Submit your work, meet writers and drop the ads. Become a member
Olivia Kent Nov 2013
The witch finder general he came to seek them out.
His mistake when innocent witches.
The innocent ones his soul did take.
Dunked Nanna in the ducking pool.
Dragged aunt to Manning Tree.

Wanted to started a mega pyre for the likes of thee and me.
In archaic land of treachery in the land of treason.
Sweet virgins crucified with no justified reason.
Mother turned the milk sour.
Daddy was a warlock.
Brother was magic man.
Kept his grimoire by his bed.
Family of innocence.
Witches innocent,
Spitting fire now deceased after the flames.
Wanted the witch finder's mortal remains.
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Mesmed Jausa May 2015
Divisible only by degrees of filth

The hated cohabiting the trash bin, the beloved just as broken (seperate and unequal)

Tie a noose for yourself with string theory, multiple universes just mean multiple graves
me-mow Jan 2015
shaman of new mexico, the warrior which resides in myself longs to
know what you know.
the desert may tame the wildest of hearts- or it can manifest
the wildest of starts.{it's really all the same}

witch doctor- shrunken heads,
the garden will tread
upon you in the evening
all starry lit skies +burdensome cries
the garden shall tread upon your soul

bearing the sweetest fruits, ******* explosions
bittersweet remedies, curing
no//every -thing

giving ability to possess what you otherwise
never would fathom or guess
Eleete j Muir Jan 2012
A grimoire of nuptials apporting
The implored cadaverous knight
Securing obsequious omens
Stirring the sleeping metals of
Chaste belladonna, glistening
Elf-locks entangled with Hellweed
Vowing until the golden bowl is broken
Clasping the devils paintbrush promising
Before the garrulous black mass
Leering upon Vulcans mirror
Cursing the covenant of faithfulness
With a moonstone band
Evoking a vixens wedding
Sealing with Adams holy ale
Their oath as the belfry rings
Resounding admist white sepulchre.


ELEETE J MUIR.
Xan Abyss Jul 2016
Killer since childhood, wicked since birth
An alien in my own skin
Prisoner kept in a filthy cage
Rotting in a cell within

But then salvation came at last
In a suit of sentient slime
Devastation like a nuclear blast
And now it is my time

Demon God... to me you belong
I am strong... with the power of Chthon....

Don't go making deals with demons
If you're unprepared to pay
The Price
is always human life...
With no hope of escape

Dont you see?
Nobody can trick me
You should have just stayed away
cuz Now you're toying with the power of hell
And The Devil himself wants to play

Drunk on power and high on life, as the prophecy foretold
Your psychopathy and mine entwined
With the might of the Darkhold
Set off on a gruesome course
In blood I'll find my fame
The world will know through use of force
That Carnage is my name

**** of the earth and bane of the stars
Society made me decay behind bars
Until, what dark sorcery be this?
Symbiotic Synthesis

Savior of the Reptile Cult
Every fight is a full-scale assault
Black Magic Grimoire, Messiah of War
I am the reaper of souls
A song for Cletus Kasady.
Tryst May 2014
Her wide-brim hat was pointed, and worn with ne'er a tilt
Her midnight robe was flowing, and wove from satin silk
Her Besom broom was hazel-hilted, twigged with fresh cut birch
As she flew o'er the hill, until she spied a rocky perch

The hill was trapped in moons light, caught in its silken nets
And grizzled trees were swaying casting eerie silhouettes
A howling wind came moaning, as it wailed a haunting sound
When her swishing broom came whooshing, as she swept o'er the ground

She alighted on the hill top, landing dainty on her toes
And took a tattered grimoire which she held up to her nose
She raised a magic talisman and cast an ancient spell
Then she waited through the gloaming, till midnight chimed its bell

The hill stood gravely silent, as the wind restrained its breath
The grass and flowers wilted and released their scent of death
The shadows neath the trees became alive and took on shape
And ghostly figures rose, as Hallows Eve called them awake

The sounds of horse drawn carriages, came trundling up the hill
Whilst babbling jeering voices exorcised the silent still
A sudden gust of wind called out the names of those condemned
Each manacled and chained up, as they rode to meet their end

As time echoed its memories, she watched the scene unfold
The victims forced unwillingly, to climb upon the scaffold
Some offered up the Lord’s Prayer, and ne'er a word was stumbled
They took a final breath of life, and into hell they tumbled

Their bodies swung ungainly, as they swayed a ghastly dance
With lifeless spectral faces locked into a stone-like trance
Their deathly shrouds were pale, reflected in moons silken sheen
And she watched as they cavorted, ne'er attempt to intervene

They slunk back into shadows, at the fading of the night
The hill reprieved from darkness by the early morning light
The ritual was completed, as she whispered them goodbye
And she climbed onto her hazel broom and kicked into the sky

