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Sid Lollan Aug 2017
◊ ◊ ◊ ◊ ◊

(Authors of (obligatory)
Redemption: what is true genius if it ain’t dead yet?
Let you, who **** it, not be present for its resurrection.)

◊ ◊ ◊ ◊ ◊

i had a nightmare:

i opened the door of my ranch-house in the boonies of
southern pa.
out-into the grasses of the old Congo;
There stood the Lion.
20 feet away
i, frozen in the magnitude of his vision;
spirit, dominated by his
completely;
Not even a growl.
i remained
paralyzed—he licked the backs of his paws
and combed a wiry mane...
…a halfa-second was a year if it was a halfa-second now...
but
somewhere in there
i regained my legs and without knowing
pivoted,
grabbed the doorknob. Twist. Open. Step inside.
turn to close the...doorway is gone, the house has vanished
And
HE WAS RIGHT ON TOP OF ME

i was nothing but-a body of plastic fear
molten,
melted and cast into mannequin limbs and head.
i could feel the Lion’s entire, real
spirit crushing spirt
on my hollow caste self.

his breathe stunk of blood that
forced my replicaego into infant curl…
…Finally, the beast roared a canyon
i shivered!
a shiver that shook inside my head
thru the spine to shake
my bones inside the bed.

Thru the constricting red curtain of bloodclot eye
spy the tiny eclipse
of the Black Crow inna massive sheet of african sun;
i must be dead already.
The Lion feels the Crow perched onna cape fig nearby
and his muscles tighten accordingly, his beastly hunger
displaced by boiled-blood anger.

Eye-to-Eye
with the beast
where Fear has reached saturation-point;
it is Nothing if it is Everything…
…the Crow lets out a hiss
like spikes of radio-static, interrupted by series
of whooping-caws…
…stomach vibrated by the Lion’s low,
almost internal growl. For the
first time, his tranquilizing orbs
divert from mine
to capture the Black Crow perched on the dying cape fig.
uncertainty taps my shoulder…then…i feel my body;
the weight releases
and as i motion to rise from the grass and dirt, the Congo dissolves and i’m
sitting up on my mattress with broken springs in the humid
summer slumber of southern pa.

◊ ◊ ◊ ◊ ◊

-What security?
programmed,
under deep-cover;
jungian re-uploads. Them. Resurrected witha blackmarket
medicine a Witch Doctor devolution;
Replicate, regenerate, forever
<01100101 01100001 01110100 00100000 01110100 01101000 01100101 00100000 01110100 01100001 01101001 01101100 00100000 01110100 01101111 00100000 01100111 01110010 01101111 01110111 00100000 01100001 00100000 01101000 01100101 01100001 01100100>
Bottom feeding grave robbers and tomb vandals are all they are!-

-Better check what ya put down here…liable to shape a ghoul,
and you know this haunt is made-up of enough spooks-

◊ ◊ ◊ ◊ ◊

Professors of chaos preach:
O wanderers!
write me the manifesto
walking atop a line of hot coals
-I smell me some burning soles-

(They intend to:
Pour, pure from cold-clear spring-spout
      into muddy-brown-clay, dissolved,
rushing against dried-up bones of gully-walls…
…the Crow just sits above
         and laughs there

Don’t ya see it?)

History
is not about the past,
but
about what the present
can mold the past
into
for the future.
-the marble’s trajectory sure to
flip onnit’s axis d’pending on which record you dig-

(One mistake
can a coward make
or
one accident happen
up-on that a martyr stake’d.
etched in the rut of each separate fate;)


The lion
must roar for his P R I D E
        (or?)
lion wears his hide
as a mascot
Black Crow eats crow egg blues
        black crow spotted me yellow in the bushes
pants down, gun-in-hand
-send your prayers-

◊ ◊ ◊ ◊ ◊
Jim Sularz Jul 2012
(Omaha to Ogden - Summer 1870)
© 2009 (Jim Sularz)

I can hear the whistle blowin’,
two short bursts, it’s time to throttle up.
Conductor double checks, with tickets punched,
hot glistenin’ oil on connectin’ rods.

Hissin’ steam an’ belchin’ smoke rings,
inside thin ribbons of iron track.
Windin’ through the hills an’ bluffs of Omaha,
along the banks of the river Platte.

A summer’s breeze toss yellow wild flowers,
joyful laughter an’ waves goodbye.
Up ahead, there’s a sea of lush green fields,
belo’ a bright, blue-crimson sky.

O’er plains where sun bleached buffalo,
with skulls hollowed, an’ emptied gaze.
Comes a Baldwin eight wheeler a rollin’,
a sizzlin’ behemoth on clackin’ rails.

Atop distant hills, Sioux warriors rendezvous,
stoke up the locomotive’s firebox.
Crank up the heat, pour on the steam,
we’ll outrun ‘em without a shot!

‘Cross the Loup River, just south of Columbus,
on our way to Silver Creek an’ Clark.
We’re all lookin’ forward to the Grand Island stop,
where there’s hot supper waitin’, just befor’ dark.

On our way again, towards Westward’s end,
hours passin’ without incident.
I fall asleep, while watchin’ hot moonlit cinders,
dancin’ Eastward along the track . . . . .

My mind is swimmin’ in the blue waters of the Pacific,
dreamin’ adventures, an’ thrills galore.
When I awake with a start an’ a **** from my dreamland,
we’re in the midst of a Earth shatterin’ storm!

Tornado winds are a’ whirlin’, an’ lightnin’ bolts a’ hurlin’,
one strikes the locomotive’s right dash-***.
The engine glows red, iron rivets shoot Heaven sent,
it’s whistlin’ like a hundred tea-pots!

The train’s slowin’ down, there’s another town up ahead,
must be North Platte, an’ we’re pushin’ through.
Barely escape from the storm, get needed provisions onboard,
an’ switch out the locomotive for new.

At dawn’s first light, where the valley narrows,
with Lodge Pole’s bluffs an’ antelope.
We can all see the grade movin’ up, near Potter’s City,
where countless prairie dogs call it home.

On a high noon sun, on a mid-day’s run,
at Cheyenne, we stop for grub an’ fuel.
“Hookup another locomotive, men,
an’ start the climb to Sherman Hill!”

At the highest point on that railroad line,
I hear a whistle an’ a frantic call.
An’ a ceiling’s thud from a brakeman’s leap,
to slow that creakin’ train to a crawl.

Wyomin’ winds blow like a hurrican’,
the flimsy bridge sways to an’ fro.
Some hold their breath, some toss down a few,
‘till Dale Creek disappears belo’.

With increasin’ speed, we’re on to Laramie,
uncouple our helper engine an’ crew.
Twenty round-house stalls, near the new town hall,
up ahead, the Rocky Mountains loom!

You can feel the weight, of their fear an’ dread,
I crack a smile, then tip my hat.
“Folks, we won’t attempt to scale those Alps,
the path we’ll take, is almost flat.

There ain’t really much else to see ahead,
but sagebrush an’ jackalope.
It’s an open prairie, on a windswept plain,
the Divide’s, just a gentle *****.

But, there’s quite a few cuts an’ fills to see,
from Lookout to Medicine Bow.
Carbon’s got coal, yields two-hundred tons a day,
where hawks an’ coyotes call.

When dusk sets in, we’ll be closin’ in,
on Elk Mountain’s orange silhouette.
We’ll arrive in Rawlins, with stars burnin’ bright,
an’ steam in, at exactly ten.

It’s a fair ways out, befor’ that next meal stop,
afterwards, we’ll feel renewed.
So folks don’t you fret, just relax a bit,
let’s all enjoy the view.”

Rawlins, is a rough an’ tumble, lawless town,
barely tame, still a Hell on wheels.
A major depot for the UP rail,
with three saloons, an’ lost, broken dreams.

Now time to stretch, wolf down some vittles,
take on water, an’ a load o’ coal.
Gunshots ring out, up an’ down the streets of Rawlins,
just befor’ the call, “All aboard!”

I know for sure, some folks had left,
to catch a saloon or two.
‘Cause when the conductor tallies his final count,
we’re missin’ quite a few!

Nearly everyone plays cards that night,
mostly, I just sit there an’ read.
A Gazetteer is open on my lap,
an’ spells out, what’s next to see –

‘Cross bone-dry alkali beds that parch man an’ beast,
from Creston to bubblin’ Rock Springs.
We’re at the backbone of the greatest nation on Earth,
where Winter’s thaw washes West, not East.

On the outer edge of Red Desert, near Table Rock,
a bluff rises from desolation’s floor.
An’ red sandstones, laden with fresh water shells,
are grooved, chipped, cut an’ worn.

Grease wood an’ more sagebrush, tumble-weeds a’plenty,
past a desert’s rim, with heavy cuts an’ fills.
It’s a lonesome road to the foul waters of Bitter Creek,
from there, to Green River’s Citadel –

Mornin’ breaks again, we chug out to Bryan an’ Carter,
at Fort Bridger, lives Chief Wash-a-kie.
Another steep grade, snow-capped mountains to see,
down belo’, there’s Bear Valley Lake.

Near journey’s end, some eighty miles to go,
at Evanston’s rail shops, an’ hotel.
Leavin’ Wahsatch behind, where there’s the grandest divide,
with fortressed bluffs, an’ canyon walls.

