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"tenderloin" poems
It's like this, and then there was total recall. Fast like a safety plan made wrong and then bouncing in and out all the way down the hall. Up through cable cars, Korean fast food market, wet fish, soupy street, concrete cracks filled with crab meat and **** heads. Just a square, a five block, two street, sideways quadrangle, beat of the Tenderloin, hour of the dove. Every one's dead on these loose ends. Hills of the back of her backside, skin of the back of her neck. Rapture is the grave of the sunset, memory is that thing that I said. No one cans in carnivores, no one runs moves like a shepherd. Sunday, daft as candy, luck in the ways of the prophet. Canon of the blaze of every woman that died today. The sleep setting, the motorcycle bending the hollow, the ravines noisy interlude, up through the rough and the tangles, huddles in a six pack, three or four walking up the block to meet the rest of them. The skin doesn't fit right, it wears wrong, the shoulders stiff, the masseuse excuses himself. Buckets of flowers hang from the ceiling like stripped cat christmas decorations in suburban mastermind serial killer resort town. Everyone is quiet because they gotta. They move their feet like they were hurrying death into a red volcano, like they were the errand of red from the top bell to the bottom of the town. I sit on a roof top, baking in the noon day sun. Stripping sticks and stems off the side to sideways, just roasting away, laying, low in the afternoon light. I see a girl with her hands on her skirt, wobbling, scooting a priest card on a periwinkle terra-cotta. I move my head, turn it upside round to take a better look. No one counts to ten when they see me. The gangster that woke up isn't the gangster that went to sleep last night. My wickedness ended my words mean your bright decay. So I ride the pavement exhausted, burying my coughs in an L-shaped arm
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May 3, 2014
May 3, 2014 at 12:32 PM UTC
Sunday Morning
It's like this, and then there was total recall. Fast like a safety plan made wrong and then bouncing in and out all the way down the hall. Up through cable cars, Korean fast food market, wet fish, soupy street, concrete cracks filled with crab meat and **** heads. Just a square, a five block, two street, sideways quadrangle, beat of the Tenderloin, hour of the dove. Every one's dead on these loose ends. Hills of the back of her backside, skin of the back of her neck. Rapture is the grave of the sunset, memory is that thing that I said. No one cans in carnivores, no one runs moves like a shepherd. Sunday, daft as candy, luck in the ways of the prophet. Canon of the blaze of every woman that died today. The sleep setting, the motorcycle bending the hollow, the ravines noisy interlude, up through the rough and the tangles, huddles in a six pack, three or four walking up the block to meet the rest of them. The skin doesn't fit right, it wears wrong, the shoulders stiff, the masseuse excuses himself. Buckets of flowers hang from the ceiling like stripped cat christmas decorations in suburban mastermind serial killer resort town. Everyone is quiet because they gotta. They move their feet like they were hurrying death into a red volcano, like they were the errand of red from the top bell to the bottom of the town. I sit on a roof top, baking in the noon day sun. Stripping sticks and stems off the side to sideways, just roasting away, laying, low in the afternoon light. I see a girl with her hands on her skirt, wobbling, scooting a priest card on a periwinkle terra-cotta. I move my head, turn it upside round to take a better look. No one counts to ten when they see me. The gangster that woke up isn't the gangster that went to sleep last night. My wickedness ended my words mean your bright decay. So I ride the pavement exhausted, burying my coughs in an L-shaped arm
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4
i’m boy with broken jaw my face and flesh of citrus fingers dripping resolute by weight of sweetened tendon the motion to which i descend i last resort upon thy tenderloin gloss touching me under sublunary breath he melts darkness to sugarfisted ****** i taste of all he ever wanted it’s a dirtyparadise out here behind the neon nickelcade day-glo slithering below my belly just ten bucks, and you’ll get your turn
