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kristina Dec 2015
On the first day of Christmas
my true love sent to me:
a heart still barely breathing.

On the second day of Christmas
my true love sent to me:
broken, bleeding parts
and a heart still barely breathing.

On the third day of Christmas
my true love sent to me:
a chill in the air
broken, bleeding parts
and a heart still barely breathing.

On the fourth day of Christmas
my true love sent to me:
all this does is hurt
a chill in the air
broken, bleeding parts
and a heart still barely breathing.

On the fifth day of Christmas
my true love sent to me:
a touch that still stings
all this does is hurt
a chill in the air
broken, bleeding parts
and a heart still barely breathing.

On the sixth day of Christmas
my true love sent to me:
leering lullabies
a touch that still stings
all this does is hurt
a chill in the air
broken, bleeding parts
and a heart still barely breathing.

On the seventh day of Christmas
my true love sent to me:
scattered, insane
leering lullabies
a touch that still stings
all this does is hurt
a chill in the air
broken, bleeding parts
and a heart still barely breathing.

On the eighth day of Christmas
my true love sent to me:
bullets in my brain
scattered, insane
leering lullabies
a touch that still stings
all this does is hurt
a chill in the air
broken, bleeding parts
and a heart still barely breathing.

On the ninth day of Christmas
my true love sent to me:
coffin to lie in
bullets in my brain
scattered, insane
leering lullabies
a touch that still stings
all this does is hurt
a chill in the air
broken, bleeding parts
and a heart still barely breathing.

On the tenth day of Christmas
my true love sent to me:
lies that I drown in
coffin to lie in
bullets in my brain
scattered, insane
leering lullabies
a touch that still stings
all this does is hurt
a chill in the air
broken, bleeding parts
and a heart still barely breathing.

On the eleventh day of Christmas
my true love sent to me:
ears that keep ringing
lies that I drown in
coffin to lie in
bullets in my brain
scattered, insane
leering lullabies
a touch that still stings
all this does is hurt
a chill in the air
broken, bleeding parts
and a heart still barely breathing.

On the twelfth day of Christmas
my true love sent to me:
tears that won’t stop spilling
ears that keep ringing
lies that I drown in
coffin to lie in
bullets in my brain
scattered, insane
leering lullabies
a touch that still stings
all this does is hurt
a chill in the air
broken, bleeding parts
and a heart still barely breathing.
Happy holidays.
Michael W Noland Sep 2012
[A] is for
An
Archer with
An
Arrow through his
Adams
Apple, very
Applicable, to the
Ample
Amounts of
Amiable
Attitude,
Adorning his heart, in
After
Action
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Asking
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Ancient
Admirals of
Avian
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Abating
Angels in
Atrophied,
Alchemical
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appliances
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak
[A]?

[B] is for the
Bah of
Black sheep, and
Big
Bit¢hes, fat cats,
Bombarded in the
Blasted,
Bastion of
Blackened
Benevolent
Blokes,
Berating the
Blasphemous,
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Belittled
Bureaucrats,
Bowling
Back the
Bank rolls of
Betterment, from the
Back of the
Blackened
Bus, as i'm
Busting guts, in the
Bubbling
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Beaming
Butchery into
Billy's
Broken
Brains, in
Bouts, of
Battering
Bobby's for
Bags of
*******
Before, affording to
Build
Bombs, is just
Beyond
Breaking
Beer
Bottles on the
*******
Benefactors of
Boulder
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to
[B]


[C] is for the
*****
Courting the
Choreography, in
Computerized
Curtains,
Circumventing the
Cultured,
Contrivance of
Chromatic
Cellars,
Calibrating, to the
Contours of
Calamities,
Celebrating the
Cyclical,
Cylinders of
Cyphered
Calenders,
Correcting the
Calculations, of
Crooks
Coughing, in
Courageous
Coffins of
Canadians,
Collecting
Cobble stones, from
Catacombs, in the lands of the
Conquered,
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self
[C]

[D] is for the
Dip *****, as they
Delve
Deeper in the
Deliverance, of
Deviant
Deities,
Dying to
Demand
Dinner
Delivered in the throws of
Death,
Deceiving
Defiance of
Darkened
Dreams,
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Deviled
Devilry,
Dooming us for
Destruction.
Deploy the,
Damsels in
Duress.
Defiled and
Distressed,
Detestable and
Dead. in the thump of
Drums,
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Days,
Diluting night into
Dawn,
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the
[D]

[E] is for
Everything in nothing,
Eating the
Euphoric
Enigmas of
Enlightened
Elitists,
Exceeding in the
Extravagant
Essence of
Esoteric
Euphemisms,
Escaping the
Elegance of the
Elements in the
Eccentricity of
Eclectic
Ecstasy,
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Ease,
Easily to appease
Extraterestrial
Empires,
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Everywhere,
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errant
Errors of
Every man,
Enslaved, of flesh and
Entrails,
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Evermore,
Ever present in
Everybody
Ever made to take
[E]

Funk the
Ferocity of
Foolish
Fandangos, with
Fanged
Fanatics,
Fooled in the
Fiasco of
Fumbled
Fantasies,
Falling through the
Farms of
Freely
Found
Fans,
Flying in the
Fame of
Fortune.
Fornicating on the
Fallen
Fears of
Fat
Fish getting their
Fillet of
Fills.
Feel me in the
Frills

Granted with
Generosity.
Giblets of
Gratitude and
Greed,
Greeting the
Goop and
Gobbled
Gore,
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Got
Going, in the
Gratuitous
Gallows of a
Game
Gaffed by
Giants.

Hello to the
Horizon of
Hellish
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hemp
Harshened
Hobos in
Heightened
Horror, to
Honor the
Habitats of
Hapless
Habituals,
Herbalising the work
Horse, named
Have Not, in the
Haughtily
Hardened
Houses of
Happenstance.

Ignore the
Ignorant
Idiots, too
Illiterate to
Indicate the
Indicative
Instances of
Idiom in the
Irrelevant
Inaccuracy of
I,
In the
Intellect of
Idle
Individuals,
Irritated with the
Irate
Illusion of
Idols
Illustrated upon the
Iris,
In the
Illumination of
I.

******* the
Jobless
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Justified,
Jousting off the
Jumps, in
Jokes, and
Jukes of
Just
Jailers,
Jesting for
Jammed
Jury's to
****
Judgment from the
Jitter
Juiced
Jeans of
Jesus.

**** the
Keep of
Khaki-ed
Kool aid men,
Kept in the
Kilometers of
Kits,
Kin-less
Kinetics,
Knifing the
Knights of
Kneeling
Kinsmanship,
Keeling over the
Keys of
Kaine, with the
Karmic
Karate
Kick of a
Kangaroo.

