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Corey J Grace Feb 2012
I struggle.
the stress of it.
not worth the result it produces.
You smile.
the strain of it.
not worth the sadness it reduces.

You cry.
always alone.
always in the deepness of night.
I find.
never soon enough.
new ways to bring the light.

I am.
turned the wrong right way round.
making me consistently inconsistent.
You are.
a compass of life.
caring, giving, patient and persistent.

You wear.
a mask of lives.
a carefully constructed web of lies.
I bring.
a depth of right.
that your strength of will defies.

We are.
two sides.
always oppositely opposing.
We share.
impossibly.
the feelings we're imposing.

I struggle.
no more.
careworn becomes carefree.
You smile.
a passion filled effort.
as it always was meant to be.
Nobody in the lane, and nothing, nothing but blackberries,
Blackberries on either side, though on the right mainly,
A blackberry alley, going down in hooks, and a sea
Somewhere at the end of it, heaving. Blackberries
Big as the ball of my thumb, and dumb as eyes
Ebon in the hedges, fat
With blue-red juices. These they squander on my fingers.
I had not asked for such a blood sisterhood; they must love me.
They accommodate themselves to my milkbottle, flattening their sides.

Overhead go the choughs in black, cacophonous flocks --
Bits of burnt paper wheeling in a blown sky.
Theirs is the only voice, protesting, protesting.
I do not think the sea will appear at all.
The high, green meadows are glowing, as if lit from within.
I come to one bush of berries so ripe it is a bush of flies,
Hanging their bluegreen bellies and their wing panes in a Chinese screen.
The honey-feast of the berries has stunned them; they believe in heaven.
One more hook, and the berries and bushes end.

The only thing to come now is the sea.
From between two hills a sudden wind funnels at me,
Slapping its phantom laundry in my face.
These hills are too green and sweet to have tasted salt.
I follow the sheep path between them. A last hook brings me
To the hills' northern face, and the face is orange rock
That looks out on nothing, nothing but a great space
Of white and pewter lights, and a din like silversmiths
Beating and beating at an intractable metal.
Chirayu Writer Jun 2015
Imagine the world...
My imagination , My life...
Sea Sense , a few drops , Some dew ,
I have found , Behold, My words ,
No ends , No sides
If you want to view paradise
Simply look around and view it
Anything you want to, do it
Want to change the world, there's nothing to it

There is no life I know
To compare with pure imagination
Living there, you'll be free
If you truly wish to be

There is no life I know
To compare with pure imagination
Living there, you'll be free
If you truly wish to be .....

Come with me and you'll be
In a world of pure imagination
Take a look and you'll see
Into your imagination.....

The sign of my imagination art...
Terry Collett Nov 2014
There's roundabouts
and bumper-cars
and a big wheel
and a coconut stall
Ingrid said

and a rifle range
I said
I won a goldfish
in a plastic bag
here once
on the rifle range

we were at the fairground
on the bomb site
by Meadow Row

bright lights
and noise
and laughter
and people shouting
and girls screaming
and music blaring
out of speakers

she was excited
to be there
her brown eyes
lit up
like fireworks
her brown hair
pinned back
at the sides
with hair grips

got to have a go
on the big wheel
she said

I want to go on
the coconut stall
I said
have you money?

yes
she said
2/-

your old man
give it to you?

no my uncle
gave it me

why's that?
I asked
as we gazed
around the fair

I do things for him
she said
as we approached
the big wheel
can't say what
it's out secret
my uncle said

I nodded grimly
and we climbed
on board
the big wheel together

and off it went
up in the evening sky
the Elephant and Castle
beneath us

our flats visible
because the Square lights
were on

the area was like
it had been bombed
over night
rather than
about 15 years
before

look at that
she said
pointing

and I followed her finger
and saw the horizon
of lights
and it was like
an explosion
of brightness
which brightened up
this best of all nights.
ON GOING TO THE FAIRGROUND WITH A GIRL IN 1950S LONDON.
Harry Gione Apr 2019
Our hands couldn't touch because they were too similar
So we decided to put our backs together instead
And faced opposite sides of the world
So that our lips would never utter the same words ever again
For Love so thick that only space between could cause it's defeat
Anna Christine Mar 2013
Walking unsteadily around
feeling her way as a blind person
Searching and shifting for someones face
Upon the discovery of His

Who did this to you?

In the naked darkness,
the feeling of  being evaluated
pushes it’s way in from all sides
Shuffling of her feet
and eyes bruised with the knowledge

Who did this to you love?

Black circles of burned tears
words that tears like a broken saw
muttered under the breath of melancholy

I did

Darling, but you’re bleeding!

