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It is full summer now, the heart of June;
Not yet the sunburnt reapers are astir
Upon the upland meadow where too soon
Rich autumn time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see his treasure scattered by the wild and spendthrift breeze.

Too soon indeed! yet here the daffodil,
That love-child of the Spring, has lingered on
To vex the rose with jealousy, and still
The harebell spreads her azure pavilion,
And like a strayed and wandering reveller
Abandoned of its brothers, whom long since June’s messenger

The missel-thrush has frighted from the glade,
One pale narcissus loiters fearfully
Close to a shadowy nook, where half afraid
Of their own loveliness some violets lie
That will not look the gold sun in the face
For fear of too much splendour,—ah! methinks it is a place

Which should be trodden by Persephone
When wearied of the flowerless fields of Dis!
Or danced on by the lads of Arcady!
The hidden secret of eternal bliss
Known to the Grecian here a man might find,
Ah! you and I may find it now if Love and Sleep be kind.

There are the flowers which mourning Herakles
Strewed on the tomb of Hylas, columbine,
Its white doves all a-flutter where the breeze
Kissed them too harshly, the small celandine,
That yellow-kirtled chorister of eve,
And lilac lady’s-smock,—but let them bloom alone, and leave

Yon spired hollyhock red-crocketed
To sway its silent chimes, else must the bee,
Its little bellringer, go seek instead
Some other pleasaunce; the anemone
That weeps at daybreak, like a silly girl
Before her love, and hardly lets the butterflies unfurl

Their painted wings beside it,—bid it pine
In pale virginity; the winter snow
Will suit it better than those lips of thine
Whose fires would but scorch it, rather go
And pluck that amorous flower which blooms alone,
Fed by the pander wind with dust of kisses not its own.

The trumpet-mouths of red convolvulus
So dear to maidens, creamy meadow-sweet
Whiter than Juno’s throat and odorous
As all Arabia, hyacinths the feet
Of Huntress Dian would be loth to mar
For any dappled fawn,—pluck these, and those fond flowers which
are

Fairer than what Queen Venus trod upon
Beneath the pines of Ida, eucharis,
That morning star which does not dread the sun,
And budding marjoram which but to kiss
Would sweeten Cytheraea’s lips and make
Adonis jealous,—these for thy head,—and for thy girdle take

Yon curving spray of purple clematis
Whose gorgeous dye outflames the Tyrian King,
And foxgloves with their nodding chalices,
But that one narciss which the startled Spring
Let from her kirtle fall when first she heard
In her own woods the wild tempestuous song of summer’s bird,

Ah! leave it for a subtle memory
Of those sweet tremulous days of rain and sun,
When April laughed between her tears to see
The early primrose with shy footsteps run
From the gnarled oak-tree roots till all the wold,
Spite of its brown and trampled leaves, grew bright with shimmering
gold.

Nay, pluck it too, it is not half so sweet
As thou thyself, my soul’s idolatry!
And when thou art a-wearied at thy feet
Shall oxlips weave their brightest tapestry,
For thee the woodbine shall forget its pride
And veil its tangled whorls, and thou shalt walk on daisies pied.

And I will cut a reed by yonder spring
And make the wood-gods jealous, and old Pan
Wonder what young intruder dares to sing
In these still haunts, where never foot of man
Should tread at evening, lest he chance to spy
The marble limbs of Artemis and all her company.

And I will tell thee why the jacinth wears
Such dread embroidery of dolorous moan,
And why the hapless nightingale forbears
To sing her song at noon, but weeps alone
When the fleet swallow sleeps, and rich men feast,
And why the laurel trembles when she sees the lightening east.

And I will sing how sad Proserpina
Unto a grave and gloomy Lord was wed,
And lure the silver-breasted Helena
Back from the lotus meadows of the dead,
So shalt thou see that awful loveliness
For which two mighty Hosts met fearfully in war’s abyss!

And then I’ll pipe to thee that Grecian tale
How Cynthia loves the lad Endymion,
And hidden in a grey and misty veil
Hies to the cliffs of Latmos once the Sun
Leaps from his ocean bed in fruitless chase
Of those pale flying feet which fade away in his embrace.

And if my flute can breathe sweet melody,
We may behold Her face who long ago
Dwelt among men by the AEgean sea,
And whose sad house with pillaged portico
And friezeless wall and columns toppled down
Looms o’er the ruins of that fair and violet cinctured town.

Spirit of Beauty! tarry still awhile,
They are not dead, thine ancient votaries;
Some few there are to whom thy radiant smile
Is better than a thousand victories,
Though all the nobly slain of Waterloo
Rise up in wrath against them! tarry still, there are a few

Who for thy sake would give their manlihood
And consecrate their being; I at least
Have done so, made thy lips my daily food,
And in thy temples found a goodlier feast
Than this starved age can give me, spite of all
Its new-found creeds so sceptical and so dogmatical.

Here not Cephissos, not Ilissos flows,
The woods of white Colonos are not here,
On our bleak hills the olive never blows,
No simple priest conducts his lowing steer
Up the steep marble way, nor through the town
Do laughing maidens bear to thee the crocus-flowered gown.

