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Danny Valdez Apr 2012
My Mom needed something from the store
So I told her I’d walk up there for her and get it.
We were barely getting by
The two of us.
She was living on a disability check
And I was in between jobs
Again
So these little walks to the store were all I had.
I got her some Epsom salts and was walking back
Had just walked past the hardware store
When a small, sleek, black, BMW pulled up next to me.
To my surprise it was a chick
A big titted redhead with pink sunglasses.
There was something in her eyes
When she peeked below the sunglasses
I saw something in them
that frightened me
A voice inside was screaming at me
Just keep walking
Just keep walking
But like a fool
I ignored it
And bent over the passenger seat
In the convertible that smelled new.
“How big is your ****?”
The lady asked
Her chest just heaving and jiggling
With every breath she took
And every word she spoke.
“What?”
“I said….how big is your ****?”
“Ha ha!”
I took a look around
Expecting to see a hidden camera
Or a film crew in a van across the street.
There was no one
No witnesses.
I leaned back down
“7 inches? Maybe 8? I don’t know lady, I haven’t measured my **** since the 11th grade!”
The redhead took off the sunglasses completely and looked me up and down
Those bright green eyes scanning me
From my worn out Converse to my greasy pompadour on my head.
It seemed like an eternity
I got uncomfortable.
Just standing there
Squirming
While the redheaded fox
Kept inspecting me.
“Okay. Get in. Hurry up.”
I wasn’t even thinking
Just reacting to it all.
I’d always dreamed of this
When I was walking down that
Same old ******* street
The only street that I ever saw
Dreaming of
A beautiful woman in a sports car.
And now here she was.
Here we were
Driving down the street
The breeze blowing in our hair
She made an immediate right turn
Onto a suburban side street.
She parked in front of a house that was up for sale.
Again she took off the sunglasses.
“Let me see it.”
She said, staring at my crotch.
“Whoa, whoa, lady. What’s this all about?”
“My husband and I…..we have certain…..tastes. Things we like, things we enjoy. He’s an older guy, so he likes to watch young guys **** me. I mean, just really give it to me good, make me scream. And of course after your services have been….rendered….you’ll be paid two-thousand dollars. Now do you think you can do that?”
“Uh……I—I think so.”
“Well, I need you to know so. And if you were bullshitting me, if that **** isn’t at least 7 inches, you can get out of the car right ******* now.”
“No it is, it is.”
“Well...”
“Well...you gotta start my engine first—“
Before I could finish my cheesy line
She was in the passenger seat
Climbing on top of me.
“Rip it open” She said looking down.
I did as I was told
And ripped the front of her blouse open
The buttons flying in all directions
Bouncing off the windows and rolling on the dashboard.
Her two, round, fake, **** sprang out of the top
Hitting me in the face
As she rubbed them up and down
And all around.
She kissed me sloppily
And then started in with that biting *******.
She met my lip so hard
It drew blood
acting purely on reflex
I grabbed her by the arms very hard
And pulled her back from me
Staring at her with those crazy, intense, eyes
That I sometimes got when startled.
“Oh…..” She said looking down, at the ******* in my Levi’s.
“Alright. You wanna see the house?” She asked.
I let go of her arms and she rolled off of me,
hopping into the driver’s seat and starting the car up.

She drove all the way to the edge of the city
Where the Red Mountains in the east
Meets the long winding road out of town
And into the desert.
It was a large ranch style mansion
Decorated with cowboy themed ****.
The redhead parked the sports car in
A massive garage
Filled with dozen of rare and expensive automobiles .
She told me to leave my plastic grocery bag of Epsom salts
In the car
She said I could get it later, when we were done.
I followed her to an elevator at the back of the garage.
We took it all the way down to the very bottom.
Stepping out of the elevator
I found myself in a large expansive grey room.
The floors were concrete
But they were shiny and slick
Reminded me of the floor in the meat department
At the job I had just lost.
The room had a few beds in it
Some custom built sets were erected all over the room
An office, a jail cell, a medieval dungeon, a medical examination room,
There were a lot these little sets built all over
In the back of the room
The corners
Were pitch black and covered in darkness.
I wondered what they had over there.
“So what do we do?” I asked, fidgeting in my pants
thumbing my switchblade stiletto in my right front pocket.
“We have to wait for my husband to come down. I just texted him.”
“Oh okay.”
“You should take your clothes off and put this on.”
The redhead said, taking a hospital gown from a hanger
Next to the medical examination set.
“….put that on and I’m gonna go get into character.”
She said, walking behind a white privacy screen
The old kind, like they used to have in doctor’s offices.
I undressed myself and got into the hospital gown.
I can’t say what it was exactly
But I still had that real nervous feeling
I couldn’t ignore it
So for some reason
I hid my switchblade on me.
Put it in the waistband of my underwear.
And that made me feel a little bit safer
This whole thing was beyond belief
I was never this lucky
Something was rotten in Denmark
I could feel it in my bones.
But there was no backing out now
I was riding this all the way
No choice.
I took a seat on the medical examination table
The thin paper crunching loudly beneath my ***
They had it down to the finest detail.
Even the little slots with the Highlights magazines.
I watched the black & white clock on the wall
And it took them 28 minutes to finally come out
The two of them together.
The tall, beautiful, redhead and the rich old man.
But they matched in an odd way
His face was nearly the same color as her hair.
A red faced, big nosed, drinker,
I’ve seen that face a thousand times
Ain’t no mistakin’ it.
He had white hair all spiked up
Like how young people have it
And he wore nothing but gold
All over himself.
Gold necklace, full fists of rings, bracelets,
I couldn’t ******* believe it
I tried my best not to laugh
I was snorting to myself
The ******* had a Mercedes medallion around his neck
Like Flavor Flav or something, it was that flamboyant.
But the guy was like 70 years old
None of it made any ******* sense.
The florescent lighting above
it did this thing where
his eyes were so sunken in
that it created these two black shadows
where his eyes should’ve been
just pitch black
endlessly hollow and empty
with a red face.
Satan himself, covered in gold and diamonds.

“What’s up?” He said, extending his well tanned, leathery claw.
“Hey.”
“Alright, so let’s not waste any time. Let’s get down to business? Huh?”
“Yeah, sure.” I said.
“**** yeah! Let’s ****! You wanna **** him baby?”
”Why do you think I got him? Hell, I almost ****** him on the way home.”
“Did you now?” He said, looking over at me with this look
I couldn’t tell if it was pleasure or rage.
“Alright, alright then.”
The chick started to walk up the three little steps
Of the examination table
Her feet were pale as snow and her toes
Shiny and red like a the paint job on a brand new Cadillac in 1956
I remember that.
She climbed on top of me
Started kissing me and
Rubbing my ****
Under the examination gown.
From the corner of my eye
I saw the husband moving over to the camera
Which was setup a few feet away
Looked to be hi-def ****.
She bit my lip again
Really ******* hard
Pulled a big chunk of skin off
“*******!” I yelled.
“What?” The husband shouted back.
“He hates it when I bite him!” The redhead shouted with a smile
blood on her lips, from mine.
“Well, don’t take any **** son! If she does that again, you just give her a good smack!”
“What?”
“Yeah, don’t be timid boy! This ain’t ******’ Sunday school! We’re ******’, here!”
She did it again
And I wasn’t even thinking of what that old coot was yelling about
I just hit her on principle.
A good open handed smack across the cheek.
“There ya ******’ go! That’s what I’m talkin’ about.”
The old man threw his hands in the air
And started doing this little dance it was the weirdest ****
I had ever seen.
The redhead grabbed my face with her hands
Taking my eyes off the old man
Who was now singing some song
And shuffling around the floor.
She looked right into my eyes
Those mint colored eyes
She whispered to me
But I read her lips
“I’m sorry.”
And she pulled me in and kissed me
Put my hands to her *******
And proceeded to kiss me
Like a long lost love
Not some guy off the street.
And that’s the last thing I remember.
Besides the ***** of the needle in my neck.
Just her red hair hanging in my face
The florescent light shining through.
When I came to
I was standing upright
But I was strapped to a table
My arms
My legs
My head
Every part of me strapped down
Tight.
I wasn’t going anywhere
This was that bad feeling I got when she looked at me.
This was where it ended. Right now.
They were both standing there
Staring at me
Smiling with drinks in their hands
The cameras rolling
They had multiple cameras setup
Some 80’s techno playing from an iPod dock.
“What? What are you gonna do?” I slurred, it was hard to talk.
“I know, I’m sorry. Okay, look. We both agree that you probably are owed an explanation, I mean….these being your last moments and all…”
The redhead interrupted, looking at me, like she had before
There was love in her eyes
“Honey…remember what I said? About how there are things that we like and things that we enjoy? I’m sorry, but this is what we like.”
“*****?” I managed to choke out,
just the sound of the words chilled my ******* blood.
“Yeah. Hey…son, let me tell ya…we’re actually saving you a whole lot of heartache and disappointment. You weren’t gonna go anywhere, you weren’t going to accomplish anything. You’d work the same **** jobs, bouncing from one to the other, until you finally died of either ***** or drugs.”
“It’s for the best, sweetie.” The redhead said.
And I’d love to tell you that
They left the room for a few minutes
And I was able to free my hand
Taking the switchblade
From my underwear
Cutting myself free
Killing them both
And cleaning out their safe’s cash and diamonds.
But this was no movie.
Well not the kind with a happy ending anyway.
That’s when she walked over to the table
And grabbed the knife.
The song on the iPod changed
And I instantly recognized it.
It was the song.
I never could explain why
But as a boy
This song would come on the radio
This 80’s electro song
And it always scared the **** out of me
Turned my stomach
I never knew why
But now it all made sense.
That song would be the last thing I ever heard.
With the cameras rolling
The redhead gave me one more kiss.
I closed my eyes and pretended.
I pretended that she was a girl that loved me
That she was kissing me goodnight
Sending me off with a smile.
I just kept my eyes closed
Squeezing them tight
And I didn’t even feel the knife
When she slit my throat right there
In that slick, shiny, grey basement.
It didn’t hurt
I didn’t feel any pain.
Just warmth.
The blood flowing down the front of my neck and chest
pure warmth sliding down me
And I started to get light headed
Everything getting dark
Very quickly.
I could hear my heartbeat
In sync with a high-pitched ringing in my ears.
The last thing I saw
Was the redhead standing there
Luckily the husband had his head behind the camera
So I didn’t have his scary face as the last thing I ever saw.
No
It was the redhead
And those mint green eyes.
They never found my body.
The couple put me through a wood chipper
And fed my scraps to their dogs
After slicing off my biceps for dinner that night.
They went on doing this for years
Picking up guys and girls from the streets
who were down on their luck
And wouldn’t be high profile missing persons.
They acquired hundreds of DVD’s
Selling these ***** films
To their elite and powerful
Friends in high places.
But they justified it all.
Surely I wouldn’t be missed.
I didn’t have a mother
Like they had a mother
I didn’t laugh and love
Like they did
I was expendable
Disposable
Use once and discard.
The rich eating the poor
Blood meal for their insatiable & gruesome appetites.
It’s okay though.
I’m not mad or anything now.
It’s just blackness
A dreamless sleep
I don’t even know how I’m telling you this
But the worst part
The thing I still think about the most
Is my mother.
And what she must of thought
When her only son
Went to the store for her
Epsom salts
And just never came back.
Mitchell Dec 2012
She stood up against the wooden bar lit by a stale football field that shined florescent green and highlighted polyester blue like a muse of Van Gogh or Galileo. Her hair ran down the nape of her neck like a ****** waterfall and the light of the bar highlighted her sphinx like eyes as she turned and caught his eye. He stood at a small table away from the main bar with a couple of friends who were telling stories of their old college days and he, half-listening, quickly looked away, faking to scratch his eye, for he knew he had been caught looking at the back of her and she, with her women's intuition of being observed and knowing this, kept looking and he knowing the only way not to show he had been caught was to look away quickly and very obviously; like a bad actor caught dumb and silent, clueless of their next line. They blushed and shared the heat of embarrassment in their cheeks with the sounds of worn dollar bills slapping hard against the smooth wood of the bar, the bar man eyeing it angrily as cigarette smoke surrounded them and slowly drifted up like a lost soul toward the ceiling and the piano man, eyes tight shut played for everyone there when no-one cared to listen, all underneath the dim light of the bar as they strained to look away from one another, trying to find something they could put their focus upon, but, at the same time, wanting very much to look back and have their eyes meet by mistake all over again.

He focused on the design of the bathroom placards that were in the right corner of the tiny bar where you had to turn sideways and touch shoulder's with every soul inside just to get a drink. He feigned interest in the bronze design of the men's bathroom: a tiny boy looking down at his pecker as he ****** a 1/2 inch thick stream into what the man gathered to be a sunflower ***. The boy was thrusting his hips forward, both of his hands on his side, and he showed no smile, no grin of satisfaction or victory, just a stark, blank face, as if he were thinking "I am peeing in this ***. That is all." The women's bathroom sign was of a young girl with the same kind of *** the boy had been ******* in, but it was missing the sunflower and was replaced by the *** of the girl. She stared up into the sky and into the ceiling lights and was dramatically reaching for a butterfly or bird - he couldn't make out which - something with wings and made him think of a basic metaphor that this poor little girl just wants to get off the *** and be free like the birds and butterflies and clouds in the wide blue sky.

She focused on the man's shoes. She looked at the black shine and the pristine black shoe laces, all looking like everything had just been purchased that day. "There is not a single scuff on them and the way this man cuffs his pants only a single turn," she thought to herself, "Tells me he has something of a style on him". Not so run of the mill. Something special. Something of interest.* But then, she was annoyed by the cuff of the pants because she remembered that was what all the schoolboys in her prep school would do when the day was rainy or the boys rode their bikes home from school or they were nerds. The memory immediately turned her off of the man all together, but luckily, she put her gaze back on the jet-black, seemingly un-touched leather that told her success, class, and security.

The man heard a loud Cheer's!" from his table, abruptly bringing him out of his distraction. He was forced to turn and as he did, he made sure not to look up. He kept his eyes on the table and looked for the half-full beer with the worn Budweiser coaster underneath it. He could see from the his top periphery that she was still facing him but she was looking down at something toward the floor. He fumbled with his large hands for his glass and panned his eyes up slightly. The woman, seeing the movement at the table, looked up. She stared back to where she had first caught him looking at her and waited. The man felt her looking at him and in the same instant, saw the faded Budweiser coaster and reached for his beer. He picked the glass up and as the second Cheer! was yelled, he clashed his glass against all the others, all the while keeping his head not toward his friend's faces, but turned in the direction of the bar toward the girl. He smiled at her as he lowered his glass, not taking a drink. His friend slapped him on the back and told him," You gotta' drink after the cheers or its bad luck," and so he did, still staring dumbly at her as he did. She nodded at him with a self-conscious and embarrassed grin, raised her nearly gone low-ball glass of gin and tonic and tipped it toward him and turned around to face the bar.

"I"ll stand here and wait for him to come up to me," she thought, "And if he doesn't the man is a coward and a louse and not worth my time. I have looked twice now and there is some rule in some magazine that I read somewhere, that if you look twice at a man that it is sign, not a coincidence. No, it has a purpose and though I barely know what reason I want this man to look at me other then to get a drink out of him and maybe some conversation, I am certain I have looked twice, maybe even three times. Yes. I have looked at him and I have made my interest known and now I must wait for him to either come or stay with his drunken friends. They look like frat boys cheering like that. They look like drunken, silly frat boys that wouldn't know the first thing about chivalry. Hell, they probably couldn't even spell the ****** word." She laughed under her breath and smiled maliciously to herself and caught her own reflection in the mirror and, for an moment, wanted to quickly look away. Her face did not frighten her, for she was a beautiful woman, not her skin, which was milky white with the faintest and gentlest dash of rouge on each cheek, nor her chocolate colored curls that bounded like boulder's down a hillside. She turned away from a look upon her eye she had not seen or had recognized in a very long time. Her eyes were frightened.