Tacitly avoiding his words
Upon the memory of his sagacious mind
Born of the moonlight,
She knows when to avoid the brooding stillness

Why did you do this?

And as the palpitating silence lengthened
The white cloth he has strategically placed
is painted with red
and a protest already wavering on her lips
As his fingers were gently laid upon her soul

I wanted to clear my mind of a thousand memories

Scratching her nails
into the painted milky white flesh
His hands searching for hers
Asking for her dripping hands

They are my battle wounds

And who, may I ask, were you battling?

The rippling questions pulling her further away
Soundless words only little more than a whisper
Desperately pulling the strings of her heart
The wounds, almost a piece of fragile art

Myself

Don’t loose yourself, take my hand, let me guide you

I don’t want to be a burden

The blood that trickles down her arms betrays
what her words are meant to portray
And as the piercing sounds were spoken from his mouth
Seriousness lurked in the depths of his eyes

Sweetheart, you are only a burden to yourself.

Carefully pulling each red stained cloth of her body
Exposing the ragged contour
Withdrawing herself is what she does best
but he has a hold of her heart
as he examines every inch of broken skin

How can I trust you?

Here, take my hand.

He readily grasped her icing cold fingers
and dug them into his chest,
till she was left with his heart in her hands
The red warm liquids
mixing with her own stained violet bruises
She suddenly remembered what it felt like
to feel the heartbeat of another person

*You wanted to clear you mind of memories,
but in the meantime
you forgot love.
Emily Rene May 2015
I remember our first kiss
It was an accident & you
wouldn't stop apologizing
because you had one past
too many to drink

     You were broken like a
     shattered glass bowl filled
     with your favorite kind of
     cereal & way too much milk
          As it fell to the floor, your
          heart dropped just as fast,
          immediately realizing that
          this couldn't be undone
     You'd have to clean up all
     of the glass & soggy bits of
     sugary flakes from the floor
     all by yourself with no help
          You cursed to yourself through
          clenched teeth & a closed jaw,
          tears daring to escape your eyes
          like the milk pouring & dripping
          over the sides of the broken bowl
                    You swore off cereal all together
                    because the agony of possibly
                    breaking another bowl had
                    your head & heart in a whirl
                    of confusion & annoyance
               Slowly as you began to pick the
               broken pieces of glass from the floor,
               piece after piece being thrown away,
               this task you found a chore
               becomes more of a necessity
               that you didn't realize until
               the big mess was already created
          Wiping up the chunks of sugar
          & tossing them in the trash,
          a small smile curls at the
          corners of your mouth
     Pain runs through your veins,
     but relief washes over your core
     as you realize the worst is over

The kiss that I remember
was not of regret, but beauty
I'm on this sugar high &
I'm not sure I can come down

     But you don't want cereal anymore
           so I'll eat this bowl alone
RAJ NANDY Oct 2020
Friends, while composing the ‘Story of Italian Renaissance in Verse’, I read about the history of Mona Lisa, and had composed this poem on the 30th Dec 2010, posting it on various poetry
sites where it was liked. Hope you like it too, – Raj.

A TRIBUTE TO DA VINCI’S MONA LISA

BACKGROUND :
Unlike the legendary Helen of Troy, Mona Lisa’s
enigmatic smile,
Never launched a thousand ships as 'Dr. Faustus'
had said;
Yet she continues to inspire artists, poets, and
viewers alike till this day,
Even though five intervening centuries have passed
our way!
Leonardo Da Vinci who had left many of his paintings
incomplete;
Commenced painting 'Mona Lisa' in 1503 AD, taking
four long years to complete!
He had carried the portrait with him for sixteen
long years,
While seeking work in Milan, Rome, and during his
exile in France!
But after Leonardo's death in 1519, the portrait became
the possession of Francis the First, the French King.
But later, Louis the XIV had moved 'Mona Lisa' to his
Royal Palace at Versailles!
It had also adorned Napoleon’s bedroom, who hung
it over the mantelpiece for some time.
We learn from Art Historian George Varsi, that the
portrait belonged to one Lisa Gherardini.
She was the wife of a wealthy Florentine merchant,
Who had commissioned Leonardo to paint his
wife’s portrait.

