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I’m not a botanist,
or an avid gardener.

The horto I culture consists of two pots,
sits on a narrow sill
and soaks in its one-hour slit of sunshine.

This makes me unfit
to label much less
fathom the encroaching
sublime, which sprouts,
shoots, creeps, clings and endures
from far reaches beyond me.

It has spines
supple and rigid,
skins coarse, spiked, and silky,
quivering tips that are spidery,
and bunched as small dollops,
jagged teardrops and jigsaw puzzle pieces.

I’m not a botanist,
but if I were
I should still be struck dumb
by these numbing instances
a protesting tongue
insists it won’t box up
such greenery with the genial trappings
of a scientific classification,
or even the oddly
folksy catch-all “****.”

I can’t always tell what’s a ****, what not.

l know those greedy
intruders growing at the heart
of a meticulously turned earth
to spoil the well-ordered
plots of a barely adequate vocabulary.

It gets more complicated
with the thrilling misfits
and their sturdier notions
of choking life from inhospitable beds
poured and paved
to the detriment of meeker plantings.

Yesterday I met the peeks of ten
woody red stems poking through
a patch of chunky white gravel
spread thick between two
steel rails that fled to a horizon.

I watched the breeze
shake their candelabra arms
dressed in sparse leaves
and denser seed-packed sleeves,
and they welcomed it.

I'm not a botanist
and I can’t name these plants,
but I can admit, I admired them.
This work is licensed under a Creative Commons Attribution 3.0 License.
Sarah Myrth Apr 2016
“To rise from the ashes,
first we must burn.”

I am trying to plant flowers.

To sprout them right out of my
Hands toes eyelashes nose and
Leave them with everything
I touch in the world.

I wish to be perpetually blooming,
But I can’t grow anything at all,
Except a sparse **** or two
From my weary war torn body
Exhausted from the calamities
Of a long fought battle.

I am fascinated with
The *intoxicating
idea
Of destroying myself.
Burning,
Ever so elegantly,
Into a sparkling dust
To nourish new flowers
I could never become
On my own

Daydreams of a Pyro-Botanist
Are equally consumed
With blooming and burning.
  
I keep setting myself on fire and
Waiting for someone to douse my flames
Before I burn myself to the ground.
Andrew Rueter May 2017
Through the fog of disenfranchisement he emerges
Gold watch, Gold rings, Gold hair, Lead heart
He has the resources...
He knows the secret to making money
He must know how I can make that money
So I can finally be happy
As happy as I was before I knew I needed money
Unless the secret of making money is me not having it
He has the influence...
Over those with crumbling foundations of knowledge
And foreclosed homes of empathy
Their situation is dire
They need someone to admire
What channels will this river of adulation lead to, though?
Their minds sneak across the borders of fear
into paranoia
Their hearts scale the walls of love
into hatred
He has the power...
The Botanist tells the customer that the flower is actually a ****
And he must **** it
There are Bedouin villagers who know nothing of the outside world
Except for our bombs
Will the sounds of love be heard over our tanks and guns?
He has no control...
No control of the thoughts of those that live
in the shadows of uncertainty
No control over the brotherhood all men share despite our differences
He is not the sun
And time waits for nobody
And misery finds everyone no matter what
And you can burn the witch at the stake of your fears
But her banshee screams will unleash the titan of retribution
Through all this hatred
Love will save us, right?
Or is love what led us here?
Robert Ronnow Aug 2015
Herpetologist meets actress (Cameron Diaz).
If he's funny he's me.
South America or Africa (on location).
In a diamond mind.
The protagonists (lovers), the diamonds, the miners and the minders.
By minders we mean watchers, organizers, supervisors.
As all art must: choose a focus.
The personal is political said Cameron on the night bus to Quebec.
I had never met a girl so willing to make love in public.

To what extent is violence necessary? And
is that the essential question or
should violence be accepted as man's state, fate
a more essential question existing beyond or below
peace or war. Perhaps
the religious and (for the irreligious) sacred injunction
against egregious violence exists
to still ourselves
to open ourselves
to the deeper question. That Cameron Diaz is funny and beautiful
is hopeful. And the telescope and microscope have extended
the eye's appreciation. Under the microscope
Cameron becomes a collection of foreign, alien, uncompassionate,
      selfish, self-organizing
organisms. Frightening, inexorable, fascinating
to the scientist in you!

To the telescope
vanishingly small, infinitesimal as the farthest sun
only smaller
smaller by magnitudes of magnitudes of ten
and incinerated in a nanosecond. Gone
from the movie (photographs the contents of which move
for the naked eye).
I cannot help what I do or hope.

Anyway, it's a love story
or science project, socio-political documentary. An essay.
An essay about how it is actually impossible to say what you mean
but it is possible with a lifetime of meditation and study to shut up
and know what you meant.

Now I'm deaf.
I can see Cameron Diaz but not hear her.
The guy, the herpetologist, at first colorless turns out to be
colorful as a bird or snake!
He knows a lot about snakes, and birds! Not only how they mate
but what they eat
(amateur botanist)
where they rest
what they do with their pain. Do they get depressed?
Can they have guests?
How do they judiciously employ violence to organize and defend
the nest.

The international collective remains insufficiently organized
resulting in violence and threats of violence that interrupt
commerce, procreation (love) and the pursuit of happiness (Cameron
      Diaz)
at least for certain populations, sometimes.
Otherwise, most men, most times, live in peace excepting
flood or fire God or man may
choose to impose.
I lay in my bed and listen naked.
Have a good day (Diaz).
The goddess does not exist, except as bone.