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Apr 3, 2014
Apr 3, 2014 at 2:18 AM UTC
nickel arcade
replacing white lines with gray ash and sleeping in beds for sleeping in bathrooms and you wonder if you had any self respect in the first place because this afternoon you tried to think of your happiest memories in the past year and it wasn't when you were in someone's arms or thinking of your successes in the mirror while you flexed your kickass young *** it was when you were smoking bummed menthols and your friend commandeered a miniature tractor in the tenderloin and conducted two drug deals in less than 30 minutes and you watched her disdainfully with her girlfriend and wondered where on ******* earth you could get a three dollar old fashioned and let a forty year old flirt with you for coke and you wouldn't even have to do anything for it wouldn't life be nice like that
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Oct 21, 2014
Oct 21, 2014 at 5:32 PM UTC
self respect and introspection
ARMOUR AVENUE was the name of this street and door signs on empty houses read "The Silver Dollar," "Swede Annie" and the Christian names of madams such as "Myrtle" and "Jenny." Scrap iron, rags and bottles fill the front rooms hither and yon and signs in Yiddish say Abe Kaplan & Co. are running junk shops in ***** houses of former times. The segregated district, the Tenderloin, is here no more; the red-lights are gone; the ring of shovels handling scrap iron replaces the banging of pianos and the bawling songs of pimps.Chicago, 1915.
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1.9k
Real Estate News
it was the summer of 13 when a city consumed in a Cronut crazed heat wave amped the tenderloin slicing the underbelly of Hell's Kitchen packing meat for Russian oligarchs pouring fistfuls of petrol rubles down the thirsty gullets of glutinous developers their distended bellies welling with aching avarice from an extended stay at an All You Can Eat zero interest smorgasbord courtesy of Uncle Sam’s Diner somewhere off the West End getting fat on the land reclaimed and rebuilt on the dust and detritus of an expired Great Society Bloomie's metropolis rising on the rubble of razed neighborhoods.... the vertical leaps shooting ever upward the heady windows framing portraits of endless replication offering the amenities of the vain comfort found in ghettos of soulless high rises and the billowing gray perspective of blanched out street cafes brewing $9 lattes and big box boutiques busy busking the latest rage of sweat repelling yoga mats and wearable apps America’s Mayor Giuliani paved the way he arrested all the squeegee men confiscated their Windex dumped it down the sewers and filled all vacancies at Rikers a year after Sandy rolled up the Hudson breaching the banks of West Street licking the streets clean of urban flotsam the surging boom bloomed Bloomie bankrolled a red carpet for his global fraternity of plutocrats unleashing a tsunami of shekels washing away the fading memories of Captain Sully’s cool headed lunch pail heroism proving that 727’s can walk on water was now passe Lou Reed left town the wild side monetized by the belching banality of Urban Hipsters millennial babes in toy land embarked on an endless shopping spree where credit limits never expire and giddy narcissism greased with entitlement orders up room service as the next course in this endless movable feast Music Selection Philip Glass The Hours 9/8/13 NYC jbm
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Feb 9, 2015
Feb 9, 2015 at 2:50 PM UTC
Walking the High Line (WIP/Fragment)
it was the summer of 13 when a city consumed in a Cronut crazed heat wave amped the tenderloin slicing the underbelly of Hell's Kitchen packing meat for Russian oligarchs pouring fistfuls of petrol rubles down the thirsty gullets of glutinous developers their distended bellies welling with aching avarice from an extended stay at an All You Can Eat zero interest smorgasbord courtesy of Uncle Sam’s Diner somewhere off the West End getting fat on the land reclaimed and rebuilt on the dust and detritus of an expired Great Society Bloomie's metropolis rising on the rubble of razed neighborhoods.... the vertical leaps shooting ever upward the heady windows framing portraits of endless replication offering the amenities of the vain comfort found