AESTHETIC VALUE OF 'MONA LISA' :
Leonardo here creates an innovative painting style,
Using oil instead of tempera on poplar wood panel,
which was unique in his time!
The three quarter pose with a wide pyramidal base,
A ‘stumato’ blending of translucent colours with
light and shade ,
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Here, Leonardo’s passion and pre-occupation of a
life time came together,
As he waved his magic brush to create 'Mona Lisa'!
Lisa’s mystic smile with its play of light and shade,
Appears and disappear when viewed from different
sides,
Creating an optical illusion before the viewer's eyes!
Mona’s mystic smile and her gaze, creates a mixed
emotion on her countenance,
Mesmerizing the viewers as they stand before it to
admire and gaze!
Insurance Companies have declared that this portrait
is beyond Insurance, -
Since its value remains priceless!

SECURITY MEASURES ADOPTED :
In 1911, during broad daylight from Louvre in Paris,
The painting was stolen by an employee!
He hid it for two years in an attic, before smuggling
it to Florence in Italy;
And was apprehended trying to sell it to an art
dealer clandestinely!
Later in 1956, a mad man named Ugo Ungaza,
Threw a rock creating a patch near the left eye
of 'Mona Lisa'!
The Art Curators at Louvre now toil ceaselessly,
To preserve this fabulous painting for posterity!
Today the priceless 'Mona Lisa' is housed in a
dehumidified, air-conditioned container,
Protected in a triple bullet-proof glass chamber;
With six million tourists visiting her every year!
“It is the ultimate symbol of Human Civilization ”
  - exclaimed President Kennedy!
And with this I pay my tribute to Mona Lisa of
Leonardo da Vinci,
Thanks for reading patiently, from Raj Nandy of
New Delhi.
Simpleton Jun 2014
Can you run this by me one more time
I'm still trying to understand
How nation can war against nation
Man fight against man

When did we become enemies
Of a race that is OURS
Was it when we made borders
Or created offensive words

Like third world countries
Where they are less economically developed
And we are proper civilisations
I see power and status with words there are connotations

Who drew the line to pit one another
The haves against the have nots
Shouldn't we draw on the happiness of what we have
Instead of wanting what others have got

Politics taking control
What they are doing is not socially understandable
So how can it be acceptable
When consequences are irrevocable

Leaving out what really matters
Thinking of us instead of everyone else
Taking the making of religion
From a worship of God to a worship of self

No more hospitals
No more schools
Long gone is law and order
What is justice
When there is no humanity

Look around you
All I see is blood that is red
Countries which are destroyed
On both sides of the fence

The blame is never on only one persons head
The problem goes much deeper than that
We'll keep on digging our way straight into hell
Which is soon all that we will have left
Collaboration with Mike Hauser :) Check out his page and other wonderful works :D
midnight prague Dec 2010
I twist my words sometimes
and lie about the movement of my arms in between different air
so that you can run away from me
so that you can leave without me uttering a speech
of go away
perhaps I never want to see you again
but knowing women such as myself that is never the issue
until I make you up for who you are and accept the nature of things

my time is reluctant and I cant sustain the water that comes from the sky
as I cannot sustain not wanting whatever sounds come out of your vocal chords around me
neither now nor tommorow
you are now a ghost and I know nothing of you
or where you come from
a shadowy lake
dinged grass

simply transparent as anything else that is there
but then again really isnt in sight
and my eyes become narrow like that of a mans
and I see nothing on my sides
simply holding me back from things I must do
just leave
leave

rid me of your eerie changes in forecast
and let my swampy land stay swamp
it would be better than drying up killing my fishes
and then reginerting once more
only to leave disintigrated at the end of the day
when in the beginging I thought I would flourish again


come dig your leaves from my palms
my hands dont move the same anymore when your dead life
and elements that have fallen off your mind and from what is before me
a fragile body of someone who just wants to somehow
reverse ignorant wisedom into curiosity and care

I have streched too far and touched too many different souls
to know that this ridicule is not worth anything more than
well nothing,
honestly I can say that much
which is nothing, so maybe I should just not speak

prosecuters who have been in the soles of the backbone of your situations and such
prove me guilty of selfish acts
that I betake to make myself breathe easier
when regardless of what happens
when I breathe harder
my breath shall only pond down on you
like a thousand needles falling through water


pin drops
pin drops
painfully

smile at me
tell me you will be okay
and so that I may depart
sd Jun 2013
There are two sides of me, fighting recently.

One half wants me to scream at him, "Obviously, you don't even care enough to spare time to hang out with me, maybe we should just break up."

But, I want his response to be: "I'm so sorry, it's okay, please don't leave me, I'm just busy, let's hang out as soon as you can."

