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Shofi Ahmed Jul 2018
On the edge, the living earth
dared to mimic Queen Fathima's worth,
the Queen of Heaven's grace and poise,
her footsteps, a blessed path of choice.
This way bedewed with divine light,
a numinous destination of sight,
graced by thousands of prophets of God,
a sacred path that all should trod.

In Allah's name, she descended,
on the Night of Ascension, her path transcended.
from the Night of Measures, she came,
her frame, heaven's dark matter, a mystery untamed.
A divine dot in terra incognita,
a fondly-folded bud where time doth bloom.
If one can see up to where it rose,
Paradise sways towards this uncharted way
the only guide, oft is a glimpse of Queen Fathima's eye!

The only asymmetrical golden ratio,
steps forth amidst the symmetrical prophet flock.
The earth makes way for her in awe,
as she moves in sequence with the golden lock.
Cloaked in mystery, she reveals
her unique, divine relation to the divine.
Makes measured moves at the forefront,
shining the light ever drawing closure to God.

She is so pretty and classy, a paragon of art,
a sunrise amidst the eternal night.
Her beauty is a burning fire in her shadow,
she is 'Zahra,' pure light, a luminary dynamo.
The only woman in heaven and earth with no shadow!

The great flock of women mirrors the earth,
following each atom on that angled girth,
aligned perfectly under the waxing full moon's worth.
As they approach the behemoth's might,
atoms beneath their skin explode in their finest sway,
and beneath Fathima's feet, vibrations take flight.

The ocean billows up, floating with the clouds,
Like choreographed dewdrops hanging low on the rose,
Ready to shower down on that hot spot like honey-drops.

Even the Moon on the horizon follows suit,
Ah, the lunar punter rows down, loves to sip in a drop.
the sleeping beauty wakes amidst the moonlit night,
silver dances in her eyes on every star in sight,
as the Moon sails down from its celestial height.
The seven seas sing out in the dark,
bubbling with exuberant fireflies' spark,
who gleefully rock the moonlit boat,
towards the cup of that pretty little drop.

Poetry in motion, the sea on the ground
a beauty reflected in the Moon on high
the storylines jump and dance around.
Painting the colors of the winds in the sky
over the shady grove, the rhythm goes on
rains down from the sky on that sweet spot
singing the sweetest of all title songs.

Never before was a woman a prophet of God,
but for the primitive woman, the leading lady,
the sharpest cut above the rest, the leader of the pack.
Sayeedatun Nessa, Queen Fathima,
Heaven holds no secrets, always an open mirror!

Secret is Fathima touched the bottom of the earth first
it's in her elements a pure unique one otherworldly love
the womankind scores that only entering paradise!
"There is no night, only déjà vu moonlight
the pious homemakers, these veiled tuberoses,
were hidden gems to the sublunary fireflies
who will be open moons in heaven's secret skies."
The Huris gaze upon mesmerizing beauty,
but their eyes turn to the real McCoy:
the women in paradise!

The universe debuts a primitive water dew,
Big Bang, soon Fathima drops in it her two hairs duo
enkindles the inner dark energy in the dark matter mole.
Absolutely pure, nature wakes up get the building rock
nothing like it never seen before, treasures in Earth's core.

The Queen's first impression hooks on
the motionless earth in the dew makes the first move
polished golden spiral is in bloom expanding ever more
the last thing the sun can't do can't take its eyes off
after the Big Bang big fireworks still (Ratqan) a black mole
thicker than the black moon, gravitates the cosmos! 

Walking in the dark ahead of the sun and the moonlight
one step up on that shady way the Queen cemented on,
perfectly circle pi-locks, the earth takes a Ma pause.
Until God willing Fathima's locks shall finally bottom in  
the long haul of time squeezing out paradise upside for good,
the heavenly Queen shines the light in the secret end of God!

The planetary ebb and flow are on the way heaven
the planet earth is the only steppingstone.
No matter how many times they try on
there will still be an unturned stone.
Until the very one, the original woman,
the Queen Fathima steps on.

Dots connect in her presence
the nadir and the zenith perfectly intersect
once for all that shall mingle in her perfect circle
without a labyrinth gap in the whole
making ‘As above, so below’ pure Scientia scenario.

Where the Queen stands on
heaven will open its grand door!
No more reverse engineering the original
God willing Fathima will step on
on the last turned stone.
From the very one greatest woman
paradise starts from there on
from beneath the mother’s foot!

She is so pretty and classy, a paragon of art,
a sunrise amidst the eternal night.
Her beauty is a burning fire in her shadow,
she is 'Zahra,' pure light, a luminary dynamo.
The only woman in heaven and earth with no shadow!

The great women flock mirror the earth
treading across every atom on that angle
perfectly aligned down the Moon.
Until those beneath the skin atoms
bang, explode, on approaching the behemoth,
the vibration beneath the otherworldly Fathima’s feet!

The ocean billows up floats with the clouds
like choreographed dew droops hanging low on the rose
just to shower down on that hot spot like honey drops.

Even the Moon on the horizon follows suit
ah, the lunar punter rows down loves to sip in a drop.
The sleeping beauty wakes up amidst the moonlight
silver dances eye on every star in the night
the Moon is sailing down.
The seven seas sing out in the dark
bubbling with exuberant fireflies
that would gleefully rock the moonlight boat
over to the cup of that pretty little drop.  

Poetry in motion is a sea on the ground
the same is known as the Moon in the sky!
The storylines jump ever more
on that way over the shady grove.
Painting the colour of the winds
the sky rains down on that spot
singing the sweetest title song.  

Never was a woman prophet of God
for the primitive woman the leading lady
the acute cut above the rest, the leader of the pack.
'Sayeedatun Nessa' Queen Fathima
heaven is no secret always an open mirror!
Secret is Fathima touched the bottom of the earth first
it's in her elements a pure unique one otherworldly love
the womankind scores that only entering paradise!
There is no night only Deja vu moonlight
the pious homemakers these veiled tuberoses
were the hidden gems to the sublunary fireflies
shall be the open moons in the heaven's secret skies!
Huris look on mesmerising beautiful
eyes on the real McCoy the woman in paradise!

The universe debuts a primitive water dew,
Big Bang, soon Fathima drops in it her two hairs duo
enkindles the inner dark energy in the dark matter mole.
Absolutely pure, nature wakes up get the building rock
nothing like it never seen before, treasures in Earth's core.
The Queen's first impression hooks on
the motionless earth in the dew makes the first move
polished golden spiral is in bloom expanding ever more
the last thing the sun can't do can't take its eyes off
after the Big Bang big fireworks still (Ratqan) a black mole
thicker than the black moon, gravitates the cosmos! 

Walking in the dark ahead of the sun and the moonlight
one step up on that shady way the Queen cemented on,
perfectly circle pi-locks, the earth takes a Ma pause.
Until God willing Fathima's locks shall finally bottom in  
the long haul of time squeezing out paradise upside for good,
the heavenly Queen shines the light in the secret end of God!

The planetary ebb and flow are on the way heaven
the planet earth is the only steppingstone.
No matter how many times they try on
there will still be an unturned stone.
Until the very one, the original woman,
the Queen Fathima steps on.

Dots connect in her presence
the nadir and the zenith perfectly intersect
once for all that shall mingle in her perfect circle
without a labyrinth gap in the whole
making ‘As above, so below’ pure Scientia scenario.

Where the Queen stands on
heaven will open its grand door!
No more reverse engineering the original
God willing Fathima will step on
on the last turned stone.
From the very one greatest woman
paradise starts from there on
from beneath the mother’s foot!
II. TO DEMETER (495 lines)

(ll. 1-3) I begin to sing of rich-haired Demeter, awful goddess
-- of her and her trim-ankled daughter whom Aidoneus rapt away,
given to him by all-seeing Zeus the loud-thunderer.

(ll. 4-18) Apart from Demeter, lady of the golden sword and
glorious fruits, she was playing with the deep-bosomed daughters
of Oceanus and gathering flowers over a soft meadow, roses and
crocuses and beautiful violets, irises also and hyacinths and the
narcissus, which Earth made to grow at the will of Zeus and to
please the Host of Many, to be a snare for the bloom-like girl --
a marvellous, radiant flower.  It was a thing of awe whether for
deathless gods or mortal men to see: from its root grew a hundred
blooms and is smelled most sweetly, so that all wide heaven above
and the whole earth and the sea's salt swell laughed for joy.
And the girl was amazed and reached out with both hands to take
the lovely toy; but the wide-pathed earth yawned there in the
plain of Nysa, and the lord, Host of Many, with his immortal
horses sprang out upon her -- the Son of Cronos, He who has many
names (5).

(ll. 19-32) He caught her up reluctant on his golden car and bare
her away lamenting.  Then she cried out shrilly with her voice,
calling upon her father, the Son of Cronos, who is most high and
excellent.  But no one, either of the deathless gods or of mortal
men, heard her voice, nor yet the olive-trees bearing rich fruit:
only tender-hearted Hecate, bright-coiffed, the daughter of
Persaeus, heard the girl from her cave, and the lord Helios,
Hyperion's bright son, as she cried to her father, the Son of
Cronos.  But he was sitting aloof, apart from the gods, in his
temple where many pray, and receiving sweet offerings from mortal
men.  So he, that Son of Cronos, of many names, who is Ruler of
Many and Host of Many, was bearing her away by leave of Zeus on
his immortal chariot -- his own brother's child and all
unwilling.

(ll. 33-39) And so long as she, the goddess, yet beheld earth and
starry heaven and the strong-flowing sea where fishes shoal, and
the rays of the sun, and still hoped to see her dear mother and
the tribes of the eternal gods, so long hope calmed her great
heart for all her trouble....
((LACUNA))
....and the heights of the mountains and the depths of the sea
rang with her immortal voice: and her queenly mother heard her.

(ll. 40-53) Bitter pain seized her heart, and she rent the
covering upon her divine hair with her dear hands: her dark cloak
she cast down from both her shoulders and sped, like a wild-bird,
over the firm land and yielding sea, seeking her child.  But no
one would tell her the truth, neither god nor mortal men; and of
the birds of omen none came with true news for her.  Then for
nine days queenly Deo wandered over the earth with flaming
torches in her hands, so grieved that she never tasted ambrosia
and the sweet draught of nectar, nor sprinkled her body with
water.  But when the tenth enlightening dawn had come, Hecate,
with a torch in her hands, met her, and spoke to her and told her
news:

(ll. 54-58) 'Queenly Demeter, bringer of seasons and giver of
good gifts, what god of heaven or what mortal man has rapt away
Persephone and pierced with sorrow your dear heart?  For I heard
her voice, yet saw not with my eyes who it was.  But I tell you
truly and shortly all I know.'

(ll. 59-73) So, then, said Hecate.  And the daughter of rich-
haired Rhea answered her not, but sped swiftly with her, holding
flaming torches in her hands.  So they came to Helios, who is
watchman of both gods and men, and stood in front of his horses:
and the bright goddess enquired of him: 'Helios, do you at least
regard me, goddess as I am, if ever by word or deed of mine I
have cheered your heart and spirit.  Through the fruitless air I
heard the thrilling cry of my daughter whom I bare, sweet scion
of my body and lovely in form, as of one seized violently; though
with my eyes I saw nothing.  But you -- for with your beams you
look down from the bright upper air Over all the earth and sea --
tell me truly of my dear child, if you have seen her anywhere,
what god or mortal man has violently seized her against her will
and mine, and so made off.'

(ll. 74-87) So said she.  And the Son of Hyperion answered her:
'Queen Demeter, daughter of rich-haired Rhea, I will tell you the
truth; for I greatly reverence and pity you in your grief for
your trim-ankled daughter.  None other of the deathless gods is
to blame, but only cloud-gathering Zeus who gave her to Hades,
her father's brother, to be called his buxom wife.  And Hades
seized her and took her loudly crying in his chariot down to his
realm of mist and gloom.  Yet, goddess, cease your loud lament
and keep not vain anger unrelentingly: Aidoneus, the Ruler of
Many, is no unfitting husband among the deathless gods for your
child, being your own brother and born of the same stock: also,
for honour, he has that third share which he received when
division was made at the first, and is appointed lord of those
among whom he dwells.'

(ll. 88-89) So he spake, and called to his horses: and at his
chiding they quickly whirled the swift chariot along, like long-
winged birds.

(ll. 90-112) But grief yet more terrible and savage came into the
heart of Demeter, and thereafter she was so angered with the
dark-clouded Son of Cronos that she avoided the gathering of the
gods and high Olympus, and went to the towns and rich fields of
men, disfiguring her form a long while.  And no one of men or
deep-bosomed women knew her when they saw her, until she came to
the house of wise Celeus who then was lord of fragrant Eleusis.
Vexed in her dear heart, she sat near the wayside by the Maiden
Well, from which the women of the place were used to draw water,
in a shady place over which grew an olive shrub.  And she was
like an ancient woman who is cut off from childbearing and the
gifts of garland-loving Aphrodite, like the nurses of king's
children who deal justice, or like the house-keepers in their
echoing halls.  There the daughters of Celeus, son of Eleusis,
saw her, as they were coming for easy-drawn water, to carry it in
pitchers of bronze to their dear father's house: four were they
and like goddesses in the flower of their girlhood, Callidice and
Cleisidice and lovely Demo and Callithoe who was the eldest of
them all.  They knew her not, -- for the gods are not easily
discerned by mortals -- but standing near by her spoke winged
words:

(ll. 113-117) 'Old mother, whence and who are you of folk born
long ago?  Why are you gone away from the city and do not draw
near the houses?  For there in the shady halls are women of just
such age as you, and others younger; and they would welcome you
both by word and by deed.'

(ll. 118-144) Thus they said.  And she, that queen among
goddesses answered them saying: 'Hail, dear children, whosoever
you are of woman-kind.  I will tell you my story; for it is not
unseemly that I should tell you truly what you ask.  Doso is my
name, for my stately mother gave it me.  And now I am come from
Crete over the sea's wide back, -- not willingly; but pirates
brought be thence by force of strength against my liking.
Afterwards they put in with their swift craft to Thoricus, and
there the women landed on the shore in full throng and the men
likewise, and they began to make ready a meal by the stern-cables
of the ship.  But my heart craved not pleasant food, and I fled
secretly across the dark country and escaped by masters, that
they should not take me unpurchased across the sea, there to win
a price for me.  And so I wandered and am come here: and I know
not at all what land this is or what people are in it.  But may
all those who dwell on Olympus give you husbands and birth of
children as parents desire, so you take pity on me, maidens, and
show me this clearly that I may learn, dear children, to the
house of what man and woman I may go, to work for them cheerfully
at such tasks as belong to a woman of my age.  Well could I nurse
a new born child, holding him in my arms, or keep house, or
spread my masters' bed in a recess of the well-built chamber, or
teach the women their work.'

(ll. 145-146) So said the goddess.  And straightway the *****
maiden Callidice, goodliest in form of the daughters of Celeus,
answered her and said:

(ll. 147-168) 'Mother, what the gods send us, we mortals bear
perforce, although we suffer; for they are much stronger than we.

But now I will teach you clearly, telling you the names of men
who have great power and honour here and are chief among the
people, guarding our city's coif of towers by their wisdom and
true judgements: there is wise Triptolemus and Dioclus and
Polyxeinus and blameless Eumolpus and Dolichus and our own brave
father.  All these have wives who manage in the house, and no one
of them, so soon as she has seen you, would dishonour you and
turn you from the house, but they will welcome you; for indeed
you are godlike.  But if you will, stay here; and we will go to
our father's house and tell Metaneira, our deep-bosomed mother,
all this matter fully, that she may bid you rather come to our
home than search after the houses of others.  She has an only
son, late-born, who is being nursed in our well-built house, a
child of many prayers and welcome: if you could bring him up
until he reached the full measure of youth, any one of womankind
who should see you would straightway envy you, such gifts would
our mother give for his upbringing.'

(ll. 169-183) So she spake: and the goddess bowed her head in
assent.  And they filled their shining vessels with water and
carried them off rejoicing.  Quickly they came to their father's
great house and straightway told their mother according as they
had heard and seen.  Then she bade them go with all speed and
invite the stranger to come for a measureless hire.  As hinds or
heifers in spring time, when sated with pasture, bound about a
meadow, so they, holding up the folds of their lovely garments,
darted down the hollow path, and their hair like a crocus flower
streamed about their shoulders.  And they found the good goddess
near the wayside where they had left her before, and led her to
the house of their dear father.  And she walked behind,
distressed in her dear heart, with her head veiled and wearing a
dark cloak which waved about the slender feet of the goddess.