On Gallows Hill neath stars and moon they hung
And ne'er a one had done the world a wrong
I have 17 empty notebooks
This morning it was 16, but I bought another on my way home from work because it was leather bound and on sale
It cost an hour and a half of work
...
So, I have 17 empty notebooks
One is missing a page 
I needed to write down an appointment but I didn't want to ruin the whole book
Another has three pages that are actually written on
It was meant to be a bullet journal but the box marked "bullet journal review" was never checked off
Notebooks three, four, and twelve are actually binders which are usually in a different category but what is a binder if not an evolved journal?
Or maybe they're all subspecies of paper
Its all paper
Paper that speaks, whispering to me in my soft moments when there is nothing to do except worry about all that unfilled space
"We were trees once. We were alive. We were cut down and reshaped to fulfill a larger purpose and this is what becomes of us?"
My guilt turns to anxiety turns to pen clicking and that makes it worse, reminding all 18 of us that I am perfectly capable and yet wholly unwilling
It's not like I haven't tried
All of those notebooks were bought with a specific use in mind
Well, they were all bought and then later justified by thinking of a use that I knew would never come to fruition
Bullet journal, grimoire, dream journal, poetry journal, school journals
...
So, I have nearly 17 mostly empty notebooks in a drawer
They used to sit on my shelf but it didn't seem right placing those empty vessels amongst a universe of universes and filled pages
Like parking my totaled '97 Toyota Corolla next to a Porsche
So they're in a drawer with a few torn shirts I keep meaning to turn into patches, a barely used oil pastel set, and a dusty Bass for Dummies book
So maybe this is a lesson 
Maybe I'm making oceans out of puddles
Maybe this is a metaphor for my life and all of its wasted time and blank pages; blank from the months I spent lying on a couch, wrapped up in the cold snow blanket of fear and regret
I regret so much and the more I regret the more anxious I become the more unlikely I am to get up and pick my story back up the more pages pass by as barren as the day is short
Or Maybe
Maybe I should just stop buying new notebooks
old writing bc i hate everything i've done recently and this is still accurate
EgoFeeder May 2013
So, I flipped curiously through every page
Of the infamous grimoire by the golden mage
Once I had finished I knew the lonely road;
The dance of the bones and the hermits code!

The depths of the wood were surrounded by light
Not from a star but from a moon so bright
It was the day of the harvest and it was mine
Searching for my tool to reach the divine

Where was the beast of grit and slime?
Down by the stream where he spent all his time
So, I marched to the creek with a hasteful stride
To locate the toad to make my sorrows subside

The reflection of my spherical guide
Gleamed brightly off the waters own hide
A night so fine that it would surely evoke
The call of the creature; it's cowardly croak

A sound rang out from the side of the creek
there lay a frog hopping through the leeks
Aha! I said. I have found you at last!
I can finally devour the evils from my past

I took him in hand to find the perfect tree
One with deadly thorns to set his soul free
I found the faultless plant with spikes so great
The night was high and it was time to penetrate

As I skewered the beast i felt no remorse
Such is the way to make a toad-corpse
His movement now faded he was no longer beast
I knelt to an anthill to give them a feast

After the insect army had consumed all his flesh
I placed his bones in my pack made of mesh
Turned to the north to head back to the river
To the shallow depths the bones I must deliver

Dropped them in the current to see which remain
If none of which stayed my attempt would be vain
I stood there and stared to see how i'd fair
and to my approval only one lay there!

Reached through the liquid to grasp my magic tool
Raised my hand of power to summon the ghoul
Oh, Sacred waters of the moon!
Bring me Sabatraxas to whom I might swoon!

The wind began to howl its childish laughter
The spirit I had summoned would come soon after
To grant me with a blessing or so the lore said
or Was I just a fool evoking my death bed?

Surely enough he ascended from below
I will teach you everything you need to know;
and destroy the ailments that butcher as you sleep
For only in rest shall you find the need to reap!
Niel John Ortizo Jun 2017
When all is lost,
Thou shall find,
The answers foretold,
Filled with ire,
Receive with glee,
All you loathe,
For the power awakens,
To fulfill its oath,
One question,
One reply,
For the cause is "I",
And effect is "you",
Will you bask in beauty,
Or abandon youth?
Will you live with fortune,
Or be destitute?
Come my child,
Ask and receive,
Tell me the price of your life.
H W Erellson May 2016
I think I left a domesday device
in big yellow storage-
no the grimoire, Doktor Dee
had that, think he lost it while absolutely ******
on K cider. Losing all his teeth.
The pages are scrunched up, trodden, sodden
on some minor wasteland path, probably in Coldean.
You know, those treacherous corners of *******,
resolutely and hopelessly parked upon by a dog ****.
Papa Lebron's been making it rain down
most of Lewes Road,
but it never floods.
Leads to the sea, you see.
Old warlords sit on monobloc chairs
outside the garages they rent out
with their war chests & loans,
gesturing slowly across the way to each other.

My shoes, my jeans, my jacket,
all falling apart.
What I need is to raise a
good old army o' the dead
and take those rusty garagesm
store them for ransom in Big yellow Storage and
wait-wait-wait
for the bounty to roll right in.
check out more stuff at miragesofleavesinspring.blogspot.com
Good Morning, Miss Natalie
I'm fine, how are you?
A spell of politeness and flattery
Specially written for you.

Holy f*cking ****, Alex
If we get caught, we're so *******
Energy unbound, mischief abound
Spells i cast to keep up with you.

I'm fine, don't worry, Mother.
I love you but you must let me write these myself
Silenced lips, secrets and the curse of respect
Wards protecting the fears i shove in the back of my shelf
.
.
.
hey...you...
i missed you today

you press your face,
mumbling, into the palm of my hand
my grimoire begins melting
the spells dripping from where i stand

i caress your cheeks with my thumbs
small circles,
gentle, light
the utter safety of what i can trust to be true