Yet tarry! for the boy who loved thee best,
Whose very name should be a memory
To make thee linger, sleeps in silent rest
Beneath the Roman walls, and melody
Still mourns her sweetest lyre; none can play
The lute of Adonais:  with his lips Song passed away.

Nay, when Keats died the Muses still had left
One silver voice to sing his threnody,
But ah! too soon of it we were bereft
When on that riven night and stormy sea
Panthea claimed her singer as her own,
And slew the mouth that praised her; since which time we walk
alone,

Save for that fiery heart, that morning star
Of re-arisen England, whose clear eye
Saw from our tottering throne and waste of war
The grand Greek limbs of young Democracy
Rise mightily like Hesperus and bring
The great Republic! him at least thy love hath taught to sing,

And he hath been with thee at Thessaly,
And seen white Atalanta fleet of foot
In passionless and fierce virginity
Hunting the tusked boar, his honied lute
Hath pierced the cavern of the hollow hill,
And Venus laughs to know one knee will bow before her still.

And he hath kissed the lips of Proserpine,
And sung the Galilaean’s requiem,
That wounded forehead dashed with blood and wine
He hath discrowned, the Ancient Gods in him
Have found their last, most ardent worshipper,
And the new Sign grows grey and dim before its conqueror.

Spirit of Beauty! tarry with us still,
It is not quenched the torch of poesy,
The star that shook above the Eastern hill
Holds unassailed its argent armoury
From all the gathering gloom and fretful fight—
O tarry with us still! for through the long and common night,

Morris, our sweet and simple Chaucer’s child,
Dear heritor of Spenser’s tuneful reed,
With soft and sylvan pipe has oft beguiled
The weary soul of man in troublous need,
And from the far and flowerless fields of ice
Has brought fair flowers to make an earthly paradise.

We know them all, Gudrun the strong men’s bride,
Aslaug and Olafson we know them all,
How giant Grettir fought and Sigurd died,
And what enchantment held the king in thrall
When lonely Brynhild wrestled with the powers
That war against all passion, ah! how oft through summer hours,

Long listless summer hours when the noon
Being enamoured of a damask rose
Forgets to journey westward, till the moon
The pale usurper of its tribute grows
From a thin sickle to a silver shield
And chides its loitering car—how oft, in some cool grassy field

Far from the cricket-ground and noisy eight,
At Bagley, where the rustling bluebells come
Almost before the blackbird finds a mate
And overstay the swallow, and the hum
Of many murmuring bees flits through the leaves,
Have I lain poring on the dreamy tales his fancy weaves,

And through their unreal woes and mimic pain
Wept for myself, and so was purified,
And in their simple mirth grew glad again;
For as I sailed upon that pictured tide
The strength and splendour of the storm was mine
Without the storm’s red ruin, for the singer is divine;

The little laugh of water falling down
Is not so musical, the clammy gold
Close hoarded in the tiny waxen town
Has less of sweetness in it, and the old
Half-withered reeds that waved in Arcady
Touched by his lips break forth again to fresher harmony.

Spirit of Beauty, tarry yet awhile!
Although the cheating merchants of the mart
With iron roads profane our lovely isle,
And break on whirling wheels the limbs of Art,
Ay! though the crowded factories beget
The blindworm Ignorance that slays the soul, O tarry yet!

For One at least there is,—He bears his name
From Dante and the seraph Gabriel,—
Whose double laurels burn with deathless flame
To light thine altar; He too loves thee well,
Who saw old Merlin lured in Vivien’s snare,
And the white feet of angels coming down the golden stair,

Loves thee so well, that all the World for him
A gorgeous-coloured vestiture must wear,
And Sorrow take a purple diadem,
Or else be no more Sorrow, and Despair
Gild its own thorns, and Pain, like Adon, be
Even in anguish beautiful;—such is the empery

Which Painters hold, and such the heritage
This gentle solemn Spirit doth possess,
Being a better mirror of his age
In all his pity, love, and weariness,
Than those who can but copy common things,
And leave the Soul unpainted with its mighty questionings.

But they are few, and all romance has flown,
And men can prophesy about the sun,
And lecture on his arrows—how, alone,
Through a waste void the soulless atoms run,
How from each tree its weeping nymph has fled,
And that no more ’mid English reeds a Naiad shows her head.

Methinks these new Actaeons boast too soon
That they have spied on beauty; what if we
Have analysed the rainbow, robbed the moon
Of her most ancient, chastest mystery,
Shall I, the last Endymion, lose all hope
Because rude eyes peer at my mistress through a telescope!

What profit if this scientific age
Burst through our gates with all its retinue
Of modern miracles!  Can it assuage
One lover’s breaking heart? what can it do
To make one life more beautiful, one day
More godlike in its period? but now the Age of Clay

Returns in horrid cycle, and the earth
Hath borne again a noisy progeny
Of ignorant Titans, whose ungodly birth
Hurls them against the august hierarchy
Which sat upon Olympus; to the Dust
They have appealed, and to that barren arbiter they must

Repair for judgment; let them, if they can,
From Natural Warfare and insensate Chance,
Create the new Ideal rule for man!
Methinks that was not my inheritance;
For I was nurtured otherwise, my soul
Passes from higher heights of life to a more supreme goal.