The other half of me is sitting the corner, curled up in a ball, terrified that, instead, he will say "You're right; this isn't working. I'm sorry, but we need to break up."
Simone Mar 2010
In a world called upside down
Its midnight when the sun comes up
Its morning when the sun sinks down
Stop signs are green and always say Go
The grass is purple and is always dry
The sky is pink and always cries
When its cloudy out i have to wear sunglasses
And when its sunny I cant forget my umbrella
I once heard of a world called Right Side Up
When the clock strikes 12 the suns asleep
When the sun comes up its morning
Stop signs are red with 8 sides
Green lights glow and let you pass
The ocean lives down in the ground
The clouds live way up high
The grass is green and has some dew
The sky is blue and fluffy
When its cloudy the rain might fall
And when its sunny you need No umbrella
That would must be a crazy place to live
Melissa Mutch Mar 2012
The walls are soft, smooth
Almost porcelain, almost perfect
Until my hand runs over an imperfection
A flaw then another, and another.
A ceramic cave encloses me on all sides,
Making the space cramped
And a deep midnight shade of blue.
So in twilight I am entwined
And instead of hearing the ocean,
I feel its reverberation echo in waves
And it’s not liberation I feel
   It’s devotion
    Or just raw emotion
It’s difficult to divide the difference…

Blurring oneiric spaces
I’m not drawing any more, just erasing
Stuck inside this metaphorical shell
It gets tighter as you go further,
Deeper as it winds and coils
Almost like a trachea to the heart.
You can’t survive here.

Now the pulses begin to deafen,
The sand itches the skin
And not only exfoliates but sheds its tough outer layer
I think they call it pride
It’s something everybody hides.

Upon a red flaming dragon she rides
Trying to tame it, control it,
And harness its beauty and strength.
At first she is cautious and gentle, and the creature bows with respect
For granted she abused the tender beast,
Wasted, jaded and scarred
Now it bucks and resists at every command
Waiting for a chance to escape, to be free.

And the ink dries up in the pen before it gets a chance to bleed on a blank page
And leave its imprint in time
The focus is shattered now, paintbrush bristles hard and brittle
Crumbling to ashes as soon as they kiss the paint
The Moist dye ingests the ash which mixes with the poet’s tears
To become a sticky and vengeful monster
That haunts me in my dreams.

In vivid strands, like a dewy spider web
Dreams entangle my mind
And the full moon causes the tide to ebb.
Time is an orange, peel back the rind.

And memories float on the surface of the mist
In the calm before the storm
And explode in bursts of thunder and jagged light.
You shield your eyes and you raise your fist
Hoping that the beast within will soon resist
And with inspiration be reborn
And blast in undulations of a second sight
And together look to the sky, run, and take flight.




Melissa Mutch
2006
Something Simple Oct 2014
Her heart pounds, a thunder in he veins
Pulsing bright and red and deep within
Courage took farflung flight long ago
Before the journey was to be made

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


There was silence before this, quiet as a grave
And the streets were filled with happy feet
It slept alone then, on all it found to keep
No overlap or closeness to be feared.

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


And then life wasn't what she'd been promised
He threated a hell on earth should she think even of what she knew
Blows came when the words stopped coming
Maybe there wasn't anything in the big white clouds up there

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


So she left alone, running away from it all
Nowhere to go and none to care what happened out there
Feet chased a path along a clif's side
Found another path hidden inside

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


Came upon the sleeping one
Belly deep in shining rings, golden plates, precious stones
All of the leavings of those that had gone before
It earned them all fairly

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


Surely they wouldn't notice just one cup?
One cup for freedom, one cup for a new life
One for the time she spent running from no escape
So she took it and fled

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


A stirring spread thourgh that scaly pile
Orange orbs snapping open, knowing something was gone
That cup the mother'd drank from at the king's court
When magic was still thick and the world thought less of monsters

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


Wings unfirled and death came that night on quiet wings
Fire broke the night, people died, fleeing anyway they could
Those earth riches where all that's left
Before men came and took what they thought they owned

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


Day rose to a ruined place
Choacked grey black, shifting with winds
Villages left that day for the reasons where not known
But she knew and it did as well

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


Journey came with baited breath
She knew it would come again with hot breath and burning eyes
Maybe there would be nothing left again
Death would come again

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


Head raises, hissing scales of ash, long strong neck
Those eyes shine brighter now
Tips of wings touch staggered points of topside
Ready to reclaim a life

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


Quick and slow she bends, quicker hands holding out
Uncurling fingers flex apart and the cup is placed
Once more in its rightful place
Them or her, chosen to make right

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


Thin wings settle again to the strong sides
Ribs show their ridges against the jeweled belly
What's this human who would give back what it took?
Dangerous points part in black stone gums

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


You'd give thisss for them and what you ssstole?
Hissing air breath, a volcano's hiss
Wide eyes and hesitant hands reply
"Many more here that you don't deserve but they don't either."

