In the evenings
the deer would emerge
from the edge of the woods
stepping over the tumbledown stones
of walls left untended-
they'd leave tracks through the snow
in a wandering line that led to the last apple tree
in the field by Orchard Street.

I remember that now,
staring at this antler I've found
in the clearing between the cactus
and sun bleached stones.
The lines of the antler
flow into the fractures of my palm-
two thousand miles from snow,
and two thousand miles from
the blue evening glow
of a shivering world
glazed over by twilight…

And the deer-
magnificent, pawing the snow
searching for apples that had fallen below-
emboldened by the frozen sweetness of autumn.
They were graceful even in flight-
when cars with chains
jingling and crunching the ice
rounded the corner
down Orchard Street.

Today I've tracked over two thousand miles
in my own wandering line-
the lines of the antler
flow through the tangles and hollows of time.

Sometimes I stand in a clearing,
sometimes hidden by trees,
sometimes I scratch below the surface,
and I run- but, less gracefully...

There are walls I've left untended
and some I've crafted too well-
it is through forgotten tumbledown walls
that memories come-
I thank grace
it was into this clearing they fell.


Tom Spencer © 2017

"Untended Thoughts"


Untended thoughts falter softly
Leaving emptiness to be filled
With                whatever
Slow transformation bends
Awareness
Into something else
Pavlov would understand


Dingggg!

I sigh at day-dawn, and I sigh
When the dull day is passing by.
I sigh at evening, and again
I sigh when night brings sleep to men.
Oh!  it were far better to die
Than thus forever mourn and sigh,
And in death's dreamless sleep to be
Unconscious that none weep for me;
Eased from my weight of heaviness,
Forgetful of forgetfulness,
Resting from care and pain and sorrow
Thro' the long night that knows no morrow;
Living unloved, to die unknown,
Unwept, untended, and alone.

What happens when we all live to one-hundred?
I am expecting more wrinkles than I have now,
A year before, at ninety-nine.
I've lived for so long,
Death shall I make it past that hundred mile mark?
I feel so tired in these days of Fall,
I'm wilted, I think, like untended petunias,
Like leaves scalding in the midday sun.
My wife is long gone,
My wife I loved and made love to,
Well past the age of fifty,
She died at sixty-one,
I sit remembering,
My time alone.
This horde of trees reflect exactly how I feel,
This decaying oak,
The willow tree caving in,
The bent, broken sycamore tree,
It's branches growing towards earth,
Weighed down, like me with heavy sins.
Butterflies flew now, the kind rare to winter,
Like old people having their slow, careful version of ***,
You might not want to watch it,
You who are young,
You who are convinced,
That when it comes to old age, an exception will be made.
But they still want to do it,
Weird love is better than no love at all.
                                                                     -**Firefly

Poems about Flight, Flying, Flights of Fancy, Kites, Leaves, Butterflies, Birds and Bees



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly—
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks and A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ——— extend ———
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ———— ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem I wrote in high school. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;

but when at last...
I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...
if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.
Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?
You watch it as it disappears;
its plaintive calls cut through you.
The indignant crows ignore you both:
the bickering, bantering multitudes.



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
—Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
—Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
—Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
—Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
—Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
—Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
—Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
—O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
—Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height—
our ancestors’ wisdom
—Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.
And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts—
this way and that...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...
I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew
and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.
You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Rilke Translations

Archaic Torso of Apollo
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star—demanding our belief.
You must change your life.



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



The Panther
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Come, You
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke's last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.
This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.
Completely free, no longer future's pawn,
I clambered up this crazy pyre of pain,
certain I'd never return—my heart's reserves gone—
to become death's nameless victim, purged by flame.
Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I'm lost. Nobody knows me here.



Love Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn't touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



The Beggar's Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

I live outside your gates,
exposed to the rain, exposed to the sun;
sometimes I'll cradle my right ear
in my right palm;
then when I speak my voice sounds strange,
alien...
I'm unsure whose voice I'm hearing:
mine or yours.
I implore a trifle;
the poets cry for more.
Sometimes I cover both eyes
and my face disappears;
there it lies heavy in my hands
looking peaceful, instead,
so that no one would ever think
I have no place to lay my head.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” — Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.
Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.
Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.
For fourteen years, he had not seen her
whom he first befriended,
then courted and married.
Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.
He never lost her; she only tarried
until he was able to meet her.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



The Quickening
by Michael R. Burch

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague black nightmare skies
one night without disguise,
while children toss about
uneasy, full of doubt,
beware the devil's eyes...
it's Halloween!



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.
She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.

This is an early poem of mine, written as a teenager.



www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints—pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, zing some fire;
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness;
lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
This I vow. This I aver.
If she shows me her grace, I will honor her.
This I vow. This I aver.
Her grace flows freely, like her hair.
This I vow. This I aver.
For her generousness, I would worship her.
This I vow. This I aver.
I will not **** her for what I bear
This I vow. This I aver.
like a most precious incense–desire for her,
This I vow. This I aver.
nor call her “*****” where I seek to repair.
This I vow. This I aver.
I will not wink, nor smirk, nor stare
This I vow. This I aver.
like a foolish child at the foot of a stair
This I vow. This I aver.
where I long to go, should another be there.
This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
This I vow. This I aver.
And then, if she stays, without stays, I swear
This I vow. This I aver.
that I will joy in her grace beyond compare.
This I vow. This I aver.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.
Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?
Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?
He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!..."
As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).
That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue

that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom...



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Poet to poet
by Michael R. Burch

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream...
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!
Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Life Sentence
by Michael R. Burch

... I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down
to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son”...

... the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray)...

... i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!”...

... i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart...

... i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;
... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...
is that She feels Weird.



Beast 666
by Michael R. Burch

“... what rough beast... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition...
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.

Published by Poetic Reflections and Tucumcari Literary Review



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory...
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness...
what weight, what crushing heaviness
turned her lustrous hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near...
And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair
of copper, or her eyes' soft hue.

Published in Tucumcari Literary Review



Numbered
by Michael R. Burch

He desired an object to crave;
she came, and she altared his affection.
He asked her for something to save:
a memento for his collection.
But all that she had was her need;
what she needed, he knew not to give.
They compromised on a thing gone to seed
to complete the half lives they would live.
One in two, they were less than complete.
Two plus one, in their huge fractious home
left them two, the new one in the street,
then he, by himself, one, alone.
He awoke past his prime to new dawn
with superfluous dew all around,
in ten thousands bright beads on his lawn,
and he knew that, at last, he had found
a number of things he had missed:
things shining and bright, unencumbered
by their price, or their place on a list.
Then with joy and despair he remembered
and longed for the lips he had kissed
when his days were still evenly numbered.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



All My Children
by Michael R. Burch

It is May now, gentle May,
and the sun shines pleasantly
upon the blousy flowers
of this backyard cemet'ry,
upon my children as they sleep.

Oh, there is Hank in the daisies now,
with a mound of earth for a pillow;
his face as hard as his monument,
but his voice as soft as the wind through the willows.

And there is Meg beside the spring
that sings her endless sleep.
Though it’s often said of stiller waters,
sometimes quicksilver streams run deep.

And there is Frankie, little Frankie,
tucked in safe at last,
a child who weakened and died too soon,
but whose heart was always steadfast.

And there is Mary by the bushes
where she hid so well,
her face as dark as their berries,
yet her eyes far darker still.

And Andy... there is Andy,
sleeping in the clover,
a child who never saw the sun
so soon his life was over.

And Em'ly, oh my Em'ly...
the prettiest of all...
now she's put aside her dreams
of lovers dark and tall
for dreams dreamed not at all.

It is May now, merry May
and the sun shines pleasantly
upon the green gardens,
on the graves of all my children...
But they never did depart;
they still live within my heart.

I wrote this poem around age 15-16.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,
not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,
and not to fly to You, my only sin.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men—
men rejoicing to have known you
in the familiar manger’s cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine from cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals as our blood detoxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we'll be in love, and in love there's no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait...

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?
The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
... a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how are we, now, to measure
that flame by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.

Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.

Where is the fire of youth? We grow cold.

Why does our future loom dark? We are old.

Why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
the brittle leaf-like aching
that tells us we are living.



Pressure
by Michael R. Burch

Pressure is the plug of ice in the frozen hose,
the hiss of water within vinyl rigidly green and shining,
straining to writhe.

Pressure is the kettle’s lid ceaselessly tapping its tired dance,
the hot eye staring, its frantic issuance
unavailing.

Pressure is the bellow’s surge, the hard forged
metal shedding white heat, the beat of the clawed hammer
on cold anvil.

Pressure is a day’s work compressed into minutes,
frantic minute vessels constricted, straining and hissing,
unable to writhe,

the fingers drumming and tapping their tired dance,
eyes staring, cold and reptilian,
hooded and blind.

Pressure is the spirit sighing—reflective,
restrictive compression—an endless drumming—
the bellows’ echo before dying.

The cold eye—unblinking, staring.
The hot eye—sinking, uncaring.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”
Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to sip a cuppa here?

You'll just stop in
to drink dry gin?
I only have a beer.

To name the greats:
Pope, Dryden, mates?
The whole world knows their names.

Discuss the songs
of Emerson?
But these are children's games.

Give me rhythm
wild as Dylan!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.



The Century’s Wake
by Michael R. Burch

lines written at the close of the 20th century

Take me home. The party is over,
the century passed—no time for a lover.

And my heart grew heavy
as the fireworks hissed through the dark
over Central Park,
past high-towering spires to some backwoods levee,
hurtling banner-hung docks to the torchlit seas.
And my heart grew heavy;
I felt its disease—
its apathy,
wanting the bright, rhapsodic display
to last more than a single day.

If decay was its rite,
now it has learned to long
for something with more intensity,
more gaudy passion, more song—
like the huddled gay masses,
the wildly-cheering throng.

You ask me—
How can this be?

A little more flair,
or perhaps only a little more clarity.

I leave her tonight to the century’s wake;
she disappoints me.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,
sometimes we still touch,
laughing, amazed,
that our flesh
does not despair
of love
as we do,
that our bodies are wise
in ways we refuse
to comprehend,
still insisting we eat,
drink...
even multiply.

And so we touch...
touch, and only imagine
ourselves immune:
two among billions
in this night of wished-on stars,
caresses,
kisses,
and condolences.

We are not lovers of irony,
we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves...

and so we laugh
at our predicament,
fumbling for the ointment.



Stump
by Michael R. Burch

This used to be a poplar, oak or elm...
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm... this massive, nodding head
here contemplated life, and now is dead...

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread...

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).

We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine...
mere fables now, dust, compost, turpentine.



First Dance
by Michael R. Burch

for Sykes and Mary Harris

Beautiful ballerina—
so pert, pretty, poised and petite,
how lightly you dance for your waiting Beau
on those beautiful, elegant feet!

How palely he now awaits you, although
he’ll glow from the sparks when you meet!



Keep the Body Well
by Michael R. Burch

for William Sykes Harris III

Is the soul connected to the brain
by a slender silver thread,
so that when the thread is severed
we call the body “dead”
while the soul — released from fear and pain —
is finally able to rise
beyond earth’s binding gravity
to heaven’s welcoming skies?

If so — no need to quail at death,
but keep the body well,
for when the body suffers
the soul experiences hell.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya’s Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).

Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due...
Which he will send to me, and you.
Which he will send to me, and you.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s minor distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
for vacations from the abuses of your cruel hands.
Where unwatered blooms line an arid plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. CONVINCE me.”