Love the
Levity, in the
Luxurious
Laments of
Loveliness,
Lovingly
Levitating in
Level,
Lucidly.
Living in
Laps, of
Lapses,
Looping, but
Lacking the
Loom of the
Latches
Locked with
Leeches of the
Lonely
Lit
Leering of
Lightly
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of
Liars.

Marooned in
Maniacal
Masterpieces,
Masqueraded as
Malignant
Memorization's of
Motionless
Mantras, but
Merrily
Masking
Mikha'el the
Mundane, who is
Musically
Mused of
Monsters,
Mangling the
Monitor, but
Maybe just a
Moniker of
Marauders.

Never to
Navigate the
Nautical
Nether of
Never
Nears.
Not to
Nit pic the
Naivety of
Nicety.
Notions
Neither take
Note
Nor
Name the
Noise of
Nats in the
Nights of
Neanderthals
Napping in the
Nets of
Ninjas

Ominous in the
Obvious
Omnipotence of
Oblivious
Obligatory
Opulence,
Of
Other
Oddly
Orchards
Of
Offices,
Ordaining
Orifices in
Offers of
Ordinary
Ordinances in
Option-less
Optics,
Optionally an
On-call Oracle, in
Optimal,
Overture.

Perusing the
Pestilent
Pedestals of
Personal,
Parameters,
Pursuing the
Petty
Plumes of
Piety with the
Patience of a
Pharaoh,
******* on the
People with the
Penal
Pianos of
Port-less
Portals, in the
Paperless
Points in the
Palpal
Pats of
Pettiness.
Poor, but
Prideful.

Quick to
Qualify the
Quitter for a
Quick
Quill in
Queer
Quivering of
Quickened
Questioning,
Queried in the
Quakiest of
Quandaries.
Quarantined to a
Quadrant, of
Quagmires.
Questing the
Quizzing of
Quotable
Quartets.

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rolling
Rock to
Rate the
Rep of the
Rain-less.
Roar in
Rapturous
Rendering of the
Random
Readiness in the
Ravenous,
Rallying, of the
Retinal
Refracting of
Reality.
Realigning, the
Righteous
Rearing of the
Realm, and
Retrying.

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Slumbered
Scenes.
Secrete the
Solo
Sobriety of
Sapped
Sassys,
Salivating upon a
Slew of
Stupidity,
Steadily
Supplied in
Stream,
Suitably
Slain in the
Steam of
Sanity.
Sadly, i
Still
Seem,
Salvagable.

Topple
The
Titans in
Tightened
Terror.
Torn
Territories
Turn
Turbulent in
The
Teething of
Totality.
The
Telemetry of
Time,
Tortured of
Torrent
Theories,
Told in
Turrets of
Transpiring
Terribleness, from
Tumultuous
Tikes unto
Teens,
Trading
Toys for
Tea.
Thrice
Thrusted upon by the
Tyranny of
Tanks.

Unanimous is the
Ugliness in the
Undertones of
Undreamed
Ulteriors
Undergoing the
Unclean in the
***** of
Utterly
Upset
Users,
Uplifting the
Unfitting
Ushers in
Underwear-less,
Ulcers,
Undergoing the
Ultra of
Uberness.

Venial in
Vindictive
Viciousness of
Vindicated
Venom,
Venomously
Vilifying the
Vials of
Villainy in the
Veins of
Vampires,
Validity of
Valuable
Violence, is
Valiant in the
Vaporous
Vacationing of
Vagrant
Vices.

Why
Whelp in the
Weather
When you can
Wave to the
Whirling
Wisps,
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
World,
With
Waterless
Worms, as
War shouts are
Wasted in the
Wackiest
Walks of
Waking
Wonder.

Xenophobic
Xenogogue, of
Xenomorphic
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my
Xyston
Xd

Yelling
Yearned from
Yelping.
Yard
Yachts
Yielding, to the
Yodel of
Yeah
Yeahs, to the
Yapping of
******
Yuppie
Yoga
Yanks, over
Yonder.
Yucking it up with the
Yawn of a
Yocal.

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zapping
Zimming
Zest, upon a
Zombie-less
Zeplin.
Zealot,
Zionist, or
Zoologists,
Zeros or ones, just
Zip your
Zip locked. and
Zzzzz
Zzzz
Zzz
Zz
Z
Zero
this is a work in progress
Dusting off the rabbity
that squirrely tempo anxiety,
closing in with night.

The irresistible pattern
the irrational illogical fight
a battle with one’s discipline,
mirroring our might.

I make it home a fluttering
belly twirled and muttering,
I tell myself tis alright!

The damage done, and everyone,
I’m just like them and millions more
succumbing at the Devil’s door.

And the taste, the burn,
the healing calm,
the shaking and the thinking gone.

Knock one back, slam out another
night is early, rock it brother,
Tying on a swilly swirling
buzzed-out brain and mind a twirling. . .

“Ahhhh…”

I feel better now, exhilarated,
exasperation falls to stout resound;
I pour again and knock it down!

“Ahhhh…”

Spinning now, not to say I’m spun
but choosey choosing several a pun
I see myself an accomplished one!
Yes, that’s it, that is me,
look upon with thoughts of glory
yank open the freezer for glass that’s hoary. . .

How cool am I? certainly not boring
all night I’m here, pouring, pouring. . .

Buzz subsides, thoughts slow too,
lurid leering, slobbering swearing,
stupid actions and nothing new?

I lose the bottle,
I lose my shirt,
***** on myself,
pass out in dirt.

Another night of drunken hero,
time that’s wasted for kingly Nero.
But who am I to judge myself?

I’m hardly worse than anyone else?
O'er the midnight moorlands crying,
Thro' the cypress forests sighing,
In the night-wind madly flying,
Hellish forms with streaming hair;
In the barren branches creaking,
By the stagnant swamp-pools speaking,
Past the shore-cliffs ever shrieking,
****'d demons of despair.

Once, I think I half remember,
Ere the grey skies of November
Quench'd my youth's aspiring ember,
Liv'd there such a thing as bliss;
Skies that now are dark were beaming,
Bold and azure, splendid seeming
Till I learn'd it all was dreaming —
Deadly drowsiness of Dis.

But the stream of Time, swift flowing,
Brings the torment of half-knowing —
Dimly rushing, blindly going
Past the never-trodden lea;
And the voyager, repining,
Sees the wicked death-fires shining,
Hears the wicked petrel's whining
As he helpless drifts to sea.

Evil wings in ether beating;
Vultures at the spirit eating;
Things unseen forever fleeting
Black against the leering sky.
Ghastly shades of bygone gladness,
Clawing fiends of future sadness,
Mingle in a cloud of madness
Ever on the soul to lie.

