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Geraldine Taylor Oct 2017
Change

Verse 1
It starts right deep inside of me, a true grasp on identity
The present moment is the place to be, regardless of who's watching me
It’s plain to see, comprehensively, no real gain comes easily
Whether to the left or right of me, time in motion, truly free
To persevere is the truest reward, ride this train be truly on board
This right here to truly afford, come together, one accord
A single mind retrain able, good grades are attainable
Accomplish the impossible, you can be unstoppable
A single step to take, of directions moving on
Keep it moving in forward motion, articulate my song
With an aim of harmony, we can but soldier on
We must create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

There are challenges that are facing me, complex to simplicity
Teams move forward socially, share discussions vocally
To stand as one, it’s just begun
Separation can’t become
A team with victory truly won
A united cause, brought as one
Determination is the real deal, certified replacing the seal
Energy the people can feel
A new beginning, fresh appeal
A brand new chapter practical
Solutions that are workable
Greatness is achievable
Concepts are conceivable
A new journey to take, whether short or whether long
Keep on moving forward, embracing a new song
With amicability, we all will progress on
Let’s create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Chorus
There is ever present change, many thoughts to rearrange
Together we can change the world, let’s rewrite the page
There are many forms of strong, yet we all must soldier on
Together as one, together as one
For each and every fight, is a chance to so unite
Every lesson in the wrong, it can be rendered right
There is opportunity, be the change you want to see
Let’s set ourselves free, let’s set ourselves free
In time, beyond the impossible
Breaking through every obstacle
By faith from the intangible
Objects, they are exchangeable
Yet lives are irreplaceable
Real change is attainable

Verse 2
To offer forth a helping hand, notions yet to understand
To be welcomed in a foreign land, disharmony is sinking sand
It’s clear to see, comprehensively, operate more tactfully
With wisdom understandably, let the innocent be truly free
A greater love that can’t be defined, to comprehend the passage of time
Appreciation truly is mine, reverence beyond the sky
Of nature undeniable, progress transformational
Advancing the responsible, of wonderment sensational
A single step to take, cultivated going strong
Keep it moving in forward motion, can we all just get along
With advancing harmony, on a road that may be long
Let’s now create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Advancing with a point of view, discernment of what’s really true
Comprehension of what’s true for you, of new horizons to ensue
With a faculty of proficiency, movements of efficiency
With complex capability, time in motion, skillfully
Experience that can be applied, universal always onside
Letting go of innermost pride
Truthfulness, no need to hide
Application practical, let your goals be reachable
In him all things possible, passionately powerful
With awareness to awake, with weakness rendered strong
Keep moving in forward motion, articulate my song
With all tranquillity, uncover what is wrong
We can now create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Chorus
There is ever present change, many thoughts to rearrange
Together we can change the world, let’s rewrite the page
There are many forms of strong, yet we all must soldier on
Together as one, together as one
For each and every fight, is a chance to so unite
Every lesson in the wrong, it can be rendered right
There is opportunity, be the change you want to see
Let’s set ourselves free, let’s set ourselves free
In time, beyond the impossible
Breaking through every obstacle
By faith from the intangible
Objects, they are exchangeable
Yet lives are irreplaceable
Real change is attainable

Verse 3
Let actions be effectual, real change be perpetual
Creative with the intellectual, let guidance be instructional
Be rational, co-operational, shared ideas are practical
Measuring the mathematical, alignment formational
Aiming high reach for the sky
Given standards you can defy
With courage here the aim is to try
Moving forward, mystify
Far from the undesirable, feelings unreliable
Testing the improbable, reality is changeable
A bolder step to take, of directions moving strong
You can always go beyond the place that you came from
With realised clarity, we gain sense of the wrong
Let’s now create a place, where we can all belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Change may be uncomfortable, let fear be inexcusable
Steer from the reprehensible, payback is repayable
To so forgive, inexhaustible
Of oneness that is plausible, the broken rectifiable
Connected, relational
Associate and we can relate, don’t waste time, a pitiless state
Memories that we cannot retake, in position, get in place
Abundance that is plentiful, examples observational
Joyfulness obtainable, experience the seasonal
Of actions yet to take, we’re keeping the game strong
Keep moving in forward motion, wherever you came from
With avid harmony, we all will soldier on
We can now create a place, with a feeling to belong

Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Bridge

With mind-sets evolved, there is true insight
Let’s create a place, to truly shine our light
There is wisdom to release, to regain our inner peace
Together as one, together as one
Compassion in the land, with a heart to understand
A true united force, let’s lend a helping hand
With due simplicity, re-establish harmony
Let’s set ourselves free, let’s set ourselves free
True change may be uncomfortable
Yet it is unmistakeable
New steps that are approachable
Of thoughts from the conventional
Mindful and relatable
Hopeful and aspirational

Verse 4
To go beyond, no greater time, reclaim your light it’s time to shine
In relaxed mode we will decline, natural gems can be refined
Branch of the vine, be aligned
Masterpieces of design, purposed for potential prime
Stand in line, for such a time
Become a part of the solution, let’s create a revolution
Educate the institution, truly merge into a fusion
Reduce the confrontational, join the inspirational
Movement motivational, achieve the aspirational
The journey will be great, endurance may be long
Keep moving in forward motion, can we all just get along
With solid harmony, a team can become strong
Let's now create a place, with the option to belong
Of problems to be solved, of all the games to win
If the foundation is laid, by then we can begin
A sense of harmony, let's take the vision on
Let’s now create a place, where the people can belong


Let’s begin and start a new change
For in time we truly can change, subtle change, ample change, some folks just ain’t trying to change
Aim real high towards the change
Constant force, there’s always change
Release control with all the change
For yes in time we can truly change
Smaller change, greater change
So much here to rearrange
New concepts are hardly strange
Stand united welcome change
Restoration welcome change
Conservation bring the change
Re-establish forward change
For yes in time we will truly change

Chorus
There is ever present change, many thoughts to rearrange
Together we can change the world, let’s rewrite the page
There are many forms of strong, yet we all must soldier on
Together as one, together as one
For each and every fight, is a chance to so unite
Every lesson in the wrong, it can be rendered right
There is opportunity, be the change you want to see
Let’s set ourselves free, let’s set ourselves free
In time, beyond the impossible
Breaking through every obstacle
By faith from the intangible
Objects, they are exchangeable
Yet lives are irreplaceable
Real change is attainable

Written by Geraldine Taylor ©️
Nathaniel R Horn Dec 2011
Plentiful emptiness
All around me
Plentiful emptiness
As far as the eye can see

It’s a loving malice
That we humans share
A loving malice
That leaves us naked and bare

This joyful evil
That we cast upon each other
This joyful evil
That turns lovers into fighters

Happy death
When we leave this word
Happy death
It’s not what we deserve
Oliver Gottlieb Apr 2020
When the nut was plentiful, when the nut was tender.
Because I’m passing from the nut I go outside to clear my mind, but I see a nut tree, I see nuts of every kind.
I begin to wonder, if passing from the nut is a blunder.
Shall I just go crazy? Shall I release the thunder?
But oh-no, I made a bet that I could resist the nut; and I am not a baller, so you’d best believe, I ain’t paying that ten dollar.
A week left for my journey, for the nut I am yearning.
The nut will not bug me, for I am not a Rolly-Polly, thereafter I am a man, the nut will not control me.
December comes blooming, blooming like a daisy, so you’d best believe, your boy’s going crazy.
Make it past day 12 and I’ll make a second one.
Nat Lipstadt Jun 2018
Songs of Oregon: No 5 no general impressions specifically

