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Trevor Blevins Dec 2015
I.

My blood was glistening meteor glows after
        the modern jazz I spent all night trying
        to carve into genius.

Hanging on the the blue notes of
        saxophones like a madman hooked to
        his syringe, and then you petrified me...

But I began to shake.

The spirit of all my ballads has returned to
        me at last.

Dug yourself out of my past, into the
        bedroom thought fractures — I call
        them modern art — but plugged into
        your Dada spirit, the abstract turns into
        star clusters,

And I'm burning for that cosmic wishing well.

Just hoping for your radiation to spread over
         our lightyear gap, that gap that always
         made coexistence so impossible.

When Calliope calls,
     I'd advise anyone answer...
      But you're twice as golden
       And thrice as red
         As Calliope has ever been.

Torn in your sandstorm.
Blinded by this vision of your second  
        coming.

Back in one piece, one whole, one complete
        consciousness, and all after I tried my
        damnedest to rip you apart, poetically.

Only in reflection and confrontation did I see
        how wrong it all felt.

That is not poetry
There was no peace.
That does not spawn Justice,
And you did not warrant my contempt.

I idolize you for you are what I am not.
I am mesmerized as we are exactly the
        same.

II.

The things you do not know.

I must have started typing you fifty times,
        never hitting send since my dark
        Crispin's Night.
I never hit send.
Not once.
I built imaginary worlds where you were my
        abuser, with my loneliness a
        pawn, but a crucial one.
Those thoughts that latched on to the back
        corners of my insecurity, and reassured
        me I was void of worth most every
        night...
I turned those thoughts into you—
Spilled those ******* thoughts into reality,
        and it took your shot of venom to place
        it all back into perspective.

If you're wondering what I've been up to
        since you left, my calendar hasn't
        hasn't moved a single page.

III.

The mythos never told me that Erato could
        address me back—
Muse that I pray on.
Muse that I mull over with Whitman.

I take this chance to lift you up, as you've
        been floating me over this rural skyline
        for months now.
Let me see the city.
I only wish to live.
I see governments toppled in the tint of your
        face, with the lights low, the air quite
        heavy for me.
You had to feel like a Goddess,
Even your distant screams had your mark of
        perfection.

IV.

You're the one I envy.

Dozing off under the anger of conservative
         politicians talking about life...
Erato, darling, what do these guys know
         about life anyway?
To lie as profession
Lie for the masses
Lie for the wealth of corporations
Lie for self-justification
Lie for the war effort
Lie for the public spectacle that can be
        reduced to little more than fetus magic.

I'd rather be haunted by anything else.

Emigration sounds so lucrative.

V.

It's time to cut open the system.

I wish society, when cut open and guts
        hanging, strung up in a gallery, looked
        like the spirit of a Scrabble screaming
        match, less like estimations of
        "necessary" civilian casualties.

It's time to piece in your abstraction.

Let's flip the script from faith-lit sketchbook
        into reality.
Let's show the world the graces of speaking
        in comedy, the asset we lost when we fell dark under our lack of communication.

Blessed to reestablish what we cannot take for granted.

Iris bonfire to highlight your drive,
But it's only determination,
Your gift of beatitude.

You can move through mazes with such precision and grace.

I should have never let my admiration pull me under a tide of greed.

As much as I value the ability
        to cut away at masses of abstraction,
Still covered in their vague seal of illusion
        you don't condone,
I'd submit to trade for even a bit of your  
        structure,
And let you have the absinthe that coats my
        soul.

VI.

Drink on how we are in harmony.

I'm already drunk on your hesitance.

Everything about your being is skewing my world.

I feel the changes, while the cold sets in,  
        across their javelin flight path.

These aren't the kind of thoughts you can't
        damp down with epilepsy medication.

I'm nearing clarity.
I'm inching in on human purpose.

VII.

I locked you away on my nightstand,

Next to Jailbird, in great irony.

I never let you argue your rights.

I wasn't just being inhumane, it was
        borderline unconstitutional.

Anger from hate, as always.
Coping in flawed fashion, yet smiling at your
        likeness.
Condemning you at public displays of
        Satantic litany,
Fell broken when you were in attendance.

Never again will I carry that false prophecy.

I couldn't escape your sway if I tried.
Lynn Al-Abiad Nov 2016
The waves found the shore, at last.
Poseidon laid a kiss on my heart and went to rest and I took a walk down the shore, singing him a lullaby, wearing Rhodus' dress.
The sand is soft and warm.
Terpischore found my arm and invited me to dance with her the dance of survival. We were stepping in the water, splashing our skin and laughing so loudly, so happily, that Poseidon smiled in his sleep.
The sand lured me again. I laid on it and felt the salt drying upon my skin under the warmth of Helios.
The sound of the waves soothed the blood in my veins.
I closed my eyes and rolled in my usual foetus pose.
Hypnos found me as the sea softly landed on the shore to cover me up.



- LynnAA
The sea is a happy place.