Thus the living, lone and sobbing,
In the throes of anguish throbbing,
With the loathsome Furies robbing
Night and noon of peace and rest.
But beyond the groans and grating
Of abhorrent Life, is waiting
Sweet Oblivion, culminating
All the years of fruitless quest.
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
Iris Woodruff Feb 2017
Having observed others and containing the self consciousness of a noticer (do other people look at me the way I look at them?) she would dress in old borrowed clothing that smelled like other peoples’ laundry and leather because secretly she wanted to wear the other people try them on and she had this wrinkle between each brow that made her look just sort of worried no matter how she tried to press and smooth that wrinkle down with her thumb and in very private moments she’d stare at her features in the mirror with a sort of curiosity because she’d been told by leering men that she was beautiful but sometimes she saw only features: Nose eyes mouth all in pretty good proportion sure but she supposed the thing that held her curiosity was not her face itself but rather the disconnect between the face and the universe of thought behind it and all this she’d marveled at a very young age as ma would see her staring at herself in front of the bathroom mirror or in store windows and tell her not to be so vain kid to hurry along
And so she feared writing about her own vulnerable beauty for fear that she might be both of those things—vulnerable and beautiful. Instead she would take an hour long train ride, fake-dozing so as not to be ticketed, walk anonymous between busy persons until she reached a place that satisfied her Washington Square park, perhaps, or some small playground on the lower east side, or down by water or the hip corner shops in Brooklyn. And there, in strangers, she would find her vulnerable beauty, and there with the aid of a pen they became her and she became them.
Isabelle Rose B Aug 2013
Our world has many distractions,
Many of which I've known.
But here am I in the midst of it all,
writing a poem to whom I don't know.

Most of all I love you,
More than you could know.
And someone out there, near or far,
To you my love does flow.

I cannot help but think of holding hands,
Crazy dancing and smiling glances,
Movie nights and games with friends,
Writing notes of silly romances.

I'll sing you songs,
Some sincere, others silly but true,
Cause I'm just that kind of person,
You'd best be crazy with me too!

I'll try and love your sports,
and support your teams with cheering,
I'll bring you snacks, and cuddle up,
Though on the inside I may be leering!!

I'll make you cookies and huge cakes,
whipped beautifully with cream,
Even with this I'll be so happy,
I may believe myself to dream.

Oh darling, the future feels so far,
Maybe I should embrace today,
but what good is that to me,
When half this heart is out at bay?

They think me strange, and very different,
Just waiting for my prince,
Forever thinking to my tomorrow,
Based on parent's experience.

I'm sorry mother, father,
It does hardly seem fair,
But for you I will continue on this journey,
A life lived with special care.

And they are out there, living today's life,
And while they're grounded there I twirl,

Waiting for you to find in me:

*A precious, beautiful pearl
So wait for me,
As I do you,
Listen little to this world,
To the moon and back I do love you,
Be strong big man,
Till we meet :)
Polar Feb 2016
Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
ok it's long but in my opinion it will always be one of the most awesome poems ever!
He thinks her little feet should pass
Where dandelions star thickly grass;
Her hands should lift in sunlit air
Sea-wind should tangle up her hair.
Green leaves, he says, have never heard
A sweeter ragtime mockingbird,
Nor has the moon-man ever seen,
Or man in the spotlight, leering green,
Such a beguiling, smiling queen.
Her eyes, he says, are stars at dusk,
Her mouth as sweet as red-rose musk;
And when she dances his young heart swells
With flutes and viols and silver bells;
His brain is dizzy, his senses swim,
When she slants her ragtime eyes at him. . .
Moonlight shadows, he bids her see,
Move no more silently than she.
It was this way, he says, she came,
Into his cold heart, bearing flame.
And now that his heart is all on fire
Will she refuse his heart's desire?--
And O! has the Moon Man ever seen
(Or the spotlight devil, leering green)
A sweeter shadow upon a screen?
gothic mistress May 2012
leering lurking

before me

crazy jet black coal eyes

peer

red crimson droplets

forming on foaming saliva

teeth as sharp

as a bear trap

baited and ready to pounce



copyright gothic mistress 2012
JJ Hutton Jun 2012
Abigail slides the glass door shut.
As beads of water percolate off her body
and land on the faux stone tile,
the smell of chlorine from her swim
and the smell of coffee from my brewing *** blend.
My uncle, Abigail's father, and my mother
are seated at the sticky, spilt soda kitchen table beside me.
"Go get ready for dinner," my mother's brother says, sending
Abigail's bikini'd frame through doorway and around the bend.
The brew idles, and I'm all porcelain and sugar substitute for a moment,
then back by my uncle and mother.

"Abigail has gotten so thin," my mother says.

"Is she eating?" my mother asks.

"I know it's tough for girls her age. When they're looking to marry," my mother says.
I want to bash the smoking cup into her face.

My uncle says she's been training for a marathon.
My neurons get tidy and taper off.
So, it's out of the kitchen and into an empty living room
to park my *** on an empty piano bench.
I set the coffee on top, and press eight of my fingers down
on black keys.
I hear toes-to-heels, toes-to-heels.
I gaze over my shoulder.
Now, Abigail's in a black, black dress. Mid-thigh.
In her left hand,
red ****-me-shoes with a heel that could turn a curious man blind;
in her right hand,
black pantyhose and cherry lipgloss.
"You should have swam," Abigail delivers with hushed precision,
like she'd been reciting the line throughout the duration of her swim.

Abigail has long brunette hair,
and it's sticking to her neck.
Deep permanent dimples frame her lips.
She's a nurse in Waco.
Each time I see her, I think about
Bukowski's 103-pound "Texan".
It makes me rash, violent, a heady monstrosity,
and trembling sick.

"I forgot my trunks."

"That's no excuse."

I would respond, but she's sliding the hose up her leg.

In the living room.

While my uncle talks a second mortgage around the bend.

Her right leg crosses her left,
an overpass and an interstate.
My forehead overheats in a flash,
and I feel like she's staring back at me.
When my leering eyes shift from
her toes to her eyes, the pupils beckon:

"All roads lead to me."
DJ Goodwin Jul 2013
Retail-hunter gatherers pick
clean processed bones, digging graves
with their shiny teeth, studious in
their reveries as they drone

past worlds dumped in the thresher;
the trucked-in fields of film-wrapped
gore splayed lustily before the managers
wound tight in Machiavellian design.

A shepherd herds his flock of
wreathed iron back to its pen, its
skeletal tangle lit in riotous gold by
swords flung from lambent eyes of
pre-dawn’s shunting chariots

Cages shunt and bobble like tugboats
chugging stoic up swimming pool lanes
of nondescript tile, cheered on by shouting
colours to float through archipelagos of
paper towel and chocolate blocks past

the vegemite diaspora, and the arctic
wastelands cased in sliding glass fields of
perfect steady storms as wraiths baked in halogen
ask silent questions of the silverbeet, while

Lana Del Ray’s voice falls like
nightshade—slutty and serene—coating
shelf stackers in a Piaf sadness as the
shelves reach their arms out for more.