i have no need for spells around you.
Day after day i have to cast spells on myself to get by. It's gotten to the point where i don't know if anything i do is genuine. Always being on guard, trying to figure out what spell to use, has exhausted me. I'm thankful that i have one sanctuary.
David Barr Aug 2014
Solace is to be found amidst a cathartic tornado of contemporary embellishment, whilst heaven exists beyond tactile and psychological fiction.
Although obscurity joins hands in affiliation with a questionable character, I fear the Greeks whenever they bear gifts in the form of a wooden horse.
Therefore, write your grimoire and let us waltz into the misty realms of ceremonial magick.
Sarah Elizabeth Nov 2017
Why
Do I always mess things up?
Turning
Friendship into crush into lack of said friendship.
I
Do not intentionally like those who seem to get me best,
But I,
Do not know how to not mess this up.
I
do not know how to not like her.
See I,
I have a girl crush.
The first since I was 15
So please
Don't take this, or my feelings too lightly;
And,
Because I'm not in a rush to
Tell her how I feel
I
Manage to be complacent with her friendship,
And her company.
See she
Could either become my best friend,
Or my nothing.
Because girl crushes,
For me,
Have always been nothing but unrealistic
Feelings unrequited,
Unreturned,
Unsatisfied;
So I
Shovel them into the mass grave of
Thoughts
And emotions
In hope that,
One day,
She'll dig them up like buried treasure
And treasure them
As if they were her own.
But how
Will she ever find their tombstone
If she doesn't even know what she's looking for?
Lost,
I ask for Her advice.
She
Always seems to have the best advice:
"follow your heart." she offers to me,
But,
Little does she know that means I would have to follow her all day and
I
Don't care much for being a shadow.
I
Ask her how to tell someone the truth about my emotions and she answers:
"With honesty"
And honesty
May always be the best policy for her,
But for me,
Only lies are worth living while I
Lay with someone else,
And the lies I tell myself.
So she
Stays in the dark of my feelings
And the real questions I want to ask
Like
"Should I let us remain friends? Or should I try to make us more?"
Make me
Into
Her companion
A
Two girl coven
With no room
For anything other than magic
And unmade memories
An
Empty grimoire
Filled with
Blank Polaroids,
Uncast spells,
And unspoken words
Of feelings unshared.
I
Don't mind the idea of a relationship unhad
But my brain
flickers like a broken street light
In warning that my feelings towards others are only fake
Refusing to let me ignore that he
Is nowhere close to she,
And that she
Will never truly care for me.
Not so long as she is oblivious,
And I am dishonest.
Complacency doesn't have to be negative, does it?
evolove Aug 2021
Words are thoughts that manifest reality. The key (sound) word is thought. If you don't understand the language you are speaking. You have NO idea what you are thinking.

Human being - Legal definition - See Monster. 😞
When you say "stop beating me! I am a human being!". The government will continue to treat you as the legal definition of a "human being". When you even consider yourself a human being, you are manifesting that exact reality. Do you see why it was so important for the rulers that be to eradicate other languages?

You Write/rite because rites are rituals.
You spell because you are casting spells through your writing ritual.
You write in cursive because spells are curses that you are performing through your writing ritual.

The word Grammer comes from the word grimoire.
Definition of Grimoire -
a book of magic spells and invocations.

Do you see, see monster?
For everyone's knowledge
The Inn sat down in a hollow,
Deep in a grove of trees,
It sat so far from the road, the yard
Was two feet deep in leaves,
It looked to be well deserted,
Except for a single light,
That poured its glow on the porch below
Late on that fateful night.

I’d looked since I found the Grimoire
Sat up on that dusty shelf,
Written in faded longhand
I couldn’t decipher myself,
The ancient scribe in the library
Had helped to decode each line,
And said it spoke of an ancestor
With a similar name to mine.

It mentioned the Seventh Circle Inn
And where it could still be seen,
It lay astray by a country way
Deep in a copse of green,
And Agnes Drue was a name I knew
Though I heard she’d not been found,
After the Mass they held that day
On consecrated ground.

Her coven had raised a spectre
Beside the Inn, in the woods
Near to a marble altar where
An ancient church had stood,
But then it demanded a sacrifice
To give the Devil his due,
And everyone formed a circle then
Apart from my Agnes Drue.

I entered the Inn to find who kept
The Seventh Circle of sin,
I needed to find what happened to
The one who was lost within,
An ancient crone kept the bar in there
Who croaked, ‘I know why you’re here,
You’re far too late for she’s at Hell’s Gate,
Has been, for many a year.’

I thought that I’d find a clue in there
On the fate of Agnes Drue,
And asked the crone was she on her own,
Would she rather there were two?’
A screech came up from the cellar then
Like the wail of a troglodyte,
The crone went down with a worried frown,
‘She only does that at night!’

Then right in the midst of the cellar floor
Was a ******’s wooden chest,
With iron hasps and rusted clasps
And a chain wound round the rest,
I burst it open to shrieks and cries
That seemed to come from within,
And there was the corpse of Agnes Drue
Where the Devil had locked her in.

The staring eyes in her skull had gone
But they seemed to stare the same,
There was no flesh but the woman’s dress
Was torn in a rage of pain,
And held in her frightful bony hand
Was a book that she’d scribbled on,
Deep in the dark of her awful tomb,
‘I knew! One day you’d come!’

David Lewis Paget
Marchands de grec ! marchands de latin ! cuistres ! dogues !
Philistins ! magisters ! je vous hais, pédagogues !
Car, dans votre aplomb grave, infaillible, hébété,
Vous niez l'idéal, la grâce et la beauté !
Car vos textes, vos lois, vos règles sont fossiles !
Car, avec l'air profond, vous êtes imbéciles !
Car vous enseignez tout, et vous ignorez tout !
Car vous êtes mauvais et méchants ! - Mon sang bout
Rien qu'à songer au temps où, rêveuse bourrique,
Grand diable de seize ans, j'étais en rhétorique !
Que d'ennuis ! de fureurs ! de bêtises ! - gredins ! -
Que de froids châtiments et que de chocs soudains !
« Dimanche en retenue et cinq cents vers d'Horace ! »
Je regardais le monstre aux ongles noirs de crasse,
Et je balbutiais : « Monsieur... - Pas de raisons !
- Vingt fois l'ode à Plancus et l'épître aux Pisons ! »
Or j'avais justement, ce jour là, - douce idée.
Qui me faisait rêver d'Armide et d'Haydée, -
Un rendez-vous avec la fille du portier.
Grand Dieu ! perdre un tel jour ! le perdre tout entier !
Je devais, en parlant d'amour, extase pure !
En l'enivrant avec le ciel et la nature,
La mener, si le temps n'était pas trop mauvais,
Manger de la galette aux buttes Saint-Gervais !
Rêve heureux ! je voyais, dans ma colère bleue,
Tout cet Éden, congé, les lilas, la banlieue,
Et j'entendais, parmi le thym et le muguet,
Les vagues violons de la mère Saguet !
Ô douleur ! furieux, je montais à ma chambre,
Fournaise au mois de juin, et glacière en décembre ;
Et, là, je m'écriais :