29-30/11/2016
Mike Essig Jan 2017
Kiss me Goddess.
I want your tongue
in my human mouth
filling it with words.
I want your breath
in my lonely lungs
inspiring me.
Haptic Lady,
I want your legs
around my waist
urging me to creation,
undulating ecstasy.
Make me dizzy
with your passion
and I will sing
your holy songs
to flawed creation.
Oh ****** Muse
of the holy body
and the broken,
profane heart,
come with me,
and laugh aloud
when you do.
We will name
our children poems
and send them
into the mortal world
where they will
walk in beauty
and make us proud.
Riz Mack Mar 2019
blood drips
from your lips
to my fingers
my hands
stealing kisses
leave stains on your cheek
I see you, you swear
in the way your gaze lingers
as your tongue
Erato is one of the Nine Muses but I'm pretty sure I met one of her descendants
Tryst May 2014
Oh sweet Erato, whither wanders thee?
Once fertile leas lay arid near the shore,
The ripened fruit now withers on the tree
And shadows linger ever at the door.
Did ancient Colchis summon thee by name
To strum a lyre and sing for Argonauts?
Wouldst Rhodius be aught of any fame
If not bestowed resplendent with your thoughts?
Or yet - perchance you ride a chariot,
Thru roses red and myrtle evergreen,
To find the place Leontichus was set
Eternally beside his love Rhadine?
        Oh sweet Erato, whither would you choose --
        Be free for e'er, or else to be a muse?
Beaux Aug 2014
My sweet water nymph
...earlier?!
You wished for me to arrive "earlier"?!
By your side be my life.
I carry your heart through realms of chaos.
Beg my pardon for the lapse in minutes..
Reliving your love can ****.

You are thy muse.
Enchanting and mischievous and empowering is your being.
Your aura bleeds ecstasy and grace.
Calliope, Clio, Euterpe, Erato, Melpomene, Polyhymnia, Terpsichore, Thalia, Urania...
Collapsed in a single body.
What a body.

My sweet water nymph. . .

Carrying inspiration in those stems.
We can't help but bow to you.
Give me your ripened fruit of art.
You poor soul.

. . .
my sweet water nymph
*tear me down*
Tryst May 2014
"Come, thou clear-voiced Muse, Erato, begin thy song, voicing to the tune of thy lovely lyre the strain of the children of Samos." (Stesikhoros, C7th-6th B.C.)*

Upon a dim and distant telling,
Fared a maid of noble dwelling;
Rhadine was so beautiful,
Her suitors fought to claim her hand.

Unbeknownst, her father sold her
To a vile old tyrant soldier;
Rhadine sobbed, but dutiful
She boarded ship to foreign land.

Leontichus, her secret lover,
Swore an oath that he'd recover
Rhadine from the tyrant's grip;
He took the task of a deck-hand.

Many moons would find him weeping,
Ever watchful, never sleeping,
Till the day his mighty ship
Reached distant shore of foreign land.

Leontichus planned and conspired;
Cunning schemes would see him hired,
In the palace of the tyrant,
Where he could be close at hand.

There he watched, and there he waited,
As the nobles congregated
For the wedding, where defiant
Rhadine stood on foreign land.

Songs were sung and vows were spoken,
Then the tyrant brought a token,
Glinting in the bright sunlight
He offered it to Rhadine's hand.

Leontichus was gripped in sadness,
Taken by a sudden madness,
Running forth to save her plight,
He held Rhadine on foreign land.

Anger swept the tyrant's features,
Ridiculed by worthless creatures!
Taking sword, its sharp edge keen
He ran them through with his own hand.

As they lay there, deathly dying,
Midst the nobles, wailing, crying,
Leontichus held his Rhadine
And there they passed on foreign land.

The tyrant ordered their remains
Should scatter over hills and plains,
He placed them on a chariot,
And sent it with no guiding hand.

Late that night when all were sleeping,
Still the tyrant's eyes were weeping,
Knowing he could tarry not,
He ordered search of foreign land.

Days had passed when news arrived,
The chariot had still survived;
A soldier brought it to his door,
And placed the reigns into his hand.

The two were buried side by side,
Their hands were clasped, their arms entwined,
And there they rest forever more,
Two lovers lost on foreign land.

Leontichus and his Rhadine,
The greatest love the world has seen,
True lovers laying hand in hand,
Forever lost on foreign land.
Tryst Aug 2015
Thy tallow flame burns brighter than the rest, my love,
Warming the jealous heart within my breast, my love!

Thou art the envy of all lovers' lovers eyes,
Thy whim commands me unto thy behest, my love!

Arcadia proffers to thee her beauty throne
Where shepherdesses gather to attest, my love!

Wild winter plants her lilies over autumn crown,
Setting pure ice born crystals for thy crest, my love!

Yggdrasil bows and offers thee a fledgling branch,
A gnarlèd sceptre, life and spirit blessed, my love!

Erato guides old Argo unto Colchis bay,
Thy stately robes to fetch from hydras nest, my love!

All-seeing Delphi Oracles gaze heavenward,
To beg thy wisdom (or they lied and guessed), my love!