The check out chick hatches
a sense of déjà vu as carrots
and biscuits drone towards her
mind berEFT of any twitching
sense of POSsibility that wised
up and flew this leering coop and

deep in her catalogue of grey folds
something stillborn and waxen is
perched on gleaming steel, reeling
out her guts like cassette tape with jerky
nightmare arms and laughing like a
banker watching ***** films, mornings
dull cerise an invocation through
auto-jaws as she bursts out to warble
with magpies in car park’s climbing fire.
Stephan Jul 2016
.

Watching the rise and the fall of a kingdom
Walls once rebuilt again tumble the ground
Allowing the beasties free reign in the village
Bellowing out o’er the wickedest sound

Pacing the streets, seeking out bits of garbage
Leaving their stains on the innocent few
Leering in windows where children are hiding
Tender young things and so easy to chew

Thieves in the night lurk about come the morning
Stealing the sun at the break of the dawn
Drinking of sewage a’ flow in the gutters
Checking off names as the many are gone

Peering ‘round corners, down alleys, in shadows
Seeking the favor of all who do grieve
Laughing in spite of the torment now growing
Licking their lips in the hope you believe

Roaming in groups so the followed outnumber
Say what you will for the king does not hear
Lost in his throne made of mirrors that flatter
Shivering, cowering, caving to fear

Deaf to the villagers asking for reason
Blind to the pillage befalling this land
Dumb, well I guess that just goes without saying
Nary a care what the people demand

Feasting on turkey, potatoes and gravy
Raising a glass to the enemy proud
Taking a stand against those who support him
Locking the front doors while yelling aloud

“Carry your torches, your pitchforks, your honor
It matters not for this evil shall win
Even when gone there are echoes of anger
Lingering on till they come back again

Give them your all, what you’ve poured your heart into
Down on your knees, bow to them one and all
Step over rock and the piles of rubble
This castle will stand even when the walls fall

Shout all you like as no change is forthcoming
Accept it or flee, you think I give a ****
When you are gone many more will replace you
Now pass those peas and a slice of that ham”


So roam the beasties, their teeth ever sharpened
Fanning the flames as so many are burned
Tearing apart what the people envisioned
Silly to think that they somehow had learned

Nothing so happy with no ever after
Always the same, it will happen again
But unlike some other long winded stories
Sadly in this I can not say “the end”

Watching the rise and the fall of a kingdom
Walls once rebuilt again tumble the ground
Thankfully I can peruse from a distance
Witnessing all without hanging around
He thinks her little feet should pass
Where dandelions star thickly grass;
Her hands should lift in sunlit air
Sea-wind should tangle up her hair.
Green leaves, he says, have never heard
A sweeter ragtime mockingbird,
Nor has the moon-man ever seen,
Or man in the spotlight, leering green,
Such a beguiling, smiling queen.

Her eyes, he says, are stars at dusk,
Her mouth as sweet as red-rose musk;
And when she dances his young heart swells
With flutes and viols and silver bells;
His brain is dizzy, his senses swim,
When she slants her ragtime eyes at him. . .

Moonlight shadows, he bids her see,
Move no more silently than she.
It was this way, he says, she came,
Into his cold heart, bearing flame.
And now that his heart is all on fire
Will she refuse his heart's desire?-
And O! has the Moon Man ever seen
(Or the spotlight devil, leering green)
A sweeter shadow upon a screen?
A desolate shore,
The sinister seduction of the Moon,
The menace of the irreclaimable Sea.

Flaunting, ****** and grim,
From cloud to cloud along her beat,
Leering her battered and inveterate leer,
She signals where he prowls in the dark alone,
Her horrible old man,
Mumbling old oaths and warming
His villainous old bones with villainous talk--
The secrets of their grisly housekeeping
Since they went out upon the pad
In the first twilight of self-conscious Time:
Growling, hideous and hoarse,
Tales of unnumbered Ships,
Goodly and strong, Companions of the Advance,
In some vile alley of the night
Waylaid and bludgeoned--
Dead.

Deep cellared in primeval ooze,
Ruined, dishonoured, spoiled,
They lie where the lean water-worm
Crawls free of their secrets, and their broken sides
Bulge with the slime of life.  Thus they abide,
Thus fouled and desecrate,
The summons of the Trumpet, and the while
These Twain, their murderers,
Unravined, imperturbable, unsubdued,
Hang at the heels of their children--She aloft
As in the shining streets,
He as in ambush at some accomplice door.

The stalwart Ships,
The beautiful and bold adventurers!
Stationed out yonder in the isle,
The tall Policeman,
Flashing his bull's-eye, as he peers
About him in the ancient vacancy,
Tells them this way is safety--this way home.
Lexi Cairns Dec 2015
You have been told that rapists were men in black hoodies
hidden in twisting shadows and dark alleyways.
****** offenders were always leering old men in rags;
never blonde haired and blue eyed and always smiling-
not once did you think to question the intentions
of his warm and familiar fingertips.
When you find yourself locked in his claws
and he tells you
that you must want it
don’t be a tease.
Look at what you’re wearing.
A sliver of skin mistaken for an invitation.
Do not be surprised when your mother
also asks you what you were wearing-
but do not forget.
Remember this for the next time.
You will also try to convince yourself that you asked him to,
but the scars on your sister
and the tribe of women with cut out tongues and pleading eyes
who stare back at you from your reflection
tell another story.
Tell your mother that no matter how many flowers she throws over the mass grave
she cannot hide the stench of rotting corpses,
do not pretend that you are okay when you feel all the lights inside of you begin to shut off
because your body has grown tired of sounding alarms and raising knives
against intruders who wield toxic gas and atomic bombs.
You have been taught to hold your tongue and to smile like nothing is wrong
but now your mouth is filled with your own bite marks and it is hard to hide the blood.
You should not have to.
Your words can crumble empires
and redeem centuries of trauma embedded in bleeding wombs.
It is time you used them to stand up for yourself.
This is a poem I wrote for my creative writing course at school and is a revised version of one of the spoken word pieces I posted here previously.
bluestarfall Jan 2015
She is the lady on the road.

She is a mother, a sister, a colleague, a bird, a lassie, a damsel.
She is the lady on the road.

She spreads love and enriches kindness in the society,
She is the crux of an organization, and the fundamental principles.
She is the lady on the road.

She twinkles with the stars and shimmers with the moon,
She scampers with her pets and hops like a frog,
She is not a nomad, but a faithful keeper.
She is the lady on the road.

She wears short skirts,
She wears tight tops,
She doesn't encourage the flirts,
She neither abominates the leering of cops.
She is the lady on the road.