A moment, an instant... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that!” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Keywords/Tags: flight, flying, fancy, kites, leaves, birds, bees, butterflies, wings, heights, fall, falling

Liturgy in Time of War

I will go to the altar of God
To God who gives joy to my youth

ENTRANCE ANTIPHON

The dawn (evening) is coming, another hot, filthy, wet dawn (evening).  Let us arise, soaked in sweat, exhausted, to speak with sour, saliva-caked mouths, to meet the deaths of this day (night).

GREETING

In the name of Peace in Our Time,
For the Hearts and Minds of The People,
For the Land of the Big PX
For round eye and white (black) (brown) thigh,
I greet you, brothers.

PENITENTIAL RITE

All:

I confess to almighty God
And to you my brothers
That I have sinned through my fault
In my thoughts and in my words
In what I have done
And in what I have failed to do,
And I ask Blessed Mary…

But how can I ask Her anything now?

My brothers,
Pray for me to…

But how?
Priest: (But there is no priest)

KYRIE

Lord, have mercy
Christ, have mercy
Lord, Lord, have mercy on us now

Have mercy, Lord, on a generation
That sits smugly in college lecture halls
And protests endlessly in coffee shops
The war they hear, see, on T.V., for free
Justice and peace by the semester hour
Like, y’know, peace, love, Amerika sux
Play the guitar, ****, apply to law school

Have mercy on us
Who crouch behind sand bags
And clean our weapons
And protest nothing
And **** in the heat
And die in the hear
And throw ham and lima beans away

GLORIA

Glory to God in the highest
how many bodies yesterday?
And peace to His people on earth
Vietnamese? Or us?
Lord God, heavenly King, almighty God and Father
ham and lima beans?
We worship you, we give you thanks, we praise you for your glory
Doc, I can’t go home to my wife with this clap
Lord Jesus Christ, only Son of the Father
cigarette, canteen cup of instant coffee
Lord God, Lamb of God, you take away the sins of the world
******* magazine
Have mercy on us
relief behind the sand bags
You are seated at the right hand of the Father
i rot
Receive our prayer
i want to be clean and dry
For You alone are the Holy One
clean and dry.  just once.
You alone are the Lord
why do they chew that?
You alone are the most high
you mean the betel nut?
Jesus Christ, with the Holy Spirit, in the glory of God the Father
incoming!
Amen


PRAYER

A

Father, you make this day holy.
Let us be thankful for
The many little joys of
This day, for life, for
The chance to worship
You.  In the end, bring
Us to you, so that we
May be cleansed of mud
And sweat and filth and
Guilt, and live with you
In peace forever.

B

Father, just get me through
Another day of this mess.

LITURGY OF THE WORD –

FIRST READING

From the Intensive Care Unit, NSA DaNang

A twilight world
Of neither peace nor battle
And of both

A man world
Embracing life and the grim death
Both

Peering into infected wounds
Night building shiver
Down from the black sky flares float

Broken bodies from the war somewhere
Eyes of a shattered nineteen-year-old Marine
Staring at the door to Yokosuka

PSALM

A Song of Descents

I cast down my eyes
Into the mud
Into the blood
It seems cleaner than death and drugs and casual ***
Drink Coca-Cola

I turned my eyes away from you, O Lord
And made this
Build this
Came to this
Samantha and Darren on Bewitched

Have mercy on…but how can we ask?  How dare we ask?

SECOND READING

Old Man, Viet Nam

Old man, a dog is barking at your heels
Old man, with the tired, weathered face
Are you afraid to turn around and deal
This dog a kick, to put him in his place?

Or is it, old man, that you’re just too tired?
Just too tired to turn and show anger
Just too tired to have your temper fired
Beaten by years of contempt and danger

Where are you going, trudging so slowly?
What are you thinking, behind those tired eyes?

Probably not about ham and lima beans

GOSPEL

In the Cold White Mist

After an all-night run on the river
Our boats arrive in the village at dawn
Dawn is never cold along that rive
Along that steaming, green, hell-hot river
But the mist is cold, the grey-green dawn mist
And after the engines are cut – stillness
Foul brown water laps at the mudding bank
Sloshing softly with fertile, smelly death

In the cold white mist

The boats are secured, and watches posted
We step off the boats and onto wet land
And follow the track into the deep mist
It becomes the street of a little town
A dairy lane along which cows slopped home
And where dogs and chickens and children
      played
Bounded by carefully swept little yards
And little wooden houses with tin roofs

In the cold white mist

But some of the houses are burnt.  The smoke
Still hangs heavily in the whitening mist
The lane is littered with debris.  A lump
Resolves itself into a torn, dead child
Across a smaller lump, a smaller child
Their pup has been flung against the fence, its
Guts early morning breakfast for the morning
      flies
We smoke cigarettes against the death-smells

In the cold white mist

Beneath a farm tractor rots a dead man.
When they – they – had come at sunset
He had hidden there.  And they shot him there
A man with bare feet and work-calloused
      hands
His hair is black; his teeth need cleaning
They shot him beneath the village tractor
His blackening blood clots into the mud
And our lungs choke in the white mist of death

In the cold white mist

White mist.  The path disappears into it
Smoky skeletons of little houses
In which there will be no tea this morning
No breakfasts of hot tea and steaming rice
No old widows to smile in betel-nut
No children to mock-march alongside us
Pointing at our ******* boots, and laughing
At us, for wearing shoes in the summer

In the cold white mist

They are dead and rotting in the white mist
On the edge of the jungle on the edge
Of the world, here along the Vam Co Tay
And the people pour out of their houses
To greet us on the fine summer morning
A corpse across a doorway, another
******-doubled across a window sill
Still another strewn down the garden path

In the cold white mist

The other patrol doubles back to us
And they tell us that the Ruff-Puff outpost
Must have been overrun the night before
He had heard their radioed pleas, and had
Run the river at night to get to them
And the ARVNs had fled through the village
And the VC had stormed in behind them
And it was knife-and-gun-club night in town

In the cold white mist

A little girl is the lone survivor
She looks may six.  Cute, except for the
Bubbling, *******, bayoneted chest wound
We patch her, and tube her, and use suction
Sort of like fixing a bicycle tire
And in the wet, gasping heat take her back
With us downriver, where a charity
Hospital leaves her on the steps to die

In the cold white mist

It will be our turn again tomorrow
Not a one of us died today.  Today.
But a village is gone, burnt and rotting,
Soon to disappear into the jungle
Along the green Cambodian border
Up some obscure river.  Up there.  Somewhere.
A few hundred people.  Their ancestors’ graves
Will fade with them untended, forgotten

In the cold white mist

Radio Hanoi might blame it on us.
But maybe not.  We made our report and
Nobody really noticed; no one cared
The talk is of the VC battalion
And where it has gone, and where it might go –
Maybe into death under an air strike
“And you guys better get in some sack time,”
Says the C.O. as he turns to his maps.

In the cold white mist

HOMILY

I’m scared, and I want to go home.  I don’t care any more about justice or fighting Communism or winning the hearts and minds of the people.  I can’t think about all that right now, because I’m scared, and I want to go home.
I don’t care about truth or loyalty or bravery or honor.  If Miss March were here she wouldn’t get cold, but she sure would get sunburnt.  And in a few days her skin would start rotting.  Then nobody would want to see her in the **** anymore.  
I’m scared, and I want to go home.
Up the Vam Co Tay, everyone is scared, everyone is tired, everyone is sick, everyone could die: sailor, soldier, officer, priest, farmer, fisherman.  Everyone rots in the wet heat.  The skin bubbles and flakes and peels, and is pink again, to bubble and flake and peel again.  
I’m scared, and I want to go home.
I’m Doc.  I’m a scared, stupid kid with an aid bag and a few months’ training.  But I’m Doc.  I’ve got to fake it.  I’ve got to be cool and calm because this other kid with his guts hanging out will probably make it if I don’t ***** up and if the dust-off from Saigon can get out here now.
I have an old dog at home, and my folks write and tell me she sleeps outside my window at night, waiting for me to come home.  Someday we’re going to run and play in the woods and fields again.  She’ll bark and run wide circles, and dare me to catch her.  I will laugh under the autumn leaves.  But now my nights are glaring darkness, fits of sweat-soaked half-sleep, then sirens and falling glares and falling mortars, and then the Godawful racket of all our engines of destruction.  There isn’t any use in all this.
I’m scared, and I want to go home.

And I don’t want any ham and lima beans.

CREED

We believe in the Land of the Big PX
In presidents in suits, and generals,
In makers of economic strategies
We believe in flak jackets and .45s and peace

We believe in swing ships and dust-offs, yes
In the dark, green omnipresent Huey
Eternally begotten of technology
Blades to rotor, windscreen to machine guns
Made, not begotten, one in being with us
Through it all things are transported to us
For us men and our hunger and our hope
It comes down from the skies
By the high power of technology
It was born of the long assembly line

For whose sake are we crucified today?
Who suffers, and who dies and is baggied?
And on the third will arrive back home
To be neatly packaged in stainless steel

But not in ham and lima beans

LITURGY OF THE EUCHARIST

Preparation of the Gifts

Celebrant:

Blessed are you, Lord, God of all creation.
Through your goodness we have this cheap Algerian wine to offer,
Fruit of the vine and work of human hands.
It will become anaesthesia for our souls.

People:

Blessed be…we just don’t know

Celebrant:

Pray, brothers, that our sacrifice may be acceptable to God, the almighty Father, to somebody.  Maybe.

People:

May the Lord, or the baggies, accept the sacrifice we offer with
our own burnt hands
For the praise and glory of…of what?
For our good, and the good of all His Church.

PRAYER OVER THE GITS

Little green cans, and I don’t care
Little green cans, and I don’t care
Little green cans, and I don’t care
Air cover’s gone away.

EUCHARISTIC PRAYER

Preface for the Monsoon Season:

Father, all-powerful
And ever-living God,
We do well always and everywhere
To give You thanks
Through Jesus God our Lord
Even with diarrhea
thanks
When the mail doesn’t come
thanks
When we rot
thanks
When the heat ***** at our brains
thanks
When the mud ***** at our boots
thanks
When the horror ***** at our souls
thanks
We’re alive
thanks

SANCTUS

Holy, holy, holy, Lord, God of power and might
The bunkers are full of blood and death.
Hosanna in the mud.  Blessed is he who comes with the mail.  Hosanna in the mud.

EUCHARISTIC PRAYER

The Kien Tuong Province Canon:

A sailor is silhouetted against the dawn
Along a steamy river
Mostly helmet and flak jacket
Above dark plastic gunwales

The sailor has lost his New Testament
But there’s a ******* around somewhere
Naked, willing women –
Miss March wants to be an actress

He also carries an old plastic Rosary
To touch occasionally
While whispering a hurried Hail Mary
He hopes She understands

Those who in bell-bottoms and head-bands
Fight Fascism
In Sociology 201
Will never forgive him

A sailor is silhouetted against the dawn
This day he is to be elevated
His body broken and his blood shed
For you and for all men

OUR FATHER

Our Father, who art in Heaven
this ain’t it
Hallowed be thy name
Thy kingdom come
this ain’t it
On earth as it is in Heaven.
Give us this day…
not ham and lima beans
And forgive us our trespasses
as we shoot them that trespass against us
And lead us not into ambush
But deliver us from evil

SIGN OF PEACE

Peace on you.

AGNUS DEI

Lamb of God, you take away the sins of the world: have mercy on us.

Lamb of God, you take away the sins of the world: have mercy….

Lamb of God, you take away the sins of the world: grant us peace.

Priest:

(But there is no priest)

People:  

Lord, I am not worthy to receive you,
But only say the word and I shall be killed.

