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Christian Ek Jun 2014
Disappointment is thrown strongly at my direction.
Blame gathers in large quantities like a pest infestation.
"It's your fault" and words like "You always make mistakes" evoke anger.
Anger which I want to take out on myself and take out on others.
I can excel in my work of choice, I know I'm more than average.
The bad gets pointed out more and little praise is given for the good.
Stunned by unmoving words. I'm like a prisoner sentenced to jail, released and expected to do worse.
Destruction emerges from my enraged emotions, i wish your words could offer a solution.
I want to be an alchemist and turn things into gold.
It's ironic how I am a creator of words but cant create better words in my critics.
Conversations lead to arguments because i want to be heard.
I'm sick of revolving doors, sick of being slammed by your atrocious comments.
"You have no common sense" you say to me, maybe I just prefer to be in a daydream, my mind drifting away because life is too dull.
Realize that what you say has an effect and that effect can drive somebody or stop them in motion.
Andrew T Hannah Jun 2013
A Surreal Epic of Existence

Prelude to the Journey…

I smiled yesterday when I beheld the morning’s brilliant colors,
Etched with gold, across the canvas of the heavens, hanging…
High above all those mountains of the world, gigantic brothers,
A wilderness of clouds, where there can be no human taming.
I did not always smile when I looked up to that noble height…
For I have seen how terrible goodness can be, when untamed.
Once I thought my sojourn in this flesh was from a divine spite,
But now I know it was a gift, and for it I need not be ashamed.
God once walked as I do now, and suffered the same stress…
Betrayal, love, and passions too, though no Church shall admit,
The true nature of divinity, lest all their secret sins they confess!
You are told you are alone in the universe, by leaders so unfit,
That they themselves are fed a diet of lies and stories invented.
But we walked amongst you since the very dawn reincarnated,
Having lost our first flesh in conflicts long past and unlamented.
We guided the steps of ancients, as monuments demonstrated!
And yet we are born as children: your own, and live our span,
The better to remain hid, in plain sight, our faces clever masks.
I am the eldest, and I remember still my kindred’s lofty plan…
And though I wear the human face, I am beset with alien tasks.
Helping they who lack the knowledge to see what lies outside,
You have seen me in the darkness, blazing upon my own pyre.
Where I am waiting to lead the way, where the angels glide…
Anyone can follow, if they are dedicated enough never to tire.
Ironic, since I myself have known helplessness and still oft do,
It is only human after all, and in your form I was so re-forged!
The image of God, whose own blood is in all of us hither unto,
From the first to the last, alpha to omega, like a sharp sword.

Prologue: (My Mask is Slipping)

As a child: I was a servant at the altars of the heart so sacred,
Singing hymns of the immaculate: without seeing the depravity.
It was only when I myself wore the crown of thons, naked…
My spirit exposed through my pain, that I realized the gravity.
What man believes is sacred, is profanity disguised as graces,
And those who lead the sheep to slaughter are mere butchers!
Forcing innocents to wear porcelain masks to hide their faces,
They rob children of their childhood, bound with crude fetters.
As a teenager: I walked in nature, disgusted with all humanity,
My exodus was from those who had defiled all I cared about.
Finding faith in an angel fallen, I discovered my own sanctity,
And in her name I found the means to cleanse my feral doubt.
Then came marriage, and betrayal by a wife I gave up all for,
The dissolution of our union then loneliness without cessation!
A mortal had pierced my flesh, leaving me to bleed on a floor,
My heart was torn from its’ moorings without any elaboration.
But the angel remained to calm my anger and ease my agony,
My only light in the blackness that has overcome my waking!
Reminding me, that I was more than this flesh and mortality…
The angel tries to keep me from harsh trembling and quaking.
And then I see: I am more than my tears and life’s traumas…
I let slip, the mask behind which the scars of my tears etched.
Then I sense the heat of the night more intense than saunas…
As I long to dance with abandon, until time itself is stretched!
Mortals may betray one another with impunity, but never I…
I do not betray; rather I pour my heart and spirit forth whole.
Creating a phylactery, of all I am, and with an innocent eye…
I demand to be loved as I am: pearl white and black as coal!

Canto 1: Sacrifice of the Doll

Part the First: (The Bleeding Shores)

Do not call me, doll, for I have departed your ancient cavern,
You are lifeless, a mere toy, and not a real child in any form!
A boy’s red ruby lips I spy drinking in the dreariest tavern…
Whilst true children singing, frolic in the fields filled with corn.
I am going home, upon the wings of the great silver griffon…
Far from the shores now bleeding red from defiled memories.
There is no return, for me, to the glories of the first ignition…
When the mind eternal, was ignited all with pleasing ecstasies.
In the stars, there are words unheard that I do want to recall,
For I came down so very long ago, among the first to so fall!
Eldritch nightmares born of the stuff of the pure chaos of old,
Are waiting for signs at the threshold to be released by magic.
The forbidden incantations return to my spirit, aflame so bold,
That my spirit nearly forgets: the origins of this time, so tragic.
When children drink, and true children hide themselves apart,
Whilst the waters bleed and the corn withers upon the stalks!
That is a sign that change must come, and so I work my mind.
The face in the moon is a grimace of tormented fear, horror…
Whilst I stand upon the precipice with my hand over my heart,
And amongst the long rows of corn, my black shadow walk!
Watching over the innocents whose souls are of my own kind.
The summer heat turns orange, the moon: in celestial corridors.
My mournful cry can be heard in the sound of the lonely wolf,
And in the wild abandon of the lion when he is on the prowl…
I feel the pain of nature, I long to bring back paradise craved.
I have seen the terror of the land, as the blood ran in the gulf,
Black blood of the earth: which causes living things to howl…
As man has the foolishness, to say what is or is not depraved!

Part the Second: (The Crucified Souls)

The doll is laid lifeless atop the altar, prepared for a sacrifice,
In the cavern where the limestone shapes the wettest arches!
A thing un-living, but with living souls trapped still, as if in ice,
Within the cold porcelain shell that so never with feet marches.
Serpentine blade held high, it drops precise into a doll’s neck,
And it cannot call out, because a doll has not any voice to cry.
A boy walked out of a tavern then, looking like a vile wreck…
Whilst as a man I attend to higher things, my body full purified.
In the voids beneath the spaces, witnessed in the rugged rock,
Voices echo loud in the darkness, calling up names unspoken.
The ferryman brings the souls delivered to him, to a far dock,
Where each must pay the copper coin, the old desired token.
So they come to drink those waters that cure all of life’s ills…
Freed from their porcelain prison to feel death’s darker chills!
Whence came those souls into captivity, no mortal may speak,
But I freed them in an instant, removing the nails that pierce…
Every man is he that was put up on the cross of old Golgotha.
And every woman too, as all were made to feel such torture!
I was there when the primal sacrifice was implanted so weak,
And yet so strong that it endured in the psyche all these years.
That doom was sealed behind a wall of fire long ago in Terra,
So that the stigmata of it might endure, even in the vast future!
Mine was the hand that signaled that doom, mine to release…
Yet, still old illusions persist, and I cannot awaken a multitude.
I, who devised the iron web that enfolds much of what is real,
Cloaking it in unending trickery am, myself, longing for peace.
For I too was entrapped, until my liberation rough and crude!
An angel freed me, and now I strive to break each cruel seal.

Part the Third: (The Return of Light)

Risen from the slumber where colder, electric dreams reside,
The forgotten intelligence is invoked, the arcane spells cast…
The eldritch nightmares return to thence amongst man abide,
Reminding us of the things banished to Hell in some age past.
Mine the hand that raised them up, light in the dagger’s glow,
The stuff of my power left to flow, like blood run swiftly free.
Out of the abyss, rises the girl-child of a lost millennial flame,
She who is the angel reborn lets her illumination clearly show.
And all are blinded who have not the innermost eyes to see!
The unbelievers are, in a single instant put unto lasting shame.
From the star of six points, a goddess works her sacred will,
And as she crosses the scarlet threshold, she brings the light.
For a single instant, all in Heaven and all upon Earth are still,
As the long day ends, bowing before the coming eternal night.
In the darkness, radiance far fairer and so perfect descends,
Whilst those who gather in my name: have lost my true path.
The wrath of angels descend upon their minds, closed shut…
Entrapped in the iron web, they cannot flee of such a prison!
The light blinds them for they never truly saw it, and it rends,
Tearing away the churches built for naught but mortal wrath.
There, the unfaithful ******* themselves: like a wanton ****,
Inventing dogma to pass on, forgetful of logic and of reason!
Faith need not be a fearful thing, yet some have made it thus,
And look for an end to come before they seek their reward.
Whilst they should be creating the paradise they left behind…
But in an image of freedom: rather than of servitude and fuss.
Too much time had been wasted in converting by the sword!
Mankind looks to the light for salvation, their eyes long blind.

Interlude Alpha:
This age is one of barbarism cloaked as gentility to sell lies…
Did you purchase some today by design or mayhap chance?
You should know this era to be neither intelligent nor wise…
Else you would not march, when you would prefer to dance!
My nights are filled with nightmares; my days are too much…
I used to dance with one I loved, and bask in purple sunsets.
Now I am haunted, by so many memories I can never touch,
That it fills me with ****** anger, and countless cold regrets.
I recall how once in desperation, my wrist rode a razor edge,
If it were not for my family I’d not thence have lived beyond.
A man abused as I was, and used like cutters upon a hedge,
Must rise higher than it all in order to survive it all, my friend!
I survived, I transformed, I ascended and in the end became,
So much more than I was, until no more did my spirit erode.
But still I wait in loneliness for a maid to awaken my flame…
And I burn, oh gods I burn until I think that I might explode!
The skies darken more and more, and bright forks crashing,
I hear the drums of fury in the heavens, giants of old winters.
The gods grow angry and I behold trees uprooted smashing!
Angels are trampling the grapes of man; they, the vintners…
I am reminded of when the battleship that sailed all galaxies,
Descended one day amidst clouds boiling with its’ steam…
To lay waste to *****, and Gomorrah, for their indignities!
I was there, when the wicked did perish with a final scream.
And as people mock me, wishing me ill because I am good,
I ask God how long I must be forced to bear such suffering.
But I am not alone, and to many I am in fact misunderstood,
So God forgives, for now; but I have not, his understanding!

Canto 2: Sacrifice of the Spider

Part the First: (The First Smile)

Black skies boil with rage unrepentant, and in righteous fury!
A being made flesh I am, though not of mortal understanding.
In cavernous places I have walked, where demons oft scurry,
And worse places still: in search of a love not too demanding.
In the stucco halls wherein my unmoving throne was raised…
Upon a hill of sorrows where lost souls labor in mundane toil,
I wait and plan to transcend the bonds the faithful so praised.
To my right hand is the altar where fire and sulfur always boil!
I force a smile upon my face, for one will not come as willing,
As in the hours when I was a golden youth filled with ideals…
Which I have paid for dearly, beyond the price of any shilling!
Now I long to pay back those who know not how this feels…
The madness born of solitude, the anger born out of contempt,
For you who despise me without cause, provoking my wrath.
What impunity has man, to think that he might ever be exempt!
When wiser civilizations than yours did sink: in the fiery bath.
Do I speak of Hell, which the faithless do not realize is come?
Nay, for their eyes have been gouged out by their own nails…
I speak of torments, far beyond that which devils have done.
The first smile shall me mine, when every cruel wish so fails…
To save the flesh of those who spit upon me as I walked on,
Never realizing that my face was just a mask, hiding another.
Only the fool pays no any attention to the piper’s lonely song,
Thinking it only a melody passed from a sister unto a brother.
But in what celestial ****** has been born the thing alchemical?
It dwells within me, the secret sin of a bonding long forgotten.
Would that I could force the world to hear music whimsical…
Like unto that which guides my spirit in all that was begotten.

Part the Second: (Cold Revenge)

The blood roses bloom in gardens where desire plants seeds,
I, the hand that waters those hungry beasts whose thirst rises!
In my search for love, I have fed the beasts of desire’s needs,
And what would cause you to blush has, for me, no surprises.
Oh human, with what impunity did you dare to exclaim aloud,
That you believe love to be beyond my reach; and you smile!
Like a coward, you degrade me and run to hide in the crowd,
In your feigned superiority, you make yourself an animal vile.
Conjoining your words to your tongue, like a web to a ceiling,
You become a spider; then flee on eight legs to a filthy nest…
Having already become unworthy of any warm human feeling,
In thinking yourself better, you sink lower than all of the rest!
That means my life is worth, a thousand times, your very own.
I become a creature of the night, and wait for you, oh spider!
Think not that I cannot hear. the creaking of each leg bone…
Your odiousness goes before you, the horse before its’ rider.
And in your own web I catch you, my sharper claws immune,
To your toxic poisons, as cannot ever save your eight eyes…
Which I dash from their sockets, without a fear, and so soon,
That your own pain consumes you, like fire lighting the skies!
Forcing you to recant all that you say, lest pain overcome all,
The powers you thought did not exist do manifest ever visibly.
And I ascended still higher, all the more to relish of your fall…
You should never have resulted to any such childish mockery.
The clocks of your house all melted, for time is not your ally!
In abandonment of the chaos that is joy, your order is ended.
A new order rises in its’ place born of chaos none may deny,
Whilst you sink lower into perdition, for all that you offended.