"Frightened?" she wondered.

The man put his beer glass on the table on top of the coaster. The foam rested at the bottom of the cup like the thin layer of ice that blows over a frozen lake, barely there at all passing with the wind. He stared at her back and liked how she leaned on her right hip and put the toe of her left high-heel to the ground, rocking the nose of the shoe back and forth like she was thinking about something playfully frivolous. Behind him, the noise of his friends became a hollow echo, drowned out by the draw of this woman. She swung her left heel back and forth like a pendulum trying to hypnotize him. Someone touched his shoulder but he shrugged the hand away as in this echo chamber he could only hear the music change tracks on the juke box. The song had changed to an old Ottis Redding song and there was nothing else in the world that he wanted to listen to in that moment. As he watched her, leaning into the bar seemingly all alone, no boyfriend or girlfriend in sight, he saw her raise her glass to the barman and knew she had something by the gentle nod of the back of her head. He then saw her point with her left finger and tap the rim of the glass. Her drink was empty. She wanted another drink. He would buy her another drink.

"There is nothing in this world that a man is more responsible for than getting a woman like this a drink," he nodded, thinking to himself and trying to pick up his courage,"One that plays with my heart like a kitten would a spool of yarn, and yet also like a vulture who would peck out the eyes of a dead man in the desert. This is nothing more then that obligation. A rule passed down from man to man, from age to age, where chivalry was not for the base reason to lay with the woman, but to honor them, praise them lightly as the rain from a heavy mist and show them to the pedestal every woman, whether they wish to admit it or not, do wish for, sincerely do at least once in there life." He readjusted his belt and realigned his shirt that had gotten crooked after the celebratory cheer and thought some more,"I'm not going to do that here, this pedestal stuff. This is more like a step toward that pedestal. Yes. A step toward the shrine she wants to trust she deserves and will one day end up on. And this shrine is all cast and painted in the blurry french film noir of dream, is it not? Aren't dreams the only thing we hope to one day come true? How often - when and if they do come true - they can sometimes disappoint and eventually turn sour like a bad orange. I hope she is drinking and that wasn't just a tonic water. If this woman doesn't drink I don't think any of this will be worth anything at all."

She stood there serene and angelic, the hand that held her drink now resting on the base of the bar. Behind the man, he heard the chatter of his friends and the drone of football scores and player updates coming from the ten or more televisions that hung from the ceiling. Someone reached out to touch his shoulder but missed him as he left the table. His name then echoed behind him but soon the sound evaporated as dew does that rests on blades of grass in a summer morning to a summer afternoon. There was only her and her smell that had drifted to his table and shrouded him with the scent of white chocolate and smoke and her delicate, porcelain hand that had held up the drink shyly but not weakly, in passing demand without that demanding quality drunk people can get like at bars sometimes. He approached her, hovered behind her, but she did not turn, and then came up to the bar to lean into. He did not turn to look at her, though he wanted to very badly, but looked down at her low-ball glass with two half-melted ice cubes and a used lime. The smell of gin came from the glass and the man smiled to himself and put his hand up to signal the bartender.

"If this man orders his drink first and walks back to that table with all of his drunken friends, I am giving up men all together," the woman thought to herself," * Tonight and forever! If he can put his hand up and not even turn to look at me, as I was doing, I thought, to be very flirtatious but gentle, then I see no reason at all to keep going with men. They are barbarians that only want to eat, drink, sleep, and fornicate with women that are easy and provide no real challenge at all in their life. If he wants it easy, he can have it as easy as he wants, but not with me. No sir. Not with me ever. Not with me for a night, an hour, a minute, or even a second."

The bartender, a stout slightly overweight man that was a little over forty with streaks of grey in his thin, short-cut hair, looking very much like he should be home reading with a nice cup of tea by his side rather than in the bar serving drinks to stranger's, approached the man and asked him what he would like.

"Two gin and tonics please," the man said, "With a slice of lime and four ice-cubes in each."

"And what kind of gin, sir?"

The man turned to the woman, "What label do you drink?" he asked.

"Pardon me?" she stuttered startled, her eyebrows raised.

"Your drinking gin, aren't you?" He nodded his head toward the woman's empty glass. The tiny lines of transparent lime skin floated on top of the water that had gathered from the melting ice-cubes.

"Yes, I am. I was just about to order."

"I'll get this round and you'll get the next one."

"Any gin is fine."

The man turned to the bartender," Tanqueray, please bartender."

He nodded and went to make the drinks.

"Your very perceptive," the woman said as she turned to face him.

"I try."

"I saw you from across the bar, but was afraid to walk up to your table for fear of getting ambushed by all of your friends. Those are your friends, right?"

"Yes," he nodded as he looked over his shoulder at them, "Old college friends all with old stories of college that, truthfully, bring me little or no joy to even hear."

"Then why come at all?" she asked, "You seem smart enough to know that if you meet up with old anything, you'll be hearing about the old times all night."

"I was forced to come."

"Someone getting divorced?"

"No," he laughed, "The opposite. Married."

"Well, I hope it's not you or this would look very bad if your fiance walked in."

"And why's that?"

She clicked her tongue and turned to look at the shelves stocked with every kind of liquor. The bottles reflected the soft orange glow of the lights that circled the bar and the colors of the television screens. The man continued to look at the woman who had turned her back on him and caught their reflection in a bottle of Jack Daniel's. He waited for a response, but she stood there silent, knowing she was playing with him. Behind him, his friends were growing louder and a tray of shots had found its way to their table. The waitress who had brought the drinks, polite and with a smile, asked them to try and keep it down. They shouted "YES'S and screamed "YEAH'S" with moronic smiles on their faces, their heads nodding up and down like a dog playing fetch. The waitress giggled a thank and walked away shaking her head with disgust when she was out of sight.

"Well," she said,"You did just order two gin and tonics and I think if your fiance walked in with you chatting with me with the same drink in both of our hands, I think she would be a little upset. I know I would be."

"Perhaps we could act like we are old grammar school friends and just happened to run into one another?"

"Well, that would be a lie."

"Yes, that would be a lie."

"Which would mean we were hiding something from said wife."

"And what would that be?"

"That you approached me after I looked at you, perhaps the look from me wasn't flirtatious, maybe I thought you looked familiar, like I had seen you somewhere, and you came up to me and ordered me a drink and started a conversation with me, much like we are doing right now."

"What's wrong with conversation?" The bartender approached them and placed the two drinks in front of the man. The man took out his wallet without losing his gaze on the woman, took out a twenty and slid it toward the bartender. The bartender took the twenty, paused for a moment to see if the man wanted any change, but left when he saw he didn't want any by not moving.

"Conversation can lead to very dangerous things," the woman said playfully and wise.

"Your here by yourself and your not stupid; someone is going to come up to talk to you."

"And your that somebody?"

"I'm sure I'm not the first one tonight."

"Your sweet."

"I try," he said as he slid the drink over to here,"Your drink."

"What should we drink too?" She asked and raised her glass, the light above them reflecting in the ice-cubes and thick glass of the high-ball.

"Conversation," he said proudly and with a smile, "And the danger that it brings."

They clinked their glasses together, their eyes never leaving one another, and they both took a long drink.

"I'm not here with anybody and I'm not expecting anybody tonight either," the woman said.

"What's your name?"

"Why?"

"I want to be able to tell my friends I met a very interesting woman, but they won't believe me if I don't give them a name."

"I'm standing right here, silly. Go and tell them you met the most interesting woman in your entire life, look over at me when they ask you what my name is, then point over to me and I'll wave."

"You'll be here?"

"I'll be here."

"Promise?"

"Go, go, go," she repeated, pushing him back toward his table, "You bought me a drink, didn't you? The least I can do is wave to your drunken college friends."

The man walked back to his table, glancing quickly over his shoulder, trying to hide it, before he reached the table. He arrived to all of them drunk, beer spilt on the table and an ashtray full of punched out cigarettes and ground up cigars. Every one of them were rocking back and forth with each other, their arms sloppily hung around their neighbor's shoulders, their eyes blood shot with their mouth half-cracked open barely breathing in the smoky, beer smelling air. The man struggled to wedge his way into the circle, and when he did, he tried to get the groups attention by screaming an
At the mailbox, again:
“Who loves me, baby?”
Well, let’s see: there’s a flyer from Mercury Insurance,
Reminding me that most middle-income customers
Save an average of $4 million smackaroons when they switch too.
The Penny Saver USA.com is here,
Thank God, almighty!
So now I know that Thomas Roofing & Paving
Is having a special on 20-year leak-free flat roofs;
"All work guaranteed & insured.
No job too big or small.
Free estimates/Emergency services/License # I8U-69."
And thank you, Jesus,
For another $4.99 Farmer Boys 3-Egg Breakfast
Combo with Coffee coupon, and that
Little Caesars Hot-N-Ready, $5.00 cheese or pepperoni,
Mae-West-“why-don’t-you-come up and see me sometime?”—mailer. And, of course, another technology Siren’s song:
Verizon FiOS delivers entertainment this big,
Dish me up some dish NETWORK, $19.99 a month . . .
Are you ******* me?
For 12 ******* months?
AT&T;: whack me off on 120 channels.
DIRECTV.com - DIRECTV® Official Site‎
Worry-free 99.9%  . . . cue Joe E. Brown,
"Some Like It Hot“ Osgood:
"Well, nobody’s perfect!"
Time Warner/Sprint/T-Mobile;
And ******* Leather, Polk Street, San Francisco.
******* leather?
Must be for my neighbor: that ***** ****!
And here’s the weekly 8-page color fold-out from Stater Bros:
Lowering prices every day, large cantaloupes
(Jessica Lange, are you back?)
10 for $10.00, 32 oz. Gatorade
Or 24 oz Propel in 30 assorted varieties @ 79 cents
+ CRV: California Redemption Value?
Nice euphemistic cover-up for a TAX.
Nice, nice, very nice, CA elected state officials;
Nicely done, Sacramento.
Everywhere else in the country you get real money—
A fixed number of pennies, nickels, or dimes—
For your plastic bottles and aluminum cans.
But in California, the licensed recyclers
Get to pull the market price out of their *** each morning.
California Redemption Value?
What ******* genius government kleptocrat thought that one up? Conspiracy Alert: who gets all that CRV money?
And what are they doing with it?
Feeling plain, Jane?
Marinello Schools of Beauty, want you,
Offer you hands-on training in cosmetology,
Skin care esthetics, manicuring and vaginal deodorizing—
Just kidding, Babaloo.
Food tip for the Third World:
Never try to write poetry on an empty stomach.
Sizzler 6 oz juicy & succulent.
RENEGADE DEAL:
El Pollo Loco guacamole chicken sandwich,
Coupon free, small drink and small chips,
When you purchase a guacamole or jalapeno sandwich,
includes pepper jack cheese and a southwest sauce.
Gardenas sandia con semilla, 7 lbs 99 cents.
GARDENAS: “en precios, servicio y calidad, nadie nos iguaia.”
Bud Gordon’s Quality NISSAN:
One at this price after a $1500 factory rebate.
TERMINIX: get them before they get you!
The Kingdom Animalia, Phylum Arthropoda, Class Insecta
Bug up my *** again.
And a form letter from the VA
Asking me to please update my whereabouts.
And a form letter from the VA asking me
To please update my whereabouts.
And miles to go before I sleep.
Bite me, Mr. Frost!

An outing, at last.
I am going for a walk around the inside of my gates.
I live in one of those gated over-55 lunatic asylums.
There are gates. It is gated. Get it?
GATED! We feel safe here.
Probably a good thing at our age:
Self-imposed institutionalization,
Putting oneself in an asylum to ferment and die.
The fact that so many of us
Need it so bad at only 55
Says something itself about the current state of
Baby Boomer metal-fatigue.
I am now standing at the far end of the golf course.
I wait at the far end of the 18th Hole.
A ball bounces past my head and
Rolls off past the green into the far rough.
The 18th Hole is perched atop a small plateau,
Out of sight, far above the horizon for anyone teeing off.
I am Puck, invisible and impish.
I pluck the ball up.
I scamper to the green.
I pop the ball into the hole.
Which is better than popping a hole in the ball,
Surely, kind of a drag,
As we were once fond of saying.
Deflated Ball.
Deflator Maus.
OPERA can be ****.
Bodice-ripping corsets, whorehouses and naked ******!
Hardly what you might expect from
A night with the Welsh National Opera,
But they found their way into this production of "Die Fledermaus."
Ripe language, contemporary jokes and
Toilet humor thrown in, adding immensely
To the pleasures of Strauss’s operetta.
"Die Fledermaus," or The Bat’s Revenge,
Is all about drunkenness and adultery.
Despite being written in the 1870s,
It remains equally pertinent to today’s pub culture of excess.
Daring; Colorful; ****: PGA golf.
I steal a golf ball on the far end of the 18th Hole.
I pick up the Titleist and stick it in the hole
(Steady Jessica, not yours.
I hide behind your bush.
(Cue up PSA, First Lady Bird Johnson’s 1960s
Nationwide Beautification Campaign:
“I want everyone in America to plant a tree,
A sherrrr-rub, or a booosh.”)
The golfer now searching frantically:
Why is the cup always the last place they look?
Then, wham, bam, he looks:
A legend is born.
A hole in one,
His name forever immortalized
On a plaque over the bar, the proverbial 19th Hole.