She holds a honourable reputation,
She forms the base of ethical standards,
She buries the grudges and resolves the dissension,
She consolidates herself and maintains her fettle,
She is the epitome of cheerful disposition.
She is the lady on the road.

She ignores the catcalls,
She endures the torture and prevails her morale,
She is a monument unshakable, and a stone unbreakable,
She dumps her burdens and enlightens her destiny,
She protects her dignity and negotiates with denunciation,
She does no harm, but deals with it.
She is the lady on the road, ..the seventh wonder of the world.
The women of a country are the colors of your flag.
I should stop
Just stop and walk away
Walk away from everything
Hinder my problems

But I can't
It's my fault
Every touch, a punishment
Every kiss, torture

Lust filled eyes
Leering in the dark
No one notices
Just me

Heart thumping, waiting
For the clear signs of hunger
Just one call is all it takes
To take me in again

And I'll succumb
To your kisses
Your disgusting touches
The monster I created
The affair I'll keep hidden.
AJ Robertson Jan 2013
the closer we looked, the less we were impressed
but ultimately still would ****
B Chapman Oct 2017
Eight-
In a general store,
the middle of nowhere.
I stared at toys,
oblivious to the stranger too close.
A hand on my backside,
a rub and squeeze.
The cops huffed,
'are you sure it wasn't an accident?'
'Is it really that important?'
Suddenly I knew shame.

Twelve-
Last day of school,
cornered in an empty classroom
by my lifelong bully.
He tore my pink shirt,
grabbed me where Trump would have.
My father helped.
Did what he could.
Told me it wasn't my fault.
But the teacher,
a male who never liked my voice,
groaned in private,
'this will ruin that poor boys life.'
But what about me?

Sixteen-
A class full of people,
feeling pretty as a rare treat.
A boy with a knife
sitting too close,
hand inching up my thigh.
A malicious smile
with a dangerous whisper,
'spread your knees.'
I never told,
It had hardly mattered before.
But that's the last time
I wore a skirt to school.

Eighteen-
The officer taking my prints
made me cringe as he lingered.
His compliments made me shudder
but I told myself I was paranoid.
Leading me to a cell
he offered me a private room
leering as he mentioned
I wouldn't feel alone.
I almost laugh now
at his offer to pay me with juice.
But a year later at the hearing
his lude claims were loud enough
for everyone to hear.
A court room full of people
heard him brag about things
he never did.
Only one person shut him down
without even a word.
Simply a glare of digust
that I was too scared to give.
Daniello Mar 2012
The pastor is preaching, is trying to hit
the heart today: What really is Mass, why
is it the center of our faith, why really do we
come? Familiar questions I’ve asked (though
minus the m.) Now this is interesting. He says,
this church is Bethlehem, the home of bread.

His voice is gradually becoming a mewling
through the microphone that annoys me, the
strings in his box tightening to a choke like
ends of piano wire, almost always to tearing.
I can’t see past the doxologizing, but it sounds that
this is why we come, his eyes might just have torn.

It is the day of the nativity of some
Lord, or incarnate God, or son—an almighty
Savior. I guess I’d be histrionic too, then, if I
knew there was something called my Salvation.
If all that was needed was to repent and believe
and be faithful and give yourself.

That’s not really hard if you never happen to
not know your sin or whiff at air or be betrayed or
fail to be gotten. At least something else is, though.
There’s a girl I spot I would like to ****. She is
attractive from where I’m standing, flirty I can
tell, leering at me and gossiping with another

cute girl. If I happen to meet her after the service,
I’d like not to have to say much to get her in bed.
That way, there isn’t the risk of exhaustion or
feeling pointless from trying to tell so much.
But that is always going to be hard. That is why
I’ll stop sometimes, just chew the bread.
Eleete j Muir Jan 2012
A grimoire of nuptials apporting
The implored cadaverous knight
Securing obsequious omens
Stirring the sleeping metals of
Chaste belladonna, glistening
Elf-locks entangled with Hellweed
Vowing until the golden bowl is broken
Clasping the devils paintbrush promising
Before the garrulous black mass
Leering upon Vulcans mirror
Cursing the covenant of faithfulness
With a moonstone band
Evoking a vixens wedding
Sealing with Adams holy ale
Their oath as the belfry rings
Resounding admist white sepulchre.


ELEETE J MUIR.
Obama jetted
back to Africa
soaring aloft on
gulf stream swank

a posse of
oil company execs
in tow, intent on liberating
Dark Continent
fossil fuels from unjust
underground prisons

American
entrepreneurs
angling to get the
upper hand in the
high stakes global
resource poker game
pulled a big time race card
to trump China’s
full house

On Goree Island,
political paparazzi
popped and clicked
a perfect image
of the neocolonial
white clad President
framed in a doorway filled
with dark shadows and
heinous memory of the
unspeakable horrors
of global trade

leering from
the portal at the
Gate of No Return
Obama welled with
meditative epiphanies
of personal seachange,
and the vicissitudes of life,
pondering his meteoric rise
from a Land of Lincoln
State Senator to
American President
in the span of
one golden
9/11 decade

At a
South African University
Town Hall Summit,
the fist bumpin,
mike droppin  Prez
telepromted the
star struck folks with
solemn universal civil rights
pronouncements,
wrapped in the riddle of
the pursuit of peace,
hidden in the enigma of  
the reverence for
human dignity

Later in the day
Mr. Obama sat at the
feet of a comatose Mandela;
whispering into his ear
why an Afghan peace
eludes him, why his
drone strikes rain
death upon innocents
and why his democratic
republic defiles
the civil liberties of its
citizens to ransom
a daily diet of fear

But Madiba does not hear
Mr. Obama’s feverish
confessions; his
ears are closed,
he dreams only
of the paradise of
liberation he earned
for his life's hard wages

Music Selection:
Gil Scott Heron
Western Sunrise

Oakland
070213
jbm
Pearson Bolt Jul 2016
it's true
the revolution will not be televised
but the fascist revival premiered
on all the major networks' corporate channels
in 1080p HD at prime-time hours

with perfect clarity
viewers could see
an oompa loompa
with an orange toupee
a xenophobe
spewing violence and vitriol
peddling snake oil while spitting venom
stirring a bubbling cauldron
spilling over in fear-mongering demagoguery
served like crack candy to the Republican elite
reveling in their privilege
cheering white supremacy

a tyrant
tirading behind a polished wooden podium
flanked by hues of red white blue and gilded gold
like some comic strip super-villain
but this obtuse excuse for human refuse
is not some Saturday morning cartoon
defeated by the heroes after 30 minutes
of selfless feats and epic deeds
a death dirge plays on repeat in the background

you can't always get what you want

meanwhile
we're holding silent vigils back home
carving the sigil of Orlando's skyline into our skin
while a snake slithers into a City Beautiful
bedecked in her $3k pressed pant-suit
leering wolfishly at a local club for LGBTQ+ youth
the downtown heartbeat
of outcasts and misfits
a Pulse
that bigotry and self-hatred couldn't *****

