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Emanuel Martinez Mar 2015
What is it about this chase that eludes me
That runs away from me
That seeks to experience and then flee me
Until I get hijacked by another
Consenting to my own free fall into ignorance and bliss

Conditioning myself to transmit
Abundance without reservation
Until shot at the knee
But dragged along for a while longer
By the chains I so genuinely let bind me

And even before the wounds have healed
I don't stop running, I won't stop running
Resolute in a chase that targets me
I do so unconditionally

But you can't hijack my senses
I am not an experience or experiment worth having
I am not a temporary treat to be improperly digested and defecated
I am not an amber that ignites upon initial contact
To then be mediated or extinguished if the temperate is not right
I am not the holy water that you colonize
And shower with to cleanse you
To then invalidate that sanctity
When it falls down the drain
I am not a barometer that reliefs the labor
Needed to challenge the aberrations
Of your colonized and colonizing tendencies

I exist
Physically insignificant
As the earth that birthed me and will bury me
But eternal in essence
I am a permanent presence
I am an unforgettable imprint
I am your equal, no less, no more

The moment that we mutually acknowledge
Each other's existence
I have bound myself to you
From that moment...loved you unconditionally and eternally
And expect no lesser commitment
From you to me, or any other person you meet

And even after the wounds have healed
I don't stop running, I won't stop running
Resolute in a chase that targets us
We must unleash our abundance unconditionally

And when we leave
We will have given
Absolutely everything
That we had to give
During that time of our existence
March 6, 2015
Mateuš Conrad Mar 2019
.i'd call it as far as deciding upon: ethno-dysphoria... given that the lingua franca doesn't like to entertain hyphen "riddled" word compounds, and how german never bothered with the hyphen... i'm pretty much convinced that ethno-dysphoria exists... i guess only the jews are immune to this phenomenon, as... i'm pretty sure, the dutch are... i once overheard an american talk to a dutch girl before ******* her in some park in stockholm: who cares about the dutch? what? more the people, or the language? the english language doesn't give a **** about either language or the respective people utilizing it... oh i think ethno-dysphoria is real, more real than any gender-"dysphoria"... no ****-wit from the gender-"dysphoria" camp will **** you... but sure as pork-chops and potato crisps... an ethno-dysphoria case will, "somehow" become a jihadi.

oh sure, i'm all for "free speech",
until the time comes,
and it usually does,
around the same time,
that these advocates
                   are given a: script.
yeah:
when they are asked to read
a "typo" interface...
               when the, said,
"freedom", is allowed to be
scrutinized,
   under the barrage...
     of "mishandling" literacy...
most of these free speech advocates
do not welcome
                reading,
printed words...
                     co-defendants...
funny, this, "barometer"...
   you are given the freedon
to speak freely...
   let's see how free you are...
when being asked to:
     read "freely"...
      see the disparity?
   people don't have a freedom
of speech,
when they are exposed
to reading material...
    given that exposure to reading
material,
          doesn't coincide
with the final statement
      of the ecclesiastical class...
relieving their literacy monopoly...
i'll take two examples...
both are instances
of a freedom of speech advocates...
one is given a script to read,
the other is not given a script...
just like Kierkegaard predicted:
some people are
just more concerned with
a freedom to speak,
                         rahter than think...
i'd say:
   as much freedom as your
reading ability entitles you
to entertain...
          this, "freedom" of speech...
i'm freely allowed to breathe...
this cul de sac of freedoms...
  different matter
when you hear the so-called
advocates of "freedom"
recite a draft of reading...
god-forbid they begin
entertaining diacritical markers!
yet you notice the differnece
between free speech: ignored,
and the same freedom,
coinciding with an ability
to read?
                  free speech was,
once upon time depicted
by joyce and the plagiarized sartre:
andsoitwascocerningadepictionakintothis...

      never mind the
aesthetic constraints
of punctuation marks...
that's freedom...
breaking from aesthetic constraints
of encoded speech...
           you can hardly find
anything suspect,
within the concerns
of the pedantic community...

enlighten me...
   i'm pretty sure
the same assortment of freedoms,
associated with
the "confines" of a non-script,
would be missing,
should a script emerge,
and the whole lot of us
would be left,
with something,
akin to making a signature
akin to the X marker;

     who said anything about
stripping this freedom,
what i was implying was...
some of us care about
punctuation & conjunctions;
as free as you want to be...
point being:
this, "freedom" of speech...
infiltrated by written text,
being read (no variant
past participle spelling
variation outside of: red)...

    this "freedom",
is only a freedom,
when being freed from
reading, scripted, text;
now posit the same advocates
against
    a page of script...
freedom? what freedom?!
unless we all forget
to write,
     and join the simmering
**** of: the all of us,
in the blah blah parade...
maybe i'm being overtly
pedantic...
            a "freedom" of
speech would,
subsequently,
imply:
            no point
in clinging to scripted speech,
esp.,
with a decision to
impose punctuation markers.
Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
dazmb Jun 2015
a lupine prayer
to bear and bull
cry wolf
cry wolf
cry wolf
now look into his eyes
until you think like I do
and then take a desperate man
for his last penny
(finance options available)
go long on a cheeky Nando's
followed by
no
inflation
constant
expansion
short the small print
and profit from the fight
against pollution by
investing in the future
but as returns don't come cheap
diversify and purify the self
the Ganges is so polluted
it has gall bladder cancer
the main economic indicators
are telling us that
inflation is set to jump, while
British statisticians are optimistic
that the housing ladder
will continue to defy gravity
as it is an export barometer
with a blue eyed quant inside
crying wolf
crying wolf
cry wolf
and last year's
barometer
now transits
to a changing guard
a new season of four
shall play-out
on the planet's yard
harlon rivers May 2018
" Don't walk behind me; I may not lead.
Don't walk in front of me; I may not follow.
Just walk beside me and be my friend." - Albert Camus