« Horace ! ô bon garçon !
Qui vivais dans le calme et selon la raison,
Et qui t'allais poser, dans ta sagesse franche,
Sur tout, comme l'oiseau se pose sur la branche,
Sans peser, sans rester, ne demandant aux dieux
Que le temps de chanter ton chant libre et joyeux !
Tu marchais, écoutant le soir, sous les charmilles,
Les rires étouffés des folles jeunes filles,
Les doux chuchotements dans l'angle obscur du bois ;
Tu courtisais ta belle esclave quelquefois,
Myrtale aux blonds cheveux, qui s'irrite et se cabre
Comme la mer creusant les golfes de Calabre,
Ou bien tu t'accoudais à table, buvant sec
Ton vin que tu mettais toi-même en un *** grec.
Pégase te soufflait des vers de sa narine ;
Tu songeais ; tu faisais des odes à Barine,
À Mécène, à Virgile, à ton champ de Tibur,
À Chloë, qui passait le long de ton vieux mur,
Portant sur son beau front l'amphore délicate.
La nuit, lorsque Phœbé devient la sombre Hécate,
Les halliers s'emplissaient pour toi de visions ;
Tu voyais des lueurs, des formes, des rayons,
Cerbère se frotter, la queue entre les jambes,
À Bacchus, dieu des vins et père des ïambes ;
Silène digérer dans sa grotte, pensif ;
Et se glisser dans l'ombre, et s'enivrer, lascif,
Aux blanches nudités des nymphes peu vêtues,
La faune aux pieds de chèvre, aux oreilles pointues !
Horace, quand grisé d'un petit vin sabin,
Tu surprenais Glycère ou Lycoris au bain,
Qui t'eût dit, ô Flaccus ! quand tu peignais à Rome
Les jeunes chevaliers courant dans l'hippodrome,
Comme Molière a peint en France les marquis,
Que tu faisais ces vers charmants, profonds, exquis,
Pour servir, dans le siècle odieux où nous sommes,
D'instruments de torture à d'horribles bonshommes,
Mal peignés, mal vêtus, qui mâchent, lourds pédants,
Comme un singe une fleur, ton nom entre leurs dents !
Grimauds hideux qui n'ont, tant leur tête est vidée,
Jamais eu de maîtresse et jamais eu d'idée ! »

Puis j'ajoutais, farouche :

« Ô cancres ! qui mettez
Une soutane aux dieux de l'éther irrités,
Un béguin à Diane, et qui de vos tricornes
Coiffez sinistrement les olympiens mornes,
Eunuques, tourmenteurs, crétins, soyez maudits !
Car vous êtes les vieux, les noirs, les engourdis,
Car vous êtes l'hiver ; car vous êtes, ô cruches !
L'ours qui va dans les bois cherchant un arbre à ruches,
L'ombre, le plomb, la mort, la tombe, le néant !
Nul ne vit près de vous dressé sur son séant ;
Et vous pétrifiez d'une haleine sordide
Le jeune homme naïf, étincelant, splendide ;
Et vous vous approchez de l'aurore, endormeurs !
À Pindare serein plein d'épiques rumeurs,
À Sophocle, à Térence, à Plaute, à l'ambroisie,
Ô traîtres, vous mêlez l'antique hypocrisie,
Vos ténèbres, vos mœurs, vos jougs, vos exeats,
Et l'assoupissement des noirs couvents béats ;
Vos coups d'ongle rayant tous les sublimes livres,
Vos préjugés qui font vos yeux de brouillards ivres,
L'horreur de l'avenir, la haine du progrès ;
Et vous faites, sans peur, sans pitié, sans regrets,
À la jeunesse, aux cœurs vierges, à l'espérance,
Boire dans votre nuit ce vieil ***** rance !
Ô fermoirs de la bible humaine ! sacristains
De l'art, de la science, et des maîtres lointains,
Et de la vérité que l'homme aux cieux épèle,
Vous changez ce grand temple en petite chapelle !
Guichetiers de l'esprit, faquins dont le goût sûr
Mène en laisse le beau ; porte-clefs de l'azur,
Vous prenez Théocrite, Eschyle aux sacrés voiles,
Tibulle plein d'amour, Virgile plein d'étoiles ;
Vous faites de l'enfer avec ces paradis ! »

Et ma rage croissant, je reprenais :