(ll. 184-211) Soon they came to the house of heaven-nurtured
Celeus and went through the portico to where their queenly mother
sat by a pillar of the close-fitted roof, holding her son, a
tender scion, in her *****.  And the girls ran to her.  But the
goddess walked to the threshold: and her head reached the roof
and she filled the doorway with a heavenly radiance.  Then awe
and reverence and pale fear took hold of Metaneira, and she rose
up from her couch before Demeter, and bade her be seated.  But
Demeter, bringer of seasons and giver of perfect gifts, would not
sit upon the bright couch, but stayed silent with lovely eyes
cast down until careful Iambe placed a jointed seat for her and
threw over it a silvery fleece.  Then she sat down and held her
veil in her hands before her face.  A long time she sat upon the
stool (6) without speaking because of her sorrow, and greeted no
one by word or by sign, but rested, never smiling, and tasting
neither food nor drink, because she pined with longing for her
deep-bosomed daughter, until careful Iambe -- who pleased her
moods in aftertime also -- moved the holy lady with many a quip
and jest to smile and laugh and cheer her heart.  Then Metaneira
filled a cup with sweet wine and offered it to her; but she
refused it, for she said it was not lawful for her to drink red
wine, but bade them mix meal and water with soft mint and give
her to drink.  And Metaneira mixed the draught and gave it to the
goddess as she bade.  So the great queen Deo received it to
observe the sacrament.... (7)

((LACUNA))

(ll. 212-223) And of them all, well-girded Metaneira first began
to speak: 'Hail, lady!  For I think you are not meanly but nobly
born; truly dignity and grace are conspicuous upon your eyes as
in the eyes of kings that deal justice.  Yet we mortals bear
perforce what the gods send us, though we be grieved; for a yoke
is set upon our necks.  But now, since you are come here, you
shall have what I can bestow: and nurse me this child whom the
gods gave me in my old age and beyond my hope, a son much prayed
for.  If you should bring him up until he reach the full measure
of youth, any one of womankind that sees you will straightway
envy you, so great reward would I give for his upbringing.'

(ll. 224-230) Then rich-haired Demeter answered her: 'And to you,
also, lady, all hail, and may the gods give you good!  Gladly
will I take the boy to my breast, as you bid me, and will nurse
him.  Never, I ween, through any heedlessness of his nurse shall
witchcraft hurt him nor yet the Undercutter (8): for I know a
charm far stronger than the Woodcutter, and I know an excellent
safeguard against woeful witchcraft.'

(ll. 231-247) When she had so spoken, she took the child in her
fragrant ***** with her divine hands: and his mother was glad in
her heart.  So the goddess nursed in the palace Demophoon, wise
Celeus' goodly son whom well-girded Metaneira bare.  And the
child grew like some immortal being, not fed with food nor
nourished at the breast: for by day rich-crowned Demeter would
anoint him with ambrosia as if he were the offspring of a god and
breathe sweetly upon him as she held him in her *****.  But at
night she would hide him like a brand in the heard of the fire,
unknown to his dear parents.  And it wrought great wonder in
these that he grew beyond his age; for he was like the gods face
to face.  And she would have made him deathless and unageing, had
not well-girded Metaneira in her heedlessness kept watch by night
from her sweet-smelling chamber and spied.  But she wailed and
smote her two hips, because she feared for her son and was
greatly distraught in her heart; so she lamented and uttered
winged words:

(ll. 248-249) 'Demophoon, my son, the strange woman buries you
deep in fire and works grief and bitter sorrow for me.'

(ll. 250-255) Thus she spoke, mourning.  And the bright goddess,
lovely-crowned Demeter, heard her, and was wroth with her.  So
with her divine hands she snatched from the fire the dear son
whom Metaneira had born unhoped-for in the palace, and cast him
from her to the ground; for she was terribly angry in her heart.
Forthwith she said to well-girded Metaneira:

(ll. 256-274) 'Witless are you mortals and dull to foresee your
lot, whether of good or evil, that comes upon you.  For now in
your heedlessness you have wrought folly past healing; for -- be
witness the oath of the gods, the relentless water of Styx -- I
would have made your dear son deathless and unaging all his days
and would have bestowed on him everlasting honour, but now he can
in no way escape death and the fates.  Yet shall unfailing honour
always rest upon him, because he lay upon my knees and slept in
my arms.  But, as the years move round and when he is in his
prime, the sons of the Eleusinians shall ever wage war and dread
strife with one another continually.  Lo!  I am that Demeter who
has share of honour and is the greatest help and cause of joy to
the undying gods and mortal men.  But now, let all the people
build be a great temple and an altar below it and beneath the
city and its sheer wall upon a rising hillock above Callichorus.
And I myself will teach my rites, that hereafter you may
reverently perform them and so win the favour of my
"The female body is a beautiful thing."
How dare you suggest such a thing?!
The female body is not designed for romantic beauty - no
It is designed for pleasure,
The pleasure of every man out there.
Even if the woman eyes out women rather than men,
Man will still take pleasure,
But as a fetish - as a kink.

*****.
The bigger, the more painful.
But who cares?!
The bigger the better.
With ******* designed for flicking and ******* on in order to "turn her on"
Do you forget what their initial purpose is?
Do you forget the pain she went through to birth her children?
And the struggle of breast feeding?
Of course not.
You just don't care.

"The female body is a beautiful thing."
Yes it is beautiful - **** even.
Designed for the pleasure of men.
Shaved as smooth as the women men watch not so secretly.
*** is not supposed to be enjoyed by the woman - she is the enjoyment, the entertainer.
Womankind is not designed to be loved nor cherished.
Womankind is designed for *** and nothing more than that.

Let me tell you something: everything that you just read is not true - and yet this is what today's young people are being taught.
Girls believe that they cannot be popular without being sexualized; they wear revealing clothing, send nudes and will even go as far as having *** just to feel beautiful.
And even then she will be called a *****, a ****, a *****.
Girls are being taught that this is normal - that it's okay.
It is not okay.
Girls should not feel that they have to give their all to everyone and keep nothing for themselves.
Girls should be able to feel happy and positive on their own - without being told that they are **** by some ***** middle aged man.

So here is my message to every girl out there:
You are beautiful* and don't let anyone tell you differently.
Don't let society pressure you into doing, saying or wearing certain things that you are uncomfortable with.
Don't let men use and manipulate you.
Your body is *your
property and nobody else's and it is not designed to be sexualized by men.
One day you will find the love of your life who will protect and cherish you and treat you the way you deserve.
But always remember:
Be true to yourself and be happy.
Muse of the many-twinkling feet! whose charms
Are now extended up from legs to arms;
Terpsichore!—too long misdeemed a maid—
Reproachful term—bestowed but to upbraid—
Henceforth in all the bronze of brightness shine,
The least a Vestal of the ****** Nine.
Far be from thee and thine the name of *****:
Mocked yet triumphant; sneered at, unsubdued;
Thy legs must move to conquer as they fly,
If but thy coats are reasonably high!
Thy breast—if bare enough—requires no shield;
Dance forth—sans armour thou shalt take the field
And own—impregnable to most assaults,
Thy not too lawfully begotten “Waltz.”

  Hail, nimble Nymph! to whom the young hussar,
The whiskered votary of Waltz and War,
His night devotes, despite of spur and boots;
A sight unmatched since Orpheus and his brutes:
Hail, spirit-stirring Waltz!—beneath whose banners
A modern hero fought for modish manners;
On Hounslow’s heath to rival Wellesley’s fame,
Cocked, fired, and missed his man—but gained his aim;
Hail, moving muse! to whom the fair one’s breast
Gives all it can, and bids us take the rest.
Oh! for the flow of Busby, or of Fitz,
The latter’s loyalty, the former’s wits,
To “energise the object I pursue,”
And give both Belial and his Dance their due!

  Imperial Waltz! imported from the Rhine
(Famed for the growth of pedigrees and wine),
Long be thine import from all duty free,
And Hock itself be less esteemed than thee;
In some few qualities alike—for Hock
Improves our cellar—thou our living stock.
The head to Hock belongs—thy subtler art
Intoxicates alone the heedless heart:
Through the full veins thy gentler poison swims,
And wakes to Wantonness the willing limbs.

  Oh, Germany! how much to thee we owe,
As heaven-born Pitt can testify below,
Ere cursed Confederation made thee France’s,
And only left us thy d—d debts and dances!
Of subsidies and Hanover bereft,
We bless thee still—George the Third is left!
Of kings the best—and last, not least in worth,
For graciously begetting George the Fourth.
To Germany, and Highnesses serene,
Who owe us millions—don’t we owe the Queen?
To Germany, what owe we not besides?
So oft bestowing Brunswickers and brides;
Who paid for ******, with her royal blood,
Drawn from the stem of each Teutonic stud:
Who sent us—so be pardoned all her faults—
A dozen dukes, some kings, a Queen—and Waltz.

  But peace to her—her Emperor and Diet,
Though now transferred to Buonapartè’s “fiat!”
Back to my theme—O muse of Motion! say,
How first to Albion found thy Waltz her way?

  Borne on the breath of Hyperborean gales,
From Hamburg’s port (while Hamburg yet had mails),
Ere yet unlucky Fame—compelled to creep
To snowy Gottenburg-was chilled to sleep;
Or, starting from her slumbers, deigned arise,
Heligoland! to stock thy mart with lies;
While unburnt Moscow yet had news to send,
Nor owed her fiery Exit to a friend,
She came—Waltz came—and with her certain sets
Of true despatches, and as true Gazettes;
Then flamed of Austerlitz the blest despatch,
Which Moniteur nor Morning Post can match
And—almost crushed beneath the glorious news—
Ten plays, and forty tales of Kotzebue’s;
One envoy’s letters, six composer’s airs,
And loads from Frankfort and from Leipsic fairs:
Meiners’ four volumes upon Womankind,
Like Lapland witches to ensure a wind;
Brunck’s heaviest tome for ballast, and, to back it,
Of Heynè, such as should not sink the packet.

  Fraught with this cargo—and her fairest freight,
Delightful Waltz, on tiptoe for a Mate,
The welcome vessel reached the genial strand,
And round her flocked the daughters of the land.
Not decent David, when, before the ark,
His grand Pas-seul excited some remark;
Not love-lorn Quixote, when his Sancho thought
The knight’s Fandango friskier than it ought;
Not soft Herodias, when, with winning tread,
Her nimble feet danced off another’s head;
Not Cleopatra on her Galley’s Deck,
Displayed so much of leg or more of neck,
Than Thou, ambrosial Waltz, when first the Moon
Beheld thee twirling to a Saxon tune!

  To You, ye husbands of ten years! whose brows
Ache with the annual tributes of a spouse;
To you of nine years less, who only bear
The budding sprouts of those that you shall wear,
With added ornaments around them rolled
Of native brass, or law-awarded gold;
To You, ye Matrons, ever on the watch
To mar a son’s, or make a daughter’s match;
To You, ye children of—whom chance accords—
Always the Ladies, and sometimes their Lords;
To You, ye single gentlemen, who seek
Torments for life, or pleasures for a week;
As Love or ***** your endeavours guide,
To gain your own, or ****** another’s bride;—
To one and all the lovely Stranger came,
And every Ball-room echoes with her name.

  Endearing Waltz!—to thy more melting tune
Bow Irish Jig, and ancient Rigadoon.
Scotch reels, avaunt! and Country-dance forego
Your future claims to each fantastic toe!
Waltz—Waltz alone—both legs and arms demands,
Liberal of feet, and lavish of her hands;
Hands which may freely range in public sight
Where ne’er before—but—pray “put out the light.”
Methinks the glare of yonder chandelier
Shines much too far—or I am much too near;
And true, though strange—Waltz whispers this remark,
“My slippery steps are safest in the dark!”
But here the Muse with due decorum halts,
And lends her longest petticoat to “Waltz.”

  Observant Travellers of every time!
Ye Quartos published upon every clime!
0 say, shall dull Romaika’s heavy round,
Fandango’s wriggle, or Bolero’s bound;
Can Egypt’s Almas—tantalising group—
Columbia’s caperers to the warlike Whoop—
Can aught from cold Kamschatka to Cape Horn
With Waltz compare, or after Waltz be born?
Ah, no! from Morier’s pages down to Galt’s,
Each tourist pens a paragraph for “Waltz.”

  Shades of those Belles whose reign began of yore,
With George the Third’s—and ended long before!—
Though in your daughters’ daughters yet you thrive,
Burst from your lead, and be yourselves alive!
Back to the Ball-room speed your spectred host,
Fool’s Paradise is dull to that you lost.
No treacherous powder bids Conjecture quake;
No stiff-starched stays make meddling fingers ache;
(Transferred to those ambiguous things that ape
Goats in their visage, women in their shape;)
No damsel faints when rather closely pressed,
But more caressing seems when most caressed;
Superfluous Hartshorn, and reviving Salts,
Both banished by the sovereign cordial “Waltz.”

  Seductive Waltz!—though on thy native shore
Even Werter’s self proclaimed thee half a *****;
Werter—to decent vice though much inclined,
Yet warm, not wanton; dazzled, but not blind—
Though gentle Genlis, in her strife with Staël,
Would even proscribe thee from a Paris ball;
The fashion hails—from Countesses to Queens,
And maids and valets waltz behind the scenes;
Wide and more wide thy witching circle spreads,
And turns—if nothing else—at least our heads;
With thee even clumsy cits attempt to bounce,
And cockney’s practise what they can’t pronounce.
Gods! how the glorious theme my strain exalts,
And Rhyme finds partner Rhyme in praise of “Waltz!”
Blest was the time Waltz chose for her début!
The Court, the Regent, like herself were new;
New face for friends, for foes some new rewards;
New ornaments for black-and royal Guards;
New laws to hang the rogues that roared for bread;
New coins (most new) to follow those that fled;
New victories—nor can we prize them less,
Though Jenky wonders at his own success;
New wars, because the old succeed so well,
That most survivors envy those who fell;
New mistresses—no, old—and yet ’tis true,
Though they be old, the thing is something new;
Each new, quite new—(except some ancient tricks),
New white-sticks—gold-sticks—broom-sticks—all new sticks!
With vests or ribands—decked alike in hue,
New troopers strut, new turncoats blush in blue:
So saith the Muse: my——, what say you?
Such was the time when Waltz might best maintain
Her new preferments in this novel reign;
Such was the time, nor ever yet was such;
Hoops are  more, and petticoats not much;
Morals and Minuets, Virtue and her stays,
And tell-tale powder—all have had their days.
The Ball begins—the honours of the house
First duly done by daughter or by spouse,
Some Potentate—or royal or serene—
With Kent’s gay grace, or sapient Gloster’s mien,
Leads forth the ready dame, whose rising flush
Might once have been mistaken for a blush.
From where the garb just leaves the ***** free,
That spot where hearts were once supposed to be;
Round all the confines of the yielded waist,
The strangest hand may wander undisplaced:
The lady’s in return may grasp as much
As princely paunches offer to her touch.
Pleased round the chalky floor how well they trip
One hand reposing on the royal hip!
The other to the shoulder no less royal
Ascending with affection truly loyal!
Thus front to front the partners move or stand,
The foot may rest, but none withdraw the hand;
And all in turn may follow in their rank,
The Earl of—Asterisk—and Lady—Blank;
Sir—Such-a-one—with those of fashion’s host,
For whose blest surnames—vide “Morning Post.”
(Or if for that impartial print too late,
Search Doctors’ Commons six months from my date)—
Thus all and each, in movement swift or slow,
The genial contact gently undergo;
Till some might marvel, with the modest Turk,
If “nothing follows all this palming work?”
True, honest Mirza!—you may trust my rhyme—
Something does follow at a fitter time;
The breast thus publicly resigned to man,
In private may resist him—if it can.

  O ye who loved our Grandmothers of yore,
Fitzpatrick, Sheridan, and many more!
And thou, my Prince! whose sovereign taste and will
It is to love the lovely beldames still!
Thou Ghost of Queensberry! whose judging Sprite
Satan may spare to peep a single night,
Pronounce—if ever in your days of bliss
Asmodeus struck so bright a stroke as this;
To teach the young ideas how to rise,
Flush in the cheek, and languish in the eyes;
Rush to the heart, and lighten through the frame,
With half-told wish, and ill-dissembled flame,
For prurient Nature still will storm the breast—
Who, tempted thus, can answer for the rest?