A chasm’s ahead, Hanging Rock’s slightly bent,
a thrillin’ ride, rushin’ past Witches’ Cave.
‘lot more to see, from Pulpit Rock to Echo City,
to a tall an’ majestic tree.

It’s a picnic stop, an’ a place to celebrate –
marchin’ legions, that crossed a distant trail.
Proud immigrants, Mormons an’ Civil War veterans,
it’s here, they spiked thousand miles of rail!

We’re now barrelin’ down Weber Canyon, shootin’ past Devil’s Slide,
there’s a paradise, just beyon’ Devil’s Gate.
Cold frothy torrents from Weber River, splash up in our faces,
an’ spill West, to the Great Salt Lake.

It’s a long ways off, from the hills an’ bluffs of Omaha,
to a place called – “God’s promised land.”
An’ it took dreamin’, schemin’, guts an’ sinew,
to carve this road with calloused hands.

From Ogden, we’re headin’ West to Sacramento,
we’ll forge ahead on CP steam.
An’ when we get there, we’ll always remember –
Stops along an American dream.

“Nothing like it in the World,”
East an’ West a nation hailed.
All aboard at every stop,
along the first transcontinental rail!
This is one of my favorite poems to recite.   I wrote this after I read the book "Nothing Like It In the World" by Stephen Ambrose.  The title of this book is actually a quote from Seymour Silas, who was a consulting engineer for the Union Pacific railroad.  Stephen's book is about building the World's first transcontinental railroad.   Building the transcontinental Railroad was quite an accomplishment.   At it's completion in 1869, it was that generation's "moonshot" at the time.   It's hard to believe it was just another hundred years later (1969) and we actually landed men on the Moon.   "Stops Along an American Dream" is written in a style common to that period.   I researched the topic for nearly four months along with the Union Pacific (UP) train stops in 1870 - when most of the route's stops were established.    The second part of the companion poem, yet to be written, will take place from Ogden to Sacramento on the Central Pacific railroad.   That poem is still in the early formative stages.   I hope you enjoy this half of the trip on the Union Pacific railroad!   It was truely a labor of love and respect for all those who built the first transcontinental railroad.    It's completion on May 10th, 1869 opened the Western United States to mass migration and settlement.

Jim Sularz
AS Jun 2011
and the bus windows fogged by human heat became a part of this child, and the wooden roof rot recliner

for summertime phone calls, and the crying neighbor woman’s sticky mascara,

and the hot asphalt became a part of him…the sideways light on the trees fifteen before dark, and the tract

            house mazes at night, and the hidden playground underground,

and the blooming jasmine over strangers’ fences…invisible barking dogs…and burnt bike wheel tracks,

            and glittered marsh gorgeous and toxic,

and cherry tree lined freeway, and the bitter fruit afterward…and the purple grateful palms…and the

            neighbor’s unbloomed roses;





and the car rides to Elsewhere, and the urban self-sufficience envy,

and the free tickets from the out of town hero…and the wild-haired directors pacing preshow

            lobbies…and the squirming audience beer-in-fist…and the blush-stained sidelit Cordelias…and

            the honest snickers clearing the building into the cold lot still and quiet,

and all the changes of city and country wherever she went.



The red couch, the red rug, the blue kitchen, the dying dog,
The star trek memorabilia, and the dusty book garage, and the overcooked rice leftover…

the weight of guilt, the thought if after all we deserve every ounce,

the streets themselves, and the midnight three block nightmare runs to safeway…and the barbeque smell from not-my-house,

and the ****** children stumbling to the bus,

the brass chimes that fell off the door, and the dead grass backyard blanket, and the overgrown fields

where your dad smokes ***, and the heat wave transposed radio, and the bird nest window mold ,

And the lawn flamingos become a part of him or her that peruses them now,

flame retardant,

american canyon: The Gateway to Somewhere Else, hallelujah, hallelujah,

Amen.
THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of
Zulu Samperfas Jul 2012
At Bookshop Santa Cruz
I look at a book about the East Bay then and now
One picture strikes me: 1969 Sproul Plaza
Govener Ronald Reagan has the National Guard spray
tear gas on protesters on the steps of this Berkeley Administration Building
People run in black and white
they look like my parents
The helicopter is so close to the ground, like the Vietnam War

I was three
In the backseat of our VW Bug
My mother was driving me to Strawberry Canyon
for a swim
Then she got scared--something on the radio
We turned around
I didn't understand
She had to protect us from tear gas
We lived in a war zone
Everyone was very upset
We were attacked by our own government
Even children were fair game

An innocent frog is placed in water
If the water temperature is raised gradually
the frog will sit there until it dies

In 1980 Ronald Reagan became our President
Much to our dismay
"70% of pollution comes from trees" he had announced
as Governer, he was obviously a man of science

The vice grip clenched, the water temperature raised
as we felt around us the world becoming more
difficult as a middle class
we were supposed to wait for crumbs to fall
from the table of the rich folks
fighting over the bits like starving animals

Budgets were cut
Prices rose, wages fell or disappeared completely
We were at war

1985: I took a class in Economics in college, a UC
I learned that Supply Side Economics was
a silly idea written on a napkin at a fancy restaurant
where the fat ones eat
and the crumbs are thrown away

It was all a sham
An excuse
The vice grip tightened, the world became
more difficult
not the American Dream my parents grew up in
To be middle class was to struggle and struggle and still
not have anything

The frog began to die
Somehow we saw that
Reagan drifted away, but his ghost
remained, a respite in the 90's

Then we were at war again
Not just tear gas, but carpet bombing
Guerilla warfare in the streets of a hot arid country
Oil companies, already saturating our ground and our air with their products
Cashed in

The frog is near death
We struggle, and nothing gets better
Only a respite

At a fancy restaurant
on a napkin someone wrote
a new theory of Economics
that became like Scientology
Outgrew it's ridiculous inception
And became real

Ronald Reagan dropped tear gas
from helicopters on Sproul Plaza
and it drifted to Strawberry Canyon
where children learned to swim

But that is child's play now
the frog is about to die
I want to pull it out.
Paula Swanson Feb 2011
Deep within the canyon flows,
a sinuous fluid gem.
Speaking in whispers deep and cool,
to ancient rock walls it skims.

Rusting oak leaves set sail upon,
the back of this rippling jewel.
Past Heiroglyphs and forgotten caves,
to trade secrets in shallow pools.

Majestic pines lean over sandy banks,
as if to peer at their own reflection.
While the Willows weep at the beauty of,
a liquid diamond's song of pure perfection.
Jonny Angel Apr 2014
I was going downward
into the box canyon,
meandering
toward the ancient-ruins.

Floating along
in a dream-state,
I was lost in another world,
heading to a secret place
time had forgotten
when I passed her
scuttling upward,
carrying
a heavy basket
on her crooked back.

The grizzled lines
on her brown face
ran crisscross,
deep furrows of anguish
to match her
toothless-grimace.
They told me things
most people would
never understand.

Her angry eyes
were dark sparks,
they burned holes
into my heart
I will never forget.
it is said that
a prophet finds no honor
in his own country

hard truths
boldly spoken
are received as a
wretched cacophony
threatening to melt
the caked wax
blocking the closed
intolerant ears of
intransigence

Madiba
once found no
personhood
in his homeland

his people driven
from their land
by Voortrekkers

snortling Boers
gobbling the land
uprooting native
people from villages
they had occupied
since the dawn
of time

spilling Zulu blood
into roiling rivers
of conquest

meeting peaceful
petitions of the
aggrieved with
Sharpsville bullets
splattering
the blood of
innocents onto
hardscrabble roads

redressing crimes
against the victims
by corralling them into
denuded Bantustans
where rivers do not
flow, grass never grows,
game cannot graze;
only the dust doth blow

riddling the captives
with torments of
Transvaal Apartheid,
mocking the speakers
of mother tongues with
the fained eloquence
of bastardized Afrikaans

the dominion of the
oppressors, sanctioned
and affirmed by exiling
a people from their land,
outlawing their language,
dividing the nations into
a fallacy of separate
destinies where a forgetful
history blessed with amnesia
will anoint the conquerors
with the spoils of abundance
stolen from the vanquished

Madiba spoke of these things
and was awarded a prison
cell for twenty seven years

but the hostages of
a conquerors justice
remained destined
to be freed by the arrival
of an accepted truth
set free by the very words
prophetically spoken

prisons cannot contain truth
steel bars cannot imprison
the idea of divine justice

it slips through the smallest openings
like a wafting fragrance of the first day of spring

it saws away at the rust strewn steel bars
like the surest movement of a master carpenter’s arm

it melts the thickest links of iron chains
in the fiery forges that burn in the hearts
of all freedom loving people

the truth of justice
is born and takes flight
on the wings of history
covering the globes
cardinal ordinates

nesting in the most
humble villages
and mean estates
on God’s good earth

truth and reconciliation
can never be separated
planted together to grow
healthy nations and
communities of
trust and restoration

Madiba, you always
found honor with
the salt of the earth
the children of light
who seek to dispel
the darkness of
acrimony and
*******

we continue to
walk your way
guided by your
prophetic visions
we take the first steps
asking liberators to join
with oppressors, pairing
in a magnanimous walk
along wholesome pathways
perceiving the buena vistas
of reconciled communities
firmly established
on foundations
of peace, equality
and justice for all citizens

I caught a fleeting glimpse of Madiba
as he rolled by in the Canyon of Heros
showered under a June blizzard of confetti
and a resounding acclimation of love.