Around this time (July)
the queen yellow jacket (redcoat) searches
blind and deaf
for a ledge or cavity to build a city of her descendants
safe, that they can defend.
Most cities
prosper, undisturbed
and sleeping peacefully, overwinter. We, however,
remain active, Cameron Diaz makes winter movies or
love stories in South America, and I
delight to imagine her herpetologist. Or one who
discovers the sun
around which a habitable, understandable, compatible
orb orbs. Or
maybe the movie's about the revolution, soldiers dying defending
this dictator or that dreamer
and the movie completely failing, not even trying, to explain how
the sons and daughters of the dying soldiers (miners) feel
fishing alone, hunting for wisdom, thereafter.
Sure, these men chose violence, not Cameron Diaz, and were not
farmers, botanists or herpetologists
their tools could have been and should have been the telescope or
      microscope
but are there enough microscopes and telescopes to go around
and did we not (taxpayers, moviegoers) encourage them to
defend Cameron Diaz?

Man's world is insufficiently organized to preclude violence
in allocating resources (Cameron Diaz).
When we invade Iraq
to defend our allies and interests
with rockets and rocket throwers, Rockettes and Cameron Diaz
each man (each Diaz) must make his
own individual choice
whether this war
is worth fighting for or the next or the worst.
Go to jail, go directly to waterboard, at the hands of
your local police, chamber of commerce.
Learn how to walk the desert and the universe.
The names of rocks and planets,
that being the only answer to the hyperorganization that is a cancer on
      our insufficient organization.

I was reading Foreign Affairs
The Case Against the West by Kishore Mabubami (Cameron Diaz).
How can I relinquish my privileged position
sit still, lie naked
until what constitutes consent of the governed and non-violent change,
      Cameron Diaz,
to her herpetologist
is known.
www.ronnowpoetry.com
that plant in the window
may well resent those roots
firmly potted and positioned
on that westerly sill
held in place as it is
by those wispy tendrils
straining outwards
desperate for growth
ever-reaching for
the drifting light
of that introverted Sun
evasive though it may be
its potential remains
dirt encrusted and anaemic
as the hidden branching is
neither its stem nor leaf
nor its bud or flower
could realise the heights
that it hopes to achieve
without these buried parts
for though this tangle
is filth-covered and
far from what any wish
to be faced with
when in admiration
                   of such flora
without this
the evolving maturation
from ceaseless elongation
and meristematic activity
the terracotta on display
could not be filled with
this greenery so vibrant
Margaryta Jun 2014
At 5 I was convinced I was
a flower
whose vocation was imitating
their final hysterical
wail
once Winter awoke from its
anorexia.

I pleaded my case with
a botanist
whose seamstress wife consented to stitch
a tutu of Kadupul
flowers,
like a fairy godmother warning of their death at
dawn.

At 16 I finally danced
their goodbye,
petals whisked off as if molted
layers of skin
and only when at the end I stood naked
did the concept of death have
definition.
Nota: man is the intelligence of his soil,
The sovereign ghost. As such, the Socrates
Of snails, musician of pears, principium
And lex. Sed quaeritur: is this same wig
Of things, this nincompated pedagogue,
Preceptor to the sea? Crispin at sea
Created, in his day, a touch of doubt.
An eye most apt in gelatines and jupes,
Berries of villages, a barber's eye,
An eye of land, of simple salad-beds,
Of honest quilts, the eye of Crispin, hung
On porpoises, instead of apricots,
And on silentious porpoises, whose snouts
Dibbled in waves that were mustachios,
Inscrutable hair in an inscrutable world.

One eats one pate, even of salt, quotha.
It was not so much the lost terrestrial,
The snug hibernal from that sea and salt,
That century of wind in a single puff.
What counted was mythology of self,
Blotched out beyond unblotching. Crispin,
The lutanist of fleas, the knave, the thane,
The ribboned stick, the bellowing breeches, cloak
Of China, cap of Spain, imperative haw
Of hum, inquisitorial botanist,
And general lexicographer of mute
And maidenly greenhorns, now beheld himself,
A skinny sailor peering in the sea-glass.
What word split up in clickering syllables
And storming under multitudinous tones
Was name for this short-shanks in all that brunt?
Crispin was washed away by magnitude.
The whole of life that still remained in him
Dwindled to one sound strumming in his ear,
Ubiquitous concussion, slap and sigh,
Polyphony beyond his baton's ******.

Could Crispin stem verboseness in the sea,
The old age of a watery realist,
Triton, dissolved in shifting diaphanes
Of blue and green? A wordy, watery age
That whispered to the sun's compassion, made
A convocation, nightly, of the sea-stars,
And on the cropping foot-ways of the moon
Lay grovelling. Triton incomplicate with that
Which made him Triton, nothing left of him,
Except in faint, memorial gesturings,
That were like arms and shoulders in the waves,
Here, something in the rise and fall of wind
That seemed hallucinating horn, and here,
A sunken voice, both of remembering
And of forgetfulness, in alternate strain.
Just so an ancient Crispin was dissolved.
The valet in the tempest was annulled.
Bordeaux to Yucatan, Havana next,
And then to Carolina. Simple jaunt.
Crispin, merest minuscule in the gates,
Dejected his manner to the turbulence.
The salt hung on his spirit like a frost,
The dead brine melted in him like a dew
Of winter, until nothing of himself
Remained, except some starker, barer self
In a starker, barer world, in which the sun
Was not the sun because it never shone
With bland complaisance on pale parasols,
Beetled, in chapels, on the chaste bouquets.
Against his pipping sounds a trumpet cried
Celestial sneering boisterously. Crispin
Became an introspective voyager.

