“You know the worst thing I ever saw?” He asked.

I sighed to myself, took another gulp of beer and fixed him with a look of half-interest. He was drunk. A complete ****-up and a bore when he's drunk. I don't know why I drink with him. That said, he probably thinks the same.

“What's that?”
“Bedsheets over the benches in the church yard.”
“Ye-what?”
“Bedsheets over the benches in the church yard. For the homeless.”
“The homeless. Right.”
“I'll get us another drink.” he says, “then I'll start where I left off.”
“Oh, good.”

He comes back with two bottles. We drink and we start talking about football. We're just about getting by before he raises his palm to his face.
“Aw, ****. I forgot, yeah. The worst thing I ever saw. I never told you.”
“You did. Bedsheets over the benches in the church yard. For the homeless.”
“Yeah yeah, but that doesn't really say much, does it? You're probably wondering to yourself why that would **** me off so much?”

Not really. He's the type of no-action, all-caring, bleeding heart that sits on his fattening **** every day, 'liking' rhetorical captions over pictures, and signing petitions to axe some ***** politician or other.
“I guess. Shoot.”

He shoots.
“I wanna burn down the churches. Seriously. Stupid ******* religious folk. I bet they go home and post pictures up of themselves, all busy in the soup kitchen, ladling minestrone into some poor *******'s styrofoam bowl.
“They'll never touch them. Always at arm's length. You don't wanna breathe in the pathogens of the anti-people...”
He slurred a little, went to carry on, but took another gulp of beer instead.
“What does that have to do with bedsheets over the benches in the church yard?” I took a gulp myself, this time watching him with a little more interest. Probably just because he looks like he could spew at any moment.
“You're not letting me finish...”
He finishes his beer, gets up, almost bumping into his piano-***-keyboard. He's off to the fridge again. I have a look around while he's out of the room. I can hear him ******* in the kitchen sink.

I've seen the place a million times before but it always has a whole bunch of new **** tacked up on the wall or else bundled in the corner. He's no hoarder, just gets bored and throws out all the stuff he bought the year before.
There's a framed picture of himself on the wall, cradling his Fender as if he's a master of the arts. It's signed, too.
I've seen him play. Probably will tonight. Wouldn't be surprised if he's written a protest song called: bedsheets over the benches in the church yard. The old **** can't even hit an F major with regularity.
He'd decided to put up his vinyl sleeves on the wall like a 17 year old would with an array of **** pop-punk band posters.
Blink and you might think he's the new John Peel or Phil Spector. Stare, and you'll realise he's twice as crazy, yet half as talented and half as interesting to listen to.
His room is like a CV to show to interesting, young indie women. Shame he's hitting forty now,and hasn't been to a club in about 3 months.
Last time we went he just sulked in the corner and got too drunk. He cried in the smoking area about his job before going round and asking attractive girls whether they think he's too old to be out. Most didn't even bother to give an answer. Probably best.

He comes back in with more beer.
“A-anyway...” He says, groaning a little like an old man as he settles back into the chair. “As I was saying...” he sloshes beer on the carpet, rubs it in with the heel of his shoe. He spits on the mark and then rubs again.
“What I was saying was that the church would be a whole lot more useful to the homeless if it was burned down. A condemned building is a whole lot more useful than being looked down on by holier-than-thou, middle-class, white Christians.
“They go home after an hour, bolt the church doors, and then watch TV in their brand new conservatories that they spend several thousands on. Just give the losers a place to shoot up and sleep in safety. That makes sense, right?”
“I guess so.”
I couldn't think of a change of conversation. So I just drank some more and pulled out a cigarette. It's nice to smoke inside for a change.

“It's a ****** ******* awful thing. If people were actually religious, they'd throw open their ******* doors for everyone. It's what Jesus would do, right?”
“Right.”
“He'd have all the **** in his bedsit, piled in like sardines, spreading TB like wildfire.”
“And that's a good thing?”
“Well, it can't be any worse, right? Sleep's important. I learned that the hard way.”

He didn't learn it the hard way. Not really. He's a self-motivated, self-harming insomniac. He spent his teenage years listening to bad music and staying up too late ******* over his French teacher. I should know, I mostly did the same.
He hit the **** pretty hard during college. Never really looked back until recently. ****** him up worse than you'd reckon. He couldn't sleep without the stuff. Man, if you'd have seen the poor guy whenever he couldn't get hold of some for the night. Eesh.

“...you know what I mean though? I'm sick of charity. Those fun-runs you get. A load of women in pink pretending that they care about breast cancer, before posting a million and one pictures up of them in ankle warmers and a kooky hat...”
“**** of the Earth.”
“Yup. Right up there with the women who have 'mummy' as their middle name on Facebook.”
“Yeah.”
“Honestly though, it's the laziest form of charity. Throwing a couple old, mouldy bedsheets out on some bird-**** bench made of wood and ancient farts...”
“It is pretty lazy.” I drank some more.

It was getting late. We swallowed three temazepams each, moved onto the cheap shiraz once we ran out of beer. We leant back in our chairs, barely talking and letting Tame Impala supply the conversation for us.

“You know what?” I ask, pretty much out of nowhere. His eyes have narrowed. He's not sleepy, just ****** on ***** and tranquillizers. He takes a moment.
“Huh?”
“From what you were saying earlier... you know, about the bedsheets over the benches in the church yard. For the homeless.”
“Yeah?”
“Well, why don't you?”
“Why don't I what?”
“Burn it down.”
“The church?”
“Well, you go on about being lazy and ****. Here's your chance. Help the homeless. Break the locks, pour the petrol, take out a few bottles of wine if you find any...”
“Now?”
“I guess so. Homeless folk are dying of pneumonia out there. Not a second can be wasted.”
“I dunno. I didn't mean I had to do it. I was just saying...”
“I guess they were just saying too.” I felt like I was being a ****, so I changed the subject to women I haven't laid.

I stumbled home leaning on my bicycle all the way. Daylight was just about visible off in the distance. I passed two homeless guys on the way back, gave one of them a fiver, the other one my big mac and the last of my cigarettes (well, leaving a couple for myself).
They said thanks, god bless you, etc, etc. I carried on walking.

I woke up the next afternoon with a mouthful of sand and in desperate need of a hangover ****. I hadn't shaved in about two weeks and there were dark circles under my eyes. I thought about going out to the diner for a full breakfast, but strange people were beyond me.
I ordered a pizza full of meat and grease and garlic sauce instead. I text him to see if he wanted to come over and nurse the hangover with a little ****. Watch a film. Get drunk again. He still smokes it on special occasions, and this ******* of a hangover was pretty **** special.
No reply, and I end up rolling up a joint for myself, smoking it by the window and watching the magpies peck around the grass. It's nice out.

The pizza guy comes. He's holding the pizza up like a map, calls out in a bored sort of voice: “Hello sir. I've got a large Palermo Pizza here, with a side of chicken strips and a can of Dandelion and Burdock?”
I say yes and he hands it over.

I tip him with the coins still left in my wallet from the night before, and he sheepishly says he picked up my post for me as well.
I look down at the pizza I'm holding, and there's a few envelopes that look suspiciously like bills, rival takeaway leaflets, and the local paper. I say thanks, give him the best sort of smile I could, and then close the door.
I turn on the TV. I forgot the England match was on. I turn over to something more interesting. There's nothing, so I switch back over. Before I open up the pizza, I take the paper. A small-town existence, nothing ever happens, but I could do with a new job.

The front page is on fire. A church has been burned down in the early morning. A forty-something man has been arrested and then taken to hospital for severe burns to the face. A load of children's art has been lost, along with countless Bibles, prayer cushions, and vaults of cash.
“****.”
I read through the article. The whole place was gutted. Nothing could be salvaged. Nothing could be redeemed. In the corner of the picture, through the red, green, and blue dots, I could just make out some bedsheets over the benches in the church yard. For the homeless.

Part I

It is an ancient Mariner,
And he stoppeth one of three.
‘By thy long grey beard and glittering eye,
Now wherefore stopp’st thou me?

The bridegroom’s doors are opened wide,
And I am next of kin;
The guests are met, the feast is set:
Mayst hear the merry din.’

He holds him with his skinny hand,
“There was a ship,” quoth he.
‘Hold off! unhand me, grey-beard loon!’
Eftsoons his hand dropped he.

He holds him with his glittering eye—
The Wedding-Guest stood still,
And listens like a three years’ child:
The Mariner hath his will.

The Wedding-Guest sat on a stone:
He cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“The ship was cheered, the harbour cleared,
Merrily did we drop
Below the kirk, below the hill,
Below the lighthouse top.

The sun came up upon the left,
Out of the sea came he!
And he shone bright, and on the right
Went down into the sea.

Higher and higher every day,
Till over the mast at noon—”
The Wedding-Guest here beat his breast,
For he heard the loud bassoon.

The bride hath paced into the hall,
Red as a rose is she;
Nodding their heads before her goes
The merry minstrelsy.

The Wedding-Guest he beat his breast,
Yet he cannot choose but hear;
And thus spake on that ancient man,
The bright-eyed Mariner.

“And now the storm-blast came, and he
Was tyrannous and strong:
He struck with his o’ertaking wings,
And chased us south along.

With sloping masts and dipping prow,
As who pursued with yell and blow
Still treads the shadow of his foe,
And foward bends his head,
The ship drove fast, loud roared the blast,
And southward aye we fled.

And now there came both mist and snow,
And it grew wondrous cold:
And ice, mast-high, came floating by,
As green as emerald.

And through the drifts the snowy clifts
Did send a dismal sheen:
Nor shapes of men nor beasts we ken—
The ice was all between.

The ice was here, the ice was there,
The ice was all around:
It cracked and growled, and roared and howled,
Like noises in a swound!

At length did cross an Albatross,
Thorough the fog it came;
As it had been a Christian soul,
We hailed it in God’s name.

It ate the food it ne’er had eat,
And round and round it flew.
The ice did split with a thunder-fit;
The helmsman steered us through!

And a good south wind sprung up behind;
The Albatross did follow,
And every day, for food or play,
Came to the mariner’s hollo!

In mist or cloud, on mast or shroud,
It perched for vespers nine;
Whiles all the night, through fog-smoke white,
Glimmered the white moonshine.”

‘God save thee, ancient Mariner,
From the fiends that plague thee thus!—
Why look’st thou so?’—”With my crossbow
I shot the Albatross.”

Part II

“The sun now rose upon the right:
Out of the sea came he,
Still hid in mist, and on the left
Went down into the sea.

And the good south wind still blew behind,
But no sweet bird did follow,
Nor any day for food or play
Came to the mariners’ hollo!

And I had done a hellish thing,
And it would work ’em woe:
For all averred, I had killed the bird
That made the breeze to blow.
Ah wretch! said they, the bird to slay,
That made the breeze to blow!

Nor dim nor red, like God’s own head,
The glorious sun uprist:
Then all averred, I had killed the bird
That brought the fog and mist.
’Twas right, said they, such birds to slay,
That bring the fog and mist.