COMMUNION ANTIPHON

They ate, and were not satisfied
They killed, and were not without fear.

PRAYER AFTER COMMUNION

Lord,
If we do not get out of this
Make some sense of it to those who remain
May we go home.  Home.  Or if not,
Take us unto you, in mercy.
Home.  Where you reign, for you are Lord
Forever and ever.  Amen

BLESSING

May you walk on grass that does not explode
May you sleep without rot
Without fear
May you never see or smell ham and lima beans again.
May you live
May you play with puppies
May you find forgetfulness
May you find peace
In the Name of Him who took your death for you

DISMISSAL

This is to certify that____is Honorably Discharged from the____on theday of____.  This certificate is awarded as a testimonial of Honest and Faithful Service.

CLOSING HYMN

Old men, smoking in the sunshine
Exiled outside the doors of life
Old uniforms, old pajamas
The chrome of wheelchairs, shiny, bright

Inside, polished wooden handrails
Line the hot, polished passages
Something to cling to on the way
To the lab, to x-ray, to death

And more old men, shuffling along
In a querulous route-step march
From Normandy, from The Cho-sen,
From the Vam Co Tay, from the deserts,
Past the A.I.D.S. ward and the union signs
On waxed floors to eternity

Portions previous published:

“Closing Hymn” is from “Outpatient Surgery – Veterans’ Hospital,” Juried Award, Houston Poetry Fest 1993

“In the Cold White Mist” is a Juried Award, Houston Poetry Fest 1991

“Old Man, Viet-Nam,” was published in Pulse, Lamar University, 1982

I am sitting on a broken branch

under the drug addled canopy of insecurities and lies.

I am feeling the steady sway of an oxycontin daze.

Walking slowly through a ketamine daydream that pulls at my core

like a phantom puppet master controlling my limbs.

It crashes into my brain like the breaking waves on the shore.

Breathing in nicotine filtered filth as I wait to catch a breath of fresh air.

Lungs filled with recycled tar that prevents me from gasping.

In darkened corners where lies sleep and rumors are hidden,

I wait.

I dance on a tightrope between conscious and subconscious

that is held by reality and dreams.

Dark sunglasses on to avoid

the blinding stinging light of what is real.

Mirrored glasses are reflecting the reflections back at intruders.

Deflecting glances, shifty eyes, and dilated pupils

searching for a focus point of truth  

in a neon technicoloured blur of hypocrisy.

The background blaring horns blended with a steady bass line

mimics my heartbeat.

Thump thump. Thump thump.

The fading noises pass quickly,

highlighted with insults and curses of hate and gossip

that are forgotten before you can make them out.

Spun truths turned into lies

intermixed with resin

left from yesterday.

The litter paved streets break under my heels.

Click clack. Click clack.

Broken and cracked

like the false promises

And hopes

And dreams

of those who have walked here before.

The monotonous pace is repeated

only pausing to notice the gum under the stiletto

that fails to hold her in place

as she runs towards the wet cement that has replaced

another sheet of cracked concrete.

The wet cement that has covered another lie

in order to show the simplicity of fake appearances.

A reminder of how easy it is to replace and mask

the hate filled holes that get trampled on.

The flicker of hope is suddenly unseen

like the street light lined alley that is now dark.

The stench of garbage, decay, and rotting flesh

is mixed with expensive perfume, sweat, make-up, and spilled *****.

Garbage cans are filled with the leftovers of last night.

A *** stained dress with no owner draws no attention

as the sound of snapping latex is muffled

by the screams of ecstasy that rapidly fade

like the fleeting feeling of MDMA.

Thick white ****** fluid oozes out like human glue

in an attempt to mend the lack of connection.

Strangers intertwined in hasty conversations

waiting for human contact to forget

that they are in dark alleys.

To forget

that they live in dark places

where no one lays down wet cement.

The distorted reality of alleys deceive passer bys

into thinking that they are not menacing

has been weaved like a web by street sweepers and garbage men.

The pressing sense of the need to avoid the sweepers

is unsaid but felt.

They falsely clean what will always be *****.

The *** filled backstreets yearn for love

like the treacherous woman guarding its corner.

Daddy issue lined dresses are asking to be undone

just like her lost innocence that can never be mended.

The issues and clothing that can never be fixed

abandoned on top of garbage cans for someone else to pick up.

Patches of dead grass are left

untended, unwatered, and unwanted

waiting to be replaced by wet cement.

Wet cement that soon enough will crack and break

under the heavy heated pressure of the stomping heels

of lost Girls in a desolate city.

Blood trickled trails are left behind

that have dried into the cigarette lined streets that lead nowhere.

The injured egos of men are left to linger at back doors

that will never be opened.

******* induced insanity whirls around a flurry

of whispers and paranoia wanting to here the Truth

between the spewed anger and rage of the low toned hushed voices

that wish not to be heard.

Whiskey hinted murmurs pressing on the sidewalk cracks

knowing that they will never be heard.

Looking into the dark where

Truth will never be seen.

The constant beat of narcotic users searching

for salvation in pre-packed bags of white powder,

digging for redemption in empty bottles of multi-colored pills.

Screaming through the silence,

They are not heard.

The desperation can be heard through the whining moans

of the junkies that are tethered to addiction.

The over whelming sound of

Want and Need and Lust

move through the streets like the overflowing gutter water.

Heartbeats are replaced with the impatient pacing of

her stilettos waiting for her pain to cease.

Stilettos stomping on broken dreams

waiting to cross broken streets.

She gazes at the other side as if it is different.

Stilettos tapping on the street

waiting for the firm grasp of a sweaty hand to distract her from reality.

Waiting to be touched

And grabbed

And ******

                                              In hopes that love will arise from ****** ****** encounter with

strange men in uncomfortable places.

Clothes are feverishly removed with the promise of

flesh on flesh enveloped in a hazy cloud of body heat

that warns off the internal coldness.

Heavy breath and touch and kiss release chemicals

to replace the drug depleted emptiness.

The rhythmic sound of rubbing flesh mingles with

the moaning of the streets.

It fuses with the short lived pleasure laden moans of

lonely people and un-climatic *******.

Awkward silences are brief as the sound of her heels owns the street.

Click clack. Click clack.

The sound of stilettos on cement hurriedly walking away when there is

no longer a need for his body heat.

That unmistakable click clack click clack

on uneven, *****, dangerous streets.

Red lipstick smeared stains are the only trace of her that is.

That is the only trace of me that is left.

Click clack steady on the street.

Steady like mimicking bass line

Click clack heartbeat.

The crunch of broken glass under the stiletto

echoes her broken dreams.

Click clack.

Head held high never looking at the ground as she walks forward.

Click clack. Click clack.

Click clack.

The urban mud of

Wet cement goes

Squish!

under her stiletto.



V.Mata

Now that people are becoming more aware of my poetic efforts, interests are being expressed regarding the background of my poetry - in addition, to my spiritual muse. In this installment, I share the background and poem "In Remembrance of Grandma".

I recognize that most of you reading this article will not know much about my maternal Grandmother, other than what you're able to glean from this page. However, there are universal lessons that need to be shared. This poem was originally written for her funeral.

For nearly forty years, I was blessed to have known my grandparents; blessed - because many people don't have the opportunity to know their family history personally from those who came before them. Within about one decade, mine were all gone - with my maternal grandmother being the last one to die. Of the four of them, I had spent the most time with her. My grandmother had moved to Portland, Maine; this came about as the result of two significant events in her life. First, her husband Al ***** died unexpectedly; second, her oldest daughter (and my mom) had gone through a divorce. So they decided to purchase a home jointly and move on with their lives. Also living with them was my aunt Tina, my mother's younger sister.

My grandmother was an intelligent woman; she was one of those people who completed the New York Times crossword puzzles - in ink and usually in under an hour. And she grew some of the most beautiful roses in her tiny backyard. It was wonderful to see the joy in her eyes when it came to her flowers. The problem was that she was heart-broken when Al passed away; for decades they would go dancing at night, just to hold one another more often. With him gone, she stopped living for herself. Less than a year from his retirement, her husband died on the picket line at work. Although I can only imagine her grief, it was difficult to see the affects of this tragedy slowly eat away at her soul. She rarely left her home, with the exception of going to Church, the grocery store or some of the neighbors' homes a few times during the month. She and Al were to go to Hawaii for a second honeymoon, but she could not bear to go there without him. In The Word, we are essentially reminded that "people without vision perish" (and yes, I know that there are variations of interpretation of this concept). Despite our ability to absorb pain, we must learn to move forward in life and not let the pain consume us.

For many years, she smoked cigarettes and was unwilling to give them up. She did so eventually; my mother moved out of their house, Tina got married; she and her husband lived with my grandma. Tina and husband Greg started their own family, raising three boys - thus giving her the incentive to quit. As most everyone knows, smoking increases one's risk of having cancer. My family were under the impression that she had managed to escape the misery of that disease. Less than two weeks from her death was when most of the family learned that she had contracted cancer and emphysema.

Although I understand and appreciate the need for privacy, it was selfish of my grandmother not to share the condition of her health. Her justification for not telling anyone, was that she had decided not to go through with the cancer treatment. By not telling us, she figured that no one would be given the opportunity to dissuade her from her decision. After all, it was her decision (and rightfully so). Before she died, Tina started quickly gathering information about cancer - to better learn about what to expect regarding the few remaining days of her mother's life. One cancer brochure shocked her; as a result of reading the material, she was now having to deal with guilt. This particular pamphlet laid out symptoms and patterns of human behavior of those suffering from this fatal disease - stuff that Tina had observed, but never realized the meaning of until it was too late. So in effect, my grandmother caused her family more pain by not sharing. In addition, not everyone who cared about her, had enough time to say good-bye (while she was alive).

Although I had time to compose this brief poem in her honor, I did not have enough time to process my grandmother's death fully (prior to the service). I was supposed to read the following poem and share a few words. To my surprise, I was choked up with immense grief, which kept me from delivering my eulogy; my wife kindly stepped in and presented the poem. One of my brothers was extremely upset for my inability to talk on behalf of my grandmother; so he spoke on my family's behalf. It's one of my few regrets in life; however, she was the only grandparent of mine that got to read my poetry manuscript. Less than two months before her death, she had taken time read my poetry and was pleasantly pleased with my efforts. During her appraisal of my work was the first time I learned that she wrote poetry - as of today, I've never gotten to read a line of poetry that she wrote. So it breaks my heart not to know what she composed, as well as not being able to share any more of my writing with her. And so here is my tribute for her...



　

In Remembrance of Grandma

A manicured garden
of colored, cultured roses
now goes untended.
For Marguerite has been freed
of all mortal constraint;
left behind
is a silver trowel
and dancing shoes,
as her spirit flies
to the Hawaiian shore
for pirouetting barefoot
on the seashell sand.