For the Poets of Oregon, each a unique travel guide

no salt n’ pepper shaker of general impressions for the offering,
for now, ubiquitous generalities means inclusionary which means
likely accidental to be exclusionary,
so specifically,
no ‘all in' clauses

just a few specific eye-sights, hoary words, new birth canals,
to be either eaten, resurrected, van-slaughtered, backyard buried,
all are filed nearby in the seed cabinet or the garage freezer,
or on the C drive of your brain

awaiting ideal planting conditions, and the rest,
a series perhaps,
Songs of Oregon?
Someday

someday, when all the big brief poems are fully formed,
earth ripened, mind fomented; oak barrel aged,
harvest-reading-ready,
green trees shoots busting thrusting through
misleading sandy looking soil,
needy for quenching from
aquifers that are gold geyser plentiful,
a hundred feet deep, needy only for a
“please sir, may I have some more,"
they’l be writ

but for now, these below are,
some easy to be specifics,
reveling and revealed, useful takeaways,
specifics pacifics
for those who might be traversing upon
Lewis and Clark’s Oregon Trail:

them multicolored redneck
full bearded boys
and those of the
vinnie, millennial hipsters and aging ex- hippies, also,
full bearded boys  
are indistinguishable!
many of both wear matching bib jeans,
so be careful who you be calling
a hillbilly in open carry country

the forever refilled coffee mug still exists though the price
is now $2 but the coffee is sustainable (I am evidence)
organic, from a rain forest from Timbuktu,
so it gets planted in your bloodstream and then replaced
in the soil & land,
the loam of the soul
by you

in Milwaukee,
they know how to spell Milwaukee but
not in Portland

don’t be shocked at the town naming,
these borrowers got no  i-magination,
that’s surly lacking in Oregon; mthey’ll steal your
Nor’easter or Indian
town or city’s name
with no shame
or comp-unction,
claiming it’s different cause
they made it organically and
then misspelled it,
correctly

think that pointy poem point well made,
god made only one coast (theirs) and
just forgot to put Shelter Island NY  upon it;
threw it up randomly skyward, landed on some
atlantic backwater body

getting there or anywhere in Oregon traffic
about the same as in NYC traffic, thus
the heavens balance the scales of justice with
dramatic automotive irony

in some counties, the school week is a
four day affair, for the children need to repay
their parents birthing labor, by laboring beside them
in the vineyards, on the tractors, learning from
the book and look of their parents
sun aged faces and hands,
life learning
that man must earn his sustenance
with the sweat of ones own brow
and that word;
week,
can be spelt in contradictory ways
but only one is acceptable
out here

do be careful though Oregonians are very willingly to lam it,
(Willamette) if you ask nicely,
pick up normal looking weird hitchhikers
and drive many a mile
in yours, not theirs, but sure,
“going-the-same-way direction”
if you ask polite with just a smile

and the river salmon have hired their own governmental advisors


like I said,
no general impressions
just a private’s brief recollections
from his first tour of duty
abroad
where he was purple heart medaled shot
through ‘n through with
Oregon kindness

some juicy real specifics to follow eventually
someday
songs of oregon No.5
showyoulove Feb 2015
The seeds of truth and love and light are scattered all around
Some among thorns and rocks or on the path, but some will find good ground
These are the conditions in which our souls can be found
Those among rocky soil are shallow and cannot take hold
When the heat is on in life they wither truth be told
And at times it seems they act distant mechanical and cold
Amidst the thorns and weeds the souls that fall
Find their deaths in the earthly siren’s call
Thirdly they that fall on hardened soil build up a rugged wall
Response to pain or suffering one creates a shield
For fear of getting hurt again but needing to be healed
Difficult to break through or down to deliver truth revealed
Finally the soul that falls on fertile soil and grows deep root
Healthy and pure they bear plentiful and beautiful fruit
This can be our destiny and our lives can follow suit
At different times in our life our souls can be
Any one of the soul’s soils you see
But we can choose and act any of these
So let us strive without end to find good soil not to break but to bend
Not to weaken but to heal not to tear but mend and seal
Set your seal upon us Lord and help us have the strength and grace
Sign your name upon our hearts as we sign ourselves with the father son and holy spirit
Deliver us from temptation and sin to your heart Oh Lord and we pray for our soul’s deliverance

AMEN
Poetry by MAN Jul 2013
SNAKE
cold blooded adapter smooth in its capture, venomous to those caught in its rapture
CATERPILLAR
ultimate evolver unique in every state, to cocoon and assimilate into a new creature at such a fast rate
OX
lifter of the heavy, for the weak there are plenty, paver of new roads that bring prosperity to many
RABBIT
soft to the touch we all wanna pet usually are to fast for anyone to get
PIG
plentiful is the swine for weak is their mind created for slaughter what a sad lifetime
IGUANA
all I can think is Mexican radio a snake with legs smoking **** in 80's videos
OSTRICH
a bird who cannot fly makes me wonder why such a big bird won't even try