The fair breeze blew, the white foam flew,
The furrow followed free;
We were the first that ever burst
Into that silent sea.

Down dropped the breeze, the sails dropped down,
’Twas sad as sad could be;
And we did speak only to break
The silence of the sea!

All in a hot and copper sky,
The ****** sun, at noon,
Right up above the mast did stand,
No bigger than the moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch’s oils,
Burnt green, and blue, and white.

And some in dreams assured were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well-a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.”

Part III

“There passed a weary time. Each throat
Was parched, and glazed each eye.
A weary time! a weary time!
How glazed each weary eye—
When looking westward, I beheld
A something in the sky.

At first it seemed a little speck,
And then it seemed a mist;
It moved and moved, and took at last
A certain shape, I wist.

A speck, a mist, a shape, I wist!
And still it neared and neared:
As if it dodged a water-sprite,
It plunged and tacked and veered.

With throats unslaked, with black lips baked,
We could nor laugh nor wail;
Through utter drought all dumb we stood!
I bit my arm, I ****** the blood,
And cried, A sail! a sail!

With throats unslaked, with black lips baked,
Agape they heard me call:
Gramercy! they for joy did grin,
And all at once their breath drew in,
As they were drinking all.

See! see! (I cried) she tacks no more!
Hither to work us weal;
Without a breeze, without a tide,
She steadies with upright keel!

The western wave was all a-flame,
The day was well nigh done!
Almost upon the western wave
Rested the broad bright sun;
When that strange shape drove suddenly
Betwixt us and the sun.

And straight the sun was flecked with bars,
(Heaven’s Mother send us grace!)
As if through a dungeon-grate he peered
With broad and burning face.

Alas! (thought I, and my heart beat loud)
How fast she nears and nears!
Are those her sails that glance in the sun,
Like restless gossameres?

Are those her ribs through which the sun
Did peer, as through a grate?
And is that Woman all her crew?
Is that a Death? and are there two?
Is Death that Woman’s mate?

Her lips were red, her looks were free,
Her locks were yellow as gold:
Her skin was as white as leprosy,
The Nightmare Life-in-Death was she,
Who thicks man’s blood with cold.

The naked hulk alongside came,
And the twain were casting dice;
‘The game is done! I’ve won! I’ve won!’
Quoth she, and whistles thrice.

The sun’s rim dips; the stars rush out:
At one stride comes the dark;
With far-heard whisper o’er the sea,
Off shot the spectre-bark.

We listened and looked sideways up!
Fear at my heart, as at a cup,
My life-blood seemed to sip!
The stars were dim, and thick the night,
The steersman’s face by his lamp gleamed white;
From the sails the dew did drip—
Till clomb above the eastern bar
The horned moon, with one bright star
Within the nether tip.

One after one, by the star-dogged moon,
Too quick for groan or sigh,
Each turned his face with a ghastly pang,
And cursed me with his eye.

Four times fifty living men,
(And I heard nor sigh nor groan)
With heavy thump, a lifeless lump,
They dropped down one by one.

The souls did from their bodies fly,—
They fled to bliss or woe!
And every soul it passed me by,
Like the whizz of my crossbow!”

Part IV

‘I fear thee, ancient Mariner!
I fear thy skinny hand!
And thou art long, and lank, and brown,
As is the ribbed sea-sand.

I fear thee and thy glittering eye,
And thy skinny hand, so brown.’—
“Fear not, fear not, thou Wedding-Guest!
This body dropped not down.

Alone, alone, all, all alone,
Alone on a wide wide sea!
And never a saint took pity on
My soul in agony.

The many men, so beautiful!
And they all dead did lie;
And a thousand thousand slimy things
Lived on; and so did I.

I looked upon the rotting sea,
And drew my eyes away;
I looked upon the rotting deck,
And there the dead men lay.

I looked to heaven, and tried to pray;
But or ever a prayer had gusht,
A wicked whisper came and made
My heart as dry as dust.

I closed my lids, and kept them close,
And the ***** like pulses beat;
Forthe sky and the sea, and the sea and the sky,
Lay like a load on my weary eye,
And the dead were at my feet.

The cold sweat melted from their limbs,
Nor rot nor reek did they:
The look with which they looked on me
Had never passed away.

An orphan’s curse would drag to hell
A spirit from on high;
But oh! more horrible than that
Is the curse in a dead man’s eye!
Seven days, seven nights, I saw that curse,
And yet I could not die.

The moving moon went up the sky,
And no where did abide:
Softly she was going up,
And a star or two beside—

Her beams bemocked the sultry main,
Like April ****-frost spread;
But where the ship’s huge shadow lay,
The charmed water burnt alway
A still and awful red.

Beyond the shadow of the ship
I watched the water-snakes:
They moved in tracks of shining white,
And when they reared, the elfish light
Fell off in hoary flakes.

Within the shadow of the ship
I watched their rich attire:
Blue, glossy green, and velvet black,
They coiled and swam; and every track
Was a flash of golden fire.

O happy living things! no tongue
Their beauty might declare:
A spring of love gushed from my heart,
And I blessed them unaware:
Sure my kind saint took pity on me,
And I blessed them unaware.

The selfsame moment I could pray;
And from my neck so free
The Albatross fell off, and sank
Like lead into the sea.”

Part V

“Oh sleep! it is a gentle thing,
Beloved from pole to pole!
To Mary Queen the praise be given!
She sent the gentle sleep from heaven,
That slid into my soul.

The silly buckets on the deck,
That had so long remained,
I dreamt that they were filled with dew;
And when I awoke, it rained.

My lips were wet, my throat was cold,
My garments all were dank;
Sure I had drunken in my dreams,
And still my body drank.

I moved, and could not feel my limbs:
I was so light—almost
I thought that I had died in sleep,
And was a blessed ghost.

And soon I heard a roaring wind:
It did not come anear;
But with its sound it shook the sails,
That were so thin and sere.

The upper air burst into life!
And a hundred fire-flags sheen,
To and fro they were hurried about!
And to and fro, and in and out,
The wan stars danced between.

And the coming wind did roar more loud,
And the sails did sigh like sedge;
And the rain poured down from one black cloud;
The moon was at its edge.

The thick black cloud was cleft, and still
The moon was at its side:
Like waters shot from some high crag,
The lightning fell with never a jag,
A river steep and wide.

The loud wind never reached the ship,
Yet now the ship moved on!
Beneath the lightning and the moon
The dead men gave a groan.

They groaned, they stirred, they all uprose,
Nor spake, nor moved their eyes;
It had been strange, even in a dream,
To have seen those dead men rise.

The helmsman steered, the ship moved on;
Yet never a breeze up blew;
The mariners all ‘gan work the ropes,
Where they were wont to do;
They raised their limbs like lifeless tools—
We were a ghastly crew.

The body of my brother’s son
Stood by me, knee to knee:
The body and I pulled at one rope,
But he said nought to me.”

‘I fear thee, ancient Mariner!’
“Be calm, thou Wedding-Guest!
’Twas not those souls that fled in pain,
Which to their corses came again,
But a troop of spirits blest:

For when it dawned—they dropped their arms,
And clustered round the mast;
Sweet sounds rose slowly through their mouths,
And from their bodies passed.

Around, around, flew each sweet sound,
Then darted to the sun;
Slowly the sounds came back again,
Now mixed, now one by one.

Sometimes a-dropping from the sky
I heard the skylark sing;
Sometimes all little birds that are,
How they seemed to fill the sea and air
With their sweet jargoning!

And now ’twas like all instruments,
Now like a lonely flute;
And now it is an angel’s song,
That makes the heavens be mute.

It ceased; yet still the sails made on
A pleasant noise till noon,
A noise like of a hidden brook
In the leafy month of June,
That to the sleeping woods all night
Singeth a quiet tune.

Till noon we quietly sailed on,
Yet never a breeze did breathe;
Slowly and smoothly went the ship,
Moved onward from beneath.

Under the keel nine fathom deep,
From the land of mist and snow,
The spirit slid: and it was he
That made the ship to go.
The sails at noon left off their tune,
And the ship stood still also.

The sun, right up above the mast,
Had fixed her to the ocean:
But in a minute she ‘gan stir,
With a short uneasy motion—
Backwards and forwards half her length
With a short uneasy motion.

Then like a pawing horse let go,
She made a sudden bound:
It flung the blood into my head,
And I fell down in a swound.

How long in that same fit I lay,
I have not to declare;
But ere my living life returned,
I heard and in my soul discerned
Two voices in the air.

‘Is it he?’ quoth one, ‘Is this the man?
By him who died on cross,
With his cruel bow he laid full low
The harmless Albatross.

The spirit who bideth by himself
In the land of mist and snow,
He loved the bird that loved the man
Who shot him with his bow.’

The other was a softer voice,
As soft as honey-dew:
Quoth he, ‘The man hath penance done,
And penance more will do.’

Part VI

First Voice

But tell me, tell me! speak again,
Thy soft response renewing—
What makes that ship drive on so fast?
What is the ocean doing?

Second Voice

Still as a slave before his lord,
The ocean hath no blast;
His great bright eye most silently
Up to the moon is cast—

If he may know which way to go;
For she guides him smooth or grim.
See, brother, see! how graciously
She looketh down on him.

First Voice

But why drives on that ship so fast,
Without or wave or wind?

Second Voice

The air is cut away before,
And closes from behind.

Fly, brother, fly! more high, more high!
Or we shall be belated:
For slow and slow that ship will go,
When the Mariner’s trance is abated.

“I woke, and we were sailing on
As in a gentle weather:
’Twas night, calm night, the moon was high;
The dead men stood together.

All stood together on the deck,
For a charnel-dungeon fitter:
All fixed on me their stony eyes,
That in the moon did glitter.

The pang, the curse, with which they died,
Had never passed away:
I could not draw my eyes from theirs,
Nor turn them up to pray.

And now this spell was snapped: once more
I viewed the ocean green,
And looked far forth, yet little saw
Of what had else been seen—

Like one that on a lonesome road
Doth walk in fear and dread,
And having once turned round walks on,
And turns no more his head;
Because he knows a frightful fiend
Doth close behind him tread.

But soon there breathed a wind on me,
Nor sound nor motion made:
Its path was not upon the sea,
In ripple or in shade.

It raised my hair, it fanned my cheek
Like a meadow-gale of spring—
It mingled strangely with my fears,
Yet it felt like a welcoming.

Swiftly, swiftly flew the ship,
Yet she sailed softly too:
Sweetly, sweetly blew the breeze—
On me alone it blew.

Oh! dream of joy! is this indeed
The lighthouse top I see?
Is this the hill? is this the kirk?
Is this mine own country?

We drifted o’er the harbour-bar,
And I with sobs did pray—
O let me be awake, my God!
Or let me sleep alway.

The harbour-bay was clear as glass,
So smoothly it was strewn!
And on the bay the moonlight lay,
And the shadow of the moon.

The rock shone bright, the kirk no less,
That stands above the rock:
The moonlight steeped in silentness
The steady weathercock.