And I, your humble servant Tryst, declare to thee,
Thou art my sacred never-ending quest, my love!
Mike Essig Apr 2015
A pirate sailed south, but too far.
The good ship's prow found
harbors filled with icebergs,
frolicking penguins and walruses:
it began to snow inside his mortal soul.
He dreamed of perfect white beaches,
warm sand, sunlight, palm trees
and (perhaps) a lovely French poet in a slight bikini
lolling like Erato on holiday.
He could taste the sun and coconut on her skin.
It was only a vision, but one worthy of a quest.
He preferred living dreams to dead conclusions.
Many people told him he dreamed too much,
to accept this landfall and be content.
But cold and darkness are not a pirate's lot
and contentment does not appear
in the official pirate's vocabulary.
Even an aging pirate holds true to course,
pinned like a medal to his longing and desire.
More sail, he cried, and turned the helm
toward the islands of his heart,
toward a landfall of warmth and color,
toward hot and willing flesh,
toward parrots and monkeys and blue skies.
Leaving the nay-sayers in the cold,
he headed the only direction a pirate can, further.
- mce
Again, my pirate persona.
Sing, Goddess, a poem worthy of my love
As beautiful as Venus, lady of the dove
Sing, Goddess, for my muse has run dry
Yet the muses are immortal, never to die
Sing, Goddess, Erato hear my plea
I need a poem good enough, for my love to see.
Mike Essig Apr 2015
A pirate sailed south, but too far.
The good ship's prow found
harbors filled with icebergs,
frolicking penguins and walruses:
it began to snow inside his mortal soul.
He dreamed of perfect white beaches,
warm sand, sunlight, palm trees
and (perhaps) a lovely French poet in a slight bikini
lolling like Erato on holiday.
He could taste the sun and coconut on her skin.
It was only a vision, but one worthy of a quest.
He preferred living dreams to dead conclusions.
Many people told him he dreamed too much,
to accept this landfall and be content.
But cold and darkness are not a pirate's lot
and contentment does not appear
in the official pirate's vocabulary.
Even an aging pirate holds true to course,
pinned like a medal to his longing and desire.
More sail, he cried, and turned the helm
toward the islands of his heart,
toward a landfall of warmth and color,
toward hot and willing flesh,
toward parrots and monkeys and blue skies.
Leaving the nay-sayers in the cold,
he headed the only direction a pirate can, further.
- mce
I love pirates; always wanted to be one. Almost made it but ran out of time. Argh!
Nessa dieR Aug 2016
In your arms I found the open ocean;
Tides, waves, my serene sea,
The most pleasant feeling of a morning breeze.
In your eyes the best night skies;
A Rhythm bright enough to leave the sun behind
and wake up the night in just a heartbeat.
My heartbeats.
Cracked and Irregular by your every move.
In your fingers untold mysteries;
tangled within my own in secrets with the promises of never letting go.
In your hair my favorite melody;
Loud, and ruthless music for my deaf ears:
A Symphony only I can hear.
In your lips my muse;
Better than Erato and Calliope combined,
Carelessly whispering verses
To last me the entire day,
Softer than the birth of Roses.
My Roses.
For they are just for me,
Sprouting from your lips, and blossoming with my touch.
Our touch.
*In you I found poetry.

With verses resting at your lips,
My muse
Olivia Kent Oct 2013
Dream a dream.
Make paradise twice as nice.
Take away all ills.
Apollo taught muses their crafts.
While playing on his lyre.

The muses danced on laurel leaves.
Paradise on Mount Helicon.
What was purpose of those muses?
I hear your request.

In land of myth from times long gone.
Nine goddesses,
spirits,
to put the world to rights.
With artistry, music, science and literature.
Linked under the heavens.
Forget the evils of the world.
Music, poetry catharsis.


Thalia.
Hysterical lady of comedy it seemed.
Good cheer and plenty sent.

Clio.
Made her history.
Wanted fame 'twas said.
Tried to keep it cheerful.

Along came Melpomene.
Singing loudly while playing around with tragedy.

Urania.
In celestial style,
glances to the heavens.

While Polyhymnia.
Sings and dances.
Making many songs
Sometimes in a silent mime.

The lovely Erato compiled poetic words of love.

Euterpe.
Made lyrics poetical
Brim filled with joy.
Maybe for Polyhymnia to sing

Calliope.
Her beautiful voice is heard.
Nearly a Nightingale.
Maybe singing bird.

Creation of poems based on epics.
Terpsichore
Danced on and on eternally.

While poets pens write on!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Lyn-Purcell Jul 2020

Roses atop spun gold
Sea-green eyes so still with love
Songs are sparrow-sweet


This haiku is dedicated to the muse, Erato.
I feel such a kinship with her as she is the muse of lyrical poetry.
Here's the link for the growing collection:
https://hellopoetry.com/collection/132853/the-women-of-myth/
Much love,
Lyn 💜
Mike Essig Apr 2015
Well hello, sweet Muses.
How nice of you to drop by
at four in the morning.

Let me make you some tea.

How are you all today?

Oh, I forgot for a moment
that you are goddesses
and are always
exactly as you should be.

I'm fine except my sleep
has become oddly contrary.

But you all know that and more.

You are the magic that
stirs my dreams until
I give up and get up.

You betray me to nightmares,
insomnia, memories and poems
that could certainly wait
for morning if you so desired.

And where have you all been?

For three years, you've been gone
and I have been left mute.