As you know, I speak for all mediocrities,
Safe in my 55+ gated-community.
I go next to the Club House,
"The Lodge" as it’s called.
Each afternoon, the usual suspects
Claiming first come/first serve tiered mini-theater seats
Where Netflix matinee gems are screened.
It is two minutes to DVD show time.
I walk to the front of the room.
I stare at my audience.
I count the house slowly,
Making meaningful eye contact with each wrinkled face.
I cup my hands behind my back and speak:
“I assume you are all here for my lecture on Kierkegaard.”
No one reacts.
I turn to leave but do a double-take and smile.
One old woman in the top right corner of the amphitheater laughs, Perhaps the one other human being within the gates
Who has also smoked a joint today.
For an instant, I am overwhelmed with paranoia,
Perhaps I’ve gone too far over the line:
No longer “oh-he’s-a-character;”
I am now “that creep is ******* nuts.”
Is it time for someone to approach my family,
My next of kin, my “who-to-contact-in-event-of-emergency” number? Who will make the call on behalf of the HOA—
The Homeowner’s Association—
The Tsars, the Duma, the Supreme Soviet in these parts?
They are the power inside the gates;
Those who determine the state’s enemies,
Who govern its community norms.
Power within the gates.
Law within the asylum.
Little Hitlers one and all.
Hopefully they reach my sister first.
She’s been briefed.
KEY POINT IN THE NARRATIVE:
The new narrative is non-linear.
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We grow more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen;
We become more intimate with a legion . . .
Did someone say a legion? SPQR:
Am I having some sort of genetic-linguistic seizure here?
Am I channeling Benito Mussolini again?
Il Duce speaks to me from the grave,
Still blowing smoke up my Hopi-Jew-*** ***,
Filling in my insecurities,
Plugging the holes in my character
With delusions of classical Roman grandeur, glory and empire. Hmmmm? Quite an appetizing pitch for the average *****,
A message so completely, so ethnocentrically slick,
Olive oily, and so seductive.
A non-Italian would have thought
American Legion or Legionnaire’s disease,
Or The Foreign Legion, The French Foreign Legion.
The French: a virulent, promiscuous people.
Do you want fries with that, Simone?
No, I don’t get out much.
Only an occasional brisk walk around the asylum,
In and around the golf course, around but inside the gates. (LINKS) Bill Gates. Daryl Gates. Billy Bathgate’s Gates? Ghiberti’s Gates? The Hot Gates? Thermopylae? 300 Spartans/700 Thespians:
“The noun causing idiots to think of
Two girls sloppily eating each other’s mighty vaginas,
When they hear mention of someone being an actor.” http://www.urbandictionary.com
Not even close.
No, I rarely venture out.
This is Hemetucky.
There are methamphetamine-stoked
Teenage zombies at the gate.
Note to costume control:
Perhaps camouflage clothing is the safe choice?
No loud red Hawaiian.
No garish Indonesian batik.
Fleet of feet are these Hemet tweakers,
These cranked up Riverside County teenage barbarians,
These Huns & Visigoths,
These amped up, ravenous jackals.
And why stop there?
These Vandals & Vandellas.
A Motown flashback:
“Nowhere to run, baby, nowhere to hide.”
With or without Martha—
They remain dangerously lethal.
Yes, let it be camo clothes for me.
Those **** heads may be young.
They may be fast.
They may be able to run me down
On a dry grass dog-legged fairway savannah,
Tearing the meat from my carcass.
But the sons-a-******* have to see me first.
Besides, we know who are real friends are.
Hooray for our media peeps!
We become more intimate with a legion
Of television personalities on 125 different channels.
Most of these we know by name and context.
We know their families, their friends,
Their histories, their tragedies,
Their favored hyperbole and manner of speech.
Sometimes we establish intimacy with celebrities
Strictly on the basis of universal body language.
At times–in the absence of any other
Empathetic facility of identification–
We connect on instinct alone.
Instinct: perhaps animal at its core,
An animal kingdom affinity group,
Connecting on a bio-linguistic level,
Particularly when the Korean, or Spanish,
Mandarin, or Arabic,
Japanese, or even Hebrew language version is broadcast.
All languages cryptically alien,
A dense boundary, a barrio border wall,
Undecipherable, impenetrable concrete.
But we’ve never spoken to our neighbors,
Nor do we know their names.
Celebrities are the neighbors we know best;
Although the intimacy is an illusion,
Permission to invade their privacy presumed,
Tacit in the relationship between celebrities and their fans.
I am an independent contractor now,
An outside consultant to the NSA.
Try as I might I cannot crack the enigma,
Kim Kardashian remains far beyond my code-breaking prowess.
I repeat myself:
We can no longer sustain a narrative understanding of ourselves;
We are each an individual stream of consciousness,
All of us random, non-linear and disconnected.
We are more and more disconnected from others.
We may be neighbors in space and time,
But we remain deprived of any significant human contact;
Any spiritually significant human contact.
Our social circle narrows to what can fit in The Telescreen; we become more intimate with a legion . . .
Back to you, David Ulin:
“Sometime late last year—I don’t remember when, exactly—I noticed I was having trouble sitting down to read. That’s a problem if you do what I do, but it’s an even bigger problem if you’re the kind of person I am. Since I discovered reading, I have always been surrounded by stacks of books. I read my way through camp, school, nights, and weekends; when my girlfriend and I backpacked through Europe after college graduation, I had to buy a suitcase to accommodate the books I picked up along the way.”
Thank you, David L. Ulin.
I cannot help myself.
I grow more eccentric each day.
My eyeballs glued to that flat screen!

Cosmo Kramer: "The bus is outta control.
So I grab him by the collar, I take him out of the seat,
I get behind the wheel, and now I’m driving the bus."
Jerry: "Wow!"
George Costanza: "You’re Batman."
Cosmo Kramer: "Yeah, yeah, I am Batman.
Then the mugger, he comes to and he starts choking me.
So I’m fighting him off with one hand,
And I kept driving the bus with the other, ya know.
Then I managed to open up the door,
And I kicked him out the door, ya know,
With my foot, ya know, at the next stop."
Jerry: "You kept making all the stops?"
Cosmo Kramer: "Well, people kept ringing the bell!"
(Share this moment with a stranger.)

I speak for all mediocrities.
I am their champion, their patron saint.
Boom Chaka Laka. Boom Chaka Laka.
Boom Chaka Laka. BOOM!
Isn’t it time Salieri tempted Constanze–
Frau Mozart–with a plateful of Capezzoli di Venere:
“******* of Venus.”
You had me at hello, Kidman.
I know you too well, Nicole.
I knew you from before,
Way before Tom’s Oprah couch freak show.
Listen to me, Nicole:
We are face to face
With the most profound question in American literature:
"What is the grass?
The flag of my surrender?
The flag of my disposition?"
I resort to Socratic maxims: Know yourself;
The un-****** life is not worth living.
Is it stress? Is it lack of conviction?
Everything Jeff Lebowski neither wants nor needs in his life?
I watched you *** in "Eyes Wide Shut," Nicole.
Now I know you with my eyes and your legs wide open.
Thank you, Sidney Pollack.
Sidney knew.
Sidney dealt us cards
From his Hollywood Tarot deck.
We are intimate, Nicole.
I watched you squat.
Frisk Jan 2016
“Big change, huh? Bet you could take some awesome shots here, Max.”

Max nodded, only hearing the last part of Warren’s sentence. Truth was, she was distracted by how beautiful this place was. If Max stood at the end of the street, she could get a killer depth-of-field perceptive image by aiming towards the long and skinny winding roads being enveloped by the building’s shadows. San Diego seemed to flourish with art and photography culture, and great opportune shots to shoot photographs.

“Earth to Max.” That seemed to knock her out of her thoughts. *****, focus.
“Are you going to go swimming with me and Brooke?”

From the look on Brooke’s face, she was hoping to God that Max said no. Brooke is the relationship equivalent of a boa constrictor, and she wasn’t sure how this hasn’t dawned on Warren yet. “I’m not sure. Maybe. Let me unpack first.”

After Kate dropped out of going to San Diego Comic Con last second, Max was nearly going to join her when Warren practically begged her to come. Coming back to the present - equipped with her suitcase and messenger bag - Max lingered behind the couple by several feet. This was her way of trying to avoid the reminder that she was third-wheeling with a boy who used to have a very awkward crush on her and his salty girlfriend.

“I’m going to go down to the pool.” Warren said, sliding his key card into room #228, turning his head to face Max before opening the door. “Maximillian, are you sure you don’t want to join us?”

“Like I said, I’ll think about it.”

The moment the three of them walked in, Brooke and Warren beelined for the restroom with their bathing suits in hand. Once they came out, Warren had a blue and black plaid board short swimsuit on whereas Brooke came out with a highlighter-colored graffiti two piece.  “Alright, Mad Max. We’re out of this joint. Catch us at the pool if you need something or want to swim. If not, we’ll be back in an hour.”

Max waved them off, digging through her bag for that bathing suit. The crimson colored ruched one-piece vintage bathing suit sat abandoned at the bottom of her matching vermillion suitcase. Down below at the pool area, she could hear screaming and laughing and splashing of the pool water. Max got up from her suitcase, and opened the curtain enough to look out at the hotel pool. Several other people were down there, pushing the time limit very close to closing in an hour from now. Come on, Max, you’re really going to let your whole adventure be ruined by the usual high-strung Brooke?

**** it.

Max nabbed the swimsuit from the hidden corners of her suitcase, stripping herself down to pull the swimsuit onto her body. Once the swimsuit was on, she turned her waist feeling the soft fabric conform to her small but still vaguely prominent curves. Max can remember Mom always saying that she looked good in red, so she recommended a red one-piece since Max doesn't have the confidence to show her stomach to anyone.

Well, except her best friend Chloe. They used to take bubble baths together as toddlers so it used to be the most natural thing in the world to get dressed in the same room together. It must have been a better time, where there were no insecurities. Now Max has trouble calling her up without her finger freezing up as she attempts to type the very last digit of Chloe’s phone number into her phone.

As Max turned around in the mirror, she noticed how her lack of a rear end was a lot more distinguishable in red. Wowser, Max thought, this looks really good on me.

“Wowser.” Max said aloud to her reflection, and threw on a bathrobe.

It must have been ten minutes into Warren and Brooke swimming when Max opened up the pool gate, entering the vast perimeter of the pool area. There were significantly less people around the pool, where most of the people still inside the pool area were kids our age. “Max, you’re here!”  

This made two teenagers stop in their tracks as they were opening up the pool gate at the other end of the pool to leave. One of them whipped around so fast that it was a blur of blue hair.  “Wait…”

“Is that…Max Caulfield? It looks a lot like her.” Rachel asked to Chloe, who hung her jaw open in disbelief. No ******* way.

Furrowing her eyebrows, she watched Max drop the robe on a nearby chair. Like an awkward penguin, Chloe watched her best friend waddle up to the pool edge & cannonball into the waters below oblivious to the two girls standing at the gate watching her. “You’re going to wake up the neighbors and the owner of this hotel's parents forty miles away, Warren!”

“Do you want to go say hi to her?” Rachel asked Chloe.

As Chloe decided on actually going to surprise her, Max's friend said something that made Chloe change her mind in a split second.

“How would you know? Besides, you’ll eventually forgive me for that once you meet the entire cast of Star Trek tomorrow, Max.” Warren yelled at Max, and Chloe did a small grin as she turned away from her best friend, closing the gate on both of the girls.

“No. Guess the oblivious nerd is going to Comic Con too.“ Chloe took one last look at Max before going back inside the hotel with Rachel Amber at her tail. "Do you think she'll recognize me in cosplay?"

"Probably not. Unless I drop the bomb on you guys."

“Shhh. I don’t need you ruining my surprise party, *******.”

Max, Brooke, and Warren weren’t in the pool for long, since Warren bumped his head into the side of the pool while doing laps with Brooke. They had to get out, and put an ice pack on Warren’s sore bump on his head. “Now how am I going to cosplay the 11th Doctor? I need to gel my hair back, but I have this gargantuan bump on my head.”

“We’ll figure it out, sweetie.” Brooke said, and Max nearly gagged.

Max went back to the hotel room first, since being around Brooke made her want to strangle her.  This whole third-wheeling thing was annoying, and Max was regretting coming alone without Kate as her faithful chauffeur. Nonetheless, she wasn’t going to let that ruin her trip. She was here to have fun. And to take a bunch of photographs, of course.

The next morning around 4:00 am, Max was rudely awoken by Brooke who shoved her in her shoulder. “Get up, Max. We’re leaving in thirty minutes from now.”

Was that necessary? Max thought, crawling out of bed. From the bathroom, she could hear Warren fretting over the mammoth-sized bump on his head as both of them got dressed in their cosplay outfits. “Okay. That hurt a lot. Ow, ow, ow.”

“Oh, is there anything I can do to help?”

“Shut up, guys.”

Feeling slightly irritable from the loud ruckus Brooke and Warren were making in the other room Max rolled out of bed. She rustled through her suitcase for a pair of skinny jeans and a white t-shirt with the print of a doe on the front. Once she had her clothes, she stood up to walk into the restroom to change when she noticed the ending result of both of her companions.

Brooke’s multicolored dark hair was pulled down in waves framing the scarlet dress with a black belt fastened around her waist. As for Warren, his usually shaggy brown hair was gelled back for his cosplay. She had to admit, he looked handsome in his mahogany jacket, red bow-tie and matching suspenders, and the cotton collared button-up he wore underneath. For a cosplay of The Eleventh Doctor and Clara Oswald, it was quite impressive how close they looked like the actual characters of the TV show Doctor Who.

“Take a picture of us, Max!” Warren said in a chirpy voice.

“On it.”

Max pulled out her camera, and pointed it at the couple who held up peace signs together. Once the picture rolled out, the couple split apart to put on the finishing touches of their cosplay.  As for Max, all she had to do was throw on her clothes. There wasn’t a lot of work in dressing up like normal people. Besides, she’s never really been a fan of cosplay.

If you want to count dressing up as pirates with her best friend Chloe on Halloween five years ago cosplay, then yeah, Max has cosplayed several times before.

“Max, hurry your *** up. It looks like the amphitheater is getting crowded from here.” Warren yelled from outside the bathroom door towards Max, who sloppily tied her shoes.

As they exited out of the large double doors of the four star hotel, Warren and Brooke took the crosswalk, pointing out people cosplaying as characters from TV shows or video games. They were smiling and laughing, leaving Max to third-wheel again. Instead of lingering on it, Max put in her headphones and turned on Crosses by José González tuning them out.

“Where is the line?” Max asked Warren as they approached the crowded complex filled with restaurants on one side and the amphitheater on the other side. Tents were set up here, even.

“This is what I call natural selection. If you come prepared with prior knowledge on how this works, you can conquer this haphazard looking line.” Warren spread his arms out, motioning towards the crowd that was rapidly growing in size.

“Let’s go, Warren.”

“Wait!”

Like an octopus, Brooke latched onto Warren dragging him into the depths of the growing sea of people. After three painful hours of waiting, Max felt the crowd start to lighten up around her as excited but deafening chatter filled the air of the surrounding herd of people. Everyone was clamoring loudly, quickly rushing into the open doors with their San Diego Comic Con day pass thrown around their neck.

As soon as Max received hers, she eagerly threw her day pass around her neck. After buying a small breakfast sandwich from a booth, Max decided to start people watching. Some of the cosplays made her laugh like the Darth Vader cosplayer leading a conga line of faithful storm troopers, taking long confident strides.

Max took several photographs of several different cosplayers, ranging from Doctor Who, Scott Pilgrim vs The World, The X-Files, Breaking Bad, Undertale, Magic: The Gathering, and Family Guy. When it started getting crowded, she got up from her chair and entered the large archway into the convention center filled with colorful tents and cosplay galore.

Wielding her camera bag close to her waist, Max carefully maneuvered her way through the sea of people as she took a look at the booths. Suddenly, the throng of people became too much for Max. An elbow into Max's side pushed her into the left side of her waist, throwing her into a booth.

“Hey, are you alright?”

Max’s eyes glanced up towards a blue-haired girl cosplaying as Pris from Blade Runner, who had grabbed her waist. Something about her was actually kind of familiar, however, Max couldn’t tell. “You hit that table pretty hard.”

Max felt the warmth from her waist leave slowly. “This crowd is suffocating. I need a place to breathe around here. It’s too claustrophobic for my liking.”

“Are you alone or something? Because I could always use company in my tent. It gets hella boring inside this tent sometimes.”

“Do you say that to all of your customers?” Max asked, chuckling nervously at the blue-haired cosplayer’s comment.

“No.” She mumbled something under her breath that Max didn’t quite catch. “I mean – unless you’re uncomfortable with it. I’ve seen people faint multiple times from claustrophobia here.”

Since her head was bent down over a sketch she was doing in a journal, the only way Max could tell that the girl was blushing was by how red her ears had gotten. The realization that the girl became a nervous wreck all of a sudden after that comment had made Max’s day already.

“Maybe you’re right. I should just sit down. There’s no places to sit around here, though.”

The blue-haired girl patted the armrest of the empty fold-out chair behind the table. “This is Rachel’s chair, but Rachel is helping out with the convention rave for later. She’s on the committee or some ****.”

“Coworker?”

“And an annoyance at times.” Max went around the table, taking a seat in the chair the girl patted. It was itching at her brain that there is something about this girl that is so nostalgic.

Suddenly, a long brunette-haired girl billowed through the back curtains of the booth, where Max saw a tattoo chair in the back along with an extended table with clutter everywhere. “Chloe, do you have my phone? I really need it right now.”

Wait a second. “Chloe?”

“Great. Thanks a lot, Rachel. You ruined the element of surprise.”

"No ******* way!"

After Chloe handed the phone to Rachel, Max followed with her first impulse, throwing her arms around Chloe. Immediately, Chloe laughed as Max nuzzled her head into Chloe's shoulder blade. Max could feel the initial excitement pounding in her chest as Chloe tightened her grip on her as well. “Get a room, Chloe.”

“I will shove this combat boot so far up your *** –”

“Okay, I’m leaving. I need to call Frank and see when he was going to get here.” Rachel stated matter-of-factly, then added as she was leaving, “Hope you have a fun reunion.”

Once Chloe let go of Max, she held onto her arms staring into her face. “Wowser. This is crazy. You’re dressed as Pris from Blade Runner. That is definitely my ****.”