~

DOMESTICATED
over time becoming content living in a situation not originally meant
OBEDIENT
submits to authority biding time as a follower till own goals become priority
GROWL*
slow rumble from the soul an intimidating stare with a glow, with a Grrr! everyone will know
M.A.N 7-14-13 trying something different with mind associations. The Dog is my Eastern Zodiac sign I was very intrigued when I read qualities  I will also be doing Scorpio next. I just added Scorpio and changed title these are my two astro signs I'm still going to do a stand alone Scorpio with a dark twist stay tuned. Funny side note I'm writing these associations and can do them all day while I'm in LA with family waiting to be seated at a Chinese restaurant Din Tai Fung in Arcadia CA ;)
I

On the Coast of Coromandel
Where the early pumpkins blow,
In the middle of the woods
  Lived the Yonghy-Bonghy-Bo.
Two old chairs, and half a candle,--
One old jug without a handle,--
    These were all his worldly goods:
    In the middle of the woods,
    These were all the worldly goods,
  Of the Yonghy-Bonghy-Bo,
  Of the Yonghy-Bonghy-Bo.

II

Once, among the ****-trees walking
  Where the early pumpkins blow,
    To a little heap of stones
  Came the Yonghy-Bonghy-Bo.
There he heard a Lady talking,
To some milk-white Hens of Dorking,--
    ''Tis the lady Jingly Jones!
    'On that little heap of stones
    'Sits the Lady Jingly Jones!'
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

III

'Lady Jingly! Lady Jingly!
  'Sitting where the pumpkins blow,
    'Will you come and be my wife?'
  Said the Yonghy-Bonghy-Bo.
'I am tired of living singly,--
'On this coast so wild and shingly,--
    'I'm a-weary of my life:
    'If you'll come and be my wife,
    'Quite serene would be my life!'--
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

IV

'On this Coast of Coromandel,
  'Shrimps and watercresses grow,
    'Prawns are plentiful and cheap,'
  Said the Yonghy-Bonghy-Bo.
'You shall have my chairs and candle,
'And my jug without a handle!--
    'Gaze upon the rolling deep
    ('Fish is plentiful and cheap)
    'As the sea, my love is deep!'
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

V

Lady Jingly answered sadly,
  And her tears began to flow,--
    'Your proposal comes too late,
  'Mr. Yonghy-Bonghy-Bo!
'I would be your wife most gladly!'
(Here she twirled her fingers madly,)
    'But in England I've a mate!
    'Yes! you've asked me far too late,
    'For in England I've a mate,
  'Mr. Yonghy-Bonghy-Bo!
  'Mr. Yonghy-Bonghy-Bo!'

VI

'Mr. Jones--(his name is Handel,--
  'Handel Jones, Esquire, & Co.)
    'Dorking fowls delights to send,
  'Mr. Yonghy-Bonghy-Bo!
'Keep, oh! keep your chairs and candle,
'And your jug without a handle,--
    'I can merely be your friend!
    '--Should my Jones more Dorkings send,
    'I will give you three, my friend!
  'Mr. Yonghy-Bonghy-Bo!
  'Mr. Yonghy-Bonghy-Bo!'

VII

'Though you've such a tiny body,
  'And your head so large doth grow,--
    'Though your hat may blow away,
  'Mr. Yonghy-Bonghy-Bo!
'Though you're such a Hoddy Doddy--
'Yet a wish that I could modi-
    'fy the words I needs must say!
    'Will you please to go away?
    'That is all I have to say--
  'Mr. Yonghy-Bonghy-Bo!
  'Mr. Yonghy-Bonghy-Bo!'.