Such fickle ******* you are,
only bestowing your favors
according to your whims.

But we have all, back to Homer,
known how unfaithful you can be.

Now you've returned and I can't sleep.

You know I'm not so young
as the last time you visited.

I need a little rest occasionally,
but you are working me to death
as if no time at all has passed.

There should be a union for poets.

Of course, I will do your bidding as usual.

Calliope, Clio, Euterpe,
Thalia, Melpomene, Terpsichore,
Polyhymnia and sweet demanding Erato.

It's nice to see you all again,
all so lovely and immortal,

but please remember I am only a man
and a man can only take so much.

So please, try not to show up before 8 AM.

~mce
They really are a hard group to work for. No dental insurance either. Cheap hussies.
bobby burns Apr 2013
the only calliope
i ever really wanted
has already decided
she's through with me
without giving me
a chance to speak.
-
and she's polyhymnia
in the comedy of hell,
raising voice in praise
of anything she respects
and in that she garners
all the power intrinsic.
-
no need for erato
when she's around
to keep my arteries
and thoughts clear
of emotional plaque
and writers' embolisms.
-
she is euterpe on a stage
of all the beautiful words
in all the beautiful languages
that can never be explained,
only known, and loved
and said in blissful ignorance.
-
she's thalia and melpomene,
comedy and tragedy,
laughter in her steps,
and springtime song,
and the ache of departure
evident in her wake.
-
terpischore at play
when the music starts,
involuntary, a reflex;
dancing is like breathing
to she who will break
my heart so many times.
-
she is urania --
she keeps my eyes
on infinity and away
from sights that feel
like shaky index knuckles
on unforgiving pistol triggers.
-
she is clio, keeper
of simple night histories,
because those are what
she lives for,  and those are
what i've always mused upon
living for -- with her.
but i don't think i'll be writing much anymore.
Was Time not harsh to you, or was he kind,
O pale Erinna of the perfect lyre,
That he has left no word of singing fire
Whereby you waked the dreaming Lesbian wind,
And kindled night along the lyric shore?
O girl whose lips Erato stooped to kiss,
Do you go sorrowing because of this
In fields where poets sing forevermore?
Or are you glad and is it best to be
A silent music men have never heard,
A dream in all our souls that we may say:
“Her voice had all the rapture of the sea,
And all the clear cool quiver of a bird
Deep in a forest at the break of day”?
Michael Marchese Aug 2017
I call upon their harmony
They honor me with artistry
The pupils of Apollo's
Lyre resonant inside of me
Calliope adventurous,
Intrepid in her recklessness
Emboldening my will to lead
The unenlightened on this quest
Through Clio's scrolls of history
My oracle clairvoyant
She has graced me with the vision
Of the future sky chatoyant
And a buoyant sea of Euterpe
All floating through the lyricist
That synchronizes all of this
Into a metamorphosis
Evolving as Erato's love
A heart as soft as silk
A dove, tabula rasa thirsting for
The Mother Gaea's milk
To rise from Melpomene
Masks of tragic flaws of Icarus
For I divine the comedies
Thalia simply can't resist
Polyhymnia, Terpsichore
My rarest of expressions
Still reveal themselves in forms
Of spirit guide possessions
When Urania in cosmic bliss
Transports me to the stars
Reborn again to join them
As Mnemosyne's memoirs
Ethan R Cox Nov 2011
Morose breath of inspiring gods
forms over the gun barrel gray lake
Awakening Creativity and Conviction
as I discover all the vices that form
in this stagnant pool of a life
which has kept me tied,
face-down,
nose-ground,
and drunk on digression.

Sing to me, Calliope,
something dark and expressive,
something relevant and real,

for the days of late have worn me
                                thin as this paper’s edge.

My head falls
             out,
and my teeth go
               bald,
but still I dance
                 for
              the piper.
Please, Erato,
I beg of you, please,
spit some oil paint
                   wash,
                        and prime the canvas.
Summon all souls of creativity, old friend –

For no friend
of mine paints the sky today.

So may it be
that passionate poets
                     bleed
                          forth through the head of my
                                                   pen.
May the
Mad Poets’, Sad Poets’,
Passionate Poets’ cries
                      be my own.

For if not, then with
sincerity and severity
the envious moon
        will
    rise,
and
shoot all the stars
                   dead,

even this Golden Boy.


Blue blood will
               flow,
sending all into shock.
As this proxy poet
                  falls
                       into
                         a cave
with fragrant, vacant sign at hoist,

cobwebs
        quickly
crawling
        in place,

the song poet sings with no voice,
and the Muses all retire.
Cate Mighell Jan 2013
Called again into the night
by the three am goddess
on her winged flight.

She drapes tail feathers ‘cross my mind;
She rings her bell
and says “its time.”

Who is this waif, just out of sight,
whose siren call
breaks dream’s delight?

Calliope, Erato too -
Sing Euterpe!
I know the tune.

Show the way down night’s dark hall
to the inner hell
where true love falls.

Terpsichore, swoop round me, do.
Dance memories,
each dressed in blue.

Is that you, dear Melpomene,
come to trump
your sister queens?

Your song, of all, so clear and true -
hold tight my hand,
I’ll go with you.