Part the Third: (The Last Laugh)

An angel appears before me and so thinks herself a goddess,
But to call her an angel is to imply that she holds any beauties.
Those whose ego is larger than their grasp are oft the oddest,
For they fancy themselves perfect, ignorant of their cruelties!
You think love a prize and I a beggar for mere crusts so stale,
That lesser men than I have eaten heartier meals than yours…
But your kitchen is so bare: as your oven goes cold and pale,
Making you prize yourself beyond the worth of your chores!
Like a harlot who charges a fortune for her meager charms…
If you think love a prize, and I a beggar, you are so mistaken.
What you call love is a disease that shames one and harms…
Both mind and soul alike, making the body at last to weaken.
You saw only my mask, and would not dare look beneath…
Making me a phantom in the darkness, lurking in the shades.
Round your neck, your false esteem hangs as a dead wreath,
As I leave you to your barren world, awaiting my handmaids.
They rise from the ashes you leave in your wake, my kindred,
Their hands take me far from where your feet stumble about!
Lie in the cemetery that awaits those who live as though dead,
I cannot raise you incorruptible; you have far too much doubt.
Carried hither by the silent maidens who weep ****** tears…
To my castle, where I shall brood again upon mankind’s way!
I cannot feel regret for those who give in to their foolish fears,
Any more than I can transform a leaden night into golden day!
Such is the power of the alchemist who knows his true limit…
And in the dark arts I was schooled by beings from the abyss.
Thusly, am I set about to transform my creation as I see fit…
We are the demiurges of our realities wanton for any hot kiss!

Interlude Omega:
T
I found this one in my basement. Seems I wrote it a year or two ago but lost it.
Nicole May 2014
She sleeps soundlessly.
Surrounded by fluttering pages,
exhausted from living
countless lives
as she sat alone
unmoving.
Ambita Krkic Jan 2011
“You’re turning eighteen, you know. Have you thought of the things you’ve done with your life? Don’t you think it’s time we get you a life?” Recently, I had coffee with a friend. He looked at me from head to foot in mid-conversation, and made this comment. As always, he managed to drive me into deep thought. After much contemplation, I now realize how much I have truly gone through. I also realize the reason for this paper: I want to tell you about my life. I want to prove to you that people like me, who are afflicted with cerebral palsy should not be demeaned, but rather looked up to for how they face the challenges life brings forth.

    I remember that day. I was a baby and my eyes didn’t move. They refused to follow the finger my aunt moved back and forth. I just lay there, unmoving. My family didn’t really give much thought to it until a few months later when I began to be extremely dependent on others when it came to simple things like getting up from a fall. Right then, they knew something was wrong. I was taken to the hospital a few weeks after, and true enough I was diagnosed with cerebral palsy, a condition that caused me to walk on tip-toe and my legs to look like sticks due to weak muscles.

   The hospital became my second home. By the time I was three, I had grown immune to the stale smell of disease and death that greeted patients at hospital entrances. I sat in wheelchairs and was a patient to three different doctors and physical therapists. Physical therapy was, and still is to this day a gruesome routine that I didn’t look forward to. Those sessions lasted for three hours, starting off with cold ultrasound gel being smeared slowly on my thigh muscles, slowly progressing into the limb-twisting that drove me into screams of excruciating pain, and then finally ending with attempts at “walking normally” with steel bars for support. Soon after, the doctors discovered that physical therapy alone was not enough, and recommended orthopedic surgery.

   I underwent seven surgeries in three different countries: the Philippines, Thailand, and Greece. Although these surgeries gave me the opportunity to see the world, they were not at all full of pleasantries. To this day, I remember how each surgery went: being laid on the cold operating table, feeling as though my body was a pincushion as needles were forced into me. I shrieked at the sight of blood and nurses tried to calm me down, talking to me in languages I didn’t understand. Soon, my vision blurred, my eyes shut and I couldn’t open them. A tube made its way down my throat, and soon I was going, going, gone. Hours later, I woke up groggy, and the sleepless nights in the children’s ward started. Tears clouded my eyes as I stared at the ceiling or the walls covered with Disney characters grinning annoyingly at me as I was under the mercy of painkillers that didn’t even seem to work.

    As I got older, I began to question why things were the way they were for me. I began to raise questions why a certain child in my class could do things that I couldn’t. My early years of schooling were the most challenging ones to face. Like me, the other children didn’t realize how it was like to be in the situation I was in. Bullying and name-calling was common in the schools I attended. “Slowpoke” and “snail” are only some of the few names I was called by. Sometimes, children would even go as far as “crazy” and “*******”. They mimicked the way I walked and called my attention, asking me who it was they were pretending to be. Often times, I did what I was told to do at home and stood up for myself, firing back with a witty, sharp remark. Other times, I chose to ignore them instead.

    On the first days of all my Physical Education courses, I’d try to blend in with my classmates hoping that the teacher wouldn’t notice that I was incapable of doing the routines. I tried to get away with it, to no avail. As soon as I got found out, I was tasked to watch everyone else’s belongings, clear up scattered basketballs, or score a game I really had no knowledge of each meeting. I remember how it felt like to be a benchwarmer, while all the others were doing warm-ups or playing sports. I didn’t look at their faces much, instead I closed my eyes and listened as their laughs echoed their enjoyment into the air. That, or I looked down at their feet, watching them jump, listening to the thumps as their shoes hit the ground again. They made it look so easy.

   During dance rehearsals, I’d stare down at my own shoes, dirtied and scratched from constant dragging. I’d feel a sharp, imagined pain in my stick-thin legs, and imagine them moving to the music they’d be dancing to. Gently. Tap. Tap. Tap.

   While I admit that I felt a lot of resentment towards this disability in the past, I now find that there isn’t really much to resent about it. I have grown so much as a person through this disability. It has become part of who I am and how others define me. It is true that I have missed out on a lot of the things teenagers my age have gone through, but how this disability has enabled me to see life actually happen, to discover life’s true essence, and most of all, touch the lives of people I have encountered in the past and those I continue to encounter, makes me feel as though I have not missed out on anything at all.

   As I end this essay, I’d like to leave two challenges. If you happen to afflicted with cerebral palsy or any other disability, I challenge you to be proud and fight. Do not let others look down on you. People will demean you, if you choose to demean yourself. Do not wallow in self-pity. Instead, strive to turn your misfortune around. Touch lives of the people you meet. Inspire.

   On the other hand, if you do not have to struggle with any disability at all, I challenge you even more. Do not take your “normalcy” for granted. Do not look down on people with disabilities; instead aim to broaden your understanding of how it’s like to live life in their shoes. Everyday, realize how lucky you are to have what you have. I ask you the same question my friend asked me in the coffee shop that afternoon: Have you thought of the things you’ve done with your life?
(an essay I wrote in English class, Sophomore Year College, one of my more personal writings)

11.09.09
Sarah Spang Feb 2016
I worry
For the unmoving mountain
Unable to move an inch
In the midst of an earthquake.
The shaking ground
Does not mean to destroy it
But it cannot be helped
When some things
Are just so obstinate.
They must survive
Or crumble.

The earth is changing beneath us all.
When the dust has settled,
Nothing will ever be the same.
Fall apart or carry on.
Onion,
luminous flask,
your beauty formed
petal by petal,
crystal scales expanded you
and in the secrecy of the dark earth
your belly grew round with dew.
Under the earth
the miracle
happened
and when your clumsy
green stem appeared,
and your leaves were born
like swords
in the garden,
the earth heaped up her power
showing your naked transparency,
and as the remote sea
in lifting the ******* of Aphrodite
duplicating the magnolia,
so did the earth
make you,
onion
clear as a planet
and destined
to shine,
constant constellation,
round rose of water,
upon
the table
of the poor.

You make us cry without hurting us.
I have praised everything that exists,
but to me, onion, you are
more beautiful than a bird
of dazzling feathers,
heavenly globe, platinum goblet,
unmoving dance
of the snowy anemone

and the fragrance of the earth lives
in your crystalline nature.
LexiSully Jan 2018
Perched quietly in the shadows of the night,
Observing completely, using all her might,
Untouched the landscape sat; she breathed a sigh,
She leapt and began to fly

She soared through the trees, dark and murky,
Weaving in and out, the ride a little jerky,
Until she reached the clearing, blooming and sprouting,
Where she landed and began scouting

She spotted a baby, small and alone,
Hungry and confused, wanting to be shown,
Flying over to the area in which it sat,
She pulled some wisdom from her hat

Unmoving and silent, she sat as an example,
Showing her apprentice just a little sample,
Teaching patience and perseverance was first on the list,
She didn’t quit until it got the gist

Next thing she knew, her student was growing,
In no time, it was the one doing all the showing,
She took a step back, gazing proudly at her work,
While the child continued doing all the groundwork

Rays peaked out across the horizon in all hues,
Most of which consisted of reds and blues,
She looked at the child, beckoning it to fly on home,
Although she longed to stay and roam

As the sun rose, slow and bright,
She decided to turn and take off in flight,
Twisting and turning through trees and brush,
She flew on quickly, as if in a rush

She spotted it then, modest and small,
The place she longed to go most of all,
Adventures are fun and she liked to roam,
But there’s definitely no place quite like home.
SE Nummenpää May 2010
the moon was just over
half full, and he watched it
as it floated above,
suspended in place while the earth
moved with each of his steps.
The trees surged and fell
with his feet, but the moon
was unmoving.
Yellow and unmoving.
He stared at it until he was sure
the image had etched itself
into his pupils, a yellow fleck -
not quite a circle;
a curious fleck of light
at which people would stare
and ask about,
and he’d reply,
It is the moon! It is the moon!
He wanted to be yellow
and unmoving.
Yellow and unmoving;
It is the moon!
He’d stolen the moon.
(c) SEN 2010
Nicole Lourette Feb 2011
She said she would be willing to get a matching tattoo
with me. A flower permanently imprinted on our skin.
She likes orchids, I like lilies. And even after moving
away she understands my addictions; growing old,
the rain, Team Gibbs, bats, my love for pistachios
and maybe even my need to come back home.

As much as I love Ohio, it’s nice to go home
every once and awhile. Saving up for my tattoo
is not easy when I keep spending my money on M&M;’s and pistachios,
especially when my mother isn’t there to pinch my skin
and tell me to put my wallet away. She’s not old—
but I certainly feel like I am when she says she’s moving

away from me. I toss and turn and move
in my sleep thinking about how home
will never be the same without her. The cats are getting old;
their time is coming. Maybe we should get a tattoo
of them instead of flowers—light and dark brown skin
warm and cuddled together, munching on pistachios.

I remember when I first became addicted to pistachios.
It was a church Christmas party and the wine was moving
closer to my hands. Mom said I could, as I felt the buzz of my skin
react to my fourth glass. She shook her head and drove me home
laughing at my sneaky attempts to act sober. A tattoo
was out of the question; what would I think when I got old?

Our relationship now has changed, intimate friends never too old
to dance or talk about our *** lives, throwing pistachios
at each other or plan out our future tattoos.
I am going to miss her, and she me, as she moves
on with her dreams, starting over, building a new home
In a place we’ve never known, but always in the same skin

that I have loved my whole life.  A soft, toasted skin
that has been passed down to me for my days of old.
Born, nurtured, taught and loved in my mother’s home;
home-cooked meals that surpass the freshest of pistachios
so I would one day learn how to cook. No matter where she moves,
my mother will remain deep in my heart, my skin—like a tattoo.

She gave me my skin and approved of my tattoo,
provided me with a home complete with pistachios
and an old promise: her heart is unmoving.
Assignment #6 for Writing Poetry class (Sestina)
as well as a birthday present for my mother :)
Joe Wilson Jul 2014
For an age I stared at that heron
my camera poised ready to prove
that if you stare long enough at a heron
the awkward buggers just will not move.

But the moment you put down your camera
and move your eye line a little to one side
the sod takes off while you’re not looking
and there’s loads of loud groans in the hide.

©Joe Wilson – The Unmoving Heron! 2014
A bit of fun...
Blissful Nobody Aug 2018
I watched her from a distance,
Glistening lake gently flowed,
Flowed down her bare body,
The moonlit drop of my dreams,
Glistening in my eyes .

Ravenous thoughts rapture me,
Engulf me in the chasm of desire,
My gaze unmoving and still,
Yet flows down with the trickle,
On her bare *****.

A million stars sizzle a spark,
I want to capture them,
Little droplets of water ,
Making their way softly,
On her bare back.