Here was the veritable ding an sich, at last,
Crispin confronting it, a vocable thing,
But with a speech belched out of hoary darks
Noway resembling his, a visible thing,
And excepting negligible Triton, free
From the unavoidable shadow of himself
That lay elsewhere around him. Severance
Was clear. The last distortion of romance
Forsook the insatiable egotist. The sea
Severs not only lands but also selves.
Here was no help before reality.
Crispin beheld and Crispin was made new.
The imagination, here, could not evade,
In poems of plums, the strict austerity
Of one vast, subjugating, final tone.
The drenching of stale lives no more fell down.
What was this gaudy, gusty panoply?
Out of what swift destruction did it spring?
It was caparison of mind and cloud
And something given to make whole among
The ruses that were shattered by the large.
Brody Thompson Oct 2012
Karma usually on my side
Barely took the dragon
Out for a ride.
Never a scientist,
Strictly a botanist,
Goodbye, little anarchist.

I dont want my name
On Hollywood Boulevard,
And I dont want my face
On the TV set.
I dont wanna leave all the people scarred,
When it's time to lay
On my death bed.

Loved by many, respected by all.
Stuck by you, rise and fall.
The name would ring a bell
Through thick and thin,
Heaven and Hell.

The name called out,
And the rise of a beer,
I want you to know..
...I was here.
Certainly our city with its byres of poverty down to
The river's edge, its cathedral, its engines, its dogs;
Here is the cosmopolitan cooking
And the light alloys and the glass.

Built by the conscience-stricken, the weapon-making,
By us. Wild rumours woo and terrify the crowd,
Woo us. Betrayers thunder at, blackmail
Us. But where now are They.

Who without reproaches showed us what our vanity
has chosen,
Who pursued understanding with patience like a ***,
had unlearnt
Our hatred and towards the really better
World had turned their face?

Who knows? The peaked and violent faces are exalted,
The feverish prejudiced lives do not care, and lost
Their voice in the flutter of bunting, the glittering
Brass of our great retreat,

And the malice of death. For the wicked card is dealt and
The sinister tall-hatted botanist stoops at the spring
With his insignificant phial and looses
The plague on the ignorant town.

Under their shadows the pitiful subalterns are sleeping;
The moon is usual; the necessary lovers touch;
The river is alone and the trampled flower;
And through years of absolute cold

The planets rush towards Lyra in a lion's charge. Can
Hate so securely bind? Are they dead here? Yes.
And the wish to wound has the power. And tomorrow
Comes. It's a world. It's a way.
Carlo C Gomez Apr 2023
~
if you're feeling sinister tonight, come inside the darkroom. picture yourself pouring over mental images of a demure young botanist, loitering around the trapdoor of nostalgia, kissing someone new for the first time.

now imagine she is conscious and clustered in titillating blur, her smile beachy and airborne, with only the slightest suggestion that something troublesome is lurking underneath.

can you see her double exposure? totally tranquil, she poses with an arsenal of poisonous plants, as if she’s already slipped their venom into your tea.

~
I had a friend, a botanist by training,
A florist by design, who purchased
Two & a half relatively fertile,
Well-water irrigated acres in
Southern California.
(That’s about a hectare for you
Metric freaks.)
The land, Katie Scarlett:
Moreno Valley, Incorporated,
Part of the hilariously misnamed
“INLAND EMPIRE,” to wit:
Riverside and San Bernardino,
The latter county already this year’s
****** Capital of North America.
Last year’s too and the year before that.
ZAP! I am neuro-linguistically
(Thank you, Noam!)
Pre-coded to check the numbers:
The IRAs and bank accounts;
The living trusts; the Gary U.S. bonds.
My safe-deposit box, and right on time,
With a puff of smoke, a drum & cymbal smash,
The Confiscatory Duke appears.
The Duke-Duke-Duke of Earl,
The eternal, the infernal—
Internal Revenue Service:
THE I.R.S. hurdy-gurdy 1040 Man--in this
Case Men--stiffs in dark overcoats & fedoras,
Official 1040 Men, thank you very much,
With a tip of their green eyeshades,
Polite debt-collecting blokes,
No “Break-a yah face” guidos,
Just subtle government lawyers
Garnishing what’s left of your future.
Whoever came up with: “In this world,
Nothing can be said to be certain,
Except death and taxes.”

(Probably Benny C-Note
Go Fly a Kite himself,
Benjamin Franklin, one of
The so-called Founding Fathers—
Need I remind you all, who gave
Alexander Hamilton--an out-of-wedlock
West Indies *******--- Poor Richard’s blessing
To create the U.S. Department of the Treasury,
Which oversees the Revenue Bureau.)
Yeah, Death & Taxes--
Benny sure hit the nail’s head.