But wait, whose lantern shines ahead?
Dear Clio knows,
she’s made my bed.

And to it now I shall return.
The words are down,
they’ll no more burn.

I’ll lie awake no more to muse
upon the love
I’ve yet to lose.
Autmn T Feb 2019
And the thought of her stains my mind, she's like the muse youve been looking to find.  And to her- I cannot compare, the beautiful girl with flowers in her hair.
Clio, you are part of me.
Euterpe, you are too.
Thalia, you lift me up
when I am feeling blue.
Melpomene, you are close to me
Terpsichore, you were my youth
Erato, touch me secretly
Polymnia, you are truth.
Ourania, comes to me at night
and my soul she does enthrall .
Calliope, I love you most,
but see you least of all.
This poem was inspired by Rosa Aimee Irazarry's, "The Muses".  Thank you Rosa.  I hope you don't mind.
Mike Essig Dec 2015
Perhaps The Muse,
the White Goddess,
Erato, Melpomene,
Rhiannon, Ceridwen,
becomes, one day,
a late middle-aged
woman with
muffin-tops,
stuffed into
yoga pants she
should know better
than to wear
in public.
No matter.
Even frumpy,
she remains
divine, alluring,
luminescent,
beyond the
constraints of
mundane fashion,
the sharp edges
of mortal flesh,
Still whispering
beauty in the
awestruck
poet's ear.
  ~mce
Meredith Nov 2014
The river in my head is a rapid
now, all of this flows in my mind
and I see it flowing faster and faster
in the reflection of the eyes of the teacher
who's face is only inches from mine
as she says,
"Where is the homework thats due today?"
all disappointed head shaking
as the rest of the high school class waits.
Waits
as the ink
beneath my short sleeves,
white collar shirt and skirt
begins to….. burn.
Waits
as my hyperactive ADD branded brain
begins to boil.
Waits as I keep back the bile
and get all choked up on
the prozac and concerta
that have been planted in my throat
But i keep it down and say,
"I forgot it."
Honestly,
I feel bad about this.
I want to tell her I'm sorry.
I'm sorry that after twelve years of learning,
the one thing I haven't picked up on
is how to turn in a freaking homework assignment.
I'm sorry that my head is a broken system
Whose puzzle pieces never learned how to fit themselves together properly
I forgot that it's a crime to not know theorem 6.2 or
what kind of satire Aristophanes used but I think it's
IRONIC that we're supposed to take this work with open arms
and look, I'm being honest when I say I can't remember all the nine muses names but believe me Erato will tell you that I can write one hell of a love poem.
But that doesn’t matter here, no.
because all that mattered was that in third grade
I could never remember my times tables
as if being dipped in the river lethe made you any less of a person
as if the kids who were telling me I was dumb thought I needed confirmation
I’m trying to pull out the lessons we learned at carpet time like
2, 4, 6, 8…?
no one could appreciate that I was trying,
everything would just get swept away
leaving me bone dry and forgotten.
I wrote this for an elite drama company audition.
Gleb Zavlanov Feb 2014
Oh, faery finch, whose golden form does climb
    Athwart the starry bays of poesies, sweet,
I hear your voice, and drown in slumber’s clime,
    As I sit, pond’ring in my woolen seat.
My quill spills no sweet word or sweeter song,
    For my heart such cloyed passions cannot game,
And doubly more lies speechless my sore tongue,
    And triply even more, my soul’s the same.

As hours pass, upon these pages, bare
    I stare as if no passion stirs to fly.
To mount into Eutrepe’s mystic lair
    I couldn’t, ‘till your tender lullaby
Had touched my ear, and from my breast awoke
    Some passioned fire, hearing such sweet voice.
Of Heaven’s bells and Heaven’s harps. Out spoke
    Your lilting charms which, magically employs

All of the Muse’s finest strengths and spells:
    Eutrepe’s mystic hymn, Erato’s grace
And Calliope’s trance which softly swells
    In finest verse, and in such verse does trace
Vast time. Oh, finch, were it not for your song
    Nor for you visiting me, worn with age
No words would spill from out my stricken tongue
    And writ wouldn’t be to you, my own homáge.
© 2014 Gleb Zavlanov
Nada mejor para cantar la vida,
y aun para dar sonrisas a la muerte,
que la áurea copa donde Venus vierte
la esencia azul de su viña encendida.
Por respirar los perfumes de Armida
y por sorber el vino de su beso,
vino de ardor, de beso, de embeleso,
fuérase al cielo en la bestia de Orlando,
¡Voz de oro y miel para decir cantando:
la mejor musa es la de carne y hueso!Cabellos largos en la buhardilla,
noches de insomnio al blancor del invierno,
pan de dolor con la sal de lo eterno
y ojos de ardor en que Juvencia brilla;
el tiempo en vano mueve su cuchilla,
el hilo de oro permanece ileso;
visión de gloria para el libro impreso
que en sueños va como una mariposa
y una esperanza en la boca de rosa:
¡La mejor musa es la de carne y hueso!Regio automóvil, regia cetrería,
borla y muceta, heráldica fortuna,
nada son como a la luz de la Luna
una mujer hecha una melodía.
Barca de amar busca la fantasía,
no el yacht de Alfonso o la barca de Creso.
Da al cuerpo llama y fortifica el seso
ese archivado y vital paraíso;
pasad de largo, Abelardo y Narciso:
¡La mejor musa es la de carne y hueso!Clío está en esa frente hecha de Aurora,
Euterpe canta en esta lengua fina,
Talía ríe en la boca divina,
Melpómene es ese gesto que implora;
en estos pies Terpsícore se adora,
cuello inclinado es de Erato embeleso,
Polymnia intenta a Calíope proceso
por esos ojos en que Amor se quema.
Urania rige todo ese sistema:
¡La mejor musa es la de carne y hueso!No protestéis con celo protestante,
contra el panal de rosas y claveles
en que Tiziano moja sus pinceles
y gusta el cielo de Beatrice el Dante.
Por eso existe el verso de diamante,
por eso el iris tiéndese y por eso
humano genio es celeste progreso.
Líricos cantan y meditan sabios
por esos pechos y por esos labios:
¡La mejor musa es la de carne y hueso!ENVÍO:Gregorio: nada al cantor determina
como el gentil estímulo del beso.
Gloria al sabor de la boca divina.
¡La mejor musa es la de carne y hueso!
Michael R Burch Mar 2020
Safe Harbor
by Michael R. Burch