I watched her from a distance,
The silk of her wet hair,
Wrapped me in a rapture,
Unmoving I stood there,
My gaze so still,
Yet flowing with water,
That she bathed in.
Watching what you can’t have:)
Serene Oct 2012
cold water, harsh ripples
grey clouds, unmoving
never nodding, never agreeable
I could do this
yes, I can, I can
I will
yes, yes
small steps, tiny steps
yes, I could do this
colder water, harsher ripples
howling grey clouds, unmoving
never nodding, never agreeable
they are taunting
mocking, spitting pebbles
no, I can't do this
I can't, I can't, I can't
they're taunting, mocking, laughing, pointing
stop, stop, stop taunting, mocking
stop
please
stop
coldest water, harshest ripples
screeching grey clouds, unmoving
never nodding, never agreeable
cold, so cold
I will get out of this cold
no more taunting, mocking, laughing, pointing
no more cold
yes, I could do this
yes, I can, I can
I will
yes, yes
smallest steps, the tiniest steps
yes, I could do this
ice water, murderous ripples
yes, I will.
Luke sat in the dead center of the couch eating a bowl of cereal while Spongebob’s loud, obnoxious voice played loudly over the T.V. His abandoned Thomas the Train play set pieces lay scattered on the floor and I was rushing around the house trying to find all the ***** laundry from the past week.

“Luke, where did you put your black t-shirt?”

He sat unmoving, his eyes glued to Spongebob. He reminded me of one of those green zombies from his favorite ******-Doo movie that I’d seen too many times.

“Luke.” I said, and he looked at me. “Where did you put your black shirt?”

“What black shirt, daddy?” he asked in his small, seemingly innocent voice.

“The ‘army’ one that Mommy got you when she came home last time,” I explained. “If you want me to wash it, I have to know where it is.”

He looked around the living room, “I don’t know, Daddy.”

Letting out a sigh, I went walking about the house, grabbing mismatched socks, and other clothes that he’d thrown while getting ready for bed the last few nights. Tossing the clothes in the hamper sitting on the table, waiting to be taken downstairs to the washer, I went to look down the hallway.

The black t-shirt in question was one of Luke’s absolute favorites. He tended to throw a sort of tantrum when he wanted to wear it and couldn’t find it. At the moment it seemed to be hiding. Looking around the cluttered house, I noticed something balled up in a corner of the hallway. Thrown against the wall, laying on the floor, was the missing t-shirt. I bent over and picked it up. The doorbell rang.

“Daddy!” Luke yelled from the other room, “the door.”

“Don’t answer it,” I said, coming back into the living room, still carrying the black keepsake. “I found your shirt by the way.”

His face lit up with a smile that seemed to say he’d known all along where it had been. I smiled and opened the door. My face quickly fell when I saw the two officers standing in their dress blue uniforms, presenting a soldierly appearance outside on the front step. I dropped Luke’s shirt.

“May we come in Mr. Reynolds?” one asked.

I swallowed hard, and shook my head.

“Luke, can you go play in your room for a little bit?”

I watched him scoot off the couch, taking a couple trains from his play set and head down the hallway. The stoic look set across the soldier’s faces said everything that needed to be said. It only took ten minutes of awkward mumbling and they left, closing the door behind them. I sat on the couch and buried my head in my hands. Luke came into the living room.

“Daddy?” Luke asked. “Is Mommy coming home?”

I wiped some tears from my eyes, took him in my arms and hugged him tight.

“It’s okay, Daddy. Mommy’s a hero. Right?” he asked.

“Right.”
1

Senlin sits before us, and we see him.
He smokes his pipe before us, and we hear him.
Is he small, with reddish hair,
Does he light his pipe with meditative stare,
And a pointed flame reflected in both eyes?
Is he sad and happy and foolish and wise?
Did no one see him enter the doors of the city,
Looking above him at the roofs and trees and skies?
'I stepped from a cloud', he says, 'as evening fell;
I walked on the sound of a bell;
I ran with winged heels along a gust;
Or is it true that I laughed and sprang from dust? . . .
Has no one, in a great autumnal forest,
When the wind bares the trees,
Heard the sad horn of Senlin slowly blown?
Has no one, on a mountain in the spring,
Heard Senlin sing?
Perhaps I came alone on a snow-white horse,-
Riding alone from the deep-starred night.
Perhaps I came on a ship whose sails were music,-
Sailing from moon or sun on a river of light.'

He lights his pipe with a pointed flame.
'Yet, there were many autumns before I came,
And many springs. And more will come, long after
There is no horn for me, or song, or laughter.

The city dissolves about us, and its walls
Become an ancient forest. There is no sound
Except where an old twig tires and falls;
Or a lizard among the dead leaves crawls;
Or a flutter is heard in darkness along the ground.

Has Senlin become a forest? Do we walk in Senlin?
Is Senlin the wood we walk in, -ourselves,-the world?
Senlin! we cry . . . Senlin! again . . . No answer,
Only soft broken echoes backward whirled . . .

Yet we would say: this is no wood at all,
But a small white room with a lamp upon the wall;
And Senlin, before us, pale, with reddish hair,
Lights his pipe with a meditative stare.

2

Senlin, walking beside us, swings his arms
And turns his head to look at walls and trees.
The wind comes whistling from shrill stars of winter,
The lights are jewels, black roots freeze.
'Did I, then, stretch from the bitter earth like these,
Reaching upward with slow and rigid pain
To seek, in another air, myself again?'

(Immense and solitary in a desert of rocks
Behold a bewildered oak
With white clouds screaming through its leafy brain.)
'Or was I the single ant, or tinier thing,
That crept from the rocks of buried time
And dedicated its holy life to climb
From atom to beetling atom, jagged grain to grain,
Patiently out of the darkness we call sleep
Into a hollow gigantic world of light
Thinking the sky to be its destined shell,
Hoping to fit it well!-'

The city dissolves about us, and its walls
Are mountains of rock cruelly carved by wind.
Sand streams down their wasting sides, sand
Mounts upward slowly about them: foot and hand
We crawl and bleed among them! Is this Senlin?

In the desert of Senlin must we live and die?
We hear the decay of rocks, the crash of boulders,
Snarling of sand on sand. 'Senlin!' we cry.
'Senlin!' again . . . Our shadows revolve in silence
Under the soulless brilliance of blue sky.

Yet we would say: there are no rocks at all,
Nor desert of sand . . . here by a city wall
White lights jewell the evening, black roots freeze,
And Senlin turns his head to look at trees.

3

It is evening, Senlin says, and in the evening,
By a silent shore, by a far distant sea,
White unicorns come gravely down to the water.
In the lilac dusk they come, they are white and stately,
Stars hang over the purple waveless sea;
A sea on which no sail was ever lifted,
Where a human voice was never heard.
The shadows of vague hills are dark on the water,
The silent stars seem silently to sing.
And gravely come white unicorns down to the water,
One by one they come and drink their fill;
And daisies burn like stars on the darkened hill.

It is evening Senlin says, and in the evening
The leaves on the trees, abandoned by the light,
Look to the earth, and whisper, and are still.
The bat with horned wings, tumbling through the darkness,
Breaks the web, and the spider falls to the ground.
The starry dewdrop gathers upon the oakleaf,
Clings to the edge, and falls without a sound.
Do maidens spread their white palms to the starlight
And walk three steps to the east and clearly sing?
Do dewdrops fall like a shower of stars from willows?
Has the small moon a ghostly ring? . . .
White skeletons dance on the moonlit grass,
Singing maidens are buried in deep graves,
The stars hang over a sea like polished glass . . .
And solemnly one by one in the darkness there
Neighing far off on the haunted air
White unicorns come gravely down to the water.

No silver bells are heard. The westering moon
Lights the pale floors of caverns by the sea.
Wet **** hangs on the rock. In shimmering pools
Left on the rocks by the receding sea
Starfish slowly turn their white and brown
Or writhe on the naked rocks and drown.
Do sea-girls haunt these caves-do we hear faint singing?
Do we hear from under the sea a faint bell ringing?
Was that a white hand lifted among the bubbles
And fallen softly back?
No, these shores and caverns are all silent,
Dead in the moonlight; only, far above,
On the smooth contours of these headlands,
White amid the eternal black,
One by one in the moonlight there
Neighing far off on the haunted air
The unicorns come down to the sea.

4

Senlin, walking before us in the sunlight,
Bending his small legs in a peculiar way,
Goes to his work with thoughts of the universe.
His hands are in his pockets, he smokes his pipe,
He is happily conscious of roofs and skies;
And, without turning his head, he turns his eyes
To regard white horses drawing a small white hearse.
The sky is brilliant between the roofs,
The windows flash in the yellow sun,
On the hard pavement ring the hoofs,
The light wheels softly run.
Bright particles of sunlight fall,
Quiver and flash, gyrate and burn,
Honey-like heat flows down the wall,
The white spokes dazzle and turn.

Senlin, walking before us in the sunlight,
Regards the hearse with an introspective eye.
'Is it my childhood there,' he asks,
'Sealed in a hearse and hurrying by?'
He taps his trowel against a stone;
The trowel sings with a silver tone.

'Nevertheless I know this well.
Bury it deep and toll a bell,
Bury it under land or sea,
You cannot bury it save in me.'

It is as if his soul had become a city,
With noisily peopled streets, and through these streets
Senlin himself comes driving a small white hearse . . .
'Senlin!' we cry. He does not turn his head.
But is that Senlin?-Or is this city Senlin,-
Quietly watching the burial of the dead?
Dumbly observing the cortege of its dead?
Yet we would say that all this is but madness:
Around a distant corner trots the hearse.
And Senlin walks before us in the sunlight
Happily conscious of his universe.

5

In the hot noon, in an old and savage garden,
The peach-tree grows. Its cruel and ugly roots
Rend and rifle the silent earth for moisture.
Above, in the blue, hang warm and golden fruits.
Look, how the cancerous roots crack mould and stone!
Earth, if she had a voice, would wail her pain.
Is she the victim, or is the tree the victim?
Delicate blossoms opened in the rain,
Black bees flew among them in the sunlight,
And sacked them ruthlessly; and no a bird
Hangs, sharp-eyed, in the leaves, and pecks the fruit;
And the peach-tree dreams, and does not say a word.
. . . Senlin, tapping his trowel against a stone,
Observes this tree he planted: it is his own.

'You will think it strange,' says Senlin, 'but this tree
Utters profound things in this garden;
And in its silence speaks to me.
I have sensations, when I stand beneath it,
As if its leaves looked at me, and could see;
And those thin leaves, even in windless air,
Seem to be whispering me a choral music,
Insubstantial but debonair.

"Regard," they seem to say,
"Our idiot root, which going its brutal way
Has cracked your garden wall!
Ugly, is it not?
A desecration of this place . . .
And yet, without it, could we exist at all?"
Thus, rustling with importance, they seem to me
To make their apology;
Yet, while they apologize,
Ask me a wary question with their eyes.
Yes, it is true their origin is low-
Brutish and dull and cruel . . . and it is true
Their roots have cracked the wall. But do we know
The leaves less cruel-the root less beautiful?
Sometimes it seems as if there grew
In the dull garden of my mind
A tree like this, which, singing with delicate leaves,
Yet cracks the wall with cruel roots and blind.
Sometimes, indeed, it appears to me
That I myself am such a tree . . .'

. . . And as we hear from Senlin these strange words
So, slowly, in the sunlight, he becomes this tree:
And among the pleasant leaves hang sharp-eyed birds
While cruel roots dig downward secretly.

6

Rustling among his odds and ends of knowledge
Suddenly, to his wonder, Senlin finds
How Cleopatra and Senebtisi
Were dug by many hands from ancient tombs.
Cloth after scented cloth the sage unwinds:
Delicious to see our futile modern sunlight
Dance like a harlot among these Dogs and Dooms!

First, the huge pyramid, with rock on rock
Bloodily piled to heaven; and under this
A gilded cavern, bat festooned;
And here in rows on rows, with gods about them,
Cloudily lustrous, dim, the sacred coffins,
Silver starred and crimson mooned.

What holy secret shall we now uncover?
Inside the outer coffin is a second;
Inside the second, smaller, lies a third.
This one is carved, and like a human body;
And painted over with fish and bull and bird.
Here are men walking stiffly in procession,
Blowing horns or lifting spears.
Where do they march to? Where do they come from?
Soft whine of horns is in our ears.

Inside, the third, a fourth . . . and this the artist,-
A priest, perhaps-did most to make resemble
The flesh of her who lies within.
The brown eyes widely stare at the bat-hung ceiling.
The hair is black, The mouth is thin.
Princess! Secret of life! We come to praise you!
The torch is lowered, this coffin too we open,
And the dark air is drunk with musk and myrrh.
Here are the thousand white and scented wrappings,
The gilded mask, and jeweled eyes, of her.

And now the body itself, brown, gaunt, and ugly,
And the hollow scull, in which the brains are withered,
Lie bare before us. Princess, is this all?
Something there was we asked that is not answered.
Soft bats, in rows, hang on the lustered wall.

And all we hear is a whisper sound of music,
Of brass horns dustily raised and briefly blown,
And a cry of grief; and men in a stiff procession
Marching away and softly gone.

7

'And am I then a pyramid?' says Senlin,
'In which are caves and coffins, where lies hidden
Some old and mocking hieroglyph of flesh?
Or am I rather the moonlight, spreading subtly
Above those stones and times?
Or the green blade of grass that bravely grows
Between to massive boulders of black basalt
Year after year, and fades and blows?

