a high school football game.
the field is ablaze with juicy roses
and doves.
the athletes suddenly drop thier pencils,
their coughing hands made of melting wax.
all the trombones are falling apart, and
the flute players are losing their *******
under the bleachers, throwing away secrets.
heartbeats cracking broomsticks, the nuns
were always hitchhikers with resounding
gag reflexes.
i sail forward, snatching the time bomb
from the quarterback, snuffing out
a pall mall on his right eyelid.
the dead angel is summoned to slay
the horrible hippopotamus. she is ancient.
she has a mouth full of cavities and peace
in her veins.
the truth is a piercing thing, whose bitter tongue will decay me.

Your words were so sweet—
I bet that when you lied through your teeth—
You got cavities.

The clickety-click-clack-clack of keys clicking
and the creek-creek-creek of the rusty chairs,
you grinding cavities into your teeth.
Is this your definition of time passing?
Time here is slow.
Almost unmoving.
You see a window,
consider the possible way through it.
Boredom does have a tidy death streak.

He says he loves me
He says that my smile glows of hope
And laughter
And wisdom
He says that I have this glow in me
That radiates out
Embracing life
He says I'm enough

But he only sees my reflection
And if he tried to skip a stone
He would see the perfection
Transform
Create shapes not welcome
Let him peak
At the murky bottom
Filled with treasure and trash
All covered in slime

My smile,
Is crooked
Has yellow spots and cavities
And the only thing that it beams
Is the breathe of my last catastrophe.

He calls me wise.
Only because he has never witnessed
The mistakes I step into,
The mistakes I give one more chance,
The mistakes that haunt in every corner-
Even the corner of my smile

He says he looks me in the eyes and sees hope.
I wonder where.
For when I glance at them
There is only emptiness,
And despair,

And the only thing I radiate
Is a warning
Do not tread that path
To the one lake
With the pretty reflection
It is just a mask
And though you may love a beautiful mask
A mask is not enough

But he says a mask can't mask everything
A mask can't mask
How I look up
When I'm on the brink of tears
As if the sun will wipe away my worries
A mask can't mask
How when a hand is outstretched
My whole being is clasped around it
A mask can't mask
That light that shines out of you.
Because,
Darling,
That light is too bright,
For even all of your self doubt,
Worries,
And the world,
To burn it out.

And a mask can't mask
And a skipping stone won't transform
That I love you
And because of him
I think
I can love me too.

I try to live Here. Here is humid-sticky-underground-dance-hall hot. I’m caught tight in a mess of limbs- bodies stretch and sway from this to Eden. I have never been more lonely. Together we inhale metallic Old Spice. Together we exhale stale tap water hymns. I am breathing all alone.

My tired tongue kicks awake to cheap nail poison as I tap each fingernail against bottom teeth and lightly push three times.
(Four times or eight times. Ten times in one quick, heart-drop minute but who’s counting?
Me. Of course I’m counting. There’s not a beat, rhyme or giggle that hasn’t busy-bee buzzed around my foggy brain. Each thought its own color, each touching down on a different set of crumb-glazed quilts or a different tower of gutted magazines. Each bee is long and thin, pointy in a terrifying way. Each bloated and dripping with a grand idea- which they leave like droppings and are so specifically intense they will never make any sense a breath apart from this moment and this context which crumpled and blew away while I dully, dutifully checked my pulse. I'm alive but my thoughts took off. I can see their exhaust but they fled fast, like they knew I could only begin to gnaw on them. They were born to quickly, maniacally live and die- in and out and there then off and gone.)

Here. Here the walls are chipping off one hundred years, one hundred lives of lead-based paint and are dripping onto the frayed denim of my ****** cut-offs. Impossibly long hair, absurd to call it mine, hangs heavy and wet. The strands shed drops of atmosphere on my (and their and your and-) bare feet. I’m my own sumi brush- my calligraphy is not words, but a footprint-marked path to treasure. Braided bits cling heavy and soaked to the curve of my neck and then billow like sheets hung out in the wind. My sharp, slick scapula must be the laundry line. It’s one of the good bones. Good bones only exist while jutting. The scapula is the beautiful ******* of my skeleton and we finally have made nice.

Here the music is so loud. The bass ignites my dental cavities. They sting and pierce as a reminder of how terribly I’m taking care. Lights blink, the room quakes and I need water.  I’m throbbing and flickering and faces attached to bones slither between each other and grind up into my own perfect focus. They’re smirking.

One at a time they appear with a warm, grainy hand on the small of my cold-sweat back. Each face of bones lean in close, dry and cracked lips that graze my own fever-hot ears. Goose bumps sling up and down limbs and the lips, all smudgy red lipstick and cigarette breath, whisper something to me that is absolutely crucial. It’s something beautiful or something hilarious or something crude but I can’t hear it. I’ll never hear it. They throw their bones back and cackle-laughing so hard it must be painful. All I can hear is my eardrums cracking and breaking, laying the bass for a high pitched dial tone.

One by one they do this and then, with a huge play-dough smile and eyes as deep as I feel, they slowly back away from my flimsy, electric body. I know they’re relieved they didn’t get stung. This goes on for forty straight hours. I feel like the Queen bored and still as they file through to kiss my ring. I feel like I’m at my own wake. I am beginning to erupt. I am lightly vibrating with the burden of militant creativity. I think I'm melting from the inside out. The bones still laugh and the bees, diving like war missiles, are screaming that it’s time to flesh out that novel, string precise words together in a huge, monumental way down golden strings that will change the world for the better and forever hang on God's graceful neck. It's time to record that beloved lullaby and sculpt that masterpiece or put on black clothes, sneak out and vandalize monuments. It is all absolutely crucial and so very urgent. Everything is wailing and I’m nodding slowly because if I do not do it, ALL OF IT, now- right this instant and quickly- I will die having said nothing. I will have wasted my opportunity to matter.

Here. Here the bone-bodies continue to mock me. The room stays dim and damp and I don’t think I’ll ever get clean. After twenty minutes or seventy years the crowd thins out, lights switch on illuminating exit signs and the room slowly, sadly, empties. I am sticky and aching and have never felt dumber. The bone-bodies left their blurry sweat, their empty bottles and their void inspirations like blank fortunes trailing across the bar top. There’s a real, fur, calf-length coat and a fake Birkin bag in the corner. My feet are filthy.

Here. But I’m not really Here. Here is bougy and exclusive. There’s no list but you probably can’t get in because actually Here is utter *******. Here is the moldy bricks and pre-war ceilings inside my head.
Leaving Here is too easy. You blink and you’re gone. Then I try to remember what party I even went to but I’m sitting Indian style and cramped on rough carpet and my back is in knots and everything I’m thinking is slow, melting taffy lose and inconsistent.