But I digress . . .
My friend Louie, the Botanist
Plants two & a half acres,
A hectare of flowers,
Broadcasting, strewing
Like alfalfa grass, many thousand
Bird of Paradise seeds,
Sal’s bird—if you catch my drift—
The Bird of Paradise,
Strange plant, N’est-ce-pas?
Looks like a punk rock
Woody the Woodpecker,
Day-Glo orange plumage,
A strangulation collar,
A ring around the collar of
****** blue hickeys, those freaky rings,
A veritable Sprezzatura!
Louie’s field of simple joy:
Mother Earth at her best.
Saumya Jan 2018
Walking down my lane with downturned chin
every bit of bright closing up shop for the season
I noticed a fluttering butterfly beckoning me on
leading me to an enclosed tunnel of riotous color!


Stepping inside, my view was obscured by foliage
every texture and hue with unlimited adornment
a studious lady with a clipboard stepped out from
a row of sunflowers, vivid coral with buttery edges.


I was stunned by the majesty of her shiny black hair
and I remembered reading about a plant whisperer
so I asked: “Are you the bloomin’ botanist of lore?
Please show me how you create all these colors!”

She nodded her head, with a big wide smile, saying: 'Yes! For Sure.'
We were soon amidst foliage, so green, so pure
She handed me a twig of dark pink rose,
She smiled in surprise, like a playful child,
Asked, 'Isn't this one adorable enough to be explored?'

I was thrilled to glance at the rose, the one indeed majestic enough to be explored!
She plucked a petal, and the fragnence filled my nose,
She told me of a 'pigment', called Anthocyanin
The initial chemical constituent that provides it's colours.

I pointed my finger towards a yet wonderful rose,
The one yellow, with tint of orange edges in a big wide row.
It ignited my curiosity & more to explore,
I asked: 'What's the pigment for those colours?'

She smiled & led me closer to that row,
A row whose smell grew intense and more.
She picked a petal on her palms to explore,
& told it was a blend of two colors!

The sunset yellow the flower showed, was due to a pigment called 'Carotene'
The orange tint at the petal's end
Was due to a fixed mix of Carotene and Anthocyanin!

She told that plants have a definite substance,
A chemical constituent called 'Pigment'.
These pigment yield the colors so new,
The ones we call Lavendry, rosy, grapy and  hues.

While most leafes have a common green pigment,
Which makes them so greeny in appearance
Is nothing but this common pigment,
A pigment called 'Chlorophyll' often.


I was thrilled, amazed, and smiled so wide,
To quench the thirst, my mind always strived!
These flowers, these plants, these leafes and trees that surrounds us all sides,
Have a natural colour pallete, named 'Pigment'' inside!
The one that imparts the colors so bright.

And while my heart was imbibed in this thought,
My soul danced to discover this merry thought.
My mind, My eyes, got stuck at a flower!

The flower was adorable, with a lotusy pink view,
But I saw a bee, dancing around & singing, buzzing.
I gazed, I watched, I wondered, and pondered.
My mind had a question, which urged the answer!


I turned then to my plant whisperer,
For a yet new answer,
She turned back with her utmost grace,
Asked 'Is there a new question for me to be answered?'


I pointed my hand towards the bumblebee,
I asked why was she dancing around those flowers incessant and merrily?
Are those flowers in any ways necessary for those bees?
What are those creatures doing, minsculely in the centre of the rose disc?


She smiled in delight, with a radiant face in confidence,
I was sure, she'd teach me something interesting then!
She told me they were helping the flower with pollination,
They are nature's pollinating agents!


The flowers we see, with the adorable hues
Are bright & attractive for a reason good,
You see the bees, You'll see the birds, You'll even the honeybees doing the same the wiggle
The all come here to **** flower's sweet juice,
& While they **** it from their nectar tubes,
Their bodies pick some pollen granules!


Those pollens are the powdery make seeds,
Which are often present at the central disc.
The flies when **** the sweet flower's juice,
They sit on the structure, called 'pollen bed', and fill their 'pollen baskets' till the deeper depths!

While these bees, leave the flower at their best, ready to go to a flower next,
Their wings dust these pollen dust, to the flower's pollen tube,
Ready for the phenomenon next!
A phenomenon called 'Fertilisation' best!

The fertilisation is the fusion of male to a female's reproductive cell,
A phenomenon which forms new 'Embryonic cells'.
The Embryo formed is but the new young cell,
Ready for the cycle, it's origination led.

Nature adorns this embryo with petals,
A structure we know as 'flowers' and its  'Whorls'
The center of which forms new pollen cells,
Ready for the cycle, a part of the cycle
Of turns into a mature adult.
Suggest me a better title please.

Thankyou for reading
Margaryta Aug 2015
Her mother named her White Dahlia, the consequence
of unplanned pregnancy while studying forensics. Or so

she told the boy selling orchids in popcorn bags (he ran out
of sheet music and poetry books). Renaming her Orchid
he’d ram into her all night so their breathing would fog up the
windows, an eternal 21C. A common misconception:

flowers have no bones. He learned what it means to
have a backbone when she broke his fangs
like sugar cubes.

A glass slide is too small a coffin for one convinced she
was “beloved”. The strawberry cigarette ash
should have been the tip-off. Rarely
will a botanist throw their own child under Industry’s wheels.
Originally published by Vending Machine Press, December 2014
Mark Feb 2019
Go find for me in all of botany;
The rarest green amidst the sweetest mire.
That blooms of petals white like cottony,
Of growth 'twas serenaded by a lyre.
Replant with gentle skill by window's sill
Repose the eye that sunlight does not steal.
The blondy gaze, so fixed herein and still,
Unless the breezes kiss corona's seal.
Then flowered dance shall sway to hymns of bay
And whom shall follow trance'd with steady eyes;
Be titled botanist, of beauty's play.
Degree that yields each morn' when sun does rise.