Senlin, sitting before us in the lamplight,
Laughs, and lights his pipe. The yellow flame
Minutely flares in his eyes, minutely dwindles.
Does a blade of grass have Senlin for a name?
Yet we would say that we have seen him somewhere,
A tiny spear of green beneath the blue,
Playing his destiny in a sun-warmed crevice
With the gigantic fates of frost and dew.

Does a spider come and spin his gossamer ladder
Rung by silver rung,
Chaining it fast to Senlin? Its faint shadow
Flung, waveringly, where his is flung?
Does a raindrop dazzle starlike down his length
Trying his futile strength?
A snowflake startle him? The stars defeat him?
Through aeons of dusk have birds above him sung?
Time is a wind, says Senlin; time, like music,
Blows over us its mournful beauty, passes,
And leaves behind a shadowy reflection,-
A helpless gesture of mist above the grasses.

8

In cold blue lucid dusk before the sunrise,
One yellow star sings over a peak of snow,
And melts and vanishes in a light like roses.
Through slanting mist, black rocks appear and glow.

The clouds flow downward, slowly as grey glaciers,
Or up to a pale rose-azure pass.
Blue streams ****** down from snow to boulders,
From boulders to white grass.

Icicles on the pine tree melt
And softly flash in the sun:
In long straight lines the star-drops fall
One by one.

Is a voice heard while the shadows still are long,
Borne slowly down on the sparkling air?
Is a thin bell heard from the peak of silence?
Is someone among the high snows there?

Where the blue stream flows coldly among the meadows
And mist still clings to rock and tree
Senlin walks alone; and from that twilight
Looks darkly up, to see

The calm unmoving peak of snow-white silence,
The rocks aflame with ice, the rose-blue sky . . .
Ghost-like, a cloud descends from twinkling ledges,
To nod before the dwindling sun and die.

'Something there is,' says Senlin, 'in that mountain,
Something forgotten now, that once I knew . . .'
We walk before a sun-tipped peak in silence,
Our shadows descend before us, long and blue.
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
I

Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
                              But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.
                        Other echoes
Inhabit the garden. Shall we follow?
Quick, said the bird, find them, find them,
Round the corner. Through the first gate,
Into our first world, shall we follow
The deception of the thrush? Into our first world.
There they were, dignified, invisible,
Moving without pressure, over the dead leaves,
In the autumn heat, through the vibrant air,
And the bird called, in response to
The unheard music hidden in the shrubbery,
And the unseen eyebeam crossed, for the roses
Had the look of flowers that are looked at.
There they were as our guests, accepted and accepting.
So we moved, and they, in a formal pattern,
Along the empty alley, into the box circle,
To look down into the drained pool.
Dry the pool, dry concrete, brown edged,
And the pool was filled with water out of sunlight,
And the lotos rose, quietly, quietly,
The surface glittered out of heart of light,
And they were behind us, reflected in the pool.
Then a cloud passed, and the pool was empty.
Go, said the bird, for the leaves were full of children,
Hidden excitedly, containing laughter.
Go, go, go, said the bird: human kind
Cannot bear very much reality.
Time past and time future
What might have been and what has been
Point to one end, which is always present.

II

Garlic and sapphires in the mud
Clot the bedded axle-tree.
The trilling wire in the blood
Sings below inveterate scars
Appeasing long forgotten wars.
The dance along the artery
The circulation of the lymph
Are figured in the drift of stars
Ascend to summer in the tree
We move above the moving tree
In light upon the figured leaf
And hear upon the sodden floor
Below, the boarhound and the boar
Pursue their pattern as before
But reconciled among the stars.

At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.
I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving,
Erhebung without motion, concentration
Without elimination, both a new world
And the old made explicit, understood
In the completion of its partial ecstasy,
The resolution of its partial horror.
Yet the enchainment of past and future
Woven in the weakness of the changing body,
Protects mankind from heaven and damnation
Which flesh cannot endure.
                                          Time past and time future
Allow but a little consciousness.
To be conscious is not to be in time
But only in time can the moment in the rose-garden,
The moment in the arbour where the rain beat,
The moment in the draughty church at smokefall
Be remembered; involved with past and future.
Only through time time is conquered.

III

Here is a place of disaffection
Time before and time after
In a dim light: neither daylight
Investing form with lucid stillness
Turning shadow into transient beauty
With slow rotation suggesting permanence
Nor darkness to purify the soul
Emptying the sensual with deprivation
Cleansing affection from the temporal.
Neither plenitude nor vacancy. Only a flicker
Over the strained time-ridden faces
Distracted from distraction by distraction
Filled with fancies and empty of meaning
Tumid apathy with no concentration
Men and bits of paper, whirled by the cold wind
That blows before and after time,
Wind in and out of unwholesome lungs
Time before and time after.
Eructation of unhealthy souls
Into the faded air, the torpid
Driven on the wind that sweeps the gloomy hills of London,
Hampstead and Clerkenwell, Campden and Putney,
Highgate, Primrose and Ludgate. Not here
Not here the darkness, in this twittering world.

Descend lower, descend only
Into the world of perpetual solitude,
World not world, but that which is not world,
Internal darkness, deprivation
And destitution of all property,
Desiccation of the world of sense,
Evacuation of the world of fancy,
Inoperancy of the world of spirit;
This is the one way, and the other
Is the same, not in movement
But abstention from movement; while the world moves
In appetency, on its metalled ways
Of time past and time future.

IV

Time and the bell have buried the day,
The black cloud carries the sun away.
Will the sunflower turn to us, will the clematis
Stray down, bend to us; tendril and spray
Clutch and cling?
Chill
Fingers of yew be curled
Down on us? After the kingfisher’s wing
Has answered light to light, and is silent, the light is still
At the still point of the turning world.

V

Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence. Only by the form, the pattern,
Can words or music reach
The stillness, as a Chinese jar still
Moves perpetually in its stillness.
Not the stillness of the violin, while the note lasts,
Not that only, but the co-existence,
Or say that the end precedes the beginning,
And the end and the beginning were always there
Before the beginning and after the end.
And all is always now. Words strain,
Crack and sometimes break, under the burden,
Under the tension, slip, slide, perish,
Decay with imprecision, will not stay in place,
Will not stay still. Shrieking voices
Scolding, mocking, or merely chattering,
Always assail them. The Word in the desert
Is most attacked by voices of temptation,
The crying shadow in the funeral dance,
The loud lament of the disconsolate chimera.

    The detail of the pattern is movement,
As in the figure of the ten stairs.
Desire itself is movement
Not in itself desirable;
Love is itself unmoving,
Only the cause and end of movement,
Timeless, and undesiring
Except in the aspect of time
Caught in the form of limitation
Between un-being and being.
Sudden in a shaft of sunlight
Even while the dust moves
There rises the hidden laughter
Of children in the foliage
Quick now, here, now, always—
Ridiculous the waste sad time
Stretching before and after.
MasterPlutonium Nov 2014
A NEW GAME OF BLOCKS AND MINING,
I STAND ON A SHORE OF SAND.
I LIKE IT; IT DOESN'T GET IN MY SQAURE FEET.

I LOOK THROUGH PIXAL EYES
AROUND AT MY SURROUNDINGS;
THERE'S AN OCEAN OF UNMOVING BLUE,
A MOUNTAIN OF STONE AND CAVES
BEYOND A FOREST OF BUMPY GREEN.

I THEN TURN AND THEN,
I SMACK A TREE WITH MY SQUARE HAND.
I EXPECT PAIN BUT THERE IS NONE
AND THE RESULT IS A TINY BLOCK OF DARK WOOD
FLOATING A GAP IN THE TREE IT ONCE FILLED.

I STEP FORWARD TO COLLECT IT,
BUT IT FLIES TOWARD ME AND INTO ME;
I WILL IT TO APPEAR IN MY HAND AND IT DOES.

MY EYES GROW BIGGER AND MY BLOCKY SMILE GROWS
BIGGER THAN THE PIXELS THAT MAKE UP MY FACE.

I RUN AROUND, COLLECTING WOOD
AND LAUGHING WITH A CRAZED FACE.

AS I CATCH MY BREATH, I NOTICE IT'D GETTING DARK
AND I TURN TO SEE A HORRIBLE FACE OF GREEN
AND I HEAR A HISSING NOISE.

I CAN ONLY CRY OUT AS THE THING EXPLODES,
WITH A SICKING EXPLOSION AND A LOOK
ON MY CUBE HEAD THAT SAYS
“F* YOU, CREEPER!”
I promise this shall be the last poem of thee I've written of thee. And thus I have dedicated all the love I have for thee into this; in the hope that my heart has none of it left after writing the poem.

I hate the dreadful hollow behind the little wood;
Its taint of darkness dripping down like blood-red hearth.
A breeze of morning moves, that we love, has gone;
For a musk of the skies at dusk must have come down.

Come into the garden, my love, and play around with me;
For a bed of love daffodils is on high;
For a set of faint lights is now there to catch;
One breed of lights that we used to play with.
Bring my that green glass of paint, and draw by me,
While I rub thy dark hair on my lap, with my bronze fingertips.

Run around here, Immortal, and give me thy handsome hand;
Thou art the speed and pace I need here to stay;
Ah, I am not detached from t'is world, so long as I have you;
I am charmed, even in the darkest abyss of yon superficiality.
Thou art the fragrance of happiness found in decay;
Strength in the most diminished, and yet distinguished ecstasy;
A fable t'at becometh real in a flight of seconds;
A temptation no maiden heart canst afford to dismiss.
And look at me, now and then and all over again,
I wanteth to look pretty in my ruffle brown skirt,
Just like in my midnight gown on a flowery wedding night,
One t'at we shalt have above the sun, out of everyone else's jealous sight.

Let's dream t'at this delight shall ne'er wear out, and leave to us t'is nuptial potion;
I hath ideas for us and the most sensible of worldly notions;
Naughty as water ripples and the broadening green plantations;
I knoweth now where we canst go and hide our insightful destinations.
Thou wert always running in thy magical shoes,
And t'eir worlds of visions and phantom-like phantasies,
Like woeful but wise extraterritorial dimensions,
A forest of spells and love curses we never knoweth.
But worry not, my dear, for I shall hold thee in both portals,
I'll keep thee safe by my side, I'll keep thee immortal,
So that we are ne'er to be apart, in such a bright love like pearls,
And the petals of roses t'at ne'er swerve again from our fingertips.
We were always inhabited by our little jokes, and moved by an unseen hand at game,
T'at everything was too tranquil even for being a game as itself its nature,
And the whole little wood we were perched on was one world
Of fun shivers, wonders, and plunder and prey,
Oft' at midnight hours we looked at each other so kindly and peacefully,
With eyes mastered by love and tough loveliness,
Thou looked but wholesomely splendid in thy own questioning minds,
And thy brown hair t'at was turned about by solitary winds.
Ah, Immortal! Immortal, Immortal, my visionary love, my darling bird.
And yet, the night knew then, of our tricks and who we were, funny little liars—
Little liars t'at had but a tender love outta' time and space,
And such a gleaming love for one another,
We whispered, and hinted, and chuckled, with an aroma of love about us,
However we'd braved it out, we felt about it glad and not sorry;
We humans of a naughty, devilish, notorious, but sophisticated breed!

Come into the garden, Immortal, for the night bat now hath flown;
The one thou fear, my love, hath left us alone.
And forgive me for my rigid clauses to them;
For I want only to writ' of thee, my darling bud.
The planet of love seem't be on high,
Beginning to pick away its fruitful colours,
And make itself look petrified and stultified,
Like one from abroad, flown in as foreign woodbine spices.
Ah, as though t'is temporal world is not murky enough for us both,
That our translucent breaths are those who survive;
Who remain rustic in this unmerited ordinary world.

Come again, my love, my impeccable darling,
Let's witness what the sonnet's yet to sing;
All we need t' do is pick up a lil' wooden chair;
And breathe the swampy midnight air before we sit.
Here is my poetry, and I'th written it for thee,
Long like the satin seas, and red ribbons made of clouds,
I needst not say it but thou read still, my heart out loud.
Ah, Immortal, the golden gift thrown at one clean snowy night!
And t'ese hidden memories now shine out back again,
For the drifts of the earth we ne'er knoweth, indeed,
And thus who knoweth the ways of the world,
And the surreptitious moves its soil's done,
From morning to night, from one day to another?
Ah, who knoweth 'em all but the Almighty?
Our Almighty, our very Almighty;
t'at breathed into our souls such loving love,
And made for us t'is decent planet, many suns, and one fair earth.
Ah, Immortal, and thou art the son of literature He had to me,
A joy t'at my hands, as He told, outta rejoice,
A glory t'at my faith should find.
Ah, Immortal, thou art sweet, sweet, and too sweet!
Thy sweetness is but an avarice, one bold austerity to me;
Scenic in its grace—a graceful grace t'at is far too restless and undying!
Undying, unweakening, but strengthening, t'at it'll ne'er die!
Ah, for thy sweetness, Immortal, hardly leaveth me a choice;
But to move and fall softly again and again for thee like before,
And thy honey-coloured skin and charms t'at I adore,
Not his, who knows or feels any of me not;
Not him, who is neither courtly not kind;
Not there, who understands not how to write,
to read, nor even to sing.