The sun starts to rise up pink through broken bedroom blinds and I know that I went way down deep and danced and gripped tight to flurrying ideas and made a big mess and now I’m stuck ripping papier-mâché, three inches thick, off coat-check walls and trying to read the graffiti-ed bathroom stalls but the Sharpie is dripping and I might be illiterate.

The Somethings I came to flirt with are hiding and won’t answer ‘POLO’ no matter how loudly I scream ‘Marco! ******* Marco!’ I’m reeling and under-breath begging ‘and please come find me and let’s make stuff and we can’t waste this and I can’t be a waste.’ But below all the pacing and knuckle-cracking I know that there are no Somethings listening to my panicky prayers. They sneaked out while I was braiding my hair for the sixth time, humming something old and Johnny Cash-y that I remembered and liked and had to Google and perform eight times for a mirror. I sneeze and I want to cry. I don’t think I know how to read. Edges start to blur and the alphabets a mess.

In defeat I’ll wash my face and slide under one light blanket and quickly sweat through it. I’ll lower my heavy, thick-thought and dizzy head onto a stack of three pillows. My vision will fall away from me and stars will explode in a chatty whisper that has be immobile and straining and sore. I will treat them like a sky full of fireworks blazing just for me. I'll ooh and ahh and my heart will palpitate under the weight of them. (Really I do know they're just amphetamine snowflakes falling slowly and burying my wasted night.  I swear next time I won’t waste it.) But at that moment I'll watch the show and feel safe and small and inconsequential, at last.

Just like you
I need some space
And some time
To think things over
Because life
Is never about
Sugar drops
And candy cane kisses
It’s about the cavities
You get in your wisdom teeth
Afterward.

sugar is how we got here

sprinkled on things
that were once plain
and thus made
so much sweeter

doused on the
painful qualms
of everyones stupid
life

poured on our
guilty pleasures
that keep us astray
from what we know

but sugar gives us cavities
rots our teeth
rots our soul
rots our world

Bordering the ear of Dyonisius, in the latomia stone cuts of paradise, they stopped at Syracuse. A certain flash of limestone reflected Wonthelimar's court; Marielle Quentinnais, wandering before him on calypso calcareous stones. Her superior powers made her eclipse her from an underground world, to mount towards carbonated stones that made egregious tilts to revive her in her arms. The end of a century became part of her heart with the premiere of the female species that led her to the Shemesh of Syracuse. The excessive temper strengthened it in everything, making it a revived stone from the Miocene with the Avignon characters, colluding through the Rhone until hitting this neat gold stone brought from the arms of Ezpaktul, transplanted with precision and gold typologies, with great Malleable morphologies that carried him across the surface where Wonthelimar was looking at her, his heart almost pounding when he saw her! the waters spoke of hydric morphologies that conferred of her on waters and springs that were inferiorized in disheartened lower levels when he lost her in the forests of Valdaine. Her brackish tears did not stop imputing a micro space with distinguished Psilocybin mushrooms, for an Ambrosia Mercurial compote that Wonthelimar chewed and that had been immolated from the remnants of Eleusis, helping to revive it from the lost space die of the Mausoleum of the Quentinnais. The mantles froze the cold and warm air masses in Syracuse, carried several meters above sea level, with eager extra surpasses by coexisting in the cave blocks, where she would rest with Vernarth in her arms. For the subjugation of the journey that would make him perhaps mortal, retreating towards a three-dimensionality that would raise him above the Pleiades, as Aurion would do behind with his club, but rather leaving behind the cavities that would put his quantum at the mercy of the tiny rosaries that she did, while he was getting ready to approach on the surfaces of the hypogeal speleothemes, like the Profitis of the Mediterranean who spoke to him of music, and of flood episodes with his spectrum in front of her, losing her in a melancholic fervor, being plunged into the hypogeum of Chauvet. The level of her vicious intrigues led him to follow her like an unattainable cousin, but with backwaters that compelled him to think of her master Vernarth, linked to micro images that warned him when he tried to get too close. The floating instants weighed more than a slight depth through accumulations of his retro memory, making him flee from her, and now she was fleeing from him, with large sprays of dew that filtered into her arid aquifer memory, superior to the kart that is established by correspondence when someone supposedly disappears, because their free will is entombed with their stone specter. Due to regimes suffered, there was only one monarch that rose in icy and polar vadose conditions, towards an earthly level where the feet melt the calcaneus as if it were a weak relative ascent towards a couple of beings who loved each other imprecise, and contexts when vivifying their hiding place. in the caverns of Chauvet. He can hardly recall it a shallow light, almost falling without mass towards the front of the stalactites, creating concretions of solid love under the deepest prodigality.

Wonthelimar, had had a vision on the vadose threshold when he came out to the surface with Vlad and Vernarth, being able to realize that the cloying environment made him subordinate himself in the altimetry of his maniacal impossible love, putting at risk the mission of overcoming the fluctuations of his visions, placing precepts in the sighting courses in Syracuse that had him dazzled, and very close to the entrance pit of the Ear of Dionisius. The puffs of caliginous air mass climbed before the beastly decibel of Vlad's chiropterans, falling through the marshes that were found from freshwater by several estuaries, and with decimeters when they tried to adjust their addiction. Solvents in the glaciers looked immutable when they were taken by underwater stimuli and models, still remaining after an extraordinary performance of vague probity, reviewing the details of actualism on the interfaces that led them, causing the water to flee from their bodies and inclinations. Only a few deposits favored the band mechanism to protect Vernarth's burning, which crystallized in excesses of the Sun, precisely when the fluctuations seemed bulky, by coordinating the foreign fattening in its arms, with which it would open the floodgates before entering the Grotto of Dyonisius, with greater rigors of concretion and emotion that flourished towards a maximum extension, which progressively gave rise to the devotional areas that received them at adjoining angles of forty-five degrees from its main arch, where frequencies stood out and the light with the mass of the Sun, distributed in small stars, which leaving campaniles that adhere to the normal area of distribution of the frequencies of the cave, on bands that reflected moved bodies on the mirror of rain that was shown on themselves, such as once striated towards a more tempting rib of the Coralloidal Speleothems. In Catania, they settled in the polis of Artemis's prosapia, on sieges where he led Marielle to past vigils with the Archons of Athens, not being able to subject her to arbitrary vexation.