Find that and glimpsed what fair does lay this bed,
But 'pare her side the flower, flower's dead!
Saumya Jan 2018
Walking down my lane with downturned chin
every bit of bright closing up shop for the season
I noticed a fluttering butterfly beckoning me on
leading me to an enclosed tunnel of riotous color!


Stepping inside, my view was obscured by foliage
every texture and hue with unlimited adornment
a studious lady with a clipboard stepped out from
a row of sunflowers, vivid coral with buttery edges.


I was stunned by the majesty of her shiny black hair
and I remembered reading about a plant whisperer
so I asked: “Are you the bloomin’ botanist of lore?
Please show me how you create all these colors!”

She nodded her head, with a big wide smile, saying: 'Yes! For Sure.'
We were soon amidst foliage, so green, so pure
She handed me a twig of dark pink rose,
She smiled in surprise, like a playful child,
Asked, 'Isn't this one adorable enough to be explored?'

I was thrilled to glance at the rose, the one indeed majestic enough to be explored!
She plucked a petal, and the fragnence filled my nose,
She told me of a 'pigment', called Anthocyanin
The initial chemical constituent that provides it's colours.

I pointed my finger towards a yet wonderful rose,
The one yellow, with tint of orange edges in a big wide row.
It ignited my curiosity & more to explore,
I asked: 'What's the pigment for those colours?'

She smiled & led me closer to that row,
A row whose smell grew intense and more.
She picked a petal on her palms to explore,
& told it was a blend of two colors!

The sunset yellow the flower showed, was due to a pigment called 'Carotene'
The orange tint at the petal's end
Was due to a fixed mix of Carotene and Anthocyanin!

She told that plants have a definite substance,
A chemical constituent called 'Pigment'.
These pigment yield the colors so new,
The ones we call Lavendry, rosy, grapy and  hues.

While most leafes have a common green pigment,
Which makes them so greeny in appearance
Is nothing but this common pigment,
A pigment called 'Chlorophyll' often.


I was thrilled, amazed, and smiled so wide,
To quench the thirst, my mind always strived!
These flowers, these plants, these leafes and trees that surrounds us all sides,
Have a natural colour pallete, named 'Pigment'' inside!
The one that imparts the colors so bright.

And while my heart was imbibed in this thought,
My soul danced to discover this merry thought.
My mind, My eyes, got stuck at a flower!

The flower was adorable, with a lotusy pink view,
But I saw a bee, dancing around & singing, buzzing.
I gazed, I watched, I wondered, and pondered.
My mind had a question, which urged the answer!


I turned then to my plant whisperer,
For a yet new answer,
She turned back with her utmost grace,
Asked 'Is there a new question for me to be answered?'


I pointed my hand towards the bumblebee,
I asked why was she dancing around those flowers incessant and merrily?
Are those flowers in any ways necessary for those bees?
What are those creatures doing, minsculely in the centre of the rose disc?


She smiled in delight, with a radiant face in confidence,
I was sure, she'd teach me something interesting then!
She told me they were helping the flower with pollination,
They are nature's pollinating agents!


The flowers we see, with the adorable hues
Are bright & attractive for a reason good,
You see the bees, You'll see the birds, You'll even the honeybees doing the same the wiggle
The all come here to **** flower's sweet juice,
& While they **** it from their nectar tubes,
Their bodies pick some pollen granules!


Those pollens are the powdery make seeds,
Which are often present at the central disc.
The flies when **** the sweet flower's juice,
They sit on the structure, called 'pollen bed', and fill their 'pollen baskets' till the deeper depths!

While these bees, leave the flower at their best, ready to go to a flower next,
Their wings dust these pollen dust, to the flower's pollen tube,
Ready for the phenomenon next!
A phenomenon called 'Fertilisation' best!

The fertilisation is the fusion of male to a female's reproductive cell,
A phenomenon which forms new 'Embryonic cells'.
The Embryo formed is but the new young cell,
Ready for the cycle, it's origination led.

Nature adorns this embryo with petals,
A structure we know as 'flowers' and its  'Whorls'
The center of which forms new pollen cells,
Ready for the cycle, a part of the cycle
Of its turn to transform  into a mature adult.
Renan Racy Jun 2018
I collect good memories from dark times, though they never happened.
Why do blue flowers become green when they die?
Have you ever noticed red roses turn purple when they dry?
She's a whole new garden
I dwell in my fear of all the things that never happened to me.
I sink in the thought I'm just an old rusty farmer, it's time I learn how to plant something new.
And maybe one day, a not so distant day, I'll let it grow with no hesitation.
Amber was an atheist,
she thought the world was dumb as hell.
Britney was a botanist,
who had a fertilizer smell.
Candice was a coroner,
a scary passion for the stiffs.
Diana was a drummer chick,
that knew a few guitar riffs.

Evelyn was evil, man,
all leather suits and chains and whips.
Farrah was a therapist,
got in my brain with swinging hips.
Greta was a gunslinger,
she'd give most anything a shot.
Hannah was a homebody-
shy as hell, but twice as hot.

Iris was an Ivy Leaguer,
thought I was a total fool.
Janice was a juggler,
who liked to play with power tools.
Kimmy taught karate,
who dated me just for the kicks.
Louise was a lyricist,
who wrote about how guys were *****.