All night hath the roses heard songs from thy Eolian lute;
And my unveiled violin, piano, and bassoon;
All shrieking and collating in one strange space.
But hear thou, my love, of my shrilling little voice?
An unheard, abashed voice that keeps calling your name;
Your coloured name, that smells like trust
In its euphoric aura and ecstatic plays.
Where art but thou, my Immortal;
That was so close and definitive to my heart.
Where art but our strings, and guitar cords;
That used to rock up our beneficent loveliness?
That kept our hearts in tune, when desperately falling in love,
Ah, I do not want to leave thee still in thy weird dance,
I want to keep thy heart beating with mine and stay in tune;
I want to run with thee into a hush with the setting moon.
I said to the playful lily, 'There is none but one
With whom my curious heart is to be gay.
When will he be free to catch up with me?
I see him day and night and in dreams of my poetry.'
And half to the rising day, low on the sand
And loud on the stone our passion too shall rise;
Keep us cheerful and our heartbeats warm.
O young lord-lover, what sighs are those
For one that shall ne'er be thine?
'But mine, but mine,' I swore gaily to the rose,
'For ever and ever, mine. Just mine.'

And the soul of our fragrant rose sings into my blood,
That Immortal and his lover shall ne'er be apart.
He'll wait for her at night, in one bloodless Sofia;
She'll wait for him 'till such stars fall asleep.
He makes her blessed even in her dreams,
That all the red roses and lilies stay awake to watch their joy.

Immortal and Estefannia, the happiest ones along those summer days;
Are a threat to those soul frayed and vitriolic;
Too stellar to them romantic and idyllic;
Proud and sturdy in their ascetic life.
The best of love of the world's missing beat;
Daintier than any of this summer's bitter heat.
How fate tests their love we shall ne'er know,
but their love stretches as distantly as it can.

Ah, Immortal, tells Estefannia I shall make thee flattered
In sleep, in peace, in conscience, and in hate;
I shall make for us joy though our stories may be late.
Thy eyes are brown, my love, one shade the world's never owned
And thus thy love is valid and new in itself, ne'er worn.

And I shall hear when thy lips wan with despair, I'll be there;
I'll stand there with my basket, a gift from one faraway;
But with a love neither placid nor drained;
Villainous as t'is world is, what a broken wordling;
Like a wailing starling, torn in its calls and frothy desires.
T'ere is no more signal for us towards t'is despaired world;
I shall take thee yet, through the curtains of such speculations;
For 'tis only thy pride t'at lives, and not one soul of thine lies;
And should thou remain alive, my love shall ne'er hibernate,
But sit and trust firmly in its wakeful sleep, grasping thee,
Grasping thee, my love, 'till exhaust allows me no more words,
'Till my own poetry disobeys me like a cloud of putrefied shadows,
Ah, but still, remaining a gross soulless apparition I may be,
With no apparatus trembling 'round beside me,
Wouldst I still saunter myself forwards,
And greet thee in t'at peaceful vineyard;
Play to thee a lullaby and witness thy dreams,
Rocking thee softly against thy own stardoms,
'Till rivers are awake again and alert t'eir inane streams.
O Immortal, it is for better and fairness t'at I love thee,
Ah, but which love is sweeter than mine, or stronger than ours?

For I trust t'at my love is hungrier t'an that of her yonder,
Ah, and t'an t'at loyalty and patriarchy of our sullen armies,
More striking than a ****** dame's pictorial tyrannies,
One too sweet-scented for a hidden mercenary,
I have heard, I know not whence, t'at it but happened to thee;
Thou wert away, thou wert not under my umbrella, beneath me!
Where is Immortal now, for I need to save him again;
My husband in nature, my lover and immortal darling and best friend!

For t'is world is but a holocaust for the believing;
T'ere is, within which, not one pyramid of truth,
For 'tis a place of happy misery, and too miserable happiness.
T'ere is no place like our little Sofia, t'at once we dreamed of;
Filled with rainwater by its armed forces of Bul-ga-ri-ya;
I shall wait for thee there, by the triple roundabouts,
I shall wait for thee before I pray, and seek help from Our Lord;
I hath written for Him warm praises and delicate triplets of words.
Immortal the delight of my life, the dignity of my love;
Immortal the ringing joy of my ears, the gallant sight of my eyes;
Immortal my darling, of whom I write and for whom I sing.
Immortal like the leaves of the suburbs, t'at turn red and shyly bloom,
One that smells like mangoes and two pieces of orange blossoms.
Ah, Immortal, with his sweet red-mouth when eating dangled grapes,
Immortal the beloved of my father, the moon-faced, merriest son of all!

Where is he now? My dreams are bad. He may bring me a curse.
No, there is a fatter game on the moors, perhaps I ought to look for 'im t'ere.
The devil, I am afraid, hath stolen him again away,
I hath seen him not for a time as long as this day's.
Immortal, I want thy bountiful smile, and see thee not ill;
Immortal, tell me t'at thou long for and love me still.

Ah, along those happy days, and fabulous morning thrills,
My heart leapt whenever it caught thy voice,
And thy sanguine embrace when such came near;
Days were but too advanced, I know, and men were tied to t'eir own minds;
But thou kept me calm, with such majestic love and lil' poems in thy hands,
For t'is world is yet too adamant in t'eir pursuit,
Yet I needed thee, and thou came along.
Long had I sighed for a calm: God may grant it to me at last!
Ah, Immortal, a naughty lil' breach of t'is world, and its affairs;
A lil' cuddle t'at laughed and darted merrily all through the night.
Would t'ere be sorrow for me, for what I was feeling?
I thought I sensed only love and none like hate,
For it all tasted sweet and fierce like neverending fate,
A fate t'at we both accepted in one force,
A fate too astounding from our courageous Lord.
I thought thou wert mine, and thou shalt always be mine!
And t'is swirling sensation, when I looked at thee,
Full of teary happiness and chaotic delights,
I did want not t' think of its possible ends,
Ah, violent as Shakespeare might've assumed,
But I wanted to relish and bury myself in it
For such memories of thou had desired.
Immortal, Immortal, and now thou art gone;
But when all t'is world does is to go flexibly round,
Where'th thou think our missing beats can be found?

Warm and clear-cut face, why thou came so cruelly meek;
A cute lil' wonder to my sight—and for my lungs
To breathe stupidly for now and again.
Thou, handsome lad, hath broken all slumbers
In which all is but vague and foul and folly,
Pale with the golden beam with one dead eyelash
Knifed by the contours on one's cheeks.
And t'ere is also, about, the remnants of one's blood,
Dried and unmoving in t'eir death, but too lifelike at the same time,
Smelling ***** like the air rifles t'at just brought 'em all to death.
Death, ah, living t'is life without thee is like death;
All is clueless, breathless and sightless,
All is burning me strangely and from within,
Luminous, gemlike, dreamlike, deathlike, half the night long,
Growing and fading and growing and fading like an edgeless song,
But all too disobeys me, and disappears again as morning arrives,
Mocking me again while showing off its cloud wives.
I am trapped again now, in t'is wonderless dream of thee;
Which is more buoyant and febrile, unfortunately, than death itself,
One darker than even a tragic tear of one thousand years;
Like a heartbreaking scream or shipwrecking roar,
I am walking in a wintry stream all by myself,
And where is my Immortal—for he is not by my side,
He doth not witness the emerging of such sunshine—ah! It is t'ere today, quite early,
One t'at sets t'is darkening gloom all away, and thus we are all born free,
Free, virtually, both our hands and slithering eyes,
But still thou art not 'ere with me to witness t'is joy,
Thou who hath gone and withered like a pale blow of smoke.
Ah, Immortal, but may I hold t'ese rainy memories of thee still;
For t'ey all scorn and spurn as though I am ill;
I who loveth thee sincerely 'till the very end of time,
I who loveth thee with all the clear and vague powers
with which my very soul hath been endowed,
I who loveth thee like mad, I who loveth thee purely without hate;
I who virginly loveth thee like I doth my own fascinated fate.

Lay again, my love, on my longing lap,
I'll sing to thee one favourite lullaby,
And a basket of cherries t'at we picked nearby,
We shall enjoy t'is merriment before I let you sleep.
I shall let you sleep on my lap—a pair of skins t'at love you,
Love you as much as my other skin doth,
A heartbeat and pulse t'at breathe together
And want thee t'at madly, now and forever.

I found thee perfectly beautiful, my Immortal;
Sometimes thy eyes were downcast,
Spiritual in some ways,
And 'twas like thou wert thinking, my love;
Thinking of the upsurging stars above—and t'eir ******* secrets, beneath.
Ah, Immortal, even the vilest idleness cannot be against my love for thee;
My sparkling stars, and the affirmation traced along my heart is about thee;
All about thee, until t'ere is but none left of me,
Thou art the juice of my soul—far too ripe for someone else's heart!
And one, thou art more delicate than the crescent moon we hath tonight;
More shimmery than its ***** and rays of twilight,
Ah, Immortal, how the heavens hath descended thee onto me;
Thou, my love, art the last life and love of my thorough entity.

And t'is poetry shall be thy last enchanting lullaby,
I hope thou'lt sing it when midnight's swollen and sore,
Hurting thee to the pipes of thy very core,
But let's forget not t'at we once knitted awesome stories,
A chain of moments t'at lasts forever, ever, and ever again.
Ah, Immortal, we are back in the afternoon now,
We must though 'tis bluntly hard to say goodbye,
Of which hearts are unsure, but yet must lie,
I shall cry out my last beating love for thee,
But thou dwelleth in what I see, and thus ne'er leave me,
Like a fallen star t'at wants to rise but ne'er doth,
Thou art still the leaf my autumn tree hath sought;
And thou art the shine to my balmy rootless night;
Thou art the apparition t'at appeareth and teasest me after nightfall.

I'll wait for thee again in slippery Sofia,
And my love shall re-unite again with its winds;
Its walls, its havens, its barns like a spellbound purgatory;
For if I am bound to thee, in love and hate and rage and agony;
I'll write thee poems 'till even the universe is asleep.
I'll be cold like thy saluted Bul-ga-ri-ya;
I'll hold thee with 'till the last drops of my sanity;
Ah, Immortal, and in yon high-walled garden I still watch thee
pass like an authorial star;
Thou art as graceful as my own kind-hearted light;
For sorrow cannot even seize thee, my leading star!

Say love not when I meet thee again one day;
For t'ere is no more a desire to learn or admire,
I shall carry my knigh
Once as I travelled through a quiet evening,
I saw a pool, jet-black and mirror-still.
Beyond, the slender paperbarks stood crowding;
each on its own white image looked its fill,
and nothing moved but thirty egrets wading -
thirty egrets in a quiet evening.

Once in a lifetime, lovely past believing,
your lucky eyes may light on such a pool.
As though for many years I had been waiting,
I watched in silence, till my heart was full
of clear dark water, and white trees unmoving,
and, whiter yet, those thirty egrets wading.
The rose was
not looking for the morning:
on its branch, almost immortal,
it looked for something other.

The rose was
not looking for wisdom, or for shadow:
the edge of flesh and dreaming,
it looked for something other.

The rose was
not looking for the rose, was
unmoving in the heavens:
it looked for something other.
Pagan Paul Nov 2017
.
He lays in peaceful repose upon a sheet of satin,
she moves up to his body and curls into him,
placing her head upon his unmoving chest,
unconditional grief shown in mute sadness.
She recalls his voice filled with love and affection,
his familiar scent now gone, cold and musty,
as deaths sweet perfume hangs heavy
like a drape of choking intoxicant trance.
Moments stretch blandly into minutes of ache,
the minutes career into hours of silent vigil.
And with her head upon his unmoving chest
she exhales and whimpers her final sigh,
a last breath and she submissively slips away.
Hoping, perchance, once more to hear
her masters voice.



© Pagan Paul (25/11/17)
.
Written by Serge Kahili King

There is a famous *Zen koan
(philosophical riddle) which asks,

"What is the sound of one hand clapping?"

The student of Zen is supposed to meditate on this riddle until some degree of insight or enlightenment occurs. *The tricky part is
that there is no right answer. What you are, or what you know, or what you believe, is what you get.

Although no longer an active student of Zen, I was recently meditating of the riddle of one hand clapping when I got an answer that might be useful to share:

The sound of one hand clapping is the same as the sound of two hands clapping.

How could that be, you ask (for the sake of this article
I am assuming that you do ask)? It's simple, I reply.
The concept of clapping implies that a sound is being produced by two surfaces coming into contact, even if only one of them is actually moving.
No sound, no clapping; no second surface, no sound. Yet, the riddle definitely states that there is a sound and that there is clapping.

Therefore, my answer follows logically.

Yes, I know, the answer to a koan is supposed to be beyond logic, but rest assured that the answer came intuitively. The logic came after.

Before you dismiss this as simply a bit of cleverness or a waste of time, let me tell you about the rest of the meditation. After the revelation that the sound of one hand clapping must be the same as the sound of two hands clapping, it struck me that this was a nice metaphor for two of the corollaries of the Second Principle of Huna.

The basic principle states that there are no limits, which implies that everything is in a relationship to everything else. And that implies that if you change one side of a relationship you change both sides.Even if only one hand changes its position relative to another, unmoving hand , a clapping sound will be produced.