in ghettos of soulless high rises and the billowing gray perspective of blanched out street cafes brewing $9 lattes and big box boutiques busy busking the latest rage of sweat repelling yoga mats and wearable apps America’s Mayor Giuliani paved the way he arrested all the squeegee men confiscated their Windex dumped it down the sewers and filled all vacancies at Rikers a year after Sandy rolled up the Hudson breaching the banks of West Street licking the streets clean of urban flotsam the surging boom bloomed Bloomie bankrolled a red carpet for his global fraternity of plutocrats unleashing a tsunami of shekels washing away the fading memories of Captain Sully’s cool headed lunch pail heroism proving that 727’s can walk on water was now passe Lou Reed left town the wild side monetized by the belching banality of Urban Hipsters millennial babes in toy land embarked on an endless shopping spree where credit limits never expire and giddy narcissism greased with entitlement orders up room service as the next course in this endless movable feast Music Selection Philip Glass The Hours 9/8/13 NYC jbm
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125
When he speaks, I hear the sound, a president who's been around speaking of the wife with cankle not that she could care to rankle Yo, BT, he fights for freedom Rocky would be pleased to meet him late at night when lights are lunar on the road back home, a crooner fools rush in, no longer Bing the king of rock, old Pop can sing a whispered line from any song but suddenly I'm in the wrong and one tough stooge I hear he bought a tommy gun, and "why I oughta" tell you something you don't know it's Ahnold Schwanal ** dee doe and then another voice will join it's Raymond with his tenderloin this sailor's gal has quite a name he cooks his spinach in the same a wealthy man on distant isle who's wife is Lovey, makes me smile Every single voice he's got is good but when he's best it's not the person he'll impersonate but his own voice...it's getting late but wait, there's more, but I am spent on telling of the way it went or so it goes and what'll come the truth is, well, I love the ***
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Oct 1, 2013
Oct 1, 2013 at 12:48 PM UTC
My Impressionist
Oh, thou art the dawn Of they servant’s nature, Thou that must quench the fire Of they servant’s thirsty marrow, Thou that the arrows Of thy servant’s eyelids cannot sleep over, Thou that the malaise molten Nutrients in thy servant’s veins, Erupts at thy glorious countenance, Oh, thou art the guardian Of thy servant’s soul, Thou that sour and sob At the nakedness of evil, Thou that speak for the bees That provides for the other class, Thou that make the wicked blood flow, Oh see, thou art the tenderloin of the devil indeed, For thy heart, mind and soul are All blank with no other value Except manipulation and loneliness, Insecurity and the terror of death Are now accompanying thy cruel destiny, Ah, the hour of thy selfishness Has faded thy glorious tenure, Thou have learnt to appreciate Taste and sight only in thy dying days, The Abosom deserves an answer And thou shall produce it, Thy liquor and chicken and incantation Cannot please the ancestral spirits, They have no pleasure in what Thy hand has acquired by their grace, We are now under the siege of June, But the mighty walls are no more, The woes of war and torment Ahead are mightier than the former, Famine and pre-mature death Must also be a caution, Oh yes, thy sense of judgement Is well appreciated by the priest, Thou that have corrupted Thy present and future glory, Thy past cannot pacify thy present, For the current cyclone of Uganda Has eroded the sweet-scented rose Of thy scattered devilish soul, Thy hymns are as evil as thy goodness. © PRINCE NANA ANIN-AGYEI Email: [email protected]
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Apr 8, 2013
Apr 8, 2013 at 5:53 AM UTC
ERODED ROSE