                 ~              ~               ~    

The telegraph road circled through the foothills,
rising towards the majestic mountain high
It’s been a long and twisting passage soon forgotten,
with the pavement abruptly dead ending,  
just below the timberline

The dawning blue heavens look so much closer now
Just a step away from standing within reach                                  
The birds uplifted on the telegraph wire rest atop me;
perched on the final material traces
disregarded by a digital world

My awakening soul is ascending beyond
the distant alpine meadow horizon  
At the threshold of an untrodden wilderness wonderland,
climbing up above the meandering clouds

It’s exhilarating to look back and know
there is no turning back around;
I’ve never been higher
and can never get back down

What unknown frontier lies in wait before me now?
Just on the other side of the impossible dream?
The last step forward to find the next step beyond the bounds
There is not that much that changes,
when we just repeat the same old song

The atmosphere’s thin air leaves me gasping for wings
Like dust and ashes free to soar with the tempest breeze
If only time would sever these loathsome ties that bind
The ones that enchain the weight of this load unto me

While understanding the pace to a long journey’s rhythm
The only barometer you have to trust is in your heart
Adaptation is at the core of freedom's survival
But it feels almost like running away  

I have felt the fear of falling with nothing left to lose
I’ve climbed as far as flesh and bones can reach
I've come this far always feeling subtly afraid
It has been a great distance back from the beginning;
knowing I must take these last steps alone.

Understanding it was love that brought me here
Naturally tugs at the spirit in my soul encouraging me on
I'll keep searching for the shining light of guidance
Listening for a voice that softly beckons me home...



written by:    harlon rivers ... May 24th, 2013
Authors notes: a prose prologue;

https://hellopoetry.com/poem/2528189/beyond-majestic-boundsa-prose-prologue-to-beyond-the-telegraph-road/

5/26/2013 Edited to delete the back story:    ...thank you for reading.
Tempora labuntur, tacitisque senescimus annis,
Et fugiunt freno non remorante dies.
             Ovid, Fastorum, Lib. vi.

“O Cæsar, we who are about to die
Salute you!” was the gladiators’ cry
In the arena, standing face to face
With death and with the Roman populace.

O ye familiar scenes,—ye groves of pine,
That once were mine and are no longer mine,—
Thou river, widening through the meadows green
To the vast sea, so near and yet unseen,—
Ye halls, in whose seclusion and repose

Phantoms of fame, like exhalations, rose
And vanished,—we who are about to die,
Salute you; earth and air and sea and sky,
And the Imperial Sun that scatters down
His sovereign splendors upon grove and town.

Ye do not answer us! ye do not hear!
We are forgotten; and in your austere
And calm indifference, ye little care
Whether we come or go, or whence or where.
What passing generations fill these halls,
What passing voices echo from these walls,
Ye heed not; we are only as the blast,
A moment heard, and then forever past.

Not so the teachers who in earlier days
Led our bewildered feet through learning’s maze;
They answer us—alas! what have I said?
What greetings come there from the voiceless dead?
What salutation, welcome, or reply?
What pressure from the hands that lifeless lie?
They are no longer here; they all are gone
Into the land of shadows,—all save one.
Honor and reverence, and the good repute
That follows faithful service as its fruit,
Be unto him, whom living we salute.

The great Italian poet, when he made
His dreadful journey to the realms of shade,
Met there the old instructor of his youth,
And cried in tones of pity and of ruth:
“Oh, never from the memory of my heart

Your dear, paternal image shall depart,
Who while on earth, ere yet by death surprised,
Taught me how mortals are immortalized;
How grateful am I for that patient care
All my life long my language shall declare.”

To-day we make the poet’s words our own,
And utter them in plaintive undertone;
Nor to the living only be they said,
But to the other living called the dead,
Whose dear, paternal images appear
Not wrapped in gloom, but robed in sunshine here;
Whose simple lives, complete and without flaw,
Were part and parcel of great Nature’s law;
Who said not to their Lord, as if afraid,
“Here is thy talent in a napkin laid,”
But labored in their sphere, as men who live
In the delight that work alone can give.
Peace be to them; eternal peace and rest,
And the fulfilment of the great behest:
“Ye have been faithful over a few things,
Over ten cities shall ye reign as kings.”

And ye who fill the places we once filled,
And follow in the furrows that we tilled,
Young men, whose generous hearts are beating high,
We who are old, and are about to die,
Salute you; hail you; take your hands in ours,
And crown you with our welcome as with flowers!

How beautiful is youth! how bright it gleams
With its illusions, aspirations, dreams!
Book of Beginnings, Story without End,
Each maid a heroine, and each man a friend!
Aladdin’s Lamp, and Fortunatus’ Purse,
That holds the treasures of the universe!
All possibilities are in its hands,
No danger daunts it, and no foe withstands;
In its sublime audacity of faith,
“Be thou removed!” it to the mountain saith,
And with ambitious feet, secure and proud,
Ascends the ladder leaning on the cloud!

As ancient Priam at the Scæan gate
Sat on the walls of Troy in regal state
With the old men, too old and weak to fight,
Chirping like grasshoppers in their delight
To see the embattled hosts, with spear and shield,
Of Trojans and Achaians in the field;
So from the snowy summits of our years
We see you in the plain, as each appears,
And question of you; asking, “Who is he
That towers above the others? Which may be
Atreides, Menelaus, Odysseus,
Ajax the great, or bold Idomeneus?”

Let him not boast who puts his armor on
As he who puts it off, the battle done.
Study yourselves; and most of all note well
Wherein kind Nature meant you to excel.
Not every blossom ripens into fruit;
Minerva, the inventress of the flute,
Flung it aside, when she her face surveyed
Distorted in a fountain as she played;
The unlucky Marsyas found it, and his fate
Was one to make the bravest hesitate.