VIII

Down the slippery slopes of Myrtle,
  Where the early pumpkins blow,
    To the calm and silent sea
  Fled the Yonghy-Bonghy-Bo.
There, beyond the Bay of Gurtle,
Lay a large and lively Turtle,--
    'You're the Cove,' he said, 'for me
    'On your back beyond the sea,
    'Turtle, you shall carry me!'
  Said the Yonghy-Bonghy-Bo,
  Said the Yonghy-Bonghy-Bo.

IX

Through the silent-roaring ocean
  Did the Turtle swiftly go;
    Holding fast upon his shell
  Rode the Yonghy-Bonghy-Bo.
With a sad primaeval motion
Towards the sunset isles of Boshen
    Still the Turtle bore him well.
    Holding fast upon his shell,
    'Lady Jingly Jones, farewell!'
  Sang the Yonghy-Bonghy-Bo,
  Sang the Yonghy-Bonghy-Bo.

X

From the Coast of Coromandel,
  Did that Lady never go;
    On that heap of stones she mourns
  For the Yonghy-Bonghy-Bo.
On that Coast of Coromandel,
In his jug without a handle
    Still she weeps, and daily moans;
    On that little hep of stones
    To her Dorking Hens she moans,
  For the Yonghy-Bonghy-Bo,
  For the Yonghy-Bonghy-Bo.
judy smith Apr 2015
With designers like Iman Ahmed, HSY and Sania Maskatiya all showing, it was standing-room only at the venue. Many of the crowd of fashion insiders and socialites ended up sharing seats, with the chivalrous Zaheer Abbas giving his seat to Iman Ahmed after her show and sitting on the floor himself. So much for designer egos!

It was an evening that lived up to its billing.

Iman Ahmed may not be a designer who makes her clothing easily available, but in fashion terms she reaches heights that few other designers can reach. Her “Sartorial Philology and the New Nomad collection” was breathtaking.

The best fashion shows have a narrative — the clothes, styling, music and progression of the outfits blend seamlessly into a whole that portrays the designer’s artistic vision.

It’s hard not to gush about Iman Ahmed’s show last night because it was exactly what a fashion show should be.

Starting with a series of outfits in white and gradually adding tribal colours, Iman used fringing, embroidery and a range of fabrics to great effect. From the inspired detailing to the juxtaposition of texture and silhouette, this was a class act. The tribal white-dotted makeup and beaten silver accessories added further depth to Iman’s stunning layered ensembles.

Levi’s uninspired showing of their new 501 jeans and other stock provided the audience with a pause to process the previous collection. It’s difficult to make a interesting fashion week presentation out of high street wear and something that Levis struggles with.

They used better music than they did at their autumn show but the styling was still painfully lacking. They did manage to make everyone sit up and take notice at the end of their show though — Wasim Akram walked the ramp as their showstopper amid cheers from the admiring audience.

Somal Halepoto was next, with collection that looked distinctly amateur. She seemed to be aiming for a bright kitschy collection but ended up looking merely tacky. The shiny, synthetic-looking fabrics and gaudy embroidery were particularly woeful. Somal’s digital neon animal prints and some of the harem pants were funky but the rest of the collection had little to recommended it.

YBQ’s LalShah collection, meanwhile, was in a different league. An ode to 3 Sufi Sindhi saints, the collection was as much about the artistic impression it made on the ramp as it was about the clothes. The distinctly theatrical presentation relied on the slow beat of sufi music and plentiful accessories for much of its impact.

YBQ sent his models down the ramp in huge pagris, holding flags on poles and garlanded with prayer beads. He used only three colours - red depicting rage, white for peace and black for mourning. Most of the outfits were draped red jersey tunics or gowns with white lowers, braided belts and black turbans.

Rubya Chaudry wore a black gown with red roses but otherwise the outfits were all about subtle plays with drapery and cut. From jodhpur style chooridarsto asymmetrical draping, the outfits had interesting touches but needed all that heavy styling to make an impact. HSY was YBQ’s showstopper and added glamour to the theatrical presentation that he had choreographed.

Wardha Saleem was first up after the break and her Lotus Song collection showed how this talented young designer has been upping her game over recent years.

She used digital flamingo prints, 3D embroidery, gota embroidery and lasercutting in a pretty formal fusion collection. The detailing on the collection was simply stunning. Wardha used gota in delicate patterns that gave her outfits shimmer and paired this with three dimensional embroidery. The outfits featured flowers, fish, elephants and birds picked out in silk thread and beads.