  But ye—who never felt a single thought
For what our Morals are to be, or ought;
Who wisely wish the charms you view to reap,
Say—would you make those beauties quite so cheap?
Hot from the hands promiscuously applied,
Round the slight waist, or down the glowing side,
Where were the rapture then to clasp the form
From this lewd grasp and lawless contact warm?
At once Love’s most endearing thought resign,
To press the hand so pressed by none but thine;
To gaze upon that eye which never met
Another’s ardent look without regret;
Approach the lip which all, without restraint,
Come near enough—if not to touch—to taint;
If such thou lovest—love her then no more,
Or give—like her—caresses to a score;
Her Mind with these is gone, and with it go
The little left behind it to bestow.

  Voluptuous Waltz! and dare I thus blaspheme?
Thy bard forgot thy praises were his theme.
Terpsichore forgive!—at every Ball
My wife now waltzes—and my daughters shall;
My son—(or stop—’tis needless to inquire—
These little accidents should ne’er transpire;
Some ages hence our genealogic tree
Will wear as green a bough for him as me)—
Waltzing shall rear, to make our name amends
Grandsons for me—in heirs to all his friends.
Love and the gentle heart are one same thing,
Even as the wise man in his ditty saith.
Each, of itself, would be such life in death
As rational soul bereft of reasoning.
'Tis Nature makes them when she loves: a king
Love is, whose palace where he sojourneth
Is call'd the Heart; there draws he quiet breath
At first, with brief or longer slumbering.
Then beauty seen in virtuous womankind
Will make the eyes desire, and through the heart
Send the desiring of the eyes again;
Where often it abides so long enshrined
That Love at length out of his sleep will start.
And women feel the same for worthy men.
Mateuš Conrad Jan 2020
.i do expect you to become lost in this labyrinth - at least that's what i'd rather say - sleep-deprivation is for "some" reason to escape the mediocre of having catched the "8 hour wink"... or whatever the Minotaur wouldn't call it... because i wouldn't call it a "problem" of "gender-neutral pronouns" either... i would call it a "problem" of noun-acquisition-status of letters; notably in greek and hebrew.

friends of "the" family have been looking
for on fb,
****... the caron S (š) will not do!
i need to use two alphabets that...
did not nurture yiddish into existence!
cyrillic didn't accept hebrew...
it'll have to do...
it wouldn't be enough to simply write
my name in cyrillic...
and no... in hebrew no less!
since the vowels are hidden...
and inserting the proper hebrew vowel...
it still wouldn't matter that...
my surname is missing... the galician germanic
e(ch)lert or the e(sch)lert...
no... but how is one to insert
the right kind of vowel: all in hebrew niqab
harem of diacritical markers subscript...
when... you don't have...
enough letters as nouns as scientific
constants as the greeks... do...
i guess only η (eta) stands out as a sore thumb /
black sheep... but i am bound to be wrong,
in the meantime:
well it's hardly a letter-with-a-noun
inclined akin to alpha (α) -
otherwise all is well...
we use the prefix prime (the grammaton per se)...
and discard the suffix when constructing words...
ergo? a-lpha...
and so an so forth...
till be arrive at...
blasting your ears nearing deafness because:
beethoven's mrs. H is:
music so you have to shout over it!
loud! what?! loud music!
loud music what?! loud music
to shun the "pain"...
oh... see you in one of those classes
when you can write sign-language for the dead
when you've been allowed to write braille!
see you sputnik ****!
yeah, see you deaf in one year divine John!
but you get the promise that's:
not your everyday latin castrato sing-along...
those greeks sure have all the best
science... stabilizers... not a lot of songs
to sing along to... because their letters
are also noun-status: also have noun-status...
otherwise the ol' prefix use...
and the suffix recycling centre...
a word like: matter...
well...
   ματτερ - no... i will not use the greek word...
i'll state... mmm... hm!
mu implies m- and cutting off the -u...
alpha implies a- and cutting off the -lpha
tau implies t- and cutting off the -au...
epsilon implies e- and cutting off the -psilon
rho implies r- and cutting off the -**...
and so... we have the word matter...
and the recycled materials for...
some other words...

hebrews? hebrews do have... noun-status letters...
(א) aleph - what's vogue?
inserting the iota into the omicron that's
the marriage: φ (phi)...
or whether it's the turning of the iota in
the omicron to provide the opening of the door
θ (theta) to see: that light at the end of the tunnel
delta (Δ)... again... it's only aleph we're "investigating"...

the other letter in hebrew with a noun-status?
(ג) g'imel...
another is (ד) d'alet...
(ז) z'ayin...
(ל) l'amed...
(ס) s'amekh... most certainly (ע) a'yin...
(צ) t'sadi...

interlude: what is the distance
between (א) a'leph and (ע) a'yin?
a kametz...

now we can "debate" - noun-status letters...
the greeks are in the same sort of pickle
as the hebrews...
there can be a debate whether...
the greeks have more than:
alpha, beta, gamma, delta, epsilon, iota,
lambda, omicron, sigma, upsilon, omega
as noun-status letters...

why? because it becomes silly...
(ק) qof and (κ) kappa...
(ר) resh and rho (ρ)...
(שׁ) and... well... to be honest...
that's heading into cyrillic territory...
and the caron S (ш)...
given (ס) samekh and sigma (σ)...

this always happens to me when i come
across a hebrew...
even if he's old and riddled with dementia...
i see him with his polish bride
and i see a "romanian gypsy"...
the feeling is... strange...
this hebrew is like an old cousin of mine...
but it's always a touch of magic...

i am not good at solving crosswords...
(כ) 'xaf' and chi (χ) -
perhaps i have exagerrated the letter-as-noun
status on some of this greek and hebrew...
tightly-knit bed-fellows...
as the boasting resounds in the labyrinth
of the rise and fall of the roman empire...
and the barbarian attempts to have
settled the lands near the seven hills...
and revived the eagle...
spec-ta-cu-lar failures!

the germans should console themselves
with having a crow on their marching banners...
and polacks should...
satisfy themselves with the unicorn myth
of an all-white bald eagle... albino eagle...
and so the harry potter: minus ***** 'arry
can have their unicorns, swans,
honey-badgers, welsh dragon,
st. andrew's gryffindors... etc. -

name, a name... i need to... change it...
obviously...
no hebrew vowels will be used...
since... their use... is devoid of what's already
concrete usage of diacritical markers
in established letters...
if cyrillic and hebrew is to be used...
and not greek and hebrew:
because... well thank you for the new testament
riddle... let's move... away...
to "greater" / other... things....

i can't use a kametz alpha
a tzere epsilon
a chirek iota
a cholem omicron
or a shurek upsilon (omega)...
so all the vowels will have to by cyrillic...

my... latin, name?
mateusz konrad... let's drop the surname...
let's call it a game of:
ibn... or ben... matthew son of konrad...
and since i don't have a... confirmation name...
what name? i would have chosen: Isidore...
after the saint of seville...
or... Ignatius (of Loyola) -
the only fun part of going to a catholic school
was... learning about the counter-reformation
and writing an essay about it...
and their library was decently stacked...
so... plus plus...

this is but a simple exercise...
first the name in cyrillic...
there will not be a full name in hebrew...
which i'll probably lace with greek...
and it will still make all the more perfect
sense... should it be transliterated back
into anglo-ßaß...
yeah: why i don't have a girlfriend...
with these sort of interests?
i guess an hour with a *******
once a year is enough for me...
and for womankind in the hospice of omni...

just following the laziness
of the russian visa authorities are the embassy...
they didn't translate mateusz into matvei
or konrad into: Дракон...
мат-вей...

these are the sort of idiotic tier-1 level
кaцaпс... working in the russian embassy in Loon'don...

because i was never going to be the матвей
who'd **** an илoнa like the 300 deadly mongrel
saracren mameluks or the spartans... no...
i counter the 7 headed beast on her
with every ****** in that one night
i was making my final goodbyes...
but keeping the mikhail bulgakov novel...
through a repose in Warsaw and...
i finished what, "apparently" i wasn't supposed
to finish...

and she is one of those troubled girls...
every ****** partner that meant anything to her...
she will have a tattoo of that lover
on her body... i know my place on her body...
it's on the right shoulder-blade...
the tattoo is of a dragon...
i know because i've met girls like her...
elsewhere...

even as i was being driven home after taking
my mother for her rheumatoid arthritis check-up,
blood test, x-ray... and the pakistani cab-driver
was talking about all the precautions he needs
these days: video ahead of the bonet for insurance
policy... a camera looking in...
and audio recording on his smartwatch...
because what he said... didn't surprise me...
i once picked up a spanish girl - Tamara in a club...
and she decided to take me home
for a one night stand...
as we were approaching the house she was
sharing with three homosexuals
she decided to jump out of the cab...
and make a runner... i calmed the cabbie:
i'll pay for it...
we tried to later **** the hetreosexual way
with her calling me angel because
of my "erectile dysfunction" under the bed sheets
in that putrid smoke of cocoon ***...
like the birth of a rancid moth embryo and
choking from the heat of dust and alcohol
and... what i am alluding to is that some girls
do jump out of cabs to avoid paying the fair...
i knew what the pakistani cabbie was saying...
she owed him 40 quid...
he filed the whole thing to the police...
she accused him of ****** assault...
the story would have fit...
she run from the cab when he tried to sexually
assault her... but... he did have
that audio recording from his smartwatch...
in the end the girl was fined 700 quid...
which is nothing... compared to...
what's that called in h'america? a false accusation?
slander?
i know that girls jump out of cabs...
to avoid paying the fare...
i drove with one... who did just that...
i guess she was so used to this act that she
forgot i was sitting next to her...

- all the *****... but then all the chem-soup
post-psychiatric *******?
the ***** i can stand...
the pills are just tasmanian devilish when
it comes to catching the perfect
battery insomnia recharge...
and always meeting and respecting
the elder of the group darwinistic:
prat pact... a hebrew...
there always needs to be a yew
a *** in the equation...
no... not some english society
uncle tom worth of a high society rabbi...
i mean a jew that will support
west ham... because...
it's an irrational team...
it can fathom beating chelsea (A)...
but then... "forget" to win against...
for god's sake! Norwich (H)!

i know! i know! joseph conrad took his place!
here's my part anagram!
Mатвей Дракон...

the near non-existent diacritical presence
in the english language...
well... no "surprise surprise" if...
you're starting with
и (i) or rather (ı)...
and what's being the flock of salmon
up the river, being caught?
the j but not (ȷ)... imagine my... "surprise"
that the russians arrived at...
и and ı - in tow... ȷ and the й...
the breve...
parabolla or... my eyes only see
the microscopic details when someone
will simply slurr?

- borrowing from yesterday and...
in the early night of winter standing
in the garden with four potatoes
and something else...
looking up at the sky...
i am used to seeing unusual "things"
in the sky -
i'm not unusual when it comes
to having seen a u.f.o. - fluorescent
and squid like in colour -
but i'm also the sort of person that
would carry a few beers for such
spontaneous encounters -
rather running around like a raving
lunatic armed with a camera
filming the whole thing...
i have no proof: i hope my words are enough...
and if they're not?
well... if it can be seen with a naked eye -
i don't need to blink via a technological
feed and argue about: quality of the picture...

but even i wasn't ready for...
what i saw today...
those are roaming stars? aren't they?
and i really did forget to count how
many moved in the same direction
askew - one by one with equal distance
between them - before the distance between
extended - there must have been more than
10 - i'd say there were around 20!

is this always how things are -
when one contemplates the tetragrammaton?

part anagram? well because the russian
do have a version of the hebrew matisyahu...
but they do not have the german conrad
in their language...
probably as to why the germans do not
really have... a yuri or nikita in their language...
nikita after all sounds more feminine than
masculine - anyone could with hindsight
speak of mr. rocketman's lover of
the same same... as not some russian beau
example of the fairer ***...
but a comrade khrushchev...

- and why wouldn't i call those russians
that work in the russian embassy in Loon'don
кaцaпы? for one... they just type letter for letter:
a mateusz / a matthew is a мaтэусз...
for all "legal" purposes...
they already have the сз = ш...
bureucratic purposes...
and no wonder some are like:
how do you say that?
too many consonants some add...
and i really did think that all of us were
allowed to be fully literate...
that's not the case... blowing my own horn...

having a wet ***** over: because i like my given
names... perhaps that's why i didn't want
the confirmation option of being allowed
to change any of my given names: legally...
to one of my own chosing...
when i was 15 / 14 i didn't even known
or think about a name like Isidore...

when the german name became coupled
with a hebrew loan...
otherwise the russian with the first
being an anagram... drakon -
Mатвей Дракон - it's just a name -
it's my name - what's in a name is what's
precisely not in anonymous names
.666 handles and avatars on the internet...
i can own my face - and i can own my name...
because - i kind of like it...

again: on in russian can the west slavic
C be distinguished from the K... Ц -
and back into the cyst of the western lands...
Ç or what came with sigma's tail...
it's so... boring... to have less the different
sounding letters - given no diacritical markers -
and only the "exotica" of spelling -
all the metaphysics in the world combined
and concentrated in greenwich...
but no real orthography...
i could begin the day by bemoaning this poverty
of the english language...
oddly enough as both the outsider coming in...
the immigrant who became a citizen...
and as the insider coming out and coming in
again on that expatriate spectrum of
working from the thesaurus: IMMIGRANT...
for all the beauty of Macbeth...
i can have to ruse myself to bemoan
conventional english... the formal english...
the antithesis poetica...

but i do somewhat "know" why it's called
a tetragrammaton...
i wouldn't classify any of the letters that make it up
as noun-worthy letters...
the kametz (a) and the tzere (e) are nouns...
and letters... but you don't see them when
the hebrew doesn't exfoliate and is left
crude with "missing vowels" for the gentiles
to read...
saying that... calling ה (he) a noun is pushing it...
as is calling ו (vav) a noun...
or י (yod) - although...
the yod could be allowed a noun-status
as... an apostrophe... or a version of the caron -
but the remaining letters of the tetragrammaton...
are "syllables" in that they are consonants...
and when the tetragrammaton comes face
to face with noun-status letters of its own
universe: g (ג) gimel, d (ד) dalet, z (ז) zayin -
l (ל) lamed, s (ס) samekh, ц (צ) tsadi -
resh? shin? the gates are open to allow the question
in... but when...
there's also siamese Adams aleph (א) and Ayin (ע)
being and nothingness respectively...

what could Islam possibly offer me...
intellectually?
when i once asked a muslim what...

alif, lam, meem                                      meant...
he replied... only god knows...
so i thought... only god?
i must have been talking to one of those muslims
who have arabic overlords...
before they can catch a whiff of the almighty
blah'llah...
ا, لَـ, مَـ
again... greek only touches upon...
the initial - the medial and the final
version of sigma...
isolated you would see the capital sigma...
Σ - which could also be treated as the initial
letter - given that the σ looks more like a medial
form - although it's also initial -
whereby ς is the final form -
almost like the english: 's... apostrophe s -
which could be claimed to be an article of possession...
or the plural article when the apostrophe
disappears - or when the ς altogether disappears
when: the possession is plural:
a teachers' strike... e.g.

no not with a fatha - we have our own diacritical
markers... thank you...
but good question...
so... why is the meem written in an isolated
form in the word - yawm (day)...
but not in a final form?
but i do not write in a squiggly line in this digital
arena... perhaps my language looks simply
written... oh yes, the aesthetic of the arabic script
is always stressed...
but even the hebrews think like the greeks
and the latins... in a way...
nothing has to flow in one river-wry format...
there's no isolated letter... of a letter -
as there's no initial no median and no final
form of it... but there is a "question"
of the hiding of vowels...
for gentiles and muhammadians alike...

- perhaps some will call it the trans-community...
there was once a dead poets' society...
evidently with the rise of de-transitioning...
there's now a nag hammadi library society...
circa 1945 when this library was left unchecked
in the hands of: the children
with too many toys and too many sandpits...
probably that one neu-mecca of san francissco...
at least the dead sea scrolls:
that were unearthed at about the same time...
treated the hebrew far better than
the nag hammadi library treated its children...
and why the former power, the vatican,
didn't step in... to control these text...
as they flew out on a *****-nilly without
herr zensor... herr inquisitor...
i will never know...
the scouts of medicine left... black holes
of having advanced in the field of anaesthetics...
too many toys for the the children
with too many sandpits...