Write on your doors the saying wise and old,
“Be bold! be bold!” and everywhere, “Be bold;
Be not too bold!” Yet better the excess
Than the defect; better the more than less;
Better like Hector in the field to die,
Than like a perfumed Paris turn and fly.

And now, my classmates; ye remaining few
That number not the half of those we knew,
Ye, against whose familiar names not yet
The fatal asterisk of death is set,
Ye I salute! The horologe of Time
Strikes the half-century with a solemn chime,
And summons us together once again,
The joy of meeting not unmixed with pain.

Where are the others? Voices from the deep
Caverns of darkness answer me: “They sleep!”
I name no names; instinctively I feel
Each at some well-remembered grave will kneel,
And from the inscription wipe the weeds and moss,
For every heart best knoweth its own loss.
I see their scattered gravestones gleaming white
Through the pale dusk of the impending night;
O’er all alike the impartial sunset throws
Its golden lilies mingled with the rose;
We give to each a tender thought, and pass
Out of the graveyards with their tangled grass,
Unto these scenes frequented by our feet
When we were young, and life was fresh and sweet.

What shall I say to you? What can I say
Better than silence is? When I survey
This throng of faces turned to meet my own,
Friendly and fair, and yet to me unknown,
Transformed the very landscape seems to be;
It is the same, yet not the same to me.
So many memories crowd upon my brain,
So many ghosts are in the wooded plain,
I fain would steal away, with noiseless tread,
As from a house where some one lieth dead.
I cannot go;—I pause;—I hesitate;
My feet reluctant linger at the gate;
As one who struggles in a troubled dream
To speak and cannot, to myself I seem.

Vanish the dream! Vanish the idle fears!
Vanish the rolling mists of fifty years!
Whatever time or space may intervene,
I will not be a stranger in this scene.
Here every doubt, all indecision, ends;
Hail, my companions, comrades, classmates, friends!

Ah me! the fifty years since last we met
Seem to me fifty folios bound and set
By Time, the great transcriber, on his shelves,
Wherein are written the histories of ourselves.
What tragedies, what comedies, are there;
What joy and grief, what rapture and despair!
What chronicles of triumph and defeat,
Of struggle, and temptation, and retreat!
What records of regrets, and doubts, and fears!
What pages blotted, blistered by our tears!
What lovely landscapes on the margin shine,
What sweet, angelic faces, what divine
And holy images of love and trust,
Undimmed by age, unsoiled by damp or dust!
Whose hand shall dare to open and explore
These volumes, closed and clasped forevermore?
Not mine. With reverential feet I pass;
I hear a voice that cries, “Alas! alas!
Whatever hath been written shall remain,
Nor be erased nor written o’er again;
The unwritten only still belongs to thee:
Take heed, and ponder well what that shall be.”

As children frightened by a thunder-cloud
Are reassured if some one reads aloud
A tale of wonder, with enchantment fraught,
Or wild adventure, that diverts their thought,
Let me endeavor with a tale to chase
The gathering shadows of the time and place,
And banish what we all too deeply feel
Wholly to say, or wholly to conceal.

In mediæval Rome, I know not where,
There stood an image with its arm in air,
And on its lifted finger, shining clear,
A golden ring with the device, “Strike here!”
Greatly the people wondered, though none guessed
The meaning that these words but half expressed,
Until a learned clerk, who at noonday
With downcast eyes was passing on his way,
Paused, and observed the spot, and marked it well,
Whereon the shadow of the finger fell;
And, coming back at midnight, delved, and found
A secret stairway leading underground.
Down this he passed into a spacious hall,
Lit by a flaming jewel on the wall;
And opposite, in threatening attitude,
With bow and shaft a brazen statue stood.
Upon its forehead, like a coronet,
Were these mysterious words of menace set:
“That which I am, I am; my fatal aim
None can escape, not even yon luminous flame!”

Midway the hall was a fair table placed,
With cloth of gold, and golden cups enchased
With rubies, and the plates and knives were gold,
And gold the bread and viands manifold.
Around it, silent, motionless, and sad,
Were seated gallant knights in armor clad,
And ladies beautiful with plume and zone,
But they were stone, their hearts within were stone;
And the vast hall was filled in every part
With silent crowds, stony in face and heart.

Long at the scene, bewildered and amazed
The trembling clerk in speechless wonder gazed;
Then from the table, by his greed made bold,
He seized a goblet and a knife of gold,
And suddenly from their seats the guests upsprang,
The vaulted ceiling with loud clamors rang,
The archer sped his arrow, at their call,
Shattering the lambent jewel on the wall,
And all was dark around and overhead;—
Stark on the floor the luckless clerk lay dead!

The writer of this legend then records
Its ghostly application in these words:
The image is the Adversary old,
Whose beckoning finger points to realms of gold;
Our lusts and passions are the downward stair
That leads the soul from a diviner air;
The archer, Death; the flaming jewel, Life;
Terrestrial goods, the goblet and the knife;
The knights and ladies, all whose flesh and bone
By avarice have been hardened into stone;
The clerk, the scholar whom the love of pelf
Tempts from his books and from his nobler self.

The scholar and the world! The endless strife,
The discord in the harmonies of life!
The love of learning, the sequestered nooks,
And all the sweet serenity of books;
The market-place, the eager love of gain,
Whose aim is vanity, and whose end is pain!

But why, you ask me, should this tale be told
To men grown old, or who are growing old?
It is too late! Ah, nothing is too late
Till the tired heart shall cease to palpitate.
Cato learned Greek at eighty; Sophocles
Wrote his grand Oedipus, and Simonides
Bore off the prize of verse from his compeers,
When each had numbered more than fourscore years,
And Theophrastus, at fourscore and ten,
Had but begun his “Characters of Men.”
Chaucer, at Woodstock with the nightingales,
At sixty wrote the Canterbury Tales;
Goethe at Weimar, toiling to the last,
Completed Faust when eighty years were past.
These are indeed exceptions; but they show
How far the gulf-stream of our youth may flow
Into the arctic regions of our lives,
Where little else than life itself survives.