Goodbye Grandma *****; I miss you already.
(18 June 2006)

Indigo. A dream of the color, and the sound of soft rain. Bathing birds babbled among pines beyond her window, and morning light was warm on her closed face. An ache in the spine. Creaking knees. Shoulders cold cliff-rock. Complaining muscles knotted tight as wood. The wooden house around her also creaked in the wind. Smelled wet. And somewhere echoing through her fields Edgar barked three times, then once more in playful affirmation. Today maybe the last today. In her mind’s eye, falling almost back into dream, Nora surveyed the long acres surrounding her cold home: untended wheat, alfalfa, cattle-corn, all woven through untold ecosystems of weeds. Stray indigo flowers and violets. Scattered dust-filled barns. What the place might look like after all this time. With her right hand she sought the frame of the bed, found it, rough chips of paint flaking. Slowly exhaling at once Nora lifted her iron legs over the edge, thin-socked feet found the bedroom’s planks. Cold air. November hopelessness. With spider-sensitive fingers she plucked her way around the room, imagining violet dawn spilling through her screen window. Stood before the poker-faced mirror out of habit, ran her brush through hair that must now be silver. She felt the satisfying tug on her scalp and loudly past her ears. If her dresser was in front of her, to her right was the window and the pine-scented boxes where she kept his clothes, behind was her rumpled bed, and to her left then was the bathroom. She felt along the door-frame, the sink, the toilet, and sighingly she settled onto its seat. Relief.
Rain drops on her roof were like the “shh” breathed to an infant. Warm blanket of rain over the cold farm. The breathy wind was driving the rain towards her house, cranky knees told of a storm to come. The boisterous wind had the sound of laughter and strife, of voices: the twins arguing somewhere, Edgar probably with them over-enthusiasticly ******* their footsteps. The bellowing wind made the house creak more than usual, but there was something else. A distinctive groan from the foundation up the east wall to the roof-tiles. Someone was in the kitchen. Constance, just like it used to be. Connie was here and the twins were outside: they had arrived closer to dawn than Nora expected. Heavy truck’s tires in mud, headlights had pioneered dawn darkness. Smell of soil. Massaged her own back, kneaded the the flesh on either side of her spine, then wiped and stood from the seat letting her nightgown fall all down around her knotted ankles. Washed herself, and a short shower before the water turned cold. Dried her wrinkles feelingly, smelling soap, and pulled her soft nightgown back on. Socks.
Always a joy whenever Constance came to call — less frequently these days it seemed — always a joy to be with her grandchildren though little Bastian was still mistrustful of her. Always a joy to see her daughter’s family… but she never got to see Matt’s. An image of her son’s face, a red haired ghost of the past, flickered in Nora’s memory. He couldn’t stand this place since he was young, hated his full name “Matthias,” maybe hated Nora too. No reason to stay after his father died. He fled to the city. Must have a wife, several children by now. Well. At least Constance kept coming by. The rain grew heavier, played on the roof like the roll of a snare drum.
Out of the bathroom and bedroom, feeling the planks of floorboard with her soles, hand by hand and foot by foot she traced her steps down the rickety stairs. Uneven. Nora knew the chandelier she once hung here was red; she pictured the color as hard as she could to envision its reflection on each surface of the stairwell. Smell of pine. Like the smell of his clothes safely preserved in the boxes by the window. Jagged nostalgia. Nora had met dear Rowan back in another world: a world of whirling sights and colors and beautiful ugliness and ugliest beauty all. To America when she was nineteen, leaving behind all Germany and studying her new tongue. Had still devoured books then, was able to become a school teacher. When twenty-three, met in a chance cafe Rowan who worked the docks. Red hair. Scottish but of many American generations. Nora grabbed blindly at a face just out of memory’s reach. Her hold on the bannister revealed the places where varnish had been rubbed away by her wringing hands. From the kitchen, acrid cigarette stench and shuffling. Inflamed knees hating her meticulous descent, but better this ordeal each day than to abandon the bedroom they had shared. When the two met, Rowan still sent money to his agricultural folks in New York (“Upstate,” he protested more than once, “Not that awful city, but in the countryside!” and he’d pantomime a deep breath) because of the expenses of running their farm. Nora’s now. From the cafe he had bought her an almond pastry, triangular, smaller than a palm, its sweet crisp flakes made her think of Mediterranean forests, and when the two were married they worked this hereditary farm. Nora knew all the animals, when they still kept livestock. Now Nora’s farm, whose after? When her little Matthias was born they had praised him as the farm’s inheritor. Unwise.
Last step. Sound from the kitchen of Connie shifting in her seat, rustling papers. Smell of strong coffee. Strong cigarettes. Composed herself, quietly cleared throat. Sauntered down the hallway, monitoring expression and tone. Nora said, “Hello Constance. When did you three get here?”
“Hey ma,” said the woman’s voice when the elder crossed into the kitchen. “For christ’s sake don’t call me that.”
“For christ’s sake, don’t take his name,” Ma scolded, but then traced her way past the table to the countertop and felt about for utensils. “I’ll make you something Connie.” The counter was in front of her, bathroom to the left, stove to her right and along that same wall was the back door. ”How about some nice eggs and toast like how you like.”
“No ma, I handled it already.”
“And what color is that hair of yours this time?” Ma asked, carefully inserting slices of bread into the toaster. “Seems like months you haven’t been by.”
A patronising, sarcastic chuckle. “…it’s orange, ma.
Listen—”
“That is so nice. Your father’s hair was just that shade of orange.” Felt around inside the refrigerator. The styrofoam carton. Small and cold and round, her fingers seized four of them. “Do you remember?”
Pause. “I remember, ma.”
“What I don’t understand,” said Ma swallowing a cough, expertly igniting one gas burner as practiced and putting on hot water for tea, “is why you don’t fix to keep it natural. I love our nice fair hair, very blonde, very pretty.” Back home in Germany Nora had been the favorite of two men, but many years since engaging in the frivolous antics she in those days entertained. “Best to flaunt your natural hair color while it’s still there: orange like Matt and dear Rowan, or fair like you and Lorelai got.” Memories of her own face as she remembered it. Relatively young the last time she had seen. What wrinkles there must be. What a mask to wear. No wonder Bastian. Nora ignited another burner. Tick tick tick fwoosh. Smelled gas. Sound of the almost boiling water complaining against its kettle. Phantom taste of anticipated tea. Regret. The contents of the vial hidden on the top shelf. Today maybe the. Sound of heavy rain. “And how are your bundles of mischief?”
Connie sighed. “I told Lorelai to get her little **** inside the house, as if she hears a word. She’s playing with Ed somewhere in the fields I don’t wonder, rain be ******. That girl is such a little — well she’d better not be down by the creek anyhow. Could get flooded in a downpour like this. Bastian was out with her, but he’s playing in his room now. You know we don’t have time to stay long today, it’s just that you and I got to finally square this business away. No more deliberating, ok?”
Swallowed. “Course, Constance. Just nice to hear your voice. You’re taking care?”
“Care enough. Last time I was — oh! Jesus, ma!”
Ma’s egg missed the pan’s edge. She felt herself shatter the shell into the stove top, in her mind’s eye saw the bright orange yolk squeezed into the albumen. The burner hissed against liquid intrusion. Connie made a strained noise and scooped her mother into a seat at the table. Movement. Crisply, the sound of two fresh eggs being broken and sizzling on the pan. Scrambled as orange as Connie’s guarded temper. The table’s cool surface. Phantom smell of pine wood polish and recollections of Rowan at his woodworking tools building this table once. Other breakfasts. Young Constance, young Matthias. Young self. Her left hand massaged her aching right shoulder, then she switched. The sound of plates being readjusted with unnecessary force.
“You know,” said her daughter, “living in one of them places might even be fun. Might be good for you instead of moping about this place. But like I’ve been saying, we got to make our decision today: sell this place or pass it on. I know you don’t take no walk, cause where would you go? What’s the point in keeping all this **** land if you’re not gonna do nothing with it? You can’t even ******* see it!”
“Constance! Language!”
“Come on ma, just cut it out! This is great property, and you’ve let it get so it’s bleeding money.”
“…But Constance I can’t sell it, not like your brother wants me to do. He’s always trying to get rid of this place and turn a profit, but someone needs to take care of it! You know that this is the house that your f—“
“‘That your grandparents lived in where your father and I raised you…’ Yeah I know, ma. And I get it. Believe me. But what you’re doing is just plain impractical, why don’t you think about it? All you’re doing is haunting this place like a ghost. Wouldn’t you rather live somewhere where you can make friends? Things can’t go on like this.” A plate was placed softly on the table and it slid in front of Ma. Can’t go on like this. Egg smell. Salted. Toast, margarine. A cup of tea appeared nearby. “Anything else you want? Here’s a fork.”
“What will you eat, Constance?”
“I ate, ma, I ate already. Have your breakfast, then we can talking about this for real. Ok?” Then, the sound of her daughter’s body shifting in surprise, a pleasant unexpected, “Oh,” before Connie said low and matronly, “Hi baby, how you doing? Are you hungry?” But only the sound of the downpour. Orange eggs still softly sizzled. The wind pushed the creaking house. “Sweetie, you don’t have to hide behind the door, it’s ok. Come say hi to grandma… don’t you want some scrambled eggs?” Refrigerator’s hum. Barking echoed, coming over the hill. But not even the little boy’s breathing. Grandma had met the twins two years ago, following the **** of Constance’s rebellious years and independence. Nora was reminded of her german gentlemen and her own amply tumultuous adolescence. She could forgive. Two years ago Lorelai and Bastian had already been too big to cradle and fawn over, but they were discovered to be just starting school and already bright pupils. Grandma hung her head. Warm steam from where the uneaten eggs waited patiently. Edgar’s approaching yapping. And, fleeing from the doorway, a scampering of feet so light they might have been moth wings. Down the hallway back into his room. “Sorry ma,” said Constance.
Shrugged. A nerve flared in pain up her neck but she didn’t react. Only fork scrape. Ate eggs. On introduction, poor little Bastian had burst into tears and refused to go near her. Connie had consoled: “It’s ok baby, she’s just Grandma Nora! She’s my mother.” But poor little Bastian inconsolable: “No, no, no! She’s not!” What a wrinkled mask it must be. How hideous unkempt with silver hair. How horrible unflinching eyes. “She’s not,” would sob the quiet boy in earnest, “she’s a witch! Don’t you see?” And he never would let Grandma hold him. Lorelai was always polite, hugged warmly, looked after her pitiable brother, but her mind too was far elsewhere. Edgar alone loved them all unconditionally and was equally beloved. Barking. Yowling. Scratches at the door. Downpour. Door and screen door opened, wet dog happy dog entered, shook, and droplets on her cheek.
And there appeared Lorelai, a star out of sight. “Hey mom. Hi grandma!”
Grandma swiveled for cosmetic reasons to face where the door. Grinned, “Hello Lorelai. Wet?” Envisioned yellow sunlight entering with the excitable girl in spite of the deluge.
“Oh it’s so rainy out there grandma, I found little streams through your fields and big mud puddles and Edgar showed me where your secret treasure was, we found it!”
“Stop right there, missy!” commanded Constance. “For christ’s sake you look like you took a bath in the mud and the **** dog with you. Come on, your filthy coat needs to be on the rack, right? Now your boots.”
Warm nose found Nora’s palm, excited lapping. Slimy fur, smelly fur. A cold piece of egg dangled in her fingers, then dog breath came hot and licked it up. Satisfied, he trotted off elsewhere, collar jingling out of the kitchen and down the hall.
Little Lorelai lamented, “I couldn’t help it mom, the mud was all over the place! When we got past the motor barn and the one alfalfa field that looks like a big marsh frogs went ‘croak croak croak’ but Edgar growled and chased them and then we made it all the way in the rain to the creek and it’s so much—”
“Now you just hold on. Hold still!” Sounds of wrestling. Grunts of a struggle. “That creek must have been overflowing! Didn’t I tell you not to? You didn’t take your new phone out there did you, Lori?”
“No ma’am.”
“**** right you didn’t, cause I sure ain’t buying you a new one. Didn’t I tell you not to go all the way out there? Didn’t I? Now you get into that bathroom and wash your **** hands!”
“But I’m telling Grandma a story!” huffed little yellow haired Lorelai.
“Well wash your hands first and then we’ll hear it, Grandma don’t listen to misbehaving girls who are all muddy and gross. Not a squeak from you till you look like you come from heaven instead of that nasty creek.”
A profound sigh, a condescending, “Fine,” a door closing and a squeaky faucet running. Muffled hands splashed, dampened off-key ‘la la la’s.
“Who knows what the hell that one is ever talking about,” said Connie. “It’s everything I can do to get her to shut up for five ******* minutes. You done with your eggs?”
Ma fidgeted. The plate was scraped away, and a clunk by the sink. Licked her lips, mouthed a syllable, about to speak. But then her house creaked three strong along the east wall. From deeper within bubbled a suppressed sob: “Mom,” little Bastian wailed, “Mom, come quick!” Constance sighed, Constance cursed, and Constance swept off down the hallway struggling to refrain from stomping.
Sound of washing. Wind. Rain. Alone. Cold. Picking out the paint for this room, listed in gloss as ‘golden straw yellow.’ Rowan hadn’t liked it and chose himself the bedroom’s color in retaliation. The loss of the home they had built together. The contents of the vial hidden on the top shelf: do they see it? Bathroom sink stopped flowing, door wrenched open. Smell of soap, clean smell. Grandma said to her, “Your mother went to check on Bastian,” Taste of eggs still yellow on her tongue.
“What a *****!”
Stunned. “Lorelai!” she snapped. “Don’t you dare take that language!”
“But mom does it all the time.”
“Then Lorelai, it’s up to you to be better than your mother. When I’m not around any more, and your mother neither, you’ll be the one who keeps us alive.”
“But as long as you’re alive you’ll always be around, you’re not a ***** like mom. And remember? I got all the mud off so can I finally tell you can I what we found? Well actually it was Edgar found it. Oh and I’ll describe it real good for you grandma just like you could see it: when we pulled up we were just wandering in the blue rain, Bastian and me, and silly Edgar joined us but Mom tried to make us come back of course but I told Bastian to stay with us at first, but later I changed my mind on it. It was he and me and Edgar were hiding in the old motor barn where it smells like a gas station remember grandma and he was so excited to see the sun when it rose and made the morning violet sky he started clapping and Edgar got excited too and was barking ‘bark bark’ and howling so I told Bastian to go back even