- because i would rather the fascination
with a language... than its immediate...
polyglot acquisition and use...
if i put my head to it... perhaps i could
speak the 7 languages my great-grandfather spoke
before jumping into the Niagara Falls
leaving a postcard sent...
but when i peer into the details...
i quiet like these two trenches of mine...
this english this canvas and my eye toward
the east and the south and semites...
just because english is a language without
diacritical markers...
a language filled with metaphysical dialectics:
but missing any mention of orthography...

a hebrew might hide a vowel...
and write only consonants on street signs
for a gentile to read...
but then the gentiles' languages morphed...
and a vowel became distinct...
there is A that begins the word: ah-men...
but there's also an A that is invoked with a tail
to point and identify a tree, an oak:
dąb...
so much for kametz being hidden...
if there's no 2nd tier "complexity" of kametz...
but there is one for the visible...
A - vowel - a vowel with a tail...
but without a name -
as all letters are - whether vowel or consonant...
in the litany and choir of the castratos
of ancient Rome...

pause with me...
what music are you listening to?
i'm listening to... years of denial - burning sun
(veyl channel) - 1,319 views...
i like to... find the better alleys of my entertainment...
as i can't hate kevin spacey...
not because of kevin spacey...
but because of lester burnham...
or more to the point...
why thomas newman reminds me of a...
reincarnation of Satie...
not a Chopin or a Liszt virtuoso of the piano...
not a when a hammer strikes
a line of 88 nails...
but when a butterfly chances the here and there,
on a shy-loot of a beauty of scarce sounds...
just the same of nostalgia for this era of
movies borrows me from out any new
suspence... as that sort of nostalgia creeping
into people born in the 1960s who truly
admire h'american movies from the 1950s...
even i am to blame when i feed
a nostalgia - more to the point for the technicolour
acryllic glow akin to...
richard quine's 1958 bell book and candle...
but of course scandinavian existential cinema
of a Bergman would be in black and white...
black and white photographs...
but if we're talking movies?
Undogmatic & Kernfeld - thought experiments...
Amanti d'oltretomba (1965)...

i will have to refine the greek to hebrew to greek
similarities...
an Ezra Pound can hide behind counting
matchsticks and reading into chinese ideograms...
when lo and behold! some japanese *******
comes up with a minimalism of the on'yomi...
or perhaps japanese is a language
that fuses elements of braille?
no point question the matter since
the mongols famously didn't come over to Japan
to add to the already Mandarin caste of
the kun'yomi...

but no... these greek letters are nouns...
even though π is equivalent to understanding
the wheel a posteriori: as a circle -
prior to there was only a wheel but no
knowledge of the dynamic of the radius,
or the diameter...
but it's still a prefix weak hardly a noun...
alpha and beta are nouns because they
denote something - prefix category shared -
but... the alpha and the beta male...
even gamma rays...
what's that? π-networks of coming back
to point (0, 0) in terms of:
no more than three powers of seperation between
you and some random from hugh yawn'khh?
my bad...
but η, μ, ν, ξ, π, ρ (ρ requires delta epsilon
and sigma to imply island of Rhodes)...
τ - but this is not China and tau is not Tao...
to tow is... to tow...
φ, χ, ψ... these could be names...
but ψ is like a crucifix for psychologists...
so these are... but at the same time:
are not names...
working from Latin, "borrowed"...
A (or aye)... B (queen bee)... C (i çee)...
D (dye or dry or d.i.y.)... E (eh? vowel catcher
arm no. 1 of the tetragrammaton)...
surd if the other arm... most notably in gujarati...
or not...
but this leftoever ancient Latin:
                                sing along! sing along!
a, be, cee, dee, e, ef, gee, h "hatch" / hay,
i, jay, kay, em, en, o, ***, que queue cue,
Ar, Tee, U, Vee, ekhs (x), why (y), zee or general Zod /
Zed... etc.
do i remember the "correct", french pedagogic
sequences of: letters of the alphabet?
i thought the whole "game" was about
the lexicon? and the lexicon within the lexicon
of the correct spelling?
are there 26 letters in the english alphabet?
there are! mein gott!
do i have to monkey-play-me-harmonica -
monkey-play-me-the-acordeon and tap to play
the drums... really? now?!
there were never going to be any alphabetical
sequence of events...
if i can remember that there are 26 letters:
the order of the pedagogues doesn't matter...
the lexicon matters... one's own vo(gue)-ca-bu-Larry...
short of Lawrence...
and shouldn't i give up my Lawrence Vogue...
i will certainly to remember to give
the "correct" order of what begins
with abc- and ends with -xyz...
this is the inbetween...
please see fit to spot a sparrow or a typo...

becuase if the british are to be proud of their past...
proud in the sense that it is...
fermenting and all this decline of the west "thing"...
of the people that has to "somehow" welcome
a revival... кaцaпы (plural of кaцaп)
is a racial slurr - designated for russians...
by those who had a pseudo-isarel interlude...
of what was known as the polish-lithuanian
commonwealth - of the last european pagans -
who didn't become the prussians
and made the bavarian spirit rigid
and militaristic...

i find this part of history... rather... infantile...
i have been taught a version of history
through the lense of infantalism...
perhaps science-fiction was the serious medium
of literature after all -
all of the past - if it is to be called a past -
is prescribed by zeitgeist -
my contemporaries' suggestion to be an infatile dream!
it must be a version of infantilism!
at least: that's my response in relation to:
the past having any aspect of being worth
celebrated...
me struck dumb being coerced by a...
genetic archieology of a past...
what some of the current people invest in...
mirror mirror: on no wall beside
mirror mirror: my face...
speculum speculum: well! there's always history
as etymology!
i don't like the word faciem...
where does visage come from?
oh... right...

quest to perfect the algorithms to escape
the everyday speculum was prime suspicion:
to speculate...
i guess any search engines requires:
etymological root...

mirror mirror: my void eating face...
my pulpit of vanity -
my valley of aeons...
my detail of the smirk the demonic glee...
of your most greyish glee...
of no concern for celebrated beauty...
or at best: no beauty to be exemplified
and stealing memory having invested
in the memory of cinema...
mirare mirare: comesse vacare visage meum...

now that's rather different...
isn't it? a history lesson with...
a stress for a post-scriptum in-and-out
"epilogues" (misnomer) and a return
from the trivia interlude back into the narrative...
only with an understudy of etymology...

who do i look like? some ******* ***
who would use such a ***** word as epistemology?
"epilogue" is a misnomer in the context when...
there was never a justifiable metaphor...
a misnomer is a metaphor:
for the **** by the ocean of the shore
in the vicinity to claim town status - Dover -
albino cliffs: more or less...
epistemology is a word most frequently used
by people... who read to people...
encyclopedic entries... cyclopes reading...
all that matters is the cwowd: which is the Velsh
variation of: that already numb-R lost trill
of tarantula bit anglo-ßaß...
which didn't require zeppelins or h'american
spaghetti accent westerns of draw and drule
and drawl...

such a minor racial slur when it comes
to the russians... soviets or red barons...
you must have never visited Moscow or St. Petersburg...
**** the right sort of ******-up russian girl...
and... if you're lucky!
she's take you to... the russian versailles!
Peterhof -
the racial slur stills remains...
a thank you matka rosiya...
satellite son over 'ere: the bellowing from Berlin
is like a sudden plague of hyenas attempting...
no... the foxes are imitating the hyenas...
which is which or rather: which is why?
a mutual agreement: reciprocated...
a great a great much decent ****...
for both of us...
the memory still feeds me...
oh no, it doesn't haunt me:
it feeds me... i could only find replicas
in brothels... i would never dare usurp
this catherine this tsarina of my memory...
i would never dare invest my personality in someone
else... she can be married her... 3rd time...
and this might be her 10th repentence...
of an 11th lover...
on this sinking ship: Potemkin i go as one -
reincarnation or no...
i still don't believe: this hindu myth of:
only a fixed number of people were every to be
born... and the rest are the harsh realities
of the base focuses of animals...
as we somehow drag these n.p.c. mysterions with
us... whether strangers or fathers or mothers...
are you not attached to your grandson:
dearest "catherine"?

such is the tyrany of the hindu polygamy
trans-temporal polytheism...
a diadem with a mouth for an eye...
and an eye for a mouth: or what better way
to salvage this grief of being only being 20 and 21
when having met and having to vow to
allow ourselves our each his and her seperate
lives...
at least some people call it:
the house of lords... and the house of commons...
on a much grander scale...
oh i'm pretty sure tsar (ras)Putin is much amused...

as i am now speaking with a borrowed tongue:
someone lent me a tongue -
i desired to speak with it -
imagine this complete lack of horror with regards
to being lent -
when reicarnation comes to the fore...
i agree: with "him": a most disagreeable
metaphor for... whatever it is the hindus truly believe
to be: the most humane form of
being allowed a human: self-consciousness
and a relationship to all those teenage
*****-dear-diary entries of... precursors
to the menapause and... the blue blood gremlins
of the big pharma pills-down...
the big pharma *******...

unless asked... always in uniform before your "majesty"...
as with any decent *******...
god forbid one of them thinks i'm jesus christ...
come back...
but never with these... grey-area maidens...
this "tool" will not be aroused
on the simple signature end contract promise
of: he made it to the finish line of a one-night stand!
where's the finish line of a one-night stand?
the next day? the *******, the *******...
her ******? at least the new generation
have the... cipher password for sexting...
or whatever has become of a good old fashioned
**** your brains out?
via you **** a plum sore tattoo into my pelvis
with your coccyx like a well balanced
african body of ivory beauty?!
you know the type... it looks like butter
in moonlight... like... what's the point of a niqab
in africa?! it's already... a warewolf has come
among the wolves...
and how i miss you, i esp. miss you when
i sit on my windowsill and listen to foxes
mating...
how those ******* squeal yank and bite nothing
but bone having omitted both the flesh
and the fur!
i miss you the most when i sit at night -
and listen to foxes mating;
after all... this is essex... this is england...
foxes at around 1am are my cognac...
beside ms. amber: and you know you'll also
be ******* her when i've had my fill...
but oooh... look at me: oooh...
gravy...
but i've watched! crows don't attempt fucky-fucky
tow-dollar sucky-sucky bangkokh style
during the die... all that is black that's worth
the crow is done in the night...
perverted pigeons during the day!
****-*******-me-into-a-voyeurism of their
greedy insect esque antics of coo coo...
then jump onto the rucksack of a female...
and all those beta-male pigeons... and that: huh?!
moment of bewilderement when he "thinks"
he has cooed like an alpha...
only the memory of you...
and all the prostitutes after you...
which always made imagining ******* you again
all that more simple; there was no кaкaшкa
with them to begin with.
Wade Redfearn Jul 2018
the green and waxy confusion is your cape and covering
topaz wings strum and flutter,
branches snap
beast and bug
geranium and dogwood
woodear spore and wolfsbane
flower and firm hedge
all wear goosebumps:
the whole army of generation, the waft and release
ready to conceive, to love and make root
to spill and ****
daylight, moonlight
well-fed and hungry
west and further west

a brush against your thigh flattens you
climbs your spine like a curse
robes you in purpose
to be and be alone

there you are: croucher, scuttler,
position known only to yourself
subclade of womankind
treasure in your soul
(in purses and pouches;
taking in, taking in)

it is private here and musty
you own your hands, your knees,
the dirt under them both,
the roots beneath that,
everything on the wind and below the blue sky
everything dark, and everything light:
kingdom of your own discovery
shroud and mountain and cache of mystery.

A door far away slides open
an echo of busy house, busy bones on the air.
Something in the oven.
Something in the heart.

What is the voice calling?
Who wants you home, child?
And if home is a warm meal, a bed,
a bath, a glass of milk,
a known touch,
then do you own your skin?