Marielle was screened behind the Erithrina Coralloides of the Speleothemes, when this deciduous tree changed the color of its foliage in emerald colors, its spines served to deposit the Vernarth clone on its leaflets. After the libation of the alkaloid by Wothelimar, helping him to materialize the elusive effigy of her Marielle, making insertions in her disintegrated seeds allowing him to remove from her back some elytra, like those of Daedalus when she fled to Sicily escaping from King Minos. A snowy thread emanated from the similar ether that was picking through the noses of Wonthelmar and Vlad Strigoi, making it necessary to put wings on both of them to go to the cave of Dyonisius, toning the resins and aldehyde they carried to keep the Vernarth clone alive. Both rose over Marielle who was left with the custody of the clone, as well as their backs released red resins as consumed fuel, which was circularly reconsumed to rise up and enter the cave, resisting the arid aridities of the toxic fuel that was expelled on the Edens of Sicily.

Chocolates smell good.
Children eat it as food.
They get cavities in their teeth.
Then their teeth are not neat

Chocolates have ingredients called cocoa.
Chocolates are not sold in Morocco.
Chocolates are in shapes of *****.
You get chocolates in shops and malls.


They come in shapes of trains.
They even come in shapes of paints.
Chocolates are made of milk.
For a example a chocolate called diary milk silk.


Chocolates come in favours of apple.
Chocolates come in colours of maple,
Chocolates are brown.
Chocolate kings wear them as a crown.


People can eat chocolates for breakfast,
Chocolates for lunch,
Chocolates for dinner.
They get so much energy,
That they will run a marathon and become a winner

Perhaps we were both waiting
for words to come from the speechless;
with our hands outstretched, feeling
for some infinite nebula we called love.

I liked the way you saw form in the formless,
a dreamer from the sleeping,
and the ghost from the living

(But the real ghosts and dreamers were us)

Sea-sorrow would sink our ships of wander-lust
And we'd rebuild with planks of heartache;
new sails of empathy and a hull big enough
for everything else in between

Some moments were better than others,
Some forgettable, others memorable
your lips, my eyes, your skin, my skies;
the cavities of silence in our conversations.
I remember, when you tried to blink away the sea-change
Rubbing waves of apathy, so endless
and unrelenting, from your face
Watching you fight the tempest moved me
and my lungs took in so much sin
It made my bones ache with guilt;
the fire of my desires, the prison of my soul.

Perhaps we were both waiting
for the proverbial hand, that infinite warmth,
to reach down from the heavens.
The hand that moulded us;
the hand we slighted for love.

Picture it: a lie were blue if the truth were red.
A lie is always cool, and the truth is always
Angry.

Compare it as well to ****** fluids: lies spew from our oral cavities like saliva,
when blood, the banality of our existence,
courses ferociously through the veins of every woman, child and man.

Both blood and saliva encompass being on levels past the physical and certainly beyond the secular.
But,
Sexuality is truth is red is anger.
Angry men are ****** men are truthful,
men.
Consider it, for
to be happy is to be
the epitome
of virginity.

Aches
From old mistakes
How foul have I been speaking?
Cracked smiles
From cavities
Causing a crevice in my teething
The price of penny candy
Is pain
Cheap sweets as artificial
As half-hearted attempts
To show love
Dove's chocolate boxes
Mean less
Harm than my intentions
Teeth missing
From grins
As grim as what I'm eating

Over sweetened
Fall decay
Covered up in caramel
Flannel sheets line freezing beds
That rot from the inside out
I, too unwind this way
And walk on red, yellow leaves the same day
In black boots I bought to repel the rain
I chew on candy apples
My teeth are weak where they start at the roots
They glisten on the surface
Someday they grow too fragile
To stay in place
Fall decay
Covered up in caramel
I miss the feeling of holding hands
The empty half of my bed looks quite a lot like hell
Fall decay
Covered up in caramel
I have a feeling in my gut
From swallowing my pride and ignoring your call
Fall decay
Over sweetened
I wish I'd taken care of these cavities

I’m the type to holster mental index cards of things to say on a first date
But no matter how much I study, my words never withstand the test of time.
Eventually, sweet nothings cause ear canal cavities from sultry words too often indulged.

Love made me want to rip my pulsing heart out of my chest and place him on a table just for interrogation.
I would ask, why he would trust so easy when he should know better than anyone that no love, melody, or beat goes on forever.

But what an exceptional construction worker you’ve become.  
Demolishing hearts as if the blueprint to my soul has become obsolete.
Words spewed from your mouth with the power of a wrecking ball that collided with my 5’7 frame.
So unpredictable that I doubled over from the pain.
I crumbled as if I was an ancient building way pass my prime.
And I’m still searching through the rubble to find any salvageable pieces.
Maybe I can recover a missing part of my smile and plaster it back into place, though it will never fit quite the same.
You ****** slowly on my bone marrow and your lack of concern made me insane.

Before I slept, I sprinkled immaculate images of you on my eyelids as if I was the Sandman.
Thoughts of you embraced my dreams, and it was the only way I could find serenity in my slumber.

I will never again activate the synapses in my brain that saw you as a god that descended to earth.
You ripped my psyche to shreds like a cannibalistic cupid who lost sight of the agenda.
To create love, not to pierce it with vindictive arrows.  

Now all you are to me is this poem.
A poem.
Letters, words, and stanzas.
You don’t even deserve the time it took me to write this.
You do not deserve the effort of my joints smacking the keys when I find the next thought of how you hurt me.

Like sacred paintings in newly discovered caves, I tattooed the inner walls of my cerebral cortex with memories of you.
It would be there forever. Waiting to be discovered by the next person that walks into my life with a torch filled with hope.
Illuminating my dark, damp and lonely cave.

When the next woman crosses my path and wonders why I get a verbal tic from the word love, I will unlock those same chambers of my mind and show her the walls that you’ve left your worthless signature on.

I hope she will be able to understand that I can let her onto the front porch, but it will be some time before she gets to see my home.
Because, it’s really messy in there.
***** dishes in the sink, books thrown on the ground, an unkempt bed, and my confidence and self-worth hung up to dry on the clothesline.

You cannot just rent a space in someone’s home and then leave without a month’s notice.

You were my addiction,
I injected your ******* essence and I was high on life when you were near.
So close that you coursed through my veins and made me feel alive.
Every now and again I get that familiar itching of an addict.
I am itching, just to text you.
Just a simple hello.
I get urges to find you.
To cop another one of your addictive glances straight into my two liquid pools of inexperience.
I never thought addictions were this hard to kick.

In the spirit’s solitary hours
It is lovely to walk in the sun
Along the yellow walls of summer.
Quietly whisper the steps in the grass; yet always sleeps
The son of Pan in the grey marble.