but tragedies are converted to cheap currencies
in the clawed hands of dynastic oligarchs
sporting the support of billionaires and super-PACs
she knows the Establishment has got her back
she'll shed crocodile tears
just in time for the photo-ops

violence begets violence begets violence
humanity's universal language
a tongue shared by despots and presidents
in the wake of stolen sanctuaries
she'll justify razing Syrian children
beneath a barrage of hellfire missiles
and predator drones targeting cell-phone signals
under the pretense of bringing the terrorists
to some sycophantic mirage of justice

we're manufacturing new soldiers
for the Caliphate to brainwash with promises
of dead gods and seventy-two virgins
machine-fed by automatic weapons
to the toothy jaws
that bottomless maw
of endless ******* war
which always vaunts
profit over people

the conceptual construct of gender binarism
becomes an imperceptible selling point
in the incomprehensible and reprehensible rhetoric
issuing from either side of the political aisle
but what will it matter
either way
an egoistic megalomaniac
has his or her finger poised over the trigger
a neoliberal warmonger and hypocritical fraud
or a reality TV star who lauds the KKK on Twitter

our only hope is found in the streets
unchained by compassion's transformative capacity
freed to utilize our minds
humanity's indomitable faculty
nurturing a community that seizes life
in anthems of liberty equality and solidarity
anarchic manifestoes penned in lines
of red and black ink

progressives will insist otherwise
they'll declare emphatically that our only choice
lies in selecting the lesser of two evils
to lead us to the brink of oblivion
but Orwell wrote the future of humanity
looked like a boot crushing our heads
that either way we'd all be dead
and the harsh reality is that the soot-stained sole
curb-stomping this country
fits both the left and right foot
The world has been on fire recently. I woke last night from dreams of hellish landscapes reflecting on two photographs I saw from the past 24-hours. One depicted Trump on stage at the RNC, looking like some Capitol stooge from "The Hunger Games." The other was of Clinton in my city, pretending to care for the LGBTQ+ youth murdered at Pulse. I wrote this in a frenetic fit of ire and outrage.
Simon Clark Aug 2012
(Song title from Lightnin’ Hopkins’ catalogue, by Whittaker)

He stalks the parks; staring; leering,
Smiling contented,
Hiding behind his façade of walking his dog,
He reveals his true darkness,
As around the roundabout he ambles and strolls,
Looking at the children in their innocent poses,
We crouches by a boy alone in the shadows,
A boy who is happy to sit down and doodle,
He tells this stalker “let me play with your poodle”,
The menace moves in.
written in 2010
maxime Feb 2017
He called me a chameleon once.
The words fell like sweet thick honey that matched his sandy blonde hair.
It fell just over his eyes. I had to duck and search to meet his gaze.
He told me that I acted like a mother to one, and a daughter to another.
He told me that he had yet to figure out my true colours.

I only smiled.

He studied me carefully everyday afterwards.
Peering, leering, examining every last breath that left my lips.
I chuckled, and allowed it, knowing he could spend his life dedicated to studying me yet never find the answer he was looking for.
A chameleon can only blend in with what surrounds them,
fire, blue skies, dark blizzards, animated companions.

A chameleon can never see the colour of its own skin, because it's too busy trying to match everyone else.
Marshal Gebbie Sep 2013
A moment’s inspiration to grasp a building thought,
A panicked, surged excitement, now achieved, where once was naught.
In plucking crystal thought from the yonder crisp, blue air,
And coalescing mishmash into meaningful repair.
To seek a path of verbage realigning phrases bright
And feel the resurrection of creative works this night.
In pulling rich vocabulary from within the concrete hash
Concocting circumspection in this brilliant verse from trash.
Annunciating clarity and a purity of class
To haul yourself, abruptly, to get off your lazy ****…
To burst forth in immaculate and spontaneous wordage clear
And blithely blow away your critics on their loathsome, leering ear.

Marshalg
11 September 2013
I want to be a tight man
a fight man
a get it when I can man
a hard man
a ladies man
a take when its there man
a bad man
a cad man
a wham bang and thank you ma'am.

I want to be a flirt man
a take a bit of skirt man
a **** man
a slapper man
a kiss em quick an part man.

I want to be a cheat man
a cheap man
a slip between the sheets man
a creep man
a street man
a leering ****** beer man.

I want to be a cold man
an ice man
but some say I'm too nice man?
Alicia Strong Jun 2013
A  perfect summer night;
moon shining in the sky,
fireflies surround us
as the light leaves our eyes.

We pay no attention to them,
so lost in our own thoughts,
that we didn't realize,
what was right before our eyes.

Their lights flick on and off,
much like our feelings do.
happy, sad, happy, sad,
what are we supposed to do?

We try to talk it out,
but our speech is a bit slurred,
regardless of the smoke,
our little friends stayed undeterred.

I felt like you saw right through me,
but they saw me plain and clear.
They could see the hurt;
something you mistook for fear.

Anxiety gets the best of you,
is there any room for me?
All you do is judge me,
for things I don't even see.

I haven't changed at all,
I've been here all along.
Do you know how hard it is?
To try to stand so tall?

With everyone leering at you,
breaking down your walls;
you're all that I have left,
so, before this castle falls;

I just wanted you to know,
that I'm not hiding any thing.
I need you to trust me,
I can't stand the sting...

your anxiety is killing me,
and the fireflies know;
because they paid attention;
and helped me see with their soft glow...

that maybe we can't fix this,
maybe we're too far gone.
So please just lay here with me,
and we'll watch just one more dawn;

together.
Those twin galaxies of yours
Beckoned on my sister oceans'shores.
I swam away, I heard the lore,
'A furtive glance will ask for more.'

I hid beneath these bitter waters
heaven graciously showers,
And sank to their esoteric depth-
My treasured detaching step.

But these shrouds are latent webs,
Impalpable yet enthralling herbs,
That compelled those galaxies
Towards my oceans'caged reveries.

Astral lights came flowing
On my secret crevices - cosmic cunning.
On faint surrender, oceans reflected
Those lights thought connected.

But you feared degrees unknown,
Ceased the sailing, you will never own-
They you thought mastered the song of lorelei,
The depths you will die.

Was it that shed leering glimmer
From distant galaxies hover
Around the interval that mist covers
And stirring these waters?

My immensity is foreboding,
Your vastness is deceiving.
Would our core surface, if in mist
You linger and I in abyss?

You intoxicate me with cosmic light nothing can sober,
But refuse to drink from my oceans' water.
Your galaxies shine on infinity
But are not my property.