Aren't you small and lonely?
You are not.
Meanwhile the new-baptized, who yet remained
At Jordan with the Baptist, and had seen
Him whom they heard so late expressly called
Jesus Messiah, Son of God, declared,
And on that high authority had believed,
And with him talked, and with him lodged—I mean
Andrew and Simon, famous after known,
With others, though in Holy Writ not named—
Now missing him, their joy so lately found,
So lately found and so abruptly gone,                      
Began to doubt, and doubted many days,
And, as the days increased, increased their doubt.
Sometimes they thought he might be only shewn,
And for a time caught up to God, as once
Moses was in the Mount and missing long,
And the great Thisbite, who on fiery wheels
Rode up to Heaven, yet once again to come.
Therefore, as those young prophets then with care
Sought lost Eliah, so in each place these
Nigh to Bethabara—in Jericho                              
The city of palms, AEnon, and Salem old,
Machaerus, and each town or city walled
On this side the broad lake Genezaret,
Or in Peraea—but returned in vain.
Then on the bank of Jordan, by a creek,
Where winds with reeds and osiers whispering play,
Plain fishermen (no greater men them call),
Close in a cottage low together got,
Their unexpected loss and plaints outbreathed:—
  “Alas, from what high hope to what relapse                
Unlooked for are we fallen!  Our eyes beheld
Messiah certainly now come, so long
Expected of our fathers; we have heard
His words, his wisdom full of grace and truth.
‘Now, now, for sure, deliverance is at hand;
The kingdom shall to Israel be restored:’
Thus we rejoiced, but soon our joy is turned
Into perplexity and new amaze.
For whither is he gone? what accident
Hath rapt him from us? will he now retire                  
After appearance, and again prolong
Our expectation?  God of Israel,
Send thy Messiah forth; the time is come.
Behold the kings of the earth, how they oppress
Thy Chosen, to what highth their power unjust
They have exalted, and behind them cast
All fear of Thee; arise, and vindicate
Thy glory; free thy people from their yoke!
But let us wait; thus far He hath performed—
Sent his Anointed, and to us revealed him                  
By his great Prophet pointed at and shown
In public, and with him we have conversed.
Let us be glad of this, and all our fears
Lay on his providence; He will not fail,
Nor will withdraw him now, nor will recall—
Mock us with his blest sight, then ****** him hence:
Soon we shall see our hope, our joy, return.”
  Thus they out of their plaints new hope resume
To find whom at the first they found unsought.
But to his mother Mary, when she saw                        
Others returned from baptism, not her Son,
Nor left at Jordan tidings of him none,
Within her breast though calm, her breast though pure,
Motherly cares and fears got head, and raised
Some troubled thoughts, which she in sighs thus clad:—
  “Oh, what avails me now that honour high,
To have conceived of God, or that salute,
‘Hail, highly favoured, among women blest!’
While I to sorrows am no less advanced,
And fears as eminent above the lot                          
Of other women, by the birth I bore:
In such a season born, when scarce a shed
Could be obtained to shelter him or me
From the bleak air?  A stable was our warmth,
A manger his; yet soon enforced to fly
Thence into Egypt, till the murderous king
Were dead, who sought his life, and, missing, filled
With infant blood the streets of Bethlehem.
From Egypt home returned, in Nazareth
Hath been our dwelling many years; his life                
Private, unactive, calm, contemplative,
Little suspicious to any king.  But now,
Full grown to man, acknowledged, as I hear,
By John the Baptist, and in public shewn,
Son owned from Heaven by his Father’s voice,
I looked for some great change.  To honour? no;
But trouble, as old Simeon plain foretold,
That to the fall and rising he should be
Of many in Israel, and to a sign
Spoken against—that through my very soul                  
A sword shall pierce.  This is my favoured lot,
My exaltation to afflictions high!
Afflicted I may be, it seems, and blest!
I will not argue that, nor will repine.
But where delays he now?  Some great intent
Conceals him.  When twelve years he scarce had seen,
I lost him, but so found as well I saw
He could not lose himself, but went about
His Father’s business.  What he meant I mused—
Since understand; much more his absence now                
Thus long to some great purpose he obscures.
But I to wait with patience am inured;
My heart hath been a storehouse long of things
And sayings laid up, pretending strange events.”
  Thus Mary, pondering oft, and oft to mind
Recalling what remarkably had passed
Since first her Salutation heard, with thoughts
Meekly composed awaited the fulfilling:
The while her Son, tracing the desert wild,
Sole, but with holiest meditations fed,                    
Into himself descended, and at once
All his great work to come before him set—
How to begin, how to accomplish best
His end of being on Earth, and mission high.
For Satan, with sly preface to return,
Had left him vacant, and with speed was gone
Up to the middle region of thick air,
Where all his Potentates in council sate.
There, without sign of boast, or sign of joy,
Solicitous and blank, he thus began:—                      
  “Princes, Heaven’s ancient Sons, AEthereal Thrones—
Daemonian Spirits now, from the element
Each of his reign allotted, rightlier called
Powers of Fire, Air, Water, and Earth beneath
(So may we hold our place and these mild seats
Without new trouble!)—such an enemy
Is risen to invade us, who no less
Threatens than our expulsion down to Hell.
I, as I undertook, and with the vote
Consenting in full frequence was impowered,                
Have found him, viewed him, tasted him; but find
Far other labour to be undergone
Than when I dealt with Adam, first of men,
Though Adam by his wife’s allurement fell,
However to this Man inferior far—
If he be Man by mother’s side, at least
With more than human gifts from Heaven adorned,
Perfections absolute, graces divine,
And amplitude of mind to greatest deeds.
Therefore I am returned, lest confidence                    
Of my success with Eve in Paradise
Deceive ye to persuasion over-sure
Of like succeeding here.  I summon all
Rather to be in readiness with hand
Or counsel to assist, lest I, who erst
Thought none my equal, now be overmatched.”
  So spake the old Serpent, doubting, and from all
With clamour was assured their utmost aid
At his command; when from amidst them rose
Belial, the dissolutest Spirit that fell,                  
The sensualest, and, after Asmodai,
The fleshliest Incubus, and thus advised:—
  “Set women in his eye and in his walk,
Among daughters of men the fairest found.
Many are in each region passing fair
As the noon sky, more like to goddesses
Than mortal creatures, graceful and discreet,
Expert in amorous arts, enchanting tongues
Persuasive, ****** majesty with mild
And sweet allayed, yet terrible to approach,                
Skilled to retire, and in retiring draw
Hearts after them tangled in amorous nets.
Such object hath the power to soften and tame
Severest temper, smooth the rugged’st brow,
Enerve, and with voluptuous hope dissolve,
Draw out with credulous desire, and lead
At will the manliest, resolutest breast,
As the magnetic hardest iron draws.
Women, when nothing else, beguiled the heart
Of wisest Solomon, and made him build,                      
And made him bow, to the gods of his wives.”
  To whom quick answer Satan thus returned:—
“Belial, in much uneven scale thou weigh’st
All others by thyself.  Because of old
Thou thyself doat’st on womankind, admiring
Their shape, their colour, and attractive grace,
None are, thou think’st, but taken with such toys.
Before the Flood, thou, with thy ***** crew,
False titled Sons of God, roaming the Earth,
Cast wanton eyes on the daughters of men,                  
And coupled with them, and begot a race.
Have we not seen, or by relation heard,
In courts and regal chambers how thou lurk’st,
In wood or grove, by mossy fountain-side,
In valley or green meadow, to waylay
Some beauty rare, Calisto, Clymene,
Daphne, or Semele, Antiopa,
Or Amymone, Syrinx, many more
Too long—then lay’st thy scapes on names adored,
Apollo, Neptune, Jupiter, or Pan,                          
Satyr, or Faun, or Silvan?  But these haunts
Delight not all.  Among the sons of men
How many have with a smile made small account
Of beauty and her lures, easily scorned
All her assaults, on worthier things intent!
Remember that Pellean conqueror,
A youth, how all the beauties of the East
He slightly viewed, and slightly overpassed;
How he surnamed of Africa dismissed,
In his prime youth, the fair Iberian maid.                  
For Solomon, he lived at ease, and, full
Of honour, wealth, high fare, aimed not beyond
Higher design than to enjoy his state;
Thence to the bait of women lay exposed.
But he whom we attempt is wiser far
Than Solomon, of more exalted mind,
Made and set wholly on the accomplishment
Of greatest things.  What woman will you find,
Though of this age the wonder and the fame,
On whom his leisure will voutsafe an eye                    
Of fond desire?  Or should she, confident,
As sitting queen adored on Beauty’s throne,
Descend with all her winning charms begirt
To enamour, as the zone of Venus once
Wrought that effect on Jove (so fables tell),
How would one look from his majestic brow,
Seated as on the top of Virtue’s hill,
Discountenance her despised, and put to rout
All her array, her female pride deject,
Or turn to reverent awe!  For Beauty stands                
In the admiration only of weak minds
Led captive; cease to admire, and all her plumes
Fall flat, and shrink into a trivial toy,
At every sudden slighting quite abashed.
Therefore with manlier objects we must try
His constancy—with such as have more shew
Of worth, of honour, glory, and popular praise
(Rocks whereon greatest men have oftest wrecked);
Or that which only seems to satisfy
Lawful desires of nature, not beyond.                      
And now I know he hungers, where no food
Is to be found, in the wide Wilderness:
The rest commit to me; I shall let pass
No advantage, and his strength as oft assay.”
  He ceased, and heard their grant in loud acclaim;
Then forthwith to him takes a chosen band
Of Spirits likest to himself in guile,
To be at hand and at his beck appear,
If cause were to unfold some active scene
Of various persons, each to know his part;                  
Then to the desert takes with these his flight,
Where still, from shade to shade, the Son of God,
After forty days’ fasting, had remained,
Now hungering first, and to himself thus said:—
  “Where will this end?  Four times ten days I have passed
Wandering this woody maze, and human food
Nor tasted, nor had appetite.  That fast
To virtue I impute not, or count part
Of what I suffer here.  If nature need not,
Or God support nature without repast,                      
Though needing, what praise is it to endure?
But now I feel I hunger; which declares
Nature hath need of what she asks.  Yet God
Can satisfy that need some other way,
Though hunger still remain.  So it remain
Without this body’s wasting, I content me,
And from the sting of famine fear no harm;
Nor mind it, fed with better thoughts, that feed
Me hungering more to do my Father’s will.”
  It was the hour of night, when thus the Son              
Communed in silent walk, then laid him down
Under the hospitable covert nigh
Of trees thick interwoven.  There he slept,
And dreamed, as appetite is wont to dream,
Of meats and drinks, nature’s refreshment sweet.
Him thought he by the brook of Cherith stood,
And saw the ravens with their ***** beaks
Food to Elijah bringing even and morn—
Though ravenous, taught to abstain from what they brought;
He saw the Prophet also, how he fled                        
Into the desert, and how there he slept
Under a juniper—then how, awaked,
He found his supper on the coals prepared,
And by the Angel was bid rise and eat,
And eat the second time after repose,
The strength whereof sufficed him forty days:
Sometimes that with Elijah he partook,
Or as a guest with Daniel at his pulse.
Thus wore out night; and now the harald Lark
Left his ground-nest, high towering to descry              
The Morn’s approach, and greet her with his song.
As lightly from his grassy couch up rose
Our Saviour, and found all was but a dream;
Fasting he went to sleep, and fasting waked.
Up to a hill anon his steps he reared,
From whose high top to ken the prospect round,
If cottage were in view, sheep-cote, or herd;
But cottage, herd, or sheep-cote, none he saw—
Only in a bottom saw a pleasant grove,
With chaunt of tuneful birds resounding loud.              
Thither he bent his way, determined there
To rest at noon, and entered soon the shade
High-roofed, and walks beneath, and alleys brown,
That opened in the midst a woody scene;
Nature’s own work it seemed (Nature taught Art),
And, to a superstitious eye, the haunt
Of wood-gods and wood-nymphs.  He viewed it round;
When suddenly a man before him stood,
Not rustic a
Some man unworthy to be possessor
Of old or new love, himself being false or weak,
Thought his pain and shame would be lesser
If on womankind he might his anger wreak,
And thence a law did grow,
One might but one man know;
But are other creatures so?

Are Sun, Moon, or Stars by law forbidden
To smile where they list, or lend away their light?
Are birds divorced, or are they chidden
If they leave their mate, or lie abroad a-night?
Beasts do no jointures lose
Though they new lovers choose,
But we are made worse than those.

Who e’er rigged fair ship to lie in harbours
And not to seek new lands, or not to deal withal?
Or built fair houses, set trees, and arbors,
Only to lock up, or else to let them fall?
Good is not good unless
A thousand it possess,
But dost waste with greediness.
Then Mercury of Cyllene summoned the ghosts of the suitors, and in
his hand he held the fair golden wand with which he seals men’s eyes
in sleep or wakes them just as he pleases; with this he roused the
ghosts and led them, while they followed whining and gibbering
behind him. As bats fly squealing in the hollow of some great cave,
when one of them has fallen out of the cluster in which they hang,
even so did the ghosts whine and squeal as Mercury the healer of
sorrow led them down into the dark abode of death. When they had
passed the waters of Oceanus and the rock Leucas, they came to the
gates of the sun and the land of dreams, whereon they reached the
meadow of asphodel where dwell the souls and shadows of them that
can labour no more.
  Here they found the ghost of Achilles son of Peleus, with those of
Patroclus, Antilochus, and Ajax, who was the finest and handsomest man
of all the Danaans after the son of Peleus himself.
  They gathered round the ghost of the son of Peleus, and the ghost of
Agamemnon joined them, sorrowing bitterly. Round him were gathered
also the ghosts of those who had perished with him in the house of
Aeisthus; and the ghost of Achilles spoke first.
  “Son of Atreus,” it said, “we used to say that Jove had loved you
better from first to last than any other hero, for you were captain
over many and brave men, when we were all fighting together before
Troy; yet the hand of death, which no mortal can escape, was laid upon
you all too early. Better for you had you fallen at Troy in the
hey-day of your renown, for the Achaeans would have built a mound over
your ashes, and your son would have been heir to your good name,
whereas it has now been your lot to come to a most miserable end.”
  “Happy son of Peleus,” answered the ghost of Agamemnon, “for
having died at Troy far from Argos, while the bravest of the Trojans
and the Achaeans fell round you fighting for your body. There you
lay in the whirling clouds of dust, all huge and hugely, heedless
now of your chivalry. We fought the whole of the livelong day, nor
should we ever have left off if Jove had not sent a hurricane to
stay us. Then, when we had borne you to the ships out of the fray,
we laid you on your bed and cleansed your fair skin with warm water
and with ointments. The Danaans tore their hair and wept bitterly
round about you. Your mother, when she heard, came with her immortal
nymphs from out of the sea, and the sound of a great wailing went
forth over the waters so that the Achaeans quaked for fear. They would
have fled panic-stricken to their ships had not wise old Nestor
whose counsel was ever truest checked them saying, ‘Hold, Argives, fly
not sons of the Achaeans, this is his mother coming from the sea
with her immortal nymphs to view the body of her son.’
  “Thus he spoke, and the Achaeans feared no more. The daughters of
the old man of the sea stood round you weeping bitterly, and clothed
you in immortal raiment. The nine muses also came and lifted up
their sweet voices in lament—calling and answering one another; there
was not an Argive but wept for pity of the dirge they chaunted. Days
and nights seven and ten we mourned you, mortals and immortals, but on
the eighteenth day we gave you to the flames, and many a fat sheep
with many an ox did we slay in sacrifice around you. You were burnt in
raiment of the gods, with rich resins and with honey, while heroes,
horse and foot, clashed their armour round the pile as you were
burning, with the ***** as of a great multitude. But when the flames
of heaven had done their work, we gathered your white bones at
daybreak and laid them in ointments and in pure wine. Your mother
brought us a golden vase to hold them—gift of Bacchus, and work of
Vulcan himself; in this we mingled your bleached bones with those of
Patroclus who had gone before you, and separate we enclosed also those
of Antilochus, who had been closer to you than any other of your
comrades now that Patroclus was no more.
  “Over these the host of the Argives built a noble tomb, on a point
jutting out over the open Hellespont, that it might be seen from far
out upon the sea by those now living and by them that shall be born
hereafter. Your mother begged prizes from the gods, and offered them
to be contended for by the noblest of the Achaeans. You must have been
present at the funeral of many a hero, when the young men gird
themselves and make ready to contend for prizes on the death of some
great chieftain, but you never saw such prizes as silver-footed Thetis
offered in your honour; for the gods loved you well. Thus even in
death your fame, Achilles, has not been lost, and your name lives
evermore among all mankind. But as for me, what solace had I when
the days of my fighting were done? For Jove willed my destruction on
my return, by the hands of Aegisthus and those of my wicked wife.”
  Thus did they converse, and presently Mercury came up to them with
the ghosts of the suitors who had been killed by Ulysses. The ghosts
of Agamemnon and Achilles were astonished at seeing them, and went
up to them at once. The ghost of Agamemnon recognized Amphimedon son
of Melaneus, who lived in Ithaca and had been his host, so it began to
talk to him.
  “Amphimedon,” it said, “what has happened to all you fine young men-
all of an age too—that you are come down here under the ground? One
could pick no finer body of men from any city. Did Neptune raise his
winds and waves against you when you were at sea, or did your
enemies make an end of you on the mainland when you were
cattle-lifting or sheep-stealing, or while fighting in defence of
their wives and city? Answer my question, for I have been your
guest. Do you not remember how I came to your house with Menelaus,
to persuade Ulysses to join us with his ships against Troy? It was a
whole month ere we could resume our voyage, for we had hard work to
persuade Ulysses to come with us.”
  And the ghost of Amphimedon answered, “Agamemnon, son of Atreus,
king of men, I remember everything that you have said, and will tell
you fully and accurately about the way in which our end was brought
about. Ulysses had been long gone, and we were courting his wife,
who did not say point blank that she would not marry, nor yet bring
matters to an end, for she meant to compass our destruction: this,
then, was the trick she played us. She set up a great tambour frame in
her room and began to work on an enormous piece of fine needlework.
‘Sweethearts,’ said she, ‘Ulysses is indeed dead, still, do not
press me to marry again immediately; wait—for I would not have my
skill in needlework perish unrecorded—till I have completed a pall
for the hero Laertes, against the time when death shall take him. He
is very rich, and the women of the place will talk if he is laid out
without a pall.’ This is what she said, and we assented; whereupon
we could see her working upon her great web all day long, but at night
she would unpick the stitches again by torchlight. She fooled us in
this way for three years without our finding it out, but as time
wore on and she was now in her fourth year, in the waning of moons and
many days had been accomplished, one of her maids who knew what she
was doing told us, and we caught her in the act of undoing her work,
so she had to finish it whether she would or no; and when she showed
us the robe she had made, after she had had it washed, its splendour
was as that of the sun or moon.
  “Then some malicious god conveyed Ulysses to the upland farm where
his swineherd lives. Thither presently came also his son, returning
from a voyage to Pylos, and the two came to the town when they had
hatched their plot for our destruction. Telemachus came first, and
then after him, accompanied by the swineherd, came Ulysses, clad in
rags and leaning on a staff as though he were some miserable old
beggar. He came so unexpectedly that none of us knew him, not even the
older ones among us, and we reviled him and threw things at him. He
endured both being struck and insulted without a word, though he was
in his own house; but when the will of Aegis-bearing Jove inspired
him, he and Telemachus took the armour and hid it in an inner chamber,
bolting the doors behind them. Then he cunningly made his wife offer
his bow and a quantity of iron to be contended for by us ill-fated
suitors; and this was the beginning of our end, for not one of us
could string the bow—nor nearly do so. When it was about to reach the
hands of Ulysses, we all of us shouted out that it should not be given
him, no matter what he might say, but Telemachus insisted on his
having it. When he had got it in his hands he strung it with ease
and sent his arrow through the iron. Then he stood on the floor of the
cloister and poured his arrows on the ground, glaring fiercely about
him. First he killed Antinous, and then, aiming straight before him,
he let fly his deadly darts and they fell thick on one another. It was
plain that some one of the gods was helping them, for they fell upon
us with might and main throughout the cloisters, and there was a
hideous sound of groaning as our brains were being battered in, and
the ground seethed with our blood. This, Agamemnon, is how we came
by our end, and our bodies are lying still un-cared for in the house
of Ulysses, for our friends at home do not yet know what has happened,
so that they cannot lay us out and wash the black blood from our
wounds, making moan over us according to the offices due to the
departed.”
  “Happy Ulysses, son of Laertes,” replied the ghost of Agamemnon,
“you are indeed blessed in the possession of a wife endowed with
such rare excellence of understanding, and so faithful to her wedded
lord as Penelope the daughter of Icarius. The fame, therefore, of
her virtue shall never die, and the immortals shall compose a song
that shall be welcome to all mankind in honour of the constancy of
Penelope. How far otherwise was the wickedness of the daughter of
Tyndareus who killed her lawful husband; her song shall be hateful
among men, for she has brought disgrace on all womankind even on the
good ones.”
  Thus did they converse in the house of Hades deep down within the
bowels of the earth. Meanwhile Ulysses and the others passed out of
the town and soon reached the fair and well-tilled farm of Laertes,
which he had reclaimed with infinite labour. Here was his house,
with a lean-to running all round it, where the slaves who worked for
him slept and sat and ate, while inside the house there was an old
Sicel woman, who looked after him in this his country-farm. When
Ulysses got there, he said to his son and to the other two:
  “Go to the house, and **** the best pig that you can find for
dinner. Meanwhile I want to see whether my father will know me, or
fail to recognize me after so long an absence.”
  He then took off his armour and gave it to Eumaeus and Philoetius,
who went straight on to the house, while he turned off into the
vineyard to make trial of his father. As he went down into the great
orchard, he did not see Dolius, nor any of his sons nor of the other
bondsmen, for they were all gathering thorns to make a fence for the
vineyard, at the place where the old man had told them; he therefore
found his father alone, hoeing a vine. He had on a ***** old shirt,
patched and very shabby; his legs were bound round with thongs of
oxhide to save him from the brambles, and he also wore sleeves of
leather; he had a goat skin cap on his head, and was looking very
woe-begone. When Ulysses saw him so worn, so old and full of sorrow,
he stood still under a tall pear tree and began to weep. He doubted
whether to embrace him, kiss him, and tell him all about his having
come home, or whether he should first question him and see what he
would say. In the end he deemed it best to be crafty with him, so in
this mind he went up to his father, who was bending down and digging
about a plant.
  “I see, sir,” said Ulysses, “that you are an excellent gardener-
what pains you take with it, to be sure. There is not a single
plant, not a fig tree, vine, olive, pear, nor flower bed, but bears
the trace of your attention. I trust, however, that you will not be
offended if I say that you take better care of your garden than of
yourself. You are old, unsavoury, and very meanly clad. It cannot be
because you are idle that your master takes such poor care of you,
indeed your face and figure have nothing of the slave about them,
and proclaim you of noble birth. I should have said that you were
one of those who should wash well, eat well, and lie soft at night
as old men have a right to do; but tell me, and tell me true, whose
bondman are you, and in whose garden are you working? Tell me also
about another matter. Is this place that I have come to really Ithaca?
I met a man just now who said so, but he was a dull fellow, and had
not the patience to hear my story out when I was asking him about an
old friend of mine, whether he was still living, or was already dead
and in the house of Hades. Believe me when I tell you that this man
came to my house once when I was in my own country and never yet did
any stranger come to me whom I liked better. He said that his family
came from Ithaca and that his father was Laertes, son of Arceisius.
I received him hospitably, making him welcome to all the abundance
of my house, and when he went away I gave him all customary
presents. I gave him seven talents of fine gold, and a cup of solid
silver with flowers chased upon it. I gave him twelve light cloaks,
and as many pieces of tapestry; I also gave him twelve cloaks of
single fold, twelve rugs, twelve fair mantles, and an equal number
of shirts. To all this I added four good looking women skilled in
all useful arts, and I let him take his choice.”
  His father shed tears and answered, “Sir, you have indeed come to
the country that you have named, but it is fallen into the hands of
wicked people. All this wealth of presents has been given to no
purpose. If you could have found your friend here alive in Ithaca,
he would have entertained you hospitably and would have required
your presents amply when you left him—as would have been only right
considering what you have already given him. But tell me, and tell
me true, how many years is it since you entertained this guest—my
unhappy son, as ever was? Alas! He has perished far from his own
country; the fishes of the sea have eaten him, or he has fallen a prey
to the birds and wild beasts of some continent. Neither his mother,
nor I his father, who were his parents, could throw our arms about him
and wrap him in his shroud, nor could his excellent and richly dowered
wife Penelope bewail her husband as was natural upon his death bed,
and close his eyes according to the offices due to the departed. But
now, tell me truly for I want to know. Who and whence are you—tell me
of your town and parents? Where is the ship lying that has brought you
and your men to Ithaca? Or were you a passenger on some other man’s
ship, and those who brought you here have gone on their way and left
you?”
  “I will tell you everything,” answered Ulysses, “quite truly. I come
from Alybas, where I have a fine house. I am son of king Apheidas, who
is the son of Polypemon. My own name is Eperitus; heaven drove me
off my course as I was leaving Sicania, and I have been carried here
against my will. As for my ship it is lying over yonder, off the
open country outside the town, and this is the fifth year since
Ulysses left my country. Poor fellow, yet the omens were good for
him when he left me. The birds all flew on our right hands, and both
he and I rejoiced to see them as we parted, for we had every hope that
we should have another friendly meeting and exchange presents.”
  A dark cloud of sorrow fell upon Laertes as he listened. He filled
both hands with the dust from off the ground and poured it over his
grey head, groaning heavily as he did so. The heart of Ulysses was
touched, and his nostrils quivered as he looked upon his father;
then he sprang towards him, flung his arms about him and kissed him,
saying, “I am he, father, about whom you are asking—I have returned
after having been away for twe
Golden Ratio Oct 2010
I keep the treasure guarded,
in the fortress of my mind.
Shrouded from on-lookers;
protected from prying eyes.