“I hope so. Someone asked me if I’m cosplaying Ramona Flowers from Scott Pilgrim vs. The World. Now I will accept that misunderstanding because Ramona Flowers is my woman crush.” Chloe glanced over at Max, changing the mood merely by narrowing her eyes at the brunette. “Alright, are you going to explain why you didn’t call or text me for five years?”

It was so sudden that Max suddenly felt inferior to Chloe. "I'm sorry. My parent's decision to suddenly move to Seattle wasn't my choice."

"That's not a good enough reason." Chloe attempted to change the tone of the mood lighter, since this wasn't exactly the place to discuss that. "So what's up with you? Living it up here in San Diego or something?"

"I - uh - moved back to Arcadia Bay. Two months ago."

"Without a phone call, telling me that you moved back." Chloe pressed her lips together, annoyed. "Nice one, Caulfield. That's just ******* peachy."

Max started to get a little irritated herself. "Look, I'm sorry. Can we just drop it?"

"I’m sorry, Max. I don’t want to be the ******* to ruin your day. In fact, this was the complete opposite impression I was going for. If you want to punch me for being such an annoying rat, go right on ahead.” Chloe pointed at the bicep of her left arm.

I shook my head – chuckling as Chloe kicked back her chair – propping her feet onto the table cluttered with various types of artwork. There was a dozen pieces of art here, but I noticed Chloe was really into abstract watercolor paintings. Mostly Chloe did sketches of characters from TV shows and video games and painted it in watercolor. One of the paintings in particular caught my eye.

Of course – like all of Chloe’s paintings – it was strikingly beautiful: In front of an obsidian background was a butterfly with eye-popping azure wings. One of the wings seemed to be slightly blurred to give more definition to the closest wing. “Wow, you’re a real artist.”

“I’m also a tattoo artist. If you want to get a tattoo, just hit your girl up. It’s on the house for you.” Chloe said, holding out her arm to show me. “Rachel helped me with both designs.”

Chloe had a beautiful sleeve on her arm and a tattoo on the top of her hand of a red chrysanthemum. Max traced the red ribbon detail on her arm tattoo with one finger, making Chloe shiver. “Dude, you can look, but you can’t touch the tats.”

“Sorry, it’s beautiful.”

“Hopefully it will still look beautiful when I look like the human equivalent of a raisin when I’m 80.” Chloe joked, holding out her arm in front of her face. “How about it, Max? Wanna get tatted up by your best friend Chloe? It might be a great experience for you, hippie. No gang related tattoos, though.”

“Yeah, because I’m totally a part of a gang.”

The smile that lit up Chloe’s face sent Max into a comatose state of delirium. Her eyes focused in on Chloe like a lens, taking shots in her head so she didn’t forget this moment with her best friend. For once, Max was having fun. “You’re still a ******* geek. That’s good news.”

“Always.”

Chloe shook her head before getting up. “Alright, so do you want a tattoo or not? This is your final offer, Max. Don’t let it go to waste.”

“I don’t know. You know I’m scared of needles.”

“Still?” Chloe grabbed Max’s shoulders. “Come o
Oscar Mann Oct 2015
I will always think fondly
Of the park bench
Near the sad man’s statue
Whose beard of stone
Was sloppily painted
By a bunch of overenthusiastic pigeons

That silly park bench
Where we first kissed
And had our first public argument
About nothing at all
And at the same time
About everything we thought we had

At first our memories
Turned the grass greener
And the skies bluer
And sometimes it seemed
That sad man smiled
Though it might have been an malevolent grin

But soon it became tainted
A symbol of fleeting love
Of passion’s mortality
Its habit of swiftly disappearing
Like cagey, distrustful pigeons
And illusions fuelled by sentimentality

Now I understand the sad man
And consider his faith to be cruel
To want and crave and hope
Yet to be sentenced
His life writ in stone
Near an empty, broken bench
Between my finger and my thumb
The squat pin rest; snug as a gun.

Under my window, a clean rasping sound
When the ***** sinks into gravelly ground:
My father, digging.  I look down

Till his straining **** among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.

The coarse boot nestled on the lug, the shaft
Against the inside knee was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.

By God, the old man could handle a *****.
Just like his old man.

My grandfather cut more turf in a day
Than any other man on Toner's bog.
Once I carried him milk in a bottle
Corked sloppily with paper.  He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf.  Digging.

The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I've no ***** to follow men like them.

Between my finger and my thumb
The squat pen rests.
I'll dig with it.
Aztec Warrior Jun 2016
The Stanford **** Case
Statement from the Young Woman Who Was *****
June 10, 2016 | Revolution Newspaper | revcom.us

Editors Note: The following harrowing and courageous "victim impact" statement was read in court by the woman who was assaulted and ***** by ex-Stanford student Brock Turner. It has been released widely and revcom.us is reposting it here. As Sunsara Taylor said in "The Stanford **** Outrage: Reason Enough to Make Revolution": "Her letter is 13 pages long and everyone should read it. In its entirety. Out loud. In classrooms. In church groups. In families. On sports teams. On air. Her pain must be seen. Her battle against despair must be supported. Her courage must be multiplied."*
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Your Honor, if it is all right, for the majority of this statement I would like to address the defendant directly.
You don’t know me, but you’ve been inside me, and that’s why we’re here today.

On January 17th, 2015, it was a quiet Saturday night at home. My dad made some dinner and I sat at the table with my younger sister who was visiting for the weekend. I was working full time and it was approaching my bed time. I planned to stay at home by myself, watch some TV and read, while she went to a party with her friends.

Then, I decided it was my only night with her, I had nothing better to do, so why not, there’s a dumb party ten minutes from my house, I would go, dance like a fool, and embarrass my younger sister. On the way there, I joked that undergrad guys would have braces. My sister teased me for wearing a beige cardigan to a frat party like a librarian. I called myself “big mama”, because I knew I’d be the oldest one there. I made silly faces, let my guard down, and drank liquor too fast not factoring in that my tolerance had significantly lowered since college.

The next thing I remember I was in a gurney in a hallway. I had dried blood and bandages on the backs of my hands and elbow. I thought maybe I had fallen and was in an admin office on campus. I was very calm and wondering where my sister was. A deputy explained I had been assaulted. I still remained calm, assured he was speaking to the wrong person. I knew no one at this party.

When I was finally allowed to use the rest room, I pulled down the hospital pants they had given me, went to pull down my underwear, and felt nothing. I still remember the feeling of my hands touching my skin and grabbing nothing. I looked down and there was nothing. The thin piece of fabric, the only thing between my ****** and anything else, was missing and everything inside me was silenced. I still don’t have words for that feeling. In order to keep breathing, I thought maybe the policemen used scissors to cut them off for evidence.

Then, I felt pine needles scratching the back of my neck and started pulling them out my hair. I thought maybe, the pine needles had fallen from a tree onto my head. My brain was talking my gut into not collapsing. Because my gut was saying, help me, help me.

I shuffled from room to room with a blanket wrapped around me, pine needles trailing behind me, I left a little pile in every room I sat in. I was asked to sign papers that said “**** Victim” and I thought something has really happened.

My clothes were confiscated and I stood naked while the nurses held a ruler to various abrasions on my body and photographed them. The three of us worked to comb the pine needles out of my hair, six hands to fill one paper bag. To calm me down, they said it’s just the flora and fauna, flora and fauna. I had multiple swabs inserted into my ****** and ****, needles for shots, pills, had a Nikon pointed right into my *******. I had long, pointed beaks inside me and had my ****** smeared with cold, blue paint to check for abrasions.

After a few hours of this, they let me shower. I stood there examining my body beneath the stream of water and decided, I don’t want my body anymore. I was terrified of it, I didn’t know what had been in it, if it had been contaminated, who had touched it. I wanted to take off my body like a jacket and leave it at the hospital with everything else.

On that morning, all that I was told was that I had been found behind a dumpster, potentially penetrated by a stranger, and that I should get retested for *** because results don’t always show up immediately. But for now, I should go home and get back to my normal life. Imagine stepping back into the world with only that information. They gave me huge hugs and I walked out of the hospital into the parking lot wearing the new sweatshirt and sweatpants they provided me, as they had only allowed me to keep my necklace and shoes.

My sister picked me up, face wet from tears and contorted in anguish. Instinctively and immediately, I wanted to take away her pain. I smiled at her, I told her to look at me, I’m right here, I’m okay, everything’s okay, I’m right here. My hair is washed and clean, they gave me the strangest shampoo, calm down, and look at me. Look at these funny new sweatpants and sweatshirt, I look like a P.E. teacher, let’s go home, let’s eat something. She did not know that beneath my sweatsuit, I had scratches and bandages on my skin, my ****** was sore and had become a strange, dark colour from all the prodding, my underwear was missing, and I felt too empty to continue to speak. That I was also afraid, that I was also devastated. That day we drove home and for hours in silence my younger sister held me.
My boyfriend did not know what happened, but called that day and said, “I was really worried about you last night, you scared me, did you make it home okay?” I was horrified. That’s when I learned I had called him that night in my blackout, left an incomprehensible voicemail, that we had also spoken on the phone, but I was slurring so heavily he was scared for me, that he repeatedly told me to go find [my sister]. Again, he asked me, “What happened last night? Did you make it home okay?” I said yes, and hung up to cry.

I was not ready to tell my boyfriend or parents that actually, I may have been ***** behind a dumpster, but I don’t know by who or when or how. If I told them, I would see the fear on their faces, and mine would multiply by tenfold, so instead I pretended the whole thing wasn’t real.
I tried to push it out of my mind, but it was so heavy I didn’t talk, I didn’t eat, I didn’t sleep, I didn’t interact with anyone.

After work, I would drive to a secluded place to scream. I didn’t talk, I didn’t eat, I didn’t sleep, I didn’t interact with anyone, and I became isolated from the ones I loved most. For over a week after the incident, I didn’t get any calls or updates about that night or what happened to me. The only symbol that proved that it hadn’t just been a bad dream, was the sweatshirt from the hospital in my drawer.

One day, I was at work, scrolling through the news on my phone, and came across an article. In it, I read and learned for the first time about how I was found unconscious, with my hair dishevelled, long necklace wrapped around my neck, bra pulled out of my dress, dress pulled off over my shoulders and pulled up above my waist, that I was **** naked all the way down to my boots, legs spread apart, and had been penetrated by a foreign object by someone I did not recognise.

This was how I learned what happened to me, sitting at my desk reading the news at work. I learned what happened to me the same time everyone else in the world learned what happened to me. That’s when the pine needles in my hair made sense, they didn’t fall from a tree. He had taken off my underwear, his fingers had been inside of me. I don’t even know this person. I still don’t know this person. When I read about me like this, I said, this can’t be me, this can’t be me. I could not digest or accept any of this information. I could not imagine my family having to read about this online. I kept reading. In the next paragraph, I read something that I will never forgive; I read that according to him, I liked it. I liked it. Again, I do not have words for these feelings.

It’s like if you were to read an article where a car was hit, and found dented, in a ditch. But maybe the car enjoyed being hit. Maybe the other car didn’t mean to hit it, just bump it up a little bit. Cars get in accidents all the time, people aren’t always paying attention, can we really say who’s at fault.

And then, at the bottom of the article, after I learned about the graphic details of my own ****** assault, the article listed his swimming times. She was found breathing, unresponsive with her underwear six inches away from her bare stomach curled in fetal position. By the way, he’s really good at swimming. Throw in my mile time if that’s what we’re doing. I’m good at cooking, put that in there, I think the end is where you list your extracurriculars to cancel out all the sickening things that’ve happened.
The night the news came out I sat my parents down and told them that I had been assaulted, to not look at the news because it’s upsetting, just know that I’m okay, I’m right here, and I’m okay. But halfway through telling them, my mom had to hold me because I could no longer stand up.

The night after it happened, he said he didn’t know my name, said he wouldn’t be able to identify my face in a line-up, didn’t mention any dialogue between us, no words, only dancing and kissing. Dancing is a cute term; was it snapping fingers and twirling dancing, or just bodies grinding up against each other in a crowded room? I wonder if kissing was just faces sloppily pressed up against each other? When the detective asked if he had planned on taking me back to his dorm, he said no. When the detective asked how we ended up behind the dumpster, he said he didn’t know.

He admitted to kissing other girls at that party, one of whom was my own sister who pushed him away. He admitted to wanting to hook up with someone. I was the wounded antelope of the herd, completely alone and vulnerable, physically unable to fend for myself, and he chose me.

Sometimes I think, if I hadn’t gone, then this never would’ve happened. But then I realized, it would have happened, just to somebody else. You were about to enter four years of access to drunk girls and parties, and if this is the foot you started off on, then it is right you did not continue. The night after it happened, he said he thought I liked it because I rubbed his back. A back rub.

Never mentioned me voicing consent, never mentioned us even speaking, a back rub. One more time, in public news, I learned that my *** and ****** were completely exposed outside, my ******* had been groped, fingers had been jabbed inside me along with pine needles and debris, my bare skin and head had been rubbing against the ground behind a dumpster, while an ***** freshman was ******* my half naked, unconscious body. But I don’t remember, so how do I prove I didn’t like it.

I thought there’s no way this is going to trial; there were witnesses, there was dirt in my body, he ran but was caught. He’s going to settle, formally apologize, and we will both move on. Instead, I was told he hired a powerful lawyer, expert witnesses, private investigators who were going to try and find details about my personal life to use against me, find loopholes in my story to invalidate me and my sister, in order to show that this ****** assault was in fact a misunderstanding. That he was going to go to any length to convince the world he had simply been confused.

I was not only told that I was assaulted, I was told that because I couldn’t remember, I technically could not prove it was unwanted. And that distorted me, damaged me, almost broke me. It is the saddest type of confusion to be told I was assaulted and nearly *****, blatantly out in the open, but we don’t know if it counts as assault yet. I had to fight for an entire year to make it clear that there was something wrong with this situation.

When I was told to be prepared in case we didn’t win, I said, I can’t prepare for that. He was guilty the minute I woke up. No one can talk me out of the hurt he caused me. Worst of all, I was warned, because he now knows you don’t remember, he is going to get to write the script. He can say whatever he wants and no one can contest it. I had no power, I had no voice, I was defenseless. My memory loss would be used against me. My testimony was weak, was incomplete, and I was made to believe that perhaps, I am not enough to win this. His lawyer constantly reminded the jury, the only one we can believe is Brock, because she doesn’t remember. That helplessness was traumatizing.

Instead of taking time to heal, I was taking time to recall the night in excruciating detail, in order to prepare for the attorney’s questions that would be invasive, aggressive, and designed to steer me off course, to contradict myself, my sister, phrased in ways to manipulate my answers. Instead of his lawyer saying, Did you notice any abrasions? He said, You didn’t notice any abrasions, right?

This was a game of strategy, as if I could be tricked out of my own worth. The ****** assault had been so clear, but instead, here I was at the trial, answering questions like:
How old are you? How much do you weigh? What did you eat that day? Well what did you have for dinner? Who made dinner? Did you drink with dinner? No, not even water? When did you drink? How much did you drink? What container did you drink out of? Who gave you the drink? How much do you usually drink? Who dropped you off at this party? At what time? But where exactly? What were you wearing? Why were you going to this party? What’d you do when you got there? Are you sure you did that? But what time did you do that? What does this text mean? Who were you texting? When did you urinate? Where did you urinate? With whom did you urinate outside?

Was your phone on silent when your sister called? Do you remember silencing it? Really because on page 53 I’d like to point out that you said it was set to ring. Did you drink in college? You said you were a party animal? How many times did you black out? Did you party at frats? Are you serious with your boyfriend? Are you sexually active with him? When did you start dating? Would you ever cheat? Do you have a history of cheating? What do you mean when you said you wanted to reward him? Do you remember what time you woke up? Were you wearing your cardigan? What colour was your cardigan? Do you remember any more from that night? No? Okay, well, we’ll let Brock fill it in.