« Maudits,
Ces monastères sourds ! bouges ! prisons haïes !
Oh ! comme on fit jadis au pédant de Veïes,
Culotte bas, vieux tigre ! Écoliers ! écoliers !
Accourez par essaims, par bandes, par milliers,
Du gamin de Paris au groeculus de Rome,
Et coupez du bois vert, et fouaillez-moi cet homme !
Jeunes bouches, mordez le metteur de bâillons !
Le mannequin sur qui l'on drape des haillons
À tout autant d'esprit que ce cuistre en son antre,
Et tout autant de cœur ; et l'un a dans le ventre
Du latin et du grec comme l'autre à du foin.
Ah ! je prends Phyllodoce et Xantis à témoin
Que je suis amoureux de leurs claires tuniques ;
Mais je hais l'affreux tas des vils pédants iniques !
Confier un enfant, je vous demande un peu,
À tous ces êtres noirs ! autant mettre, morbleu !
La mouche en pension chez une tarentule !
Ces moines, expliquer Platon, lire Catulle,
Tacite racontant le grand Agricola,
Lucrèce ! eux, déchiffrer Homère, ces gens-là !
Ces diacres ! ces bedeaux dont le groin renifle !
Crânes d'où sort la nuit, pattes d'où sort la gifle,
Vieux dadais à l'air rogue, au sourcil triomphant,
Qui ne savent pas même épeler un enfant !
Ils ignorent comment l'âme naît et veut croître.
Cela vous a Laharpe et Nonotte pour cloître !
Ils en sont à l'A, B, C, D, du cœur humain ;  
Ils sont l'horrible Hier qui veut tuer Demain ;
Ils offrent à l'aiglon leurs règles d'écrevisses.
Et puis ces noirs tessons ont une odeur de vices.
Ô vieux pots égueulés des soifs qu'on ne dit pas !
Le pluriel met une S à leurs meâs culpâs,
Les boucs mystérieux, en les voyants s'indignent,
Et, quand on dit : « Amour !  » terre et cieux ! ils se signent.
Leur vieux viscère mort insulte au cœur naissant.
Ils le prennent de haut avec l'adolescent,
Et ne tolèrent pas le jour entrant dans l'âme
Sous la forme pensée ou sous la forme femme.
Quand la muse apparaît, ces hurleurs de holà
Disent : « Qu'est-ce que c'est que cette folle-là ? »
Et, devant ses beautés, de ses rayons accrues,
Ils reprennent : « Couleurs dures, nuances crues ;
Vapeurs, illusions, rêves ; et quel travers
Avez-vous de fourrer l'arc-en-ciel dans vos vers ? »
Ils raillent les enfants, ils raillent les poètes ;
Ils font aux rossignols leurs gros yeux de chouettes :
L'enfant est l'ignorant, ils sont l'ignorantin ;
Ils raturent l'esprit, la splendeur, le matin ;
Ils sarclent l'idéal ainsi qu'un barbarisme,
Et ces culs de bouteille ont le dédain du prisme. »

Ainsi l'on m'entendait dans ma geôle crier.

Le monologue avait le temps de varier.
Et je m'exaspérais, faisant la faute énorme,
Ayant raison au fond, d'avoir tort dans la forme.
Après l'abbé Tuet, je maudissais Bezout ;
Car, outre les pensums où l'esprit se dissout,
J'étais alors en proie à la mathématique.
Temps sombre ! Enfant ému du frisson poétique,
Pauvre oiseau qui heurtais du crâne mes barreaux,
On me livrait tout vif aux chiffres, noirs bourreaux ;
On me faisait de force ingurgiter l'algèbre ;
On me liait au fond d'un Boisbertrand funèbre ;
On me tordait, depuis les ailes jusqu'au bec,
Sur l'affreux chevalet des X et des Y ;
Hélas ! on me fourrait sous les os maxillaires
Le théorème orné de tous ses corollaires ;
Et je me débattais, lugubre patient
Du diviseur prêtant main-forte au quotient.
De là mes cris.

Un jour, quand l'homme sera sage,
Lorsqu'on n'instruira plus les oiseaux par la cage,
Quand les sociétés difformes sentiront
Dans l'enfant mieux compris se redresser leur front,
Que, des libres essors ayant sondé les règles,
On connaîtra la loi de croissance des aigles,
Et que le plein midi rayonnera pour tous,
Savoir étant sublime, apprendre sera doux.
Alors, tout en laissant au sommet des études
Les grands livres latins et grecs, ces solitudes
Où l'éclair gronde, où luit la mer, où l'astre rit,
Et qu'emplissent les vents immenses de l'esprit,
C'est en les pénétrant d'explication tendre,
En les faisant aimer, qu'on les fera comprendre.
Homère emportera dans son vaste reflux
L'écolier ébloui ; l'enfant ne sera plus
Une bête de somme attelée à Virgile ;
Et l'on ne verra plus ce vif esprit agile
Devenir, sous le fouet d'un cuistre ou d'un abbé,
Le lourd cheval poussif du pensum embourbé.
Chaque village aura, dans un temple rustique,
Dans la lumière, au lieu du magister antique,
Trop noir pour que jamais le jour y pénétrât,
L'instituteur lucide et grave, magistrat
Du progrès, médecin de l'ignorance, et prêtre
De l'idée ; et dans l'ombre on verra disparaître
L'éternel écolier et l'éternel pédant.
L'aube vient en chantant, et non pas en grondant.
Nos fils riront de nous dans cette blanche sphère ;
Ils se demanderont ce que nous pouvions faire
Enseigner au moineau par le hibou hagard.
Alors, le jeune esprit et le jeune regard
Se lèveront avec une clarté sereine
Vers la science auguste, aimable et souveraine ;
Alors, plus de grimoire obscur, fade, étouffant ;
Le maître, doux apôtre incliné sur l'enfant,
Fera, lui versant Dieu, l'azur et l'harmonie,
Boire la petite âme à la coupe infinie.
Alors, tout sera vrai, lois, dogmes, droits, devoirs.
Tu laisseras passer dans tes jambages noirs
Une pure lueur, de jour en jour moins sombre,
Ô nature, alphabet des grandes lettres d'ombre !