Marilyn was mostly mean,
she liked to fight and then make up.
Nancy was so negative,
I had no choice but to break up.
Opal was an occultist,
who liked to gossip with the dead.
Paula was a *******,
that made me pay to come to bed.

Queenie was inquisitive,
the questions were too much to bear.
Rosie was a recluse
who never shaved or brushed her hair.
Sidney was a sinful sort,
with toys and gadgets 'neath the bed.
Tina was a twisted chick,
with thirteen voices in her head.

Ursula was uber-cool,
always on the latest trends.
Vicky was on Vicodin,
and we all know how that one ends.
Wanda was a wanderer,
that left to join a circus troupe.
Xena the exhibitionist
liked to do it on the stoop.

Yolanda was young and fine,
and nearly cost me everything.
Zoey was a Zombie fan,
she got hot when he would sing.
I'd like to say I've settled down,
but since the alphabet is done,
I'm gonna met an Ann or Anita,
and give it all another run.
Wizard of the earth; I am the botanist of yore -
Conversing with the stars until the stars can hear no more.
I read them pharmacopoeias from catacombs of lore  
To fill the vacant sky with verse of those who lived before.

Poet of the sky and the ever glowing sun -
A seven-headed serpent lays in wait upon my tongue.
I sing in sacred stanzas from a phantom in my lungs
To make my spirit rise before the day is yet begun.
Unfinished fragment from something i wrote a few years ago. needs work.
Thomas EG Mar 2015
I am but a few brittle bones
With a not-so-respectable amount of flesh
You have slowly become my skin
Clinging to this lost body
No sense of direction
No sense of emotion
Consuming me
Consume me
And now I cry through my teeth
As I lie from my eyes
All the while
Hiding behind
And beneath
You
Intimidation in a situation
Intimacy in simplicity
Cover me
No longer smother me
A moment's fresh air
Crisp as your gaze
Please
Do no more harm
To these legs
To these arms
I've got a blue thumb
Botanist of disappointment
I gather crops
As my mood drops
But if my fingers could speak to you
If my lips could reach out and touch you
I wonder if they'd be as gentle
As my words and movements are now
Because my friends help me get by
And you
You make me feel as though my life
Is all one constant high
But there is nothing poetic
About the way that you
Dismiss my feelings
Yet don't dismiss yourself
You are a joke
Never straying afar
From your obsession
Oppression
Or was it my depression?
We come to the end of yet another session
But I will see you before next week
**Oh how weak you are
xmem Feb 2019
i dream of night lilies the way a starving man dreams of rivers

intangible, that stuff of dreams night liles are made from
yet i desire to touch, to kiss the pale violet petals with my lips
bask in the intoxicating scent of their perfume

undeniable, the seductive musk of things that bloom at night
yet like insect to honey trap i search for another taste of their midnight sweetness
for a glimpse of blooming splendor
i am lost forever

there is something sacred about their hesitant beauty
shying away from the golden light of waking day,
they float, incandescent, like lanterns on the pavilion of night
like stars in vapour, they guide dreaming wanderers across the water
Riq Schwartz Jun 2016
I might be a budding botanist.

You see I watch you take root
in the back of my mind,
while your deepviolet dreams
flower up from behind.
With my withering construct
and green disposition
your ivy league discord
leaves fetid pollution.
my limbs aren't strong enough
to hold you at bay
so I'm prone to let grow on me
whatever you say
these seedlings sap strength
and succor my faults
i could fight back
but what use against this garden gestalt
i am tripping on lilacs
or maybe just lies
and its only a matter of time
till we die
so im keeping my footing
my head above water
and were i a fish
not a lamb to the slaughter
my frame it grows thin
growing gaunt, growing weak
and i cant help but feel
this is what you would seek
then i cant help but feel
i was wrong, and so then
i will try not to go
about feeling again
The apricot tree,
So solemn in its art of creation,
Yielding fruit by square yard,
And flower blossom come spring
Holding no pleasure in its perception.

If I am the apricot tree in the fields at dawn,
You are the ladder,
The picker,
The cook,
The sugar and pan
And the jar of apricot jam,

Preserved in its perfection
For hungry mouth and seeking hands
To endulge in, come harvest.
You are the countertop in the kitchen
And the residue of spills upon it,
Caused so carefree by fingers excited
To savor God's gift
Of orange fruit
And good will.

You are the warm home
Occupied by voices and laughter
And children so eager for the day
Their screams of joy echo each room.

You are the eyes onlooking
From inside the car,
Gazing out a moving window
At the bountiful apricot blossoms,
You are the artist and beholder,
The eyes of beauty
Which turn the tree's mundane
And ordinary life
Into poetry and light of human love.
The botanist, the lover of fruit and flesh,
Picking perfect apricots,
Plucking them not only at pure ripe
But all season,
For the sake of texture and sweet.

For the tree,
Bearing fruit and blossom
Has transcended from routine
To holiday.

Such a pleasure,
Being plucked and picked,
Pleased and appreciated in true apricot
Passion.

The tree loves the lover,
And the lover loves the tree.
Inspired by my childhood and a renaissance of power.
J Arturo Jan 2016
Dana:

Comes like breath, feeling the distance of
a heart you want, far away and fast asleep.
Pinpricks on light sleeping skin:
a restless stir and then forgotten.