I was a plebe inhabiting a lower floor
Broadway office, yet my station blessedly
brought me closer to Madiba.  As he passed
I was moved by his miraculous smile and felt
the colossal reverberations of his waving arm
triumphantly hailing the sweet freedom of
liberation all hostages of feigned justice
exude in the vindication of divine justice
enraptured in the joy of affirmed truth.

Dearest Madiba
we are enriched
and blessed for
the time you walked
among us.  

You fought
the good fight
my brother.

Rest easy
for we shall resume
the climb to
the next mountaintop.

Well done Madiba
Godspeed

Rolihlahla “Nelson” Mandela
7/18/18 - 12/5/13

Ladysmith Black Mombazo
How Long

Oakland
12/6/13
jbm
karen dannette Mar 2015
yesterday blurs
with tomorrows blues
kept inside the canyon of my heart
devastating the only soul that yearns for you

now, frozen in fear
amidst the cold retribution i created
wishing for a miracle that will soon emerge
Feeling emotionally tapped
wcmw Feb 2017
Somewhere between the words that we speak and the echoes of what remains unsaid, there is an opening waiting for some truth to be revealed.

Consider this.

In the morning, love is two particles waving in and out of reality, two particles beyond the conceptions of space and time.  In the night, love tip-toes across the moon, and at some random point seeps into the dreams of those who sleep alone.

I was sleeping alone the night you passed away.  I left many things echoing in the opening where the unsaids go to peacefully die.  You know, the imaginary space and how it all dissolves somewhere between your perception and mine.  

I went to sleep the night after you died, and you were waiting for me in a canyon covered with gold.  The water, fresh and crisp, and we could not stop jumping from the top of the waterfall to the clear green pool below.  

There were no words between us, no conceptions of space or time.  I remember the feeling of the sparkling paint and foreign images engraved into the gold stone walls, how we leaped from part of the canyon to the next.  

I remember this, the last collision of your perception and mine, an opening in an imaginary canyon where the unsaids go because they don't want to die.

I think this means you forgive me, even though I haven't yet committed the crime.  

I'm still considering this.

Somewhere between the things we believe are real and the things that do actually exist, there is an opening, a canyon, and a beautiful waterfall.  

I think you still visit there from time to time, and I would like to go once more, too.

The only problem is, every time I try to speak, the truth forgets, the opening is dissolved.
James Amick Sep 2013
Nothing but water. Millions of chemical bonds that sever bonds of the heart, infinitesimally small, but they amount to canyons of separation. On the edges of the canyon stand pieces of a whole, tied through chance equally as small that grew into something beautiful.

The ties that spanned this fluid canyon are stressed by the howling winds of uncertainty, and crashing waves of dire futures lap at this fragile twine, but it holds fast and firm. He won’t let the bond break. He stands ashore of his continent framed by ignorance of what lies beyond its coral shoals, knowing nothing of the ocean that spans his affection, or of the island where his affection finds a home.

And through the storms that threaten to rip the rope that binds him to his adoration from his blistered fingers, he can see the light that keeps his grip fast and strong. He has read Gatsby and knows the perils of ominous lights that cast shadows on placid waters, but Fitzgerald knows nothing of the tangibility of this boy’s shining beacon.

She stands, not as a faint reminder of what once was, but of a blaring beacon of all that could be, and her light pierces through the cynical fog that tries to ***** out her light.

You are my beacon. You are my light through the fog of my daily struggles, the beacon that guides me through these rocky waters, holding my hand so as not to run aground on the sandbars of doubt below me. I stay strong, and I stay hopeful, for one day the bonds of this watery divide will break, and this distance will be lessened, and as easy as folding a map to span miles, I will be there with you.

So as I stand on this shore, ignorant of the island across this canyon, I hold fast in my grip, and I would sooner be pulled into the sea than let this go, hold onto the ties that bind your heart to mine.
I wrote this in February of 2012. I wrote it for someone, and while stumbling through their Tumblr for the first time, I found that they had actually posted this on their Tumblr. I haven't spoken to her in over six months. This mostly just fills me with loss, shame, and regret. But, I treat this place as a community, and a community with which I want to share these pieces of my life.
Conor Oberst Apr 2012
Don't waste the water, don't drink it now
'Cause this desert keeps growing and we might never get out
Besides, we're not even moving, we're just standing around
But I must admit that when it comes to this I'm as scared as the rest
Feels like something's hunting me down

It'll end up to be like the films that you've seen
where they bury the bones that will never be found
But I do, but I do, but I do...
Frisk Feb 2014
“The beginning is perhaps more difficult than anything else,
but keep heart, it will turn out all right.” ― Vincent van Gogh*

the grand canyon knows nothing of being hallow like the
depth of the space between my ladder ribcage, climbing
out of this rut would be like rock climbing mount everest
without the correct equipment, but beginnings aren't
supposed to be endless paragraphs of traps you made
me so oblivious to. my hands have touched hell's scorch
and have brushed your heart strings, but nothing compares
to the way you make everything seem like a dream, like
an acid trip that took you into outer space and made you
float, but i'm tired of gravity pushing me down and this
is just pointless suffering, i'm not healing anytime soon
and my wishes are for the closure i haven't received yet
i have reached my breaking point.
               it is a decaying cage designed for me.
                              i cannot see anything but good memories.
         h  e  l  p     m  e                                 i am going blind, i am terrified.
                           these monsters don't want to wish me adieu.
                bottlenecked like condensed traffic,
and stuck inside my head.
this isn't a place for you to call home, i am a prison.
you couldn't thrive inside of my heart, it would be
asphyxiating for you because my heart is like a snake
squeezing tighter and tighter, i am not a home for you.
leave before i take every good part of you and destroy it.

- kra
I went to the canyon
To see the sights
To read the writes
To meet the heights
The heights were high
The lows were right
But something didn’t click

The tears didn’t run
The breath wasn’t taken
Yeah it was cool but I’m not mistaken
I wanted to be blown off that cliff
But the wind fell short, the air was stiff

Never have I met my sense of awe
I hope we’ll meet someday
I’m holding out hope that I find my strike
That I’ll be blown away
I was trying a new style with this one. It’s more rhyme oriented. This one might seem stiff but I’ll get more comfortable with it. I want to diversity my poetry a little bit.
red Aug 2018
a vast orange fissure opens in the face of the earth.
the sky—a mirage of blue and orange—portends darkness.
the canyon, in its grandeur, is nothing more than
a tessellation of orange and black from shadows of unknown.

a measly being stands alone, right by a hungry cliff.
clueless, you are accompanied by aimless tumbleweeds.
they seem to be running away from something.
shouldn't you run away from whatever it is, too?

the wind sweeps the barren landscape, devoid of life.
the sun kisses vivid orange rocks and dirt one last time.
you shout to the seemingly-endless expanse of orange,
but you only hear the burning souls shouting in return.

the darkness slowly envelops your field of vision.
whatever is chasing you is now inching by, bit by bit.
the dusk is fast approaching, but you have nowhere to hide
                             ...and so you run, but the cliff is a dead end.
Nelize Jul 2016
how great is Your love for rock solid relations
yet in time rocks part through deep canyons

Your waters remain stilled;
Your mystery lies deep
Your raptors fulfilled
Your mountains so steep

how could man survive Your greatness?
even the eagle admires Your vastness!

Your tangerine gaze stares back at the sun
reflecting Your majesty where erosion has spun
its webs of beauty
cold veins are rare
the desert's peace treaty
with the hot bright glare
This is written in pure admiration of the vast and mighty beauty that can be seen in the Grand Canyon. I am in awe of our Creator's ability.
Gabriel Gadfly Oct 2011
Press your ear close.

Sometimes you can hear the breath
rattling in my chest like a bone shrugged
its moorings and ought to be tied back down.

It’s the sound of a canyon
trying to expel a marsh:
hear the stones tumble down,
clatter and splash,
the stiff reeds scouring the walls.
Stuck bristles. Sticks.
The marsh is dauntless.
It can’t be pushed out through
the canyon’s narrow mouth.

It’s the sound of a cave-in.
Press your ear close and
listen to picks and shovels
plinking on the rock.
Soon the oxygen gives out
and all the miners go to sleep,
or they punch a hole through
to the sky and breathe,
mouths pressed to the breach,
gasping a little at a time.

It’s the sound of a brier patch
growing in your lungs.
It’s the sound of a brier patch
set on fire.
This poem and more can be found on the author's website, http://gabrielgadfly.com.
Robert C Howard Sep 2019
Over untallied millennia,
    roiling Gunnison waters
sliced through southern Colorado
    schist and gneiss like a sabre -
carving tower walls of black rock
    ribboned with tableaus of
pegmatite and mica flakes
    flickering in the mid-day sun.

2,000 feet below, meandering
    through its stark canyon walls
like some legendary serpent,
    the Gunnison murmurs softly -
resting on its laurels.