My garden, bedded
in rest.
The roses bloomed like chiffon twirls
shine or shade
You approached with vested
Interest
Your neon eye-shadow, your black-tar curls
With intent like clumsy mower blades

You brought a dandelion from my neighbor’s lawn.
Its puff splitting, flying from your breath like a song from
Your lips, I thought a wish flew along.
There was no wish; just seeds, scattered. Gone.

You entered my home, keeping me captive.
I thought the walls closed every time you left.
Breath shallow, you told me I was maladaptive.
You found him, you were gone. Only the ring I gave you was left.

I was wrong; walls didn’t crumble because you were gone, but
Because you were here, my foundation crumbled from
Morning glories, untended, the vines grew too long, and
In and out of the concrete, my rose bushes crumpled.

I near let my home die
I rebuilt from rubble what’s mine

Late summer, I toiled, upturning rose root.
Piled the brush, for us, a pyre.
A former self turns to a pile of empty bottles and soot
My friends called it your wake, this bonfire.

Leaves fell, still, I toiled.
Killing the vines with water I boiled.
Tilling the land, laying rose-ash under soil.
Aching back, 56 degrees, sweat, too tired to pull the splinters.

Then came winter.
Ice blew over and all those weeds died.
It started to seem funny, all those times I cried
Over You.

I find my love was never a closet;
A trap meant for one, but
a well that runs deep and
the groundwater clean.

Spring comes, green growth peaks into view
I breathe the air, happy with the year in review.
I plant rhododendrons where  common roses bloomed and
A vegetable patch where grass once grew.

My garden flourishes with life and color.
I look to my garden wanting just to tend
my garden, it grows like feelings for new lovers.
I think of how it will look by summer’s end.

Grass like fingers reaching to the sun with new
life, prospering. As the rhododendrons rise from
the care I’m fostering and tomatoes will
ripen and shine when the sun gives luster, and

Fruits from the vine plump with nectar inside.
Sustenance for me, of course,
A boon to the birds, the bees
As She and her soft hands help tend my crop
Pulling stray weeds, sweating from the force.


The flowers will grow in colorful clusters like
July fireworks, a boom for every new bloom.
The difference, Rose, is I
trust her.
She will not turn my garden, my home
into another crumbling tomb.

Don't be fooled.
I don't woo with words.
I don't woo with actions,
Either.

No, I am too much of a novice.

My intention,
Intended,
To release these tensions
Intensified by the cloud
Of tense living.

In tensions with no spa,
No relief,
No massage,
No pedicure,
No manicure
To calm them.

Ever wondered
Who masseurs
The masseuse?
I don't wonder.
I know.

No one.

Intending
To untensify
The tender
Tendencies of
Tenacious living,
The tenders of
Untended flesh
Relieve your tensions
With no intentions
of receiving intended returns.

They take your tensions
With only intentions
To leave you intense
In the freedom of life.
Meanwhile fragile tensions
Tend to rend them,
Causing trouble and strife.

Feel relieved.
They are in tension,
Don't worry about
Giving attention.

You weren't going to anyway.

I.

  When to the common rest that crowns our days,
  Called in the noon of life, the good man goes,
  Or full of years, and ripe in wisdom, lays
  His silver temples in their last repose;
  When, o'er the buds of youth, the death-wind blows,
  And blights the fairest; when our bitter tears
  Stream, as the eyes of those that love us close,
  We think on what they were, with many fears
Lest goodness die with them, and leave the coming years:

II.

  And therefore, to our hearts, the days gone by,--
  When lived the honoured sage whose death we wept,
  And the soft virtues beamed from many an eye,
  And beat in many a heart that long has slept,--
  Like spots of earth where angel-feet have stepped--
  Are holy; and high-dreaming bards have told
  Of times when worth was crowned, and faith was kept,
  Ere friendship grew a snare, or love waxed cold--
Those pure and happy times--the golden days of old.

III.

  Peace to the just man's memory,--let it grow
  Greener with years, and blossom through the flight
  Of ages; let the mimic canvas show
  His calm benevolent features; let the light
  Stream on his deeds of love, that shunned the sight
  Of all but heaven, and in the book of fame,
  The glorious record of his virtues write,
  And hold it up to men, and bid them claim
A palm like his, and catch from him the hallowed flame.

IV.

  But oh, despair not of their fate who rise
  To dwell upon the earth when we withdraw!
  Lo! the same shaft by which the righteous dies,
  Strikes through the wretch that scoffed at mercy's law,
  And trode his brethren down, and felt no awe
  Of Him who will avenge them. Stainless worth,
  Such as the sternest age of virtue saw,
  Ripens, meanwhile, till time shall call it forth
From the low modest shade, to light and bless the earth.

V.

  Has Nature, in her calm, majestic march
  Faltered with age at last? does the bright sun
  Grow dim in heaven? or, in their far blue arch,
  Sparkle the crowd of stars, when day is done,
  Less brightly? when the dew-lipped Spring comes on,
  Breathes she with airs less soft, or scents the sky
  With flowers less fair than when her reign begun?
  Does prodigal Autumn, to our age, deny
The plenty that once swelled beneath his sober eye?

VI.

  Look on this beautiful world, and read the truth
  In her fair page; see, every season brings
  New change, to her, of everlasting youth;
  Still the green soil, with joyous living things,
  Swarms, the wide air is full of joyous wings,
  And myriads, still, are happy in the sleep
  Of ocean's azure gulfs, and where he flings
  The restless surge. Eternal Love doth keep
In his complacent arms, the earth, the air, the deep.

VII.

  Will then the merciful One, who stamped our race
  With his own image, and who gave them sway
  O'er earth, and the glad dwellers on her face,
  Now that our swarming nations far away
  Are spread, where'er the moist earth drinks the day,
  Forget the ancient care that taught and nursed
  His latest offspring? will he quench the ray
  Infused by his own forming smile at first,
And leave a work so fair all blighted and accursed?

VIII.

  Oh, no! a thousand cheerful omens give
  Hope of yet happier days, whose dawn is nigh.
  He who has tamed the elements, shall not live
  The slave of his own passions; he whose eye
  Unwinds the eternal dances of the sky,
  And in the abyss of brightness dares to span
  The sun's broad circle, rising yet more high,
  In God's magnificent works his will shall scan--
And love and peace shall make their paradise with man.

IX.

  Sit at the feet of history--through the night
  Of years the steps of virtue she shall trace,
  And show the earlier ages, where her sight
  Can pierce the eternal shadows o'er their face;--
  When, from the genial cradle of our race,
  Went forth the tribes of men, their pleasant lot
  To choose, where palm-groves cooled their dwelling-place,
  Or freshening rivers ran; and there forgot
The truth of heaven, and kneeled to gods that heard them not.

X.

  Then waited not the murderer for the night,
  But smote his brother down in the bright day,
  And he who felt the wrong, and had the might,
  His own avenger, girt himself to slay;
  Beside the path the unburied carcass lay;
  The shepherd, by the fountains of the glen,
  Fled, while the robber swept his flock away,
  And slew his babes. The sick, untended then,
Languished in the damp shade, and died afar from men.

XI.

  But misery brought in love--in passion's strife
  Man gave his heart to mercy, pleading long,
  And sought out gentle deeds to gladden life;
  The weak, against the sons of spoil and wrong,
  Banded, and watched their hamlets, and grew strong.
  States rose, and, in the shadow of their might,
  The timid rested. To the reverent throng,
  Grave and time-wrinkled men, with locks all white,
Gave laws, and judged their strifes, and taught the way of right;

XII.

  Till bolder spirits seized the rule, and nailed
  On men the yoke that man should never bear,
  And drove them forth to battle. Lo! unveiled
  The scene of those stern ages! What is there!
  A boundless sea of blood, and the wild air
  Moans with the crimson surges that entomb
  Cities and bannered armies; forms that wear
  The kingly circlet rise, amid the gloom,
O'er the dark wave, and straight are swallowed in its womb.

XIII.

  Those ages have no memory--but they left
  A record in the desert--columns strown
  On the waste sands, and statues fallen and cleft,
  Heaped like a host in battle overthrown;
  Vast ruins, where the mountain's ribs of stone
  Were hewn into a city; streets that spread
  In the dark earth, where never breath has blown
  Of heaven's sweet air, nor foot of man dares tread
The long and perilous ways--the Cities of the Dead:

XIV.

  And tombs of monarchs to the clouds up-piled--
  They perished--but the eternal tombs remain--
  And the black precipice, abrupt and wild,
  Pierced by long toil and hollowed to a fane;--
  Huge piers and frowning forms of gods sustain
  The everlasting arches, dark and wide,
  Like the night-heaven, when clouds are black with rain.
  But idly skill was tasked, and strength was plied,
All was the work of slaves to swell a despot's pride.

XV.

  And Virtue cannot dwell with slaves, nor reign
  O'er those who cower to take a tyrant's yoke;
  She left the down-trod nations in disdain,
  And flew to Greece, when Liberty awoke,
  New-born, amid those glorious vales, and broke
  Sceptre and chain with her fair youthful hands:
  As rocks are shivered in the thunder-stroke.
  And lo! in full-grown strength, an empire stands
Of leagued and rival states, the wonder of the lands.

XVI.

  Oh, Greece! thy flourishing cities were a spoil
  Unto each other; thy hard hand oppressed
  And crushed the helpless; thou didst make thy soil
  Drunk with the blood of those that loved thee best;
  And thou didst drive, from thy unnatural breast,
  Thy just and brave to die in distant climes;
  Earth shuddered at thy deeds, and sighed for rest
  From thine abominations; after times,
That yet shall read thy tale, will tremble at thy crimes.