You are locked on a cache, no one could immerse,
Owned by some private universe.
The lore of your galaxies, a blurred maze,
An immortal quest to my gaze.
One of the poems I made for someone August 7, 2003
Edited version February 2, 2011.
See the dancers gyrating
Sliding over the pole
Lustful men leering
Eager to hunger, watching

Private dance for the few
Parting with crumbled money
Sweating in craving desires
For what they can never touch

But I silently see the movement
Of an ****** motion of beauty
I see the eyes of unknown passion
Something that can not be mine

Even through my scars of ruination
They ****** for printed paper
Money is no longer a commodity
Only to witness serenity in motion
Copyright 2014
anne collins Jan 2013
I was nothing but a teacup in your fingertips
Sliding and slipping, shattering
I was nothing but snowflake in your abyss
Floating, flying, faltering

I was little but a shamrock in your field
Invisible, irresistible, inspiring
I was little but a knight’s wooden shield
Dangling, desperate, dying

You only ever were a word in an epic poem
Useless, universal, unifying,
You were only ever a lyric unsung and unknown
Waltzing, wandering, wavering

You became the tragic figure in the snow globe
Imperfect, ironic, isolating
You became the space that filled the empty wardrobe
Tired, tedious, trespassing

I was as small as pretty as a conquest
Coy, cuffed, charming
I was as small as a name in a black book’s list
Smudged, smeared, sparkling

I was as innocent as your favorite horror films
Vicious, veiled, vying
I was as deadly as your favorite poison
Cyanide, clarity, corroding

I was as lost as a vintage world map
Outdated, ostracized, offending
I was as furious as an Olympian’s final lap
Ephemeral, evermore, evading

I was as uncertain as a Polaroid candid
Gray, golden, growing
I was as adrift as an airplane with no landing
Turning, trying, tumbling

You were as lonesome as the plains of Montana
Wide, whistling, waiting
You were as lifeless as the eye of the camera
Fixed, fruitless, fleeting

We were as doomed as the ides of March
Lamenting, looming, leering
We were as fated as the planks of the cross
Destined, dripping, drowning

We were as simple as the heart of a fairy tale’s journey
Cruel, careful, converting
We were as heroic as the martyr of tomorrow’s yesterday
Unburied, Unknown, undoing

We are as fickle as the triumphant burn of inebriation
Sweet, sinful, smoldering
We are as distant as the chasm between here and the purpose of our creation
Bruised, buried, borrowing

We are as shameful as the last cigarette
Anxious, alone, ailing
We have been as deceitful as long as our secret’s rest
Silver, swallow, savoring

We could have been as inexplicably grand as royal gems
Imposing, imploring, imploding
We could have been as scarred as our nightly Amen
Begging, bleeding, belaboring

We were almost ivory and innocent
Fearful, favorable, frittering
We were almost hell-bound and Satan-sent
Satin, silk, slaughtering

We are unwritten words and syllables on blank pages
Neat, nuanced, needing
We are unseen images on unpainted canvas without aging
Perfect, peaceful, pirouetting

We are as final as the stroke of white paint against the night
Rebellious, rivaling, riveting
We were as concrete as the glittering sidewalks in city moonlight
Gilded, glowing, gone
Katlyn Orthman Mar 2013
A soft flutter in the top of the trees
Beauty as the flowers are swarm by bees
Counting the cracks on the crooked ground
Dodging the birds as I spin around
Every sound slowly comes alive
Frantically the squirrels dig up nuts they use to survive
Gorgeous patches of fine green grass
Hastily jumping to avoid the broken glass
I take in the smell of the spring
Just listening to the birds sing
Kind eyes from passing friends
Loving embraces you never want to end
Meeting the soft sunrays with a warm  smile
Never closing my eyes, just watching the sun a while
Over the hill I quietly lay
Patiently waiting for the vanishing sunrays
Quiter the world seems to fall
Resting their heads in the treetops so tall
Slowly the sun sinks lower
Towering for a minute the sun grows slower
Until it fades into dark blue skies
Vanishing before my green watching eyes
When the last glimpse of the golden globe disappears
X-rays of the stars fall leering
Zenith well passed in the open grass of the clearing
Edna Sweetlove Oct 2014
Fat old priest smiling
In his old *****-stained cassock
Leering at choirboys.
touka Jan 2018
cold,

I will my eyes to focus
reprimand my dark surroundings
and the many failing lights that sit
just a few yards away
blurry, blue dots
that jut out from the soil
of my neighbors yard
some decoration, I suppose

wet,

I hear the past, present and future collide with a crash
with a few strong voices
who bargain for nothing more than an insight
into each others inevitability

cold,

light flickers back on behind me
and I could kiss it hello
potent and poignant,
I'm so glad you are breathing
maybe that's a little forward, but it's more than power
I still struggle to focus my sight
maybe my ears, however
quiet still could not fall if it had untied shoes

wet, and so cold it's become dull

the ground is malleable, mud and muck sloshing around my pathway
my feet toss the puddles of winter water up and around my ankles
it soaks into my socks
sends a chill that stalks the length of my spine

wet and cold

I meander through the murk, biding it away
I jump onto the sleek black surface, staving off the frigid pains
and lay my head down to hide from sight

my vision is full of black holes

it's lovely, the rain
but not when its best accompaniment is the long silhouette of the house you'd escaped
who would I tell
a few foggy figures latch onto my regard

cells collapse in on their own

my face grows warm and I feel my features contort
a sad scowl appropriate for the situation at hand
tears roar past the dam I'd crafted
but it was dark, no one would see
I was hiding under nightfall
which might sound cool if I didn't mean I was laying on top of an old car crying at 5 in the morning

reborn starving and unconsoled

I still hear a few voices, then a few footsteps that quicken
a pace, a parse, a prying for more
and then a collective quiet
I stiffen, stifle my woes

the bite and the cry as it corrodes the hull

numb creeps in around my skin
especially my feet, the extent of the cold finally settling in
but I wasn't ready

the bigger the bang, the brighter the star

I have a conversation with myself in my head
and not to come off loony
but there are a few things that shouldn't have been said by either parties involved
if you catch my drift

theory tugs at the strings in my heart

a soft gust of January wind strokes the bare skin of my legs
I wonder
I wonder if I could stop if I were to start
and so I wonder and wonder
but it seems the answer isn't quite so mysterious

paradigms practice their weight in the void

I bet an imaginary amount of some imaginary currency
to myself, of course
that if I wasn't able to before, I definitely won't be able to sleep now

the dance of matter and its taunting toy

I hear my name called, footsteps shuffling, offering their warn
a somewhat concerned voice from beyond the beyond
the front door, I mean
out of sight, I freeze, my mouth stuffed full of cotton
half hoping they'll forget I exist for a few
so I can try to compose myself

with the space around it as it threatens tall

however well I could compose myself at this point, anyway
I know I'll be found
I don't want to speak, I'm not sure if I could
when these things happened, my mouth tended to malfunction as much as my spine
so I'd bite my tongue and stand shrinking
my muscles curling into a shaken stir

saturn sleeps, its uninhabitable crawl

a warm blanket, I don't remember the color
I'm brought inside and laid down
and I avoid the hot remnants of some loud, leering summer
the air is thick with it

its air stings my skin, and I hear a song
  ‍    ‍
so this is the weirdest, longest and most intimate poem I've ever done. It also kind of deviates from my usual style
(the italics are a bit glitched out BC of hellopoetry so sorry for that)
Kat Apr 2019
Cloudy eyes
Broken heart
A sad soul about to fall apart