And the bay was white with silent light,
Till rising from the same,
Full many shapes, that shadows were,
In crimson colours came.

A little distance from the prow
Those crimson shadows were:
I turned my eyes upon the deck—
Oh, Christ! what saw I there!

Each corse lay flat, lifeless and flat,
And, by the holy rood!
A man all light, a seraph-man,
On every corse there stood.

This seraph-band, each waved his hand:
It was a heavenly sight!
They stood as signals to the land,
Each one a lovely light;

This seraph-band, each waved his hand,
No voice did they impart—
No voice; but oh! the silence sank
Like music on my heart.

But soon I heard the dash of oars,
I heard the Pilot’s cheer;
My head was turned perforce away,
And I saw a boat appear.

The Pilot and the Pilot’s boy,
I heard them coming fast:
Dear Lord i

Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide

Who are these people at the bridge to meet me? They are the villagers----
The rector, the midwife, the sexton, the agent for bees.
In my sleeveless summery dress I have no protection,
And they are all gloved and covered, why did nobody tell me?
They are smiling and taking out veils tacked to ancient hats.

I am **** as a chicken neck, does nobody love me?
Yes, here is the secretary of bees with her white shop smock,
Buttoning the cuffs at my wrists and the slit from my neck to my knees.
Now I am milkweed silk, the bees will not notice.
They will not smell my fear, my fear, my fear.

Which is the rector now, is it that man in black?
Which is the midwife, is that her blue coat?
Everybody is nodding a square black head, they are knights in visors,
Breastplates of cheesecloth knotted under the armpits.
Their smiles and their voces are changing. I am led through a beanfield.

Strips of tinfoil winking like people,
Feather dusters fanning their hands in a sea of bean flowers,
Creamy bean flowers with black eyes and leaves like bored hearts.
Is it blood clots the tendrils are dragging up that string?
No, no, it is scarlet flowers that will one day be edible.

Now they are giving me a fashionable white straw Italian hat
And a black veil that molds to my face, they are making me one of them.
They are leading me to the shorn grove, the circle of hives.
Is it the hawthorn that smells so sick?
The barren body of hawthon, etherizing its children.

Is it some operation that is taking place?
It is the surgeon my neighbors are waiting for,
This apparition in a green helmet,
Shining gloves and white suit.
Is it the butcher, the grocer, the postman, someone I know?

I cannot run, I am rooted, and the gorse hurts me
With its yellow purses, its spiky armory.
I could not run without having to run forever.
The white hive is snug as a ******,
Sealing off her brood cells, her honey, and quietly humming.

Smoke rolls and scarves in the grove.
The mind of the hive thinks this is the end of everything.
Here they come, the outriders, on their hysterical elastics.
If I stand very still, they will think I am cow-parsley,
A gullible head untouched by their animosity,

Not even nodding, a personage in a hedgerow.
The villagers open the chambers, they are hunting the queen.
Is she hiding, is she eating honey? She is very clever.
She is old, old, old, she must live another year, and she knows it.
While in their fingerjoint cells the new virgins

Dream of a duel they will win inevitably,
A curtain of wax dividing them from the bride flight,
The upflight of the murderess into a heaven that loves her.
The villagers are moving the virgins, there will be no killing.
The old queen does not show herself, is she so ungrateful?

I am exhausted, I am exhausted ----
Pillar of white in a blackout of knives.
I am the magician's girl who does not flinch.
The villagers are untying their disguises, they are shaking hands.
Whose is that long white box in the grove, what have they accomplished, why am I cold.

The first time a man ever pointed a gun at me and asked me to love him was at Granny's Kitchen in Greensboro, North Carolina.

The waitress, a soft spoken white woman with her hair pulled back in a bun, had just dropped off my plates --- a simple mix of scrambled eggs, two pieces of greasy bacon, and a short stack of pancakes. Now, no matter how cheap, I always feel like I'm cutting loose at breakfast places for the sheer abundance of plates. While I'm sure the eggs and bacon could have shared real estate, each component had its own china.

The waitress lingered at my table, her fingers fidgeting with straws in her apron. I made eye contact. Well, my eyes contacted hers; she was staring at my lips.

Sure I can't get you something to drink? she asked.

This was approximately the tenth time she'd made sure. She was uncomfortable that I had supplied my own beverage -- a Big Gulp. But even more than that, she was uncomfortable by the deep red stain taking over my lips. Contents of the Big Gulp: merlot, boxed.

(That is an unnecessary detail. I've only written it so I never do it again.)

Before Greg hopped up on a table and announced to the restaurant, If I could have your attention, my name is Greg and this will only take a second, blah, blah blah, I poured a copious amount of syrup on my pancakes. Then I moved the bacon to my pancake plate. In my experience, very little in this life is better than syrup on bacon.

I shut my eyes for that first bite, just like the commercials. The syrup dribbled a bit onto my beard, and when I opened my eyes, I discovered it had also landed on my shirt. I grabbed a napkin. Heard a chair slide backwards. I started with my beard, peering around the diner, making sure no one saw. I think I heard someone gasp. But I was busy, working that napkin then against my shirt. Jesus, I thought. My grandma, who's got a splash of the Parkinson's, could eat with more grace.

If I could have your attention, my name is Greg and this will only take a second, a very official voice boomed behind me.

I turned around to see if I recognized him as one of those cuffed jean-sporting, wild plaid-loving NPR hosts. He wasn't one of those. He was a sunburn with mop hair in a black tank top and hemmed jean shorts. He did, however, have a cleft chin. That's actually worth noting. Don't see a lot of them these days.

I know you guys are busy, he said. I know that like me, you guys are probably broke as hell. I mean no offense Granny's, I love this place, but it ain't exactly four stars. Or three. Anyway, all I want from each of you is five dollars. If you ain't got five, give me four. Ain't got four, three. And so on.

He started with the stringy Japanese couple on the west side of the restaurant. Nobody really seemed scared, not the freckled brat in canvas sneakers, not the liver-spotted gentleman with a copy of that day's paper.

My old friend Jerome used to say that white folks are the only romantic criminals. He tacked it up to that whole Bonnie and Clyde crap. Greg, it seemed, was privy to that information, too. He smiled and thanked each person as he robbed them of a few presidents. The victims, smiling back, seemed to be thinking of their names tagged at the end of some newspaper dialogue. A few even gave more than he asked.

Here, take fifteen. Times will get better.

Aren't you just a charmer.

It was all very moving.

So he gets to me, and of course, I don't have any cash. I carry a debit and an arsenal of credit cards like a normal American. I don't know how he made it to me before running into this particular problem.

No, I don't have one of those iPhone card swipers, he said. Well, you gotta give me something.

I offered a gift card to Harold's Clothes for Men, it had like two bucks on it, but he wasn't interested.

What's your name?

Henry.

How much do you weigh?

Enough to keep me prohibited from most amusement park rides.

I like you, Henry. Well, let me ask you something. Have you ever loved a man? he asked, pointing his smudgy revolver just past my ear.

I shook my head no.

Me neither. I've always been curious, though. You been curious?

There was a time when I was thirteen -- Blake Hinton was changing after basketball practice -- and I remember thinking, that is an incredible chest. These lines just sprawled from his sternum, lines leading to these almond *******, and I specifically remember wanting to eat them like, well, almonds. But that hardly counts as curious. So, I said, No.

To which Greg responded: Get curious, boy. You're coming with me.


In the spirit of honesty, I was in a bit of a haze before Greg made me climb into his beat up Cavalier. Not just from the Big Gulp brimmed with merlot, no, I hadn't slept in two days prior to the whole gun-in-face incident. Reason being, I was, as Greg would say, broke as hell, and the rent was due. I stayed up both nights conspiring (and drinking). So, really I was pretty thrilled to be kidnapped away from the whole situation.

I had visions. I guess from the lack of sleep. Maybe they weren't visions, maybe just dreams, or fever dreams, I don't know. All I know is I blinked, and we were in the Appalachians. And there was a grey longbeard in the backseat rattling on and on about how change is easy, movement is easy; it's that whole nesting thing that takes courage and strength, blah, blah, blah. I told him to be quiet. Greg told me to get some sleep. I blinked.

We were in a karaoke bar in Madison, Tennessee. There was a gin and tonic in front of me. I took a drink. There was a water with lime in front of me.

Greg asked, Where did you go?

I told him, your dreams, trying to be cute. He turned and asked the bartender for a Yeager bomb. Reaching for the server in -- granted -- an overly dramatic gesture, I said, Make it two. We made it three. We made it four. Seven. Then some vague, but perfect number, because my head rang right. The words came right. And I was a journalist, asking Greg all the right questions.

I'm not a criminal, he said.

I was just bored, man, he said.

You see, I was in a rut, he said. Last month I put up a personal on Craigslist. I know, it's pretty ******* desperate. I've read the kind **** people put on there. But mine was different. I just wanted some time with my ex-wife. Some couch ***, you know? We hadn't done it on a couch since I dropped out of college, and I hadn't even really thought about it until a couple weeks after the divorce. Then it was all I could think about.

A black woman, whose teeth glowed under the black light, began singing "Wild Horses." Then he read my mind, I think.

Yeah, she answered it. Did our thing on her sofa. It was nice and all, and like all nice things, you just want more, but she said I couldn't have no more, this was a fluke, a one-time, or no, a one-off thing, she said. Had to relocate, so that's why I did that whole thing at Granny's.

You ever get it on a couch? he asked.

No, I said. I've see a bra though --- two actually.

He took that as a joke, which was good.

Though wild horses couldn't drag me away, a gasoline horse could.


He handed me a courtesy breath mint after I finished throwing up. The Nashville skyline looks perfect, he said. Especially at night.

My stomach was gravel in a washing machine. Masculine love. At gunpoint, I had agreed to indulge it. I was going to make love to a man -- not just a man -- a criminal. Not something to write about on a postcard.

Mr. Winters, my esteemed landlord,
Apologies about the rent. Got kidnapped by a *******, and I'm presently banging and being banged by him in Music City, USA.

I blinked.

We laid on opposite ends of the queen-sized mattress.

I always liked Super 8s, Greg said. I don't see the point in spending so much on a hotel. A bed is a bed.

And I tried to be funny with something about the confidentiality of dark bedsheets, but it fell flat.

Greg cried. I love my ex-wife, he said.

Can I help?

Will you hold me? he asked.

The air conditioner kicked on in the already freezing room.

I'm sorry. You don't have to, he said.

I scooted against him. He smelled pleasant in a family-vacation-kind-of-way, like a fresh pretzel covered in salt. I put my arm under his neck. He buried his face into my shoulder. I blinked.


The front end of his Cavalier was held together with copper wire and coat hangers. It was a two-door. Both doors dented from, according to Greg, hit-and-runs. It had a Vermont plate on the back. It was red. I mention all of this to say: if we kept moving, we were bound to get pulled over.

In the parking lot of 3B's Breakfast, Burgers And Beer, Greg asked me to retrieve his revolver from the glove compartment. You kinda have to uppercut it, he said. And I did.