Oh, thou art the dawn Of they servant’s nature, Thou that must quench the fire Of they servant’s thirsty marrow, Thou that the arrows Of thy servant’s eyelids cannot sleep over, Thou that the malaise molten Nutrients in thy servant’s veins, Erupts at thy glorious countenance, Oh, thou art the guardian Of thy servant’s soul, Thou that sour and sob At the nakedness of evil, Thou that speak for the bees That provides for the other class, Thou that make the wicked blood flow, Oh see, thou art the tenderloin of the devil indeed, For thy heart, mind and soul are All blank with no other value Except manipulation and loneliness, Insecurity and the terror of death Are now accompanying thy cruel destiny, Ah, the hour of thy selfishness Has faded thy glorious tenure, Thou have learnt to appreciate Taste and sight only in thy dying days, The Abosom deserves an answer And thou shall produce it, Thy liquor and chicken and incantation Cannot please the ancestral spirits, They have no pleasure in what Thy hand has acquired by their grace, We are now under the siege of June, But the mighty walls are no more, The woes of war and torment Ahead are mightier than the former, Famine and pre-mature death Must also be a caution, Oh yes, thy sense of judgement Is well appreciated by the priest, Thou that have corrupted Thy present and future glory, Thy past cannot pacify thy present, For the current cyclone of Uganda Has eroded the sweet-scented rose Of thy scattered devilish soul, Thy hymns are as evil as thy goodness. © PRINCE NANA ANIN-AGYEI Email: [email protected]
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49
Remember that time when somebody died and somebody else brought us food- all the people are irrelevant- but you complained that the tenderloin wasn't up to your standards. Hearing you say such things about a perfectly acceptable meal sent me to the place that makes me a barbarian to my most intrinsic core, so I grasped the smoked log of meat with my bare-heads and hurled it into the rain. Say something about it now- now that you have nothing to eat. People say drugs killed him. You killed him and you still haven't learned. You killed him because you never told him you loved him after he ran away from home that one time or the time after that. And I believe that the reason your photographs are always tinged with a hint of the most aching and indescribable regret is because deep down in the pit of your greasy, swollen gut you already know this, so I don't have to tell you.
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Jul 30, 2012
Jul 30, 2012 at 10:46 AM UTC
Loveless
I wish I could explain it to you, but I can’t. You’d have to walk around with me for a month or so for it to make sense, to seem like a real thing. Sometimes, it’s not even real to me; but it’s my life and I’m the one walking around in it, so there it is. In the fall and winter, particularly around the holidays, it gets worse. Some days, especially during the last two weeks before Christmas, it gets really bad. (Why do I think it’s a bad thing?) (Is it?) (What is this about?) They come at me like zombies when they see the crutches and yet I refuse to blame my Cerebral Palsy for what they do. Really, I believe that they’d show up anyway. I think that they, and I to a degree, feel some sort of cosmic pull toward one another. The drunks come to me. (the developmentally disabled too.) They tell me stories of how they ended up in the same place that I am. They tell me that they know also that our paths were supposed to cross. They tell me about their relationship with God and how Jesus loves them in spite of their drunkenness (or impairment.) They tell me how blessed we are to have met. That one always leaves me flummoxed. All I wanted to do was eat a tenderloin and some fries. All I wanted was a cup of coffee or a beer. All I wanted was to occupy a small bit of grey space for a couple of hours. These cohabitates, these space-stealers always go straight for The Bible. They talk of rapture And the wholeness that I’ll find in The Kingdom of Heaven and I want to tell them that they’ve taken some of that wholeness for themselves, but I can’t. I always say: “Thank you.” And speak to them in bumper-sticker platitudes; telling them that we’re all making our own ways down our own paths. And, it’s true, but I don’t want to have to say it. I don’t always want to believe it. (And, I don’t always.) I wish I could tell them that I want to be more like them, to work in a factory, lift the heavy stuff; to work steadily on the line or over the road, inside the grey spaces with more time to think, to be quietly oaken and iron. *** -JBClaywell © P&ZPublications
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Nov 20, 2016
Nov 20, 2016 at 1:00 PM UTC
I’ve always wanted to be more alive than I am. I am made of oak and iron.