I was pommeled with narrowed, pointed questions that dissected my personal life, love life, past life, family life, inane questions, accumulating trivial details to try and find an excuse for this guy who had me half naked before even bothering to ask for my name. After a physical assault, I was assaulted with questions designed to attack me, to say see, her facts don’t line up, she’s out of her mind, she’s practically an alcoholic, she probably wanted to hook up, he’s like an athlete right, they were both drunk, whatever, the hospital stuff she remembers is after the fact, why take it into account, Brock has a lot at stake so he’s having a really hard time right now.

And then it came time for him to testify and I learned what it meant to be revictimized. I want to remind you, the night after it happened he said he never planned to take me back to his dorm. He said he didn’t know why we were behind a dumpster. He got up to leave because he wasn’t feeling well when he was suddenly chased and attacked. Then he learned I could not remember.

So one year later, as predicted, a new dialogue emerged. Brock had a strange new story, almost sounded like a poorly written young adult novel with kissing and dancing and hand holding and lovingly tumbling onto the ground, and most importantly in this new story, there was suddenly consent. One year after the incident, he remembered, oh yeah, by the way she actually said yes, to everything, so.

He said he had asked if I wanted to dance. Apparently I said yes. He’d asked if I wanted to go to his dorm, I said yes. Then he asked if he could finger me and I said yes. Most guys don’t ask, can I finger you? Usually there’s a natural progression of things, unfolding consensually, not a Q and A. But apparently I granted full permission. He’s in the cl
it has taken me days to shake out the feelings I have around this case and that one of every 4 women are *****, abuse assaulted in their life time.. think about that for a moment.. 1 out of every 4... this means almost everyone knows someone or has been through what the young woman is describing in her statement read in court.. there is no "buts" in this case, and if anyone has to come up with some kind of "but" then unfriend or follow me right now as I will not tolerate any excuses or apologies for these horrific attacks on half of  humanity, along with this I would add a ******* as well... the voice of this woman needs to be heard everywhere... repost, twitter etc etc everywhere...
Marri Dec 2019
Waste my time.
Distract me from the pain of other earthly things.

Raise my Hope from the dead.
Give it mouth to mouth,
Sloppily,
Spit-flying,
And So *****.

Inflate its lungs.
Out & in, in & out.
Bruise its lips.

We all are just Living to die.
Right?

Take me to church--
Show me God, boy.
Bring me to my knees,
Make me sing his praises.

Shed your tears on my bare back while we break classroom desks apart.
Piece by piece,
You use me.
You shape me,
And Create me into yours.

Make me wear skirts with stockings.
Make me play nice.
Make me smile.
You know you want to.

Make me wear fishnets.
Make me tease you.
Make me want to please you.
I know I want to.

Let's play dress up for the night.
Let's Spider-Man climb the walls of our insecurities and broken hearts.
Let's bite each others shoulders,
Don't you wanna get primal with me?

Tell me I'm pretty.
Say it,
Say it,
Say it.
Be good and I'll reward you.
Be bad and I'll ignore you.

Make me feel all nasty.
Make me feel so graceful.
Make me feel so perfect.

Pedestal perfect.
Pedestal perfect.
Pedestal perfect.
Let's just pray I don't fall.
Mike West Aug 2012
The boy haden't bathed in over a month
His **** crack was itching and burning
His underpants were soaked in slimy, wet muck
And his toes a thick jam were churning
His armpits stank worse than a fat pigs raw ***
His breath smelled like rancid fish
His hair was so oily, matted to his head
His own mother wouldn't give him a kiss
"Enough!" he cried as a passing fly died
When he raised his arm to exclaim.
"I must bathe right away! I am long overdue!"
"I sure hope the washcloths are brave."
"To the bathroom man!" He shouted as he ran
And his underpants sloppily squished
"I will remove this filth and brush my green teeth"
"And my mother I will kiss!"
"The closet's ahead!" He said as he sped.
And he stopped there to get some stuff.
Some soap, some shampoo and a towel or two.
But he knew that it wasn't enough.
Look though he might, to his horror and fright,
Not a single washcloth could he find.
Then panic set in 'cause the stink of his skin
Was driving him out of his mind.
He looked yet again but to his chagrin
The washcloth shelf was bare.
The washcloths had run off
For they would not wash
So filthy a boy on a dare
"Oh what will I do!" "Boo-hoo, boo-hoo!"
The boy cried as flies swarmed his head.
"I'd **** myself but I already smell"
"Far worse than anything dead!"
Then one washcloth came back
Holding it's nose and a sack
Of bath salts that smelled like dill.
It said to the boy "Go pickle yourself!"
"And give me a nausea pill!"
So the boy rejoiced and filled the tub
With water, hot as he could stand.
And using the bath salts, he jumped right in
And the pickling began.
He lathered the washcloth with water and soap
And scrubbed with all of his might.
Away he washed all of the filth
'Til none was left in sight.
He washed his hair and brushed his teeth
And dried and dressed himself well.
And the washcloth exclaimed as it hung on the tub
"Holy crap! that was pure hell!"
So the boy now clean ran to be seen
By his mother he loved so much.
And she gave him a kiss and said "This is pure bliss!"
"I can kiss you and keep down my lunch!"
The moral I'll tell you and true I will be
So no one will say that I lied.
Don't wait a whole month to take a bath
Or you washcloths may run and hide.
Alexander Klein Oct 2011
The devil's speech say they:
Rolling, clattering, frolicking, hungry.
Billows of charred skeletons embrace the air
Black soot pumped straight from the pyres of Hades
Congealing to clouds of evil intent wherever it roam.
That charred old shell so terse,
Black as sadness and dead as a hearse,
Darling to death as he brings on the rain:
The dry rolling thunder of the funeral train.

In the coughing desert
Not a thing dares roam
Neither wind nor creature
And neither stick nor stone.
But then the silence disturbed by a horrible shriek -
The railway screams in horror and the train itself speaks, saying
   "Tell me, thou innocent,
       Why feel you special and best?
   For when all is done I take you
       And return you to my nest;
   Your world is bright and happy
       Full of high spirits and song,
Though soon you too shall step aboard
       And join my faceless throng."

Hot saliva on the heaving engines:
Weeping, groaning, ghostly, parched.
Rusted joints spewed onwards grinding resisting
Movement spat out like a violently beaded string of curses
Sloppily uttered as incantations of a malformed mouth!
From that charred old shell so terse,
Black as sadness and dead as a hearse,
Darling to death as he brings on the rain:
The dry rolling thunder of the funeral train.

That dark train cries out and all around
A mourning whimper rises like slumbering fog-
Bleak and yellow it obscures the land
Seeping out insidious in strange locales all:
The old lonely fisherman
Sleeping on his wharf,
The frustrated hawker's
Windblown barefaced booth,
Silent streets crying for attention,
Dark places hidden at the corner of every eye.

That solemn train cries out and all around
Her mourning whimper rises like harrowing fog
Calling all to upright attention and fear.
Looming like a spectre but a breath-span from your window
Slowly closing cold dread claws-
Naked numbness dumb as ice-
Cold dread claws upon thy waist.
And you,
You poor old thing,
Shivering in your pitiful shack of bones,
You never had any chance!
You were only human.
You were only human, you poor old thing.

Barreling on with brimstone slang:
Clang clang! Dang dang! Beelz Bub!
Sputtering an ocean of curses from turgid goat-flesh
Born of sadness to cause even more, yawning great maw
Jowls clanking with fresh hot oil drool steaming stark and lewd, and yet
That charred old shell so terse,
Blacker than sadness and slain like a hearse,
Is all that gives meaning to our every gain:
The dry rolling thunder of the funeral train.
Alone within my emotional wilderness

A reverie along memory lane when, this lviii sea sunned
row man (stills paddles in oarlocks and serenely quizzically,
lackadaisically, and harmoniously drifts) along the slip
stream of time. Awash on his figurative manual navigated
opportunistic prideful quintessential schooner reflects,
regales, and revisits ebbing lapsed instances (fast receding
into the past time, when psychological instability grounded
fragile my self esteem (generated venting, steaming, and
piping hot brickbats). As a newly minted harrumphing,
grubbing, and floundering dada enmeshment (analogous
to a fish caught in a net, hence quickly ricocheting, rabidly
splashing, and sloppily thrashing) predicated my foray
into das fatherhood. Aye experienced nearest approximation
Bing battered, rammed, and torpedoed from glomming
(par for the course riot ting heaps) necessarily imposed
adult responsibility. Such metaphorical motoring across
avast Battle Creek with no landfall in sight, this then nada
so Grand Turk (key in the straw) Otto man continually
snapped, cracked and popped. This human ping-pong
fitbit part player papa felt akin to subjection re: thralldom).
At this juncture in me cross currents of existence I can
harken back to those most exhausting, fatiguing, and
grueling endeavors. Hindsight offers this aging baby
boomer the luxury to cast astern. Retrospective leisurely
trawls along the shoals throes of fatherhood allow,
enable and provide and opportunity to scrutinize per
chance, where arises this on account of the empty nest
syndrome. Ordinarily the wife (i.e. missus to appear
more formal), would caw out my name nonstop….
”Matt”…”Matt”…”Matt”…, but she opted to organize
the cluster of assorted household items at the apart
ment (located in Crum Lynne – Ridley Township),
we hope to move within a fortnight. Thy spouse
volunteered her own mini reprieve by setting order
to the miscellaneous fixings gradually amassed,
appropriated, and gifted thru out the twenty plus
years of marriage, which hodgepodge of personal
possessions downsized whence circumstance dictates
evaluating goods having keepsake meaning versus
anomaly of belongings to be unloaded, repurposed
for someone else, or ordained as unworthy to schlep.
Alone asper like a very brief sabbatical from marriage
finds stillness amidst the white noise of the whirring
fan. Thus, I sit here ruminating how to dredge up
some idea for a poem,  (non) fiction or essay. This
husband became acclimated, conditioned, and em
bossed with a mate a tete for two plus decades,
whereby both thee dos delightful daughters on
Track 742 heading west. Honest to dog, I miss
the role of fatherhood when either off spring
(with an age difference of approximately twenty
five plus months) romped, scampered, and trotted
as toddlers, and upon childhood, thy little girls
found exultant excitement dashing higgledy-
piggledy, hither and yon, to and fro across the
playground as most glorious human indulgence.
Despite the plaintive wail vis a vis Juliet saying
goodnight to Romeo (…parting is such sweet
sorrow) haint pleasurable atoll. Hitherto un
known that during the most vexing, trying,
and quaking bouts when both kin of thy ****
fought like angry cats would there transpire
the occasion of sincere tearfulness ululating
vain warbling. Now a pang of nostalgia arises
when I drive past their happy go lucky stomp
ping turf, or reflect on answering the trumpet
call to chauffer one or thee other to amusement
park, play date, mall, favorite toy store such as
Fivebelow, birthday party, et cetera. Even
certain tunes recalled to mind and/or heard
being broadcast across the audio logical spec
trum a cause for moistened tear ducts. Wince
with sadness also mixed with sigh lent bundled
expostulations of joy. Both progeny metamorphosed
into able bodied, minded and spirited lasses,
whose attainment far exceeded any projections
internally forecast. Initial onset of parent role
found me all thumbs. Prior to begetting two
darling dames, this chap spent disproportionate
number of hours sequestered within some hide
away, which frequently happened to be the
designated bedroom at 324 Level Road, College
Ville, Pennsylvania, 19010. Never did thee major
rit tee days of mine life point to babysitting or
working with that chronological demographics
comprising the adoring blessed innocence,
murmuring newborn obliviousness, that bespoke
penultimate unsullied, utmost virtue necessitating
interaction with tender infants beckoning being
cradled, endearingly fondled, demonstrably easing
fondness gripping heartstrings issue jetblue kinks.
Aye felt pitched headlong into this foreign territory,
and initially experienced utmost awkwardness when
attending, pampering and pulling (albeit gently)
upsy daisy, the nascent hint of autonomy. Remembrance
and recollection of élan, joie de vivire, and yea those
ear splitting threshold of pain screaming tantrums
all boxed into tidy wholesome Zen announcing
nuggets of greater meaningfulness and absolute
value. The above long winded reverie intended and
meant tubby a semi biography, but leave hit up to
his hie n hiss, he went way overboard, and will give
a one line summarization to describe his i.e. yours truly
life sentence fate decreed. He (this Anglophile chipper
chap lived under duress of extreme anxiety, obsessive/
compulsive behavior, panic attacks and essentially
schizoid personality disorder for the greater part
of his life and hard times, which raw bits would
warrant fleshing out to extrapolate how these psychic
pitfalls represented critical factors at various and
sundry turning points in his life.
a magician never reveals their
tricks to the joker is what you’d
told you that sunday night last
september as you had sloppily
crashed into a river and made
both of our cold bones shiver.
we both knew this was not a
typical drive down the road
because you had broken the
moral code and would soon
be toad while i lay with still
bones and a frantic call home
on a stretcher in the back of
an ambulance with hands
holding my body together
as you asked the police to
give you a moment so you
could have a breather and
a smoke or two because
you knew you were through.
they asked if you wanted to
leave me alone and head
down to the police station
and you just shrugged like
this was not your creation
because your court costs
were more expensive than
the knowledge of my pain
and i wished I had caught
that last sunday night train
instead of drinking with you
in the rain and making fog
against the window pane.
i was told not to move as
i waited for the helicopter
and you were pushed up
against the side of a cop
car and cuffed with angry
resistant will and the tears
spilled down hard and fast
from your pretty little face
because for once i would
not save your ****** ***
and get you out of this gory
mess that had turned your
sunday best into a disgrace
and made my bones buckle
and cry out for some rest
for they had been pressed
and strained under the now
drowned window pane with
blood creating a vivid stain.
your head ducked down as
you were pushed into the back
of the car and you glanced up
to see my motionless mangled
body watching from afar.
how’s that for a date night?
you laughed as the tube
down my throat made me
cough and the police officer
gave you a stern look before
slamming the door on your
smirking face so hard that
the car shook like my body
did with hollow echoing sobs
that made my eyes run like the
river that had made both of us
shiver as you had claimed that
the joker would always deliver
even if the magician would not
reveal their spells for the joker
had his own secret way to hell.
Aaron McDaniel Feb 2013
I wanted to start off my speech  with a little poem.
When this poem is over, I want to know if any of you recognize the author.

“On top of a hill, there’s a rose.
This rose get’s sunlight and nutrition from the soil beneath it
Never before has the rose been asked to do a task suitable for garden
When asked today if the rose can grow the grass around it
The rose stood still
Little red rose, I can tell your stem is nervous
The wind is whipping you like a baker and his cream
Put the nerves behind you and begin to water your fellows
Success is only a day away
Tonight the rose watered the garden.”

You probably don’t recognize the author because the author is me.
In August 2010, the beginning of my sophomore year, I picked up poetry.
I kept it to myself.
Most of my friends thought it was lame or stupid to be writing.
Mostly because I’m a guy. They were all interested in cars, sports, parties, you name it.
Where on the other hand, I stood in my living room with music as loud as I can get it, and a pen in my hand.
I didn’t write sad things. Mostly I wrote inspirational pieces.
However, it was to make up for the feelings that I had.
See, I had tricked myself into believing that I wasn’t going anywhere.
I’d given up on myself.
Everyone around me completely believed in me and wanted to see me do something great.
By November, I had gotten into writing to a point where I liked it. I wanted to show someone.
So I showed a few of my writings to my english teacher.
She was awestruck that I had that kind of writing capabilities, and suggested I looked into Slam Poetry, or competitive performance.
I was terrified.
I was 15 going on 16, with no self confidence to speak of.
How was I going to do that?
I wasn’t. There was no way you were going to find me risking what little bit about myself that I liked to be judged by total strangers.


That’s when a few weeks later, there this a gathering in the auditorium.
I walked in and sat down next to a few of my friends to see what was going on.