She showed a variety of shift dresses, jackets, saris, capes and draped dresses. The styling was also great fun – the models wore shoes featuring spikes and 3D flowers while the multi-talented Tapu Javeri provided some gorgeous jewellery and music for the show. While there was nothing groundbreaking about her silhouettes, this was a beautiful collection that showed skill and artistry.

Sania Maskatiya, who presented her luxury pret on Day 1, now showed her lawn collection for AlKaram. As far as designer lawn goes, this is something of a dream collaboration.

Textile and print are Sania’s forte and she uses print extensively in her luxury pret. In this collection for Al-Karam she has taken print elements from her pret collections throughout the year including the Sakura, Lokum and Khutoot collections.

The prints are different from those used in her Luxe pret but are based on the same principals. She’s even used the paint splash embroidery from this season’s Khayaat collection in one of the outfits. Designer lawn should be affordable way to wear a designer’s aesthetic and this Sania Maskatiya Al Karam collaboration certainly is.

As for the show itself, showing lawn is always tricky on the ramp. Sania pulled it off with an upbeat presentation using fast music and trendy cuts, throwing a few conventional shalwar kameez in the mix. She fashioned the lawn into jackets, kaftans and draped tunic, using the sort of cuts that are a hallmark of her pret. It’s not how most people wear lawn but it was a great way to show off the prints on the ramp.

Naushaba Brohi’s Inaaya burst onto the fashion scene last year with a spectacular collection. Following up on a dramatic debut is difficult but Naushaba proved that she is not a one hit wonder with this collection. Inaaya’s SS15 collection continued with the theme of using traditional Sindhi crafts in contemporary wear. Naushaba used both touches of Rilli and some stunning mirror work in her collection.

What makes Inaaya noteworthy is the way that she takes unsung traditional crafts that we’ve seen badly used and gives them a high fashion twist. Standout pieces included a bolero with unusual mirror work and a rilli sari that glittered with tiny flashes of mirrors.

Although the collection included many beautiful outfits, there was a lack of focus. The simple tunic with a rilli dupatta didn’t work with knotted purple evening wear jacket. The inability to make a definitive statement let down an otherwise accomplished collection.

Naushaba added a characteristic touch at the end of her show. She’s committed to social responsibility and supports local craftswomen with her brand. Accordingly, Inaaya’s showstopper was Mashal Chaudri of the Reading Room Project along with Naushaba’s daughter Inaaya. She held up a plaque saying “I teach therefore I can” while Inaaya wore a T-Shirt with the slogan “super role model”.

HSY brought the evening to a close with a high-speed presentation of his Hi-Octance menswear collection. The unusual choreography featured the models zipping along the catwalk, pausing briefly on their second round. The energetic presentation complemented a collection of sharp suits and jackets, leavened with quirky polka dot shirts and bold stripy ties.

There was the requisite shirtless model in distressed jeans and an ice-blue jacket but also some appealing suiting fabrics. HSY used only Pakistani fabrics and included solid colours as well as self-checked and striped suits. This was wearable, classy menswear presented creatively.

Day 3 was undoubtedly the best day of TFPW so far. Iman Ahmed undoubted takes the laurels but she was ably supported by HSY, Wardha Saleem, Inaaya, Sania Maskatiya and YBQ.Read more here:www.marieaustralia.com/formal-dresses | www.marieaustralia.com/short-formal-dresses
And indeedst, thou mourneth once more
When th' lover who is to thine become
Returneth not, in thy own brevities-of love and hate,
As t'is chiding ruthlessness might not be
thy just fate.

Cleopatra, Cleopatra
Shalt thy soul ever weepest for me?
Weep for t'ese chains of guilt and yet, adorable clarity
T'at within my heart are obstreperously burning
I thy secret lover; shrieks railing at my heart
Whenever thou lurchest forwards
and tearest t'is strumming passion apart.