I don't want to do it again, but we have to. I'm not staying put, not until I hit the ocean. But don't worry, I'm not going to hurt anyone.

He showed me the revolver. No bullets. I nodded, in approval, I guess.


The second time a man ever pointed a gun at me and asked me to love him was at 3B's Breakfast, Burgers And Beer in Bellevue, Tennessee. Of course, it was the same man, Greg, but the circumstances were a little different.

I went with two orders of biscuits and gravy --- or B & G as my dear friend Chance affectionately calls it. Four bites in and I'd yet to hit biscuit. For a moment, I wanted to tell Greg, C'mon man, ***** the ocean. Tennessee does gravy the way God intended. Nobody would find us in this suburb. We could be sharecroppers. Do they still have sharecroppers?

Do you like fresh corn? I asked. It was the first crop that came to mind.

Greg didn't answer. I noticed his plate of hash browns and eggs -- sunny-side up -- were untouched. You okay?

He was, he said, trying to get in the zone, that's all.

Alright.

Our waitress looked like a poster child for ******'s Youth. She couldn't have been much more than sixteen. She had blonde -- almost white -- hair. Her eyes changed color with the intensity and direction of light, a gradient between seaweed and dark ocean blue. She appeared to be an amish girl gone defective, and I was about to inquire into that very supposition when Greg stood on the table, and said, If I could have your attention, my name is Greg and this will only take a second.

Tennessee is not North Carolina. In North Carolina, they got a healthy aversion to firearms. In Tennessee, however, once a babe can walk, the *******'s got a BB gun and an endless supply of empty soda cans for target practice. I say that, to say this: when Greg stood on the table, so did three other men. Their three guns pointed right at him.

Lower that gun, brother. You ain't gettin' any money out of us.

Hate to shoot you in front of your boyfriend.

Coffee spilled and ran off the tray our waitress held. She shook so hard, it wasn't clear how many women she was.

Greg's cleft chin centered on one gunman, than the other, than the other.

Just drop the gun, *******.

We don't want to ruin no one's breakfast.

Fellas, I said, he doesn't have any bullets in his gun. We need a little money that's all.

That ****** is just trying to protect him.

I'm calling the cops, a purple-haired old woman yelped from under her table. Silverware clanged against the floor. Then the buzz of a fly. Then the pop of fries drowning in grease. Then the bell chimed as some idiot walked inside.

Greg's arm was shaky as he pointed the gun at me. Do you love me? he asked.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I put my arms up. Slid my chair back a ways. Stepped on the chair, then unto the table.

Do you love me? Greg asked.

His breath smelled like last night's alcohol and that morning's coffee. He was a child, a sunburnt child with a cap gun. He wasn't going to hurt anyone.

I put my hand on top of the revolver and lowered it. He crumpled, as if I were scolding him. They still pointed their guns at us. But for the first time in my life, I felt secured, tethered to a space.

I lifted Greg's chin up with my index finger. Covered his eyes with the palm of my hand. And I kissed him. I kissed him, keeping my eyes closed tight.

The Seven - The Mashup


In memory of my mother who passed away recently, I wrote, or intended to write seven (only six were actually done) new poems themed about her, her passing and some perspective on life and death.  All were read and I am deeply appreciative.  I have consolidated them all here, in order, though not necessarily the order in which they were written. But the order does matter, as it reflects the change in my mood with each passing day.   Perhaps I will write the seventh someday, but not now, not soon.

Thank you all so much for incredibly kind words of sympathy. I am not a dweller, so I set myself a goal to complete this vow, this task, in a week to correspond to the seven days of mourning the immediate family observes after the burial (the shiva, shiva meaning 7).  For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night

#1 Shiva

I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown,
His father, cancer won.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

#2 Hover^

My Children:

Ancestral homes oft possess,
a unique scent, product of an atomizer, a memorizer

Musty time, the odor of
faded and shadow,
hollow, yet hallowed.

Somewhere along the road,
a residence transforms from home to
shrine-storage unit-hospital room-tomb-records depository.

Dust, expired perfumes,
the sweet odor of crumbling, yellowing books, disinfectant,
stale medicine chests, years of furniture polish, sabbath candles.

It is my smell -
the parfumerie of my history, a customized blend,
a commissioned work in 1964, entitled, more accurately, emitted,
"Her-Story."

Photographs, memories, and paper scraps
my very own Preservation Hall Jazz Band.
Yet the most potent firing pin for historical retrieval,
the molecules of scent.

Soon all will be dismantled, discarded,
just plain dis'ed.

Confused and disenchanted,
my departure orderly but, in a disordered fashion.
unable to seed one last kiss upon your forehead,
nonetheless, surreptitiously enter your neurons
though my entity, away, across the miles-wide Hudson River.

For three days, I will hover invisible,
implanting myself once more,
slapping your mucous membranes,
transversing this pathway, an additive to your cells, nuclei,
where my markers always reside.

Adding one more ingredient to your inner vision,
strengthening the formless structure, my altered state.
This odor, keep close, fresh, no becoming musty too, my scent,
the last of your senses knowing me, a true keepsake.

Hold me close and hold me fast.
This one last magic spell I cast.
This one last magic smell I set fast.
You cannot hold it, but it will cradle you.
You cannot see or touch it, but when contact comes,
You will see me, hold me, as in the days of your youth,
When you loved me best,
And I, you.

^According to the Talmud, the soul hovers over the body for three days after death.  The human soul is somewhat lost and confused between death and before burial, and it stays in the general vicinity of the body, until the body is interred.

#3 Orphan

The funeral will commence at 11:30 am.
Gives me one last review time before the
Final Exam.

Panicked, I discover a whole new chapter
for which I am wholly unprepared,
though its inevitable presence was
assuredly knowable long in advance.

Orphan

It doesn't fit, occur, imagery is of a young child to
soon abandoned, not a late-in-life curmudgeonly poet-boy,
who has been multi-times reincarnated.

I add this title to my list
of proper ways to address me,
titles earned by dint of hard work,
or just unlucky luck.

This new status, orphanhood,
bequeaths no special privileges,
other than, a semi-official
societal permission slip
to feel bereft, lost, and compose poetry.

Know a real orphan, from early, early on,
has never recovered and
never will for it is just impossible.
Just impossible.

So whom am I to make light of
my undesired, unrequested new degree?

I accept it and to my surprise,
It hurts.

# 4 Judgement Day

After you put in some time on this planet,
You kinda know what the world thinks
About you, your rep, what they don't say to your face,

Sure, thingies, time and incidence and circumstance
Can sometimes cause makeovers external,
But each of us know the quality of ourselves,
Self-certification, you can out your internal self,
Better than anybody else.

So I inquire of myself, about myself,
what will you be remembered for, if at all?

Why do I ask, today, now?
Do we not ask ourselves this
On the low down, subconsciously everyday?

Is this a poem?
Most assuredly...
And a trial.
You, the judge the jury and the prosecutor,
The defender, if u can, if u will.

For seven days my mother was adjudged,
Family, friends, hers, her children's,
Almost an 80 years of live, in color, HD, looking back video,
Tales told, memories dug up, old photos explicated,
Who what when where of the details of one women's voyages,
Creations.

I cannot, I will not, do the details here.
Suffice, acts of kindness, faith in people,
Feminist in a strange land, a chance taker,
Gifts of memories, streaming of adoration,
Many strangers are witnesses to me,
This trial a runaway train.

I am outed.  There will be no such verdict for me.
I am outed.  There will be no trial needed, just a
Summary judgement delivered.

Out yourself.
What will you be remembered for, if at all?

#5 Summer Girls In Their Summer Clothes

Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)

*#6 & 7 Live like you're dying

Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...
Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:
Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.

My friend and I talk about it
Neighborhood got decimated this year
One after another the corners of community are gone
We touch the elder memories
as one might touch a head in blessing
as loved ones pass

We linger longest over John

Found dead after ten hot days
by other-worldly hazmat crew
flanked by cruisers
with their special, yellow truck
and zipper bags

...found 'im
glasses folded neatly on the night stand
in his jammies
all tucked into bed

No one thought it strange
that strange young guy would die
already decomposing in his head
Lost
among his personal effects
his fleet of rusting cars
and half-assed projects
Deck tacked to garage
his herds of “pets”

Easy to pretend he wasn't really there
between jail stints or some imagined threat or theft
of crap
haunted by the shadows of his persecutors
caught in motion lights
and cameras' blinding evidence of
jungle-jumble and malfunctioning alarms
going off in the wind
Everyone's out to get his stuff
We could dismiss him--

mostly
sorta

...except for times
he mowed his grass at night
or hand-built “the lunatic tower”
just for mom
from scavenged scraps and
hammered hours
power-sawed
through the housing codes
and horror
of the neighbors...
...Such a special spectacle...

******* crazy-- John!

He was enough for one day at a time
like when

he flung that threatening bolder
on bilco doors
for percussive effect

"Get off my ******' property!”
(not using his “inside voice")
“Next time, that'll be your head!!

He announces his intent
to not get mad, behave himself
to call the cops on me instead
Fake-dialing
While his mother screams in dread
“John is off his meds!”

My phone is set to speed dial
911
__

“How did we miss this?
How did we not miss him those quiet days?”

How we miss him now
How quiet

Seven New Poems For Seven Days #1: Shiva

Shiva means seven. For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night.*
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~~~


I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

I licked my finger and raised it to the air.

And set sail.
due North. Tacked a bit east. sea spray lashing
me down to the mast.

I saw Ahab in the distance aboard a white monstrosity.He seemed quite happy.
The years had been kind. A Fulfilled destiny.
I envy him so to surrender.

I tacked south.
some strange feat but a mighty ****** am I. The wind at my beck the stars at call.
sextant be dammed. I will rise where I fall. or sink.
Brinkmanship my stock in trade.

The wind remained  at my back for a score and one.
my shirt in tatters. Still tied to the mast.
Howling banshees beckon me shore.

Nevermore.

If only I was a crayon drawing
Where each smiling face looks the same
Where stick figures and three fingered hands
illicit the smiles of adults and adoration
of how beautiful the picture is
of how artistic the drawer is
Despite the fact that the people are purple
and everyone has a beautiful smile.

If only I was a crayon drawing.
With the sun always shining,
though I hover off of the blob of green grass
Though I am taller than the house beside me
At least I am happy
At least people tell me I look beautiful
though I am a blue colored person
and have no feet or hands.
At least the sun is always shining
at least I am happy.

If only I was a crayon drawing.
With no need to worry about how I look.
With my family in a line beside me,
clumsy names written above us, barely readable.
But then I would be tacked to a bulletin board.
Then i would be fawned over, Oh how sweet.
See, look at the smiles on their faces! Look how
happy they are! How cute, how adorable.
See how artistic, how true to life. See the smiles?

If only I was a crayon drawing,
I could never grow up.