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


Slow shifting seething motion
Tail like rope unwinding from the center
Weak legs bend and don't break
Eggshells lay safe in the last grey curl

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


Small bones, little skull and empty eyes
Young mother happy once then
Men broke the home with sharp points
Young mother no longer

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


She sees broken bones, human heads burned
Nothing could bring the hatchling back, piece the pierced back
It had stayed to die in silence no reason left
No food to be found, no water to drink

Feet crushed the ashes spilled
When they fell in a spiral across the village
They left the buildings empty since
Fire takes all


The girl leaves and goes
A secret to keep for the old mother
Until the body lies forgotten and the earth takes back
No one to touch the shining seas
Hal Loyd Denton Oct 2013
Stunning she called the morning to gather it was her reflection that made all luminous and she
Turned from side to side all quarters of sun and shade settled in precise conforming feature it
Had no deviation it had no desire but was content to be her blossoming statement where her
Hair softly flowed down the sides and back was illusion and reality colliding slipping into a soft
Dark unspoken richness that defied appropriate telling her forehead was the first mold God
Used to make the first Angel from this creation dreams were first formed they arose mist like in
The quietest indulgence of the mind the eye brows were the seeding place of richest
Placements on fine porcelain it would begin the guessing of wonder how can such creation be
The eyes were jewels not mined in any worlds that we know cheeks aglow from fires deep
Within jungles unexplored by man the nose pristine you have to venture forth to rarest tents
Where nomads set in the midst of tapestry where inlaid golden folds lay with purist
Silver and emerald cloth and distilled breathing of goddesses and gave them a fitting that
Staggered the thoughts of those who came to look on these sights her lips were desire
Encapsulated in pink the entering of layers rivaled one another one on the top and between
Teeth a mix of ivory and pearl to be exposed was to lose ones breath and cast away
Reason briefly the chin the master stroke the line flowing from the ear was the perfect order
Holding all in eye appealing perfection the neck was enthralling understated composure
Shoulders rounded joining the graceful arms that premiered as musical a ***** that completes
Everything into perfection curvaceous loveliness man proclaims his strength woman surpasses
Him through soft quiet femininity that even assures his success through these powers that rise
Not from pride but from gifts that is profound and indescribable not better than man but the
best of man resides in her heart of hearts
mothwasher Jul 2020
I am a French horn, a bottle neckless hourglass and butterscotch tape

You're a red harp with veins painted on the side

When I come home, you see me as an acrylic heap with chips of lead and belly aching homing words

Scotch sticks and smoke smells and the stitches are uncomfortable on my neck where you often warm your hands

I am a masquerade of shellfish clamoring on about the epitome of burlesque humor

You’re alien to anything other than sourdough and design

I have structured my thesis around burlesque and you fail to see the humor

When I fear the apologists

You fear the escapists

I am the tigers of the world, borrowing viciousness

You’re a long pause, loved and disquieted, painting my stripes as veins

I’m freaked out now because the apologists are escaping and the escapists are apologizing

At this clear impasse, you pity and press on until my fingers at the French horn drain to my sides

I am an island in a puddle of sand
Noah Dec 2014
when you tell me I'm in love with all our friends
I know it's a joke and I laugh along, but really, it's true.
I can't help but love so many
five
ten
twelve faces
Girls are so beautiful and boys are so beautiful and all others are so beautiful
I don't love you any less, I don't love them any more, but sometimes it overflows, dripping down the sides of my form
cutting through negative space
I have always been the one to sit in the attic, always been the one to savour the cold, always been used to metallic rattles and the feeling of coughing once more before I can pull away from from the back of my throat
and sometimes when I'm surrounded
by beautiful people and their conditioner words,
it just glows
Tonight I just feel like everything might be all right, for all of us.
Pen Lux Apr 2012
this soft silence has me feeling
that there isn't enough to go around.
you're rose petals on black tile,
             indulgence at it's finest.
a dimple twitch, a train to which
station?
motivation,
obligation,
                  regurgitation.
I've been left out, cut out, burnt out.
take my feathers
make arrows
slice through my skin
make wine.
kiss my wounds, attack my goodness,
give me bruises, I'm fine!