As the barometer foretells the storm
While still the skies are clear, the weather warm
So something in us, as old age draws near,
Betrays the pressure of the atmosphere.
The nimble mercury, ere we are aware,
Descends the elastic ladder of the air;
The telltale blood in artery and vein
Sinks from its higher levels in the brain;
Whatever poet, orator, or sage
May say of it, old age is still old age.
It is the waning, not the crescent moon;
The dusk of evening, not the blaze of noon;
It is not strength, but weakness; not desire,
But its surcease; not the fierce heat of fire,
The burning and consuming element,
But that of ashes and of embers spent,
In which some living sparks we still discern,
Enough to warm, but not enough to burn.

What then? Shall we sit idly down and say
The night hath come; it is no longer day?
The night hath not yet come; we are not quite
Cut off from labor by the failing light;
Something remains for us to do or dare;
Even the oldest tree some fruit may bear;
Not Oedipus Coloneus, or Greek Ode,
Or tales of pilgrims that one morning rode
Out of the gateway of the Tabard Inn,
But other something, would we but begin;
For age is opportunity no less
Than youth itself, though in another dress,
And as the evening twilight fades away
The sky is filled with stars, invisible by day.
agdp Feb 2010
i'll keep this narrative short
light to pass to make less
haste to what i seemed
to be hindering to chase,

you with your facades
me with my cascades
wavering from faltered
planks, decked
to be closer
to your horizons.

i have taken these
mornings, facing away
from sunrises
to bask in rays
behind new days

only because
of the concrete
that holds this feet
from falling

it's past that now
i have reached
in confidence
the middle again
an episode of a series
ending with a cliff hanger
you as a guest appearance
for my character development
2/19/09 ©AGDP- From Human Elements
Mateuš Conrad Aug 2016
given the history, all our predecessors held dear,
given the history,

well... i'm starting to think that utilising
italics meant an enumeration,
meaning that utilising italics
gave us non-differentiated stresses everywhere
and on each letter

by that i mean: people italicised entire words to
leave the stresses of individual letters to a continued monopoly,
italicised words meant not adding the acuteness of
stressed correspondance (post-code) to a letter, like é added to e...
it's running out, the monopoly of literacy - but the last
Bastille is on diacritical marks - è, or i ate it / cut it short,
walked from the movie theatre before it ended,
when i collage - ah! ****! found the erzett! ʒ -
the ß of minding a borrowing of ř! in that poem of mine...
woodland bořki - to replace the rz sound akin to ż -
i was looking in the wrong place, looking to stitch
in a plagiarism from Czech - but there it is, the equivalent
of schafres S (ß), the schafres R (ʒ); ha!
to simply change the aesthetic, and i have:
woodland boʒki.

see Communism rising its ugly head with the intelligentsia
once again? ***** pepper shaker shaker, prep talk moan shake
once more... never believe socialist utilitarianism,
the English are the masters of that... never believe it though...
the English, by definition? the utilitarianism bit is correct,
but they also follow the carrot bit of the stick... the carrot
is evidently the capitalistic motto: a Caribbean cruise.

but what this poem really means?
i really feel like punching someone in the face,
preferences like with Middle Eastern
appearances, while Sodomising
western values of politically coerced into
democratic robots... it really feels like that...
wanting to punch someone in the face,
and oddly enough it feels good just thinking
about it rather than actually doing it -

the universality of the Cartesian phrase -
non-factual, never factual, never to be factual,
the Iranian volleyball team taunting
the Polish volleyball team,
if a terrorist attack happens in Poland,
i'd be surprised if piglets fly further than plumbs,
and we get French braids on beards rather than
the hair plantation - of the lowest caste
i obviously emigrated -
i had some intelligence to shine through,
to a degree agreeable more or less,
remember i'm working on fame from
the basis of myth (a marathon) as in endurance,
rather than on the basis of being photogenic
(which i'm not) and the short-lived held breath
100 metres... the Olympics is really a barometer
of life otherwise... the Iranians are really fond
of getting braided beard from Poland...
i guess the English are too impolitely politely nice...
Thesaurus Rex would solve a all rhyming clues
with its catalogue of synonyms -
also... i'm a poet, critics of poetry in English
know jack-**** from Jack the Ripper...
i did't steal the language, i merely epitomised it
differently, you merely wrote an analogous epitaph
that was so ******* boring everyone applauded
when you spoke it the sake at a funeral
as you spoke it on a Bar Mitzvah... oddly enough
western society is lactose intolerant the year round,
but when someone dies the fondue set is out,
everything orange including the Essex
suntan is out and oiled to a greasy joke
that only gets a pig's grunting worth of encore.
it's odd, but the best way to write poetry without
English teachers telling you left is left
is by imagining someone being punched in the face,
bleeding nose squished cherry -
it's the violence that we're not allowed that we're told
about about our ancestors who freely exercised,
it's harsh... you're tingling with the anticipated wait for
expressing it, in the end you're turned into an atom
bomb of passive aggressiveness;
a bleeding nose squished cherry - even so, you want more,
more, more, you want the actual ferocity of the act,
not some cinema ****** of passiveness...
there are thieves around us, ghosts, not real thieves
wanting your belongings of handbags,
i mean the real sinister thieves... in one generation
the people of Empire and colonialism were turned
into the people of Globalisation and brothels...
well the brothels bit is currently debated whether
slaves ought to experience paid pleasure,
or whether slaves should just serve warm macaroons
for bourgeoisie opinions to be debated a Tartar stakes,
i.e. never really leaving the saloons of Gucci skirts
and the cancan dance of indivisible politics.
Ian Beckett Dec 2012
An altitude of ale
A barometer of beer
A circulation of champagne
A depression of damassine
An equilibrium of eau de vie
A fractus of fenny
A gust of grappa
A hail of horilka
An isotherm of icewine
A jet stream of jenever
A kilopascal of kirsch
A layer of limoncello
A metamorphism of mead
A nocturnal of nuvo
An overcast of ouzo
A persistence of porter
A reaction of rakia
A storm of sake
A torrent of tequila
An updraft of unicum
A vortex of *****
A winter of whiskey

A disaster of drink
Heidi Franke Nov 2023
The forecast on the radio
I didn't need.
I felt it coming
In and through the threads of my light sweater
Tickling my skin so my arms embraced
One another.