Telling them how to feel only for them to walk away
Saying no and another message underway
You aren't enough for me
You aren't enough for my no

Nosy and leering eyes
Judging smirks
with loud whispers

thump

ThUmP

THUMP

Banging against your ribs
Calling out only for pain to come
Crumbling pieces blowing away in the wind
Humiliation sinking in

A shaky step towards the street
A stronger one so they meet
Taking off like a plane
Soaring to quieter place

Trembling hands
Blurring sight
Fumbling to get the key right
A hard shove to the sticky door
Brain is sluggish so you fall to the floor

Buried in blankets and memories
only to keep on shivering
The heart feels raw and clawed apart

Piece after piece you build up walls
Only for someone to take a fall
Dragging you down
Destroying the walls

A rejection will always be there but fades to a memory when time helps you become strong

Cloudy eyes
Healing heart
A soul no longer falling apart
ConnectHook Feb 2017
Drums in the darkness: a jungle clearing
fetish masks and gibbering lips
grass skirts, headdresses, face-paint leering
nocturnal trances, gyrating hips.

A medicine man, by spirits possessed,
grunts while the powers invade his mind;
the dancers shriek, as if distressed
by a presence in shadow not yet defined.

It’s only Rock’n’Roll
REVOLUTION  BABY!
Up against the wall, burn all it down girl, smash the state, armed love, light my fire, here comes the new order, impending chaos, a new dawn, when all is one and one is all, etc, etc.
Oh yeah, man. Rock’n’Roll is so REVOLUSHUNARY ! It’s all about, like, Freedom … and Change…  and – uh…

But let us pause for a moment and consider: spoiled sons and daughters of the upper and middle classes, children of the land of plenty gyrating in the psychedelic sun or cavorting in nocturnal cavern-clubs; masses of ****** teens chanting in arenas, banging their heads to guttural nonsense – raving narcissistic drugged-out youth, flaunting their rebellion and paying good money to confuse their brains while they do it in the road, mocking the ****** standards of anterior generations while projecting bad attitude and donning costumes of calculated shock-value – self-anointed anarchist prophets, metal-head barbarian wannabees and metro-queer Gothic prettyboys… these are certainly interesting cultural phenomena (symptoms?) to study. But PLEASE don’t call it revolutionary change. Revolutionary change would mow down these bourgeois decadents and ridiculously-attired hipsters with machine-gun fire and then herd the rest into reeducation camps. Revolution is organized death at the hands of tyrants, thugs, and bureaucracies… Rock n’Roll is about – uh… downloading tunes to your i-pod, getting high and disobeying authority figures. To hell with Rock and Roll. It’s just a lot of syncopated slave music at its “get your groove on” heart. (I mean “slave” in the greater Greco-Roman and Nietzschean sense of the word – not in the recent context only. Think Hellenistically for a moment). Rock’n’Roll and all of it’s “shock the bourgeoisie/anti-patrician” offshoots is music of the lower chakras, gut-music, 3 or 4 chord fuzzed-up anthems to carnality punctuated by ******* grunts, plebeian hoots, hillbilly yells, ****-strutting shrieks, lecherous leering slavering animality, and undulating serpentine harlotry. Ooooooh – how revolting it truly is – because it commodifies revolt, repackages the same old inarticulate teenage rebellion OVER & OVER & OVER, intensifying it slightly each time, tweaking it for each distinct youth subculture and acting as if it actually had more significance than it does (remember – I also love the music – bear with me -we’re analyzing here…). Rock music is an opportunistic infection – and a power-aggrandizing freak show. It monopolizes your attention with its pounding adrenaline-rushing excitement but then can’t figure out what it wants to say to you. You mistake its verses for Wisdom and Truth – especially when you’re high or drunk or tripping. But in the end, it’s just words and rhythms with a lot of “ooh yeah” and “woah baybeh” and “c’mon now child” – or worse. It messes up your diastolic cardiac-rhythms and induces slight panic and disorientation that you mistake for liberation and enlightenment. Then you go out and BUY the GOODS ! Lucifer is reliving his glory days as the instigator of an abortive coup attempt against Heaven and God Almighty. He is mumbling in the *****-blocked tracheae of dead false prophets and departed drummers. He is strutting on the glittering stage amidst cheap pyrotechnics at a show where no one gets in for free – and no one gets out alive. The Prince of this World is bringing out his new product line next spring. The ****** androgynous freak – the glowering little dictator (the ghost of a dead insect) tries to convince himself that he is alive by cultivating the adoration of godless youth who salute him in unison like a bunch of **** faithful at a fascist rally. Rock and Roll is stupid when you think about it.  I’m ashamed I like it so much. Classical music is probably better for your mind in the long run.
Apteryx Apr 2011
Alorè, she-winged orb,
     *Aidenn's story,

As of ev'ry of all stars absorb
   Moorish wars and glory.

Dulcet wings she tether,---
  Mighty kinsmen grayed
By unlocking clean of her
   Beauty's Bridesmaid.

  In each pearling Note
    As syrup entwining
Silently thro' her sacred throat---
  Who here pins a-singing?

Voyeurs there take pleasure
       Leering forward
At the Seraph's ******* treasure,
  All mastered by one measure
Of Alorè's harsh sharp-sword.

Alorè's wings do they a-part
      Off of the Empyrean
Out the dead the sun of Lords depart
    The Dawn of Aurorean.

         Ancient welfare
     Upon Achaean's Night,
Where all the sea-seraphs a-delight,
No mortal can't escape the light
   *Of the She-Winged ******* affair.
(c) 2011
A L Davies Mar 2012
howling idiots (myself) who
spat on store windows ****** & still half-drunk,
leering strangers in cars & stars
creeping from the sky to show teeth in wry grins
while
balancing nimbly on balcony railings
gazing thru heavy curtains to watch                     russian
                                                         ­                girls
******* on cold leather couches
shedding bulbous slavic tears which
ride crests 'f ghostly, high cheekbones &
at th'same time off some
where in drumheller, alberta
                                                             skeletons of ancient
kingly lizards rise & rattle like
                                                            ­ 1000 triassic maracas
recording spanish mariachis in
                                  bloodbath bullrings.
this will eventually be a part of something else

— The End —