They could practically be heard arguing throughout the whole diner, but they were oblivious to their small audience of onlookers in the heat of their conflict. Tori stood there with her hands on her hips as her husband, Hank, made himself clear that he was upset. He was sitting up at the counter on one of the barstools eating his chili. On the other side, Tori poured herself a much needed cup of coffee.

“You’re a waitress, not Mother Theresa! A mother with two hungry mouths!” he bellowed out to her. “That’s less money that goes into our pockets! What the hell were you thinking, Tor?”

“Was only helping a poor guy out!” she shot back. “He looked hungry and—big deal—so I bought him something to eat! So forget it, Hank, cuz I’m not sorry!” She remained defiant in her stance, unapologetic in her Good Samaritan role. Her boss never allowed her to give free food away, so the food was on her. It was a hot dog and fries, one time, some bacon and eggs, another.  She got the man bagels, donuts, toast, oatmeal—whatever she could supply with his usual cup of coffee he ordered. It was obvious from the word go that he had little in his pocket, and he could barely put a tip on the table—usually a nickel or a dime, sometimes a few pennies. He wore the same shabby tee shirt, flannel shirt and bummy jeans. And those pitiful shoes—with his dingy white socks poking through at the big toe of his right foot—that was pitiful.  So what if she had two young children? Nobody was going into the poor house because she bought a poor guy a few meals.

“Well, stop buying him food! No more!” Hank commanded. Tori gave him her best you’re not the boss of me look as he put his spoon down and walked over to the booth towhere the man with unkempt, silvery hair, and an untrimmed beard, sat.  That was his usual spot, and that was Tori’s booth to cover.  

The man just stared at him, not seemingly startled by the younger man who boldly confronted him. “Hey, look!” Hank said, lowly, yet sharply, “Straight up and no *******. Get a job. Get a life. Just quit taking advantage of my wife. Got it?”

It didn’t seem like the intimidation was working. The man just stared at Hank, his deep, soulful, brown eyes could penetrate right through him, and Hank wanted to shift his gaze away. He didn’t though, for that wouldn’t have given him the menacing upper hand. “Well!” he demanded, fidgety and frustrated, “What’s your problem?” The response was simply the same silent stare and Hank blurted out through clenched teeth, “Don’t take nothing no more from my wife!”

Unexpectedly, the man placed his hand upon Hank’s and said, “My son, don’t be angry. Sin no more. I give you my blessing, and go now in peace”. Hank quickly pulled his hand away, his face burning with embarrassment. A few guys at table nearby snickered at the sight of the pair.

“The guy’s nuts!” Hank got up and moved back to the counter. “What does he think? He’s Jesus or something?”

“Hank, quit stirring up drama or you gotta leave! You’re gonna drive out business!” Al chimed in. Al was in the kitchen helping the cooks in the back to get out orders. Now if anyone had a right to kick Hank out it was him. He owned the place.

Hank, still enraged, pointed his finger at Tory and promised, “We’ll talk later!” He quickly stormed out. Tory was not to be dictated to, feeling vindicated for her kind actions.

Well, everyone thought the man who tried to bless Hank was harmless, off kilter, maybe, but harmless. He didn’t seem to cause any trouble, and he minded his own business—only spoke until spoken to, and it was always with grace. Was there something special about him? It was only Tori and fellow waitress, Bonnie, who put more stock into this than anyone else would.

“And what if he is God?” Bonnie asked.

Al scoffed, trying to keep the conversation at a low minimum.  “You sound just as loony as he is”

“Well? And what if he was?” Tori backed up Bonnie. “Or maybe even an angel! You know they can come in many disguises! Maybe God is trying to test us to see if we really give a ****. Did you ever think of that?”

Al shook his head. He couldn’t believe he was having this conversation. “Test us?” he asked back as if Tori had no sense at all. “You’ve watched too many TV shows!” He raised his hands up in a grand fashion of showmanship, knife in hand,” Or maybe I’m not the owner of Al’s Diner, but I’m really God myself”, he mocked.  “So, as God, my dear little children, I command you back to work! Come on, now! Chop, chop!” He started to shoo everyone away. “How you think we are going to feed the masses, huh? With loaves and fishes? Customers! Customers! Get those orders moving!”  

The smells and sizzling sound of hamburgers on the grill were enticing to the senses. Tori and Bonnie went back to busily retrieving orders, and Al went to chopping some tomatoes, but soon he was playfully tapped on the shoulder.  It was Amber, another waitress who never seemed privy to the conversation.  “You remember this song?” she asked him, singing the tune in an off-key way, “What if God was one of us, just a slob like one of us….”

“Just a stranger on a bus, trying to make his way home…” Tori sung along, cheerfully moving about, adding a pretty, more melodious tone to the song.  

“Exactly”, Bonnie exclaimed, enthusiastically. “Like God’s gone undercover!”

Al rolled his eyes, for he thought he made himself clear he was done with this talk. But he couldn’t help but get a kick out his quirky waitresses. “Sure I know that tune—a few decades back—blonde chick—what’s her name?” he asked, smirking.  

“Joan Osborne”, Bonnie proudly stated. “Cool song, too. Makes you think a bit…at least for me.”

“And so why not ask him who he is?” Joey asked. “He’s got a name.”

It was like everyone forgot Joey was in the room though he was busily busing tables and sweeping floors. Tory, Bonnie and Al stopped what they were doing and intently looked at the teen. He seemed to ask a sincere question.  Al burst out laughing. “Now someone’s talking sense, and chalk it up to the kid with good wits. Yeah, Joey, these ladies just want to exist in fantasy land. Go, Team Al!”

Joey shook his head and said, soberly, “Not taking anyone’s side. I just think he’s got a name and he’s got a story behind him…and it isn’t what you think, Tori…or even you, Al.”

Al waved his hand to dismiss the whole thing. “Yeah, his name is probably Ralph, or something. Even then, I bet Tory would believe he is the Almighty right there in the flesh!”

“I would!” Tory shot back. She looked at Joey and answered, “Maybe you do think I’m as bad as Al does, but you’re too polite to admit it…but…yeah…I did ask him his name.”

“And, so?” Al asked, pretending with wide eyes to be full wonder, like he was clinging to every word, anxiously. “What’s his name?”

He was simply finding humor at her expense, and Tori wished she never said a thing. She reluctantly replied, “I am what I am.”

What?” Bonnie asked. “What does that mean?”  

Al replied, “I am what I am! Well, that sure don’t mean Popeye, sweetie!” With a comical, gravelly voice, he did his best Popeye imitation, “I yam what I yam and that’s all I am!”, squinting up one of his eyes he teased Tori, “Got that Olive Oyl?”

Bonnie and Joey laughed along at the sight of him, and Al added, “Look! I may be practically an atheist, but I’m not ignorant to the bible. That’s just what God said to Moses when he asked the same question!”

Tory defended the poor man that she so proudly helped. “So what if he does think he is God? He’s not doing anyone any harm, is he?” Al completely ignored her, so Tory to turned to Joey, and asked again, “What harm is there in it?”

Joey slightly smiled at Tory, trying to remain respectful to her beliefs, and said, “Truth be told, I don’t know much about God. I’m not a churchy person. He pointed over at the poor man in the booth and said, “I just know if God existed, it’s not him.”
  
Tori was saddened by Joey’s words. It was not that because he didn’t believe her ideas were feasible—that maybe God was testing them—but that he didn’t even know if God existed. The youth nowadays—who did they have to look up to?  Who guided them? The internet? Their cell phones? So many people seemed to have walked away from their faith or had none at all. And Al reminded Tori so much of her own dad. She grew up in a home without religion. Her mom had a vague notion of God, but her dad was a huge skeptic that had the same mocking spirit that Al had. Neither her father or Al were bad guys, but there were no miracles in their worldview. There was nothing divine, and everything was so ordinary and practical.

But Tori always felt awestruck by the world, nature and the animals, a curious minded child. She was the one who had that childlike faith—even now as a grown woman—and she yearned to know God, personally, not just know about Him. She just had to believe that this world and the universe were not all just for nothing, not at all a happenstance, not a just a brief journey on this earth and then that was it. It was after searching and yearning that Tori went to her friend’s church, and soon became a Catholic. She might have been alone in her family in this endeavor, but it gave her life more meaning.

Tori would look at the figure of Jesus upon the crucifixion and oddly was comforted by the sight of him that might bring others revulsion or doubt—the nails piercing his hands and feet, the thorn of crowns, the blood, the tragic sight of his lifeless body so cruelly tacked up upon the cross.  She raised her own two children to know God, and Hank’s lukewarm feelings did not match hers. He wasn’t much help in that department at all. But she knew by looking through the bible that true life was about helping other people, that God loved the poor and the downcast. To find your life, you had to lose your life. To feel exalted, you had to humble yourself. To give your life, to save someone else’s—well, that was the greatest gift you could give. That means you gave it all.  She might not have been the smartest person in the world, but she didn’t need to be bible scholar to figure such things out.  

Well, it would be a while before Tori would see her special customer again. But one day she ran back into the kitchen and told Al, excitedly, “His name is Bill!”

Al shot her a strange look, and then he got the connection. “Oh, so that’s God name?” he said jokingly.

Tori pulled him by the arm and took him out front, summoning Bonnie and Joey over, too. Bill was sitting in the same booth he often did, but there at the counter stool sat a petite, sixty-something-year-old woman whom everyone was about to meet. “Al, Bonnie, Joey, this is Bill’s sister, Mary”, Tori introduced her. “She shared with me about Bill’s story, and I think you should know, too.”   She looked like Bill, but had black dyed hair and was better put together. There was a warm and gentle way about her that intrigued Tori. And she sat there to shield her brother by keeping him out of the conversation, for she didn't want to upset her brother by mentioning something that might cause him pain.

Actually, they all were intrigued by her story.  Mary had told them that Bill once had a family, a wife and two sons. He couldn’t keep a steady job, though, and he was diagnosed with bipolar disorder and schizophrenia. His wife divorced him years ago and moved out of state with their two boys. His sons never tried to contact him, and he hasn’t seem ever since. For quite a while, Bill lived on his own, but he didn’t take good care of himself. He was living more poorly than ever—not eating right or caring for himself, erratically taking his medication, and so it wasn’t a surprise that he lived a deluded life. “He does strange stuff like that, think he is God”, Mary admitted to Tori. “He’s been made fun of a lot for acting that way, and it’s my job to watch over him and see that he is safe. So now I help take care of him, and he lives with me. Bill’s always been too proud to accept my help, but the doctor says being with me will help to give him a better life”. Mary was a widow, and she didn’t have much money herself, but she did what she could to protect her brother.  

Al looked embarrassed, knowing now the truth about Bill and realizing he was making fun when he should have known better. Mary gave Tori a huge hug. “And thank you”, she said to Tory, “for looking out for my brother, too.”  Everyone, even Al, was deeply touched by their embrace.  

“You know that Tori is a saint”, Bonnie bragged on her behalf to reiterate the same sentiment. “There should be more people like her.”

Tori remained humble and disagreed, “No, I’m just doing what we should all do in this world. If anything, it teaches me that we should all see God in every opportunity.”