The barometer falling
As are the remaining Ash leaves
Of yellow, like canaries rushing about
Certainly saying goodbye
To the past
As they must
When the wind picks up.

Hurling chilly
whips of wind
down
The East canyon
Announcing its arrival
I think of my warmest coat
And how long I'll have to wear it
As I sit on the porch in my shivering
Bare feet listening for what is to come
The seasons change
How will I?
Contemplating arrival of winter storm, the loss of one season to another. Will I make changes?
Rob Sandman Mar 2016
Flow Like Fluid Concept by Jay Byrne of Eclectic.Collective.
"text" Jay byrne text Mr.Sandman
-------------------
I flow like fluid. I do it. You knew it.
The cryptic, mystic, Celtic Druid. rpt x 1
--------------------
"Bring them all on, mix them in me cauldron.
Brewin' up a batch o' bad beats to call on.
Broth's bubblin'. Brewin' up, rumblin'.
I try avoid trouble in me hometown Dublin.
I'm a pacifist. I take the ****.
Spit like a basilisk. A rhyme alchemist.
An optimist when the chips are down.
Smoke verbs like herbs the proverbial clown.  
I get a notion. Pure emotion.
Check out me rhyme. Poetry in motion.
Behold me ocean. Come in it's fine.
Jay's The Name, I'll take you Deep Into The Rhyme.  
So deep.
Put your back to me brother cos me brother I keep.
No sleep now it's on with the show.
Feel the beat now I'm lettin' you know. That"..
-------------------
"..I flow like fluid. I do it. You knew it.
The cryptic, mystic, Celtic Druid."
--------------------

Grrr...I flow like fluid. I do it,you knew it,
the Poseidon Adventure,Marianas Trencher,
I flow like fluid. I do it,you knew it,
the Poseidon Adventure,Marianas Trench-yeah

-------------------------------------------
Welcome­ to the Maelstrom,event horizon,
barometer's droppin,ears poppin,the pressure is risin,
yours widen in surprise as you enter the eye of the perfect storm,
beneath the surface beyond the norm,
moments ago the surface was placid and warm,
Now the Sandman's here...Sea's turbulent,
sound the alarm,
too late wrong Siren,your crew is all charmed,
chain yourself to the mast spindrift whips past,
as I froth up the sea's with my breath,
mermaids approach eyes promising caresses of death,
whether Mariner or Sub Mariner,you're no challenger,
Architeuthis is toothless but it still strangles ya,
Mangle ya drags ya down to the Abyss,
welcome to my realm,hear the crackle and hiss,
Neptune's risin,rhyme's sussurus surprisin'-you're caught on my Trident,
__--______________-_______

Cause I flow like fluid. I do it,you knew it,
Poseidon Adventure,Marianas Trencher,
I flow like fluid. I do it,you knew it,
the Poseidon Adventure,Marianas Trench-yeah
Another Duo from the E.C. files.
1122

’Tis my first night beneath the Sun
If I should spend it here—
Above him is too low a height
For his Barometer
Who Airs of expectation breathes
And takes the Wind at prime—
But Distance his Delights confides
To those who visit him—
Mateuš Conrad Feb 2017
sometimes it just takes a clear sky to clear your head,
i can remember the days of waking up
to earl grey of england, thick, bulging clouds,
none in the shape of cauliflowers,
or as some would claim: castles made of clouds;
it would just seem like a nuclear holocaust
happened - and that's how it really is,
the body's barometer, thankfully it's there,
and i can blame something outside of myself
and call it a mood, or a ****** cognitive narration.

unlike today, clear sky, crisp wintry blue,
slightly hazy on the edges of my vision,
and slightly pink, monet pink,
thin pink, nothing that could be compared
to a grapefruit pink, a fluorescent pink,
no... thin pink, thin atmospheric pink
teasing purple while dragging a bit of orange
behind with it.

and my breakfast, a cigarette and a glass
of quasi-skimmed milk,
ah, quasi-skimmed - ever so often coming
out of school i used to buy a pint of
full fat milk and drink it before getting
on the bus home... those old bottles of
milk that the milkman still delivers
      in the night... you could still buy them
in shops... haven't seen a bottle like
that in a shop for ages...
    last time i drank a bottle of milk like that
i stole one walking home,
left a pound and took the bottle...
  quasi-skimmed?
   it's the tobacco hangover...
the phlegm needs to stay down...
milk lines the throat, while i smoke and
taste iron from cigarettte...
quasi-skimmed:
   semi-skimmed milk and a top of water...
at least the colour is still pristine ******
white... unlike the skimmed milk in red
cartons that looks: grey, or bruised...
but the effect is the same, but hardly.