XVII.

  Yet there was that within thee which has saved
  Thy glory, and redeemed thy blotted name;
  The story of thy better deeds, engraved
  On fame's unmouldering pillar, puts to shame
  Our chiller virtue; the high art to tame
  The whirlwind of the passions was thine own;
  And the pure ray, that from thy ***** came,
  Far over many a land and age has shone,
And mingles with the light that beams from God's own throne;

XVIII.

  And Rome--thy sterner, younger sister, she
  Who awed the world with her imperial frown--
  Rome drew the spirit of her race from thee,--
  The rival of thy shame and thy renown.
  Yet her degenerate children sold the crown
  Of earth's wide kingdoms to a line of slaves;
  Guilt reigned, and we with guilt, and plagues came down,
  Till the north broke its floodgates, and the waves
Whelmed the degraded race, and weltered o'er their graves.

XIX.

  Vainly that ray of brightness from above,
  That shone around the Galilean lake,
  The light of hope, the leading star of love,
  Struggled, the darkness of that day to break;
  Even its own faithless guardians strove to slake,
  In fogs of earth, the pure immortal flame;
  And priestly hands, for Jesus' blessed sake,
  Were red with blood, and charity became,
In that stern war of forms, a mockery and a name.

**.

  They triumphed, and less ****** rites were kept
  Within the quiet of the convent cell:
  The well-fed inmates pattered prayer, and slept,
  And sinned, and liked their easy penance well.
  Where pleasant was the spot for men to dwell,
  Amid its fair broad lands the abbey lay,
  Sheltering dark ****** that were shame to tell,
  And cowled and barefoot beggars swarmed the way,
All in their convent weeds, of black, and white, and gray.

XXI.

  Oh, sweetly the returning muses' strain
  Swelled over that famed stream, whose gentle tide
  In their bright lap the Etrurian vales detain,
  Sweet, as when winter storms have ceased to chide,
  And all the new-leaved woods, resounding wide,
  Send out wild hymns upon the scented air.
  Lo! to the smiling Arno's classic side
  The emulous nations of the west repair,
And kindle their quenched urns, and drink fresh spirit there.

XXII.

  Still, Heaven deferred the hour ordained to rend
  From saintly rottenness the sacred stole;
  And cowl and worshipped shrine could still defend
  The wretch with felon stains upon his soul;
  And crimes were set to sale, and hard his dole
  Who could not bribe a passage to the skies;
  And vice, beneath the mitre's kind control,
  Sinned gaily on, and grew to giant size,
Shielded by priestly power, and watched by priestly eyes.

XXIII.

  At last the earthquake came--the shock, that hurled
  To dust, in many fragments dashed and strown,
  The throne, whose roots were in another world,
  And whose far-stretching shadow awed our own.
  From many a proud monastic pile, o'erthrown,
  Fear-struck, the hooded inmates rushed and fled;
  The web, that for a thousand years had grown
  O'er prostrate Europe, in that day of dread
Crumbled and fell, as fire dissolves the flaxen thread.

XXIV.

  The spirit of that day is still awake,
  And spreads himself, and shall not sleep again;
  But through the idle mesh of power shall break
  Like billows o'er the Asian monarch's chain;
  Till men are filled with him, and feel how vain,
  Instead of the pure heart and innocent hands,
  Are all the proud and pompous modes to gain
  The smile of heaven;--till a new age expands
Its white and holy wings above the peaceful lands.

XXV.

  For look again on the past years;--behold,
  How like the nightmare's dreams have flown away
  Horrible forms of worship, that, of old,
  Held, o'er the shuddering realms, unquestioned sway:
  See crimes, that feared not once the eye of day,
  Rooted from men, without a name or place:
  See nations blotted out from earth, to pay
  The forfeit of deep guilt;--with glad embrace
The fair disburdened lands welcome a nobler race.

XXVI.

  Thus error's monstrous shapes from earth are driven;
  They fade, they fly--but truth survives their flight;
  Earth has no shades to quench that beam of heaven;
  Each ray that shone, in early time, to light
  The faltering footsteps in the path of right,
  Each gleam of clearer brightness shed to aid
  In man's maturer day his bolder sight,
  All blended, like the rainbow's radiant braid,
Pour yet, and still shall pour, the blaze that cannot fade.

XXVII.

  Late, from this western shore, that morning chased
  The deep and ancient night, that threw its shroud
  O'er the green land of groves, the beautiful waste,
  Nurse of full streams, and lifter-up of proud
  Sky-mingling mountains that o'erlook the cloud.
  Erewhile, where yon gay spires their brightness rear,
  Trees waved, and the brown hunter's shouts were loud
  Amid the forest; and the bounding deer
Fled at the glancing plume, and the gaunt wolf yelled near;

XXVIII.

  And where his willing waves yon bright blue bay
  Sends up, to kiss his decorated brim,
  And cradles, in his soft embrace, the gay
  Young group of grassy islands born of him,
  And crowding nigh, or in the distance dim,
  Lifts the white throng of sails, that bear or bring
  The commerce of the world;--with tawny limb,
  And belt and beads in sunlight glistening,
The savage urged his skiff like wild bird on the wing.

XXIX.

  Then all this youthful paradise around,
  And all the broad and boundless mainland, lay
  Cooled by the interminable wood, that frowned
  O'er mount and vale, where never summer ray
  Glanced, till the strong tornado broke his way
  Through the gray giants of the sylvan wild;
  Yet many a sheltered glade, with blossoms gay,
  Beneath the showery sky and sunshine mild,
Within the shaggy arms of that dark forest smiled.

***.

  There stood the Indian hamlet, there the lake
  Spread its blue sheet that flashed with many an oar,
  Where the brown otter plunged him from the brake,
  And the deer drank: as the light gale flew o'er,
  The twinkling maize-field rustled on the shore;
  And while that spot, so wild, and lone, and fair,
  A look of glad and guiltless beauty wore,
  And peace was on the earth and in the air,
The warrior lit the pile, and bound his captive there:

XXXI.

  Not unavenged--the foeman, from the wood,
  Beheld the deed, and when the midnight shade
  Was stillest, gorged his battle-axe with blood;
  All died--the wailing babe--the shrieking maid--
  And in the flood of fire that scathed the glade,
  The roofs went down; but deep the silence grew,
  When on the dewy woods the day-beam played;
  No more the cabin smokes rose wreathed and blue,
And ever, by their lake, lay moored the light canoe.

XXXII.

  Look now abroad--another race has filled
  These populous borders

I never knew his real name and my youthful imagination named him uncle funky the peanut man as bagged peanuts burnt were hopefully sold from a makeshift stand now on this June 2013 morning my mind slowly opens the door of youthful memory and I see soiled pants turned over shoes old hat crooked atop long gray hair  brown hands waiting for a dollar exchange as funk clings to the untended skin like fleas on a homeless dog whiffs released randomly would stagger a prime boxer the times changed with the town sweeping uncle funky away with yesterday and the past of bygone days and I wonder and it is"t a very pleasant wonder whatever happened to uncle funky?









ut to be sold hopefully from a makeshift stand now on this june 2013 morning my mind opens the door of youthful memory and I see clearly soiled pants and shirt old hat atop of unseen hair  brown hands waiting for a dollar exchange as funk clings to the unbathed skin like fleas on a homeless dog whiff released would stagger a prime boxer the times changed with the town sweeping uncle funky away with yesterday and the past of bygone days but I wonder and it isn"t a very pleasant wonder whatever happened to uncle funky the peanut man?

With a blistered heart
From unnumbered breaks,
A cloud of unshed tears
From untold betrayals,
I reenter the world
After an eternity or more
Of self imposed asylum
From a world of superficial bliss.

A world unchanged!
A cruel untended garden
Of deceptive beauty
And unkind thorny roses.
Lovelorn shadows,
Masquerading venomous claws
With beauteous flamboyance
And undesirable attraction.

Lethargic feelings,
Dousing my desires
With drowsing memoirs
Of countless emotional abuse,
Causing momentary spasms
In cerebral regions
Parading nocuous images
In the plenitude of projected beauty.

Scarred beyond immediate cure,
I recede from said world-
Too adverse for tender hearts
Back to hibernating moods
To nurse evergreen cuts
Cuts so deep, so lethal
Only the indolent strides of time
Can attempt to stitch!

Awaiting prophetic moments
Moments with mirage qualities
When in-love I can fall again
When a damsel I can trust again
When my heart can beat again
For one with pure intentions
Not putrefied by Hollywood mentors
But virtuous in biblical ways...


© Raphael Uzor

she touched up untended walls
all alone, no party assembled
attempting to create reactions
with her color selection
and inspire sunken eyes
with the antonym for
"you are worthless" and "no one cares"
...but the paint is peeling

and her motivation runs constant
as she prepares her endurance
to spackle and smooth grooved surfaces
prime marks and hide pitted edges
to place appropriate strokes adequately
and try a little color contrast
on previously blended door and window trim
...but the paint is peeling

now bubbles form and fall flakily at her feet
as a sleight of hand starts its mischief
of defacing the layers of her self-affirmation
with synonyms for the premature initiative she displayed
so, she drops her tools and starts peeling
removing the pain that is hindering her renewal
and covering the constant decay correctly
working toward a strengthened surface
that maintains its finish against the cruelest force
and accepts loving, touches
without turning them to criticism.

young lovers enthralled
in a passion that can
melt the deepest
Alpine snow cap

announce an intention
to join as one
till death do you part

the elders smile
at the audacity of
your grandiloquent
proclamation

youthful optimism
expressing pollyannish
sentiments born
of wistful hope

yet to learn the rules
of the vows of matrimony
and the endless sweet labor
required  to keep it alive and well

thus i pass on  this sage advice

when the baby cries at night
when the car won't start
when the rent bill is due
and you find yourself
a bit short

i wish you love...

when the cupboard is bare
and the desire to satiate
swelling hunger pangs
is overwhelming

i wish you love…

when you find yourself travelling
through roads that are
unfamiliar and foreboding

when you are hopelessly lost
in the darkest reaches
of the Black Forest

i wish you love…

as you grow as individuals
straining your relationship

when in laws become outlaws
and the pulls and pushes
of family and friends becomes
unfamiliar and misunderstood

i wish you love…

when resentments and insecurities
conspire to undermine trust

when greener pastures
pose a mirage of better things

i wish you love…

when oversight and neglect
leave you empty

when the luster of the
edelweiss bloom fades

when exasperation melts
the Alps greatest glacier
flooding everything you have

when the untended furnace
doesn't fire and the last
log is consumed

be patient
be diligent
be expectant
be kind

hold on to it
believe in it
practice it
trust it

may it bind you
in a perfect circle

and all your fondest
hopes and wishes
will be yours

i wish you love…

Stevie Wonder
Signed Sealed Delivered

Salutation for
Engagement Party
Maxine Lintel and
Glendon McCallum
Munich
11/29/13
jbm

Your lips are like a southern lily red,
Wet with the soft rain-kisses of the night,
In which the brown bee buries deep its head,
When still the dawn's a silver sea of light.

Your lips betray the secret of your soul,
The dark delicious essence that is you,
A mystery of life, the flaming goal
I seek through mazy pathways strange and new.

Your lips are the red symbol of a dream,
What visions of warm lilies they impart,
That line the green bank of a fair blue stream,
With butterflies and bees close to each heart!

Brown bees that murmur sounds of music rare,
That softly fall upon the langourous breeze,
Wafting them gently on the quiet air
Among untended avenues of trees.