Lo! while we spake the earth did turn away
Her visage from the God, and Hecate’s boat
Rose silver-laden, till the jealous day
Blew all its torches out:  I did not note
The waning hours, to young Endymions
Time’s palsied fingers count in vain his rosary of suns!

Mark how the yellow iris wearily
Leans back its throat, as though it would be kissed
By its false chamberer, the dragon-fly,
Who, like a blue vein on a girl’s white wrist,
Sleeps on that snowy primrose of the night,
Which ‘gins to flush with crimson shame, and die beneath the light.

Come let us go, against the pallid shield
Of the wan sky the almond blossoms gleam,
The corncrake nested in the unmown field
Answers its mate, across the misty stream
On fitful wing the startled curlews fly,
And in his sedgy bed the lark, for joy that Day is nigh,

Scatters the pearled dew from off the grass,
In tremulous ecstasy to greet the sun,
Who soon in gilded panoply will pass
Forth from yon orange-curtained pavilion
Hung in the burning east:  see, the red rim
O’ertops the expectant hills! it is the God! for love of him

Already the shrill lark is out of sight,
Flooding with waves of song this silent dell,—
Ah! there is something more in that bird’s flight
Than could be tested in a crucible!—
But the air freshens, let us go, why soon
The woodmen will be here; how we have lived this night of June!
Where the  river bends ,
and fishing boats were moored ,
for it is by these tranquil waters I have seen her walk .

Now There was a house apron a hill ,
Where the rich found time to mame and ****.
where the foxgloves lined up  all in a row .
Underneath there were fields
and meadows a glow .
Where men who owned but a farthing in rent ,
who toiled for their Lords ,
every day the good Lord sent .

And there was a river where I first met you ,
for you’re eyes were as bright as. the flowers in you’re basket ,
fragile and blue .
“ Tuppence a ha penny each one in bloom
There are fox gloves and roses ,
both picked for spring ,
and daffodils a plenty all singing in tune ,”

half way to paradise if i bought the moon
I thought to myself as I stood by you’re side .

But I wanted from you a flower so dainty and rare ,
tucked away in your basket ,
you were hoping I wouldn’t see it there .

“ Oh please not that one you said with a smile
That one I have set aside ,
You see the man who picks that flower ,
it is with him I must reside .
please buy from me  foxgloves or a rose ,
purple white or yellow and red ,
for there are so many “

So I bid her farewell
and off she went ,
to find her lover by the banks of the Afon Nedd .

And as I was walking away the men soon came ,
In search of a flower as rare as her name.

A stranger rode with his lover into town ,
to buy a flower of love .
For he heard long ago
from a place he didn’t know ,
that if you bought foxgloves and roses ,
from the Afron Nedd
You will end up in bed !


“ Oh won’t you buy this one sir I picked it just for you ?
for you are the one that makes my heart go boom ,
Up to castell  Nedd where the flowers are of violet , pink , and blue .”

“ But mame said the.man my wife wants th3 Roses and foxgloves
of love  not your dainty rare flower O heavens above .”

So now she goes rambling I have seen her alone ,
alone with her most precious flower all on her own .
Walking through the beacons alone and forlorn ,
when I take my horse a riding though fields and planes .

And I still love her dearly if she would just give me a chance ,
to pick that dainty flower ,
and unpick the lock on her heart .
Evelyn Rose Aug 2017
As we walk,
You tell me
that the silt from the river
has built up over the years
creating a new bank
with flowers
and plants
making the best of the rich soil.
As you speak,
I note the sound of your voice
and wish
I could sink in
and grow
like the foxgloves
in the mud.
Coral Estelle Dec 2010
I remember July
Hot morning watering foxgloves
Waking up to dreams,
Falling asleep to dreams.
I remember July.
Envied or loved, by all who laid eyes.
I'll always remember July.

But now misty marshy October
Has taken over,
Watering the foxgloves for me.
But their colors no longer gleam,
In the rain.

In the rain,
I'll always remember July.
Where everyday was a dream,
For a short sweet while
July, July, July.
David Barr Nov 2013
Are acceptance and approval synonymous terms? It is important that we give adequate definition to that which blocks our winding garden path, where foxgloves, lupins and a multitude of botanical dreams can blossom into a gorgeous array of ****** captivation.
If we embrace that which is repugnant, then possibility may not be confined to the cradling arms of the mistress of death.
So, my judgmental and moralistic companion from the sands of Jupiter – if your daughter is a raunchy stripper, then keep your expectations on the leash and preserve your anthropological connectedness, otherwise you may veer into prickly thorns of certain detriment and thereby lose her attachments.
It is incumbent upon us to nourish those fragrant plantations with a careful approach, so that beautiful reproductions will abound in a bouquet of resolution.
As a child, they could not keep me from wells
And old pumps with buckets and windlasses.
I loved the dark drop, the trapped sky, the smells
Of waterweed, fungus and dank moss.

One, in a brickyard, with a rotted board top.
I savoured the rich crash when a bucket
Plummeted down at the end of a rope.
So deep you saw no reflection in it.

A shallow one under a dry stone ditch
Fructified like any aquarium.
When you dragged out long roots from the soft mulch
A white face hovered over the bottom.