Robert Charles Howard
September 2019
GaryFairy May 2016
living down here in this chasm
high hopes, no one has them
erosion has us sinking deeper
and these rock walls just get steeper

at the bottom of this rocky gulch
in dryest hopes, we endulge
living in this deep ravine
we are somewhere in between
Poetic T Apr 2014
Where do I start and where should I end,
Its about the wife and her in-between bits,
If she knows this is wrote it will be my end.

She was tight down their is what I could
Say, like ******* a ****** each time, but
No blood unless its that time of the month
If you know what I'm saying.

Then came the kids one, two, three, four,
And what was once tight is now sorely lacking
Even echoes as I sneezed up their before.
I'm not small, seven inches of love meat
If know what I'm saying (WINK).

But when I  go to finger her bits, my hand
to my wrist sinks in, she moans with pleasure
Saying put more fingers in, doesn't she know
That my fist up to my wrist is in.

Then its time she is as wet as could be, she
sits on my lap and I feel water dripping off
My **** hair, she's like a tap dripping on me.

I moan, and she like's it, but I'm moaning
because I don't know if its in. I *** I am
Released, but what once stayed up, now
Doesn't even hit the walls, gravity takes
Over and it falls back on to me, no longer
Warm lands on my ***** and on me freezing
Soggy and cold.

What was once was pretty now looks like
Mashed meat. I love her but how can I tell
Her she now has a bucket, and I feel like a
Pebble in the grand canyon I love her but I
Will soon have to use my foot to **** it
Cutting my nails will she even feel it within....
Don't be offended my wife wasn't
Shaded Lamp Aug 2014
Deep down in the inhospitable gloom
Monterey Canyon welcomes an expectant mother
Unnoticed in the distance a whirring sound
and two parallel laser beams
Miss Cellania finds a nook
That instinct suggests is right
A place to nest and brood
A place to guard and wait

1.4 kilometers up a research institute
Guided the unmanned submarine
Correlated masses of data
Stared at live video feed
A unique event unfolded
Capturing such a moment
in this dark abyss

Clinging to a vertical rock
Her precious babies waiting to hatch
Her final duty to
Wait

Wait

Wait

Wait

Wait
Protect from predators and the icy cold
And so she began the
Inky black wait

Detached

Alone

The research crew returned later that year
Miss Cellania dutifully kept her vigil
They returned again month after month
Still she stubbornly stuck to the task in hand
The months turned to years
And still she protected her unhatched young
Clung to the same vertical spot
With nothing to eat
Alert, defensive
Motherly
Patiently waiting
Wasting away
Waiting
Waiting

Untill

F i f t y   t h r e e   m o n t h s   l a t e r
Four and a half years
Finally her wait ended
With a flurry of independent life

**Then death.
For all mothers
The mothers instinctive love
is surely the most powerful force on earth
Jesse stillwater Jan 2019
There's a sharp frosty switchback that never sees the sun in winter
  skies of blue. The frost heave cut-bank rocks tumble down to the
side of the road,  in the ice shard mottled ditch lay frozen stiff

Tall Sitka spruce marbled gray shadows mat the sparsely traveled
  corridor, paved with potholes, where the roads have no names
Sometimes listening quietly to the bare stillness, there are
  rhetorical questions heard in the silent reverie's say:

                        "Have you ever been afraid?"

The tree-line gaps above the jagged gray stone ravine, disappearing
  down the rugged mountain shade, falling into the pillow-top fog bank blanketing the canyon's murmurs below — headed towards the ocean

Crystalline spring waters gurgle up roadside — out of nowhere,
  where tired boots stand in reverent contemplation as it all sings out  harmoniously to the trees in the key of silence;   it was there
  in a gust of restless forbearance heard the frozen peacefulness  say:

                         "Have you ever felt alone?"

Gathering a deep breath of marbled gray shadows, silence bears
  a loud holler's scorn — echoing back and forth down canyon walls,
with the spirit of a voice a multitude strong,  evanescent
                             as winter's outgoing tide.


                      January 2019 — Jesse Stillwater
winter thoughts mused by an understanding poet friend's words
J Arturo Sep 2013
nothing lives at 14,000 feet.
on the high pass the last land
the grassland we'd drag our sheep
to briefly graze between the valleys of
colca, and puno.
focused in motion, heads low
wrapped round in many layers when we'd sleep.

in dens, in dark, in distrust of stars
and worn old men of mists each night,
that toothlessly bite,
at broken brown stone, gums
hopeless, hungry, salivating and desperately white.


nothing lives at 14,000 feet.
but rocks dreaming cold rock dreams.
remembering when babel fell...
fists first ****** from young rubble, to find
that hands are hands and hands can climb.

nothing lives at 14,000 feet.
but the livestock we'd drag
and keep alive, tireless
because towers are brought low
but hills only grow
and there are coats to stay the snow.


but to pass through this place we
knowing tempt death, incur
the wrath of Abraham blaspheme
the Word and the Way and
the rich air and pastures,
from which rocks are raised
to keep us from the heights for which we lust.

in old history, obvious.
forgot. spoke only in folk songs.
ritualized in rote laws.

but in secret, memorialized.
as solitary, at the highest point
each passerby takes pause...


stares down at the earth from the sky,
kneels, in the dust, picks up
three, four, not more, small brown rocks
to place at maras in defiance and triumph.

superstitiously stacking little stones.
as if to say,
"here lord.
here is something you can knock down.
here is something you can bring low."
Sarah Spang Aug 2017
The tales I weave
Wind through the trees
At midnight's witching hour
The darkened land
The night's soft hand
The blooming orchid flower.

They never stray
Across the day
To arid, fallow land
The baking earth
The scorching curse
The sprawling desert sand

There's beauty, hence:
The soft nonsense
I've conjured word to line
My dancing hands
My mind demands
To praise the desert kind.

I bless the hush
The jagged brush
Of lovely creosote.
The prickly pear
The burning air
The endless, sandy motes.

Each winding dune
The crests at noon
Like molten, golden earth
Reminds me still
Of good and ill
Of beauty and its worth.

My mind tips South
To scour the mouth
Of canyon, creek and sky
My eyes are open
To skies unbroken
To mountain peaks on high.

I've only spied
With inner eye
And pictures on a page-
Yet, in his gaze
His heated rage
I know the barren blaze.
- Jun 2016
So,
My shirts are ragged and I
Drink too much on many occasions and I
Often reek of cigarettes and untold lies and I
Can't seem to keep myself steady for more than a minute but
I

Can write a love poem that'll make you go to pieces
And I
Will calculate the distance to the stars and find out how to launch you there
And I
Won't rest until I see it completed.

Sure, I
Can't control a sentence for more than a few words and I
Barely know my thoughts and I
Am a rambling, insecure mess and I
Don't know where I came from, but
I

Can help you find a home here amongst the shadows,
And bellow out your name so it infinitely echoes
Written to be spoken word. I don't know if this is a love poem or not, I mean...
I wrote this to be more of a song I think
My mind is a canyon where your voice echoed.
I wish you belonged to me but I think that's what I like most.
That you're not meant to be owned.
And maybe it's wrong of me to wish for you on falling stars.
Maybe It's childish.
But it's so rare to meet someone who knows who they are.
and I don't care what anyone thinks they know.
they do not know you.
And I'm determined to show you I can be all that you need.
I want the best for you, wanting you for myself is simply out of greed
because I know you can do better.
and with every letter I write in each word in each line while you're on my mind is important.
my writing gets distorted at night but every A, B and C is hope
that you might take another look at me.
And maybe see something in me worth saving.
as of now my heart's been replaced with wooden shavings
And the tree that they came from is nothing but a stump
I get a lump in my throat just thinking of how I **** everything I love.
Because I give my whole heart.
And I love things to death.
So I shouldn't be surprised to see that they left.
But I almost always am.
And I don't know how to start the grief process.
when no one is as lost as I am.
I wish you would find me
I've stayed where you left me.
defiantly,
more shaken then I was before.
When you awaken with my scent in your empty bed,
Do you just sleep on the floor?
Do you even know me anymore?
are you torn between not knowing and not caring.
because I'm staring at the walls wishing there was a way to get to you, a way out of here.
it appears that I'm trapped. If these walls could talk they'd be full of crap because all they do is keep me from living.
and the life they're giving me isn't life it's just a safe way to survive.
Because a free spirit shouldn't be confined.
And I'm fed up,
with being fed and given water, shelter and love
like that should be more than enough.
but I love my parakeet.
i give it food and water so it should happily tweet.
But it's still a caged bird like me.
The only thing I truly need is to be free.
and freedom is hard to come by.
you're the only one who's showed me some.
and I don't want this thing to die.
my mind is a canyon where your voice echos
my eyes are canyons full of the tears I haven't let go.
My lungs are canyons full of smoke.
and my hollow laughs at life's sick jokes.
I'm a canyon, quite simply
I'm empty
empty
empty



© copyrighted Nicole Ann Osborn
Jon Sawyer Mar 2014
In the mixing bowl
thou hast perfected praise.
Conforming to your mould,
your flaky crust begins to rise.

Steamy and buttery out of the oven,
you make my life chill,
when the morsel of butter enters the
    blueberry canyon
to have its fill

Chemically inducing nirvana,
a world in the eye of God,
blueberry bursts of epic epicness
down my throat you trod.

In my stomach you swim, my friend.
"It is not good for muffin to be alone,"
pop goes the cherry muffin to join you,
and in swims a blueberry clone.