O were I hovering, a bee, to probe
Deep down within your scented heart, fair flower,
Enfolded by your soft vermilion robe,
Amorous of sweets, for but one perfect hour!

my conscious,
a spec on the corner of the Polaroid lens,
a heart lost in the reeds of dampened circumstance,
a hydrangea blooming in an untended field,
meditates upon itself
like a child lost
in a superstore.

--

an ocean wave mimics its predecessor
only to fall victim to aspiration.

what will crush upon my tired bones
as they chase sunsets
in a similar search
for meaning
?

A GARLAND FOR NATIONAL POETRY DAY 2014

My Once and Only Garden

It’s no longer mine
But I pass it
Nearly every morning.
It’s untended,
Overgrown, autumned,
The camellia needs a prune,
The irises have gone;
The garden needs
A good seeing to.
A sad garden to pass
Nearly every morning.



The Chestnut Avenue

I came back to fallen chestnut
Shells, conkers, everywhere,
But the leaves are still
Thinking about falling.
No wind you see.
On other trees I pass,
The lime,the white-beam,
There’s a crinkly brownness
Scattered across the path.
So dry, no wind,
September sun.
The chestnut avenue
Has some way to go.
Wind, rain, frost perhaps
And the leaves will fall.


******* a Boat

There’s this girl,
A young woman really,
On a boat.
Not living on it yet
But plans are afoot,
Along with essential repairs.
It’s not ‘Offshore’
Like Penelope Fitzgerald’s
Boat on the Thames.
But in a quiet and placid mooring
On the River Lea instead.
I thought of sending her this book,
But it’s all about liminality,
People somewhere in between,
People who don’t belong on land or sea
. . . And the boat (eventually) sinks.


Still Waiting

We sat on the seat
Under a bower of roses
In the herb garden
And she talked in that singing
Way of talking that she does;
Such a tessitura she commands
Between the high and the low
With a falling off portamento
Glide - from the high to the low.
Her hair stills falls
Across serious freckles, auburn hair,
Gold with a touch of red
Like her mother’s only softer,
Like mine once was, and my mother’s too.
She has a slighter frame though,
and is still waiting, waiting
For a real life, a woman’s life.


Cyclamen Restored

I went away and left it
On a saucer, watered,
In a north light
Near a window sill.
Its pink flowers were *****
And nodded a little
When I moved about the room.

On my return it had drooped,
Its leaves yellowed.
There were tiny pink petals
Scattered on the floor.
I put the plant in the sink
For half an hour.
It revived,
And the next day
Seemed quite restored.


Driving South

Driving south through
Dalton, Shoreditch,
Hackney and Hoxteth,
The Hasidic community
Garnished the Sunday street.
Driving down the A10
South towards the city:
The Gleaming Gerkin,
the Walkie Talkie,
and further still,
a Misty Shard.

As a child, the buildings here
Were so much slighter
And a grimy black;
The highest then, the spires
Of Wren’s city churches.

Sundays to sing at ‘Temple’,
With lunch at the BBC,
Driving south from New Barnet
In my Great Uncle’s Morris,
Great Aunt Violet dozing in the back.


Gallery

Small but beautifully right
For her London show,
Good to see her surrounded
By tide marks from the shore,
Those neutral surfaces,
Colours of sand and stone,
Rust (of course) from the beaches
Treasured trove, metal
Waiting to become wet
And stain those marks with colour.


Ascemic Sewing

Having no semantic content
These ‘words’ appear on the back
Of a chequered cloth of leaves
Backed all black
Stitched white,
A script of a garden
Receding into
Trans-linguistical memory.


September Dreaming

Facing the morning
Above a barrier of trees,
Oaked, foxed, hardly birded,
I would  wonder while she slept
About the richness of her dreams,
Dreams she had spoken of
(Yesterday, and out of the blue)
And, for the first time, in all
These precious but frustrating
years we’d slept together,
shared together.
I had always thought her dreamless;
Too fast asleep to experience
Envisioned images,
Sounds and sensations.


Think of a Poem

She told me in a text about
Think of a Poem
On National Poetry Day
Just a week away.
That’s easy, I thought,
There’s always that poem
Safe and sure in my memory store
Once spoken nervously,
under a rose garden walk,
but there, there
for evermore . . .

Who says it’s by my desire
This separation, this living so far from you. . .


Missing Music

Today I read a poem
Called The Lute: a Rhapsody.
‘From the days of my youth
I have loved music,
So have practised it ever since,’
Says Xi Kung.

In his exquisite language
He then describes its mysterious virtues,
And all the materials from which it’s made.

How I miss my lute, its music,
And the voice that once sang to its song.


Drawing

I wonder if she’s drawn today,
And what? I wonder.
John Berger says:
Drawing goes on every day.
It is that rare thing
That gives you a chance
Of a very close identification
With something, or somebody
Who is not you.
I wonder if she’s drawn today,
And what? I wonder.

The farmhand burns the leaves, though the bodies of slaves
Lie at heaven’s impasse in the trees of dying looks, barring them
From peaceful death, the sad emulsified perch of love and heat,
Hung at noon like John Brown untended, bearded of sticky summer,
Heavy-headed swinging noon and the smell of honeysuckle blood,
Fetid day like the coming dirt of graves, the clinging air of disease,
Snake-winding down from the trees with no pleasure of the bitten apple.

Sun feigns heat
in a clear slate of blue above;
I gaze upon pale, brown hills and fields
through the smoke of my breath
wishing it would at least snow.

There was talk of cow-tipping
when I was in fifth grade,
but cows would've broken their necks.
Ground covered in frozen grass
is no comfort for fallen cows at 15 Fahrenheit.

Our small lake
transformed into a debating ground for skaters and hockey players,
each vying for control over the weekend's
primary source of entertainment.
(The dreadful alternative: afternoons shopping with parents.)

When it finally snowed, a wonderland was made,
a knee-high, get-out-of-school-free card.
We charted expeditions in corn fields, wooded creeks
and stone-colored barns that were beguiling in the white
of Chadds Ford pastures like untended English castles.

Woods like a Pollack of burnt sienna and white,
their only sound is weight of snow bearing down on limb.
Beyond those whispers, just a roaring silence
when I'm still as ice fingers
trying to touch the ground from the roof.

The cats of Baldwin's Book Barn nap easily within,
as we dig for a pearl amongst makeshift shelves
full of hard-bound reads for snow-bound youth.
These felines, grown, need not the words,
but the pages themselves for fine beds.

A blue-white glow from outside casts a cold light,
illuminating prints of Helga and Christina's World,
a reminder to all who live down the road.
On such a winter day, I didn't care to remember
that soon there would be Spring kittens in the books,
and a lake full of children's swimsuits.

The cricket sang a sad song tonight.
I never understood what he was saying.
All I heard was mere chirping
but I knew it sang a sad song.

The night was cold
and an old man was sleeping in the couch.
The TV was left on, leftover food was on the table
and the old man was snoring.

On the other room,
An old woman was sleeping on her bed.
Her eyes were now dry with tears she just shed,
the lamp left on, her eyeglasses on the side table
and the old woman was sound asleep.

The cricket sang  a sad song tonight.
I never understood what he was saying.
All I heard was mere chirping
but I knew it sang a sad song.

The night was warm.
A middle aged man who had a beard was looking at his things,
trying to figure out what should go to the bin.
Old photos stacked on his lap, a few movie tickets he held,
an old rusty ring
and memories of the past that he wanted to bring back.

The night was warm.
A middle aged woman who had long wavy hair sat outside her house,
stars under her, the moon shining bright.
The woman was under the light yet she felt otherwise

The cricket sang a sad song tonight.
I never understood what he was saying.
All I heard was mere chirping
but I knew it sang a sad song.

Because somewhere, where the cricket sings,
hearts are broken and left untended.
Because somewhere, where the cricket sings,
people leave people, nothing being said

The world grew sick
it happened so quick
and so the people prayed
in spiritual foundations laid

the people went to see
the healers to be set free
hurt souls seek relief
and beyond belief-
     ~the healers got sick

songs lathered in Purell
as the death tolls swell
ringing out the Sioux band’s
cared for with gloved hands
    ~hands that caught rain
       now wracked with pain

Standing Rock tumbles down
as fits of coughs drown
    “My girl, I don’t know what to do-“
the words of a dying healer
once free to roam
in death
kept far away from her  home

When they pass on
all that knowledge gone
the words and ways of old
lost as voices go cold

Breath taken away
also yesterday
is gone around the bend
ways of old set to end
     -the sacred fire untended

No more secret Candy
or cherished smiles
veterans vanquished
peacemakers in pieces:

Porcupine
Bear Soldier
Running Antelope
Cheryl and Jesse Taken Alive

lovers from the start
Cheryl and Jesse died
only a month apart
holes in the Taken Alive heart

Their moccasins remain still
big shoes for others to fill
Standing Rock’s hills rolling
as graves keep filling
    
  ~the healers got sick
     hands that caught rain
     now wracked with pain
     the sacred fire untended

... still, the fire burns
out of the ashes, Nola, a child
of those Taken Alive learns
to hear the call of the wild

Young pup’s paws will fill the boots in time
though Standing Rock’s still,
still it stands
rain to be caught by fresh hands
new ears record the tree’s chime

“We’re still here,” Nola said
Taken Alive stands still
at Standing Rock
~
NM
01/15/21

it will never make sense
that the mechanics
of the human body
allows for a person
to bite their own
tongue or cheek
mindlessly
yet with such force;
eye-watering
and debilitating
a momentary paralysis
of fist-clenched frustration
and wordless fury
the blood that flows
cannot be stemmed
must be left untended
and simply spat out
     or swallowed
before that metallic taste
taints every mouthful

Oh what a tempest to see,
And have not been seen.
To breathe,
And have not been whispered upon.
To savor,
That which we believe sacred,
However not been savored ourselves.

What solitude is that which
Ignorance brings.
What cold-stone heartedness
Does that create.
What wrathful sickness
Does that generate
On our untended souls.

O fate! Spare me from
Such cruel suffering.
Do not leave me to the hands
Of those who leave the sick
Untended;
And leave me to the
Erosional pass of the elements.

Please do not dig
The ditch upon I am to befallen.
Do not chisel
The traces of my features
Without me having
Been benefited
With the joy of rapport.

Spare me from the madness
Of solitude.
For I am too young
To be left alone.

Lover, I don't mean it
but I mean it when I say
shake god and his higher pursuits from your head
I, as your lover, more than others
know
of its sacred connection
but beloved
Come back to bed
God
he has all the worlds philosophers
most renown
in his temple
at his table
talking as men do
whereas mine
it's left disheveled
with nobody to see to its hearth
dance as cobras do
it's once youthful fame
dies as the last remnants of its flame
go untended
go converted
to god and the higher pursuits from your head

We buried our smiles—
Placed flowers in old garden,
   .  .  .  Colours fade like rust.

Inspired by a real story.
Dedicated to Dust and Water.

Charlie.
The son of poetry, the sculptor of language.
The fire of my lust, a charm that shall ne'er end.
The prince of the sun, with such unchained melodies
and shades of green grass in his eyes.
Even the sound of his voice startled me;
For it was sweeter t'an the rainbow
T'at, to our skies, is sometimes too fabulous
to grow, and smile, and stay alive.