We don't have to wait for both sides of a relationship to participate before bringing about beneficial change.
Change one side of that relationship and the other side has to change because the relationship has changed.

We use this idea a lot in teaching Huna.
For instance, in third-level healing work where we assume that

everything is a dream and everything is dreaming, we say that
~ if you change one dream you automatically change all related dreams.

So you can go to an imaginary garden and make changes to symbols of your life experience, and your life experience will change.

In second-level healing work where we assume that
everything is telepathically linked, we say that
~ if you begin to silently bless and forgive people with whom you are having difficulties, they will know it and they will begin to change their behavior toward you without a word being spoken.

And in first level healing, where
we assume that everything is separate but potentially interactive,
we teach that
~ if you smile and hug a lot you will tend to get a lot more smiles and hugs back, even from people who don't normally smile or hug.

Now what do you think would happen if you applied this idea to the whole of your life?

In a strained personal relationship, for example, instead of waiting for the other person to make the first move toward reconciliation you could start the process in your own mind, either by purposely creating a better opinion of the other person, or by imagining the two of you getting along with all of your differences.  Sorry, you can't control with your imagination what the other person thinks or does (it simply doesn't work), but you can use imagined persuasion just as you might in a face to face meeting. As in any form of persuasion, however, the more your persuasion is based on a benefit to the other person, the more successful it is likely to be.

In a strained global relationship, assuming our theory is valid
(which means workable). We might be able to get together even in a smallish group and and rethink ((or redream)) our relationship with one or both countries involved. Theoretically, of course, it ought to take only one person to make a change. On the other hand, the change of one person's relationship to a country might only produce a very small change, so the more people the better. The thing to remember, in this context, is that you are trying to change how you think or feel about the country, not trying to change the country. It's a subtle but important difference, and it applies to people as well as countries.

If this idea catches on we can introduce  "a Huna koan" ((the actual Hawaiian phrase is "nane huna," a hidden riddle or conundrum))

*"What is the sound of one person loving?"
Notes hand~written by
Impeccable Space
Poetic Śūnyatā
Helen Oct 2013
Once I was a sad clown
I smiled sometimes
but you couldn’t see it
behind the painted frown
I could pluck small
colorful *****
from my pocket
and spin them in the air
Blue, red, yellow, green

Lies

Mistrust

Envy

Deceit


They would twirl faster
Faster…
until they merged
into an ugly brownish red stain
Then stop!
To fall, into a
puddle at my feet

Another time I was a ballerina
A little girls delight

Another time, a tin soldier
A little boys dream

But I can only be those things
While I sit, with my eyes closed
and my conscious dozes
and I can no longer hear
the screams

When my eyes are open
I am once again
just a Puppet
all arms and legs
and bobbing head
that dip and sway
and dance
to anothers tune
Even that
I could live with
if my demise
had not come so soon

In one moment of lucidity
borne of dreams
I could not escape
I ignored the Puppeteers growl
as I twisted and twirled
with my own moves
but then I slipped
Alas
my fatal mistake

You see,
I was not strong enough
To move my own arms and legs
with my worthless
puppet brain
To even think I could move
without anothers command
should have shown
how much my dreams
had made me
Insane

I tripped up so badly
there was no hope
of untangling
my Puppet strings
I was bound so tight
unable to move
I lamented what
my actions had cost me
and I knew the pain
it would bring

There was no other choice
but to cut me loose
and my master
did not even shed
a single tear

I’m still a puppet
just an unmoving one
sitting in the corner
no longer with strings
And no use to another
Puppeteer

Nov 30, 2010
Wuji Jul 2012
I will keep looking,
For I am a lighthouse.

I will always see the good in everything,
For I am a lighthouse.

Confused I will search for answers,
For I am a lighthouse.

Help any ship along the sea,
For I am a lighthouse.

Wait in a single spot unmoving,
For I am a lighthouse.

Slowly decaying from the inside,
For I am a lighthouse.

Alone for all my days,
For I am a lighthouse.

Never will have any true partner,
Because no one builds two lighthouses next to each other.
What a job.
The quiet August noon has come,
  A slumberous silence fills the sky,
The fields are still, the woods are dumb,
  In glassy sleep the waters lie.

And mark yon soft white clouds that rest
  Above our vale, a moveless throng;
The cattle on the mountain's breast
  Enjoy the grateful shadow long.

Oh, how unlike those merry hours
  In early June when Earth laughs out,
When the fresh winds make love to flowers,
  And woodlands sing and waters shout.

When in the grass sweet voices talk,
  And strains of tiny music swell
From every moss-cup of the rock,
  From every nameless blossom's bell.

But now a joy too deep for sound,
  A peace no other season knows,
Hushes the heavens and wraps the ground,
  The blessing of supreme repose.

Away! I will not be, to-day,
  The only slave of toil and care.
Away from desk and dust! away!
  I'll be as idle as the air.

Beneath the open sky abroad,
  Among the plants and breathing things,
The sinless, peaceful works of God,
  I'll share the calm the season brings.

Come, thou, in whose soft eyes I see
  The gentle meanings of thy heart,
One day amid the woods with me,
  From men and all their cares apart.

And where, upon the meadow's breast,
  The shadow of the thicket lies,
The blue wild flowers thou gatherest
  Shall glow yet deeper near thine eyes.

Come, and when mid the calm profound,
  I turn, those gentle eyes to seek,
They, like the lovely landscape round,
  Of innocence and peace shall speak.

Rest here, beneath the unmoving shade,
  And on the silent valleys gaze,
Winding and widening, till they fade
  In yon soft ring of summer haze.

The village trees their summits rear
  Still as its spire, and yonder flock
At rest in those calm fields appear
  As chiselled from the lifeless rock.

One tranquil mount the scene o'erlooks--
  There the hushed winds their sabbath keep
While a near hum from bees and brooks
  Comes faintly like the breath of sleep.

Well may the gazer deem that when,
  Worn with the struggle and the strife,
And heart-sick at the wrongs of men,
  The good forsakes the scene of life;

Like this deep quiet that, awhile,
  Lingers the lovely landscape o'er,
Shall be the peace whose holy smile
  Welcomes him to a happier shore.
Evan Serik S Dec 2014
Caught here like a stone,
Trapped,
Unmoving,
Alone,
Nothing but dust and decay all around,
Surrounded,
Pounded,
Alone,

Try to burn a stone,
It won't burn alone,
1000 degrees of hell,
Everything melts,*
The stone is really alone now,
No moss,
No grass,
Nothing to atone,
Nothing for me the stone,

Now i'm really alone.
Sometimes a jolt can stop you.
Like a phantom step that calls for you drive your heels to the ground,
Or a sentence in a book that yanks your gaze back to the beginning,
Heaving and lurching over.

Sometimes I stop,
To take in that I have stopped.
That it has been as few months that I could count on fingers,
The same that have scratched at my insides,
Heaving and lurching over.

Sometimes that same jolt can push you,
Like a static shock from a touch.
And that is why I do not claw, crave, beat or binge,
As I think of you most days, not out of love but as a warning.
For if the shock from your static unmoving self
Had not left me stung and stumbling,
Heaving and lurching,
I would not have ran forward.

*I have been cold inside and out.
I have been clawed and have grown talons in return.
And I was paler than my anaemic self,
Lacking in haemoglobin to burden with rasps of air,
Because my heart was weak and could not push blood to the surface.

But now that the colour has drained from my face,
I can blend into snow.
White, all but for red lipstick,
And apple in hand.
So I know when people have found me
They must have had to stop to look.
You hit me like a wave. I drifted away, coming into the shore, and lied there with nothing but my naked eyes; the sun covered my cold, barren body. Radiating sunshine and weakness as the sea called over me, you traipsed and towered over my sight, blinding me with your ivory skin lit as the match fired the sky.
 
The waves in the sea squished me in like a soft linen blanket, wrapping me all over like the comfort of a mother. My hands were trembling as you stood there unmoving, and the melodies and blasphemous beats almost dug me out of my ears; I couldn’t even do anything. You were there like an angel lost in his epiphany. It was as if a goddess were in front of you; your eyes spoke as you became a slave to your own wrath, worshipping what was in front of you. You laid your eyes on me like I was some kind of song you could not decipher.
 
You stood there, solving the creeps and mysteries and finishing the last verse of a poem you will never read again. You hit me like a wave, and I drifted away, hoarding memories left astray. You were there, godlike and lost, and even the sun loathed your fire. You burn like a match, your skin a stain of crimson—of sunshine and weakness. You called me, but I did not answer.
 
It was cold, and I loathed it. Perhaps it was the month of October where the enigmas of night lay open, and achingly, my flesh was found in humiliation. I continued to bleed, on and on.
What is love, if not impeccable grief?
What is love, if not that one dreary night of October?
What is love, if not broken bones and bruises?

Grief is sweet and heavy. Abundant and empty. I remember grieving and feeling everything all at once. Without shedding tears, my heart continued to know the heaviness of my silent pleas. I remember writing pieces that do not make sense, and by the end of the day, somehow, they do. I’m glad it's over.

Song: Where’s My Love - SYML
Stephe Watson Mar 2019
The blues, the blues, these Blues, the Blues,
The Blues.  The Blues won't stop moving,
but haven't gotten to going.  They're a-move,
they're soluble insomnolence, they're
indefferant irreverence
in reference to reverence.
The Blues won't stop going,
but haven't yet left.
All day, I've sat on this Furthest Shore,
unsure if they'd ever get to outgoing,
if they'd ever get to outflowing.

All day, I've sat and worse yet,
all night (we know the nights are the
very darkest sorta pretend-to-be-blackened blues),
sat on this dew-damp Distant Shore,
unsure if I'd ever get to outgrowing,
if I'd ever get to outgoing.

The blues, the blues, these blues, the Blues,
The Blues.  The blues won't stop wounding.
I won't stop choosing.  I won't stop two-ing.

Tilting at horizons, I hold anchor to
Torii.  Summum Bonum, I insist it be.
(Can't let it be.  {whatever it is.})
(Can't let it be.  {whatever it isn't.})
Gateway from humdrum to hallowed.
A red atop blues, also unmoving.
But still in its unmoving, still unmoving.
How unlike the blues.  This red, how unlike the blues.
Jean Rojas May 2015
Run, Gemini child
And run fast
For tragedy is hounding
You in the guise
Of glory
And billing you
For excesses uncontrolled
The end is drawing near….
Though you have no fear,
Must you also have no shame?

Hide, Gemini child
And hide yourself well
Hold still, unmoving
Drop out of sight
And out of mind
For the consequences
Have exacted from you
A high price to pay
A form of revenge
Festering in your unkempt spirit
How could you live
As you have allowed yourself
To lead?

Destroy not your soul
For materials that put their
Patents on you…
Must you go so low?
Can you never go slow?
Downwards is a long
And empty route
It was not the road
That the heavens had
Destined you to take
Though it be the one
You will never, ever forsake…

Be kind dear Gemini child
And go down alone
If you think that you must
Your looks might be lasting
But your heart remains wanting
Let other people move on
And share not
This unnecessary pain
Let time be the judge
Nor excuses be made
For your living the fullest
Through irreverent ways….

Curse of the seasons
Child of the star
Rest but your head
On a pillow of stone
Walls that constrict
From maggots insist
Anaesthetize all emotions
That plagued you in life…