This, a confident prison sonnet, made under
a bed in a black trash bag. Not a sonnet
a poet would construct, but sonnet-like enough
to leave you drunk.



Before last week I’d lose teeth in almost every dream:
Sometimes a front tooth would inexplicably fall away,
requiring expensive surgery:
Synthesizing a piece of plastic
into what was, once, entirely my own face.

Another: opening my mouth to introduce myself,
at some sort of business meeting. Teeth where they should be.
Then unable to speak as hundreds swelled, sprouted, fell
from factory-gums.
Trying to excuse myself to well-clad faceless men,
Blurred doll heads turned to the hostile hole in my face,
Flat planes of skin somehow emanating disgust and shame,
as yellowed little mouth bones spewed endlessly into the room,
and endlessly were replaced.


Months of these dreams built a muscle memory (that
life-affirming twitch we all have when we wake).
Alert suddenly in a cloud of cold sweat,
mouth open with hands clutching my face:
confirming tooth by tooth that each were in place.

I’m told we’re born with a visceral fear
of breaking something we can’t regrow.
She’s been here a week, and I no longer dream of teeth.
But I wake up just the same: wet and cold,
though my mouth is closed,
still reaching mindlessly for something to hold.



Remembering real change and knowing your voice:


That hearts care hard.


But can shift from heavy to sweet, and do so gently,
And do so while asleep.



Dana:

A song to leave a thousand suns trembling.



Dana:

Fingertips finally finding means.
Boys congregate, grow dense in your shadow:
always the odd. We, the tasteful insane:
who burn from both ends, so death
might spare us witness to the horrible
torture of slow decomposition, while
broken and weak we watch everyone we’ve
ever loved and all that was once good
grow colourless and succumb to the same slow decay,
until at last we crawl defeated into the grave.

We are selfish: we who want to never know.
We who want to be the first to go.


Dana:

But your soft wet dreams left a taste that tied
nights to dawn. A single bruise. Window left open.
Someone clearly gone, yet careless with evidence.
In the bathroom, a faint honeysuckle scent.
Too sore, too tired, to comprehend what complex animal
could outdo and subdue, fiercely clawing, and teeth,
then leave such lingering sweetness when it went.


(In the kitchen there was a new vase,
in it a red chansonette: still curled into itself
in the cold of the pre-dawn house.
But as you approached, the rising sun touched
a gap between fence and garden gate,
and light reaching the flower,
like a lover, she stretched her arms to meet the day,
refracting the bright Santa Fe sun,
filling the whole room with the most delicate
red glow.

And then the light was gone. The sun had climbed.

The next morning you raced downstairs but
the angle had changed, no light came through the gate.
It stayed closed, and soon after died.


Chansonette, the flower of faith.


A brilliant and cruel animal,
astronomer and botanist, master of optics,
violent with hands delicate as flower petals.


Chansonette, the flower of faith.


A year later you put a new flower in the old vase,
a pencil mark indicating the exact place.
Started the coffee ***, daylight broke.

And in it came.


Dana:

I want your futures to be maddeningly
beautiful and terrifying like a wild animal
ready to want to destroy you.



Dana:

I’ve never seen you make breakfast.
But who am I to say you never make breakfast alone?

Then an unexpected sadness. Probably from lack of sleep.
And then a tear.
And then tearing a poster from the wall
For a concert missed three weeks ago.


God woke and made the flower.
The flower cannot wake and play god.


Dana:

So strong, finding you lying weak,
longing for anything to fall into place.
Hit by supposed fear, then lust, and
life ****** from impossible lungs.

Born with legs, made to run.
To say.
To breathe.
To cut.
To take the time to count out
each unit of my spine.
To reach, and failing sink
into the slippery brass circles
of the self,
until the hundred metal lines are dry
and the hundred birds, so welcome, lift you back on high.


Dana:

In focus: a bass-relief. Pale. Coppery.
Found in the British Museum, or similar mausoleum.
Miles of roads running beneath.
Goodbye sentences that may be pretended.
Always I, grasping at a shudder: choking
tremors into quieter worries.
Until later.
Until I can grasp the right point on the spine,
the right vertebrae,
pressing it and the human frame that comes attached
deep into beds always-washed.

Bound now.
Dirt and clothes and everything fake no longer speaking.


Dana:

A woman with a plan. Running steady stairs.
Wondering how to measure the ache that comes with longing.
Waiting awake, probably loved.
When once given sadness: dried the wide and beating
insignificant sayings, pencilling each
into small red notebooks.
Then silencing the sounds from every hurtful word:
out of the air and onto the page, transformed
into the arbitrary scratches of penlines we call words.

Into the fire with them:
to the fire with regrets.
With the ashes
spring a whole field of Chansonettes


Every line ends in silence.

Beg.
Build, especially.
Fill great books with great words.
Burn the rest.
In seas of ash, don’t swim: float.

There is a hunger you can’t forget:
it lives in the throat.
Patricia Drake Sep 2013
I noticed him
as I entered the room
I noticed how his eyes
like those of a botanist
investigated my flower
how the purple and black had spread
and raised the skin
as if my blood were tactonic plates
threatening with eruption
I noticed his smile
and I knew
how this man truly knew
these flowers
where they grew
how to obtain them
and make them bloom
I wanted my flower to bloom
Vic Miller Dec 2016
As a botanist she had no peer
In cajoling a plant to appear.
   She would talk to them…sing
   About any old thing.
And she’d fertilize often with cheer!