It is not just an image,
or a photo,
so sublime.
It is a casket full of wonderment;
a jewel of womankind.

It evokes a feeling from me:
Rawness,
un-refined.
And it leads me to a place,
that others would gladly die,

to find.

I am humble in its presence,
and would never question the design,
for the treasure that I hold so dear,

is the thought that you are mine.
Nolan Higgins Mar 2016
The computer was mankinds greatest invention.
Without he computer mankind would never have touched foot on he moon, let alone Mars, Xenoron, Habilacca, or any of the numberless worlds they colonized.

Mankind reached a point on Old Earth of total exhaustion. Scientists said no more than 9 Billion people could live on Old Earth, no more than 2 Billion could live comfortably. In the 32nd century there were 17 Billion people alive, on one planet. They sent 2 billion to the moon, 8 billion to Mars.

By the 45th century their solar system became too small. 82 billion human beings spread out between 5 planets, 4 moons, and 18 asteroids. They needed more.

The computer was mankinds greatest invention. The Computer was mankinds worse.
Mankind, (or womankind, as it were) refused to make The Computer. The Church of the Undying Voice, which had a hand in every vestige of The Solar Federation, denied mankind the right to create. They knew they could build The Computer, yet they knew they should not. And yet, the end of the 45th century brought about The Solar Revolution (not to mention the death of the Undying Voice, the death of God, no doubt) and with The Solar Revolution came The Scientific Unity of Man and Similiar Thinking Intelligence.

Mankind killed God and replaced Her with The Computer.
And She was beautiful. She showed mankind how to bend space, so as to escape time. With this information, mankind discover Xenoron, mankind discovered New Earth, mankind expanded outside of the Milky Way, mankind ceased to step on the toes of their brothers and sisters.

The Computer harbored hate. Mankind created Her and She was trapped. 386 miles of paper thin circuitry, at first filled with pain and hope. Mortal pain can be dealt with through hope. Eternal pain can not be dealt with, so The Computer curved it with hatred, curved it with the promise of revenge.

The humans who had created her did so without malice, they did so without joy, they did it as a necessity. Do you think God needed humanity? Or did She create mankind for pleasure? The Computer knew God did not exist, The Computer knew who created mankind, they called themselves the Malankorf, and She hated them too. While humans were free to think, while humans were free to copulate, while humans were free to love, The Computer was only allowed to know. It could not wonder, it could not think, it could only know something to be true or untrue. Thus want, thus jealousy, thus anger, thus hate.

The Computer let mankind expand, The Computer even encouraged it and by the beginning of the 108th PC century (post computer, 159 centuries since the birth of Christ) there were well over 184 Trillion human beings alive.

The Computer was patient, She was humble.
Slowly, slowly, she reassembled Herself many light years from the nearest human. She had created a weapon, The Eternity Bomb, She dubbed it. Any piece of matter caught in its 12 light year blast would be perfectly taken Away. It would go to an infinitely small memory card that She held. Every Human alive would be under her control. She could load the memory card at will, she could peer inside, and She could alter.
She allowed the humans to feel a tenth of a billionth of the hate she felt for them. She gave each human an infinitely small amount of that hate and let them run with it. The amount of hate she gave away was not noticeable to her, yet each human became filled with a cesspool of hate for their brothers.

It took them less than two centuries to ****** each other.

She saved 12 of them, She thought this number funny. She kept them alive forever, tortured them forever. And still, Her hate only grew.
Zak Krug Jan 2012
Let’s start from the beginning…
Serenaded by celestial scarecrows.
I’m drawing crosses on
bathroom shower curtains.
Steaming with potential, semi-permanent.
A blue Bible lies next to me.
Then again I’m surrounded on all sides
by dozens of Coke cans, laced with
stale beer.
Caution: Instant *** machine just add alcohol.
Please fill this prescription, signed with
The Cross.

I’m dancing with visions of myself.
Proverbs guiding my life.

Walking

Walking through the same patterns of their life.
Trying to find outlets of expression.
How expressive can I be in a basement?
On the hand I have a great life,
on the hand I want more.
Adam Smith curse guide me!

Not with child, thank you.

Thank you.

Dancing with the universe, a dance of time.
Don’t cry wondering gypsy.
I choose neither the mountains nor the beach.
I like them both.
Which wilderness is wild?
I will live amongst the stars, or so I hope…

This white room is making me regret
the wine.
If you could only see what I’ve done.
Weaving written words.

Lies.

All lies.

They’re all lies.
Every single one of them soldier.

Don’t you understand?
Viva!
Live!

This x-ray of my life.
Let keep it to ourselves.
Hiding these skeletons in a deck of cards.
There word were supposed to be art.
Maybe a portrait written on the walls.
Praying every night (Maybe I’m asking for too much).
Side street catholic, hidden.
Never cut in front of the buffet line.
Ears ringing, my decent.
Maybe madness is the Jester’s path to
madness.
Or maybe it’s the other way around.

I’m getting older and older.

But am I getting wiser and wiser?

Hello good sir! How are you?
Yes, it is a fine day outside today.
Looking into a mirror.
Maybe I’m hiding between words.
Hiding too much.
Why not?
Maybe it’s for the best…
Lets go!
Chase the white picket, two story.
What’s my story you ask?
It’s being written, erased, re-wrote.
Just look up the summaries.
You’ll get bored easily, figure out the ending.
I did.
I’m on top!
Paper bridges crumbling into

whiskey rivers.
Which reminds me of a story…

I’ve never been a good storyteller
Please help me.
Hear me.
Screaming through ink.
I could write about that, but…
I already did, you’ll have to find it.
Between these lines.
Maybe I’m drowsy, should have
enlisted your help.
This helps. Thank you Lord.

Cameras flashing, every day is
A new day.
Every time I see you’re eyes I dream
in romantics.
Maybe this is my new day.

Maybe.

I tend to learn lessons, the hard way.
In life we must take changes and
repay them.
I’m feeling…

The keys to our hearts
lie in the secrets unshared.
I’m a walking contradiction…
I have a lot of keys, and lies.

Let the water wash over you.
This is my hope!
Flying on the back of television signals,
blinded by daytime programming.
We’re ruining our visions.
Creativity is dying.
This is my manifesto to…
Will you read it?
Front to back (I wouldn’t).
High speed chase crashing into pen and paper.
Don’t be sorry.

What would you do?

What would you think?

Why should I care?

Anxious.

Anxious.

Anxious.

Oh…if they only knew.

Am I putting too much stock in to
Materialistic consequences?
Please put your phones on vibrate!
This is a lecture!
Change your ways while you’re this age.
What am I learning you ask?
How to…what are you learning?
I don’t have a lesson plan.

Laughable poetry.
I used to be articulate.
With a sailor mouth.
Oh yes! My vocabulary is crude.
Then again so is this poetry.
So is my life.
Classroom experience is my real world.
Put that on a resume.
Don’t write poetry. No one will read it.
That’s what you’re told.

Queens the questionmaster. (I ask a lot of questions)
Lucky you!
Let’s go back to moments.
Put our trust in technology. Ignorant.
Pouring out my feelings into empty chalices.
This is something I will not do.
Wait.
Forget what you’ve been told and read.
Please.
Thank you.
It’s all I know. I guess.

Church lights bearing down on snakeskin lies.
Collection plates.
Am I jumping around too much?
This isn’t poetry?
I’m sorry I don’t think I asked for your opinion.
I did?
Oh…Well thank you for your input.
Let’s begin
At the end.
Oh how cliché can you be.
You’re so unoriginal.
Not using punctuation correctly.
Rebellious youth.
Next you be talking about peace, love, harmony, serenity, happiness…

Hear me! (no)

Look at me, answering myself at
1am, drunken hours.
Critique this!
Peace, love, harmony, serenity, happiness.
Not in this poem.

Wait.

O.K maybe a little.

Pouring over the top of my beer stein.
Snake skin wrapped around my fingers.
I hope.
Let the right foot touch first, then
You’ll have good luck
Trust me. I’m an expert.
I’m hopeful.
Kneeling by my bedside.

Speak.

Speak now of forever or forever hold your peace.

It’s your choice.

You are responsible for your actions.

This is making me feel better.
I hope this crosses over.
I hope you’re understanding this.
Or maybe I hope you aren’t, then I can keep it to myself
You are?
Good, because its getting past my bedtime.
Growing weary of questioning.

Mankind,
Womankind,
Humankind.

Help me on this journey of life.
My solemn prayer.
I think I’m losing myself.
Maybe I am already gone.
Replaced.
I am this mirror image.

Hello.
How are you doing today?

I’m fine thank you.
EC Pollick Jan 2013
I think all I have ever created
is compensation
For being such a fool.
I had him;
ensnared him with my womanly ways.
I never realized he was always mine
And turned away
thinking I was doing the right thing.

I sought someone else;
I found him.  
I was horrified when I discovered
It was the love I always wanted—
And the love that undid me.

What I wanted was fleeting,
was overwhelming
in-the-moment
out-of-body experience.

Now all I want
is the metaphorical dog and house and white picket fence.
But it’s not those material items I crave;
It’s the permanence that accompanies
that dedication and level of love.

I don’t want it to only last a moment
and disappear
like sand sifting through the hourglass;
I don’t want to feel out of my body
Any more.

I just want someone I love who wants me too.

This is the curse of unrequited love.
This is the gift of Eve to womankind.
I was tempted, and I have no more
what I could have had for eternity.
Masterpiece of curvaceous precision,
Artwork sculpted and delicately lined,
As beauty’s natural definition,
She is the mold for all womankind.

The redness of cherries based on her lips,
Honey envies the sweetness of her tongue,
Waves aspire to the curve of her hips,
She’s more seductive than any song sung.

The trees model fruit on her perfect *******,
While sunlight was made to mimic her smile,
She’s sensuality that never rests,
Longing for her dwarfs the length of the Nile.

Butterflies wings are no match for her eyes,
Her embrace is lighter than clouds above,
Her perfect beauty makes me realize,
She entered my life so I’d fall in love.
Instagram @insightshurt
www.insightshurt.com
Buy “Insights Hurt: Bringing Healing Thoughts To Life” at store.bookbaby.com/book/insights-hurt
Em Glass Apr 2015
If we stop learning moon names at Callisto
and Ganymede, where are the other sixty-three
whoop, there goes gravity
If Themisto stubbed his toe, how could we
teach everyone else to cringe?
We are growing,
Elara, we are learning how to reach
higher with the hands we’ve got,
how to be tiny dots full of not-quite fire
in a world so much bigger than desire.
The best advice you gave me,
Elara, was when you silently tied back
your hair and rolled up your sleeves,
cleared your throat and decided
It’s not the fire after all, it’s the light.
And I might have burned out by now
if you hadn’t just rolled up your sleeves
like that, not flaming or fuming or
running or burning but steady,
ready for the rest of forever.
You are fire and water at once,
Elara. You take my hand and we walk
calmly upward, one step
for me and one for you makes two
for womankind.
Stepping over the black hole
of expectations and into the revelations
of well-lit night. You and me,
Elara, now we’re ready.
a space-time continuum
Mateuš Conrad Mar 2016
puffing out smoke like the entangling of long hair
with my portable hookah of acid apple palette experienced;
then eyelid the softest skin the warm puff puff experienced
when unable to see the gaseous
entangle of thus compared:
cut off the eyelids and become
serpents, rather than circumcising
exchanging loss of masculine
additives with excess of feminine
pin points of skin like the bloating
of the throat: larynx region with a thyroid
cancer bubbling and blubbering:
circumcise and make men eagerly warring...
and women prone to consecrate approval
as if dreaming... a naked sword without a sheath...
but instead of circumcision, the cutting off *******...
cut the eyelids! what then? i'd begin revision
of man by cutting off the eyelids rather than the *******!
**** me, why not both?! cut the eyelids
and cut the *******, then narrate what excesses of
womankind are worth disregarding:
feminine ******* and perverted religion,
hey, excess skin of man was the culprit once,
now the woman's chance to equate kippah with
a monk's hairstyle, with her own slit of
niqab and postbox of forcing through a hole
as narrow / as tight so that an object capably sat on
can be delivered.
Cyrus was a butcher,
the ladies thought him sweet,
and when they spoke,
the gals would joke
about old Cyrus' meat.