Others had echoes, gave back your own call
With a clean new music in it. And one
Was scaresome, for there, out of ferns and tall
Foxgloves, a rat slapped across my reflection.

Now, to pry into roots, to finger slime,
To stare, big-eyed Narcissus, into some spring
Is beneath all adult dignity. I rhyme
To see myself, to set the darkness echoing.
The swallow of summer, she toils all the summer,
A blue-dark knot of glittering voltage,
A whiplash swimmer, a fish of the air.
          But the serpent of cars that crawls through the dust
          In shimmering exhaust
          Searching to slake
          Its fever in ocean
          Will play and be idle or else it will bust.

The swallow of summer, the barbed harpoon,
She flings from the furnace, a rainbow of purples,
Dips her glow in the pond and is perfect.
          But the serpent of cars that collapsed on the beach
          Disgorges its organs
          A scamper of colours
          Which roll like tomatoes
          **** as tomatoes
          With sand in their creases
          To cringe in the sparkle of rollers and screech.

The swallow of summer, the seamstress of summer,
She scissors the blue into shapes and she sews it,
She draws a long thread and she knots it at the corners.
          But the holiday people
          Are laid out like wounded
          Flat as in ovens
          Roasting and basting
          With faces of torment as space burns them blue
          Their heads are transistors
          Their teeth grit on sand grains
          Their lost kids are squalling
          While man-eating flies
          Jab electric shock needles but what can they do?

They can climb in their cars with raw bodies, raw faces
          And start up the serpent
          And headache it homeward
          A car full of squabbles
          And sobbing and stickiness
          With sand in their crannies
          Inhaling petroleum
          That pours from the foxgloves
          While the evening swallow
The swallow of summer, cartwheeling through crimson,
Touches the honey-slow river and turning
Returns to the hand stretched from under the eaves -
A boomerang of rejoicing shadow.
Simon Leake Jul 2015
the foxgloves explode
in infinite slow motion [silently]

from them also we can learn
the soft crash and save ourselves

from the genius suicide:
the brief fame of a supernova



intermittent rain keeps the land fecund,
a deluge cleanses to the bedrock,
rain in perpetuity is impossible
and we think we can control this

but we live at one speed,
and measure in standard units:
our language is insufficient
to give a precise reflection



to assume our laws are true beyond appeal
puts into question our democratic process

we forget the necessity of conversation
the original Greek ideal of the agora;

to meet friends and argue is the point, is it not, of life,
of all this noise, after all, what use is silence?



our luxury of having the exercise of our conscience
is subsidised by the suffering of a multitude other

..and yet

when we all speak with one
language / currency / voice
there is no poetry anymore
no rhyme, no metre, no form

in this Heaven only, [on Earth], we are united
for Czeslaw Milosz
For Grace Bulmer Bowers


From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,

where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;

where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;

on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,

through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;

down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.

Goodbye to the elms,
to the farm, to the dog.
The bus starts.  The light
grows richer; the fog,
shifting, salty, thin,
comes closing in.

Its cold, round crystals
form and slide and settle
in the white hens' feathers,
in gray glazed cabbages,
on the cabbage roses
and lupins like apostles;

the sweet peas cling
to their wet white string
on the whitewashed fences;
bumblebees creep
inside the foxgloves,
and evening commences.

One stop at Bass River.
Then the Economies
Lower, Middle, Upper;
Five Islands, Five Houses,
where a woman shakes a tablecloth
out after supper.

A pale flickering.  Gone.
The Tantramar marshes
and the smell of salt hay.
An iron bridge trembles
and a loose plank rattles
but doesn't give way.

On the left, a red light
swims through the dark:
a ship's port lantern.
Two rubber boots show,
illuminated, solemn.
A dog gives one bark.

A woman climbs in
with two market bags,
brisk, freckled, elderly.
"A grand night.  Yes, sir,
all the way to Boston."
She regards us amicably.

Moonlight as we enter
the New Brunswick woods,
hairy, scratchy, splintery;
moonlight and mist
caught in them like lamb's wool
on bushes in a pasture.

The passengers lie back.
Snores.  Some long sighs.
A dreamy divagation
begins in the night,
a gentle, auditory,
slow hallucination. . . .

In the creakings and noises,
an old conversation
--not concerning us,
but recognizable, somewhere,
back in the bus:
Grandparents' voices

uninterruptedly
talking, in Eternity:
names being mentioned,
things cleared up finally;
what he said, what she said,
who got pensioned;

deaths, deaths and sicknesses;
the year he remarried;
the year (something) happened.
She died in childbirth.
That was the son lost
when the schooner foundered.

He took to drink. Yes.
She went to the bad.
When Amos began to pray
even in the store and
finally the family had
to put him away.

"Yes . . ." that peculiar
affirmative.  "Yes . . ."
A sharp, indrawn breath,
half groan, half acceptance,
that means "Life's like that.
We know it (also death)."

Talking the way they talked
in the old featherbed,
peacefully, on and on,
dim lamplight in the hall,
down in the kitchen, the dog
tucked in her shawl.

Now, it's all right now
even to fall asleep
just as on all those nights.
--Suddenly the bus driver
stops with a jolt,
turns off his lights.