It was
incredible.
A few poets from Portland had come to our school to perform.
Everything I had been told about performance was right in front of me.
Something, and to this day I don’t know what it was, took control of me.
I marched over to one of the poets on the side of the auditorium, and asked if I could be put on the list of kids who were going to be able to perform.
I waited. My stomach was in knots. I was probably about to throw up
Then I heard it.
My name.
My legs walked up.
I vomited my words sloppily in-front of people.
It was terrible.
But the feeling of doing it....
I was hooked.

I kept writing.
I was told that there was a competition in portland to be put on the first youth slam poetry team to represent maine, ever.
There were five spots
I wanted one.
I practiced in front of my mirror
Memorization and editing was my life after school for about three months.
Until it was time.
The day came that I was suppose to put it all out there.
Three poems.
Three rounds.
Five judges.
One outcome.
I vomited my words all over the audience.
I hated all three of my performances.
Until I heard my scores.
They were almost all tens.
I came in second.
I was on the team.

I’ve performed in other competitions since then, against other poets in their mid thirties who have been writing for years
And beaten them.
I’ve been told my traveling artists that if anyone on the team was to go anywhere, that it’d be me.
By then, I’d only been writing for about a year.
Some kid who liked nothing about himself, from a no name town in Maine,
getting praise from poets who have seen the world and gotten their names put in books for centuries.
I’ve been published.
Twice.
Possibly even putting out my own small book of work, soon.
I never thought it’d get to this level.
I worked and worked and worked until I hated every single poem.
Then I taught myself to love them again.
I kept performing and building my confidence.
I wouldn’t be who I am now without it.
I even took the confidence that I have gained and used it to do something I never thought I’d be able to do.
I joined the National Guard.
I had talked about it since I was a kid, but never had the mindset that I’d actually do it.
But here I am. I’m going to be a medic for the National Guard.
Never had I ever thought of doing something like that.
And I am.

My message to you is that every single one of you have a goal.
Some of you might want to be lawyers, doctors, mechanics, business owners, or even poets.
Do it.
Don’t let anything stop you.
We’ve just met, and I already know you can do it.
But it won’t be handed to you.
You’re going to have to work for it.
I’m living proof, standing in front of you that goals can be accomplished.
I’ll even give you a little hint.
Something that someone I met a few years ago taught me.
False confidence is still confidence.
You just need to do one thing that will terrify you
Risk it all. Put it all on the table for everyone to see.
You’ll be surprised how many people will look up to you for it.
Your dreams are out there
Waiting for you
Before you go to bed tonight
Think about what you can do tomorrow
To make them happen
Thank you
This is a speech that I will be doing for the annual FBLA performance in March.
I hope this inspires you.
ERR Jun 2013
Speed up, said Angel
Don’t pump it, smooth
These people cruise, I drive

Over six, wide and heavy tatted
Bald head cold eyes

Pay attention, stupid
He tapped log ash into
Cigarette box trash
Hands rugged and rough
Great deserts full of highways
Barren, arid, brutal

He held Lane’s finger in a vice
Casually, without effort as he
Squirmed and wormed and begged, full
Body efforts failing
H-drained skeleton unable to muster muscle

Angel loosened his grip, to allow
Some circulation mercy (stay on that positive ****)
We dodged Victoria crowns and
Made smoke monsters with our lips and
Tongues, watched our sins cloud-crafted
And float fade privately

Want a clam strip? Said Lane
Want a granola bar, want a cookie?
Want a strawberry?

Ya, no, sure, maybe later
We stopped for some disgusting sidegrub
And pressed on into the mountains

Talented feline peaks I peep, winding
Green tree ever-stretch left-right-wise
Central concrete snake swirls higher
Our cabins line the rocky river trail
We joke about fighting bears

The thugs bunch and separate
Breakfast with Chewbacca
The wooks sit in sun, tangled
Wool clump hair strands smell

Angel had complained about taxes
Uncle Sam taking perks
The hippie wooks against
Government and Blue Law
From behind cigarettes (**** jar [stuffed])
Injured on the job, collecting
Unemployed, collecting
Tripping, bumming, badly strumming,
Hustling, collecting

Lisa is a toothpick and she has the blowsy jitters
Moon pupils grind tooth, sniff nose hard ball hitter
Saw no shame in her strip pay
I would vouch for her when they tore apart her room

Hipsters half trying and
Lumberjack draft drinkers
No place for thinkers or clean
Shady music belly festival
Drone guards drain cancer
From lit sticks for nic fix
Ritual, and bored means

Twelve hour rain sessions
Can I see your pass?
At my gate

A questioning look
I’m Warren Haynes, he said(?)
Nice to meet you, said sheep
Oh, and Les may come
Walking in here

Terry stood with me through the torrential
The first crowd name I learned
Revisit on the daily
Easy spotted in the thousands
I made stupid jokes
And she
Laughed
At them

The final night of jam
There was sun, there were stars
In my new backstage post I heard Phil and his friends
I made every bus, some
Friends, shot ****
The time type where nothing’s wrong
Volunteers brought water
Marshal’s girl, a chicken kebab
No sitting on the job!
From crowd Terry jester
A stranger gave a moonshine gift
Another, a hug and said well worked

A tie blue dye hippie dippie
Looked at a beautiful woman in a dress
I would totally **** that
*******
Disgusted

Even he can’t damper
At night I hear a sweet beat
A boots and cats boxer master Rob
The Mortar Mouth
And DJ Caesar
Laid back tracks collaborated
As the Tree narrated
We three held the jam
Classic, dream fulfilled
(Dead ***)

Chris shows me nerve ache
In a once stabbed high cheek bone
We guard the stage against
Ghost town robbers trudging sticky fingered

Mister Chicken sips from his confederate
Mug and sloppily asks to sneak, surprising kind
He brings me water and a meal
I pretend to check his wrist and
He hops the wrong fence

The Celtic tattoo on
Mike’s neck reads
My brothers mean everything to me
Latin ink, he tells me of the
Shapely thing in loose skirt
Up the stairs, not a thread
He stands all day on a
Broken back, brightens
Gloomy shifts with smiles

Andy loves his family
And promises to sing his
Grandmother’s favorite
Song when she dies
Every note he practices
Is a jagged pill to swallow
His voice haunts like
Newspaper faces
Or last words whispered

I watch the sun rise as
Magenta melts the mountain mist
And drift off counting constellations
blushing prince Jul 2016
What is literature to a convict?
with his name erased from his shirt, his memory
sitting in a warm chair
his only poetry is the girls he sees from across the glass
with jargon hanging from their sweaters
hem untied, tongue tied
“I want to live in a hotel” he tells his social worker
“all the way on the last floor at the very end of the hallway
I want the privacy in every suburban bedroom to be a joke
and I’ll laugh so ******* loud”
this prisoner has never killed a man
but his gums always bleed, like boiled beets
what is lost to a convict?
nothing, if you’ve searched long enough for it
“I don’t read, I have the best works inside my head
not memorized by pleasure, but by force
like a bullet to my knee, like a birthmark
not small enough to hide.”
“baby, I used to be a free man sometime”
and he was. He was free but he was also alone
a felon in his own right, grew a mustache
when he was only 15 and lonely
Walking alone one night he stumbled upon neon signs
upon god’s fruit, not everything is dressed in flowers
but a woman with caramel legs doesn’t need such luxuries
under dim lights, under smooth songs
this man found heaven to be boring
but the malaise in the gates of paradise
made candy melt down tight skin
“so this is fair. to be accompanied by hell
I could almost buy you a drink” he tells her
he tells her
he tells her
he tells her again
she smiles
this is not indulging
this is business
she used to write those words
on cigarette wrappers
until she could say it in her sleep
no love for poor men
and why does he wear a suit with a stain on it?
What a fool, she thinks
but this suit
this calamity of an accessory
was worn by that man’s
best friend
before, before the world turned cruel
before he knew what the difference
was between justice and closure
“sit down, tell me your bravery
spill it as easy as your skirt,
***** it as quick as the
dirt that’s been thrown on your face
you’re more than just
lemonade on a summer night”
but she swings her hair
and she asks for more
than a mortal man can offer
she wants the world
she wants the money he doesn’t have
and she calls him a thief
and she calls him a liar
and he’s left in a room
some bodies are nothing more than consolations
“I wanted more than a taste of life”
so he searches for her
but he gets lost in yellow taxi cabs
can’t decide whether he
should be in a hospital
or a cemetery
but he goes to a cathedral and
speaks with a priest
he beckons, he screams
he rips his hair off his head
in clumps they fall into his faded jeans
he clamors about the ****** he’s never committed
about how he just wants to be a famous writer
or a composer everyone cries to
he wants god to give him a bruise
he grabs the priests’ collar and kisses him violently
as the priest gasps for air, clutching nothing
all he wanted was a little peace, a little passion
why can’t you understand? None of this is carnal
none of this was made for the intention to be ****
he was sick of feeling ***** without ever being unclean in
the first place
and as he sat on the curb of that church, that solitary step
after being hurled by meaty altar boys
he wanders once more  
his crooked feet knocking posters and people
with closed eyes
until he reads the paper, until the obituary has her name
but it’s not her name he recognized
But her picture, the brutality of the night being exposed in daylight
he sees it everywhere, in the subway’s screens,
in the dry mouths of old men
there’s his ******, the one he’d been looking for all along
not committed by him
but a ****** nonetheless
set a flame for unforgiving service, for
inexplicable excess of satisfaction
set on fire like Salem witches
he wants to hold her hand one more time
it’s not the absence, but the obsolete
revenge, a platter served medium rare
what is vengeance to a convict?
an eye for an eye, a soul for a soul
he can smell the **** in everyone he crosses
he taps his foot in the downstairs
of the neon signs where he smells
nothing but sugar
and as they whisper in the dark
of the man responsible,
of the sentenced ready for his execution
he can almost taste him, running in shadows
and riding in comfort
Until he finds him at the bottom of a hotel
with his tie sloppily tied around his neck
and his eyes bearing the wicked semblance of a vulture
he goes upstairs
all the way to the top floor at the end of the corridor
and as he walks he can feel his steps amounting to something
this is what he was born to do, since birth these
were the footsteps he was told to follow
the death he was meant to document
savagely prepared for him to feast
he taps his shoulder after this ******, this sadist
has opened the door, ajar
clean and astute, clean cut
our inmate throws him into the
blow of hardwood floors, lamps flying
make his eyes go wild
his spit falling into the carnivore’s mouth,
he asks what is solitude to a slaughter
he trembles, he’s alive in this moment
wiping his mouth with the sleeve of his suit
digs his fingernails into the whites of
this ****** body and he cackles,
he’s a raven, ravenous
he’s a ghost ******* nothing but hot metal
grinding his teeth, blood flows out of sockets
the shrieking echoes, pain splinters the walls
but nothing is heard because no one is there
this is love, this is the romance he
always wanted
gouging the egg yolk out of another man’s eyes
our hero cries a primal cry
and repeats her name over and over again
like a prayer told too late at a sermon
and as he drown this poor man, who is
no vulture anymore, but a wet parakeet
he recites the words he had written into a paper napkin as a child
and if the first apocalypse ends the world in flames
the last Armageddon will end in a deluge
he watches the criminal’s head swells
drunken with happy fervor, he celebrates
by resisting arrest
what is literature to a convict?
his life told in verse
the catharsis this sad existence could never offer him
until it did
and he smiles
a scam to end all scams
Heather Oct 2012
My Muse is a fickle fair weathered breeze,
staying just long enough to rustle my leaves and abandoning me
burning in the passionate colors of Fall.
Empty, the leaves fall
deserted.


My muse resembles the elemental lightning
of a boiling summer night,
illuminating the sky for no longer than an instance.
all that was vivid and clear by his lantern spirit
now drips
sloppily in blacks and grays.
My Muse is a tentative, shy being
with the voice of a God.
Delicately he dances with my sleeping soul,
leading the steps like a puppeteer afraid of hurting his limp marionette.
Still and silent I feel the pull on my heartstrings,
my Muse gently testing the threshold of the human spirit.
I am aware of him
a warm hand closes over my heart,
as if reminding me that it's not a crime to be human.

My Muse is the love of my soul,
separate and opposite,
equal parts love and hate,
annihilating together in a firework display,
leaving me free.
Lee Mokobe Apr 2016
Sometimes in April
When the rain pours
And makes mud of the earth.
I think of Brenda Fassie’s “Too Late For Mama”
Lingering on my sister’s vibrato
An attempt to forget that,
Once again,
A family member had lent us their back.
My three sisters and I huddled,
Under the night sky,
Singing.
A mild prayer to keep us from shivering.
A ‘let us find the mercy of a couch”
But it rained hard.
We used our limbs as umbrellas.
Laughed loud and sloppily
To hide our shame

Sometimes in April.
I think about the wet ground
How it felt against our feet.
How poverty turned into homeless.
Into needy.
Into “don’t cry, we’ll be okay soon”
Into my mother being a beggar
And us, just open mouths.
Wrestling with the pitiless relatives
Who call us out of our shared last names.

Sometimes
I think
Haven’t we lost enough
Haven’t we known an empty hand
Haven’t we despaired enough.
No shelter to speak of
Just a song to keep us warm
And the rain does not care. (Neither do the people)
It comes.
In April.
Izzy Nolan Apr 2012
sometimes my anxieties are like intricately built sandcastles. i have been known to worry and fret over these sandcastles for hours, even days, at a time. i will collect millions of grains of sand and sloppily sculpt them. they are not usually beautiful or special or anything worth my time at all, but i continue build these castles. it’s like i have to. if i stop, what else is there anymore? what do i do? there is a sandcastle for all of my worries, all of the things that shiver beneath my chest for too long, anything that leaves my bones aching after all of the clocks plead midnight.

a year ago i was sitting on a sun-painted beach surrounded by two thousand sandcastles. the wind was beating the breath out of my lungs. the ocean was far off, so far i could hardly even see the dancing silver waters. i kept building them. i was tired and i was crying and building these hideous sandcastles of anxiety with my bare hands. people would pass me by, briefly, shaking their heads like i was something broken. i was miserable. i was always alone and i did nothing but build sandcastles. a year ago i was sad but no one knew why. a year ago i was sad but i didn’t know why.

but now i know you and the ocean is much closer, i can see it pushing back and forth all hours of the day and feel its song, because you are the ever-present waters that collapse my anxieties. i still build them often, but you continually take them away from me and they are forgotten. i do not know where you put them. i just know that every time i speak to you, you extend your long arms around them and they crumble. most of the time now it’s just me sitting on wet sand as the white-wash curves of your waves swallow every one up. i make you laugh and my anxieties sink. every new worry i have, your edges swim to the shore and carry it off. no matter how quick i try to build them, every time i blink they will be gone. i don’t know how you do it.

sometimes i think about joining you in the sea, but i’m scared. i don’t want to lose that part of myself. i’m afraid of what i won’t have anymore if i leave this fragile collection of crumbled sandcastles behind. i’ve fallen in love with the call of the sea and the storms that it brews, but i can’t abandon land just yet. your waves silently ask me all of the time but i can’t let go of this just yet.

i hope one day, when i’m ready, the ocean will gently carry me away, too.
written april 21, 2012.
Graff1980 Sep 2018
A small pale faced figure stands, enshrouded in darkness, while a hauntingly sweet song softly echoes through the cave.

“There’ll be days
precious moments
see them sunning
by the bay
till, the sea
sees the star light,
blinking angels
dissipate.”