yet what's the prompt though?
it's too early to be writing something sober...
just a word i used yesterday concerning
a book... anti
                                       c, h, i, r, s, t...
doesn't the concept usurp the third person of
the original trinity? i mean, who was he supposed
to be? pure animality of a dove, a symbol of peace?
these days philosophers say that the third person
isn't a person at all... but a suggestion of a community
of believers, a bit like the islamic *ummah
...
for centuries christianity was founded upon
the principle that the holy ghost was a person,
some kind of mediator between the son on earth
and the father in heaven... and perhaps even a transitional
tool for the son to embody the father via
the move from the earthly realm to the heavenly realm,
a "philosopher's stone" if you like:
christ's body of flesh and ash on earth, turned into
some ethereal body-substance in heaven...
    but these days, well, that link has faded,
the concept of community is gone...
         every older person will be cited as having said
that at some point...
     is that an argument to suggest that the holy ghost
was always a person, i.e. the paraclete?
well... if that be true, as c. g. jung suggests...
the notion of the paraclete ever arriving would usurp
the authority of the pope...
                or any eastern partriarch...
but then there are the philosophers who say that the holy
ghost was never a person, but a concept of a community,
a body, indeed, as any person might have:
but a collective body of believers...
   but given our modern times, or esp. the example
in england: there is no community of believers as such,
that has disappeared a short while ago,
the number of attendants of the church of england
has wavered to a slight nudge in %...
        evidently what has died is not god per se,
but the community established by the creed -
                  god is dead, well: a third of him...
in that context i completely agree -
   then what is happening has already been happening
for some time...
   and he sits at the left hand of the father...
no one else, but the antichrist, and with him
the spirit of the times: the zeitgeist...
       the one that states: revolutions and counter-revolutions,
for the ones one dispersed will shower upon
those formerly affirmed in ethnic and base root
of their lands to subsequently disperse.
    for has not the concept of the antichrist dispersed
the concept of the holy ghost?
unless of course one is to believe that the paraclete
is true, but rarely spoken about in mainstream
theology...
                at least in england, a third of god is dead,
that is: the holy ghost: a body of believers: a community
has vanished... for one, the urban environment has
killed off the once held belief that people could
live in small communities...
                                 we're all practically strangers
around here, even if we've lived next to someone
10 metres away from us for 10 years:
there's really no point making alliances now,
nor ever.
               the best we've accomplished with the death
of the high street, is a very nice looking prison...
our neighbours sometimes drop packages of
delivered goods that can't fit through the letterbox
while we were away...
   it's almost like living in someone's agoraphobia
la la land... that said: if that third of him ain't dead...
it's definitely sick, or in the process of dying...
adding the fact that for some the islamic ummah
is so tempting... because it actually is a community...
well... what do you know...

              time to get seconds of my breakfast.
Alyanne Cooper Apr 2015
The flashback burns
My retinas
Until even with my eyes open
All I see is the grusome scene
I thought I'd left far behind me.
The panic sets in,
And my leg begins to bounce
Up and down
Under the table
As I try to hide the sudden onset
Of heart-stopping panic.
I should have known though
That no matter how infinitesimal
The change in my moods,
You are the most sensitive barometer.
Your eyes glance at me
And I know if I don't look up,
The piercing stare full of concern
Will bore a hole in my skull.
So I glance up into eyes
I never asked for,
Never deserved,
Never knew I needed in my life.
Your eyes hold no questions but one,
"Are you ok?"
Your eyes hold no promises but one,
"I'm not going anywhere."
I don't say a word,
Yet you know,
And so
I'm enveloped in a bear hug.
My heart slows its manic staccato beat.
My breath resumes its almost even rythm.
And I feel the broken pieces of me
Begin to fuse themselves together again.
When you release me,
The warmth lingers in my bones
As an injection of time-delayed
Antibiotics to ward off
The aftereffects of the flashback.
And for the first time in a long time,
I know I'm loved.
And Love is the greatest balm of all.
With Love
Every wound will heal,
Every pain will disappear,
Every scar will fade away,
Every bitterness will become sweet.
Love conquers all.
Nat Lipstadt May 2020
~for her, one more time~

§§§

she tosses this dagger that instant pierces,
non-stop, the stabbing commencing unceasingly,
the nerve, what am I, plastic, disinfected, the spring
has come to where I live, or so I am told, but the
murderous questioning extracts it, leaving a **** spot

oh god who doesn’t answer me anymore,
offer me comfort, not mere insouciance,
provide a clue, if not an answer, and tell her
to stop asking this poseur, who freely admits
that every day he is fast moving closer to over

cause that the odds the punters provide

and in the city, in my urban garden,
the pigeons, the crows, the sparrows and starlings,
only offer cooing, cawing, and
a  harsh, mocking, NYC accented cackling,
never a birdsong

we will out live you-man,  
with your batty viruses,
but they know better
than to ask,
what do you live by,
when all around me is
early blooming by decay masked,
that this spring brought too early quick,
while we were locked inside
our very own jails....


§§§§§
****
katewinslet Sep 2015
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Greg Obrecht Jan 2014
The road I travel has called me again.
Yet, that's not true, as the voice was never quiet.
It was only hidden away like a pair of shameful eyes.
Closed to the admonishments of a sadistic lover.

Yet always there bubbling, percolating, cajoling in a soothing voice.
Beckoning me with memories of freedom and the comforting drone of the road.
Reminders of rest areas swarmed with hopeful travelers with red eyes and creaking joints.
The vending machine stand stoically in a row like good soldiers standing at attention.

Windows open, air buffeting, my face is that of a child catching the new rays of spring.
Music blaring, singing along, my soul rising like a barometer as high pressure moves in.
Right lane driving, eyes gleaming, each passing car tells a story of hope and and unveiled inspiration.
Small towns passing, unrealized lives, I ache to know you. Yet our paths must remain distantly apart.