A moose has come out of
the impenetrable wood
and stands there, looms, rather,
in the middle of the road.
It approaches; it sniffs at
the bus's hot hood.

Towering, antlerless,
high as a church,
homely as a house
(or, safe as houses).
A man's voice assures us
"Perfectly harmless. . . ."

Some of the passengers
exclaim in whispers,
childishly, softly,
"Sure are big creatures."
"It's awful plain."
"Look! It's a she!"

Taking her time,
she looks the bus over,
grand, otherworldly.
Why, why do we feel
(we all feel) this sweet
sensation of joy?

"Curious creatures,"
says our quiet driver,
rolling his r's.
"Look at that, would you."
Then he shifts gears.
For a moment longer,

by craning backward,
the moose can be seen
on the moonlit macadam;
then there's a dim
smell of moose, an acrid
smell of gasoline.
Cali Nov 2012
lonely lonely,
you leave me so,
inside out watching
the stars burn out
in an emptying
of cosmic sorrow..

and tomorrow I know
the sun will smile at me
your kisses will taste
like honey and
the birds will romance me
with slaughtered butterflies
and sweet lamentation.

But today,
I've been tuning radio static
to white noise and
flashes of Chopin,
trying to recreate a feeling
from shadows and memory.

don't leave me lonely,
dear, make love to
me in the hypnagogic
stare of the rising sun.
play me soft as buttercups
and foxgloves;
piannissimo,
gentle as death's
watchful eye.
A Gouedard Jun 2014
The cup gleams gold in the light
Golden liquid overflowing
Round bowl on a slender stem.
On the table beside it are apples.
Red, yellow, glowing,
Globed sunlight bursting with juice.
Outside in the meadow, the cows
Brown and white, gentle eyed, lowing,
As the calf pushes and pulls on the ****,
Staggers a little and suckles.
Warm milk for the jug.
A blue and white bowl holds the cream.
Blue and white is the sky above
Brown and deep the buzzing of bees
Making the foxgloves bend and bow
Under the coolness of trees
Where the earth holds the richness of leaves
And the bones of the ancestors rest
In the land of the ever blessed.
You are toxic
You are the poison running through my veins
Suffocating my every breath
You are my poison ivy
Itching with every step I take
You are the beautiful purple foxgloves
Appearing so gentle on the outside
But so dangerous on the inside
You are the chemicals that react
And make my life a living hell
You are toxic to the touch
And you know I cannot help
But to crave this pain you cause me
Cynthia Jean May 2016
i see the petunias ,  lilacs and  forsythia.

the tomatoes , strawberries,  grapes and  pine cones

and the squirrels

in my garden

and i know God is there


and He brings me gifts

of flowers and sunshine

and butterflies

and hummingbirds

and sweet, sweet air

and i know God is there


He lets me play in the garden

my garden is

my art


He brings me lilies and daisies and asters

marigolds and sweet alyssum

...memories from grandmas


a magnolia and butterfly bushes

from my sons


foxgloves from a time spent with my precious friend


and bittersweet geraniums...

memories

of my mama's

grave...


cj 2016
my garden is my therapy, and God's gift to me
Antony Glaser May 2014
The morning brings the moths
her cupboard bare,
she attempts to prise the day
what to wear?
snatching thoughts all is  balance
nasturtiums or foxgloves,
crumbling trellis stakes
she wraps a blanket around herself
and sits in the garden , guarding motionless
Night Owl Dec 2012
I* am the one who owns this game
This game of cat and mouse; the chase
Not him, not them, not those
The men
Who think it is in their place

The ones who covet the loving gleam
In a woman’s drawn up eyes
But then tell her that she was no more
Than a *****, a ****; filthy pennies in disguise

They leave her rotten, confused, revised
Writing sickly poems of love and gore
Reflection in her puzzled heart
Rebuild the sloppy, slaughtered gears, restart and then restore

I have written those poems too,
When I bore marks of the lost and broken
whispered words, shaking from my lips,
of things yet unspoken

Now I need no more
For poetry unheeded brings more sorrow on which to thrive
And anyways poetry writes itself for me,
Cause I have eaten it, alive

I have learned the trades of love
And unlearned how to feel
I threw my heart away gladly
For the others I could steal

I am the one who pulls you in,
Not you, strong soldier, the statue,
clearly cut and manned
I am the one whose glistening strife
Slides, dripping, through your open hands

I have the voice, purring rolls of silk,
Emerald slants, gaudy blue feathered eyes
Lupines bloom upon my lips
And foxgloves on my thighs

I have the sterling studs of class
The cocky robin smile,
A drink like silver wine am I
From a savory crystal vile

I have the shift of gentleness,
A tender, blooming embrace
You hold nothing but trust in me
Adoration upon your disgusting face

But I know something you do not
That only I have the key
Patience until the shaking burst
A monster waiting to break free

She howls and rips your heartstrings raw
Ignores your pleading glance with glee
A smirk, a sneer, arched lips pause
Knowing your demise is our reward
We won’t stop until you cease to be

I have strength beneath my beloved monster’s wings
The power to bend with whip-like throw
Each man I take, battles for my neck
And I slaughter each, basking in the glow

We have done this for ages
Sold perfection, curving laces at every door
Like gypsies we steal what you cling to most
Our silver infused fingers beckoning for more

Love is no longer fun for us
We crave deception, challenged lies,
We’ll never give you what you want
Only slay your mind and watch as it dies

As the madness creeps on mottled claws
And you beg and plead curled up in pain
Letting us in through your wracking body rocks
A glimpse, peeled back to reveal the stain

So pound the floors as much as you want
Drag splinters from your drooling cavernous screams
Throw yourself away again and again
Cause I will never leave your mind,
Having sown myself into your dreams

I am what you think about
What you've sold every scrap of yourself for
But I am a fake, a mask, the satin covered machine
What you fear will reap your corrupted core.