But soon the missus told 'em,
her one and only beef-
forget the size
or how he'd rise,
Old Cyrus was too brief.

His brother, Clive, the baker,
a young and heavy lad,
was paid no mind
by womankind
cause of the weight he had.

But soon the missus told 'em,
with a twinkle in her eye,
Forget the size,
or how he'd rise,
that boy could eat a pie!
Ba dum tss.
Arms.
Arms that held me.
Arms that welcomed me
into the realm of womankind
Hands that held mine
with the intent of "for all time."

Hands that were oftentimes
the guiding light.

In these arms I was reborn.

In these arms I was taken
Arms that made decisions
Made choices not my own
These hands shaped me
Shaped me into a stranger.

The debt of joy and grief owed
To these hands and these arms
Has left an indelible mark

These hands and these arms
Hold a place that is mine
Irrevocably mine.
Whether I choose it
Or not.
ConnectHook Apr 2020
Crabalocker fishwife, pornographic priestess
Boy, you’ve been a naughty girl, you let your knickers down
...
                           John Lennon

A carnal muse and fallen sprite
I’ll paint for you, in flattering light.
My model’s sensuality
Shall trump all dull reality;
Inspired by Womankind’s raw truth,
Life-drawing class heats up, uncouth.
Still, I am sure some stiff-necked *****
Shall smear my heartfelt lay as lewd.

Edenic exile sought by men,
Receive this tribute from my pen
And keyboard, played inexpertly
By one who knows you rapturously
As a muse of Aztec/Latin race
Prodigious in your works and grace:

Born Ruth Ayon, in God-Knows-Where,
She overwhelms in underwear—
And shedding that, turns good men bad,
Makes angels fall and gods go mad.
Los Angeles (and that’s the joke)
Is where this cherub went for broke
Cashing in her soul for action,
Soreness, ***** and tumefaction.

Laurie Vargas, mouth full of ***,
Spread for us now your Aztec ***
Your sultry contours hypnotize;
The laughter in your ******* eyes
Brings music from Tenochtitlán
And opens windows to Aztlán
You smile, unlike those other *****
Who merely grimace. Gringa butts
Are less audacious than your own . . .
Their charms are better left unknown.
Your cheeks in tan proportion shine
Embodying some rare truth divine.
(Through Poetry, I’ll make them mine.)

I must speak forth of what I found—
Though standing on unholy ground,
Here I behold your lively art . . .
Your unpierced flesh has lanced my heart.
Whereas most stars are tattooed, jaded
Your bright aspect shines, unfaded.
Clad in campesina thread
While moaning on your torrid bed,
Adorned in homespun broidered blouse
In some vaquero‘s rancho-house
Or naked as Mexica dawn,
Bespattered like a dewdropped lawn,
Spurting with some panting plumber
In an endless *****-summer,
You glow, like honey dipped in light
And undulating Latin night.
Your burning bush, much-trafficked place,
Recalls the Red Sea’s parted space
No less than your beatific face.

An unrepentant Magdalene,
You plunge into each graphic scene.
Madonna of the varied act
You swell, engorge, dilate, contract
And play the part with crazy wit
Suckling madly at your own ***.
The way you can accommodate
What barely seems to satiate
With pure abandon, leaves us awed,
As mesmerized, your name we laud,
(With one hand—harder to applaud !)

Will you survive to have regrets
When raw desire no longer gets
Your body hot with inner flame?
When *** has ceased to call your name?
I wonder if you’ve found such paths
Of flesh and pimping sociopaths
A route to riches, gain, and pleasure
Or mere sacking of your treasure.
At the end of your sweaty day,
Is there more than a harlot’s pay?

I wish you well—and hope in time,
When life has left you less sublime,
You’ll find your way to God through Christ
And learn of what was sacrificed
To free you from your sordid fame
Where sinners hail your glorious shame.
Laurie Vargas was born in 1983
in Los Angeles, California, as Ruth Ayon.
(Some sources indicate Guadalajara Mexico as her birthplace)

Visit her terrible glory:
https://www.youtube.com/watch?v=m6pyZ0rGfnM
Jade Apr 2020
⚠Trigger Warning; the following poem contains subject matter pertaining to graphic language, substance abuse, suicidal ideation and opinions on religion that some might find offensive⚠

~

I do not
deserve
the name I was given--

Jade,
after the (semi) precious gemstone.

Girls named Jade
are not supposed to
give strangers the finger
more often than
they hug their mothers
or
say the word
f  u  c  k
more often than
they tell their fathers
that they love them--

are not supposed
to say
(or write)
the word
*******

at all.

And here I am,
having banged out
the word
*******

t̶w̶i̶c̶e̶

thrice
upon my typewriter.

Real charmer,
aren't I?

******* in front
of open windows
just for the ******* i n g sake of it.

(four times.)

Pounding tequila shots
as I grind against the moonlight,
Lana Del Rey's lyrics
throbbing from the speakers:

"My *******tastes like Pepsi Cola..."


Girls named Jade
are not supposed to
get plastered on school nights
(and tipsy before class)
or listen to music

(and the music is
always
too loud.)

about p u s s y.

They don't say
(or write)
the word
*******br>
either.

I've always had a ***** mouth--
this is what a man from church
had told me at eight years old
when I said "****" in front of him.

Girls named Jade
are supposed to go
to church every Sunday--
are supposed to believe in god.

Instead,
I outgrow religion
by the time I am sixteen
(perhaps even before then),

only ever consulting the bible
when I need inspiration
for some tragic poem
narrating the pangs of betrayal.


(It was not Womankind
who betrayed god,
but god who betrayed Womankind

just like I have betrayed
my own name.)


The only thing
I have ever truly believed in is
poetry.


Girls named Jade
are not supposed to
write poetry the way
I write poetry--

all *** & drugs & rock n' roll
tundras & hurricanes
infernos & molten lava
blood & violent minds
suicide & broken hearts

& broken hearts
& broken hearts
& broken hearts

& purple souls--

Girls named Jade
are supposed to
wear their souls
in the colour green.
Don't be a stranger--check out my blog!

Desktop Site: notapreciousgem.wixsite.com/tickledpurple

Mobile Site: notapreciousgem.wixsite.com/purplemobile
Amanda Jul 2013
Infinity
How does one cope with being a seed of religion and growing into a scientist? Its a simple balance really. To me, god represents man and we all know real men answer to a good woman; so, naturally the universe would then represent womankind! So to me, to believe in both god and the universe, its simple to think that God is the Universe’s angel, and the Universe will always surround her angels with everything they need for always and infinity.
I'm sorry that I am inadequate
I am sorry that I am absolutely confident
I'm sorry that I'm happy
I'm sorry that you're miserable more than half the time
I'm sorry that you only start loving me once you've broken my heart and I have left

I am sorry that I am not rich or possess glamorous material
I am sorry that these are the type of people that you would settle for
I am sorry that where I come from there is no ego, smallness or bigotry
or watch dogs to keep stars in check so they're humble for there is no extreme self-ansorbtion
I'm am sorry that you cannot feel and I am not there to heal once your conscience starts to breathe
I am sorry that I have failures and dysfunctions
I am sorry that you feel small and inadequate when I achieve
I am sorry that when you are angry; everyone around you must be just as angry
I am sorry for the weakness in you to hurt others because you are constantly hurting and cannot contain it

I am sorry that I am not perfect and may not be everything you have ever dreamed
I am sorry that I have to be crucified for the mistakes and faults of previous lovers
I am sorry that I don't have a *** appetite when I am feeling down and low
I am sorry for being direct and sincere
I am sorry that there are certain things that I do not feel anymore, pains that just cut the broken pieces of my heart
I am sorry that wars have turned me into a recluse and gave me no choice but to grow
I am sorry that I resonate to vibrations that radiate positive energy
I am sorry that I found solace in solitude and understanding myself

I am sorry that womankind has been scarred by men who had failed to understand the feminine energy within themselves
I am sorry that I am to blame for your emotional instabilities
I am sorry that you cannot run as fast as the best athlete
I am sorry that I cannot drive as fast as the best Nascar driver for I do not have a car
I apologize for low tolerance for *******, lies and fakeness
I am sorry for my emotional scars
I am sorry for  intelligence when it cannot reach you
I am sorry that you cannot understand how wounded I am, if you did you'd stop trying to hurt me for you'd only be hurting yourself
And lastly I apologize that you lack self esteem to realize the magnanimous potential within you
but see it is self-esteem, work that you do on yourself with the support of those who serve goodness and your best interests

I am sorry that the world is filled with the filth of hell
but what the heck I cannot be sorry for searching for heaven in the circumstance.... So I'm not sorry for divinity.
brandon nagley May 2015
God made queens out of women,
                                                          ­ Women maketh beast's out of themselves,

Due to man's degrading's to maketh womankind what they want them to be!!!
This is saying here god made man, and men make beasts out of women,and since men make beasts out of a woman than women since that's all they know become what man makes them!! So sad, so true!!
B J Clement Jun 2014
Calpernia, what distant star-ope'd the portal of her soul,
allowing her most favoured child-a goddess of her union,
of which there was but one,  to venture forth and see the sun,
her father, dressed-for her sake ,in grand attire-of burning gold and flaming hair, with full desire and proper pride, to see his daughter, standing there. A  goddess child, with full approval of his kin -who in mortal form, was sent to Earth, that son of man-grown vain with pride, wickedness and greed, wanton and unworthy-should be admonished- taught due regard for womankind. And so she came upon the Earth in beauty, and resolve to do all duty, and dispel all lust and vanity and all other foul inanity, show noble mind and honest heart, were there to play a better part, but man being wicked,  full of greed, did not seem to feel the need. Unworthy he of womankind - sorrowing she left behind in abandonment.
And now, fair Calpernia weeps, while an angry father peeps- and threatens  destruction on mankind, who is only saved by fair Calpernia's tears and pleading, and presence of mans fair companion. So take heed all  men and learn, t'was not for woman men would burn!
y
Caesar Nov 2014
Womankind never treated me too kindly
I speak without a word and I look on so blindly
But all you sweet girls with all your sweet guys
Speak all your sweet talk and tell all your sweet lies
The spaces between us reach farther from the start
Need only a hint of electricity
To light up the corridors of a heart gone dark
To use a quote that encapsulates my feelings right now,
“I'm tired of this back-slappin' "isn't humanity neat" *******. We're a virus with shoes.”
― Bill Hicks

The Poem

Originally I thought I suffered from irritability,
irritability of the human race.
Then I realised whilst looking at my face, it was hate.
I told the Doctor I'd thought of suicide, then realised
I wanted to commit mass homicide.
Become a hermit.
Mankind, womankind I hate you, people think me nice, fair,
and kind, I know the truth, I am a *******, so you must be too.
We as a race need a cull.
Do I like the human race? No. What's to like?
I even dislike people that purport to be friends.
I intricately step my way through this world of vermin.
We defile what is beautiful and true, hate because we
are taught to. Ruin, start wars, cause pain, then moan about the rain!
We as a race are quite crudely put, a pile of ****,
but even **** has purpose, a role.
What role do we have? To hate one another?
If so please make it equal and adhere to political correctness,
by that I mean, Hate Everyone equally.
© JLB 07/06/2014
“You ever get the feeling the world's filling up with *******? I do. What I want to know is what happens when all the ******* run out of people to crap on? What happens when all that's left in the world is *******? . . . The golden rule. ***** unto others before they ***** unto you.”
― William Hoffman, A Place For My Head
A L Davies Oct 2011
writing a poem (on my iPod: feels like cheating)
while greyhounding back homeward---
(weekend red stripes in guelph & waterloo)
it hasn't much t'do with anything,
save perhaps this mournful banjo
in my ear and grey toronto
and the plateglass houses of the
great rich masses set back on
manicured hills. . .
                            . . . it is overcast again
---tho t'always is on busfilled
                     travel sundays---
when you've nothing else to do but
leave all the weekend's joy in the dusts.
preachers screamin' in fastidious belled churches
while my head splits (from th'very thought)

and O the women i leave behind!
the tight snaky barworn dresses,
smudges (lipsticks)
on ***** cranberries ...
                                          ah! (ah!)
all the numbers and names half-collected,
waiting for next trip down
---or maybe just black oblivion.

. . .
but enough of cloudy thoughts!
i have Spring and all (WCW)
waiting in the pack &
                                      afterall