Night falls and the excitement only builds.  The bulbs of light above are my guide.  No map has their magnetic draw.
The scene changes as the road becomes deserted. My fellow journeyers are swimming or ordering room service.
My metal friend shall be my bed.  This jug of water my frigid shower in the morning.  Late night talk radio my lullaby song.
My thoughts are pure and calm as I curl up in the backseat.  No fear or remorse that I've spurned all lovers. My needs are few and my heart is full.
jimmy tee Dec 2013
checked out the tabloid headlines
in the local checkout line


if it didn’t work they wouldn’t do it
the suits with their charts
could act nicely but ***** it
for the ****** barometer
that is human desire
reveals plenty of room

at the lowest denominator
Martin Narrod Dec 2016
Dubious: charge
The deluxe program in. Obtuse angled and oblong animals. Mecca sexúal, discoverer pulling back the curtain tails in mimicry and peacockiness as the horizon shimmers itself out. Do not eschew unwieldy ostentation towards benign mid-weight colors in the sequel to Blahnik.

Offers in the hesitant, peak winds of Southern-Hemispherical Antarctic weather barometer losses. The ice is like a hive of nameless blue lily pad vessels, each a different magical shade of the water's blue.

She like the uncommon baroque grandeur in an hour of time, herself-

Summons the immense symmetry of her elaborate lavender macramès sheath and entomb her skin, exploding across her body like milk-white daffodils draped upon a morning  bow. Linseed and anise encompasses burnt sweet grass on the breadth of pine in a gentle pillow, anchored only by the veins of her red fruit nectar stitched at the grooves in her cool and unpunctuated lips. While anxiety numbing tufts of gentle satins wisp all the worry and turmoil away, pleasing every nerve, sensor, instinct, and exercise of glib humanity intertwined amid the pulse of our uncensored adultness. She glides amid the arcs of ebullient-molecules ribboned in winter synonyms, summoned up in her sensual and illustrious sublime, and the story of how like a horizon muted by organzas falling beneath her into that relationship she carries with her water God into something profound, immense, and totally ******* exquisite, yet beyond all imagining, she is always doing what has been the coolest **** ever to me. That becomes more magnificently indescribable like our amorous fire, incentivizing the luminous beauty of new stars to rush above us, and yet under us too, amidst the simple and perfected automany she so awesomely imbues.

Until the minutes are silenced in our heads and the days are warm with you.

For Sarah
A part of the world where there's no dawn
Lies a factory of processed hatred
It stays unaffected
Within its walls
Not one person has able to locate it
Due to the fact it was never supposed to be found
Conspiracy abound
It is not ingested
Leaving the populace congested
With retorts and unpleasant exchanges
Increasing the percentage of the deranges
How are we able to survive in this?
I can't comprehend the stronger minds
How did they pull it off?
I want to know
I aim to shut down the Hatred Factory
It should of never transpired
It lurks for people to hire
And does the exact opposite of aspire
That's why we never get higher
Just lower on the barometer
Wake up
Wake up
Please, for the future
But I guess it will be too late.

Keep your products from the Hatred Factory
I'll stay outside of its influence.
Olivia Kent Oct 2013
And So The Wind Came!

Clouds amassed in morning sky.
Grey and dancing.
Breeze fresh.
Blowing as the winds of change
Legions, brimming full with rain.
Appearing as sentinels.
Protecting the concealed sun.

Matinee brings with it the weather.
Acting out her violent scenes.
And so the wind came.
Lashing of legs tied in her bite.
A thrashing inferno that's burning with pain.
So stealthily the rain it came.

Let not Saint Antonio visit.
The saint of fellows lost.
May the blast not purge us in it's wild whip.
Let the wind not bring amass of rain.
Dispatch not floods our way.
Let the hurricane play and bay.
Her heart's content.
As wild hungry hound.

Barometer pointer swivels.
Storm it shrieks.
Melee over land.
Let Heaven guard the seas.
May the sea control her swell.
Keep all safe and well!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
We are due a hellish storm today!
martin challis Aug 2011
A change of mind
a change of heart
a step this way
or that
a moment held
or given
a step away from light
naive or dark.

Is choice
an invitation
and if so
by whom
or what?

Those million
thoughts that lead to actions
now or
down the track:
and then this
what if that
to pick up
to put down
to left to right
to leave to stay
and on until
a path or paths are found
or trod
or followed.

If everything is choice
what is not
- to step from instinct to intuition
- to love my wife
- to love my children
- to love the god of life
- to write this.

The barometer of
heart
the judge and jury of
the mind
the guides
the angels
assisting
and the thoughts
that tend to lead
to actions
that tend to lead
to feelings
that tend to lead to more
thoughts which sometimes
are discoveries
that tend to lead
to choices
down the track.

The map of my life
can be seen
by turning
my head to the south.
With the benefit
of hindsight
I see I am and have been
passenger and pilot
messenger and message
drawing and drawn
but with this
I must ask
is it that I am also
a choice
and if so
by whom?
martin challis © 2011
www.martinchallis.com
Janna B Mar 2021
If your love is
an emotional barometer
then others need to measure.
The New was kind and clever;
but he didn’t bring
the right weather.
Making the right decisions. Why it has to be my barometer is a whole other conundrum.
Andreas Simic Jun 2022
Life sometimes sunny, rainy or snowy
But what of those cloudy days
When we are too depressed to dress

How do we interpret that which befalls us
When it is dark above and an ill wind blows in
What do we rely upon as our barometer

There a myriad of reasons for when the weather changes
Maybe health is being a messy storm and a dichotomy of ailments
Or your relationship resembling a twisting tornado

A lost job or business failure a hurricane to the future
Droughts in our lives igniting all types of addictions
Failing grades a tsunami of disappointment

Postpartum a wall of sleet not easily navigated
Mental illness a torrent too easily dismissed
Marriage troubles a cyclone bursting forth

Loss of love resembling mesmerizing howling winds
Death a lightning rod striking into the soul
The past a swirling sandstorm blinding us

Andreas Simic©
Francie Lynch Aug 2014
Columns of water smoked over
The lake last evening,
Leaving a sun-soaked
Wet-dog pungency. But wagging.
Fatted newborns are
Claiming trees, digging holes.
The worms are doomed
Beneath the green.
Snouts are grovelling
Where they belong.
This was a blithe storm
Passing through.