Meet me at Forest Lawn
Where to you I will sing
To wipe all your tears
And sunflowers bring
Moodust on my pocket
And one for the road
Dear Gemini child
Running from cold
Kiss to the fate
All the prophets fortold
Dear Gemini child
So beautiful and so bold
Mine is a love
That time can not fold
Depicted in stories
That shall never be told…
For: Errol Flynn
1994
L Smida Jan 2012
Hello there, I’m Heidi.  I’m 17 years old but I’m no longer alive.  I was 16 years old when I died.  It’s been a year since I’ve breathed the earthly oxygen.  The air up here is so much fresher than down there.  It’s quite unbelievable.  If you listen closely, I’ll happily tell you my story even though it’s not very happy.  If you're emotional, please take a moment to make sure there's a box of tissues handy, because by the time I reach the end, you might need some.  I’m just letting you know.  It’s not a happy ending.  Anyways, have you ever fallen in love?  Not the kind of love that you confused with the real kind.  I’m talking about true, heart pumping love.  The kind where you'll do absolutely anything for, anything in the world.  Even if it kills you.  The kind that if it starts slipping away, you'll do whatever it takes to hold it together.  You’re probably asking yourself, "16 and in love?"  Yea.  Well, here is my story.  
It all started with the day Sammy’s dad got a new job out of state.  We lived in Pittsburgh, Pennsylvania for as long as I could remember and her dad's new job was all the way over in Long Beach, California.  "This can’t be happening," I thought to myself.  "How will I survive without Sammy?  She’s literally my life, the air I simply breathe every day.  She’s the only person I fully trust with my whole heart.  She’s the only person in my life worth talking to.  She’s so incredibly sweet, the sweetest girl I’ve ever met.  She doesn’t judge, she doesn’t cause any trouble, she’s real down to earth, well put together, and smart.  Everything."  It seemed too perfect, almost dream-like.  You know, the dream that you never want to wake up from.  Well, there I was living it and I didn’t ever want to wake up.  
People use to call me "The Dreamer" because I was always in a great mood.  I was always smiling and taking big risks.  I only took those risks if I absolutely thought it was worth it.  Which most of the time I thought it was.  In my opinion, I thought I was too positive but not cocky.  I was definitely not cocky at all.  I was simply positive and cheerful and constantly trying to cheer everyone else up.  Especially Sammy, I secretly thought that I had super powers.  I somehow summoned a power deep within myself that could make real smiles appear on people’s faces.  Real smiles!  The ones that create a bundle of energy instead of taking it away.  You know, fake smiles, they are forced as a result of wasted energy.  The only thing better than real smiles are real laughs.  My energy comes from laughs and smiles from other people.  When I created laughter and smiles, my energy level would rise to the top of the meter and I would be confident about everything.  I would feel indestructible, and nothing could ever hurt me.  So I thought.
When Sammy and I said our goodbyes that day, I surely didn’t want that to be the end.  I didn’t want that moment to be the last.  So I promised her that I would look for her in the future and we could get back together.  We’d keep in touch everyday with texts, calls, and the internet.  She got on the plane and that was that.  I didn’t cry.  She didn’t cry.  Until our backs were toward each other, then I couldn’t hold it.  We knew we’d see each other again and we were sure of it.  She knew I had a plan up my sleeve and that I was going to make sure everything was going to be alright.  Trust, number one thing in a relationship.
The next day I couldn’t stand it.  I couldn’t put up with the empty feeling anymore.  She wasn’t physically here.  I missed seeing her face, her smile, and her eyes.  I missed her laughter and her hugs the most.  My energy was dying.  So I thought up a scheme and I was going to follow through with it.  I called her up and told her that I was coming to see her.  Soon.  
I searched all my drawers and pockets for all my money.  I was going to have to be able to afford a one-way plane ticket and maybe a hotel if Sammy's parents wouldn't let me stay with them.  I wanted to plan for the worst just in case.  I wouldn't want to show up with no money and assume they'd let me live with them.  What if they wouldn't, then I'd be *******.  So after a while of looking around, I came up with 510 dollars.  Enough for a plane ticket and a cheap hotel for a few days.  I’ll have to find a job for sure.  But first, I'd have to go online and find the cheapest airline to use.
I picked out a few sets of clothes and fit them into a single bag.  I didn’t want anything slowing me down.  I didn’t tell anyone I was leaving or where I was going.  Besides Steve, my neighbor, I got him to drop me off at the airport.  We waited in line to buy a ticket to the first flight to California.  Fortunately, the soonest one was in a few hours and there was still a few seats left.  He walked me to the security check and then they wouldn't let him past without a ticket, so he wrapped his arms around me gave me a tight squeeze and he told me that he'd miss me an awful lot and if I ever needed any help to just call him and he would help out as best he could.  Which made me feel a ton more relaxed.  He had tears in his eyes when we separated.  I remembered saying, "I’ll text you when I get there."  I assured him that I would be just fine and he had nothing to worry about.  I also thanked him for being such a great friend.  He really was and always will be.  He stood there as I attempted to walk away, but then I turned and had to go back for another hug.  Then I was sure I was ready to go.  The second attempt to walk away was more successful than the first.  I felt him watch me the whole way till I turned the corner, out of his sight.  
I sat in the terminal for a long time, analyzing the room.  I remember that there was a cute little blonde girl with her dad, a guy with a mysterious black hat and matching trench coat, a tall thin girl with a guitar, an average looking group of 20 year old guys and a few old women.  Those were the only people that stood out, there was many more but I don’t particularly remember them.  After a while, they started calling seat numbers that were allowed to board, starting with the back.  My ticket said that I was seat number 22.  When they called 20 through 30, I got up and found my seat in the big jet.  The butterflies in my tummy are as hyper as possible.  I imagined myself with a butterfly net trying to capture all the fluttering creatures inside me so I could release them on the outside.  They were all crammed in there, fighting each other for space, and it was an unbalanced feeling.  I put my bag under my seat, sat down in seat 22 and decided to make a quick call to Sammy.  I told her I was on my way and I should be there in a few hours.  She sounded extraordinarily excited which made my heart pound.  She made the violent butterflies stop their fighting.  She also told me that her parents agreed to pick me up at the airport.  How nice of them!  Then a lady told me to get off the phone.  I thought it was rude of her to say that to me, but I don’t like making people mad, so I listened to her.  The thing I remember the most is when I told Sammy that I love her, with honesty in her voice she said it back.  Then I hung up and then I finally turn my phone off.  As soon as everyone was in and completely ready, a woman’s voice spoke on the income system.  She said something about there being flight attendants going around checking everyone’s bags and seatbelts to make sure they're secure.  There was the sound of my pulse in my ears and it was louder than anything else.  It was difficult to catch everything she was saying.  I buckled my seat belt but I left a lot of room for movement.  Before I knew it, we were up in the air.  Then I closed my eyes and that’s all I remember.  Don’t ask me how I fell asleep.  All the excitement must've made me exhausted.
The next thing I know, all of a sudden, I was thrown from my seat and I hit my head off the window and it sent sharp shooting pains through my nerves.  Everyone gasped at the same exact moment, and I had no idea what was going on.  I don’t think anyone did but I think we all knew it wasn’t good.  The feeling was like standing in an elevator, having the cables snap, and being dropped from 100 stories high.  Only it was a million times worse.  I was being thrown around everywhere.  I couldn't hold on or even fight back.  Everyone was in mad panic trying to grasp anything near to sturdy themselves.  I managed to get a glimpse out the window to see the clouds shaking.  That told me that the plane wasn’t working right.  Something absolutely horrible was going to happen, the feeling was so strong.  I heard a loud click and then a thud and I caught a glance of the little blonde girl across the aisle from me get hit in the face with a huge metal suite case.  It hit her so hard that it knocked her clear out of this world.  She fell limp and her head lay still on the floor, blood oozing out.  The puddle started streaking toward me, it told me that the plane was tilting or rolling over.  I noticed that her dad wasn’t around.  I stumbled across the aisle and held her in my arms.  I remember my vision being really blurry probably from tears or the plane shaking, or both.  I patted her cheeks to try and wake her, but she was out.  I held her tight and quickly took the time to look around for help but then realized there was no help.  Every ounce of calmness was clearly gone.  I set the girl in the seat and buckled her in.  I wasn’t sure if that would do anything but it seemed like a good idea.  The plane stayed tilted on its side then shook and it literally felt like an earth quake.  My stomach started twisting; the nose of the plane was dipping forward.  I took another look out the window.  My head was spinning, thoughts scattered everywhere.  Everything was moving way too fast and I couldn’t keep up.  I couldn’t concentrate or focus on anything.  I stood up and that was it.  After that, everything went black and then a bright white light took over.  Eventually something happened and I was floating above looking down.  It was a horrid sight, everything so lifeless and dead, unmoving.  Besides for the flames, they were more alive than anything.  Smashed metal, sparks and fire, soundless noise, and in the middle of nowhere, what was going to happen to all these bodies?  
Later, I somehow channeled my sight into a different location.  It’s been hours later and I saw Sammy and her parents in the airport.  They were anxiously waiting for my plane to arrive.  Little did they know, I wasn’t coming.  Hours and hours passed only making them more and more worried and confused.  I felt horrible.  I wish I could send them a message from up here.  They went to look at the departure and arrival screen and there was no time recorded on the screen for the flight they were looking for.  It was completely wiped off the board.  Her dad led them to the main desk to ask the man behind the counter if the plane had arrived yet.  A sorrowful look fell upon the man’s face.  He blinked away tears and you could tell he was searching for the right words to say.  He started to open his mouth but then failed to force words out.  He swallowed a gulp of air and he shook his head.  Something turned all their attention to the 40 inch flat screen on the wall where there was a lady reporting “heart breaking news” about a tragic accident.  He pointed Sammy’s attention to the television behind him, although she was already deeply fascinated.  The news reporter explained and then there were live videos being shown from a chopper that was looking down at the accident.  Sammy cupped her hands over her mouth.  Tears immediately leaked down her face.  Her parents were crying too.  Sammy collapsed to her knees.  I felt like I was standing right there watching everything but I couldn’t feel my feet.  I floated over to Sammy who was sitting on the floor with her face buried in her hands.  Her mom knelt next to her with her arms braced around her.  I waved my arms and shouted, "Look I’m right here!  Please stop crying."  But no one saw me or heard me.  I went over to Sammy and tried to grab her face to make her look at me, but I couldn’t feel anything.  I looked down at my hands and they were transparent.  I panicked and I knew this couldn’t be happening.  But it was.  I was dead.  
I channeled into another location, my house.  My parents were watching the same news channel but they didn’t know I was on that plane.  They didn’t know I was missing.  They didn’t know I was dead until weeks later.  When I didn’t come home that night, they called the cops and sent out search parties.  Whelp, they found me.  They identified my body in the plane.  My parents didn’t believe it because they had no idea how I would've got on the plane in the first place.  Then when they brought my body back to bury it, it was proof to them that it was fact me.  I absolutely hated watching everyone cry.  I hated that I couldn’t do anything about it.  Everyone that I left was left in silence.  I at least got to tell Sammy that I love her.  I got a last hug out of Steve.  Those were the most important people in my life.  I couldn’t feel worse at this moment.  
I felt like I was doing the right thing, chasing my dreams.
The dreamer thought she could fly.
Victoria Jun 2013
On a tall stone bridge below the falls
I saw a Druid watch the sky.
The wind teased the branches of the great tall oaks
their leaves clattering sound
like the skirt of a desert dancer.
How still the Druid seemed! Unmoving 'midst the breeze.
I asked him what he sought among the hills at twilight.
Not a word he said, but motioned with his gnarled staff
To thick grey clouds above the highest peak.
arham Apr 2014
The clickety-click-clack-clack of keys clicking
and the creek-creek-creek of the rusty chairs,
you grinding cavities into your teeth.
Is this your definition of time passing?
Time here is slow.
Almost unmoving.
You see a window,
consider the possible way through it.
Boredom does have a tidy death streak.
Pisceanesque Jul 2015
Standing here
I stood my ground
floating
closer
than the distance

Further
than ‘ahead’ I saw
me
fighting for resistance

Fast
unmoving
– not alone –
with only me
I stayed

Fumbling
– screaming loud –
to hear it:

. . . silence . . .

yet I disobeyed

Cocooned in air and
muffled
by these fitful gulps
I dared not breathe I
marked out time
in vacant space
I owned – yet
not yet: not for me

Thinking hard
I cleared my mind
– illusioned, lost –
yet
memories traced

Would I
(should not) leave
I’d try

The where?
Just ‘some’
to
ANY place
© Tamara Natividad
www.pisceanesque.com
Written 30 October, 2007
-
ashley Apr 2013
Description: Sam's not at all who people think he is. He might be quiet, he might be shy, but he also was diagnosed with cancer. When Briar moves to town, she catches Sam's eye. What will happen once the two get closer? Will Briar light a spark in Sam's heart?

-

Distant Memory

Dedicated to my cousin, Blake, who is currently fighting a horrific battle of Lymphoma.



You're probably thinking this is just some clichè love story, one about a girl having a crush on her best friend's brother, or how two people fall madly in love, but it's anything but. This is my story, with a twist unlike any other.

~

It all started in our Junior year of high school. You were new to Wakefield High, just moving here the previous year from New York City. On the first day of school, you were so unsure of yourself, not knowing what to do or where to go. I watched as you made your way through the halls, nudging your way through the crowded bodies as students made their way to class. Even though the halls were tremendously over-crowded, you were easy to spot. Your blonde hair and strikingly blue eyes stood out by the school's bland beige walls. You were more radiant, more powerful and glowing, than anything or anyone in the whole school.

Eventually, you made friends in all the clubs you'd joined - culinary club, photography club, and ASL. I don't know what made you stand out from all the other girls at Wakefield High, but whatever it was, it was strong. I felt drawn to you, like we shared a connection deeper than either of us knew. And it was then when I made it my goal to get to know you.

For the first few weeks, I'd tried bulking up the courage to speak to you. I had planned it all out in my mind. I would talk to you at lunch, right as you gathered your food and headed off to the library like you do every day. That was my chance, and I was determined to stick with it.

On that day, I was behind you in the lunch line. Once you got up there, you ordered a chicken empanada, then headed off to the library in the West wing. I quickly grabbed my lunch, a light Cesar salad, and trailed behind you.

You were walking faster than expected, and I was just too weak. I stopped, holding my knees as I gasped for breath. That was my chance to talk to you, to finally hear your beautiful voice, and I blew it.

It wasn't because of what you think. I couldn't keep up because I was lazy or out of shape, because I was neither of those.

I was diagnosed with Leukemia last October, and after tons of treatment, my doctor said I could try going back to school. I decided it would probably be best for me to live a normal life - as much as normal can get for a boy with cancer. Knowing that I was going to die soon - my doctor predicted I would only last for another year, tops - made me want to get to know you more.