I'm lifted
you're gifted
got me
on the edge of
both sides
of your line
shove my face
smash my face
trash my cash and mash
mash mash, until there's bleeding.
-I haven't made it there... yet.

trying to decide what to do with my time
waiting for the wash, dreading the dirt that clings
to clean cheeks and it's only been a few weeks
but I'm burning in madness.

to entertain you would be golden
my brain is swollen with stepping
and it makes me want to be alone.

negative exports, I'm an expert at drowning
with one foot placed firmly on the ground,
the other in my mouth.
Jasmine Dec 2011
The foggy mirror
Displaces your image
Back to you
Distorted and the right on the left
Left on the right

You rub your hand against the glass
Use the sleeve of your shirt to pierce the fog
Though it does not disappear

It’s permanently there, you decide
Along with the black mold that lingers at the corners
And at the sides

You look further into it
Just a piece of reflecting glass
Or that’s what it seems to be

You look directly into the middle
Not at your eyes but at the material of the glass
There is a small speck with no fog.

You start again to run you sleeve across
But starting at the speck,
The fog slowly circulates around the mirror
Like it is holding a pool of fog

You push the fog so it overlaps
And the edges are a deeper gray
A clear spot emerges in the center

You put your finger right in the middle of the spot
It’s not painful
But it’s not comfortable
There is pressure on your finger

A vibrating sensation
An other worldly pull
You are completely mystified
By the images that swirl through the fog

Though not of another world,
They are of yours,
They are what you may be able to hold in your hands one day
The others what happens with nothing in your hands.
kgl Oct 2017
bed
it used to be a landscape
where our souls would intertwine
but you left me, four whole months ago
and now both sides are mine
i found this on my notes. i started it a while ago, back in May, but had forgotten to finish it. but now it feels complete
Ken Pepiton Nov 2018
This costs you attention you may owe elsewhere. FYI

Thursday, November 01, 2018
9:42 AM

this is our choosing.
we the subjects, the agents of our own intents,

patients, please, await the signal.

Box up your Bohring atoms collected in 7th grade,
wit' yer stamps, n coins n cards n ****
(tha's WA tag, ovahdtoppinallahthishit- -suprimpost)

step out to the fuzzy edge of reality and look

to and fro, go on, imagine the universe a bubble,
along the line of Heisenberg's electron vision
super positioned in that box
with Schrodinger's cat

thus the fuzzy edge, eh?
Close up. neutronic axiomatic close
up
can't say
pre-cise-d-ly ex-zact-ed-ly when
the other  side begins?

Are we aware?
Who won the war?

The game?

No, the war, who won the war?

Why.

Because I need to know, I think, to choose?

Why won. How and what and when and where and all the con
tenders considered,
did not win. They wrote books, but they did not win.

Let me learn a story and my children will hear it right,
from me to them. That's relative-if-it-ication,
there are better ways to say everything,
the story, per se, remains

pro-babble-ity demands equal opportunity with
equal hope of out come,
in valence
in balance (vaca, baca, tomata tomoughta)

Value balance at the fuzzy edge of your own bubble,
your bubble of known knowns (beliefs are in this set),
man on a wire, bird on a wire,

Occham cut my throat, if you fall, trust me, I'll pay.

Choosing Illuminated or Illuminati or mere-r-ly free,
let us pro-ceed,

past conspiracies are now no more than stories being told
as they were told
before the recent war

reconstructed realities arose from the dead on both sides,

whose side is the watcher on?
who accused him. Why, no, how. How accuses the seer,
why ex-amines the seen scene sensuous mystery
field of NULL.

My God. Imagine NULL, my God did that. Can your god
imagine that?

Mebbeso, mebbeeno, gottacogitate, whaithere.

If we agree that we, as in
We have to be a moral people, means:

we, you and me, reader writer sayer hearer or
whatever
concept of us as an inseparable dichotomy with
sum zero field anomaly twixt us
spooky
at a distance, Middler, not Einstein,
last big hit, remember

At a distance,
the edge of everything seems
sharper than any two-edged sword
you ever imagined.
Here,
Higgs-close, where any thing can matter,
at a whim,

Be still.

Still works.
You now new know you knew

right and wrong exist in good,
wrong alone exists in evil, which

In this story, from a winner POV,
is NULL ift, no chance, ever.

To be continued… another line, or two per
haps.
Haps we have made too clear, mortals see right
through them.
While that is good, in balancing things,
we have tremes ex isting in many minds at once,
what's
to be?
Hap, solidifed, happenstance, sistere, give the word.

Done. You recall, it is finished, the alluded to quote,
the bid accepted,
the olde deluder protested,
you recall, who will go?,

I'll go, there was a rhythm in the keys akey aqui a
letter must belong in a word to mean athing, eh?

Waddabou'soun'? say eh letter or more, a vibe

like say aaaaaaah at the doctor looking down my throat,
oughtayasee?