At eventide on the terrace we got drunk on brown wine
The red peach glows under the foliage.
Tender sonata, joyous laughter.

Lovely is this silence of the night.
On the dark plains
We gather with shepherds and the white stars.

When autumn rises
The grove is a sight of sober clarity.
Along the red walls we loiter at ease
And the round eyes follow the flight of birds.
In the evening pale water gathers in the dregs of burial urns.

Heaven celebrates, sitting in bare branches.
In hallowed hands the yeoman carries bread and wine
And fruit ripens in the peace of a sunny chamber.

Oh how stern is the face of the beloved who have taken their passage.
Yet the soul is comforted in righteous meditation.

Overwhelming is the desolated garden‘s secrecy,
As the young novice has wreathed his brow with brown leaves,
His breath inhales icy gold.

The hands touch the antiquity of blueish water
Or in a cold night the sisters’ white cheeks.

In quiet and harmony we walk along a suite of hospitable rooms
Into solitude and the rustling of maple trees,
Where, perhaps, the thrush still sings.

Beautiful is man and emerging from the dark
He marvels as he moves his arms and legs,
And his eyes quietly roll in purple cavities.

At suppertime a stranger loses himself in November’s black destitution;
Under brittle branches he follows a wall covered under leprosy.
Once the holy brother went here,
Engrossed in the tender music of his madness.

Oh how lonely settles the evening-wind.
Dying away a man‘s head droops in the dark of the olive tree.

How shattering is the decline of a family.
This is the hour when the seer’s eyes are filled
With gold as he beholds the stars.

The evening’s descend has muffled the belfry‘s knell in silence;
Among black walls in the public place,
A dead soldier calls for a prayer.

Like a pale angel
The son enters his ancestor’s empty house.

The sisters have traveled far to the pale ancients.
At night, returned from their mournful pilgrimage,
He found them asleep under the columns of the hallway.

Oh hair stained with dung and worms
As his silver feet stepped on it
And on those who died in echoing rooms.

Oh you palms under midnight’s burning rain,
When the servants flogged those tender eyes with nettles,
The hollyhock’s early fruit
Beheld your empty grave in wonder.

Fading moons sail quietly
Over the sheets of the feverish lad,
Into the silence of winter.

At the bank of Kidron a great mind is lost in musing,
Under a tree, the tender cedar,
Stretched out under the father’s blue eyebrows,
Where a shepherd drives his flock to pastures at night.

Or there are screams which escape the sleep;
When an iron angel approaches man in the grove,
The holy man’s flesh melts over burning coals.

Purple wine climbs about the mud-cottage,
Sheaves of faded corn sing;
The buzz of bees; the crane’s flight.
In the evening the souls of the resurrected gather on rocky paths.

Lepers behold their image in dark water;
Or they lift the hemp of their dung soiled attire,
And weep to the soothing wind, as it drifts down from the rosy hill.

Slender maidens ***** their way through the narrow lanes of night;
They hope for the gracious shepherd.
Tenderly, songs ring out from the huts on weekend.

Let the song pay homage to the boy,
To his madness to his white eyebrows and to his passage,
To the decaying corpse, who opened his blue eyes.
Oh how sad is this reunion.

The stairs of madness in black apartments –
The matriarch’s shadow emerged under the open door
When Helian’s soul beheld his image in a rosy mirror;
And from his brow bled snow and leprosy.

The walls extinguished the stars
And the white effigies of light.

From the carpet rise skeletons, escaping their graves,
Fallen crosses sit silent on the hill,
The night’s purple wind is sweet with frankincense.

Oh ye broken eyes over black gaping jaws,
When the grandson in the solitude
Of his tender madness muses over a darker ending,
The blue eyelids of the silent god sink upon him.

Overlooked as if too good
Too sweet causing cavities
Borrowing glances never getting them back
holding hands, loose, and even lonelier
All you wanted to do was be happy
Chances don't exist for opportunity is everything

my body is a topic that trails the mouths of a family at dinner
it is the trail of saliva that leaves shortly after breaking a heated kiss
always leaving a bitter taste

but when did you taste me?
when did I crawl into your mouth full of cavities?

existing as I am cements chains in people's root canals
a topic for discussion
my life to debate
trans people being the forefront
it is so inconvenient and sinful
and yet its the flavor on their seething lips

kissing one another trailing more saliva
knowingly trading hate with ones mind and lips
integrating more citizens and normalizing their behavior

transphobia is the topic for discussion

They say
Words can leap off the page.
They say
Words can cut like a knife.

Come home from watching Lubovitch's dancers
Doing crazy eights upon the Joyce stage,
Rat-a-tat and seconds to bed tablet two-handed,
Some of thy words to keep, relish and visualize.
Tongue-taste delights, imagery dreamed, conceive'd!

Read four or five and I am
Crucified.

Anguish
Unrelenting - knocks planet Earth
Off its axis.
Star watching observatories call
NASA
"What's going on?"
But hey, they don't take the
Call
I don't make
Explaining soular word flares.

Anguish
Black and bold apropos.
Its asexual attendants,
Greet me, as I lay me down to sleep,
Souls inferno'd true confessions slap
Reality TV down to a pathetic joke.
Words, thorns without roses,
Bodies ready for extreme unction,
Punks puncturing peace with no punctuation,
Respite, none,
Spite, aplenty.

Google "sayings about words," thousands exist, pithy.
Amusing, insightful, but can't uncover any that relieve
Anguish,
the way needed now, for this crisis state.

Anguish.
Say it slow with your hands clasping your head,
The electric **** stabs connect your ears, but
Like water seeking release, head southbound to test the
Cavities of the heart's boundaries, probe for the
Satisfying silent ******* screaming weak spots.

Anguish.
Say it     r  e  a  l     slow,
feel the sounds of a summary of
Many other words, subsets of misery etc. etc.

The Aingsound,
Reminder of the dinging ringing stinking stingers,
Happy in their ***** work,
Here a hurt, there a hurt,
Everywhere a hurt hurt.

The shhh sound,
Is the bitter taste residue down sinister,
Ends in it,
No wash of the body or the mouth
Removes the endless shhh sound that is the exact
Opposite of a silencing hush.

I say,
I have words too.

Though I am not now,
Next to you,
You will hear my voice,
Out loud, out now, speaking
My words, recite or
Stop.

My words:

Feel just like those squeezing hugs parents
Give their kids when they are six seven and eight.
Hugs so tight the breath stops, but no minded,
For the message well received,
You are mine, my always, unencumbered,
Safely will this hugging touch see you through the night.

Foolish parents thinking those hugs unnecessary,
When children are "old," you know, like
Sixteen, seventeen, eighteen, when
Anguish
Needs defeating then, needs them hugs,
Now more than ever.