After many wasted days of trying - but failing - to get your attention, I gave up. You were too wrapped up in your new life to even acknowledge my existence. Too busy maintaining your new found reputation, too busy dating a new guy every week. I always thought you were a ***** because of it, that you took advantage of different guys and then left them to crumble to pieces, but all of that changed on that faithful day.

I had gotten dropped off late to school because I had to get tests run at the hospital that morning. I tried to get to class on time, running as fast as I could. Only that didn't work because before you knew it, I was out of breath once again.

I headed over to the restroom, hoping a cool splash of water on my face would do the trick, when I heard wailing in the girls bathroom. I looked over my shoulder before entering, just to be safe. As I closed the door, I locked it behind me.

You were leaning against the wall, knees drawn to your chest as you cried. Noticing a presence, you looked up at me, thick black mascara running down your rosy cheeks. Your eyes were puffy, and I could tell you'd been crying for quite a while.

I didn't know what to say or do at that point, so I did what my heart told me I should do. I held you.

I sat next to you and wrapped my arms around you. Your body seemed small and weak, heaving in my arms. You cradled your head into my neck as tears fell from your bright blue eyes. I didn't bother asking what was wrong. Figured I would at a better time.

Just then, you looked up at me, face flushed and blotchy, and grabbed my hand. It seemed to fit perfectly within yours, our frail fingers intertwined in each others.

I tucked a few of your light blonde strands behind your ears as your cries dwindled. Even after you'd finished crying, you sat with me.

"What's your name?" Your eyes shone with curiosity.

"Sam."

"I'm Briar."

Briar. What a beautiful name. I smiled in your tangled hair. I never in a million years thought I would ever talk to you, and even if I had, I never would have expected it to be quite like this.

"You like Ed Sheeran too?" You asked, your eyes widening in delight as you scanned my shirt. I watched a smile creep to your face, lighting up your gorgeous eyes.

"Yeah, he's my favorite singer," I smile shyly. I can feel the heat rushing to my cheeks, and I feel embarrassed for acting this way.

Ever since then, we began talking. The more we talked, the more I knew how wrong I was about you. You weren't a ***** at all; all the guys you've dated broke up with you, but blamed it on you every time. That's how you got the title as biggest ***** of the school. I felt bad because you were one of the sweetest people I'd ever met, portraying someone you weren't.

I felt like that Ed Sheeran shirt brought me luck. It was the start to our budding friendship.

After a while, you completely changed. You stopped hanging out with the populars, claiming they were never into you anyway. And I found you enjoyed yourself more. I ended up joining the photography club later that year. Whenever we would go out on weekends, I was always taking pictures of you, catching the memories within a moment of time.

You always loved my pictures. As we sat in my bedroom, I'd let you pick out your favorites for you to keep, writing little notes on the back of each picture. Your absolute favorite one was that one of the two of us.

We were in a huge field, smiling as I held you in my arms wedding style. Your blonde hair flew around in all different directions and your eyes held happiness and joy. That was my favorite one too.

I had always had feelings for you, ever since that day in the bathroom, but I'd never have the chance to show you how I really feel. Even if I did, why would you love me back? I have no hair anymore since going through chemotherapy. My body's frail and weak, barely able to stand up on my own.

I had went to the doctors two days ago for more tests, and the doctor found that the tumor in my brain was growing more and more rapidly by the second. Therefore, I would be dying sooner than expected. I only had four days left. My mother held me in her arms as she cried, her wet tears staning my t-shirt.

That night, I called you and told you the news. You cried into the phone, and I wish I was there to hold you, tell you that everything would be okay, that I would be better soon. It was a lie, but I didn't want to hear you sad. I felt bad for being the cause of it.

The next day, I was rushed to the hospital after my mother found my collapsed in my room.

It was then I knew my life was coming to a close. I grabbed a pen and piece of paper, and wrote you a letter.

~

Dear Briar,

If you're reading this, I'm probably gone by now. I just woke up to the dimly lit lights flooding into my room, tubes and needles inside of me. My heart monitor is beeping weakly next to me, and I feel very frail. Cold, frail, and in tremendous pain. You're alseep on the couch right next to my bed and I watch you, take in your beauty for the last time. Your blonde hair is flowing around your head like a halo, your lips look like delicate red rosebuds. Even though I am weak, getting skinnier by the second, I make my way over to your side, kissing you lightly on the forehead.

I never told you about my cancer, and I'm sorry for that. I'm sorry for causing you the pain of me leaving you. I never meant for it to be this way. All I wanted was to live a normal life, and you showed me that there's happiness even in the smallest of places.

When you miss me, look at the pictures of us, pinned to a board on your bedrooom wall. Remember the memories we've had together. Remember the way you always made me smile, the dozens of laughs you filled me with. You showed me how to enjoy life, Briar. And I could never ask for anything more.

You filled my gloomy days with so much laughter I could barely contain myself. Remember me like that, Briar. Remember me happy.

I never realized it before, but I've fallen in love with you; your glowing smile, eyes the color of the raging ocean. I'd never known what love felt like, but I found it with you.

I love you so much, Briar. Never forget that. And remember I'll always be with you.

Love forever and always,

Sam

~

Briar's POV

I woke up to Sam's heart monitor, constantly beeping.Looking at the monitor, I noticed his breaths were slowing.

I made my way over to his bedside, rubbing my thumb gently across his cheek. His eyes were closed as his chest rose every so often.

"If only you knew how much I love you, Sam," I whispered, a single tear falling from my eyes. I watched him smile as he dwindled away.

"Sam? Sam?" My eyes filled with panic as I shook him lightly. "Sam?" My voice rose as I looked at the monitor, seeing the thin red line.

"Help! Somebody help!" I cried. As soon as those words escaped my lips, his hospital room flooded with doctors and nurses. They surrounded him, pushing me away to see what had happened. But they didn't need to. I already knew.

A doctor with black curly hair came rushing over to me. "I'm sorry, but he's gone.."

He's gone... He's gone... He's gone...

Those words rung in my ears, filling my head. I ran over to your bedside, crying my eyes out and practically screaming your name, hoping you'd come back to me.

I lay my head on your unmoving chest, letting my tears soak into your shirt. I noticed a small white envelope on the table next to you, To my sweet love, Briar, was written on it in your handwriting. I stuck it in the back pocket of my jeans before heading out of the hospital, feeling numb and empty.

I reread the letter over and over, tears staining the white lined paper.

"I love you, Sammy," I said, looking up at the bright blue sky. Even though the world seemed empty without you, I know I had to be strong. For you.

On days where I feel I can't bear your absence, I look at the pictures you took, just like you'd asked. I never knew you would change my life in such a drastic way.
A short story I wrote on Wattpad; not that it's any good, but yeah.
Robert Zanfad Dec 2013
there's a fat plastic tube taped sub-clavian carrying ruby fluid
from a clear bag that hangs overhead
draining mysteries of modern alchemy
into your body, its lifetime measured, silent droplets
inside a hermetically sealed hourglass we can only watch, not touch
but they don't change you

by protocol your nurse wore her nitrile gloves doubled-up
lest she get this stuff on her fingers - it's toxic -
advised you to flush the toilet twice,
making certain to eliminate stray molecules that might
be exposed to sitting innocents

i should be in the next chair, holding your hand

we might share complimentary raspberry danish,
stare at a silent TV on the wall
as it broadcasts flashing pictures of calamity from
the latest war or storm savaged country
but we’ve been living there for years already
our home not populous enough to draw serious media attention;  

we’d wrestle sips of anemic coffee from free paper cups
yours going into a red can when you've finished
because that brilliant color insinuates itself into saliva, eventually
as it does to blood and *****;
i could take mine home

i'd read moving captions at the bottom of the screen
to know what's going on in the images
while you'd feign interest in this tedious world and remind me, again,
how life is tenuous

ask me the name of that dripping liquid just to see if i was listening,
an appellation alien - if life were fair it would be easier
but i’d get the pronunciation wrong
maybe it could be a French word i remember reading to you from a menu in Paris
we might paste it thickly, soft cheese onto torn chunks of baguette
savored between sips of cabernet from long stemmed glasses;
pronounce it “good” as if we could own it

****** and gigolette -
we’d stolen the whole earth that moment,
grinning like a pair of cat burglars at a cafe table where i'd held your hand
but here we are, old again, bitter enemies
for the moment, i'm glad for Ativan and Motrin,
the only names i can remember from your tray of saltines and ginger ale

instead, i'm sitting alone at home with cigarettes and bourbon,
more congenial poisons
staring at a white, unmoving ceiling, pretending I’m working
we're like that, you know, tug and tow - where you go,
i'm heart-bound to follow
Doctor Jack insists i'll live much longer, a little sicker after
i might adjust expectations for a worn-out liver, headaches,
possible blood pressure elevations; short warnings written on the label

while yours smile, with more tricks than carnival barkers
they say, now, a handful - or only two - more tricks up their sleeves,
the grinning, white-coated thieves
Jack smiles, pats my hand, a warm man

smoking is prohibited in the clinic
i'd hang from the window ledge to get the next nicotine fix,
but it won't open to alive, mowed grass outside -
these proceedings always sequester hidden behind curtains in private,
a secret art of undertakers doctoring flesh to look still-living,
love making in mid-evening darkness we've long forgotten

i’d draw deeply chemically-treated air, forget it’s now happening
remind myself a paternal need to stay healthy for survivors
while trying to avoid living in midst of your horrors,
a preoccupation that subsumes my mind

if you’re right - and you always are - how could i bury you?
when the dog died,
i dug her hole in our garden myself, deep through tree roots to bedrock,
then beyond, depth a measure of devotion;
carved a stone with my own fingernails, her name in a crossed heart
and we two cried like shivering babies
as we shoveled all the dirt back in to cover her

these are words of a weak man, selfish ******* that i am
and really, all of life's slumped over in my lap right now,
just this little girl sleeping
but i should be in the next chair
if you'd only let me sit there
again
Mike Hauser May 2014
I've got my Rip Van Winkle on
I've got my dreams all packed
Now all that is need be
A shady spot to lay my head

One that is unmoving
That will be around for years
When roaming the halls of slumber
Time is the first thing that is missed

I sit back as I relax
With a good book in hand
I commence to yawning hard
Enter stage left...Sandman

I've got my Rip Van Winkle on
The rest is history
I'll see you all around sometime
But only in my dreams
White dawn. Stillness.When the rippling began
          I took it for sea-wind, coming to our valley with rumors
          of salt, of treeless horizons. But the white fog
didn't stir; the leaves of my brothers remained outstretched,
unmoving.
                    Yet the rippling drew nearer – and then
my own outermost branches began to tingle, almost as if
fire had been lit below them, too close, and their twig-tips
were drying and curling.
                              Yet I was not afraid, only
                              deeply alert.
I was the first to see him, for I grew
                    out on the pasture *****, beyond the forest.
He was a man, it seemed: the two
moving stems, the short trunk, the two
arm-branches, flexible, each with five leafless
                                        twigs at their ends,
and the head that's crowned by brown or golden grass,
bearing a face not like the beaked face of a bird,
                    more like a flower's.
                              He carried a burden made of
some cut branch bent while it was green,
strands of a vine tight-stretched across it. From this,
when he touched it, and from his voice
which unlike the wind's voice had no need of our
leaves and branches to complete its sound,
                                        came the ripple.
But it was now no longer a ripple (he had come near and
stopped in my first shadow) it was a wave that bathed me
                    as if rain
                              rose from below and around me
                    instead of falling.
And what I felt was no longer a dry tingling:
                    I seemed to be singing as he sang, I seemed to know
                    what the lark knows; all my sap
                              was mounting towards the sun that by now
                              had risen, the mist was rising, the grass
was drying, yet my roots felt music moisten them
deep under earth.

                    He came still closer, leaned on my trunk:
                    the bark thrilled like a leaf still-folded.
Music! There was no twig of me not
                              trembling with joy and fear.

Then as he sang
it was no longer sounds only that made the music:
he spoke, and as no tree listens I listened, and language
                    came into my roots
                              out of the earth,
                    into my bark
                              out of the air,
into the pores of my greenest shoots
          gently as dew
and there was no word he sang but I knew its meaning.
He told me of journeys,
          of where sun and moon go while we stand in dark,
          of an earth-journey he dreamed he would take some day
deeper than roots ...
He told of the dreams of man, wars, passions, griefs,
          and I, a tree, understood words – ah, it seemed
my thick bark would split like a sapling's that
                              grew too fast in the spring
when a late frost wounds it.

                                        Fire he sang,
that trees fear, and I, a tree, rejoiced in its flames.
New buds broke forth from me though it was full summer.
          As though his lyre (now I knew its name)
          were both frost and fire, its chords flamed
up to the crown of me.
          I was seed again.
                    I was fern in the swamp.
                                        I was coal.
Cindra Carr Jun 2011
She’s tense tight
Locked in place with Loctite
Immovable limbs of angular lines
Ripe curves stretched wrong
Tinkling shards of glassed ice
Drop shadowed hooded eyes
Kohl rimmed cries and sighing sobs
Tense tight locked down life
Soul gripping lies slid out to fly
She’s shut off and down
Tense tight unmoving cries

cc2011

— The End —