Nom nom nom.
19 March 2014
Tom Leveille Jan 2014
i imagine pulling over at a canyon
seeing the day they took all the pictures
off the wall when she died
i stop for a picnic on a scar
from getting too close to the junk
but you made it and making it is all that matters
i see the ends of your hands
as 15th century cartography talks to the hierarch
a promise of platitudes
flat and lacking grandeur
how on that plane it knows
when you turn them over
like pages of a book
and secrets pour out
they don't tremble like they used to
haven't had an earthquake in years
not even a tremor
not even happenstance could stop me
from gawking at the pile up on 64
how outwardly looking
in you don't look like a "wreck"
your hands remind me more
of a car crash without the quotation marks
Jeremy Betts Feb 2018
(political)

Just look around you and you'll notice that every day there's another sucker born
Another mother fuucker trying to pick around the thorn
But there'll never be breath blown through the victory horn and there won't be one to worn
Cause the new norm is news meant to deform not to inform
Leaving only torn fragments of real mixed with lies, a new truth is born
And it's one that defies the meaning of truth so it's armor for our thoughts and soul that must be worn

Cause it's forced upon every sense, attached to ignorance, illegal for an opinion to be drawn
It's a new dawn where rational thinking is gone, new laws signed in crayon
And it doesn't matter what paawn gets passed the baton when an election comes along
Cause it was years ago that this corruption spawn with a freedom slogan button on
And it's the divide that's grown from a line to a deep chasm of a wide canyon
That'll be our legacy, the legend we pass on till we feel defeat and meet the same demise that fell upon Krypton

It's crazy how we as a society love to single out one to staple blame on, makes it simple
But every man that's held an oval as his office might as well have been a floating carcass, dead in the water from the get go
Don't just agree cause I said so, that's half the problem yo, go do your own research bro
And know that they fear intelligence so go gather up a couple library's full
And don't jump in half cockeed like you only got one teesticle
Give it your all, fuuck being humble, we keep this shiit up we're all in fuuckin trouble
So burst this bubble, let it trasnform to rubble, forget being subtle
It's time to break huddle and be a factor in this much needed rebuttal
Screamed in the face paced on this ancient government scandal

But fuuck it. I'm only one person and not the one to change it cause I'm not perfect
But my imperfectly perfect plan sits perched in dust, never to be touched like it's deadly sick
Like a dripping diick, you pretend you don't have it 'til the graphic turns horrific
Then they say it's fake news but you're looking at the problem, starring derectly at it
But it's me that's ignorant and insignificant? I see it different you one percenter priick

I have a thought, just a notion, top of my head, tell me what you think
How long can we survive on the brink? On a doomed vessel destined to sink?
Holding the knowledge of where the boat is weak
Have known about the leak but putting off repairs till a metaphorical next week
We can see the old, rusty chain of command, it's obvious who's the weakest link
But if we the people aren't in sync (bye bye bye) we're all gonna drown in the drink
The spiked flavor-aid is laid out just waiting for evil to speak then give a sly wink
The nod to give the go-ahead once we're in to deep, swerling round the bottom of the sink

But there's more of us then them so I say we push back
Take the power that we hold off the rack, grow a pair of metaphorical baalls in a metaphorical nuut sack and attack
Put on Hatebreed as the soundtrack and dish out some payback
This is a call to all who can't just lay back like seats in a Maybach and watch the train skip off track
You don't need an almanac to predict this fact, the shiit storm is here, lead by a maniac
And if we don't take our country back then it's our fault, not theirs, that the future seems bleak and black
Let that neat little fact sink in and fill the crack like plaque stacked from years of no contact
Then get back to me when you see clearly that the peace tready that was eagerly signed so freely is actually a death contact

You can't dispute that once you've read the small print on the back of this sinister, sell your soul type contract
Gotta realize we've given to much slack but we do hold the rains, we must pull back
But mustn't hold back, can't afford to hoard the ball and record a sac
It's already fourth down and forever, standing in our own in zone taking the snap
A hail Mary is our only hope, but it might be crazy enough to be the key to the exact play we need to get the lead back
We lose this game and that's it, no respawn, no next season to fall back on, blap, extinction just like that
But fuuck that shiit Jack, I'll fight till my last breath escapes me, I ain't going out like that
Can't give up with my back turned to a population under attack
Cowering in a ransacked bomb shelter resembling the shrieking shack
Can't do it, no matter our differences no one deserves that
But I'm going to need all the help I can get to keep this flaming wreckage off the tarmac

So please, as soon as the Kodak filters been lifted and you see the mess that we've been gifted
You'll come join the million other kindred spirits that have enlisted
No longer tainted by politicians political poison, no longer frightened
Instead, an ability to sift through the ******* has been heightened
No blinders, just enlightened, a vision readjusted, a true path brightened
Natural senses sharpened like a tack then augmented, now you look frightened
All ready to attack and take our lives back, combat tested
And mother approved, well connected, you've been vetted
And we've all come to the conclusion that it's time this reign of terror ended
Way past time for this regime to be upended
Quickly removed and  permanently suspended
Only then can we drop the act, no longer a need to pretend we're not wounded
Only then can we be on the mend and begin the healin'

©2018
Aric Wheeler Oct 2013
rich people go to die
and the young people who live there
have lived there forever
are going to live there forever

thats what the river
behind my house told me
as I waited for the smell of the hello
when the school bus pulled up.

I think that is when I knew I wanted to be rich and never work.

That's also when I gave the kid next to me the finger.
Because he said something stupid.

The demon driver of despair reprimanded me.
But, Barbra Streisand would say I had chutzpah.

The Asian grocery store in Aurora terrorizes the people.
The smell of fish genocide punches me in the face every time I walk in.

Nothing was the same now that home was in another state.
NOw that the lethargic drug dealer sits next to me on the light rail.

Canyon Road is where the sun sets and the stars lift off to light up the sky.
Erin Joan Jan 2014
Why does my heart freeze up
when
 I read words you’ve written?

How is it that

I can read writing 

that makes my heart press hard to escape my ribs

But yours liquidates my blood
Until my fingers go numb?

It’s like this

You’ve got a canyon filled with knowledge

On how to hurt

You’ve got a library filled with textbooks

On how to make a heart drop 

You’ve got a sky filled with rain clouds 

That drop tears you’ve inspired
into the eyes of others.

Everything you touch
is sent into a whirlwind orbit. 

You’re important

You’re dangerous

You’re vital

You are never merely an effect.
You affect me. 

Never forget that.
Mateuš Conrad Jan 2020
this is truly a welcome break from:
freeing all the drafts -
which i imagined to be equivalent, or rather:
the 2nd parallel of the original adjecent -

i imagined it would feel like:
releasing doves with laurel branches firmly
lodged in their beaks -
just as the waters of the flood would recede...

but it truly felt like:
the inversion of the diarrhoea-constipation
"paradox"... because it felt like both,
but never giving me a clue as to
what was more prominent -

the sharp edge of a knife -
or the horizon when the sky becomes
the sea far away....

i'm not ashamed to throw this onto the fore...
it happened to me once...
but on purpose...
i wanted to compensate marquis de sade's
antic in a brothel when he implored
the ******* to turn the crucifix into
a ***** into his decapitated precursor
of a mary antoinette... puppet...

profanity in images and all the other seances
of the senses...
i wouldn't go as far as to make the crucifix
profane... or do anything profane
with it...

only the words...
hic (est) mea corpus - hic (est) mea cruor...
this is my body - this is my blood...
and i am aware the mead is the gods' ****
when they're in a good mood - all... jolly...
and that beer is the gods' **** when
laughter hits a dry run...
and that ms. amber or whiskey is but:
the blood of the gods...

i had to corrupt it...
to prove to myself: that i am not a god...
it was quiet simple...
once upon a time i was drinking
a glass of wine...
and as you do... on a whim...
i decided to **** into it...
perhaps all that drinking prior would
give me something to elevate the palette
of exploration that was to come...

hmm... at least that sorts out
hic: mea cruor... *** urinae...
but back then i did that on purpose...
and if only this was a desert scenario...
and i would have to drink my own *****
to survive...
well... i just thought: here's to starving
from a lack of better imagery...

i will come unto some Horace in a minute...
i don't know how i managed to find
this citation - it's only very losely related...
and yes i will showcase another draft from
May of last year...

but today i was unsure...
did i leave yesterday's pepsi max bottle
with only the stale pepsi left...
or did i forget to do the lazy sly wee whizz
jumping out of bed in the middle of
the night...
but i already poured this "cocktail"
over two shots of whiskey...
and i'm hardly desperate but...
my original intention of alligning myself
to the profanity of the crucifix...
i had to somehow make profanity
of the wine...

since i am... thinking how to compensate
being satisfied with wine...
how the ancient world was always
satisfied with wine...
the story of the 3 ambers of the north...
the beer, the mead and the whiskey...
all in a varying degree...
but i will not bow before the blood of a god
that's so... diluted...
whiskey yes... that can be blood indeed...
otherwise it's down in the trench
with gods' **** - mead if they are in a good
mood... beer if they are in a talkative mood...