My words:

Are the arm unexpected slung fastball of simple affection,
Over and around a shoulder sent and spent,
A best friend's gesture that says, I know, I care.
A costless measure that measures in caring
What no precious metal could dare contend.

My words:

Are hands, a corps, a division of single soldiers,
Stroking thy cheek, caressing thy forehead,
Corpsmen coming for the wounded with comfort,
Antiseptic syringes, stretchers to take away
What needs taking away.

My words:

Are a neck architecturally designed to take your
Head, be a pillow resting place, your bird house to
Shelter or hide, as you need, see fit.
There is no rent charged,
Except for what I pay you in the coin of comfort.

My words:

Drum beating chest for your rest, each beat a
Message of connection, my beats purposed to
Remind you that thousands beats more yours,
So look up raise up refreshed head, to listen
For it's the song of steady, a reminder, a remainder,
So many much chances yet.

My words:

The drowning pools where anguish suffocates,
For it cannot breathe in a world of words of
Pure oxygen that resuscitate, filter, restore.
Each breath a clarification, each one  word speaking,
No more, no mas, done, enough,
Anguish
Extinguished, banished.

They say,
Words can leap off the page,
They say.

No, you try, you hear it, the voice clarion,
These new words that travel up thine arms
Holding until the until, no end demanded,
Awe and then some,
Some more,
Healing words, meant to be read back to me,
So I can rest knowing you've lesson-learned,
Homework done, cause it is your words speaking,
Out Loud!
My words,
Become words of yours,

Your words.

Senseless living in Beirut. Disconnected from routine, from drama. Disconnected from passion and compassion in a stagnant, stagnant, stagnant place. No reassurance for tomorrow, and definitely no reassurance today.

And it all sounds so disheartening, even to yourself. So you put those thoughts on a dark shelf, resting in the cavities of your mind, only to find them oozing out again.

Making arms feel heavy. In a city that’s the perfect size for strolling every step feels like a chore. Like why’d I walk out here on the streets for? There’s no room for me. Too many holes in the street, and I wore these sandals coz they feel light on my feet, but they keep ripping. Dog ****, low-class spit, and high-class ****. It’s **** I tell ya. No room, nothing.

Unless you’re on a list. Then you’ll find endless place for you, and mix with commoners on the dance floors. Rub shoulders with those struggling artists and hidden talents, photographers and such. More images, much.

But still that’s not enough…. if you happen to make it, that is… still not enough. Because that kind of comfort is tough on the soul, and it hurts that you didn’t just go home and save it. You know, save your money, save your time, save your self. Not become someone else. Not finish the night rolled up in bed and thinking over those million things you said, was that the right thing? Perfecting social awkwardness by living it again, but alone. Just let it go, the past is dead.

You think, ‘let me think.’ Let me sink into the things that stimulate my mind, that I find interesting, revealing, revolutionary. And re- re- the process. Reanalyze in a new frame of mind. This isn’t that time, it’s now. I’m all so much more grown up. I can deal with the higher material. My envelopes carry essays, and my mirrors reflect mantras. I use my blade to cut Mongolian chicken.  A unique recipe I found on Pinterest. I’ve got several blogs I read…I’m sure you don’t know them, they’re avant-garde…and I dedicate a hard process into selecting the right documentary, something that’ll illuminate me further. We apply this fervor into knowing more, only to realize how little we can move with that knowledge.

Killer of dreams, Beirut is. This murderer of hope. Like even if you got home, and plugged that DVD in to get your mind off with a laugh and a lay, the electricity finds its way to blast through and ruin a perfectly good evening for you. See it was feeding off your ****** energy and ran a little too highly, and now your wires shot. And somehow it burned through your generator heart. Could we somehow spark the cables with some electricity again? I don’t know…let’s check the trunk for monkeys.

Senseless. Not seeing, not feeling, not tasting, hearing, or smelling of sense. Honestly, just pushed beyond the limit of decent respect. Rather ******, crass, crude, no sense to reason, only nonsense, like gibberish, a terrible two tantrum, nothing to pacify, no milk of poppy or anything else. The alcohol is hit so we can’t rub teething gums. Instead plastic BB guns, manufactured with lead, which I’ve read shouldn’t be given to children under the age of two. But still, this is what we do in Beirut.

I want to root for a winning team. Something that’ll keep me on the edge of my seat so I can leap at the final score. Give me a winning team to root for. Instead divided, and individualistic, the secret to the American dream, that didn’t seem to work. Or collective, and fanatic, fundamentalist and bat-**** problematic, because of loss of self. Now, what’s the fun in that? If those are the teams, don’t put me up to bat. Let me stand in the back, and please pick me last.

Senseless and fast. Each day merges into next, and Lebanon is an eternal vacation. Cheap time chalets and happy time oil rubs. Under setting suns that morph into other ones, instagrammed and timeless on HD…not very revolutionary if we think within the context of things. But still, we never seem to, think.

Rather reignite the old patterns of thought. The ones that brought pearls and Switzerland’s, French nights and Brazilian beats. Ones that won’t have us marching on streets, but rather cater to the revolution of our hearts. It’s called the revolution of love. But I hope you don’t mind I’ve forgotten my glove in the other room… don’t worry baby…I’ll pull out if I feel that I’m cuming too soon… uh oh…(boom).

Was that a bomb? Or fireworks coz we were looking in each other’s eyes? Hide nonsense with senseless pastimes, de-synthesizing further. Falling deeper into this cataclysmic abyss, that leaves no space for sense.

Give me a tissue to wipe it. Clear it away. There’s another day starting and I want to forget that even happened. That I tapped into something and remembered to care. That would make no sense, it’s senseless back there.

what i find beautiful were the breathed conversations we shared between the kisses we shared and this whole situation is reaching into my cavities and contorting my heart into places of infinite joy and infinite sorrow and infinite apologies maybe you will never feel the same way but i do and god the way you hold me will be imprinted on my skin on my flesh on my left ventricle forever because **** i miss you and **** i miss your companionship but i cannot ask for you back and now all i have are three perfect weeks of a simulation of how it could be like and how we could have driven each other crazy with our thoughts and our love but i guess it is always like this right the most beautiful things are the ones that exist in your head and never manifest into reality because reality is messed up and this is why all of this is an absolute beautiful mess.