Paris, mai 1831.
Poet and king and dæmonologist,
The LORD hath said destroy'd his people are
For lacke of knowledge; what thou know'st t'exist
Of euil thinges and spirite thinges noire
The subiects shelu'd within a grosse grimoire
Thou hast made clearly knowne to edify
The bodie of the Lord on which a warre
Hath bene declair'd by th'father of the lie.
Dæmoniacques deceiu'd by Sathan die
A second death quhair dying hath no end    
And euerie wicked witch wuld sooner fry
Then die the second death and then descend.
A seruice thou hast done to Gods elect
Giuing them eies the Divel to detect.
john p green Dec 2015
In rank darkness an entity from below
at 3 am reaches for me

Never flinching, that black winged one swirls fierce red eyes my way

Crouching hell bent on first procuring flesh and subsequently my soul

Unleashing the inner grimoire to truly seek its unquenchable devices

Believe that its coerced intentions drains its victims weak

Usually triumph rains phasing captured one's soul from *** to death

Slipping undauntedly away failed Incubus next time will better walay
Peter Roads Apr 2019
I hear voices in my head
I hear them sound like dead
people on Any Given Sunday
an ungracious abundance
of other peoples’ voices

I hear them most
when other people speak
loudness leaks from moving lips
to say words that make no sense
that say something else
the Politics of Experience
unfold me like some geometric inkblot

I see Batman
I see Batman
I see BATMAN

Did you hear that?

It sounded like Batman
like a Batarang
catching some villainous cape
like a car door closing
on a Great Escape

it sounded like
                     two people
competing for head space
the one being said
the one being meant
the silence in between them
speaks volumes to itself
No, please say that again
in a sonorous tone
it snores my inner demon
to groan behind an asinine
slumbering inside each line
wound with reservations grinding
our hero chopped off from loose lips
to fit in the caustic grimoire of actual fact

I am the Bat
I am the Bat
I am the Bat

I hear voices in my head
that sound like conversations
an unwilling participant am I
by virtue of presence, my
lips unlocked never seem
                       to speak enough
though lips move more gratefully
than these feet that just want to leave
this place, to never talk again
sit behind a screen
be pixelated, a thinly
gleaming monitor
of the fun facts lacking
in a lark-full repartee
I check up on myself
look up the words that I doubt
check my bruises
from roundhouse kicks
split lips bloodied with small talk
sweet silence is
to stay home and smoke

I should stop talking

Did you hear that?

and when they play like they don’t know
don’t let them go
make them stay
to tell us what
they meant to say
#againandagain
#againandagain

I hear voices

Did you say something?
De vous le dire je m'empresse...
Oh ! la fâcheuse inversion !
D'ailleurs la seule qui paraisse
Être échappée à ma paresse,
Au cours de cette édition.

Je m'empresse de vous le dire,
Allons ! voilà qui va bien mieux !
Je ne suis pas (faut-il l'écrire ?)
Un poète, je suis sans lyre.
Je crois que cela saute aux yeux.

Mais, vous m'avez dit, d'aventure,
Un soir : « Je n'aime pas les vers. »
Or, nous revenions en voiture ;
« Quoi ? pas même ceux de Voiture ? »
Je vous regardai de travers.

Je trouvai la chose hardie.
Nous traversions le carrefour,
De l'Ancienne Comédie,
« Moi, je les aime, quoiqu'on dise  
Presqu'autant que faire l'amour. »

La rue était silencieuse,
Pas un soupir d'accordéon,
Et sous vos yeux de scabieuse
Là-bas se dressait, soucieuse,
La façade de l'Odéon.

Vous voyez, j'ai bonne mémoire.
Eh ! bien ! ce mot d'après dîner,
Si j'ai composé mon grimoire,
C'est de sa faute, et c'est histoire,Madame, de vous taquiner.

Et je vous le jette... à la tête ?
Ah ! fi ! Sur les bras ?... oh ! que non ?
Dans les jambes ?... Ce serait bête.
Ou tu le verrais à la fête,
C'est entre ton fauteuil et ton...

Qu'on se le dise au Montparnasse,
Pays des vers estropiés,
Et des madrigaux à la glace :
Si je veux qu'il soit à sa place
Je le glisserais sous vos pieds.

Toutefois, du fond de ton siège
Reçois-le comme un compliment
« À la française »... qu'on abrège
Si l'on entend : « Est-ce qu'il neige ? »
Ou si l'on vous dit : « C'est charmant. »
Whenever I went with winsome Kate
She’d say, ‘I’m a witch, and that,’
And while in bed, with love in my head,
All she would do was chat.
She’d chatter about the latest spell
She’d found in her old Grimoire,
While I would lie, and dream of her thighs
And hope she’d surprise me there.

And so she did, a number of times
Each time that I’d reach for her,
Like shifting sand, I’d find in my hand
A handful of ***** fur,
The black cat under the counterpane
Would wriggle and spit and scratch,
And I’d withdraw, away from its paw
I’d find it more than a match.

Then she’d go on about frogs and spawn
While up above in her flat,
And hanging down from her ceiling fan
The nastiest looking bat.
‘I hope that’s not going to drop on us,’
I’d say, but she didn’t care,
It often lay on her pillow case
All tangled up in her hair.

‘Wouldn’t you like to make witching love?’
I’d say to her, in despair,
While she would lie, with spells in her eye
And some that would really scare.
She said she needed to concentrate
And would make some terrible moans,
They seemed to come from the mantlepiece
Where she kept a pile of bones.

She called them Fred, he was certainly dead
And he stared at us from above,
She’d cry, and say that there was a day
When he was her one true love.
But he’d fallen into her pickle jar
One day, when casting a spell,
And she’d pulled him out, too late, no doubt,
He’d pickled his way to hell.