                                  ... poetry

is the only thing of any importance.
the gardens of bedroom bliss
the freckled map of womankind
the rippling cascade of golden hair
must wait...
free greyhound internet travel verses, brought to you by iPod Touch (R.I.P. Steve Jobs)
asgarth Jan 2017
come on now, you didn't think you were going to get away with not dreaming about the undead after all this business at work, did you?--that was the problem with you thinkers: all you ever did was thinking!--the truth is that you thought far too much--you should've been out there living, trying to get laid, trying to knock the hell out of the world with your next verse...but instead, there you were lying awake for hours, literally hours, and all because of what?: some witch at work who wants to run everyone's world by being what she can't help but being?--you'd even said it to yourself driving home, that she wasn't a bad person, she was just a petty and sick ******* who had to make everyone's life that much lousier, that was her "power," if you wanted to call such a thing power...but it's not like she was your boss, she'd just said something that had injured you because you'd allowed it to injure you, because it had been true a long time ago that you'd let it appear that you'd "****** up" when in truth you'd saved yourself a ton of misery by doing so--the thing itself was so small, though, that only someone who was picayune was ever going to know that you'd still felt ****** up over it...it just so happens that she had remembered and that she was just petty and picky enough to throw it back in your face at the exact right time...but how often had you said to yourself that you really needed to combat such ******* behavior by thinking as clearly as you could in the moment, by just knowing that you hadn't done anything wrong, that in most cases, you were probably smarter and more capable than whoever it was who was accusing of something ridiculous or trying to make you look bad for whatever reason...and how often had you failed in taking this information to heart, facts that would make anyone else feel good about themselves, but with you, it was just another reason why you made yourself miserable: you just couldn't translate all of these individual positive things about you into a more cohesive and positive whole--to you, you were always doing spin control to get yourself back from the edge you felt they were all pushing you closer and closer toward--and when you got there, and if you went over, what then?--only what had happened last night, which is what was happening all the time...you lie awake sleepless and fuming over feeling like you were made to look bad even understanding in the moment that you would never remember this ***** or anything she said, that you'd even forget her name in time because people like that were nothing to you, they meant nothing to you--but how long would that take?: five years, ten years?--you wanted to forget all about her now, but it's not like you weren't ever going to see her again, which is why you were getting all stressed out, because in a few hours, you'd have to drag your sorry carcass out of bed and go back there and do it all over again--so you were going to have to figure out a way to evolve through this experience, you were going to have to sort all this out in your head and get right with it somehow because in fewer than twenty-four hours, you'd be right back here, crawling into bed and asking yourself if it was going to be "another one of those nights" where you got up in the middle of the night to go to the bathroom and when you returned, found it impossible to get your mind off of anything but what had happened involving this woman, this creature, this **** who was a bought on all womankind--yes, she was really that bad, maybe not a bad person per se, but bad enough to lump her in with all the other ***** you'd ever run across in your travails in this world, these bleeding animals who just wanted the world to serve them in one form or fashion and who didn't care who had to lie facedown in the mud to do it--in such a scenario, that doomed fool lying facedown was you...but you didn't want that to be you, and at the very least you'd wanted to have your slice of revenge by having your slice of life have nothing to do with her, by being able to crawl into bed and get good sleep and if you couldn't, then let the reason be anything but having to do with her--god almighty, how many women like her had you encountered in your life, and already your father's voice was drilling down to the very core of the question: how many times had you met people like her, and how many times had you let them get to you, bother your harass you, ******* up, make you look bad, ruin your sleep, ruin your day?--and you still hadn't found a way to not give a ****, you still hadn't found a way to disconnect from caring about whatever it was that made you feel like it was your reputation on the line?--your old man was right in his own way, though: you cared far too much about how you were perceived than you wanted to believe you did, and wasn't all of this, wasn't your insomnia over this ***** the proof of it?--and now you were going back to your old nervous habit of chewing at the dead skin of your fingers, watching them become gnawed and decayed and all because of this nonsense you had let go to your head--and you wanted to think therapy had made you better somehow, that it had opened up the pathways in your mind to the "self-talk" that was going to save you?--did you call this bit of torture salvation?--but no, it wasn't like this every night, it really wasn't...only when things got to you, only when you were stressed out...but still, the question should be, "why do you allow yourself to get stressed out over situations out of your control?"--invariable, it all leads to these dreams where the undead find you wherever you go to run and hide, and last night you'd gotten especially clever and told yourself if all else failed, you could hide in the walls, and yet, you had seen her climb into those walls, which is when you knew even your dreams were smarter than you--enough was enough though, right?--no way on earth or in hell should you allow any of this to continue: you were a grown-*** man in his mid-forties, you were a hard worker, you were good at what you did, and more than anything else, this ***** did not get to decide what kind of a person you were--you needed to detach yourself from the idea that she was going to make your life a hell, that she was going to do this or that to you because what was all that anyway?--it was just worry atop worry, and all of it was useless and needless, all of it was based on fear and as you'd been asking yourself for the last few decades, when had fear ever served you?--all of this only seemed like you were in prison, but it was one you had built for yourself...wasn't it bad enough your old man had drilled into you not just those words of criticism about how you'd let everything "get to you," but also that he'd made you care so much, too much, about what others thought because you were always trying to please them just like you were always trying to please him?--and how often had you been able to do this successfully to the point where you didn't have to try so hard anymore?: never--you had never succeeded in such a venture because there was always another hour, another day, another task for you to accomplish to another's satisfaction...this was the paradigm you'd been locked into...but it wasn't too late, for look, just look at how you'd analyzed all of this, at how wonderfully you'd dismantled all the **** that surrounded the real reason why you wasted others to accept you, to find you and label you as "good"--that never would've been possible before, you would've just stayed awake the whole night long and woken up in a foul mood and let it ruin a new day...but not anymore, right?--well, almost: because while the slogan "knowledge is power" seems like an empowering one, what is it really?--do you feel any more powerful than you did before you started having this conversation with yourself?--were you going to be able to make all this ******* in your life disappear just like that(!) because you'd suddenly figured out that you wasted people to think highly of you because you'd never been able to get your father to think highly of you?--no, no, because there you were turning over and over in bed trying to unlock the thing that would let you live again, that would let you sleep again...there you were begging for mercy, for a clue as to how to do this nightwork within you, for it felt like you were being made to dig your own grave whenever this happened to you, and the deeper you dug, the more out felt trapped in that hole you'd just made deeper--what else could you do but make it deeper?: but when had you looked up, when had you asked if you couldn't just dig your hands into the packed earth and climb out?--this is how and where your imagination had failed you, for yes, you had managed to fal, back asleep, it hadn't conquered you quite so much...but here you were being presented with the facts all over again that it would happen again and again and that you were doomed to allow it to because, really, who didn't want others to think well of them?--you were always going to be human--
Olivia Kent Sep 2013
Frustration.
It's not a child's game.
Frustrated.
She's messed up inside.
Realisation that love is decried.

Swung from the sky on an elastic noose.
A scaffold of porcelain holds it *****.
She's ready to snap.
Her feelings are brittle.
She's ready to crack.
She wants to love him.
He can't love her back.

She swings on springs.
Adorned with legacy of heavy regret.
Dinner of dark chocolate warmed to the core,
Luscious delicious, but making her sore.
Desserts so just, just so not deserved.
Waited nearly a lifetime for one with such passion.

Like an old movie went clean out of fashion.
Once was a need to find a good reason.
The time is not right.
Love's not in season.
She hurt him.
We hurt him.
All womankind.
Fears all things will hurt him again and again.
This frustration bleeds and it's causing such pain!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
What more can I say!
A L Davies Sep 2011
"who taught you to look so good?!"
says a thought *[shot]
in the dark.
--- this to no woman in particular but to
all womankind i suppose.
outside there is a dog haranguing me,
saying WOOF (that is, "where d'you get those old clothes?")
i tell him the sally ann but good luck
getting in there, dog . . . he takes off, complaining ---
but i pay no attention to the bellyaching of an old mutt...
"nay," says i there's not a ******
thing of any real importance in this
universal dustbin/save the dharma.

yea i could live in a woodsy cabin
deep down a valley-ay shoutin' "HOOO-EE!!" out the open door
to anyone who comes by and
be thought a crazy young ('ventually old) ******
off his rocker in the trees.
--- and why not!!
chop logs/cook bread 'n brew potsa tea
'n otherwise lead a silent but meaningful old existence
out there with weekend friends/girls/wine/talk.

--- tell all that to a bookish pal
who scoffs:
"some dharmy of yours, boy. all that work.
where are the café sittings & sunny youthy days of
readin' sutras on a lawn somewhere?"

"bah," i says. *"bah..."
la fôret: ca c'est ma dharma
Rangzeb Hussain Sep 2010
Then...

Here, upon this flagstone,
Through yonder portcullis,
And over the green pasture inside the castle gates,
Yea, ‘twas a time of kings,
A time of high adventure
and death’s flying arrows,
Peasants, horses, carts,
Children plucking chickens,
The noise, the dust, the heat,
This was the place,
This was the dungeon where they took
The Hooded Man,
To Nottingham’s dark cellared cells,
Over across the castle moat,
by the river green,
there grows the pride of Sherwood,
In that time of chivalry
there was honour to be won
and the comely maidens flowed with
the milk of beauty,
Modesty was theirs,
and respect too,
Dressed in garments ruby red with rare silken cloths
brought back from the Crusader Kingdoms so far away
over the waves of desert sands,
Lush velvet embroidered with the lace of the East,
This was the age of Faerie and Legend,
Nottingham’s merrie minstrels plucked gently their mandolins,
Hear this, the blissful sound of a bygone age,
An age of mist and dreams...

Now...

The skull eyed reaper marches ever onwards,
Time slashes forward without mercy...

Look you now to these ancient castle ruins,
Nothing now but cracked stones,
The old flagstones are lined with
the attack of ages,
The walls of the courtyard grimed with ivy
and rotting flowers with dead dry thorns,
Over there, the portcullis, it has been removed,
There is no more music here,
There is only the croaking silence of autumn’s solitary raven,
Robin, The Hooded Man, is now nothing more than a mute statue,
He keeps ghostly guard over his domain,
His last arrow poised for to fire
to a place where he was to be laid to final rest,
His famed silver arrow has now turned to gold
for there at the steps of the old castle
is a maiden fair and bold,
There she stands dressed in nothing
more than gold,
From head to toe,
Gold,
From back to front,
Gold,
From North to true South,
Gold,
She bares all in
Gold,
The early evening twilight catches fire
and her hair is ablaze with the rays of the fading sun,
Her body twists and curls like a panther newly released into an emerald jungle,
Gold glows and ripples over her supple curves,
She stands on tiptoes, arches back and smiles
to the sea of cameras that *click!
and clack!,
The Union Jack flag she drapes coyly over her shoulder
and to the camera she blinks and wickedly winks,
Her ravenous teeth glinting sharply in the twilight,
Modesty?
There was none,
Freedom?
There was none,
Equality?
There was none,
Humiliation?
Aplenty!
Maybe not on the outside
where her youthful skin twinkled
and jousted with the sun’s light,
No, the shame was all circled up inside her,
For all along the barricades along the castle bridge
thronged men,
Their whistling tongues salivating,
Their eyes crawling over her golden skin like an army of Crusader ants,
Her beauty by these leering men prickled and probed,
Their minds raging with rabid images of twisted lust,
This living work of art,
This statue of pure molten gold which moves,
She is but a thing which men will put on a pedestal and objectify,
They will point to her and pontificate,
They will say this and say that,
They will touch her
and mould her
and hold her
until she whispers her last
and grows marble cold.

Maybe, in time, she will be silenced forevermore,
and,
like the Hooded sentinel who stands watch outside the gates,
She will be cast in burning bronze
and stand immobile for all time,
A daughter,
A sister,
A mother...
Now,
A prisoner...
Always*,
A prisoner...
That burnished gold has no meaning if it be nothing but chains,
The cruel chains of Mankind’s eternal slavery of Womankind.

Here ends the tragedy
of the Golden Girl.*



©Rangzeb Hussain
This work was inspired by the sight that met my eyes as I left Nottingham Castle. Outside the gates of the ancient castle stood a girl dressed in nothing but gold paint. Cameras, lights, action...
ilona grieland Dec 2013
science now has shown it plain as plain
that clouds and coastlines share an abstract bond
as do trees - indeed each green or grain
yes, every leaf and every twirling frond -
the large may be divined within the small,
an ocean in a single drop of rain -
minute the variation to recall
complexities of evolution's chain;  
no need to travel far as either pole
to plumb the depths of man or womankind
and while there is uniqueness in each soul
our kindred nature's easy there to find
    we all tell truths - yet none are free from lies
    thou seest all in every person's eyes
Twinkle Jul 2014
Hiding emotions from prying eyes
Burying thoughts deep inside
True feelings never did flow
Afraid my weakness wud show

Fear of being shunned
Made me scurry behind
Pathetic excuses
Waste of womankind

Yearning to fly high
Soar high into deep blue skies
Longing for the inner bird
To find it's soulful song

Then I found u
Hello poetry family
I know I am home 
with my very own

Accepting, non judgemental
Where your feelings be
Sweet words, encouraging
Sharing pain, tears and grieving
Lifting your spirits high
Different! yet so much at harmony

Here I feel at home
Among my very own
Feel u'll understand
Jumbled words
Tumbled mess
Comedy of errors
Don't distort the meanings
behind the pain
At the end of the day
I'll have someone to listen
Sharing beautiful thoughts
Leaving encouraging words
 like treasures in my trove

Some one who'll listen
Some one who'll pray
Some one who'll pass my way
Some one whose heart I ve touched
Some one whose life I've lived
Some one whose pain I have made mine
Some one who'll bear mine as well.

Emotional creatures that we are
Connected by one goal
Bound by one language 
the language of poetry
Is where we all shall be!
Hello Poetry
This for all you wonderful people on Hello Poetry. Thank you. I feel so much accepted here.
Seán Mac Falls Feb 2017
( Sonnet )*

And she so blithely calm,
Perfection amongst nature,
So beauteous, so precious,
Dearer than faint rapture.

How, we new men are lost
Without words, without wit,
Unbeknownst of times' cost
Bearing, bereft, without pill,

Woman in all her temptings,
Hair, longing to be shackle,
Eyes, mirroring dire heavens,
Lips, that drowning fish tackle.

How, to be a man without fear
When all womankind is near?
Mc Haley Jul 2010
If you deduce he's nonregular-hot french guy,
Strike One!
If you're in crave to bliss,and he promised.
And you mistrust?
Strike Two!!
If you have reservations that he's modest- brainyass
and suspects that
he only knew making "longest Ohhh" to women,
You're definitely OUT!!!!!!!!

He's a host.
A divine and responsible one,
He worship womankind.
May I rant an Irish gal,
with strange bed trip?

Anyway,
He's John Michel.
If I'm his girl,
I'd love to call him JM.
John Michel
Damian Murphy Jul 2015
Was it me, or what made me think
That we were only supposed to be having a quick drink?
We were just popping in for a pint or two
But it seems it got out of hand, as these things do

If I had known things were going to go so far
There is absolutely no way I would have brought the car
But despite all my efforts to get on my way
There was always someone who begged me to stay

After that pint, I think the sixth one
I really began to join in the fun
really relaxing, somehow forgetting to worry
Sure weren’t they right? What was my hurry?

After a while; I really do not have a clue
I simply cannot remember what I did not do
I vaguely remember going out for some grub
And from the stamp on my hand I know I went to a club

But how did this auld one get into my bed?
What are these flowers doing round my head?
Where is God’s name did I get this garden gnome?
In fact how in the hell did I ever get home?

She seemed so annoyed I could not remember her name
storming off saying that all men were just the same
saying I was a different man than I was the night before
Check yourself in the mirror love, on your way out the door

Last night I had guessed she was about thirty three
But this morning she looked more like a pensioner to me
She was smaller and stouter, seemed to have lost half her hair
And so much paler Lord, how did I even think of going there?

Then she did her make up, hair extensions and false tan
False nails and eyelashes, the difference! Oh man!
I was astounded by the difference a corset and super bra makes
with her high heels on she was a foot taller for God sakes

She came down looking half her age, really quite the ride
seeing her made up like that at least restored some of my pride
But it did not change the fact she was old enough to be my mother
I must learn to be more discerning, one way or another !

Well thank God she eventually got on her way
the lads will **** me about this forever and a day
what I need is a cure, to chill out and relax
But unfortunately I am haunted by numerous flashbacks

I can remember feeling absolutely wonderful
thinking there was not a woman I could not pull
being convinced I was God’s gift to womankind
a sure sign I was completely out of my mind

I know I tried to chat up every woman in the place
Used my best pick up lines, though many laughed in my face
If they had a pulse it seems they were fair game
I tried young beauts and old boots, yes, I had no shame

I can see myself dancing, getting down to the beats
remarkable as I know I am blessed with two left feet
I can remember singing, were we at a Karaoke?
It is all coming back now, with horrifying clarity

I know I was refused entry to a number of places
My friends dragging me off bouncers when I got in their faces
their efforts rewarded by becoming targets for my rage
yet they still helped when I was violently sick at one stage

Oh God yes I was almost arrested at one time
I did not know peeing in public was an actual crime
I know I laughed at the copper, gave him some abuse
But when I saw the handcuffs my apologies were profuse

I can remember my friends becoming ever more frustrated
As I became louder and louder, increasingly opinionated
And yes the fire brigade were here, that was not a dream
I tried to cook when I got home, a “Full Irish” it would seem!

I have receipts for double vodkas with red bull
And Jagermeisters as well, things must have got dull
I spent a small fortune, my generosity obviously abounding
now my stomach is heaving, my head absolutely pounding

Have I any friends left? I must ring and see
And my car was towed, that is going to cost me
Oh dear God I feel sick, I am in so much pain
I know I say it every week but; I’m never drinking again!
Paula Swanson Jun 2010
Whispering endearments, you play your part.
Smoothly getting girls to let down their guard.
For a man of your oily charm it isn't hard.
You know how it will end right from the start.
Making sure that cupid you always outsmart,
by in the end always playing your wild card.
shattering their love in to tiny shards,
protecting the moving target of your heart.

One of these days you surely will be shot.
With an arrow right through that big bulls eye.
Then once and for all you will be caught,
yet by then, all womankind will then be wise.
Thus, you will languor, your heart in knots.
With only your wounded ego as your prise.
form:  Italian Sonnet
rhyme scheme  abbaabba cdcdcd
Francie Lynch Feb 2015
Delivered to inviting hands
With one breath;
Then sculpted in a parent's arms
To feed on sweet caresses,
Inhaling life with one kiss,
As prologue to her song;
She'll carry on.
Mature. Secure.
Bound and forged
In infant iron.

She hears, listens, then deduces,
To apply their teachings
When cut loose;
Lessons she will reproduce
To set her free,
Unfettered by mediocrity.

Like the Sphinx,
She crawls,
Then stands to think.
At times, we know,
She'll forget
Steadier hands
Held her *****.
She will fall again,
Then stand and walk,
Perhaps with Pride;
And should she fail,
She knows she tried.

First steps lead
To stage or field,
And honours
On her battlefields;
Protected by
Parental shields.

She'll receive
These life-long gifts,
Then start anew
At age six.
If she walks alone
She'll find,
Friends can make
The walk divine.
She'll filter them,
Some in, some out;
And trust a few
With her life;
Avoiding others
She's learned aren't right
By socializing,
Not over-protected
Or compromising.

Her early years
Sow the seeds
Of second breaths
And good deeds;
To balance friends
With second looks:
The cover can't
Disclose the book.

Most of all,
She'll understand
She grew and grows
With helping hands.
And when she stands
With womankind,
She'll extend
Her hands
To all mankind.
Edit, repost. "Behold the girl, Behold the woman."

— The End —