Nuthintall.
Later, ya'll, dream a little dream Ferme

---this did not end there it begsan ah
so
In the beginning all things began,
It's just that simple,

said the side named right by itself, and, odd-at-first-seeming, by
its op positon, but not by down or charm or weird or the un committed
on foreign assign meant un trans late able here

A super positioned time paradox on the part of the mortals involved here.
that explains this.
clear if I see it as you see simple is a poor substitute for sublime,
if I may have said so myselved several times over.

Hello Poetry, this is the signal.
Let patience have her perfect work. The fun'sbegun.
Getting a Christmas feeling. Thinking JOY TO THE WORLD. what would that be like, if it were up to me. We could form a party, may make a thing out of JOY TO THE WORLD ENEMIES DON"T MATTER ANY MORE-- a musing thought, join me.
Sam Lincoln Jan 2014
Tender and sore
I let fingertips in to **** my sides
Now my flesh is on the floor
.
A girl embraces her lover
and says I’m so glad that you are home
I watch and think this is what love is from the outside
.
I felt cold as you whisper your breeze on my ear
as your shoulder turns to winter
nights shrink to and four o'clock
This is what I’ll feel, with you at my side
.
Tender and sore
I let fingertips in to **** my sides
Now my skin is on the floor
So don’t stab my gut
Don’t wake me up
.
I let my feet
lull me to sleep
on the street
I need space to think
so don’t come in
there is no heat
in here
or in anything
that has touched my feet
.
Reserved and bored
my fingers touch your pride
Your clothes on the boards
Please wake me up
Please wake me up
John McCafferty Apr 2021
Two dark sides converse in glinted eye,
we judge between few subtle signs,
vibrations bend which speed up time,
what sad masks we wear, when occupied.

Allow yourself some pause for thought,
searching around inside of you,
whichever form this may flow through,
to find that place of peace and solitude.

Importance of imprinting reflective memories,
we hold onto questions of our visions set,
remembering of what was and came to be,
a fabricated formulae.

The varied receptive connections of others,
helps us engage respond and occupy,
to release the grey that builds inside,
heaviness escapes through focused sighs.
(@PoeticTetra - instagram/twitter)
NuurSeraph Jun 2014
¤ω¤
As I relax on my bed, after a bike ride
(I beat the rolling storm clouds by the way, not a hit from the dripping drops got me wet, not a bit)
I digress, back to the bed, and present time, I notice an emblem I have hanging from a nail on a beam, basically suspended in still free-fall, in opposing side to where I lay my head. It had somehow been rotated from front to back, I now stare at the backside design, from my eyesight, it looks completely different from behind.
I'd never noticed this nor had I a thought about, but as I see a new perception from the different end of the spectrum, where my eye be drawn, I think it deserves a sinister shout out as to what it is I saw.

It is a Wooden copper lacquered Circle, one may wear in ceremony, it hangs around the neck on a smooth brown rope, the emblem lays perfectly between the ******* and belly button, right over the diaphragm. When worn correct, it depicts the four corners, with four blooming Lotus petals reaching out between. It is ancient, it is Majik, it is tribal.

But when I saw the design on the back, I had to blink my eyes, I had to look up close, I surely was surprised to find a face painted over white, the carving of the emblem so enchanting to the eyes, if viewed from behind was a devil face in White. Sinister, it seemed, it's True I couldn't believe, but then again it turned to prove Duplicity of Life, and Love and Power over Things.
In Soft and Hard, in Dark and Light, in yin and yang, in Everything.

I touched the Emblem, a soft smile across my lips, I did not fear what had appeared an omen and a curse. I gently flipped it over, laid my head back down to rest.  
The Devil hides in all this world, in this we choose our Sides. Do not fear for evil, that is part of life, you do not have to play its part, just open up your Eyes, and look behind the surface to see it for what it is. My Emblem, so artful, so brilliantly crafted, just turned itself over, to remind Me of these Things.

Truth, Love & the Light
That to Me feels Right
There are many signs and symbols that speak to us, just look with Eyes to See and Ears to Hear.
I hope that our kids inherit our sense of humor,
and the sense of what a smile truly means,
I hope they inherit your stature so that people know they can trust them,
breathe, and just feel safe,
my fiery passion, partnered with your leaps and bounds of compassion.
I hope they have the same caring and understanding,
that I see in your eyes, along with the green and gold flecks of mine.
I hope they inherit my singing voice that tugs at your heartstrings,
and for their sakes I hope they have your dance skills,
and that my clumsy gene manages to skip a few generations.
I hope they have your sturdy, healing hands, covered in my soft chinchilla skin.
I hope they have your seemingly endless heart and never have to experience any of my pains.
Your plump perfect lips and our thick blonde hair.
Your strong sense of self and ability to look at all sides, but just a bit of my indecisiveness.
Our spontaneity and your good ideas.
Your love of breakfast and our courageous spirits but maybe,
Your cautious driving habits.
Your Smile that makes me melt, but ****,
if they do we are going to have some heartbreakers on our hands.
<3
Kayla Lynn Nov 2013
I met her in December
Which at the time
Felt so typical
She was always so upset
Over nothing at all
And I just wanted to heal her soul
With my bleeding hands

She hurt to touch
Scars littered her wrists
Her thighs
Her heart.