You never knew that all I want
Is to take but never give
To ****** but never stay
The girl who steals your love to live
And buries it in your own decay

After every sumptuous feast,
We give a trill, a gauzy lilting stream
Notes lift our cool heads high
Poised waiting for the choking screams

And as we slide through fractured lives,
My monster and I
We ponder the day we'll wake in hell
Eagerly awaiting the reward for all our lies

For we're not scared of death or flames
Flickering bodies of damnation
Cause we know we’ll live forever
In those suffering from love starvation

--Lily
David Barr May 2015
The spirochetes of the ages embellish themselves in a mystical quartet, as our respirations reverberate across sanctimonious plateaus of Oedipus and Electra complexes.
Your celestial convictions are tasteful as they wistfully meander through the fuselage of hydrangea bushes and ***** foxgloves.
I can feel the beat of your apprehensive pulse.
As we applaud the demise of this psychological stage-show, where connected separations unravel their shameful mysteries into a vortex of deluded academia; it is evident when someone communicates deep convictions across pulsating swamps of cosmological hemispheres.
So, as we merge into this cataclysmic vortex of enshrinement, let us embrace the past understanding of future ambivalence where the beginning can only be understood within the context of the end.
Lyn-Purcell Oct 2020


Hear the hush of the wind dance above
Through lush lands of green eagerly spread
Birds soar and swoop, butterflies kiss foxgloves
Laughter rings wherever humans tread

◦•●◉✿ ⚜❃⚜ ✿◉●•◦

Through lush lands of green eagerly spread
As glass blades sway soft and sweet
Laughter rings wherever humans tread
On nature's palm, they openly meet

◦•●◉✿ ⚜❃⚜ ✿◉●•◦

As glass blades sway soft and sweet
Birdsong heard near and far
On nature's palm, they openly meet
A simple serenade to forget life's scars


The day's a grey one but even so, I wanna think of something sunny and happy. While looking for courses to try, I found a new form of poetry to experiment with - pantoum. Pantoum poems are described as 'a poem of any length, composed of four-line stanzas in which the second and fourth lines of each stanza serve as the first and third lines of the next stanza. The last line of a pantoum is often the same as the first.' [Credit goes to this site: https://poets.org/glossary/pantoum]

First time doing this poem, and I think it turned out really well.
I just pictured myself at a park and focused on my senses.
I think I may do more of these, I'm really happy with the end result! ^-^
Thanks everyone, wishing you a good day/afternoon/evening/night!

Stay safe and well!
Be back soon!
Much love!
Lyn ***
David Barr Apr 2014
Bohemian dichotomies are like winding garden paths, where foxgloves and lupins stand proudly with a rich array of botanical flamboyance.
What is the structure of this pervasive uncertainty, where conspiracy is a perpetual construct which is designed to interfere with anthropological cohesion?
Consider the presence of a mature apple tree, where doves abide in ornithological matrimony.
Let us humbly acknowledge that nature is a powerful beautician, who expels her adversities with gentle ruthlessness.
Let us kiss together amidst this romantic pasture of nostalgic permission.
Joe Bradley Jul 2014
The still English heat,
The ***** promise of July the 1st
Leaves the grass a mottled yellow
And the dappled shade of the purple birch
Almost holy.
Specks of precise and glittering pollen
Rest upon beds of browning foxgloves.
Cats are left collapsed,
Blissed out, lulled into dreams
of this motionless sun shining forever.

I feel your hands in my stomach
And I'm hungry for your grip
As the hot sky only ripens
My daydreams of your laugh.
The thick scent of withering hyacinth
Is the curve of your back,
the taste of your sweat.

A stain of certainty is baked in
By July the 1st.
Novocain for my infected English heart.
Whispering the start of a love that will be
kicking leaves through October
And sharing warmth through December.
Debbie Brindley May 2017
I love my sister dearly
she lives with me at home
She helps me with the stress of life
so I don't have to on my own

She parts clouds
Makes the sky blue
Then to ease my pain more
adds a soft cloud or two

She's building a beautiful garden
filled with hollihocks, foxgloves and such
It has an outdoor bathroom
that I will enjoy very much