thank god i wasn't thinking:
better salvage those two shots of whiskey
and drink this cocktail of the "ultimate" surprise...
and apparently eating a woman's
placenta is good for you...
as was... apparently once... breastmilk...
funny... give me the milk of a cow or a goat
and i'll show you: one dislocated thumb...
one dislocated distal + intermediate phalange
from the index finger of the right hand's
proximal phalange... no broken bones...

knock-knock... who's there? touchwood superstition.

it's not as bad as it sounds...
stale, yes...
but i am also known for sometimes
performing the antithesis of drinking tequilla...
*****... i'll sprinkle some cigarette ash
onto my hand... lick it... take a shot of *****
then throw one or two black peppercorns into
my mouth for the crunch...
each drinker and his own myths... right?
i call that the black cracovite...
cracow being so close to aushwitz...
and once it snowed and they thought it was
snowing... sure... ash from the furnaces
of aushwitz... here's my ode to... the dead...
in a drink...

hell better a cracovite than a cracowite, white?
i mean: right? seriously: low hanging fruit,
the elephant's testicles...

i will never understand this whole veneration
of wine: in vino veritas...
these days wine is better drank by women
and castrated monarchs of the clergy...
i had to check... so i ****** in my holy grail...
and guess what didn't come out
the other end? gods' **** (beer and wine)
or gods' blood (whiskey and wine)...
just this stale, almost bland...
water with a pinch of grape that has been
left to sit in a puddle on some
industrial estate in dagenham enjoying
the ripe downpouring of chemicals
that leave it with a rainbow of diluted
petroleum...

akin to: try shoving that sort of doughnut
into this kind of pile of ****...
not that i would...
but i have also been prone to test
99.9% spirits... or 96% absinthe...
with a locust mummified in the bottle's neck...
from Amsterdam...

i had to rethink: why become engaged...
when chances are...
to the displeasure of someone who read:
but never bought my work...
the self-editorial process...
the self-publishing process could be...
guillotined on a whimsical constipation
of a "dear reader"...
as it might happen...

again... Horace and the perfect example
of poetry with conversational overtones...
poetry as prosaic...
my god... paper was expensive back in old
Horace's days... surely you would need
something spectacular to write:
like a psilocybin trip account word for word:
wrong!
a certain don juan said to a certain
carlos castaneda: don't bring back words from
such experiences...
but of course: they did...
upon once upon a time loving the beatniks...
i started to abhor them...
getting drunk and smoking "something"
is one thing... exposing the altars of solipsism
of such experiences: words intact...
is a profanity...
each dream is individually curated
to the dreamer... the introduction of words
to relate back... for some next be disciple...
the "drugs" / portals of escapism are already
contaminated...

why wouldn't i: even if these are only
objective recounts of an experience?
perhaps because... they are subjectivelly null...
there are only the comparable heights of Gideon...
such experiences are best: kept to each individual's
right to enjoy... a freedom of thought...
and of silence...
each keeps a secret...
but what secret is left?
when the objective parameters have already
been stated?
i see no point... better down and finding
it at the end of a bottle...
or... ******* into a glass of wine
and drinking it...

they have been contaminated by words that
have been retrieved from such experiences
that (a) no one should talk about...
(b) surprise! the objective reality already
being stated as altered...
am i going to a ******* cinema with my body...
or am i going to a surprise
gallery with my thought?
doesn't matter... word contamination...
bigmouth struck his final last time!
at least the remains is what gives me
the labyrinth... the blood the **** you name
it the three sisters amber... for all i care...
it's readily available: make do...
with what's already been given.

me? i drink for that very special date...
monday 9 march 2020...
when all the orthodox jews get drunk...
that's one of those celebrations i wouldn't mind
being a part of... purim, festival of Lots,
funny... that period of history...
the Persian aspect of the hebrews...
never made it to the big screen...
seeing modern day Iran as day-old Persia
in muslim garbs...
we're still only seeing the: African adventure...
perhaps once the dust has settled...
we will get the Persian installement...
and then... oh... **** it...
we're all in it for the long run...
then when christianity is no longer useful...
the Roman bit of history...
and how the hebrews conspired with the greeks...
2000 years later we'll probably see
some prince of egypt cartoon movie
of the pristine romance and a mention of germany...
not yet... ****'s still to ripe to entertain
the universal child and children...
no screen adaptation from "their" time in Persia...
songs... we have songs!
Verdi's Nabucco - the chorus...
perhaps only in song from Persia and always
with movies and hieroglyphs when from Egypt...

but the festivity... of course! i'll celebrate...
cf. though... Puccini's coro a bocca chiusa -
the humming chorus...
before the band enigma... i am pretty sure my mother
would crank up the volume to at least
one of these songs... should they come on the radio...
i'm still to hear christopher young's:
something to think about - to be on air...
and to also be treated as a piece of classical music...
if wojciech kilar's dracula soundtrack can be treated
as classical music... what's wrong with a little
bit of hellraiser?!

perhaps, "again" is this desecration of the sacred not,
simply hanging in the background,
all, the, ******, time?
who is to celebrate wine giving it a god's blood
status in sips? one is expected to somehow become
drunk on the passion!
no one is here for crumbs of sips!
first they came for the loaf of bread...
and said you should fast and eat only a crumb...
then they came for the bottle of wine...
and said you should abstain and drink only a sip...
then they came for *** and by then
vatican was a monaco with better tax protections...

it's an investement: having to **** into a glass
of wine you're about to drink...
worse... you accidently "forgot" about
******* into some left-over pepsi max
and you're making yourself a cocktail
with one of the graeae ambers - 2x -
and you wonder: is this the proper state
of carbonated water, stale?
but i'm hardly going to bash the crucifix...
i'm here for the words...

the... transfiguration of the wine into blood...
and i say of my gods:
and here is their **** - beer and mead...
and here's their blood: the three graeae ms. ambers...
see no: clearer? no... happier?

i will get onto ancient roman poetics
with its conversational overtones in a minute!
first we have to settle the sacraments!
the metaphors and the sacraments!
i have no ivar the boneless claim of god...
season 6? to be honest...
i'd rather watch an english soap opera...
at least the intricacy of the plot remains...
even though it has been recycled
so many times...

i can't **** out the gods' ***** even if it was
stale beer... or ideal mead...
as i can't leisure a Seneca's bath filled
with the blood of the immortals...
problem solved... "problem":
as if it ever was...

why, Horace? a very short rhetorical retort:
if Dante had his Virgil...
why can i have my Horace, as guide?
again... what Roman poet could venture for
ambitions among the myths -
or extend his "consciousness"
to devastate the land and become
the mad Xerxes wanting the waves
of a sea whipped into submission?
why, Horace? if Dante could have his Virgil...

poetry... at least among the roman poets
there's no boxed in a box "without" a "box"...
the conversational overtones are ripe...
the almost complete lack of
character dimensions... beside their dimensions
from anecdotes...

to difuse wine, to desecrate the hic mea cruor...
**** in it!
then drink it...
or have one of my antithesis of a tequilla surprise
with me...
smoke a cigarette... drop some ash on the lick-part
of the space between the thumb
and the index metacarpal... lick it...
follow it with a shot of *****...
then throw some black peppercorns
into the hades of your gob
and we've arrived at the black cracovite...

and also the day when the orthodox jews
recant their story of their time
in Persia... the festivity of Lots...
when they become blind drunk and pretend to
have the sort of alcohol intolerence as
the Japanese... 1 shot! just 1 shot:
and hey! they throw their kippahs in
the air and we can all dance the ukranian 'opak!

looks good to me!
but only looks good...
when there's this plump drunk playing the accordion:
i.e. me,
and there's the sort of adrew rieu directing
an upcoming crescendo of a poliushko polie...
and we can all leave the auditorium
feeling, less than russophobic...
and then i can be told...
you young to be old yet still
profane pan-siberian peasant root!
indo-european leftover!
well... at least then i have been allowed
the scrap i'm supposed to see
before i showcase my *****, frost riddled fangs!
of the lesser wolf that i am:
as a rabid dog!

since the crescendo will come...
what better fathom of it...
esp. just beside a cemetery... twirling to the music...
ear-plugs out seancing my time in a grand
orchestral hall... plucked from the ears...
the crescendo is coming...
but... plucked... the orchestra of buffalo-sized
snowflakes... and... the worst kind of ballet...
a male soloist... doing his crazy
ukranian folk... maestro! the music never ever
dies! even in the silence of the universe!
however micro- or macro- this theatre will take
form... the music remains playing: uninterrupted!

but the snow was there,
the "ballerina" was also there...
the night was there,
the music was there -
albeit no grand orchestral hall -
couldn't ask for a better canvas
than a cemetery -
and all the heart's content!
comparative "literature"
to love like a muslim...
or to love like a sparrow...
or to love with a grudge like a crow...
mind you; site note...
i have been many a pigeons attempt
fornication unabashed...
i've never seen two crows attempt it...
perhaps they do "it" in the night
and never in the open?

crows... pedantic priests of the kingdom...
and where the widower king
and the widow queen among the swans?
where i and you will have probably left them...
admiring a family of ducks...

as asked by the serpent of the swan...
you and me of the same birth in a Fabergé egg...
me with serpentine spine...
while you: with a crooked neck?
silly... it really is...
of a being.... that was once
a t-rex roar... now a pickled brain
in pickle jar... boasting about being...
pure spine and tingles and...
the better part of what... becomes the mammalian
hibernation...
hibernating "hibernating" upon the
impetus of digestion...
a serpent would ask a swan about
a crooked neck?