There's a fella you've all heard of
From a sandy foreign place
He was sent down by his daddy
From somewhere in outer space
He died and he came back again
Then he hit the dusty road
Now he's there for me with a helping hand
When I've almost dropped my load

Jesus is my barman
I munch his salty nuts
He fills me up with lovin'
Till it rumbles in my guts
He's my one almighty Hoover
He ***** off all my sin
To all my tricky crevices
He bravely enters in

He eases through my tightest spots
He's always got my back
He lubricates my passage
Down the narrow winding track
He tinkers with my plumbing
Removes my stubborn stains
Then with his holy implement
He firmly rods my drains

Jesus is my bell-boy
In his elevatin' craft
He pushes on my button
Then he takes me up the shaft
He's my fire fighting saviour
When flames begin to roar
He grabs his mighty helmet
And he breaks in my back door

He's captain of my ******
Commander of my boats
Don't worry if you're sinkin' fast
Cos Jesus always floats
If you're cold and need to light a fire
The lord is right and good
There's one thing he's remembered for
It’s always having wood

Jesus is my dentist
He drills me with his bit
He fills up all my cavities
Then I gargle and I spit
And one day when it’s legal
We'll end our secret fling
With his ring on my finger
And his finger in my ring

I'm quite taken with you.
You're the apple of my eye.
Like a chocolate fudge sundae on a Friday night,
You're as sweet as pumpkin pie,
But my teeth are prone to cavities.
I dare not take a bite.

we are carbon,
ashes,
craters,
two towers,
after.

rubble,
mist and manholes.
your eyes on a
cloudy day.
the aftermath of destruction.

we are leftover scratches
on gas chamber walls,
corpses,
cremations, and gravestones.

vision without glasses,
abandoned buildings,
the residual newspaper ink on
your palms.

we are static, crumbling nihilism,
aged hair, and dust sifting through
frost bitten fingers.

cavities, apathies,
blank television screens,
sketches, ghosts, absence,
dust, collapse,
driftwood.

we are driftwood, not enough
for a life-raft,
sometimes, where there is smoke,
there is no fire.

i guess it’s where we were always heading,
dulling, deconstructing, disintegrating.
after all, every thing
reduces to this.

The blues can build holes
In the depths of your cavities,
Feed desires and sweeten the lonesome.

I

Angry stupors succumb her sternum
                                          --battered cavities
                             and shoulder sockets.
   Mates with shotguns and pitchforks
           snapped femur bones holding to hope,
  cat nap toes struggling
                                            to climb the miserable

  The greatest beasts reverberate
                        --Fathom and Torrential/Alice & Skippy,
                                       & Orwell and Bukowski
   with pit mentality swarming
                            her literature
                            his neck.                   Never be the Republics.

     The wall is wood and bare. Ammonia wet seal--
              
            Alice, with her sweet, clawing voices sees
                          this escape is a prison.
        The dove sent to fetch Peace's growth
                  got stuck                                     in the chimney
                             that Skippy built with his stubbornness.

     Alice touches her tacked on remnants
                       --feeling the double home.
                                  Skippy stands still unless Alice calls
     for him
                  and he runs so fast with heart halves beating
                                                                ­       slow.

   *II

           Skippy looks down the abyss and sees Julius Caesar,
                    Cthulhu, and a black flag
     calling back for ceremony
                                 in honor of facilitating fear
                        holding tears
                                   and hugs with arms of falsehood.

    Providing bread for mothers and fathers,
            captors of our tables of silence.
       Fear--making dead witnesses into no soft music,

                                                         ­  no music.
                                                          ­       No,
                                                             ­  facilitators near the top.
                                              What the minds of men
                                                             ­                have done to him...

III

                            Wet paper skin,
                       flat screen canvases--cute satisfactions
                                  asked mean all the world
      but yet                                nothing              but petty questions
                                                       ­                              that break the camel's back.

   "Do I deserve to do this to you?" Skippy asks,
                  helping Alice remove her other lung.
   "Pages will tell babblers later
                           in history", Alice replies.                   Shrieking

    Skippy quarters Alice, the body, the organism's pillow
                    ink
                    oozes
        ­     and    
                             squirms.
Silence,
               as Skippy does the deed.
Wallowing
          back
into
           the
swamp
            of
obsessive
           perception,                        climatic disintergration
                                                 ­                   makes flint hit steel--making another heir
                                                            ­                                       in her litter. Her name is Pain.


IV

       Loving Alice
                           watches         as she falls,
                                                    crashe­s,
                                                and rises.
She smiles softly.


V


  softly with lips of jasmine, the butterfly conundrum is strapping
            fingers made of chalk and other media to
red bricks,
red bells,
it is but a ghost of a casket. She breathes in this casket--in the belly of a bell, she survives.

                                     It doesn't take her long
            to finish
                          what she has done
         --nails faded back to purple polish.

  Falling through her father's philosophy                         a ladder,
                                                         ­                                    a rope
                                         to strangle the blade of Lady Macbeth's sanity.
          Alice takes one last look
  under jasper eyelids--pulls the rope & becomes lactic.
                                                         ­              A motion film.

Wanderer. Gypsy. Warrior.
A coalition of stardust children
On a hunt for home
I've laid out my welcome mat before
Lit the candles
Not for long
Whispering, the wind picks up
Moving across the tundra
To howl through my iced cavities
My edges are sandy shores
Muspelheim soaked with sea salt love letters
Loki resides on the interior
Playing tricks
Searching for a völva who will guide his way
Perhaps I am she
Who shall never rest
Until I reach Valhalla

T
  O
      X
          I
             C
You're facing me, but your eyes are no where to be found.
Yes, you are facing me but your face is featureless.
All that's visible is your beard and the lips it protects.
T
  O
      X
          I
             C
sludge pours from your gaping mouth.
A dark purple, thick liquid dripping slowly down your chin.
Most of the sludge makes a home in your beard,
just like my fingers used to burrow inside
and gently scratch the skin hiding underneath.
You used to love that.
T
  O
      X
          I
             C
sludge is never ending.
Yet, this pool calls out to me,
as if to say "paint in my missing features."
T
  O
      X
          I
             C
sludge smells sweet but sticks to my fingers.
I try to paint in your eyes but am stopped,
for I am unable to remember what your eyes look like.
Your mouth begins moving,
but there is no sound;
no words forming at the tip of your
T
  O
      X
          I
             C
lips.
Of all details of you,
I remember your lips.
Kissing you was effortless.
Our lips would lock and never depart.
Your mouth always tasted of sugar; sweet, but too sweet.
Months of being tongue tied left me with cavities.
Your lips no longer look inviting when
T
  O
      X
          I
             C
sludge continuously flows from them.
Looking closer now,
I can see letters forming at the tip of your tongue.
Too afraid to explore your mouth with my own once again,
I use ******* to gently pick up the letter.
M
Confused, I look again as more letters appear.
O-N-S-T-E-R
M
   O
      N
         S
           T
             ­ E
                 R
was your favorite pet name for me.
In our most
T
  O
      X
          I
             C
moments, I became the girl in your nightmares.
I  became a
M
   O
      N
         S
           T
              E
         ­        R
I at least was only a
M
   O
      N
         S
           T
              E
         ­        R
in your nightmares.
Every waking day you were,
and always will be
T
  O
      X
          I
             C

An animal is what I am,
with fangs that bite too deep.
Awake at night, and too possessed
to get a wink of sleep.