Somewhere in this sightless void a larger form slumbers. Moans of agony pass this man’s parched parted lips.  Tears moisten his painfully swollen face. The stench of sweat, *****, feces, and fetid breath fill the air around him. An alarm sounds as the last battery from the compact heater finally dies. Sloan shivers as the temperature within the cave begins to drop.
Mother mercy watches with a well-practiced stare of concern. She slides a thin, torn, and brown stained sheet over Sloan’s shuddering body. It does little to comfort the sick man. His ragged breaths slowly shift to slightly less raggedy breaths. Mother Mercy watches for a few more moments to make sure that he will not die, then settles down in a corner for the night.
Electric dreams of long ago float in the forefront of her mind. A bone thin boy of barely teenage years stumbles into a broken-down building that was once the Canadian Gazette. Stray rays of light from an overhead window brighten the small room, illuminating gun black filing cabinets, and dark wooden cubbies, colored with well-worn grey paint, which hold crumbled bits of old newspapers; One of the papers read, “Mass Methane Leak Poisons Ground Water and Air”.   Each step stirs up dust causing him to cough. Mother mercy can hear the congestion in his cough and see the fever in his scarlet flushed face. His eyes are a rabid red flitting left to right, searching for any sign of danger. A loud noise causes him to flinch. Mother Mercy moves forward, trying to speak to the boy, but like a doe sensing danger he prepares to dart.

She finds her voice. “Please. Do not leave. I can help you.” She pleads mechanically.

He moves forward, tentatively attempting to touch her. She can see a sharp scar that runs from under his right eye down to his thick dry cracked lips. He tries to speak, exposing his yellow and browning teeth and the many gaps therein.
Suddenly, daggers of light push past and through his young body. He does not cry out, but merely succumbs to disintegration. Then……
Then Mother Mercy awakens to a new morning. Waves of light bring the cavern to life.
Sunshine moves in and across the cave to expose uneven earth, and a dirt encrusted cave wall, which is oddly void of any insect life. Her hazel eyes quickly adjust to the oncoming onslaught of daylight. Once again, she checks the man to make sure he is alive. Sloan’s chest rises and falls in an unsteady rhythm, which is all she can really hope for.
She slides dark brown locks of long hair out of her eerily symmetrical face. She brushes the dust off her tattered tan coat, and her holey faded jeans. With a couple of rapid sweeping motions, she removes almost all the dirt, and pebbles from the breast of her inner shirt.
Off to the left of the cave, and still covered by shadows a small machine awaits her inspection. She examines each tube, cord, and gauge with a military proficiency. Then using the jury-rigged straps, she places the machine on her back. Heading out of the cave, Mother Mercy stops, picks up the batteries from the small heating device, and checks Sloan one more time. Finally, with her bare feet fully outside she sets off for the day’s labor.
The sky burns a bright orange interrupted by barely perceptible vapors of methane, and bluish grey cotton clouds. Despite the splendor of the morning there is nothing but silence; No dogs barking, or bees buzzing about their honey making business. There is no life to be found except for minor patches of multi-colored fauna that are randomly situated along her route. So, Mother Mercy breaks the silence with a song.

“There’ll be years
yarn unspinning
as we stumble
towards our graves,
but the seconds
in-between breaths
are what make
this life so great,”

A few miles along the way, she stops singing, and begins to check the tiny traps she has planted along her daily path. Each carefully constructed device is sadly empty. Three or four more hours after that the silence evaporates and she can hear a small stream of water running. She stops and stares down at her bare feet.

“There is something I forgot to put on my feet.” She queries to herself while continuing to walk.

A few moments pass as she puzzles out the minor mystery. Once she makes it to the edge of the stream, an awkward smile fills her tiny round face. Mother Mercy removes the machine from her back, letting it fall to the ground. It makes a loud thud and sinks several inches into the slightly softened earth.  In a movement so swift human eyes could barely perceive it, she jumps up, rising several feet in the air while crossing a considerable distance, and finally lands in the stream. Soft sizzles sound from her bare feet, as she slowly grinds them into the mud. Then Mother Mercy sloshes sloppily out of the water wearing a thick layer of dark brown mud on her feet.

“Of course, how could I forget. I need mud to cool my feet.”

She walks back to the machine, pulls it out of the ground with ease, and returns to the stream. Next, she submerges the device. Waiting till it is completely full of water, she pulls it out, and begins fiddling with knobs and switches. She waits as the water boils, completely evaporates, filters, cools, and finally condensates back into liquid. Deftly, she removes one of the filters and shakes out all the unknown particulates. Then she opens a tiny compartment, and places a small sensor device within in the water to check its quality. After a satisfactory reading she places the water filtration system back on her back and heads down a different path.
The mud on Mother Mercy’s feet dries; Dark brown shades lighten, crust up and chip off in little flakes. Irritated, she begins to slide her feet through the almost nonexistent foliage to scrape off the remainder of the drying mud. With each small patch of grass Mother Mercy moves her feet faster and faster. Her left foot flows back and forth with incredible speed and strength. There is a loud clink and a chipped piece of rock soars across the air.
In puzzlement, Mercy stares down at her foot and finds that it has split open. Red and black fluid streams from the seam of torn skin, which expands and exposes metallic bone. As she moves, the wire insulation from within her foot ruptures, revealing cheap copper conductor. The hot metal sparks, lighting up the methane in the air. A scorching white, orange, and bluish outlined fireball expands with enough force to launch Mother Mercy up and back off her feet.

She hits the ground hard, and curses,” ******* methane!”

White synthetic skin begins to melt, shifting and swirling into grotesque shapes, and darker shades of red. Mother Mercy rises, unsteadily. Wincing in pain, she unloads her heavy water filter burden. Again, she checks all the tubes, cords, and gauges. What was once a thing of ease now becomes quite burdensome. She places the filter system on her back again, and resumes her journey. The red and black liquid continues to leak. Each steps becomes slower than the last. Until, she reaches her destination. Mother Mercy collapses next to a series of solar panels. With what little strength she has left, she detaches one of the charged batteries. A look of distress crosses her already agonized face.

“I’m sorry.” She softly sobs to herself. “I need this one.”

Mercy pulls a flap of skin from the right side of her waist. An intricate maze of wires, metal, and fake flesh pulsates. Her hand plunges deep within the slimy cavity, twists, and removes a damaged battery. It is bent, and cracked leaking a thick acid liquid which viciously burns her hand. She tosses it aside then slips the unbroken battery inside the cavity, twists it, waits for the click, then removes her acid, and viscous liquid covered hand.
The synthetic skin slowly starts to unburn, shifting in reverse till it returns to its previously pristine quality. Her foot begins to pop and all the parts snap back into their original place as the split skin slowly stiches itself back together.
Mercy harvests the rest of the charged batteries and places the used ones in their charging slots. Finally, with the days labors done she heads back to the cave.
Once she is at the cave she washes a stray rag. Then cleans her hands. Cradling Sloan, she slowly serves him some water. Once he has had his fill. She gently rolls him on his side moves his shirt up searching for any sores, then proceeds to softly scrub them. She rolls him in the opposite direction and repeats the process. Then she checks his inner thighs, and **** cheeks. Sloan winces in pain but remains quiet. She gently lays him back, and rolls up his pant legs, washing the bare skin which is littered with more nasty sores. She finishes by washing his face, hands, and his feet.  Finally, she sends him to sleep with a sweet song

“and the children
that we leave
littles daughters
full grown sons
are like blooms
that lose their trees
as our roots
wither and flee.”


Mother Mercy is consumed by an unnatural fatigue. She resists slumber for a few minutes, but inevitably succumbs. Everything becomes nothingness, then changes to nothingness with dizzy brown spots. Yellow sparks split from the tip of her consciousness. The darkness dissolves and becomes the cave again. Small streams of water worm their way in from the cracks on the wall, which seems to breath unevenly. Suddenly she realizes the cave stinks like sewage. Fresh wind works its way in then blows out a stark stench of rot. Each exhale sounds like a human moaning in pain. The last flickers of light die a long-protracted death.
A wheezing breath stirs Mother Mercy from her dreams. She awakens quickly to see Sloan gasping violently.  She rushes to his side, and sees a thick yellow and greenish gooey fluid mixed with blood sliding down the side of his jaw. With her left arm she flips him over holds his upper body inches off the ground, wipes away the disgusting fluid, and checks the abscess with her free hand.

“Spit it out.” She pleads.

Sloan continues to gasp. Tears swell but refuse to fall.

“Pleebees, helpep, me.” He struggles, coughing violently.

Mother Mercy cradles him in her arms, singing,

“Till, the song
that I am singing
becomes the song
that they passed on
and the love
that I was bringing
are the wheels
that just roll on.”

Sloan, gasps and wheezes for several minutes more. Tears and sweat fill his face.

“Mob where’s my mob?” He cries between gasping breaths.

Two hours later slumber finally reclaims Sloan. An hour after that Mercy gently places his pained body back into its original position. After another half an hour she to surrenders to sleep. She sees nothing.

A stern voice commands,” **** the enemy.”

Mercy cries in response, “There are no more enemies.”

Mother Mercy awakens to a new morning. Once again, she checks the man to make sure he is alive. Sloan’s chest rises and falls. She wipes off a spot of pus and blood left over from last night’s abscess leakage.  The swelling has slightly receded, but his face is still feverishly warm to the touch. She switches out one drained battery from the heater for a fully charged one then grabs the water filter, and heads off to start the day’s labor, singing.

“So, goodnight
little planet
precious place
that I lived on.
I know you won’t
miss me one bit
but I was grateful
to call you home.”
Angie S Feb 2015
Today, I am among the half-dead again
Wandering the halls with a gaze that could disintegrate the sun
The world around me is painted in an elephant grey
But this safari feels empty and yet so congested
With a smile that’s been sloppily and gruelingly painted on,
I face the challenges of everyday life once more

Half of me is tuned in to the things around me,
Scribbling words and deciphering the text at a snail’s pace
But the other half is still dreaming,
Waging war against the strongest mages of our time
Or drowning among a school of clownfish
Either way I’m not here and I’m begging to be free
Today, I am among the half-dead again

I imagine that someday a dragon will take me away
This may simply be my dreaming side taking over again
But if I said it could burn away all my worries,
Wouldn’t you wish for that as well?
I would hop onto its scaly back and point towards the sky,
Chanting as if I had been rehearsing for this moment,
“Anywhere is fine, as long as it’s not here”

But until then, I am drenched in my own rain
And the smile has run off with it, off to somewhere far away
Today, I am among the half-dead again
With weights tightly chained to my fingers
I’m dragging my thoughts along with my spirit

I’m a little bit tired but maybe if I wait, tomorrow will be a much better day
The air here is saturated with yawns and negativity.
--
I wrote this about a week ago. I would like feedback on this please!! I'm going to send this in to a yearly poetry book at my school after I do revisions, so please tell me what I can improve on!
Chad Katz Mar 2011
I

Fanciful and then the first notice of
suspended mouth corners,
fleeing gravity with invisible strings,
sloppily synchronize in giggles.

II

A glance at the shore horizon,
widening into chasm,
Erebus leaking
ominously—
oh but the raft
is far too small!
oh and flimsy!
surely the shadows
will ravage
the branches
and pull this
neurotically
euphoric contraption
below.

III

glazed malfunction
blurred and hazed
for lack of clarity
billowing surges
mold as magnets inandout
and in andoutandinandout again

fades in before
melting again to
disjointed gestures
in a multicolored backdrop

IV

Skeletal architectures
return from a hysterical
awareness of ****** intricacy—
And discussion is,
of course,
forever precluded
for fear of relapse
and embarrassment.
kyla marie Sep 2014
today, my English teacher explained that poetry is a way to express
internal feelings
externally

and the sadness I felt in my mind in my heart
could be spilled by accident
sloppily on paper
and still seen as a beautiful work of art

but the happiness you make me feel,
my mind cannot fathom words
to script carefully in ink
what you make me feel

these butterflies can't escape from my stomach and land on paper

the thought of loosing you
cannot rip my skin apart
to claw out of my body
and tear my words to shreds

please
don't turn whatever we have
into something I can write about
Travis Dixon Jul 2010
a warm glow shifts softly
in space & rhythm.
i pull the curtain aside & sit in the back--
a handful of seats, but only one
gets worn, the others
fool the mind into believing
imagination defies physics
to drink from the creative cauldron,
that ever-boiling vessel
churning out new
patterns & threads,
weaving fresh fibers between
spirits & minds.
the holographic hardware,
whirring too fast for ears.

our mind is the web & we spiders
spin the silk,
carefully or sloppily,
connecting the strands to catch
not flies but images,
sparks, bulbs & flashes.
often small, but once caught
emerge as a garden of gems
whose faces refract & reflect
until nearly all gems become one.

what's required is
a bright enough light
with fluid agility,
to illuminate & reflect
the whole nebula through
one, clean face--
perhaps the original gem itself;
for what would our mind be
without that raw crystal
forged in the stars?
Lawrence Hall Feb 2017
A Burner on the Bridge

A burner on the bridge.  A human burns,
Trapped in technology and beer and fire
We hear the cold dispatch, the desperate call
To go, to see, to mend, if possible
We drive.  The flashers, blue and red, rotate
In the startled faces of those we pass
At speed, Hail Mary speed, surreal speed
Time, motion, space, and light obscure the night

In a pattern tail lights wink dim, then bright
Stalled traffic makes a long glowworm in reds
Boats, trailers, trucks, tankers, Volkswagens, Fords,
People in shorts drift around, slug Cokes, laugh
Unshaven men smoke cigarettes and swear
Blue-haired killers in Chrysler New Yorkers
Blink blankly through bifocals in the glare
Of flashers and flashlights, flares and taillights.
A burner on the bridge.  A Human burns.

We drive slowly through the curious crowds
Who mill about and stare and point and laugh
They consider a charred corpse fair reward
For being delayed on their trip home from the lake
When they ‘rive home they’ll hoist stories and yip:
“I was there; I seen it, man; it was gross!”
But some already are anxious to go
They honk, and pop a top, and cuss the cops.
A burner on the bridge.  A human burns.

Below the bridge, old, silent water lurks
Oozing warmly, fetidly, in its drift
Slithering blackly in the warm spring night
A silent observer of fire and death
A carrier of beer cans and debris,
Radiator coolant, plastic, and blood
Concrete pylons pounded into the mud
Where once were trees.  And now the water sees
A burner on the bridge.  A human burns.

The bridge is an altar.  The wreckages
Are vessels sacred to our gods, the dead
Are sacrifices to our gods, an incense of death
Our offering is broken flesh, and blood:
“The is my body, burnt on this spring night;
This is my blood, shed on the center stripe.
A burner on the bridge.  A human burns.

A shapeless hat among the smoking ash,
Old clothes, a shoe, cans of beer, fishing lures:
The sad trifles and trinkets of the dead
Now, firemen in their yellow rubber suits
Climb slowly through the tortured, broken steels
And gently stow a man into a bag
Ashes and smoke, green radiator fluid
The old river flows, wherever it goes.
A burner on the bridge.  A human burned.

Hours later: coffee at the Dairy Queen
High school baseball players yelp cheerfully as
They wreck fast cars in a video game.
Under the fluorescents, the flashers seem
Still to turn, endlessly turn, in the night
Hamburgers, possibly char-broiled, are gulped
Sloppily, laughingly, as cleated feet
And deep-fried breath cheer a video death.
A burner on the bridge.  A human burned.

A burner on the bridge.  A human burned.
Briar Rose Dec 2013
I think that you lied.
I think I clearly cut out the glass for you,
The glass you so sloppily blew.
I think you told me that,
It's intricate contours were the works of your carving knife,
But I knew better,
I could see through your exo-skeleton.
I could see into your soul.
I could see that you're not who you look like.
I could see you're far from beautiful.
You pulled me into the closet,
You told me that you're simply a contradiction.
I told you,
Simply and contradiction is a contradiction on its own,
So you're a liar.
I fled,
And you said,
"Off with her head!"
And while my head rolled,
God has been told,
You were singing with your angel choir.
I'm thinking of breaking this poem up in 2 starting at "You pulled me into the closet…"… thoughts?
Suggestions?
James Amick Jul 2013
I rub my face with my hands like a blind man hugs walls with his fingertips, trying to find a comfortable position to cradle the weight of my skull in my open palm.