because what would a **** sapeins look toward,
as he is always prone to to look elsewhere?
if not to borrow the fixed, rigid ontology
of other animals?
i better from the birds, solely...
the swans and the crows...
perhaps the fox...
rarely something that has lent itself
to being curated by man's leash and grip...
collective the known herd...
otherwise the refined bonsai tigers...
perhaps the fish without a knowledge
of a tide or a wave...

i call a dog the noble friend,
the swan the sombre monogamist...
the crow the priest...
the furry spider one's own reflection
dealing with aracnophobia...
the snake the old "say-what?"
or that pickled spine with a brain
the worth of brine juices...
the extinguished remnant
of a dinosaur's toothache... or some
transcendental exploration
of the carpals of the wrist
extending into the length of a spine...

i'm not going to cry over this one...
skål!
i feel disinhibited from writing a memorandum!
slàinte!
gasoline to the peddle and... off... we, go!

i am bound to get this translaton right...
at some point of hinging-on... i.e. beginning with...
and most probably at the opposite end
of having to finish...
hence "open bracket"... prefix-
and -suffix allowance given the archeological
excavation began with:

-seu pila velox molliter austerum studio
fallente laborem, seu te discus agit, pete cedentem
aera disco: *** labor extuderit fastidia, siccus,
inanis sperne cibum vilem; nisi Hymettia mella
Falerno ne biberis diluta. foris est promus,
et atrum defendens piscis hiemat mare: *** sale
panis latrantem stomachum bene leniet. unde putas
aut qui partum? non in caro nidore voluptas summa,
sed in te ipso est. tu pulmentaria quaere
sudando: pinguem vitiis albumque neque ostrea
nec scarus aut poterit peregrina iuvare lagois.
vix tamen eripiam, posito pavone velis quin
hoc potius quam gallina tergere palatum,
corruptus vanis rerum, quia veneat auro
rara avis et picta pandat spectcula cauda:
tamquam ad rem attineat quidquam.
num vesceris ista, quam laudas, pluma?
cocto num adest honor idem?
carne tamen quamvis distat nil, hac magis illam
inparibus formis deceptum te petere esto:
unde datum sentis, lupus hic Tiberinus
an alto captus hiet? pontisne inter iactatus
an amnis ostia sub Tusci?
laudas, insane, trilibrem mullum,
in singula quem minuas pulmenta necesse est.
ducit te species, video: quo pertinet ergo proceros
odisse lupos? quia scilicet illis maiorem natura modum
dedit, his breve pondus: ieiunus raro stomachus volgaria
-temnit.

it's translated, isn't it? no
stefan gołębiewski or no 1980 warsaw...
is to know...

- nec meus hic sermo est, sed quae praecepit Ofellus:
these are not my words, this said the simpleton
Ofellus - neither of which of us is a laurel-leaf
adorned Orpheus...

that via a living "game": stoking up an appetite
with this entertainment the appetite increaes...
as does one health...

sorry... pagans... bloodthirty people...
trouble with the translation...
apparently the mud slinging
***** and bricks are nothing new...

or when you "minus" the disk,
litter the distance, head with the wind into
competition!
after hardships of the body is good and
the meal is simple -
(apparently all of this is still "connected",
scratch of the ol' 'ed and we're fine...
we're ******* sailing!)
Falern will not hurt "us"...
seasoned by honey from Hymettis,
before the entré. Safaz left,
the sea rumbles, the zephyr of fish it protects,
storm, fishing made unsafe;
stomach grumbles, bread with salt:
excuisite; you do not have any better! why?
taste does not reside in the scent of dishes,
but in your self alone.
toil merely increases appetite's presence.
he who over-eats, will not know the taste
of an oyster, nor a turbot, nor chickpeas,
the northern bird.
perceptions take the scalp of the mountain
above the actual taste of the dishes
(one might scalp... but never eat the scalp)...
you will not take a chicken onto a tooth,
when you are given a peacock,
you will trust your delusion:
a rare bird, worth its own weight of gold,
a most rarified tail, how it sparkles
with subtle hues!
as if the tail were to lead -
and there was no head to be found!
do you allow yourself to judge the hue
of the feathers as precursor for the adjecctive:
that's it's "also" tasty? the meat, of course?
the old - judge a book by its cover...
is the oven baked... also as delicious / beautiful?
chicken meat... or peacock meat?
almost without difference.
therefore: light... albeit...
although only vanity lures the peacock
(to be compared to a poultry)...
let's go further... i want to know: after what
do you recognise this, that a pike
with its gaping mouth was left:
from the sea... or from the Tiber fished?
somewhere among bridges... or from some
conrete estuary? idiot-kin of the surname whim...
you admire a three-pound mullet!
do you take size... for the gauge of all measure?
when you... cut the bell?
then why... why... with disgrace
do you demand in appreciation:
elongating pikes!
evidently nature: this greater gave the proper
measure... and with it: the lesser weight -
an empty stomach will rarely -
being fed a simple thing - despise -
what is...

an empty stomach - rarely despises -
simple matters.

how true... i was allowing myself the time
it would take to drink,
and translate into the vulgate...
but... from no better source...
and i am still to add to this one of my...
"freeing of the drafts"...

as promised...
"draft"...

- a most confiscated man -
no italics included...

.the original draft:

binges, worth the count
of a liter of whiskey
per night,
for a year, if not more...
become so...
so unspectular...

          the world either
screams, or yawns,
generally:
it exhaust a desire
to toss a coin,
agitate the vocab.,

a grand canyon
huddling
in the "depths" of
a glass of water...

baron science
comes with his rubric
of bore,
      and:
i find myself,
most idle:
while the world
orientates
itself in keeping
itself busy,
bothersome,
always the prime concern,

the ant-colony coup,
the:
i always find friends
in the orientations
of an empty glass,
but prior to:

i drink
before no altar,
no mirror,
no confidante...

     pure flesh revels itself
in a blank's worth
of prior to dictum's
  allowance of, a page...

bothersome
the knot of the pretentious
anti- in scold of
the passing fancy:
expression...

            poker charm
of a love's affair...

_

i sometimes entertain myself
with ancients proverbs,
one slavic proverb reads:
better a sparrow in your hand
than a dove on your roof...

what, could, possibly be,
the interpretation?
care for the small joys in
your possession,
than, for the peace of your household,
which is, on the roof,
but not in your hands...

if i were paid? would i be more
honest?
probably not...
        what i see, is what needs
to be seen...
  em... simple pleasures talk...
once upon a time,
donning long hair, implied
you were a mosher...
a metal-head...
    now? three days +,
long hair, and you're not a
grunge fanatic?
  trans-, etc.?

   a man of simple pleasures,
i know what long hair,
jealousy, associated with
putting it in a french braid,
does to a camel jockey ego...
ruins and ruins as far as the eyes
can see...
    he replicates...
he grows his hair long...
at the same time boasting about
haivng a premature beard...
then you grow a beard yourself...
you start fiddling with it...
****, ***** on my face...
and then...
the "question" of a girlfriend
flies out of the window...
i'm happy with a beard,
thank you, very much,
i don't, exactly want to wish upon
myself, a female, company...

*** protest all you want...
the *** differences between men
and women, to my sort of understanding,
are, unrepairable...
     they were, never,
bound, to being, repaired...
savvy?
            i take my route,
a woman took her route...
  we're even...
                
      since what can only frighten a freed
woman, beside a monarch,
a free man?
                   a man with...
a gamble...
         i am a man with a gamble...
i don't like being told what
to be, or what to think...
like any man,
and like any man:
i don't like being forced
ownership over a being:
that can share my sense of freedom...
so...
    i find myself,
thrilled with relief,
at now having to answer to
a woman's subjugation...
like a woman, and, i have learned
from women: i like being
my objective's self...
rather than a "self" made subject...

i like that: thank you...
i can start feedings the pigs and the peasant
the diatribe life, and lie,
of: there being an existential cricis,
a need to reproduce...
and i, and i am, being demeaning
in this, way, for a justified reason...

once the peasants attack you:
you attack, the peasants...
you demean them in the same way
they demeaned you...

once upon a time i thought:
greater good came from the number
of innocents being salvaged
than for the few great of grand bearing
being salvaged...
even if bound to an ill will:
an ill command,
of a will, predisposed to pretend
actions of the blind...
but now i see...

   the many: if beside fulfilling
their petty deeds,
having to stand outside of those,
petty deeds,
  have ambitions equivalent
to their emotions...
            akin to something worth,
pity, akin to something
worth: as little as a rat's heartbeat...
petty, primitive bull-*******...
and all the amount of sorrow,
or pity,
or mercy...
              that, these, ******* allow...
are worth the same response
Pontius Pilate gave...
       there isn't enough of water,
in this world,
to wash my hands, clean,
of these people...
   even if innocent blood plagues
them,
    not enough waters have run their
due course,
to... release me from the indentation
of memory upon my mind...
and i am plagued by an elephant's
memory...
        we've reached the conclusion
of: some people...
  just do not see an insult,
             past the insult's eloquence!

i am a most conflicted man,
i binge watched vikings
for a while now,
and right now, i'm ready for
an extraction of what i have learned...

believe me: i am not someone
who has the sort of ego-presence
to fate myself in the role
of the protagonist...
     i'm too pedantic to have to
market my body and deeds,
for the fates tio see,
and history to ascribe fame unto me...

even homer was off too war
with troy,
   and blessed he became...

because? time morphs,
the longer something is kept,
the more, "unreal" is becomes,
a fairy-tale...
esp. now, with the onslaught
of journalism...
two things in this world
are insomniac,
money never sleeps,
and, now, apparently,
journalism doesn't sleep either:
well, given its ******
bed-fellow of political liars...
why should it?