She lived out her life in an attic;
Horticultural chances were static.
   But her care was so giving,
   She earned plants a living
With a glow based on colors chromatic!

She developed a system to graft her
Young shoots twixt a wall and a rafter.
  There was not quite the room
   To make daffodils bloom,
So she sprinkled them often with laughter!

As the plants grew they got a concoction
That would let them move on, as an option.
   And thus one new morn
   Plant Parenthood was born.
They would offer themselves for adoption!

Though ado/apted, they remembered her dearly,
And the reunion they held semi-yearly
   Was named after her
   Though her prodigy were
Often forced into blossoming early

Not a problem.
They were used to miracles!
wordvango Apr 2016
why it gets more solemn around ten at night
the busy people are not around, how
so many different reasons and sights
get roiled around turned over upside now
turned over and studied like squirmy things
by a botanist in a lab or in
my brain dissected like a lab rat prone
flat on my back my tail taut my ears
droop, right then, take a specimen and find
to find it all is how the time is then
too early or late or  impossible
Creepstar Jan 2016
Most people skip clean over the true beauty in life,
They pick roses or peonies over daisies.
Is it because there is a higher social ideal of the overly common gestures of romance that they are valued more?
Even from childhood I've chosen the wild flowers,
Heather,foxglove,snapdragons and daisies,
Not because they're available without visiting a shop or becoming an advanced botanist,
But because they are wild and make the world more beautiful...Just like she does.
As you change into the black top
you prefer to wear out,
I sneak a glance
to check the status
of the skinny scars
inflicted by the blade you keep
tucked under your mattress,
Old wounds mingle with new
across your gaunt olive skin,
a permanent morse code
telling the story of a pyro-botanist
who can't let herself grow.

I glance back up
at your now-empty smile
and ponder the irony
of a middle name like Mirth.
Just a day
The day is partly overcast, shadows and light
chase each other up and down a hillside,
where I came from nature is hardening
and there is already snow in the air.

Tiny lilac flowers grow under- don't know their names
( do I look like a botanist)
Only the almond tree is bare of leaves, unpicked leaves
Hang like baubles that have lost their shine.

I take a walk on the road it is cartwheel wide and has fallen
into disuse, but for generations to come it will be a healed wound
across the landscape.

In front of me, a bird blue and white has fallen
out of the sky; I pick it up- its beak is grey
It blinks and dies gracefully.
I place it on a stone its soul is still in my palm
and gently blow to set it free.
A breeze makes the leaves tremble.
Jude kyrie Mar 2016
It was out of the blue.
Really why would he talk to me.
I am pleasantly plump.
size fourteen if I lie.
my hair is wild
and terminal frizzy.
he has a cut glass
English accent.
like a BBC newscaster.
I am from the Bronx.
we drank too much wine.
he took me home to my place.
I had to pay for the cab.
But it's not like paying for him
to...well...you know.
I could not walk the next morning.
he told me I was Beautiful and
the best time he had had in America.
me can you believe that.
He was a botanist from the UK
working on the nesting habits
of the speckle throated warbler
or something.
All I knew was he had ice blue eyes
a sweet accent and grey specks
in his blueness that made me
want to undress for him.
He was beautiful.
when he left in the morning
I gave him my number
on his phone.
call me I said.
but months went by.
not a word.
then when the morning
sickness came.
I realised he was still inside me.

The eclampsia came at seven months
I was hospitalised the doctors told me
I and the baby could die.
I went into a coma.

when. woke up my belly was flat
the baby I cried.
I opened my eyes and he was there.
holding my hand.
my baby I wept
they are fine Kelly
he said.
they?
you had twins a boy and a girl.
I looked up into his eyes
with the grey fleck's.
Micheal how?
I was sent back to the UK
I lost my job at the university.
I tried to call you
but no answer.
I came back on a visitors visa.
your neighbor told
me you were here.

six months later

we went for a Sunday evening
stroll in central park
it was fall the trees
were red and amber
leaves of gold
russeled under our feet.
new York was grey in fading light.
A city that hadwitnessed
many such love stories.
I looked at Micheal
his beautiful eyes
that held some kind
of optical aberration.
For they saw me as
worthy of his love.
He lifted the twins
over his head.
they laughed in delight.
I never seen anyone
as happy as him.
Unless you
count me in that is.
He said I love my family Kelly.
I whispered I love you Micheal.
Then at that moment
in the urban forrest of Cental park
on a vermillian autumn evening.
I felt him walk into
the door in my heart
that I left opened or him.
As he entered
I closed it quickly
so he could never leave.
locking it with the only key
that existed.
Then throwing it into the brambled
undergrowth of the woodlands
never to found again.
Elizabeth Kelly Jul 2014
It's not so much the giving. That's living, the burst from your heart that connects to the hive mind; the leaving all the doubt behind.

It's the after. Exhausted and shattered and sweating out all your exposed emotions, and nothing. No word, no glance, as you stuff all your **** back into the red suitcase that contains your world and no one else's.  

There's no expectation for commendation, but you wish someone would attempt some relation as you mop up the ****** mess that once was beautiful, but is now splendorless.

Music is useless for making a statement. The whole world is trying to make you complacent and you'd smash your guitar, but your money's all spent so you cry in your bed wishing you were a poet (or a surgeon or a botanist or at least brilliant) instead.
Writing songs and then tearing them from your soul to be devoured by judgmental strangers.

— The End —