I bid farewell to my witching one
Before I suffered his fate,
I’d prayed for love to heaven above
Knowing it was too late.
She’d filled a cauldron with toads and newts
Then turned and reached for my hand,
But I had fled, the moment she said,
‘Now all I need is a man!’

David Lewis Paget
There’d been stories about a tunnel
In the old, Victorian house,
We didn’t know where it led to,
But were keen on finding out,
It opened into a passageway
From a library wall of books,
Was dark, and damp and foreboding
If you merely went by looks.

To us it had spelt adventure,
To Jeremy Coates and me,
‘As long as we take a flashlight,’
I’d said to Jeremy,
We waited till after midnight
When the others were asleep,
We didn’t want to involve them all
Till we had taken a peep.

‘What do you think we’ll find there?’
He said as we opened the door,
Pushing aside a shelf of books
To stand on a flagstoned floor,
The passage led down a flight of steps
All green, and covered in moss,
We’d ventured in to this place of sin
On the date of Pentecost.

We should have known what we’d find there
If we’d taken note of the books,
The ones on the sliding bookshelf
And hidden in crannies and nooks,
There was more than a single Grimoire,
And the Oera Linda book,
That was known as Himmler’s Bible,
If we’d only taken a look.

There were copies of the Picatrix,
And the Munich Manual,
The first bore spells in Arabic,
The next strange animals,
There were books on demonology
Black magic spells as well,
And even a long chronology
Of the many circles of hell.

We ventured into that passageway
Not knowing any of this,
No doubt, if only we’d read them all
We wouldn’t be risking this,
But on we marched in the dead of night
To follow the flashlight beam,
Where the walls oozed iridescent streams
And the smell was quite obscene.

We walked a mile through the tunnel
Where it ended in a crypt,
With panels through to the street level
That would keep it dimly lit,
But this was night and the only light
Beamed in through the pillar flutes,
From the gas lamps out on the cobbled street
By the church known as St. Lukes.

And all around there were catafalques
Where the coffins lay in state,
Down in this modern catacomb
Where the devil lay in wait,
For a goat’s head sat on the further wall
By an altar, scarred and scored,
With the shapes of naked women who
Were seen as the devil’s ******.

A cross was stood on the altar but
It was mounted upside down,
Ready to celebrate black mass
In this hidden underground,
Then just as we stood and took this in
A coffin had raised its lid,
And Jeremy screamed a terrible scream
While I ran round and hid.

A shape rose up in a long black cloak
That had eyes of instant fire,
Teeth that could rip a corpse to shreds
In a moment of desire,
For evil never had looked so dark
As the horns on that spectre’s head,
While Jeremy screamed just one last scream
And fell by the coffin, dead.

I don’t remember how I survived
My flight up that passageway,
I’d thrown all caution to the winds
When I heard the spectre say:
‘Who dares to sully my sanctum, and
Disturb my sated sleep,
I’ve roamed abroad for a thousand years
That the seeds I’ve sown will keep.’

I reached the end of that passageway
And I slid the shelves across,
All of those books were glowing now
With the innocence I’d lost,
And then I heard but a mile away
Was the tolling of a bell,
Up in the belfry of St. Lukes
That covered the path to hell.

David Lewis Paget
She raked through the hearth fire ashes,
And scattered the chicken bones,
Then turned a page in a silent rage
And added some pebble stones,
She searched for a spell to end in hell
For the man who had told her ‘No,’
A spell of hate from her hearth fire grate
To follow wherever he’d go.

While he stood out on the roadway
Considering where he’d been,
He’d fled out there from the witches lair
Where she’d lured him, sight unseen.
At first she seemed to be beautiful
When first he entered her lair,
But then his eyes grew wide in surprise,
Got used to the dark in there.

She’d sat on a velvet cushion
And raised her skirt to the knee,
He thought he saw what she wanted him for
As she smiled unpleasantly,
He turned in a mild confusion,
His women were never so bold,
He sat and stared, got out of his chair,
Said ‘Sorry, you’re just too old.’

He looked at the streets about him,
And noticed the cobblestones,
They crissed and crossed, he was more than lost
In a muddle of chicken bones.
He couldn’t figure which way to go,
As they’d twist and turn out there,
And every time he would cross the road
He’d end back at the witches lair.

His mouth was a pile of ashes,
His mind full of pebble stones,
He found himself at the same front door
Spitting out chicken bones.
He burst back into the witches lair
And he saw her crouched by the hearth,
She stared at him with an awful grin,
Let out a terrible laugh.

‘Have you come again to reject me,
To tell me I’m just too old?
You’ll never recover your other lover,’
She said, and his heart turned cold.
He snatched at her faded Grimoire,
And turned to another page,
Then read a spell from a demon of hell
That was said, would make her age.

He muttered the words of the ritual
And her face grew taut with fear,
Her hair turned grey at the words he’d say
At the spell she’d not want to hear.
Her skin grew slack, and fell from her bones
As it said in that ancient tome,
Then his head had cleared as she disappeared,
And he went wandering home.

David Lewis Paget
Harry Roberts Jul 2018
All The Shades Of Hell,
All The Spirits Tell,
How You Leaped & Fell,
But Now You Cannot Dwell.

Take a leaf from an Oak & reflect
On all time,
Take a page from a grimoire & see all the Magic.  

Take The Words From Their Mouth,
These Blinded Lame Mice,
Their Compass Points South,
But We Roll The Dice.