             Rolo... a semi-minor character...
but i feel his angst at the already
fervent dichotomy,
(dichotomy, modern variety variant
of schizoid-affective...
or bilingual in turn)...

            music...
                    all these modły...
gesticulations of prayer,
phantom conjuring,
               lunatics with candles
at high-noon...
                  i am fated by music,
i am perverted by music,
i am swayed by music...
who is the god, patron,
of music?
who is the angel (demi-god),
patron of music?
         i do not seek the highest
influencer...
the minor one...

   when Archangel Sandalphon
met St. Cecilia...
but as such, i am, conflicted...
even though, this is the first time
i have heard of Sandalphon...

Rome, never reached my peoples,
the Vikings did...
   weren't the ugly vikings the founders
of Kiev?
  so they must have passed via
the Polen (field) land, no?

feelings are not important,
facts don't care about your feelings...
granted...
but i'm not hear for facts,
contra, feelings,
i'm here for the rivers...
what i feel, what my heart yearns for,
needs to attain an equilibrium
with my mind...
for that: i need to clarify my feelings,
to hush my heart, silence it,
in order to listen to my mind,
and the mind, needs to feed into
heaving the heart: to do,
what, the heart, desires,
autonomous to what the heart
"thinks", is right...
                    that's how it was forver
going to work...
consolidated...
and yes, i much envy the punctuation
of king Ecgberht,
a man of cunning: much admired...
abstract thinker...
        and a reality...
        pun-ctu-a-tion...
the delivery of one's speech...
   much admired, as much as...
                the crude brawl possession...
the chief protagonist of the story?
as important as is: the required from
Atlas... burden upon burden...
a man burdened with the illusion
of freedom...

so why am i conflicted,
but becoming less and less so?
    it was always the music...

songs...

           chavelier, mult estes guariz...
wardruna - helvegen...
           da pacem domine...
             agni parthene...

you know... there's much more beside
being a jazz enthusiast or
a classical music snob...
         there's folk... there's religious and pagan
chants...
if there's one thing to benefit from,
in terms of the Byzantine context...
the chants...
        let the barbarians do the thinking
from now on: you do the sing-along...
no people ever reinvented themselves
from an ancient glory...
   new blood had to come to the fore...

like today...
       i spoke with my father and my mother...
about the names of apples...
we must have talked for an hour,
we named so many lost "breeds" of apple...
nouns i will not write,
nouns i wish death to write down,
i want Samael to have,
beside the book of my deeds in hand,
i want him to have
my dictionary in hand,
my knowledge of the sacred script,
i want to listen as he recites me the words
i've used,
notably today's conversation
            about the many types of apples...
e.g.: shogun apples...
             kox...
                    szare renety...
          papierówki...
                    marabella prunes...
that's all i ask of Samil.
kirk Nov 2018
Fat arses are so squeezable, big bums I rather like
So amplify your cellulite, and step up to my mic
Pins may shake and quiver, if I can score a strike
A Fat **** has more stability, to park my mountain bike

You may prefer a slender girl, with a bottom that is sleek
And fatter girls are not for you, or not what you would seek
Some little arses can be cute, but I want that extra cheek
I need some chunky piece of ****, to reach my ****** peak

I don't want a boney lass, who wears a leather mini
A larger girl I'd rather have, than a woman that is skinny
Imagine a great big ****, bulging out from a tight pinny
Bear arses are acceptable, just look at that Pooh Winnie

Size twenty dress would be fine, but better times by four
With Something to grab hold of, that would thrill me even more
Bigger bums and fatter thighs, that take up the whole floor
Squelching fat I would enjoy, I don't want a thin girl cure

Thin sticks maybe preferable, those girls shaped like a rake
Stupid ****** I don't want, or **** that could be fake
Fat ladies have more bounce, and they will never brake
I don't mind some extra skin, that's sweating like Swan Lake

Larger woman are more fun, they have a wetter gape
There's more to love per square inch, WOW what a body shape
Smother me with all you've got, a complete body ****
I wouldn't be like Steve McQueen, and try The Great Escape

I'm interested in BIG thrills, but I don't want silk or lace
It's certainly a worthwhile trip, if it's shoved in the right place
Delving into the unknown, well I'm not sure that's the case
You know exactly what you'll get, with fat arses in your face

A nice thin *** is okay, but sometimes they're quite drab
Even if your figure's slim, I'd want more **** to grab
I'd rather have a bit more fat, which includes dimples and flab
If your offering your fat ****, call me a mini cab

Excursions during twilight hours, to avoid the daylight sun
I prefer to be in stealth, I'll be on the midnight run
It doesn't matter how large you are, even if you weight a ton
Fat arses I will always grab, now wouldn't that be fun

There's nothing wrong with pertness, so this I will announce
But doesn't a nice fat ****, have extra pounds per ounce
With more to grab and more to squeeze, and definitely more bounce
Big cats scratching for more meat, will always make me pounce

If you are not good looking, and you look like a pig
I'll forgo your outward looks, as long as you are big
Bare your *** in front of me, and give me the gig
You can reach your Top Gear, with a helmet like the Stig

With a *** like the Grand Canyon, I wouldn't want to pass
Mammoth mountains of pure fun, as i lay in the grass
A women laid across the world, with a big fat ****
I'd try extreme obesity, if it's open wide and sparse

So take advantage of me, and let your **** end loose
I'm a man who likes em big, without being too obtuse
Use your fat for basting, and I'll give your **** a goose
We could do well with a good game, according to old Bruce

You may like slimmer ladies, but come on now you gents
A bums a *** after all, so stop sitting in the fence
If you would try a fatter ****, you wouldn't be so tense
Don't be a ******* plonker, you know that it makes sense

Thinner lovers may change their mind, and not think fat is vile
It's just a different point of view, depends on your own style
For that deeper piece of crack, I'd go that extra mile
I don't think a fatter ****, is bottom of the pile

Maybe you don't share my views, but there's something I can teach
A plumper *** would be great, that is within your reach
Succulent cheeks that you can grasp, your hands could have one each
Even James gave it a go, because he had a Giant peach

The perspective of a chunky ****, an amazing smile and crack
That's the exciting view you'll get, when your stood round the back
Its great to feel you way around, when everything's pitch black
You'll find it an experience, if you are right on track

A nice *** I wouldn't mind, so come on where's your *****
Bigger cheeks I can't resist, theres no need to get me drunk
I wonder if the girl next door, has some lovely feeling chunk
Enticement is my spice of life, cos I'm not a ******* monk

To like a larger lady, well It's not classed as a sin
Shallow men may only like, a girl that's really thin
Just because our clientele, are not shaped like a pin
Fatter girls have twice to give, it's like loving the same twin

Some fellows might think I'm blind, and need a pair of glasses
You can leave the lights on, cos I don't think fat is classless
Flash your **** at the back door, and you won't get any passes
Tables and sofa's can be used, to display your great fat arses
Joel M Frye Jul 2017
A trickle of time
melts its way down
a mountain of perhaps.
Other trickles
from others' potentials
merge and mingle;
become a stream
which grows as it gathers.
Soon, soon,
time no longer
is guided by stone
but carves it,
carves unwilling rock
into fissures.
Earth itself is rent
by what might have been;
time gathers the debris
and carries it downstream,
deep and slow and wide.
The canyon it cut
is deep and wide as well,
and twists and turns
with branches and dead ends.
Our lives are but a shout into the void,
echoes which carry and fade
along canyon walls,
unless and until
an ear downstream
might hear them.
Perhaps they will;
perhaps not.
The river and canyon both
are fickle;
hold their secrets close.
The only potential
once here

is to shout
until no voice is left.
Thanks to an old friend, Harry Weyer, who sent pictures of the Grand Canyon.  His pictures took me with him.  

Pray I might be faithful to my own words.
John F McCullagh Jan 2012
High above the Canyon’s edge,
Far above the ancient clay,
The helicopter hovers there
Like a dragonfly at play.

With my jet pack on my back
I coolly, calmly step away.
Gain separation from the blades,
Freefall starts my epic day.

On stubby wings the jet packs fire
I’m Daedalus in the morning light.
I soar across the canyon’s rim.
Laughing like some hell born sprite

One hundred eighty miles an hour,
The wind whips cold despite the sun
I glide toward my landing zone
The jet packs sputter and are done.

My parachute has been deployed
My guide ropes turn me for my drop.
My wings are just a dead weight now
I touch down one the Mesa top.

At Kitty Hawk that fateful day.
This must be what the brothers felt
Kindred souls who sought to fly
By using wings that wouldn’t melt..
My flight across the Grand Canyon using a jet pack. Flight of fancy that is- I'm afraid of heights- but some other daredevil actually did this and i wrote the poem

— The End —