellow wallpaper.
The blasts pick up...
hovering shelves filled with knickknacks befall,
crushed as the hurricane begins.
Journals and notebooks strip themselves...
rippling throughout the chamber.
Jars filled with captured memories, moments, litter the floor
...erratic hops around bonfires
...flower wreaths
...crystal giggles piercing the atmosphere
all become mundane puzzle pieces scattering the ground.

And I rock back and forth in the middle...
what worse penitentiary, then your own thoughts.

it all started when i signed the contract
i knew i was ****** just cuz im black
fresh in its like a jail cell with no bail stepped into a world with no feelings
no heart apart
from this contract i got a duffle bag m 16 rifle
Told mama im.goin' to war
she dont understand i may come back in a box hard to dodge the ****
of the government over here
fightin' for some silly *** oil
negoitating with the enemy
but at the same time i am the enemy? United states burnin' up country while we workin' for free
got **** congress makin' millions more times than me
they say it aint a conspiracy?
they say i think too much and that my feelings touched
cuz i been in combat but truth is
they dont want your kids
to know the difference between reality n illusion is but
i say **** the press the army and im coming back vicious revenge
is delicious malicious
acts been done since man crawled out the sand pit times tickin'
grease the c.o.p so gun dont start trippin' and im still.wonderin'
will i escape the pain and misery the governments done to me and my comraderie
we earned the title of a vet
but they pawn us as trophies they get good publicity
sayin' we winnin' the war
when the war is at home rights being takin' every single day CIA Linked with the NSA no more private security
what the ******* think an IP is?
watchin' over us scared of us cuz of a revolution may bust out the cobb webbs been meaning to do this art is a reflection of reality i callit how i see why so many of military corps endin' up in the penitentiary?
cuz fools is pickin' truth over a numbered name excercisin' rights brings society pain got all the conservatives goin' insane
these muthaphukkas know the real
but they braille with they mass appeal startin' race riots white vs black black vs mexican
nigguhs u aint a American
ya stolen
secret society dont want us in unity
so do what the ******* want to embrace ?Crowleys tactics ?
use that black magic and watch em go in flames
use frankincense and myrhh to focus my brain
i got wealths no riches
nigguhs cant put a price on a mind
im the son of garvey malcolm even that crazy boy Carlin
as long as they stand for true
imma stand with you
army fatigue galore guns indeed
breakin' the demons seeds
that was planted long ago in the garden of eden
serpents been on earth since
darkness was first they had to separate dark from the light wrong from right
now that im out on bail
the military losin' there sight too focused on drug cartels
when they ones who sail
the dope in but the hood gets the pen? ultimate perdition folks in the senate listenin' say its us but we ain't got no passports why the **** they hidin gold at the fort?
Knox imagine that if we were to overpower the system the wouldnt have no choice but to listen they silence the powerful voices that influence minds
fools stay on yo grind
and so what even though my comments is being recorded and audit
but im at peace with self i dont see sunshine cuz its shorted
now take this to the daily news
so these public speakers can report it uh

I'm screaming inside

My own head is a prison

Nothing turns out right

Sobs En Route to a Penitentiary

Good-by now to the streets and the clash of wheels and
     locking hubs,
The sun coming on the brass buckles and harness knobs.
The muscles of the horses sliding under their heavy
     haunches,
Good-by now to the traffic policeman and his whistle,
The smash of the iron hoof on the stones,
All the crazy wonderful slamming roar of the street--
O God, there's noises I'm going to be hungry for.

Your physical contact makes a mystical impact
And your eye contact leaves me barely intact
So when I see your indifference I want to attack
The emotions my brain has foolishly stacked
But new information enters
Around you it's centered
To you I'm indentured
Mysticism is endured
On the end of your lure
There is no magical cure
For the thoughts you deem impure
So you drag me through the water
Morphing me into your unwilling otter
I'm pushed beneath the surface in your wake
I'm trapped in the penitentiary of your lake
By the spells I'm bound
In the hell I've found
Where my mind is a barbaric battlefield
Those I'm attracted to hide behind a shield
Those attracted to me I've buried in the sand
In between the two lies no man's land
Where a wandering mystic travels
I live in fear of his arcane gavel
That judges all things
Dematerializing kings
He searches for someone to elude
His magic bubble blocks the crude
Yet I'm magnetized to the magician
Who holds the key to my ignition
And although I'm just a misfit
I traverse toward mystics