for Kevin N. Roberts

The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Porch, Poetry Life & Times. Keywords/Tags: Kevin Roberts, Kevin N. Roberts, Kevin Nicholas Roberts, Romantic, Poet, Romanticism, safe, harbor, night, dreams, imagination



These are poems I wrote for my friend Kevin Nicholas Roberts, who in addition to being a talented Romantic poet, was the founder and first editor of Romantics Quarterly.



Ophelia
by Michael R. Burch

for Kevin N. Roberts

Ophelia, madness suits you well,
as the ocean sounds in an empty shell,
as the moon shines brightest in a starless sky,
as suns supernova before they die ...



Goddess
by Michael R. Burch

for Kevin N. Roberts

“What will you conceive in me?”—
I asked her. But she
only smiled.

“Naked, I bore your child
when the wolf wind howled,
when the cold moon scowled . . .
naked, and gladly.”

“What will become of me?”—
I asked her, as she
absently stroked my hand.

Centuries later, I understand:
she whispered—“I Am.”

Published by Romantics Quarterly (the first poem in the first issue), Penny Dreadful, Unlikely Stories, Underground Poets, Poetically Speaking, Poetry Life & Times, Little Brown Poetry. Keywords: Muse, Goddess, Erato, Beloved, poetic, inspiration, lyric, poetry, divinity, Orpheus, Sappho



Safe Harbor
by Michael R. Burch

for Kevin Nicholas Roberts

The sea at night seems
an alembic of dreams—
the moans of the gulls,
the foghorns’ bawlings.

A century late
to be melancholy,
I watch the last shrimp boat as it steams
to safe harbor again.

In the twilight she gleams
with a festive light,
done with her trawlings,
ready to sleep . . .

Deep, deep, in delight
glide the creatures of night,
elusive and bright
as the poet’s dreams.

Published by The Lyric, Grassroots Poetry, Romantics Quarterly, Angle, Poetry Porch, Poetry Life & Times

This poem is a commentary on writing romantic poetry in the 21st century (“a century late to be melancholy”) and the term “safe harbor” is primarily ironic. The shrimp boat, though it seems “festive,” actually represents the unnatural “industry” of modern technical” poetry. By “technical,” I mean poetry that is more of an academic enterprise than an affair of the heart. The “creatures of night” shine with a natural luminescence, like the poet’s dreams and words.



Talent
by Michael R. Burch

for Kevin Nicholas Roberts

I liked the first passage
of her poem—where it led
(though not nearly enough
to retract what I said.)
Now the book propped up here
flutters, scarcely half read.
    It will keep.
    Before sleep,
let me read yours instead.

There's something of love
in the rhythms of night
—in the throb of streets
where the late workers drone,
in the sounds that attend
each day’s sad, squalid end—
that reminds us: till death
we are never alone.

So we write from the hearts
that will fail us anon,
    words in red
    truly bled
though they cannot reveal
    whence they came,
    who they're for.
And the tap at the door
goes unanswered. We write,
for there is nothing more
    than a verse,
    than a song,
than this chant of the blessed:
    If these words
    be my sins,
let me die unconfessed!
Unconfessed, unrepentant;
I rescind all my vows!
    Write till sleep:
    it’s the leap
only Talent allows.



Too Gentle, Angelic
by Michael R. Burch

for Kevin Nicholas Roberts

Too gentle, angelic for Nature, child,
too pure of heart for Religion’s vice . . .
Oh, charm us again, let us be beguiled!
With your passionate warmth melt men’s hearts of ice.

This poem was written shortly after the death of the poet Kevin N. Roberts. He died on December 10, 2008 and the poem was written on December 23, 2008, just before Christmas.



Beloved
by Michael R. Burch

a prayer-poem for Kevin Nicholas Roberts

O, let me be the Beloved
and let the Longing be Yours;
but if You should “love” without Force,
how then shall I love—stone, unmoved?
But let me be the Beloved,
and let the Longing be Yours.