Amused by chasing freedom
from feeling what is real.
I would go to any length,
I'd make a Devil's deal.

Corrupted and conflicted,
until I find my friend.
He's killing me, and ripping me
apart from every end.

Smoke is curling up inside.
Noise is somewhat dull.
Silent moving pictures streaming
softly in my skull.

I think the ground is quaking.
My eyes are dry as sand.
The carpet feels like metal scraping flesh
upon my hands.

Shaking within cavities
I thought did not exist.
My temperature from cold to hot,
I'm fiending for the bliss.

I wish the things I felt right now
would wound me to my grave.
But fantasies of you inside my veins
is what I crave.

I've sobered up and looked
upon my arms, who seem to yearn.
A distant scream inside my heart
tells me I'll never learn.

A bag, a spoon, a spark, a *****
and now I'm turning blue.
Blue death inside my bones and skin,
an animal for you.

Without the souls of Trouvere, will he aspire to spheres from where he can replicate himself in the ductile state of the ceremonious Energeia...? The naive action is univocal as the first practice modulated in inclinations and lexical motricities, where they die within their fears, failing to hope and convalesce their desecrated wounds congruent in concepts of Energeia, as an arbitrary neologism to move what in itself is not self- scrollable. Vernarth after witnessing Stratonice's intermission decides to run barefoot for those who banish needs on the parental scale of his range. Succeeded by the need of Energeia towards the impudent sense of being enraptured in possibilities, and supernatural substantialities that transported him in the Epistle even to his desiring hands, but in natural causes, and kinetic emotionality in the destiny of the principles of a movement that dialogues by a spinning spin; alembicated in particles of displacement time eccentricity, towards itself in the synonymous statics, providing intrinsic angles to be associated with the rotation of time and Epistolary demands so that the quantum light can relate the energetic spiritual emotionality, with the own dissociated relationship in the spaces of appearance; where it is to be believed that there is a moment of bias provided in the emotional-movement rooted in linear memories of the temporality of the Hellenic mental axis. Everything is proper in the coordinates of the speculating, which is adduced and duplicated in Poielípsis or unveiled generation of relativistic emotions. For this reason, Vernarth naughty importunates this metaphysical precognition, alluding to particles that generate dissimilar inclinations in lapses until reaching the threshold from when Stratonice partially divided its material and spiritual origin into stationary diversity, in meditated phases that will not take place nuclear, but in the polymathy of its exteriorized threshold, and of the emotional mass of its free and passionate matter that concerns its strident and impalpable Macedonian origin.

From this moment on, the intuition corresponds to the angular reinforcement of "Poielípsis", in this way the coordinate of the Souls of Trouvere becomes present, as pseudo images of the Diadochi, involving magnetized radial movements that will lie in the spheres of physical value., in the garb of the Gerakis and Petrobus, who strived in the sense of the energeia of the Epsilon neologism, not to restrict themselves as Aristotle affirms, investigating the being towards a mono-sense in this causal, of such alpha that it says the paradoxical, demonstrating the diversity of optics. Faced with this diatribe Vernarth from the naturalness decides to empower Souls that are part of both topics according to Vernarth, it is to alleviate the potentialities of the acts that apprehend the light of genius that coexists with both. What the entity justified us in unfolding will be delivered by divine intelligence, so as not to reduce the free power of the Epsilon that was extracted in the welcoming presence of Stratonice still withdrawn in the atmosphere of the Voielípsis (substitute scale of relativistic emotions of Vernarth). There are few seconds that can be extended more from a selective argument of trends in the specifications, which could be attributed to dimensions of the Trouvere period of souls, lacking stillness in simulated biological environments, as if they deliberate the naturalness of an expression of who It does not philosophize if something has to detach itself or grab hold of creation to privilege the natural, re-arguing affection when professing, if there is time to express it, so it is intuited what the virtue of muttering simultaneously in the laborious, and in what does not progress. The dynamics of this Poielípsis is to dress the Voielípsis, as an analogous addition of quantum causality and of temporal and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas, heading towards the prop in the mega absorption of Christian Aristotelian ideals. The souls of Trouvere will be residents of the indeterminate spiritual mechanics, to deposit effects of the incredulous versatility in themselves, in the sub-aquatic depths that coexist with the geological structure of the cavern of San Juan Apóstol, but in subterranean concomitance, under the same axial coordinate that is sustained sub-geological. Namely; They will coexist as long as the Mandragoron of the Duoverso and its Voielípsis are established, but three hundred and eight meters from its antipode in the underwater base of the Profitis Ilias.

The antithetical line is the verifiable germinability of those vertical events of the plinth settled by the Souls of Trouvere, containing the germinable starch of the growth of the ergonometric stirrup of the Zefian Bolt, which from zero elevation to 308 meters above the Aegean level will form a mega extra parapsychological bilocation, which will be gestated in its uniform vertical chronological numbering, with the pre-Christian Pythagorean and post-Christian representation in the coronation of Carlo Magno, mentioned in royal visions by the Apostle Santiago, in the versant apology of Pythagoras as an entity supra divine, envisioning the scenographic depository, and fragmentability of these three components of this start of the Hellenic Magna in the hydrographic, sub-terrestrial geological and residential basin of the Souls of Trouvere.
The upholstery of the Pythia of Herófila attacks the subtended of the flying buttress that supported the volcanic cavities of the Sub-Patmos, indicating its agreement with the Souls of Trouvere by its disoriented cognitive dissonance, generating paradigms that traced stones that formulated Aquarian sounds, in a dominant tonality by the minuscule machine of light, more distant from the incommensurability that escaped eclipsed in the resplendent major note that becomes monarchical by the hypotenuse of a rectangle in three subdominant angles. This brings about the thaumaturgy of Pythiais, the mother of Pythagoras who, together with Vernarth's Poielípsis, forge retentive songs given the scarce natural light that was only born from some of Trouvere's souls called Poielípsis, in stories of the oracular Delphians. The Poielípsis remains encapsulated from the thaumaturgy of the banal anti-desires that would make it mortal, for a hypotenuse that makes the gift of poetic prayer tangible, prompting the Bio axiom, by fertilizing scaled suspicions of repeated mortality in the banner of risk. Stratonice well points it out:

“The signal field has been prophesied today for the Apollo tripod. Having to reencause itself in three parts of the support of the oracles, and in clairvoyance in the pre and post Christian insemination of the gift of the word that redeems man from sin, sub-tenant of the flying buttress, from the interface of the supra trinity of sin as a blood element, and difficult to evade or avoid. Here the Hegemonic energy of Alexander the Great has been condensed in the arch of ideas, pointing out that the diseased body of Antiochus; my father…, is supplanted by that of the to happen all the trances and difficulties that are assumed after the hazardous departure in Babylon. Therefore he has to bring all the corollary prophesied in the death of my grandfather Seleucus in the hands of Ptolemy Ceraunos. Wanting to dress up the irrevocable interference that occurred in Judah by his Diadocos gangs, opting for the effect of his offspring, therefore on his spiritual stretch of energetic residual and static mass, ad libitum that will end when unleashed in his son. All will already be consumed in the pathogenic body of Antiochus, and of the love for my mother where she was abducted, and possessed she sees by retaliation from Alexander the Great for proven insubordinate ethical demands. "

Stratonice walks with the sendal that should be translucent by Santiago of Compostela. As an intra-everlasting geometric raconto, subduing fears that slide through the sendal of the dogma of the architrave, where no philosophy can look higher if it is not allowed, typical of vegetarianism or freedoms that turn green in fears that do not illuminate life. eternal, perhaps from the same Matematikoi who doubts a basis for Adfinitas, to understand limitless limits, taking Pythagoras to the soil of Crotona. Always, someone who is ignored of the linguistic power, he plans to rewind spheres that still weave crossed angles, placing himself in scores to consider as an irreplaceable past. The soul of Poielípsis adopted a Pythagorean conception, in the halters of the livid legions of Orpheus, as if it were his consecrated hypogeum where the high position was, to stir to the embankment where it will merge with the Zefian arrow. This liquefaction should purify all storage of cognitive and circumscribes of those ancestral, becoming reincarnable pre-Christians, who transmigrate in the need of osmosis of universal unity. Atonal music will transmigrate molecules to great sidereal distances, being the same replica of the other eurythmic, in multi-trigonometric periods, vivifying the fractional number residues as souls of the same numeral that finally perish of Pythagorean digits, perhaps at the angles of the Phalanxes of Vernarth or in the oblique crucial moment that slumbers in an elegy, flourishing in those beings that do not Live...! Already under-treated, they will only be souls tired of keeping themselves alive and deprived of their morbidity, in a dissociated cause of immortality that will distance itself from the forbidden abstinences, in liberating exercises of any count that ponders in the coming etymology of the Vita Pythagorae, on the divan of the joys of serving his doctrine, which saves himself, and which will save the Messiah, for those who in the soul have no sacrifice of a lamb that grazes..., nor on the pedestal that goes ahead in the centuries..., pasturing what nobody was capable of ?. The second triad of the oracle of Apollo of the Souls of Trouvere reveal Charles the Great, favored by the Apostle Santiago for the protectorate of Compostela and its spiritual regency, invited Charlemagne from Aachen, in 33 consecutive years of dispute with swords, stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne placed himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence.

In the second segment of the concave wasteland of the straight ascendant of Trouvere, he crowned Charlemagne emperor of Rome and the Franks, predicted by the Apostle James, in defensive papal struggles and in defense of Christianity. In this paradigm it appears how they are transmitted from the dead ungraspable world, they unite here in the axon of Poielípsis for the sake of the times that occur due to the anonymity of a silence that augured to link, and to know within what the endless intrinsically organic movement is, as well as the biological cosmos in the discovery of the Jacobean route. In what better region than the Dodecanese, he will be fused by twelve apostles, and now the brother of the son of Zebedee; Santiago brother of Saint John the Apostle. Dating back to 778 AD, spreading to Hispania. In the ****** and constant fight against the Saxons, Carlo Magno, entered Hispania crossing the Pyrenees, as a preview of the aforementioned Jacobean Route, everything raged witnessing their overwhelmed squares in the fueros of the Trouveres, who were Pythagorean elite soldiers, who had been bilocated in this post was Christian, preceded by the perfidious Basque in the forests, subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to continue them to Pamplona with Charlemagne. All escaped from Islam, and not a few Christians resented this affront, the dynamics will be reflected in the Songs of the French Gesta, to enter the Jacobean Route on the way to Santiago de Compostela, when the Calixtino Codex, in its book IV o Historia Turpini, the apparition of the Apostle Santiago to Charlemagne is told in dreams, pointing to the Milky Way as a way to find his tomb, which must free them from the Saracens to be able to venerate their relics with the enamels and medallions that they issued in the Apostle's crypt in Compostela. The souls of Trouvere, are beings that enjoyed a short life in the Pyrenees, they enjoyed the fortune of originating a liberator of post-Christian inheritances, mechanized by the exquisite citation of Pythagorean antiquity, behind indigo faded in red blood cells, to dress the sendal of the figure of Faith, freed behind those who should have dressed her as a Codex Calixtinus.

Five sections rose along the straight line of the Trouvere pyramidal axon, the base of the liturgical appendix that honors the multidimensional space, with antiphons for the cult of Carlo Magno on the underlying Patmos. Santiago was lacerated in the Holy Land far from his Brother Apostle Saint John, but he came to meet with the Trouveres who came from the rugged Pyrenees. Santiago passed the Strait of Gibraltar and reached Padrón, which is about 20 kilometers west of Santiago de Compostela; there some angels took him to the place where he actively rests. In a boat he arrived..., and always by the Mediterranean he will now reach Patmos, still acquiring the iconography that attempts to find Charlemagne, and a codex that would unite pre-Christians like Pythagoras and Aristotle united in the relic of the taxpayers transformed into three maritime rivers, concerned with a predicted belligerent episode, to say that all roads lead to Patmos, like Locus Sanctus, of all the shepherds who heal their sheep in which they are not of others that are populated with souls white, for the good of others. Thus the souls of Trouvere from the Pyrenees revealed themselves as predecessors of the raiding of the shells 308 meters below the Profitis Ilias, in agreement with Stratonice who would be arriving in Macedonia, where the passing of the centuries would tell him about the Jacobean Route instructed in confronts, and concordances with the airones of the Trouvere, protected by a rectangle in three subdominant Pythagorean angles in the dissipated darkness of the golden indigo of Theoskepasti, in the meridian of Kímolos.