She helps keep me grounded
my feet firmly on the ground
Keeps the dark clouds away
While to my life I'm bound
While helping care for my husband, my sister has built the most beautiful sensory garden for my husband and I.
My sister's amazing and I love her dearly
Joe Cole Jul 2014
You know apart from writing poetry I design gardens for other
people just as an unpaid sideline
But come and take a look in my garden.
Rough laid brick edging round the lawn and I do mean rough
you wont see a dead straight line there
Flowers, hot oranges intermingled with reds and gold
No
Plants carefully chosen for form and texture
No
Rather a jumble of wild and cultivated plants doing their
own thing
White campion, red campion intermingle with white and yellow daisies
Scarlet poppies vie for space with rosebay willow herb
Sage and thymes in profusion
Great clumps of lemon balm mixed in with chives and lavenders
Foxgloves and hollyhocks in places they shouldnt be
Wild mallows and geraniums growing where they choose
And running wild my favourites of the flower world
nasturtiums
That then is my garden, my retreat, my oasis of calm
Danzel Aug 2015
I lay close to you,
Curled to the shape of your stonework body
Tracing the vines crawling on your arms
To the lavenders springing
From your cracked palms
And your back is the meadow I bury myself in
Half-picking foxgloves and goldenrods
Growing on your spine

Day after day, I watch you
Wondering about the dreams behind
Your eyelids covered in moss,
Softly kissing the dandelion dust
Collecting on your cheeks
While stringing a garland of daisies
To wear around your head

I sit here, longing to taste the dewdrops
Hanging at the corners of your mouth
But until your wake, I will await
The sweet honeysuckle
That is your tongue
Remus May 2016
I cannot breathe.

My body will not allow me.
I cannot breathe
because anger seethes
inside of me.

I cannot smile.

My face most likely looks vile.
I cannot smile
because the style
of your profile
makes me feel vile.

I cannot speak.

The word is so bleak
and I am so weak.
I cannot speak
because the door will creak
and shriek.

I cannot love.

My heart soars above.
I cannot love
because your love
is still situated in the foxgloves.

and not me.
Alisha Vabba Sep 2015
Orange and gold
Through the stain glass window
Brighten the churchly silence
and the unyielding heart.

Foxgloves and orchids
float in the air –
I could hatch my eggs right here;

Behind her undeserving shrine,
Casting darkness on your lonely burial.
Lord Ashton, you fool.

I’m high in the dungeon,
The statue is headless.
Are we talking about the walls
Or drenching ourselves in useless sadness?

On the tree stump I forgot
If you mattered to me yet.
You were shrieks, nettles and streams,

Red leaves and silly dreams;
The laughs and the pints,
The sly glares and all my fears:

All my hazy window seats.
I’ve forgotten why I care
But I’m here, I’m here, I’m here.

And I forgot to walk the promenadfe,
I forgot to warm the bench
And I didn’t drown my thoughts
In the marshy quick sand.

I forgot to match the pretty face, ask –
did the chemo go okay?
Yet they loved me anyway,
I who could never afford their pain.

I forgot how to be grateful
With my flesh my flesh my fkesh.
I forgot the date, the present and the letter
And I can’t recall why it ought to matter.

This is the bubble, the cell block,
The lithium drenched infirmary.
Here we don’t feel like going to bed
Or to die a slow death in the library.

Here the sky is white and clinical
And the crystals didn’t catch my breath
And I didn’t smell the fresh wet leafs,
All I saw was corpses and death.

Now I’m sober, I’m cold, I’m clever.
I disgust myself more than ever
And I leave you with a humid heart,
My lower second class grave, Lancaster.

And the people in those houses
Oh, they laugh and dance dance dance
And they grab my hand and twirl me round
I entertain, and I am bland.
mythie Jan 2018
Cold, violet skin.
Red rose petals fall from my wrist.

The scent is pleasant.
It makes my head spin.

I spew eucalyptus leaves into the overflowing river.
Oleanders flow down my throat.

I puke out the petals, now stained red.
The river flows red as the lilypads sink.

Monkshood flowers cast shadows over my porcelain skin.
I pluck and I pluck and I pluck.

Until my fingertips are stained purple.
I lick them clean.

I weep tears that take the shape of an angel's trumpet.
They sing me a soft lullaby as they seep into my skin.

Pretty foxgloves draw me in closer.
I touch their shell and inhale their scent.

My stomach turns inside out.
Skyflower petals seep from my mouth.

I hadn't noticed until now.
That my entire body was a wilted rose.
Francie Lynch May 2014
It was the cheap Polish coal
Sweeping down from chimney and slate,
Staining windows, levelling off
At doors, settling on walks
Where evidence showed me hurrying
To my bed-sitting room
In prints of snow and soot.
The roses dipped,
Foxgloves closed
Against the odour.

It was the kitchen.
Tomatoes, carrots, onions
Slicing vaporous air hanging
Veil-like on dark windows.

I coughed.
Too many cigarettes?
My nose bled.
I pulled out a hankie
And coughed again.
When I removed my coat
My eyes were red.
You'd notice.

Perhaps it was a combination .
You knew my eyes.

Weeks are still less tolerable.
Smoke, soot, salads,
Which really doesn't matter,
Strangely mix, tossing  off our years.
Cheap Polish coal. **** cheap Polish coal.
Wexford, Ireland.
R B M Oct 2019
Roses are red,
Violets are blue,
The melody is sweet,
And so are you.

Orchids are white,
Ghost ones are rare,
Cinnamon is brown,
And so is your hair.

Magnolia grows,
With buds like eggs,
The term is long,
And so are your legs.