My sun is eclipsed by you.
After a calming period.
Especially after seeing
You again, seeing you're happy.
That's a rising barometer
For you.
I see it in your hands,
On your ring finger.
Being congenial is different now.
But I am persistent
With my lieu time.
I will be resistant
In my windbreaker.
I have learned
To wait in queue.
anne collins Aug 2014
Envelopes and elevator music can explain
Why we clutch our horror and flee our name
A watchtower and alarm clock sang their lament
Across the concrete we rejoice and the paradise we repent
And as we signed
we denounced allies
In favor of the forbidden
what artificial blood and absinthe love
could deduce the lies we've hidden?


Mistletoe in the greenery of late july
and honor's punch drunk alibi
Reinvent the wheel that streets had broken
but its all another poker deal
a bet from the same token
Why do we abhor the delight to adore
what is written across the table?
If we read it as love we read it as a fable
and who still gives a **** about Cain and Abel?

Forgive my verse I tend to curse and my pentameter could benefit from consistency
But pardon your barometer I never intended to study calculus or chemistry
The commodity of obscenity and the gardens of Versailles
It's not a question then of who or when but rather a matter of how and why?
We buy and slash with words and cash all of those we enable
Why not, my love, give whiskey and drugs it's honestly more stable

The aftertaste of lust and lace
Grim fairy tales and telephone sales
The absence of the rhythm
That transforms mere words to singing
but format this or format that that isn't a life worth living
The morning connives with sidewalks and vines
while dark eyes sit and stare we are but wine and air
What is this routine we have fought to acquire?
No sweet perfume can sweeten the flame of fire

so kiss you reflection and hold close to the glass or the mirror
Objects that appear far away
they may in fact be nearer
Samuel Klistoff Sep 2014
What. what is this tide that turns within me?

my emotional barometer has gone haywire:
I can't tell triumph from grief

any longer.

Once I might have said I was strong,

I was blinded by your shining armour,
                the smooth glitz of your scales.

Your eyes stung me,
you shot your crippling poison into my heart.

Your fangs are still embedded in my skin,
your venom everstill circulates amongst
my bloodstream.


I seduced you—or did you ****** me?

Those days are no longer memories:
rather, they are something more akin to a
strange, fantastical dream I once had.

When will I wake up and be shown what life really has in store for me?
for SPC
Mitchell May 2011
A locomotive literary musk rat attack
Sitting roadside with a pocket full of lint
Just another low down stint
In a life in full pursuit
Slow and tranquil were the twinkling rays
With white hitting and streaking quite nice and naked
There were friends of mine stomping around
Vanquishing the present with ribbon touches of sore red
Upstairs the memory breaks itself on a staring mirror
Soon the words that seemed to be heard
Will just be a faint far away cliched memory
I opened the door to many places
Saw many a thing and somethings there was nothing
With the glinting forks and the good heavy whiskey
Sit stools wooden proud bar workers old deadened porkers
Blondie with a barometer measuring her liters
Never mentioning the bill she holds still
Tune of a ton pours itself over the youth and the young
Who are washed for the moment but will soon meet
The cold hard touch of the rough and tumble concrete
Where will grass burn when the fun is done?
Where will the streets crack when the back of the match
Has been pinned down and bought off?
No these were the illusions of the rearview mirror
The beat of the heart only lasts so long
Yes, only lasts oh so long
Year in and year out time stands still forever for itself
We are mere passerbuyers seeing the sights until were off to somewhere new
America you mentioned something to me at the party last night
But couldn't quite out what you wanted me to see
Now to be stuck underneath the overpass for ever last
No promises were made personally
Only
Nationally
End
If I’m gonna be heartbroken then I’m throwing my shame into your lap.
I have no use for it. This is a brand new theatrical performance.
The guilt can be your footwear, not mine. I’m a map not a floor mat.
This chest is a windrose and the terrain is a glory that beats behind my ribs.
My spinal column will surge up like a barometer, bobbing to the nape,
but you’re not my storm anymore so sit down, stay still, watch me.

These directions aren’t so cardinal now; I swapped them around.
I was born facing up, my laboring mother cursing her derision
like she knew someday I would raise up, face the sky again
and let loose a fury that began in me when I was conceived.
I am a violent flicker and I can syphon out the light until I swallow it whole,
until you’re begging me to swallow you again too. I am not seasonal.
Keep frantic at that compass in your hand. It won’t bring me back.
Mateuš Conrad Mar 2017
children need villains -
as much as adults require heroes.
that doesn't exactly mean
that there's an inherent malign
to treat children as
a care for: investment...
    it's just the benign
                       ambivalence
of someone sacrifice themselves
to save someone from a passing train
who's racked themselves on the train-tracks...
so what better form of acting,
what better form of the thespian
is not in pretending to be evil?
                     i watched two mothers
and a girl walk the street today...
when i walked past the baby girl and looked
her in the eyes... she stopped walking...
and began clinging to her mother's
leg...
               it's nothing as such, but when
you're observant of cats at the barometer to
anything autistic... a baby girl looks you straight
in the eye, and she's horrified to walk a step further
and clings to her mother's leg.
   the beard? the body? what? what?!
cars need petrol... children need villains...
     i'm sure: the ones that are faked
are scarier than the real ones: because they
have a dimension that allows them to
become myths, i.e. disperse and acknowledge
a greater number of the phobia-riddled...
     but at the same time:
adults need happenstance heroes...
       nothing achilles-like to be frank...
something exemplar in the realm of the mundane...
               adults need something to match
up to the child's need for a villain...
   point is: when the child eats away at what
provoked fears in him to begin with:
   and starts becoming a villain, himself;
   that's just called a point of realisation:
realisation furthered as: continuum.

— The End —