I wish I could explain it to you, but I can’t. You’d have to walk around with me for a month or so for it to make sense, to seem like a real thing. Sometimes, it’s not even real to me; but it’s my life and I’m the one walking around in it, so there it is. In the fall and winter, particularly around the holidays, it gets worse. Some days, especially during the last two weeks before Christmas, it gets really bad. (Why do I think it’s a bad thing?) (Is it?) (What is this about?) They come at me like zombies when they see the crutches and yet I refuse to blame my Cerebral Palsy for what they do. Really, I believe that they’d show up anyway. I think that they, and I to a degree, feel some sort of cosmic pull toward one another. The drunks come to me. (the developmentally disabled too.) They tell me stories of how they ended up in the same place that I am. They tell me that they know also that our paths were supposed to cross. They tell me about their relationship with God and how Jesus loves them in spite of their drunkenness (or impairment.) They tell me how blessed we are to have met. That one always leaves me flummoxed. All I wanted to do was eat a tenderloin and some fries. All I wanted was a cup of coffee or a beer. All I wanted was to occupy a small bit of grey space for a couple of hours. These cohabitates, these space-stealers always go straight for The Bible. They talk of rapture And the wholeness that I’ll find in The Kingdom of Heaven and I want to tell them that they’ve taken some of that wholeness for themselves, but I can’t. I always say: “Thank you.” And speak to them in bumper-sticker platitudes; telling them that we’re all making our own ways down our own paths. And, it’s true, but I don’t want to have to say it. I don’t always want to believe it. (And, I don’t always.) I wish I could tell them that I want to be more like them, to work in a factory, lift the heavy stuff; to work steadily on the line or over the road, inside the grey spaces with more time to think, to be quietly oaken and iron. *** -JBClaywell © P&ZPublications
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71
Your sky is pink. They're eating yellow grass. I'm at the epicenter of chaos Syringes for the sick and Banks robbed by viruses *** in the palm of my hand. The streets paved with lies are decorated by death. And buildings built by policies to build policies (to fill prophesies) Wicked water, and open wounds Saturated diets and broken wombs Your sky is blue Their water is black Children's eyes close and never look back. There are snakes in the sand Lightening strikes in the distance I can't see where I stand And the wind smells of something vicious Your sky is grey The loudest one in the room is the TV Candy and coffee for breakfast. I'd brush my teeth But I haven't the time, dearest Siri - Seriously though Sometimes I question if I'm the canary in this binary equation wondering when it's going to cave in But its cool, I can be patient.
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Aug 22, 2015
Aug 22, 2015 at 11:27 PM UTC
The Tenderloin
I think Women are Hot and. Should be shown respect And all though I get ***** I take time to Listen Can't get into Sports Teams Know's what fashion is a Dream Of Bob Mackie, Calvin Klien Versace, Chanel, and Ralph Lauren In the Kitchen I create with Panache Tenderloin of Beef with Marsalle Sauce Vintage Recipe Chocolate Cake at Proper Temperature I Bake 'til Perfect And shopping is a Spree as Long as its not for me Rather Shop a Bra for a set of knockers Then Shop for a Pair of Kahki Dockers When it Comes to Culture I am Allured To Poetry, Art, Music and Stage And so ever fond of thespians Could it Be I'm a Male Lesbian All the Work here is licensed under the Name ®SilverSilkenTongue and the © Property of J.Flack
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Apr 13, 2015
Apr 13, 2015 at 12:16 AM UTC
Could it be?
Can a pretty girl in a short red dress take away this emptiness? Hold me close squeeze me tight fill my soul with rays of light? Used to be that the prettiest girls were actually boys but no more, for nowadays there's a whole mess of the most gorgeous women in heels & short tight dresses, standing on the corners as offerings to the ways of men, some so youthful that their long sweet legs totter & tremble in their fancy shoes as do the steps of a new-born upon the vast plains of Africa, & strutting jazzily their tender flesh to catch an eye & then lean in provocative geometry into car windows to state terms & size customers, with small handbags squeezed tight to their sides, as they gather in groups emanating an ****** power seemingly enhanced by numbers, & yet to stroll by & listen in reveals nothing more than simple gossip & observation, for after all these are only working girls not goddesses at their ease.