Al whispered into Tori’s ear and told her, “You want to give him something to eat again, well now don't bother paying for it. It's on me”.  She smiled at him like was ready to give him a big hug, and he added, “Don’t think this makes me all buying all this God stuff—or anything”.

“And why not?” she asked.  

He replied with his own question, the ultimate question that people have been asking for ages. "Why would any god allow a man to suffer like that? Just look at him! How could that happen and you still think there is some guy in the sky that's all warm and fuzzy, like some invisible Teddy bear?"  

"Oh, you mean so how can God be loving, fair and merciful?", she snapped back, hurt that Al would make faith sound so childish and idiotic. Tori thought a moment, and simply replied, "I could ask the same question. Is life fair? Is it just wishful thinking? Actually, all my life I've wondered such things. The difference between us though is I don't know all the answer any better than you...but I still believe."

Al waved his hand away at her, "Whatever..."

"Wait!", Tori commanded him as he walked away. Al stopped and turned to face her like he was more than through with this conversation.  She said, "Maybe if us mere mortals did our job on earth of helping others, it would better a whole nother story. You'd probably have a different point of view, Al."

She didn't expect Al to have some bolt of enlightenment when it came to God, but before he went back to the kitchen he left her with words she wished he didn’t say. “All those people way back then…all those prophets and saints…supposing they were around today. You think they'd they stand up to today's world? I don't. Wouldn’t they on meds, too? I'd say we wouldn't see them any differently than we'd see Bill.”  Blindsided, she never did know how to follow up with all that. Al just knew how to rain on her nice parade.

Joey never said anything about that day, but when Bill came in again, Tori surely took special notice of them sitting together for a while. When she passed by the table, Joey was watching Bill walk around, and she quickly noticed the new black and green athletic shoes on his feet. Even on him, they looked sharp.

”They fit alright?”  Joey asked. Bill nodded, and shook the boy’s hand. He never said anything about it, but his silly, old grin—along with a few missing teeth—was priceless. He truly was happy to get those shoes. The old ones, with the hole in the toes, remained on the floor to be pitched out.  

Tori had to ask Joey, “You bought those for him? That’s so sweet of you!”

Joey smiled. “I just never could stand those beat up, old shoes”, he replied. “They are a good brand, but didn’t put me back that much. I’m not making a big deal about it, though. I’m not even going to tell anyone I did it. Only telling you, because you asked.”

“Makes you feel good, doesn’t it? Like it really makes a difference”.

“Yeah, it does. It’s like buying God a pair of shoes.”

Did he just say it was buying God a pair of shoes? How odd to hear that from Joey, but how that statement impacted her, and Tori would never forget that.  She gave Joey a peck on the cheek and a hug. He was like a little brother to him. She didn’t feel old enough to be a mother figure, but she felt some kind of sisterly feeling for him.

Joey went on to explain, “Yeah, I’ve been thinking a lot about Bill, lately. He lost his job, his family—he lost everything. No, he’s not God, but I was thinking…though I don’t know that much about religion or God, I thought that if you do

A loose handed emblem,
of folded thoughts,
Loss is weaponized in enchanted red,
Wrongs corrected stemming from the
blissful bare signed gawky individuals.
Homage backtracked and renounced
Barely earnest calls for a curious fathom-ability
Heaven bound birdlike shadows,
Bright light gagged and janky,
Found little finger blood tacked to the earth.

Mommy went to Heaven,
but I need her here today,
My tummy hurts and I fell down,
I need her right away!
Operator, can you tell me how
to find her in this book?
Is Heaven in the yellow part?
I don't know where to look.
I think my Daddy needs her too,
at night I hear him cry.
I hear him call her name sometimes,  
but I really don't know why.  
Maybe if I call her
she will hurry home to me.  
Is Heaven very far away?
is it across the sea?
She's been gone a long, long time,  
she needs to come home now!
I really need to reach her,
but I simply don't know how.  
Help me find the number please
is it listed under "Heaven"?
I can't read these big big words,  
I am only seven.
I'm sorry operator, ,
I didn't mean to make you cry,  
Is your tummy hurting too?  
or is there something in your eye?
If I call my church maybe they will know.
Mommy said when we need help
that's where we should go.
I found the number to my church
tacked up on the wall.  
Thank you operator,
I'll give them a call.

Tacked tin sheets
promoting brand names

Real local grown food
little meat eaten
our elders thin, bony and fit

Yet birthed another foolish generation
seeded by World Wars
planted by Lend Lease
fuelled by aged forests
we farm, feed, cleave and eat

Greed walks besides naive naivety
slaughtered sheep full of cancer
processing industrial carcase-ed meals
shopaholics fat consumerism
a speeding, partying, dancing waste of ills

Lawyer-ed  politicians chain us
whilst stymied party politics deafen us
Money-ed propaganda’s herd us

Local economies destroyed to feed
National ..European ..Pan European ..Pan Asian ..World Bank ...
Prime Minister ..President ..Minister ..Senator ..Consultant
Globalisation’s plague of selfish-self-grandiose labels

A generation’s survivors
will despair
as the Ganges runs dry
then die with their children’s children
in an armed-hungry-thirsty tide

.

To the Anti-American Teacher…We Knew You Were Pro-World

A clause in your contract slated your signature for patriotism.
You never signed, they never checked, but you took down your flag
after that.
They  didn’t check that either.
So, you stripped and tacked and taped and striped all the flags
from all the world to the walls.

On the east, sat Uraguay, and Paraguay, and Peru.
On the west, we went to Austria, and Hungary, and Bangladesh
for good measure.
But the north wall was your northern star – the shining one
among the rest.
The Chinese stars of social class contrasted against the five-pointed red one, the
one next to the ending of a Tsar in a February Revolution, a marking point found – not in our textbooks – but in all the places you have been.

Oh, the places you’ll go, you began.

In Israel, you had gone in your college years, and you learned of bamboo
tattoos in Thailand, but Korean was a class you completed in
France of all places, and I never had the chance to see the locations of
the south wall.

You were fired.

Over night, they tore you from the walls, lone of which, they left the
tape tacked up in four corners, a collection in each place of a flag
we once saw before us. In my desk, you slipped a map inside.

Oh, the places you’ll go, you wrote.

Such a sorrowful tune.

He entered our classroom
Quietly
Something in his hand

A slip of paper
Assigning him
to English 11b

English words
Thick in his mouth
He whispered his name,
Jaime Chavez

Jimmy Changa!
someone mocked,
Had one of them for supper
Nice to know you burrito boy.

Jaime Chavez smiled,
And remembered.

He entered our classroom
Quietly
Something in his hand

A book
Shakespeare
Carefully noted
In Spanish and English

Jimmy Changa
Someone mocked
Whatcha got there?
A book?
You don’t need them to cut my lawn.

Jaime Chavez smiled,
And remembered

He entered our classroom
Quietly
Something in his hand

An award
Superior achievement
English 11b

Jimmy Changa
Someone mocked
You didn’t earn that,
*******, ******, ****

Jaime Chavez smiled
And remembered.

He entered our classroom
Quietly
Something in his hand

Full scholarship
Princeton University
In English Literature

And something else

A bumper sticker
"God Bless America,"

Which he carefully
tacked to the bulletin board

My name is not Jimmy Changa.

My name, is Jaime Chavez

And he smiled.

You shouldn't steal when you can borrow
Didn't your mama teach you better?
No? Then get some therapy
No one's accountable for your needs
Not to any degree

But still you must've had a teacher
Deception's a perfected skill
But remember to taste-test that pill
After all you're the prince
Who never leaves fingerprints

In the end though
The vertical flow's
Gonna catch up to you
You can't go round & round forever
Spreading your slander tender

Still,
I just wanna see you suffer
At the hands of another
Just so the blood in your mouth becomes real
Now you're the one tacked to the wheel
Now tell me does that seem surreal?
I didn't think so

Parade around in mechanical cotton
Is that the flavor of the weak
Posing as Byron with a frankincense tree
Blood-letting to support your creed
Forgetting that the best grows naturally

The voodoo with the prodigal knife
The who's who of nautical nights
The tight *****, diabolical wife
Wounded a rabbit's tongue
Kept me from speaking up

But I dare you to take your servants
Into your sacred space of merchants
Lay your supper in the bedroom
See if they make a purchase

Or do they wanna see you suffer
At the hands of another
Just so the blood in your mouth becomes real
Now you're the one tacked to the wheel
Oh, what can be revealed
I sure hope so

So how's your precious golden cup
Is it half empty, or full with bad luck
Can you taste the iron in the stuff
Or is their protest practicing
Waiting to burn you on the last drop

Could have married a music man
An impresario with big hands
Till you showed up with plastic plans
An a conductor's wand made of tree bark
But you never had the guts to bite

See, unlike your faceless drones
I truly needed a home
I'm not the one who disowned you
I don't get off on selling soldiers
Wrapped in videotape

So why did you wait so long
To sell me out
It wasn't a hot summer
Guess your supply was in a drought
Poor, poor pitiful me
Just wanted an apology

But I guess I'll have to settle
For watching you suffer

Rubber erases
deep spaces
line traces
where her face is

Her smile cracked
lips smacked
eyes tacked
fade to black

Imperfection
turned dissection
forgot protection
late detection

She weeps
Because she hears it sleep
Fearing it may seep
the scars just as deep

Now she cries
sad lullabies
emotion unties...


Rubber erases
deep spaces
line traces
where her place is

Lost and torn
her heart out-worn
her body scorned
her mind forlorn

Rubber erases
deep spaces
line traces
where her base is

Rubber erases
deep spaces
line traces

Rubber erases
deep spaces

Rubber erases

Rubber

(today)he talked a whole
lot and i only listened
till i realized that stupid
satillo blanket was over
my knees and you tacked
that little 3x5 dia de los
muertos card beneath
my corkboard and
wrapped me up
(14 months ago.)

Particulate disintegrate berate and inflate the absence of sense or packed, harden, racked, garden.
I see clearly when my eyes arise through the atmosphere's tears' arrangement of derangement of eminent containment in hell-house entertainment.
Luck, ****, and **** have in common, many things limited to their convalescence in my head for lack of a better working word.
I can't write right now.

The wind whips
and scrapes the walls
like ivy looking for its foothold

round windowsills
and rotten wood
winter chills a new years cold
scouring for the way in

rolling barrels of fury
tumultuous spasms
unrelenting open hands
slaps the face of every bush and branch
with each pass
the lawns and meadows left
rippled like a poorly tacked carpet

the scaffolding of men rests on brace and bolts
and handshakes with the granite walls
adornments flap their benign capes
eddies of grit spiral, walking tall

Inside I watch you
like a ****** staring at the passing crowd
but not knowing where to look;
only you are everywhere

blankets and lights and even the TV
are curtains to pretend your not outside;
I need not venture out yet

at least,
not until morning

i once met a caterpillar
she was quite pretty

i remember

she would smile
and sing
and love
and cry
and mourn
and fear
and hide

outstanding, i thought
now, even baffled
watching her
cocoon

silk is costly
and she lacked
expenses

but she
continued

and continued
and continued
and continued

until

the
cocoon
stopped

it was rare
but the caterpillar could feel
a metamorphosis
approaching

so she closed all the blinds
tacked curtains’ edges
settled in her corner
swallowed by her covers
relished in the darkness

and got on her laptop

Since fifty-eight
the jaycees come
rounding up rattlers
in Sweetwater, folk from all over
for a weekend in March
when snakes leave the hibernaculum
and slide back up
into west Texas and the wind.