And t'ere is one single convenience not
As I shalt sit more by northern winds; and whose gales
upon a pale, moonlit shore.
Cleopatra, play me a song at t'at hour
Before bedtime with thy violin once more
And let us look through th' vacant glasses;
at clouds t'at swirl and swear in dark blue masses.

Ah, my queen, t'ese lips are softly creaking
and swearing silently; emitting words
of which I presume thou wouldst not hear.
On my lonely days I sat dreamily
upon t'at hard-hearted wooden bench,
and wrote poems of thee
behind th' greedy palm trees;
They mocked me and swore
t'at my love for thee was a tragedy;
and my poem a menial elegy
For a soldier I was, whom thy wealth
and kingdom foundeth precisely intolerable.
How I hate-t'ose sickly words of 'em!
Ah, t'ose unknowing, cynical creatures!
I, who fell in love with thee
Amongst th' giggling bushes,
stomping merrily amongst each other
and shoving their heads prettily on my shoulder
As I walked pass 'em;
I strapped their doom to death,
and cursed their piously insatiable wrath
Until no more grief was left attached
To th' parable summer air; and rendered thou as plainly
as thou had been,
but bleak not; and ceremoniously unheeded
Only by thy most picturesque features, and breaths.
Thou who loved to wander behind th' red-coated shed,
and beautiful green pastures ahead
With tulips and white roses on thy hand,
And with floods of laughter thou wouldst dart ahead
like a summer nightingale;
'fore stretching thy body effortlessly
amongst th' chirping grass
Ah, Cleopatra, thou looketh but so lovely-
oh, indeedst thou did; but too lovely-too lovely to me!
A figure of a princess so comely,
thou wouldst but be th' one
who bringst th' light,
and fool all t'ose evils, and morbid abysses;
Thou shalt fill our future days with hopes,
and colourful promises.

And slithered I, like a naive snake
Throughout th' bushes; to swing myself into thee
Even only through thy shadow,
I didst, I didst-my love, procured my satisfaction
By seeing thee breathe, and thrive, and bloom.
I loveth her not, t'is village's outrageous,
but sweet-spirited maiden;
a dutiful soldier as I am,
my love for thee is still bountiful,
ah, even more plentiful t'an t'is cordial one
I may hath for my poor lover. Not t'at I despise
her poorness, but in my mind, thou art forever my baroness;
Thou art th' purest queen, amongst all th' virgins
Ah, Cleopatra!
To me, if rejection is indeedst misery,
thine is but a glorious mystery;
for whose preciousness, which is now vague,
by thy hand might come clear,
for within my sight of thee
All t'ese objections are still ingenious,
within thy perilous smile,
t'at oftentimes caresses me
With relief, whenst I am mad,
and corrupts my conscience-
whenst I am sad;
Even only for a second; and even only
for a while.
But if thy smile were all it seemeth,
and thy perfection all t'at I dreameth,
Then a nightmare could be mirth,
and a bitter smile could be so sweet.
Just like everything my eyes hath seen;
if thy innocence was what I needest,
and thy gentleness th' one I seekest,
then I'd needst just and ought, worry not;
for all thy lips couldst be so meek
and thy glistening cheeks
wouldst be so sleek.

Oh, sweet, sweet-like thee, Cleopatra!
Sweet mournful songs are trampling along my ears,
but again, t'ey project me into no harmony-
I curse t'em and corrupt t'em,
I gnaw at t'em and elbow t'em-
I stomp on t'em and jostle t'em-
th' one sung by my insidious lover,
I feel like a ghost as I perch myself beside her.
Whilst thou-thou art away from me!
Thou, thou for whom my breath shalt choke
with insanity,
thou who wert there and merrily laughed with me-
just like last Monday,
By yon purple prairie and amber oak trees
By my newest words and dearly loving poetry.
Oh, my poetry-t'at I hath always crafted so willingly,
o, so willingly, for thee!
For thee, for thee only, my love!
Ah, Cleopatra, as we rolled down th' hoarse alley t'at day,
and th' silky banks by rueful warm water-
I hoped t'at thou wouldst forever stay with me,
like th' green bushes and t'eir immortal thorns,
Thou wouldst lull me to sleep at nights,
and kiss me firmly every dewy morn.