Ah, Charlie, your eyes but of autumn's green leaves t'emselves;
Undying and far more immune than the robust moon.
Oh, Charlie, but how my dream of you
Shall fore'er be an unspoken secret;
A secret of my ****** tongue
t'at remains forbidden to this world;
For 'tis too in this world t'at she lives,
And in 'tis life t'at she breathes,
Admires, and hates, as loved by you.
And thus any token of my love shall be a waste;
Shall be neglected, and be despised as an omen of doom.
For I am the daughter of the evilness of love—and so to her,
My love for you shall always be a herald of evil,
A spring of madness t'at needs soiling and throbbing away
Into t'ose wells of rigidity and notions of death.
Ah, Charlie, how you have gone, and shall be gone forever!
But for you know—although you are hers now, and only hers always,
Once I still thought I would meet you again someday.

You greeted me within the darkening roars of Jakarta;
Jakarta t'at was once like our hell and heaven;
Jakarta t'at is at once but trepid and magnificent.
Oh, and I remember t'at at t'at time, 'twas about to rain;
When I, standing by vanilla paper in my brown dress,
Was drawn by your soft beaming eyes,
Ah, Charlie, how my dried heart filled with love when I saw you—
I called to Him and prayed for your smile from above!
But then, perhaps you went away too soon,
And I, stepping home, cried and cried pools of maroon tears,
With a groan t'at was not fully satisfied,
With lust t'at, as I knew it, would never see a friend.
Ah, Charlie, the sole painter of my poetry!
The drawer of the scenes, whose words made me cry;
The teller of houses, whose fears made me want to die.
Ah, Charlie, how you are genuinely betrothed to your words;
And now t'at my heart is dead from its love for you—
All the world is but a lie and no more true.
Charlie, I despise love now; for 'tis no more t'an
A hateful stage of cowardly theatres;
A bunch of beasts t'at boastfully embrace
And show off t'eir love to one anot'er—
ah, just like t'is ring of monstrosity about me!
Ah, how vicious, vicious t'is menace of t'eirs is—
if only t'ey could unwillingly comprehend!
Thus I shall believe in no such remarkable lies;
For they trust in stories evil and not too nice;
And how t'ey smile to night and not to day;
And to even poetry t'ey have oft' none else to say;
For in vice is t'eir sole, sole triumph, my dear!
And for you know, Charlie, none is a poet in Yorkshire,
Their souls are but dried pipes of cold—and lumps of fire;
Perhaps they shall **** me before my soul even reaches heaven;
They are the ghosts of my virtues, the wand'ring spectres of my garden.
But was it you again, that laughed and sweetened my sleep last night—
and whose deep voices crafted such haunting poems like mine?
Everything sounded right when you were there, although they were false;
Ah, false indeed, like a piece of dishonesty awaiting troubled death;
When I had nothing else to give, but one sour last breath.
Ah, Charlie, after all—you are not here any more,
And Jakarta is but no more than a tender dream;
A dream I should perhaps forget—together with the chills
And idylls we once mercifully favoured.
Perhaps it was fate that did separate us;
Oh, how I wish it had ne'er happened!
How I still remember that noon—with a thousand suns
That were glaring at my head, I swayed my hair
By your side, as though the hills and the moons of England
were but all painted rightly next to your eyes.
Oh, my Charlie, how I have only words to play with now,
And perhaps tomorrow—for we have no future days together!
Yet still, if I had anything to dream of, it would be about you;
For again, my love for you was once pure and true;
I remember you like I do the lilies and tulips of dear Jakarta;
Wild in their toasts, too shiny in the darkest of places.
Ah, Charlie, but it is perhaps our vengeful fate,
That has robbed us of joyful virtues of late,
I am away from you, and my love—though dead, was once virile;
I shall pray for you, and think of you again once in a while.

I might have another love to attend,
Though I am too vexed, and obnoxious on my own to think;
I am unselfconscious of who I am;
I am troubled by the colours and spells
Of t'ese binding walls, as if there is no gift—
Even t'at one of love, t'at can absurdly cheer me
And bring my soul up, out of t'is sorrow—any more.
I am saddened, despaired, and deprecated by your tale;
I am now going to sit instead, by a cup of soiree ale;
I am going to rehearse the skins of my wit;
I shall test fate t'at want'd not to meet;
I shall conquer my own domains—and not anyone;
I shall think t'at truth is untrue—and evilness is but sweets and fun;

For a poet like me hath no love—and none to love with;
None loves me here, even for a sweet single bit;
I can see from the glass of t'eir eyes—t'at they care not;
They want my death, for it shall cut my poetry short.

Ah, how unfair, unfair and harsh t'is life for us is,
How 'tis but a worried flair for our aesthetic souls;
A craving t'at shall ne'er be true while it conveys truth;
A desire t'at is honest—while others want it to live not;

Ah, Charlie, how aimless and purposeless t'is eye should be;
For you are hers, and thus your charm can no more be with me;
I've been but a sad joke, in your present and perhaps in your past;
You talked to me back then, but knew your giggles should ne'er last;

And thus what I feel in my breast is blue, and shall ne'er own no end;
I shall now give up to time and let it carry my misery;
Perhaps I shall be wounded 'till the time of my grave though;
I shall be injured with t'eir inhuman love, lack of sweetness, lack of laugh.

Ah, Charlie, and your smile shall only be my severed utopia;
An unwanted song, amongst the deadly tears in yon grey forest;
Where ghosts are alive and ruthlessness is an endless unrest;
And my longing for you is useless—and ***** like an untended nest;
You are away, and neither in my view, nor in my sight;
You smell her hair every morn and noon, all through the day and night.

And your lust is a torch when it comes to her, and her only;
She to whom my love for you shall always be a mystery;
Ah, but a mystery she shan't come, or need t' care 'bout;
She who drowns your saliva by her voices out loud;

Ah, Charlie, now 'tis too late, and perhaps you should return to her sweet bed;
And address your new wife as she undresses and comes naked;
I shall be back soon in Coventry—before another storm goes mad;
And let Jakarta dwell alone, as he likes being on his own;
Let him fret over my tears that have silently gone;
And my shadows t'at are bound to dwell away, and ne'er return.

And let her stab your heart, with a love like a thousand spears;
Let her bury you in her cheeks, and remove your rightful fears;
For I am not one to offer you such happiness like t'at;
I who shall ne'er see you again, even just for one slice of dying breath.

For I wish to see, and open my heart to dear London;
Where I shall wander the streets, and lakes, though by my feet alone;
Waiting for a love that perhaps shall ne'er come;
'Till my breath goes out of me, and my fingers are left numb.

the right person
at the wrong time
to cause a chain reaction

synapse flare
breathing change
hands hiding
grow closer

endless joyful days
with everything in the way
everything
on the line

the right person
at the wrong time
agony on the horizon

a fire left untended
a forest with unquenchable thirst
a single spark

the wrong thing to say
the last words we spoke

i don't want to lose you as a friend
a fire dies
cannot undo

the right person
at the wrong time
indelible memories

even if i'd
met you a decade before
i was always
ten steps behind

Where marinated in our murky past
have we found justification for the travesties we do,
build prisons where our prejudice lasts,
and allow its prisoners to fester as they stew

I have felt this heat.
The flame which boils in the toils of others,
whose oils lick embers into wildfire.
And we fall back into the Dark Ages.

where minds who place burden on those with different skin
slink flicking flint to fire, raising from the earth
the walls we have spent decades taking apart one brick at a time.

one brick at a time,
comment by comment,
each passing moment
condone it.
ignore it.

passivity pays the builders of this monument.
who see no wrecking ***** to stop them.
passivity, fills the pockets of the petty
coin by coin collecting courage to speak
outwardly outrageous
slurred hate speech contagious
barbary amounts its fortress from our silence,
one brick at a time.

I have seen the origins of intolerance,
holding together the cinder blocks of utterance
all the moments we should have said something and didn't.
In my selfish silence I see senselessness slip past my snares.
In my hush I hear hate harrow the ventricles of hearts much weaker
than the speaker.

Loathing left untended like
loose mountain snow
will like an avalanche gain strength
in movement.

To you,
the architects of abhorrence
the creators of execration
I plead:  lay down your urban dictionaries.
Know that you lay a foundation
whose structure will build  up,
but whose existence will tear down.

To you,
those who watch the construction
and stare in silence sufferance,
know that although no sweat has fallen,
and no aid has been laid by your hand,
That this malicious monument is as much yours
as it is theirs, through your willingness to watch it go up
one brick at a time.

Reclining on a chair, thinking of you
The happy days when we shared a stew.

My mind crowded with your thoughts
Made me remember the dazed past.

Days we sat for hours at a stretch
Sound of silence, creeping toward the crest.

Friendship: a gesture, putting no pressure or demand
An affection with no label, warm and grand.

Our friendship I thought, will last forever,
BANG!! it came down, with a shiver.

Shattered and bruised, untended and raw
Months at a stretch, with no liniment at all.

You are set to leave, history wiped so clean
If the fate is kind, we would meet again.

Adieu sounds so final; Au revoir my friend...

I.
Thoughts drip into short coffee mugs
Sweetly filling our cups with caffeinated experiences
We patiently sip
Until the steam transports us back in time
Pure memories replay, different scenes over coffee

II.
We must not weep over spilt milk
For our tears will dilute the contents of our mugs
And no amount of sugar or love
Can restore the substance to its original perfection

III.
Savor new tastes before the lazy hand
Drips synthetic liquids into our untended cups
Like IVs into coma patients
Pumping us full of fake chemicals
To soothe the human condition

Error code: PXZ003-2-b:
"WAIT"

Blinking blindly,
unaware of absurd metaphysics,
the device flashes its advice.

For years now, probably; no one's sure.
The rest of the machinery's in pieces;
save this one brilliant gem of advice,

slowly sipping energy through
a dingy solar panel:

just enough to keep going

A red light blips
on the untended prophet,
yellow caution tape draping
impotently in shreds --

although there is an allure
to what fabrics conceal.

He sees none of this.
At first.

He arrives in a huff,
swearing and panting.
Pacing nervously, he lights
a spliff and throws his head back.

"I know I haven't been around much,"
he speaks in a vaguely upward direction,
"but some people say you're listening,
and that you take requests."

He laughs, flicks some ash,
and lets a sigh creep out.

"Just. Just. **** it, I don't know.
Give me a sign, anything. I'll listen."

He inhales and snuffs the roach
on his sole.
The serenity of stillness marches
in as a pallbearer with an empty casket.

A red light catches his
peripherals.

He walks to the device,
removes the dress,
and uncovers divinity.

How could he deny the voice of fate?
He waits.

Deep, unending pools of tenderness
Clouded, by the confusion of untended emotion
And swirling thought,
Windows into his soul,
Betraying what lies beneath;
the still surface of our lives
At times, orbs of embracing warmth
Flowing forth, with clarity
Sometimes, as cold as ice
Trapped; within a vice of chilling fears
Frozen there, I see the tears, begging for release.
I can see you on the other side
of these frozen walls of your own design,
Staring through those clear, unending pools
I lose myself, trying to find
The meaning behind, the feelings that I know are there
Only hidden; behind those clear and caring eyes
And now I find, that I just can't survive,
Unless I see myself reflected there
In the caring, unending pools of your eyes.

Blackbirds nesting in the Pergola strut,
shaded in a Wisteria bower,
the first year it decided to flower,
untended, ragged spirals left uncut.

Father jet black darting past the window,
sudden flashes of his yellow rimmed eye.
Dowdy brown mother has no need to fly,
snuggled down as her love swoops to and fro.

Plaintive high-pitched cries announce their hatching
Three fledgling wide mouths hungry to be fed
A fortnight growth before learning to fly
one falls to earth is ready for snatching
Screeching alarums in fear and in dread
The jaws of a cat are no place to die