Mr. Herrera knew his Luis and I
rode the seven-thirty bus,
had cokes and potato chip sandwiches
with Mitchell and Thomas
after Sunday school,
shot jackrabbits that ate alfalfa
in the dairy pastures.

Dad said he reckoned,
so I took Mr. Herrera’s apron
and offer and brought my knife
that Luis sharpened to a razor
and shaved his forearm hairs with.  
Frank tried that once,
sliced himself like a tomato
when he slipped.

Snake shop’s a butchery,
down the main street
past the dairy mart
and primary school,
in the yellow open scrub.  
If buzzards had noses like dogs
they’d flock, smell that
snake blood from Mexico.

Rattlesnake skinning
is all stringy guts, soft skin,
pulled teeth and poison
squeezed out of gum sockets
like milk from an old cow’s ****.  
Fancy skins with eyeholes
and lips cost ten,
specialty of Mr. Herrera.
Headless strip plus rattle
just two dollars the foot.
Cut the belly lengthwise
and rip,
easy near the backbone
where it catches.  

Out-of-towners buy anything.
Wallets, boots, belts with snakeskin
sewed or tacked on,
lucky rattles, picture frames
for proof of their longest catch.  
God-fearing jaycees doing good
for our communities will eat
deep-fried snake meat,
like tough old chicken,
but good with black-eyed peas
and sweet tea on the side.  

The women even come
once the round-up is done,
the church women, the Jesus women
with belief
and pistachio pudding
with marshmallows,
like Mrs. Howard
who shrieked “Boyd!”
and lectured about hygiene
when she saw me in my apron
and ****** to my elbows,
menacing the street.  

The biggest round-up days
we worked late, past midnight.
Past the dairy mart hours,
so once the skins
were all peeled and stretched
and the sticky linoleum
hosed down some,
Luis and I walked back through town,
deserted, dark





except lights from Roscoe and Roby
and even big Abilene
miles away, shining
across the flat nothing,
coyotes yip yip yipping
somewhere near the lake farther north.

Luis showed me how to eat peanuts
shells and all
and let me try on his brother’s
high school letter jacket.  
Late night in Sweetwater is a nothing.  
The wind never stops blowing,
and there’s nobody else
on the ******* planet.

I’d like to know where she’s been, this little daisy that stands on the opposite side of the room.  She stands like me, arms crossed with a red solo cup dangling between dainty fingers.  Maybe mine aren’t dainty, but the cup dangles either way.  It’s clear as day, this isn’t where she wants to be.  I certainly can’t blame her.  I’d imagine she was forced here, convinced by a friend, a sister, a roommate.  This isn’t her scene, nor is it mine.  Why else would we stand in our respective corners, eyeing the drunken fiends in the room with nothing but pure disgust?  

We are the same, she and I.  I wonder if she sees me, too.

I can’t take my eyes off of her, the beautiful girl who stands on the opposite side of the room.  She takes small sips from her red cup - bourbon, I’d like to think - and maintains her previous stance.  How badly I wish to drag my tattered shoes across the creaky hardwood floor that we both stand on, extend my hand to her and invite her into conversation.  She’ll smile a close-lipped smile, nodding as she places her small hand in mine.

“Needy,” she’ll say, and her emerald green eyes will glow something radiant. “My name’s Needy.”

And I’ll do my best to muster the courage it takes to mutter my own name, a growl of Brett.  I’ll manage a smile, manage to suppress the urge to stop her right then and there and run my fingers through her golden hair.  But I’ll humor her instead and make her smile.  I’ll joke and complain about how drab it is to be here, this New Year’s Eve party we were both brought to against our own will.  She’ll agree, telling me of her original plans to lounge on her couch with a bottle of Merlot, eyes glued to **** Clark’s countdown and drooling over some Seacrest character.  How I’d love to be in her presence for such an event, to rub her shoulders while her excitement for whatever celebrity guest came on next rose.  I’d tell her my original plans, taking a seat in front of my prized Royal typewriter with a bottle of Tennessee Honey.  She’d ask me what I would write and I’d give her a crooked smile just before quoting a legend.

“Nothing really. I’d just sit and bleed.”

And she’d flash her pearly whites with a knowing grin, one that I would return out of sheer satisfaction in knowing that she knew what I was talking about.  That’s how it would start, the beginning of our little storm.  She’d give me no warnings, my sweet little Needy, not telling of the little grenade that she really was.  

I’d accept it, accept her, and love her, forever, my little time bomb.

It’d start out fine, just as any great romance would; I’d be tender, romance her and charm her to my wits end. She’d appreciate me and show me her affection in any way she could; little notes tacked up in random places, a simple “morning,” “night,” text. She’d trace shapes along my chest, and bury her face deep in the crook of my neck.  She’d mumble, “I love you,” in her sleep, and I’d kiss her softly on the cheek.  Call me possessive, call her weak; she’s my little daisy, and mine only to keep.

We’d be the kids that are seen only in the movies, troubled and disturbed by one another but with no desire to detach.  She’d **** me and I’d **** her, each with words so hauntingly true;  I hate you, I love you, I don’t want you near.  You’re awful, you’re difficult, you’re so stuck in the dark.  I hate you, I love you, I can’t stop thinking of you,  and we’d still kiss each other goodnight and endure another day.  We’d be destructive, she and I.

And I’d be crazy, driven mad by her, for her, forever, my needy little Needy.

I’d imagine she would hate me after quite some time, so much that her hate would battle her love and she’d lose either way.  And I’d remember that night we first met, the night that I stole her light in that little white dress.  It’ll hit me then, as I cradle her in my arms, wiping her tears, stroking her hair.  I’ll realize then what I did and curse myself for my crime.

“You used to love **** Clark and that Seacrest fellow,” I’d mumble as we lay by a fire.

“And you used to love me.” she’d say, almost a whisper, and my heart would tear in two right there, burning with the flames that danced before my eyes.

And it’s awful, knowing that I took this girl, so bright and lively, and dimmed her light to the point that she didn’t exist, not without me.  My little Needy, always telling me she’d need me.  Such a fitting name for my beautiful girl.

Maybe then I’d realize my mistake.  I’d hold her and apologize profusely.  I’d press her into me with the hopes that she’d become one with me, understand me, hear my thoughts as loudly as I heard them in my mind.  Would she accept me, too?  Or would she throw me aside like the piece of trash that I am?  I wouldn’t blame her, no.  But my Needy, my needy little thing; she’d cling to me and I’d cling to her.  I’d be a mess without her and I’m already one with her, here, forever.

I’d like to think I was right about her, the girl I see twirling the tip of her finger in her red solo cup.  I’d like to think my own private fantasy was filled with accuracy, the story of us that is yet to be written, if it’s ever written at all.  I’ll never muster the courage to know her name, nor will she know mine.  Instead, I’ll continue to watch her from my side of the room, protecting her from a distance should any harm come her way at this god awful party.

And finally, after what feels like forever, her emerald green eyes meet mine across the way.  She smiles a small closed-lip smile and raises her dainty little fingers to give me a small wave. I lift my red solo cup to my lips, tipping back the warm ***, savoring the burn down my throat before I give her the same crooked smile I imagined myself giving her.  I won’t talk to her, I won’t make that treacherous walk towards her.  I won’t tell her my name and she won’t tell me hers.  I’ll keep what I know about my little daisy in my head.  I’d doubt if she’s anything like I imagined, standing there in that snow white dress.  I’d like to keep this image in my head, the one I have of a sweet little thing, needy and clinging to me and only me.

My fate is sealed as I watch a burly fellow approach her, and those pearly whites flash at the sight of him, and her heels lift from the hardwood floor that we stand on together as her arms wrap around his neck.

My little Needy, how wrong could I be?  She doesn’t need me.

I

Angry stupors succumb her sternum
                                          --battered cavities
                             and shoulder sockets.
   Mates with shotguns and pitchforks
           snapped femur bones holding to hope,
  cat nap toes struggling
                                            to climb the miserable

  The greatest beasts reverberate
                        --Fathom and Torrential/Alice & Skippy,
                                       & Orwell and Bukowski
   with pit mentality swarming
                            her literature
                            his neck.                   Never be the Republics.

     The wall is wood and bare. Ammonia wet seal--
              
            Alice, with her sweet, clawing voices sees
                          this escape is a prison.
        The dove sent to fetch Peace's growth
                  got stuck                                     in the chimney
                             that Skippy built with his stubbornness.

     Alice touches her tacked on remnants
                       --feeling the double home.
                                  Skippy stands still unless Alice calls
     for him
                  and he runs so fast with heart halves beating
                                                                ­       slow.

   *II

           Skippy looks down the abyss and sees Julius Caesar,
                    Cthulhu, and a black flag
     calling back for ceremony
                                 in honor of facilitating fear
                        holding tears
                                   and hugs with arms of falsehood.

    Providing bread for mothers and fathers,
            captors of our tables of silence.
       Fear--making dead witnesses into no soft music,

                                                         ­  no music.
                                                          ­       No,
                                                             ­  facilitators near the top.
                                              What the minds of men
                                                             ­                have done to him...

III

                            Wet paper skin,
                       flat screen canvases--cute satisfactions
                                  asked mean all the world
      but yet                                nothing              but petty questions
                                                       ­                              that break the camel's back.

   "Do I deserve to do this to you?" Skippy asks,
                  helping Alice remove her other lung.
   "Pages will tell babblers later
                           in history", Alice replies.                   Shrieking

    Skippy quarters Alice, the body, the organism's pillow
                    ink
                    oozes
        ­     and    
                             squirms.
Silence,
               as Skippy does the deed.
Wallowing
          back
into
           the
swamp
            of
obsessive
           perception,                        climatic disintergration
                                                 ­                   makes flint hit steel--making another heir
                                                            ­                                       in her litter. Her name is Pain.


IV

       Loving Alice
                           watches         as she falls,
                                                    crashe­s,
                                                and rises.
She smiles softly.


V


  softly with lips of jasmine, the butterfly conundrum is strapping
            fingers made of chalk and other media to
red bricks,
red bells,
it is but a ghost of a casket. She breathes in this casket--in the belly of a bell, she survives.

                                     It doesn't take her long
            to finish
                          what she has done
         --nails faded back to purple polish.

  Falling through her father's philosophy                         a ladder,
                                                         ­                                    a rope
                                         to strangle the blade of Lady Macbeth's sanity.
          Alice takes one last look
  under jasper eyelids--pulls the rope & becomes lactic.
                                                         ­              A motion film.