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Mar 27, 2017
Mar 27, 2017 at 10:24 AM UTC
Tenderloin Girls
the center of The Universe and the center of nowhere at all. This city... Saint Joseph, Missouri. like an apartment complex or a cul-de-sac built by The Hand of God, right in the bottom left-hand drawer of The Devil's bill-paying desk. we walk our dogs on long leashes making sure that they can **** in our neighbor's yard. we cultivate red-state politics and blue-plate specials, complaining that our crime-rate and our cholesterol are too high. we're the tenderloin capital of the world; and we closed the door on that debate as well as several others. once, not that long ago, we put it to a vote, whatever it was... it hardly matters anymore, but only 18% said: "aye" and only 37% said anything at all. the ballots must've been kept in the lockbox in the bottom right-hand drawer of The Devil's bill-paying desk. *** -JBClaywell
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Feb 21, 2018
Feb 21, 2018 at 7:07 PM UTC
The Devil's Bill-Paying Desk.
The night is dark and dangerous, For monsters lurk from dusk to dawn. Hunting for a beating heart, They stalk, each step in time with their deadly song. Listen to the howls, And you will soon feel the tune. This is their deadly beauty, Their alluring choir. Spreading emotion through a soulful hymns fire. Chanting for another voice to join, So they may dine on tenderloin. With beauty and grace, The Sophisticated beasts begin the chase You are the prey And you see the face In splendour and awe. Your emotions, prepared like your flesh, Raw The Wolf is howling, With her beauty and grace This, is loves first taste.
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Jun 22, 2018
Jun 22, 2018 at 3:47 AM UTC
Howling Wolves
my shirt barely fits over my stomach my belly is a bag of granny smith apples **** and plump misleading in their sweetness underneath growing ten-fold each week all the different fruits for growth leave me anemic for heartier things tenderloin heart, blood steak there's a biting pain on the side of my hip that feels like what I imagine a dog nipping at your heel could feel like and I hear it the small squeak at the bottom of a storm drain a miniature kitten trapped in the middle of concrete and hot cement it hasn't rained in months and my mouth starts to water imagining the dehydrated lungs of an animal that's destiny has been sealed
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Nov 28, 2019
Nov 28, 2019 at 3:09 AM UTC
SUNDER
Walk on babe, the night will find you soon enough. But, do not give in so kindly- it seeks to play with you for 100 hours, or 100 years; perhaps 100 years and 100 hours, I don’t know…. my glasses fell off. The best way to say it: if the day is temporary, so are you, and the night will swallow everything, from common skin to rare hues. Don’t pull your punches with nature! Don’t let that primeval smell defeat you or good God- get a kick out of you. Nature is the piece of furniture that you bought, not the other way ‘round. So, how do you feel? Icicle fingers, sap bearing veins, rebar arms, tenderloin body, washboard neck, prison gate mouth, airstrip nose, typhoon eyes, telephone ears, coniferous hair, freedom’s mind. You owe it to nature, she coddles you. A funny thing, then: the lifetime of a dream. Where love, bliss, sorrow, *** are not unknown, but as uncanny as they can be. Old friends may sleep it off and give you a cheque and a kick out the front door, but don’t you know what you were in their beds for? It was something true, and if you were the only one to find it in that pile of quick/messy lovers, it is truer still. So walk on babe, the technicolour night has left you, but in its hazy laboured breath, it promised to return. It swore to explode all over you- what can you do in return?
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Oct 18, 2020
Oct 18, 2020 at 1:54 PM UTC
I Am a Babe in the Night
I’ve said only half-jokingly I’m a slow learner of life lessons. I was wondering about snails if they learn as slowly as they move but does our species ever learn really absorb even the basic how-tos of saving ourselves and our planet? I might never sate my appetite for ice cream, tenderloin, or fried fish but sometimes it’s hard to empty myself and make room for the other fella’s little world or for God.
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Mar 21, 2023
Mar 21, 2023 at 12:12 PM UTC
Being a Slow Learner