And as for the Saint, my dear friend,
tonight let his suffering end!,
and let him be your Beloved . . .
no longer be stone: Love unmoved!
But light on him now—Love, descend!
Tonight, let his suffering end.

For how can true Love be unmoved?
If he suffers for love, Love reproved,
I will never be your Beloved,
so love him instead, so behooved!
Yes, let him be your Beloved,
or let You be nothing, so proved.

Must this be our one and sole pact—
keep you ***** forever intact?

I wrote this poem a few months before Kevin’s death.



Nightfall
by Michael R. Burch

for Kevin Nicholas Roberts

Only the long dolor of dusk delights me now,
     as I await death.
The rain has ruined the unborn corn,
         and the wasting breath
of autumn has cruelly, savagely shorn
               each ear of its radiant health.
As the golden sun dims, so the dying land seems to relinquish its vanishing wealth.

Only a few erratic, trembling stalks still continue to stand,
     half upright,
and even these the winds have continually robbed of their once-plentiful,
          golden birthright.
I think of you and I sigh, forlorn, on edge
               with the rapidly encroaching night.
Ten thousand stillborn lilies lie limp, mixed with roses, unable to ignite.

Whatever became of the magical kernel, golden within
     at the winter solstice?
What of its promised kingdom, Amen!, meant to rise again
          from this balmless poultice,
this strange bottomland where one Scarecrow commands
               dark legions of ravens and mice?
And what of the Giant whose bellows demand our negligible lives, his black vice?

I find one bright grain here aglitter with rain, full of promise and purpose
     and drive.
Through lightning and hail and nightfalls and pale, cold sunless moons
         it will strive
to rise up from its “place” on a network of lace, to the glory
             of being alive.
Why does it bother, I wonder, my brother? O, am I unwise to believe?
                                    But Jack had his beanstalk
                              and you had your poems
                         and the sun seems intent to ascend
               and so I also must climb
          to the end of my time,
     however the story
may unwind
and
end.

This poem was written around a month after Kevin’s death.



Storied Lovers
by Michael R. Burch

for Kevin and Janice Roberts

In your quest for the Beloved,
my brother, did you make
a near-fatal mistake?



Did you trust in the Enchantress,
La Belle Dame, as they say,
Sans Merci? Shall I pray
more kindly hands to gather you
to warmer *******, and hold
your Spirit there, enfold
your heart in love’s sweet blessedness?



No need! One Angel’s fond caress
was your sweet haven here.
None ever held more dear,
you harbored with your Anchoress
whenever storms drew near.



Whatever storms drew near,
however great the Flood,
she held you, kind and good,
no imperious savage Empress,
but as earthly Angels should.



In your quest for the Beloved
did the road take some strange fork
where ecstatic feys cavort
that led you to her hermitage
and her hearth, safe from that wood.
(Did La Belle Dame’s dark eyes hood?)



I am thankful for the marriage
two tender spirits shared.
When the raging waters glared
and the deadly bugles blared
like cruel Trumps of Doom, below
how strong death’s undertow!



But true spirits never sink.
Though he swam through hell’s fell stink
and a sea of putrid harms,
he swam back to your arms!

*

Life lived upon the brink
of death, man’s human fate,
can yet such Love create
that the hosts above, spellbound,
fall silent. So confound
the heavens with your Love
and fly, O tender Dove!,
to wherever hearts may rest
once having sweetly blessed
a heart like my dear brother’s
and be both storied lovers.

Amen

I wrote this poem on New Year’s Day, January 1, 2009.



You Were the One Who Talked to Angels
by Michael R. Burch

for Kevin Nicholas Roberts

You were the one who talked to Angels
while I was the one who berated God,
calling him Tyrant, Infidel, Fool,
Killer, Clown, Brute, Sod, Despot, Clod.

But you were the one who talked to Angels—
who, bathed in celestial light,
stood unarmed, except for your pen
and your journal, ecstatic, to write.

How kind their baptisms, how gentle their voices!
Considering their nature the world rejoices,
and you were their gentle, their chosen one . . .
you, my kind friend, now unkindly gone.

But you were the one who talked to Angels,
in empathy, being their kind,
a child of compassion whose tender heart
burst beneath skin’s ruptured rind.

You sought the Beloved with a questing Heart;
once found, the heav’n-quickened Spirit must fly!
You mastered Man’s strange, fatalistic Art—
to live, to love, to laugh, then die.

But living here, Angel, you found the arms
of a human Angel and, living, you knew
the glories of temporal, mortal love
where one and one eclipses two.

And now she mourns you, as we all do.

But you were the one who talked to Angels,
as William Blake did, in his day,
and, childlike, felt their eclectic grace—
sweet warmth, illuminating clay.

Two kinds of Warmth—a Wife’s, and Theirs.
Two kinds of Love—Human, Divine.
Two kinds of Grace—the Angels’, Hers.
Two Planes within one Heart combine.

And so you brought far heaven near,
and so you elevated earth
and Human Love, to where the Cloud
of Witnesses might see man’s worth.