In the distance, I see a Hound bus cruising down the country road
The stretched out Greyhound dog in front of the bus with look and behold
Now watch as numerous stories unfold
I hear a Greyhound Driver narrating his tail of his stories surrounding the hound bus
I will narrate a couple for you
Our story starts in Topeka, Kansas enroute to Kansas City, Kansas
The bus left on time during its usual run schedule
However, the weather started getting rough
Driving in the wind and rain made it really tough
A Tornado could be seen in the distance destroying everything in its path along the farmlands
Yet that Greyhound bus steadily kept moving
But the fierce violent winds were blowing
Suddenly, the Greyhound bus got a lift
Up in the funnel of the Tornado the Greyhound bus went far from any drift
However, a miracle took place, and the bus was slowly let down gently to the ground
The Greyhound bus remained in tacked and nothing but praises in God’s thanks was the sound
This is my account of another story
I was travelling from New York City to San Francisco, California
It was a vacation being a 4 days journey and New York City back
We had just crossed the Nevada state line being a rest stop
A Young Woman went into labor on the bus
The Driver was counting the contractions, but we all knew what was going to happen
This was supposed too be an 30 minute rest stop, but turned into a 2 hour rest stop
Luckily, the bus was near a major hospital nearby, and an ambulance was summoned
The EMS carried the Pregnant Woman on a stretcher off the bus and her Boyfriend (Husband) followed
Later, the bus pushed on, and I arrived at my final destination ahead of schedule into San Francisco
Another story tail
This time I was travelling to Los Angeles from New York City
We stopped in a Ghost town
There were tumbleweed flying everywhere and shutters were hitting all the houses along with wind blowing
Yet, there were no citizens in the town
Meanwhile, it was 6:00 AM in Arizona
Suddenly, all the passengers wondered who was coming aboard
But everyone was thinking thriller oh my Lord
A Male Passenger boarded, but spoke Spanish
He was drunk and wanted to sit with anyone, but passengers refused
So he had to go to the back of the bus where the restroom was
He talked from the time he boarded until we arrived in Los Angeles
So Greyhound is more than a ride, it became an adventure
Stories upon stories
Go Greyhound with its own storyline
The venture being the bus, but no need to fuss
Greyhound is the American Frontier and that involves us
What is your Greyhound traveling story?

Thinking about the meaning behind things and how people hear them differently, like how ppl hear them differently, like how people heere them differently, like how people hear dem differently, like how people hear them diffrinly.

and see them a little more unclearly, like yesterdays crystal-future-seeing-glass orbs

and thinking about teammates and how they work together, but think alone, and there's nothing there in the air or to wear and tear at together anyway

and thinking about teammates and their roles and their lines and their act and their heights and how all of these futures are lonely

thinking about strengths all tacked up on a bulletin board of connect-the-dots exercises

thinking about connect-the-dots stories and who is listening

We are laughing while passing a bottle back and forth between the two of us
Our breath reeks of nicotine vapor and the remnants of marijuana mixed with whisky
I down half a bottle of Maker’s Mark and you ask how it is I am able to do so with such ease
I tell you it isn’t difficult and it isn’t
I want to add that swallowing bitterness is much more pleasant on one's own terms but I do not say this part aloud
Instead I act like my insensitivity to alcohol is a skill not relevant to a family history of addiction
Built from uncles and fathers using liquid as a method to cauterize open flesh
A mechanism of numbing that has been passed down for years as casually as a recipe
We keep our secrets tacked onto hard labels and the inner caps of beer bottles
We antique our inheritance with the reminder that it has always been this way
This ability to drown myself under the weight of high content is nothing more than expectation
I make wine to water the moment it reaches my tongue
I convert drunken slurs to a language understood
I know sour breath more than I do mild
I didn’t learn drinking from beer pong and taking shots
I didn’t learn how to from games at parties and competition
I didn’t learn it as an activity or an outlet, I learned it as a habit turned routine
I was introduced to liquor with the same hand that walked me to school everyday
With the same lips that kissed me goodnight
This comprehension for the intoxicated soul is as engrained as my predisposition to become one
The only thing impressive about this relationship with alcohol will be how I choose to survive it,
Not all of us have.

Desired to be more attuned with idols
Their private lives gleaned from
Stills and moving images cutting swaths across
Skyscraping billboards, TV screens
The sides of passing buses
Subway cars headed deeper in,
Further in, beneath
Magazine spreads pulled out for
ad-hoc posters taped and tacked across
the plaster-sputtering suburban drywall paths
Like screams in arctic winds

Many, the young mean-spirited things
Wanting kinship with these enemies
Trying to plot a course to
**** diagonally-up across
their strident wildlife scenes

Attuned with idols riding their
phantom wavelengths with the
maverick assistance of Reds and
water-cut pints of irish whiskey
Then Father comes in proclaiming
to have saved our democracy on
the whim of a lever-pull upon
a municipal voting machine

No interruptions now please
I will direct the favors of my unborn
I am honed in on what really matters:
Hemingway hedonism.
Getting dead with generations
slinking in and out of frame
from before and after
me

It's a bad day when you can't get Celene Dion out of your head
Titanic was good
It was not that good

I found a dried flower
Buried in Leviticus of my sort of grandma's bible
She must have liked that part
The only quote about Leviticus I've read on the internet is about stoning gay people
I hope she didn't like it that much

I saw a bagel get made
No one has the job of eating the middles out
I'm 23, this was a let down
I still like bagels a lot

I tacked the dry flower on my wall
Above the reminder that it's $3 a day to swim at the public pool in the mornings
I hope it's not a homophobic flower
I hid the bible behind Lauren Conrad's book
Lauren Conrad's book embarrasses me less

My sort of grandma
Is only sort of alive
I often feel that way

I feel most alive while dreaming of the impossible
Realistic dreams lead to disappointment
Outlandish dreams leave little 'remember when’s’'
No one hates themselves for not becoming an astronaut
A lot of people hate themselves for not losing 20lbs

Friendships are often measured in favors
That is all
That was not all
Favors are measured in sacrifices
Favors are not measured in reward

Today is a reflection of not dying yesterday
There is a one in seven chance that today is Friday
And it is imperative that we get down on Friday
Because the anticipation for this weekend is very high
If today is Monday all of that is no longer relevant to our conversation

I am losing weight
As I lose weight more and more fat girls hit on me
I do not like this as much as what I was imagining would happen

I have learned that being funny **** cool
Like I am becoming
Does not mean hot girls will hit on me
It means they will actually think about it before saying no

To supplement my soon to be chiseled physic
I am learning a Jack Johnson song on guitar
This worked for an acquaintance in 2006
Maybe I should learn Colbie Callait instead

The world would be better if schools had better teachers
The world would also be better if high school seniors paid attention to the teachers they already have
I don't know which one is easier to fix

My past seems rosier than my future
Except in the case of February 16th 2007
And now February 16th 2012

Corner buildings and modern light fixtures are my favorite aesthetics
My favorite building has neither of those features
Those features are not that awesome

Dead flowers smell like dead things
To combat this I spray cologne on my grandma's flower
I have never been to a funeral
I wonder if they febreeze the dead people
Or maybe they use Chanel No. 5
This is something I would like to learn more about

There is a plank that’s said
To be tacked above my head:
Childish, loser, lazy, annoying,
Incapable, lost, slob, boring

I know, I see,
I understand, I agree.
With tons of effort, for the longest time, I try
Fact: I can and have done so, Easy.

But it’s a tough climb when on me
Are eyes with recognition from many
And their mouths or thoughts open; maybe:
He has 2 sides... A Fakie!
Awkward

Perhaps, perhaps, I think plenty
Flooding in, Negativity
Drowning my rationality
Of an outcome that’s… Pretty?

Part One - Missing presumed dead

Apparently Alec was missing presumed dead
at least that was what the obituary said
how then he got married is still a mystery
life after a very dark period of history

               Jane plodded head down through another long day
               solitude complete in a strange kind of way
               while Kestrels are tacked to an untamed sky
               she screams "Dear Lord wont you please tell me why"

young Alec stood well over six foot tall
legs full of shrapnell disfigured and all
willing to give all for a meagre days pay
a young man with half of his face blown away

                Shepherdess Jane sat under sad twinkling stars
                it was plain to see she had her own mental scars
                the Ferryman's Daughter, she was so kind
                different from the others, Jane was blind

when the bells of victory began to ring forth
it was too much for Alec, he headed up North
up to the North where the bronze fields shone
but Alec's old personality had gone

                 there in the North a young Shepherdess called Jane
                 did dry Alec's tears and soothed his deep pain
                 Her voice rolled over hills in a plaintive wave
                 as they assumed Alec lied in an unmarked grave

In time they married, Jane bore Alec a Son
but talk about the war, Alec would have none
all that he said was "between you and me..
I've seen things that no man should ever see"

                 flashbacks in his mind of the dead still ringing
                 offset by his young Wife's ethereal singing
                 somewhere around the Somme young Alec lay dead
                 at least that was what the obituary said.


Part Two - The Ferryman

The Ferryman vowed he would find his girl
he picked some roses to place in the top room
searched high and low to find his precious lost pearl
swore he would have her back before the flowers bloom

treated like a slave, a young girl in her prime
the Brothers got away Jane was left behind
her body it did whither through the passing of time
She was different from the others, Jane was blind

worked as a Milkmaid her hands would get so sore
under constant threats she still searched for the spark
work never done a family waits on the shore
although Jane was blind she could see in the dark

the moon shone bright on the path to the Ferry House
the gusts picked up on the night Jane ran away
salty wind and sea shanty's awakened the grouse
as Jane finally gets her break from the play

He scoured every square inch of the land
yet couldn't ask why? Or search into his past
at the Wayfarers Inn they'd got it all planned
released from a cruelty that could no longer last

the night the Father died Gaelic psalms they sang
a lonely house still stands like a watch to nature's will
when they buried the Ferryman the church bells rang
the flowers in the attic, they stand there still.


Part three - The Inn (recapitulation)

The Ferrymans lantern swung in the pouring rain
he heard that his Daughter had made it to the Inn
the audience sang to the Drovers refrain
midst discarded cigarettes, rolling dice and gin

Jane had long picked brambles from thorn covered vines
lived an intoned existence yet she had her plans
though Jane was blind she could read between the lines
a chance to escape, she grabbed it with both hands

the Inn's cosy light shone at the end of the lane
to Whiskey Jack, Jane's elopement had come to light
she had nothing to lose and everything to gain
Jane's now with Alec and has recieved her respite

see him dramming away yarns, bereft of what's true
then screaming his lies to the starry sky above
but tidal subtleties are demanding their due
his heart had long died to the trueness of love

the landlord played the piano and felt every note
the Ferryman's lantern swung in the pouring rain
given up his search, now in want of his boat
regular at the Inn but never seen again

he knew that yesterday would never come back
sailing aimlessly like a throw of the dice
he knew there would be no-one to take up the slack
the doomed Mariner paid the ultimate price.