I think it’s heavy from exhaustion.

I scratch my head and with an exasperated “****...” I forget why else it could be heavyneverminditwasapathy.

That’s the first time I ever... ****...



That’sthefirsttime I’ve ever played with word breaks! Carson would be proud.

I wish my cheeks were made of clay. When I use my forearms as kickstands, godfuckingdamnitIneedtostoplosingmythoughts, (What the **** spell check, you tell me my word break play times are not words but “godfuckingdamnitIneedtostoplosingmythoughts” is a word?) my fists press my flesh like putty, it molds around my knuckles, but when I move them, gravity drags them back down.

Gravity’s a *****.

**** poetry.

I’m tired and I want my **** clay face so I have to put in the effort to make myself see correctly after smushing my cheek fat so far towards my forehead that my eyes look nearly shut.

I should stop doing that.

Oils from my hands and all that ya know? I don’t want any more pockmarks.

Woah spell check, it’s pockmarks?

Huh... pockmarks. I guess that does make more sense than potmarks.

Carson would probably know, she thinks in words. The last time I thought in words was for fifteen minutes a year ago last week while sitting next to Carson at a sloppily painted table with patchwork chairs.

I couldn’t write anything down though, she had my laptop.

My nose itches, but I should probably find something a bit more poetic to add to this stanza. Then again, Carson might think that this whole streamofconsciencething was cool, not my style, out there for me. So I’ll stick with it. Carson gets so proud when I start branching out.

Yayyyyyy.... branching out... I’m thinking “**** this apathy,” but I don’t care enough to do anything about it.

Not at 2:03 AM in one of the four lounge rooms on the third floor of West Fairchild, Northwestern University, Evanston, IL. I should probably change the title now...




****.

I need to stop coughing. I need to get this phlegm thing figured out. I can feel the oils I’m leaving on my face...

It’s like a moist towelette just lifted away from my cheek, like a feather.

I don’t think Carson likes feathers. They seem too... ****... They seem too....

Ethereal! Yeah, ethereal. Ethereal sounds too scholarly.

It’s not worth the effort to think of something else.

Yeah, I’m not tired, it’s the apathy.

By morning it will just be exhaustion, I care too much about their...

This girl doesn’t eat, and she hates herself, so I play lifeguard and keep an eye on her as the day goes by, and I feel stupid for choosing to not respond to her text messages, and then for lying about not seeing them, but I’m too tired to care more.

Yeah, that’s it.

I’m too tired to care.

That’s not apathy right?
Mike West Aug 2012
You're on your way to where the job is at.
Wearing boots, coveralls, goves and a hat.
It's **** that floats in an unergroung vat.
You dig that up, but that isn't that.

You remove the old lid and there you find.
A smell that drives you out of your mind.
Digested food of every kind.
The sight of which makes you wish you were blind.

The special function of your work truck,
Is to siphon up all of that muck.
You start up the pump, and with any luck.
The machine will then sloppily ****.

Slurping hungrily at the waste.
And hopefully doing it with all due haste.
Removing a greyish sort of paste.
Feces, that five years, has been encased .

Now with the job almost through.
You suction up the last of the poo.
Replacing the lid but as you do.
Some of the stuff splashes on you.

It gets all over your clothes and your hat.
And all over your face. What's up with that?
Now you are as filthy as an old, greasy rat.
That was chased into a sewer by an ill tempered cat.

So you wipe your face with a rag that you brought.
Just in case that you might get caught.
In the kind of mess that has just been wrought.
A precaution of which, you had thankfully thought.

As that nasty job is finally finished.
And your good cheer is also diminished.
You can take a shower and so be replenished.
To face another day that you will be punished.
Gwen Whitmoore May 2013
I am starting to feel like I used to so many many moons ago.

a paralyzed tide,

weighted down by a mundane, loathsome orbit.

nothingness spilling sloppily out of orifices once made stronger by the planetary ring of hope.


my electrons are stale and immutable.

my id fatigued and lamenting.


*I am sitting here rotting, eating phantoms in a desert.
Gabrielle F Feb 2010
fifty years later



you girls wear their old dresses
over sky
blue leggings
lace
and fabric that smells
of lost time

you found them
in stores
with high ceilings
and a sloppily simulated
rustic vibe

you love your
waists tastefully
cinched
and collar bones
concealed

you twirl before
the full length
mirrors and
wish oh how
you wish
you could
have been born
then instead of now

everything
was so much classier!
the women
were a different
kind of beautiful

women
who smoked
in their bathtubs
cardboard hairdos
unraveling

women
elbow deep in
baking
soda and dishsoap

soft secretive
smiles overtaking
their
faces
as they rattled
through the
medicine
cabinet
for a snack
(twice a day)

pregnant again
for
the fourth
time
yet
thin as a rail
somehow

ghosts
in their own
skin

silent but
deadly

crying manically
because of
the smoke
in their eyes

choking gently
on the powder
all over their tight
lovely complexions

dinner ready
at six
sharp as a rusty nail

fantasizing
about what it would be like
to fall in love
with another woman

scuffing their knees
and showing the raw
skin off to all
the young men
with sunlight left over
from childhood still
swimming in their
eyes

or walking home
in the rain
without an umbrella
and having that be ok

slapping their
own faces
at such trecherous
thoughts

obsessing
over how
their mothers did
it with
so much **** grace...

but yes
girls
their clothes
were simply
divine
Blinded with the horribly sweet feeling of violence
Brutality released with a mighty rage
Can't see, humanity feeling so alien and distant
Only sensing blood spilling on my flesh and
******* screams supercharged with terror

As the rightful inner self gains power
I start to awaken, eyes rolling forward, back into position
I drift back from spiritual chaos and into consciousness
Reality hits me with* the force of a train
Identity, mental stability, cognitive ability, all regained
First moment a last dose of relief
Second full of confusion

Third a living hell

Soft warm light fills the living room
Revealing white walls sloppily painted in red
A massive TV set slammed on its face at the ground
Broken glass, a pool of blood and a hand underneath
Dismembered corpses, broken furniture and bones lay around
A gap in the stone wall, a skinned half-eaten body lies outside with the rubble and dirt
Suddenly I realize my stomach is a little too full
The smell of stale blood, the foul stench of death
Drilling through my nose
The silence too loud for me to bear
My family rotting right in front of my eyes

I cringe in shock and disbelief
Totally clueless about the destruction surrounding me
I look down at my red and wet hands
A huge knife in one hand, a patch of skin in the other
The patch of skin looked familiar
Too familiar
I look at the broken ****** mirror above where my little sister lies dead
A red figure stares back at me with half a face

As I'm about to break into tears
I break into a splitting headache instead
A headache like no other
My nails becoming as sharp as the razors cutting up my brain
Nausea, sweat, pain, anxiety, all at once, amplified
My own screams start to terrify me
Drowning in insanity, blindness, and evil
This is the end
Identity, mental stability, cognitive ability, all lost
With no trace, vanished for good

Unleashed from the human experience
I break out of the window, into the night
Cracks forming in the glass like the black roots of evil thriving through my being
Equipped with an unquenchable thirst for bloodshed

I need my fix

Immortal
Indestructible
Supernaturally powerful
Possessed
Running on all fours fast through the night
For the next ****
For mankind is my enemy now


AND MY ENEMIES GET EXTERMINATED
This one's ****** I know, and quite morbid too
AJ Nov 2014
I'd rather be kissed hard than anything else.
Grabbed, pushed, pulled, tugged, bitten at.
Pain doesn't drive me insane, does it?
That sense of realization, that spark of hurt I feel,
I know I'm alive.
When I'm treated rough,
I know I'm alive.
I'm addicted to that feeling,
even if pain inflicted from others is what gets me there.

I would want him to push me against a wall,
hard enough that my skin digs into the harshness of it
as his mouth sloppily finds mine.

He can tear the air from my lungs with
every move he makes,
making it impossible for me
to catch my breath
like I'm trying to breath as
a fire's going on,
the flames licking at my skin
with a red hot tongue.

He can scratch at my skin,
pulling me closer,
as if being near will fill
the empty void,
the endless cloud of self hatred
buried deep in the lust
that we both feel.  

He can bite and **** at
my neck, my mouth, my chest,
desperately trying to taste every bit
of me like a wolf on a hunt

He can toss me and pull me
and treat me like I'm nothing while
whispering "you're everything"
off his fire tongue as I'm just
savouring my addiction of feeling alive.

My addiction of pain.
My addiction of rough.
Connor Reid Dec 2014
LANGTON CRESCENT

Shameless,
a ******.

Jeopardy has no place in the closest of motion,
signalling to eachother,
that you might be related,
or friends.
Childhoods, more than one - in a single life,
spent without knowledge of such,
such an event, in times of jovial adolescence
I was there.

But I don't remember,
brash epithets of discoloured repression,
I remove my ensconcing cap.
Opening up a can of cold worms,
static from the cold draught
which is brought in by an open door,
as everyone leaves the room.

There I am...
I was there!

Someone died here,
I'd never been in this house.
Clutching onto my mothers hand,
through forced habit & love
wandering through life
with a keen interest in 'Why?'
A stark contrast to the average
'How?' That fills up the long, tall order
of the cancerous accolade of dynamic erroneousness
that any self disrespecting lifeform would call -
'A day'.

Whom did I concern?
I was a spectator without a ticket,
being let in for free
gross mistruths passing from one ear and out the other,
intimidating externalisations taken shape in cathode ray tubes
happy to give away nothing for free
purging on selfishness as the 'adults' talk and I induce

A boyfriend.
Too much to drink.
A secret sapphic affair,
that made them happy, it made sense.
Too much to drink.
A ring at the door.
Too. Much. To. Drink.
Panic.
It's fine...Invite him in for a drink,
act like it's all ok.
I still love you both (I don't.)
He knows. (what is going on.)
People aren't stupid,
but they knew he knew - they'd planned for this.
Upset. Anger. A fight. Resolution.
Kitchen. Knife up sleeve. Make up.
She drew him close in her embrace

...

38 times the instrument was coerced to and from its target
like a nodding head.
acknowledging the destruction of the viscera
untangling the truth
the complications of the human condition
spilling onto the floor like hot milk,
tainted by the penance of basic sin
an overzealous lesson in the fleeting nature of causation.
the sand of divine comedy,
fluttering through the hands of the undeserving
emptying itself onto the floor,
every grain more anxious than the last.

Dead. Still as the motionless climb of winter across a silvered pond.

Staring at the almost ***** tangling of carpet hair,
lifted from the hardwood floor like a jigsaw on fire.
'fake' Oozings spattered sloppily across skirting boards,
not all unlike an ill **** on the cling of a public toilet bowl.
blues, reds, purples, blacks
clashing with the absence of concern
this two bedroom tenement was unwell,
discharging its secrets to the seed,
too much for the eyes of a child.
There is a reek, a stench of metal (copper?)
- enticing my nostrils towards curiosity
and a juxtaposition of absolute revulsion.

The story;

A boyfriend.
Two friends drinking.
A ring at the door.
Oh joy! (lies)
He enters.
An argument.
He hits her. (lies)
Upset. Anger. A fight.
He doesn't stop hitting her. (lies)
She runs to the Kitchen.
Knife. She defends herself. (lies)
He dies.

Septic.
"****, we need to fix this, I need your help!"

"We need to make this look right, ****...Self defense, for the police coming."

"Quickly, hit me! We need to make it look like he abuses me."

"When we're done, phone the police pronto and get our stories straight."

"I'm a victim ok?"

"Ok."

In and out.
Easy.

She's the first in Scotland, nevermind Glasgow to get away with her situation
- Lightly that is, 5 years in Cornton Vale, an all female prison somewhere in Stirling.
The other gets away with it - 'Art and part section 293 of the CPA act 1995'.
No charge. As far as they were concerned it was justified (reasonable force).
She gets what she wants. She gets her other half whenever she beckons.
Driven there. No thanks. Selfish.
But she's in love
and maybe she has a debt to pay. maybe she was more involved than she lets on.
doesn't want her life ruined. errands? favours? you name it.

Someone you grow up with, someone who you consider family.
Are they capable of mad passion? A glitch in character?
Can a good person do bad things and feel nothing?

I wince at the retelling of a story.
Buried deep in the waxy imbalances of memory
as if it never happened
jittered from clarity
like a snowglobe that never settles
laughing at the absurd
sourced from fermented sparkles
and igniting omission.
I was there.
Not long after and not long before.
Sitting on the couch and kicking my feet,
getting lost in the cushions
and brooming in the damp, familiar sniff of the 1990s.
Blinds drawn, cups of hot chocolate and endless laughter
- remembrance and reflection entwined
dividing action from thought.

I was there!
...But the memory escapes me.
Luke H Nov 2011
I never knew or thought or felt like
my body was eternal like a cloud
I held my hand in my hand and waved sloppily

I am beating a drum hard as a heart
or like soft tissue perhaps that you
wrap around a vein or something
I am skinborn and boneborn and hairborn

Just water and air I guess
lined up so I can look at  the
sky and wish it was below me
or within me

Kite-tongued or painted-lipped I thought
maybe my face my head was above my body
against ice or seafoam like a pulse
but I held onto my teeth and nose and eyes for so long

Dagger-ribbed or bullet-spined
moving on a field of nothing
like a field of something while
while my matter is so simple and nothing
SamBee Feb 2013
It's just a constant fit of unnecessary flicking on the skull of humans
Who struggle to be free.
The drums drum:
To run, to run;
To dig graves,
To suffocate these earsplitting languages.
My shovel sings a shaky, muffled dirge
Between soil crumbles
And screeching pebbles.
I'll bury your mud puddle minds in order
To grow a farm of brain stems.
Maybe then you'll sip my truth
Sloppily down your gullet,
Instead of choking from disgust
When your lips sweep the cups ridge.
Quinn Mar 2011
everything is temporary
everything is temporary
everything is temporary
until it's permanent

the muscles in my right arm
break and rebuild
as i sloppily throw the mop
into the grey water
accented with glitter and swirling with paint
tiny finger and shoe prints
litter the linoleum
and i can't help but smile

fourteen hours later
i sleepily climb into my car
and i watch the sky as i drive, not the road
and the sun begins to lift it's eyelids
and it looks as if the sky is bleeding out
slowly, but surely

and as i drive on autopilot
i think to myself,

i can do this
i can do this
i can do this
until i can't

necessary means to an end
©erinquinn2011
Maddie Fay Sep 2011
Darling, you’re fantastic.
I love you,
You know,
And I don’t say that lightly.
On the nights
(Like tonight)
Where sleep doesn’t find me,
I am consumed by you
In lieu of dreaming.

On the days
(Like today)
When I see you, hold you, kiss you,
I’m giddy, dizzy, happy,
And it’s all because of you.
My idiotic grin?
Entirely your fault,
You beautiful creature.

When I write poetry,
(Badly, sloppily,
Freely, openly)
It’s a window to a world
Populated by people
I’d mostly just like to forget.
(Or such is the norm,
But here, we find
The exception.)
But when I create,
When I sculpt, assemble, paint,
You are my muse,
My inspiration.

My cheesy, worn-out, affectionate clichés?
Those are your fault, too,
You marvelous ****.
Alysia Michelle Sep 2014
raw
and somehow i'm still feeling raw
the wounds should have already been healed
still feeling the effects of your claw
and the layers of me are being peeled
you stripped me of feelings
sliced open old wounds
but on the outside
it looks just like a bruise
can we trust what we see?
is it all what it seems?
because you appeared friendly
but you can't see venom
you just feel it when it's injected
and you poisoned me
my mind is infected
sometimes silence
cuts deeper than words
and i would love to pretend
that it was truth i had heard
but a lie was all
that you sloppily slurred
it was what you deemed i deserved
apparently you didn't find in me what you wanted
but nevertheless with my feelings you taunted
i was just another game played
until you saw
your new found prey.
I'm not sure if this is about someone or if I wrote it because of the book I'm reading.

— The End —