Gamble & gamble,
Throw chances & choices,
**** your whole Soul,
Then Drown In The Voices.
Harry Roberts - Blinded Lame Mice © 12/07/18
JP Goss Sep 2018
Out on the tollroad
I see signage everywhere
Saying, “I knew you before I formed you in the womb.”
And then I knew of the concept
Before it was formed into words:
To know of one’s pain,
To be aware of pain.
I saw this drawn all over the rings
You imagined painted both our fingers.
Did you know me
Before you formed me into words?
Before I heard the words come from your mouth
I knew God, I knew gnosis, I knew the gospel
I knew bewitchment
From a grimoire, etched with hearts
And symbolology.

From there, we look for the perfect philosophy,
A biological philosophy deep latent
In the passion in the sweat on your upper arms
And leveraging all that came long before,
A generational memory
Recollected when I’m ******* on your mammaries
Realizing the good in that which
Makes my life hell
And my parents proud.

In passion, I notice the double standard,
Feeling drowned in water and this,
This is the sense of
Understanding the world
With the perfect syllabicality.
The kind where
The tokens we carry in our pockets
The ones we talk with,
Flash before love
Is ever a factor.

Too easily, do we speak about love.

How could a fetish for the perfect
Distract us enough to forget
The imperfect,
Something fear perverts far beyond utility
Something that’s far more a safer bet before
The perfect is good but not good enough
And you’ve lost your stomach to draining bottle after bowl
Seeking dopamine desperately.

You’ve been the cat in my lap
And the histamine storm
Assaulting the roof of my mouth
A reminder we can’t get too close
To the things we love,
And I’m not into you
Being so into me,
Being so bereft of the thing
Neither of us expected to happen.

The way you say you love me
Seems off balance,
Your love seems like a self-reassurance
Quietly nestled behind the greatest desire
For your worst insecurity, it is with that
I know what about yourself you love the most
It is outside the flow we promised one another
As though we’re held to the same ground
By a different gravity, said different words
That we nodded to.

It’s been said before,
I’m sorry, it was something, upon which
I thought we agreed,
There’d be no tears when we would leave.
So much wisdom is in the idiom,
“Follow your heart.”
Follow where it flows if even into the dark
If even along many streams
If even it strays, follow your sense of pain
And where it may teach you
Never to fear what you were
Meant to have
Even if it means the unfaithful
Path along the straight and narrow.
All of these words
And feelings
B                 o
      u
                 n            c
                           e
Around inside of me; the
Pen is my weapon of choice
As I battle myself to
Gather myself.

My grimoire;
Rivers of spilled ink flow
Through these pages as
My emotions follow suit.

It is far less destructive
To put lead to paper
Than to allow my inner
Demons to know reality.
Joe davis Jan 2018
Excuse me sir
I beg to differ
My words are not
To decode in Cipher

they are mostly
My obsession
And often times
my confession

Outright an utter
Heresy
Viewed by some
As blasphemy

So tread lightly
through my grimoire
Are gamble your sanity
Forevermore
©
Onoma Dec 2023
celluloid doors closing in on

celluloid windows--whose viewership

colors, color through windows

because of open doors.

then celluloid doors close--taking their

doors & windows with them.

where the film reel tangles the ribbons of

its pregift occasions.

an Apollonian & Dionysian grimoire.

transposing a botchy maroon glare,

which backs as much as fronts snuffed

out pillars.

whose reverse is a thickly applied, solvent

mass.
Tom Shields Sep 2022
Architecture laid in the grimoire
a sketchbook of arcane blueprints
many-storied towers rising from the dust of time
and nothing, achieving the sky and ending abruptly
heads in the clouds, the end of the road
wish one might, with all their might
if only this could last forever
self-denied, glossy-eyed atop the height
that this red-yarn spun network is so delicate
tight-rope walking between two peaks
strumming the chord, straining the balance
giving and taking, waning, below there is the promised "never"
that fantasy of love, commitment to an institution
on either side are all the concrete hardships built by hand
that simmer on low, splitting hard lines in the spitting demands
letting go is easier than falling into the lurch to never know;
to forget, what it was like to be on solid land, fate tangled with arteries
in the roadmap that constructs the bustling cities, severed
a streetsweeper assigned to come and flood the needy
cleanse all these structures, hollow out all desire,
empty of trust they mean less and grow higher,
safe havens, home for multiples of two ravens
craven, warm by a trash fire, art deco lobbies and grandeur
gilded foyers, all signs point to something deeper, the surface of a liar
guarantees, contracts, no demolition, decay slow and crumble
no fault of the construction, blame time, the equation is out of our hands
it all comes together, separates and rises individually to its pinnacles, then falls apart slowly;
all according to plan.
write
please read and enjoy
clxrion Mar 2020
A compass in my thumbs deposits me variously reincarnated on the doorstep of our conversation,
yet each time an infant wrapped in a different blanket.

Long have I pored over the spectrum of untrammelled human emotion,
spanning cover to cover in this self-forbidden grimoire prefaced with bearer risk warnings.

Now my tongue plays host to an intermittent rebellion of intangibles,
each laconic usurper alacritously poised to halt a never-ending coronation.

Hope-marbled milky shadows beckon softly with a sleepy seduction,
searing the remaining threads of her stitched through my fibres: a cyborg-like tingling.

I wonder if we have all along been welding another contradiction onto our feet,
birthing the latest excuse for returning to our destiny under the yoke of newly-minted gods.
Ava Lennon Nov 2021
To figure out what to say
My Familiar, my grimoire, pray to Hecate
"Blessed be the next 3rd quarter moon day"
To release my bad habits
Perhaps some new, to let go in bits
Please guide me to truth in banishing
Lord Lucifer protect my loved one, strengthen me
Lead me to darkness, do not let me flee
That I may gain the key
To some comprehension to demons, rituals, the Goddess three
ghost queen Sep 2020
mother maiden crone
waxing waning full
salt and iron
writings in a grimoire
alas, I shall kiss
the witch queen

— The End —