*

My Christlike brother, who talked to Angels,
where do you soar today, I wonder?
Do you fly on white percussive wings,
far, far beyond earth’s abyssal thunder,
and looking back, regard the earth
and its lightnings and their bellowed hymns
as the sparks and groans of a temporal Forge,
as merely momentary things?

There, looking up, do you see the Host
of those who ascended, of those who see
all things more clearly, having slipped
thin veils of flesh, for Eternity?

And will you, in your Joy, forget
the sufferings of serfs below,
or will you remember, cry “Relent!”
to those with the power to bestow
the gifts of spirit upon the many
rather than just the Chosen Few,
who sell bottled grace for a pretty penny
and break the hearts of doves like you?

Or will you be the Advocate
of those who live—the ***; the *****;
the homeless man; the indigent;
the waif who begs at the kirk’s barred door
and dares not enter, for her “sins”
which the rich-robed mannequins deplore
as they circle her and mind the store?

Will mercy, pity, peace conspire
to hold you in their gravity
so that, still Human, you aspire
to change earth’s dark trajectory?

I wrote this poem the day after Kevin died.

Keywords/Tags: poetry, poems, poet, Kevin Roberts, Kevin N. Roberts, Kevin Nicholas Roberts, romantic, Romantics Quarterly
Tom Mach Mar 2017
O Calliope, muse
of epic poetry
and Erato, seducer
of love poems,
do ye know about
the pains of life
or about the
tremors of the soul itself?
perhaps not.
then where shall i find the true museum muse,
that marvelous explorer of the
labyrinth of life exhibits?
if i discover him
will he reveal to me love held and love released?
will he then disclose to me
the pain, pride, and promise of my existence?
will he flash memories affixed in my heart?
which tomb, then, do i want to unearth?
or am i careless or timid when deciding
which episodes i want others to see and
which i hope to bury?
Taken from The Museum Muse by Tom Mach
Miguel Quixote Jul 2014
She is my Dulcinea, my Erato:
My fantasy and my Muse.
I am the lighthouse in the storm:
the one to guide her safely home.

If your heart is open to walk this path
take my hand and I will tell you more....

I have an affinity for the language.
Some have called me a cunning linguist.
But I struggle to craft the next line,
Words to tell her exactly how I feel.
because....
"motorboat your hoo-ha" doesn't really flow.
Dimitrios Sarris Jul 2019
They're still standing like statues of marble rock.
They still linger in humans hearts bearing the gift of old.
Nine daughters of Zeus and Mnemosyne keeper
of world's memory.

With eloquence and harmony of voice Calliope presides in epic poetry.

In heaven of holy spirit Urania withers away
warden of philosophy.

Sacred is her hymn, sacred is her poetry, sacred is Polyhymnia
the dancer.

Joy and laughter brings Thalia with comedy and idyllic poetry
and men overcome their grief.

With a lyre in hand Clio tells the story of the world
but with no delight Melpomene narrates the tragedy of this world.

She is the loved one, the desired one Erato of loving poetry
giver of delight.

And close to the sea stood another, with a lyre in hand Terpsichore
dancing with her daughters, the Sirens.
Pete Badertscher Oct 2020
The first time you opened up to me
it was through your endless,
sapphire eyes.
Before that glance, I was
sure you weren't interested.
After that glance, I found
a new room built in my heart.
A room decorated in the deep,
ocean blue of your eyes.

Since that first glance
I’ve found myself searching,
craving, your thoughts.
So far I’ve found these three
things in your eyes.

Our first glance I saw a shy,
demure woman but,
one who finds interests in the
small forgotten places, the mysteries.
A woman who wishes few people
to see the jewels she hides inside.
A woman who lets her gaze slide,
not wanting contact--
but asking for connections,
Daring others to
knowingly take a leap
Into boundless azure eyes
that scry a magnanimous
future shrouded in lashes.

I want to call out!
"I see you.  I see your true face,
individualistic and beautiful."
I recognize pieces of you and I
answer your call with pieces of
myself.

Our second glance was
the ocean at night
under a full Moon--
bright with emotion and lust.
You, an Aphrodite of the sea,
your body covered in
seafoam and pearls.
You,  An Erato whose story
holds men and women
enraptured.
You reach out through those
bedazzling eyes with endearment,
and a promise of such ecstasy
as to turn Ovid's quill from his paper.
I find myself overcome with the
want to dive into your azure oceans,
to steal that treasure in your depths
For myself.

Our last glace was infinity--
the intensity of the sun at its zenith.
You, an Artemis, bow drawn,
Breast exposed, in the heat of the hunt.
Your protections triggered, your eyes
alight-- their color that of the dawning
Sky, cloudless, at the vernal equinox.
Pride and confidence, strength
and courage, well up and come to bear
against an ill-prepared stygian force
who has not an inkling of its
Thrull fate.

I want to know all the pieces of you.
I want to explore your substance.
I want to lie, entwined, naked, within you
and encompassed by you--
holding your gaze searching
into each other. Our bodies rocking,
sweaty--souls dowsing each other
finding pieces that fit and speaking
without words.
    
     I want to know...
                 I want you...
Inspired by real life events.  The best kind...

— The End —