Sunflowers reach,
Up to the skies,
Waters are calm,
And so are your eyes.

Foxgloves in hedges,
Surround the farms,
Weather is warm,
And so are your arms.

Daisies are pretty,
Daffies have style,
Your relationship is rewarding,
And so is your smile.

A daisy is beautiful,
Just like you.
DieingEmbers Mar 2012
I gave to her a honey comb
to brush her golden hair,
and placed on her a daisy chain
around her neck so fair.
Foxgloves I gave to warm her hands
and blue bells for her wrist,
then from the mountain air I stole
the pine fresh perfumed mist.
A dress made up of fallen leaves
and stitched with silk worm thread,
and there a spider spun a veil
to place upon her head.
I gave to her a sweet bouquet
of fresh assorted blooms,
and took her hand and gave to her
a ring of wild mushrooms.
Beneath the stars I gave my heart
and to me she gave her kiss,
as two lives where bound as one
in the act of wedded bliss.
Chelsea Chavez Dec 2015
what unborn, soft objects
curved and lonely
wither with the yellow grass,
the foxgloves, passing in
copper flame

I am ill with the miscarriage
inside me

here, a seat will remain cold
for all time

there is no lantern to light
these ways we have passed
and continue to pass

unlearning

the deepest shame
those that live, always struggle to live
Grey Mar 2019
The sleep of the sword does not answer my call
Sweet Jezebel sways with the winds of the fall
While the Goosegrass loudly beckons, singing to stay
The Foxgloves, they whisper “one day, one day”.

I’m longing to be respectfully flame-farewelled
But the Lion’s Tooth sees that my dreams are dispelled
In the sweet summer madness, my Devil’s Milk pride
Shrivels and dies; looks like Ring-a-Bells lied

With a wave of my hand the swan of blood lands,
And the spear-din begins
With a noble glance the troops advance
Chieftains or kings, breakers of rings

The winter begs death and the is-ness of song
My soft sophomania playing along
A hymn on the psaltery drifts for a dime
Of seven sweet maidens missing in time

Tell me plainly, why does the spring make me ill?
Pale, shaking hands cling to the old timbrel.
A melodic pain, the kind honey can’t draw out.
And the whispering doubt, **** as sauerkraut

With a wave of my hand the swan of blood lands,
And the spear-din begins
With a noble glance the troops advance
Chieftains or kings, breakers of rings

You were never cautious with your art,
I was always careful with my heart
Unless I poured it out like a dove
Are you mourning me from heaven above

I am mourning you from hell below
I guess that freedom was not the way to go
And the old dried herbs sing from above my grave
I’ve never behaved, I’ve never been brave

With a wave of my hand I watched your blood land
On my ***** kitchen floor
Without a chance, in a frightened stance
No longer poor, I walked out the door
The final test, was it for the best?
No belt hook swings, pale, wicked things
My freedom came at the price of the flame

Farewell my lover,
Fare thee well.
Aerien Nov 2020
i have a little dream
of you in the moonlight
my fingertip tracing
poems upon your back
words limned in luminance
braiding foxgloves into your hair

it’s just an idea,
it’s all just ideals:
ideal you...moonlight, skin, words
a little dream of “could be”
prickled with starlight
tinged with a berry scent
a tangled glow

I stay drunk on dreams,
I stay inflamed on dreams,
my ear pressed to the walls of the worlds
listening to the whispers from the universe next door.

don’t force me sober.
reality tastes like concrete.
Alexandria Hope Nov 2018
I crave an old romantic, poetic love
Of broken chimes and crushed foxgloves
Of coffee stains upon the table,
And early light slipping through the window
Of shuttered eyes and tired hearts,
Of hopeful lies and ancient arts,
A love sweet off wild honey,
And of fresh bread and melancholy
Of battle wounds and salty tears,
Of lasting throughout the years,
Of endings bitter and yet cathartic
Of weathering an endless arctic,
And love with a thread-bare string,
A wish, a tender, tethered thing,
I crave an old romantic notion
Of tested, sure emotion
And love, that which does not age,
Manifests so easy, off the page.
Aisling Apr 2015
Tell me there aren't ghosts.
Tell me our business must remain unfinished, our messages undelivered.
Tell me every breath we've ever taken will amount to nothing once our hearts give out and our bodies decay.
Tell me the air is just the air and the shadows are just shadows, that I've never heard a whisper that meant anything more than the wind rustling the trees outside my window.
Explain sunsets and shooting stars, explain spring daisies and summer foxgloves.
Or stop.
Stop your cynicism and your pessimism, stop your rationality and your scientific explanations.
I know that acid raid is caused by CO2 in the atmosphere, and that rainbows are just an illusion, but what could it possibly hurt to see them as something more, something otherworldly, something magic.
We all need a bit of magic, and maybe you need it most of all.
So I know that my grandfather still wishes me well before tests and scoffs when we put flowers on his grave.
I know that when my dog barks at "nothing" she is barking at the spirits you're too blind too see, too stubborn to accept.

There is a ghost in my room and she takes care of me.
Maybe she doesn't even exist, but maybe I need to believe that she does.
Maybe you should let me.
i don't know what i was trying to accomplish, this is a mess but it means a lot to me

— The End —