She hurt to see
Even when she smiled
I could still sense
A deep melancholy  
Within her

If I could imagine up a way
To personify
Depression
My character
Wouldn't have been half
As tragic
As Emily Mae

And I stared at her
Staring into the mirror
Pinching her sides
Pretending that the
Elasticity of her skin
Somehow represented ugliness

Stop that you're stunning
I would whisper to her
Do you think so?

Do you want to know what I think?
I became stern
I think that it is so horrifying
To live in a society
Where if we see bones
On our pets
We automatically
Think they are being abused
Or starving to death
But if we see bones
On ourselves
We consider it


*Beauty.
You see me
I'm perfect
Perfect Jawline
Perfect Hair
Perfect Grades
Perfect Persona

Do you see me?
My flaws
My tear stained Face
My unbrushed hair
My struggling work
My sorrows

You see me
Do you see me?
Najwa Kareem Oct 2017
I've heard it said once.
I've heard it said twice.
I've heard it said a third time.
Told to me, a fourth.

Said by a Ghanese.
Said by a mother from Greece.
Said by an Ethopian.
Said by a man also Iranian.

Are you from Somalia?
Bist du von Marokko?
Kommen Sie aus Eritrea?
Are you from Ethopia?
From Indonesia?
Nay. Ich komme aus den USA. Aus Amerika.
"But America is better than here."

Where in America do you come from?, I'm asked sometimes.
Washington.
Why are you here?
To live here.
"But America is better than here."

This is what they've heard. So this is what they think.
​This is what she's been told. So this is what she believes.
This is what Lady Liberty says. So this is what he knows.
This is what the land of the free and the home of the brave, the land of opportunity preaches. So this is what they understand.
This is what those living the American dream said. So this is what many believe.

​"But America is better than here."
It depends on how you look at it.
It depends on what's important to you. What you value.
When you say better, what do you mean by better?

"But America is better than here."
In some ways, yes.  In some ways, no.
Every land has its' up sides and its' down sides.

Besuchen Sie oder bleiben Sie hier?
Ich bin hier bleiben.
Germany ist gut.
Es gibt gute und nicht gute Dinge über Germany.
"But America is better than here."

I know why I've chosen to live in Germany.
There are a number of reasons.

"But America is better than here."
Jerald Angelo Oct 2011
People keep on passing at my sides
Train station appears to stand still
Tears of joy seem to stuck forever in my eyes
There's no one can define what I feel

Lucky charms and moody mind
They're ain't enough to give me speed
After a long, long endless find
Things are going as I need

Reaching the end of the tunnel
Where holy lights are calm and waiting
Jumping from heartaches to its farewell
The future is slowly recreating

Thinking inside the train, I just can't take it away
Full of hope for the greatness to continue
God is so good for this lucky day
Thank you for the life forever with you
ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little
Sarah Spang Jun 2014
She is a solemn wanderer,
A daughter of the road
The crunch of moving gravel
Is like balm upon her soul.

Each rambling, easy footstep,
Within each languid stride,
Keeps the poison thoughts
From taking root inside her mind.

Each footstep is a triumph
That pushes her along
Each gasping breath that fuels her
Is a lyric to her song.

At times she is a vagrant
When there is no place to go
When nothing feels familiar but
The stone that coats the road.

At times she is a traveler
That thirsts for foreign lands
Her mind drifts off to mountain sides,
Or golden sprawling sands.

And most times she’s a dreamer
Thinking of the day
She’ll let her restless, resolute legs
Take her far away.

In all, she is a wanderer,
A daughter of the road
Putting space between her thoughts
Upon the open road.
Graff1980 Nov 2014
We are sands astride and in the tides
Waters which tare us from both sides

Passion and fury
Duty and honor
Pushes us in
And pull us out

Love to hate
Pushes us in
And pulls us out

The desire for domesticity
And the desire to be free
Pushes us in
And pulls out

Till we are bludgeoned
By the flotsam
Tangled in the terrible debris
Battered by the violent sea
No more you than I am me
And I wish I had the gills to breath
Before those tides overwhelm me

— The End —