Cleopatra, Cleopatra
Ah, and with thy cherry-like lips
Thou shalt again invite me into thy living gardens,
With thy childish jokes and ramblings and adventures
To th' dying sunflowers, thou wert a cure;
and thy crown is even brighter t'an their foliage,
For it is a resemblance of thy heart, but
thy vanity not;
Thou art th' song t'at t'ey shalt sing,
thou art th' joy t'at no other greatness canst bring.

Ah, Cleopatra, look-and t'is sun is shining on thee,
but not my bride;
My bride who is so impatiently to withdraw
her rights; her fatal rights-o, I insist!
And so t'is time I shall but despise her
for her gluttony and rebellious viciousness.
T'at savage, unholy greed of hers!
How unadmirable-and blind I was,
for I deemed all t'ose indecipherable!
How I shalt forever deprecate myself,
for which!
Ah, but whenst I see thee!
As how I shall twist my finger into hers,
(Oh! T'is precocious little harlot!)
Thou art th' one who is, in my mind, to become my lover,
and amongst tonight's all prudence and marriage mercy
I shall dreameth not of my wife but thee;
Whilst my wife is like a cloaked rain doll beneath,
and her ******* shall be rigid and awkward to me-
unlike thee, so indolent but warm and generous
with unhesitant integrity;
Ah, I wish she could die, die, and be dead-by my hands,
But no anger and fury could I wreak,
for she hath been, for all t'ese years,
my single best friend.
Or she was, at least.
Oh Cleopatra, thou art my girl;
please dance, dance again-dance for me in thy best pink frock,
and wear thy most desirous, fastidious perfume;
I shall turn thee once more, into a delicious nymphet,
and I standing on a rock, a writer-soldier husband to thee-
Loving thee from afar, but a nearest heart,
my soul shalt become tender; but passionately aggravated
With such blows of poetic genuinity in my hands-
by t'ese of thee-so powerful, and intuitive sonnets.

Oh, my dear! T'is is a ruin, ruin, and but a ruin to me-
A castle of utmost devastation and damage and fear,
for as I looketh into her eyes behindeth me,
and thine upon thy throne-
so elegant and fuller of joy and permanent delight
Than hers t'at are fraught with pernicious questions,
and flocks of virginal fright,
I am afraid, once more-t'at I am torn,
before thy eyes t'at pierce and stun me like a stone,
an unknown stone, made of graveyard gems, and gold
Thou smell like death, just as dead as I am
On my loveless marriage day
And as I gaze into th' dubious priest
And thee beside him, my master-o, but my dream woman!
Oh, sadly my only dream woman!
Th' stars of love are once more
encompassing thine eyes,
and with wonder-oh Cleopatra, thou art seemingly tainted
with sacrifice, but delightfully, lies-
As I stareth at thee once more,
I knoweth t'at I loveth thee even more
just like how thou hath loved me since ever before
And thy passion and lust rooted in mine
Strangling me like selfish stars;
and th' moon and saturated rainbows
hanging up t'ere in troubled, ye' peaceful skies, tonight.

I want her not, as thou hath always fiercely,
and truthfully known,
so t'at I wriggle free,
ignoring my bride's wise screams
and cries and sobs uttered heartbreakingly-
onto th' gravel-and gravely chiseled pavement outside,
'fore eventually I slippeth myself out of my brownish
soldier's uniforms.
Thou standeth in surprise, I taketh, as I riseth
from my seat-my fictitious seat, in my mind,
for all t'is, pertaining to my unreal love for her,
shalt never be, in any way, real-
All are but th' phantom and ghost
of my own stories; trivial stories
Skulking about me with unpardonable sorries
Which I hate, I hate out of my life, most!
As to anyone else aside from thee
I should and shalt not ever be-married,
and as I set my doleful eyes on thee once more,
curtained by sorrow and unanswered longings,
but sincere feelings-I canst, for th' first time,
admire thy silent, lipped confession
Which is so remarkably
painted and inked throughout
thy lavish; ye' decently translucent face;
t'at thou needst me and wouldst stick by me
in soul, though not in flesh;
but in heaven, in our dear heaven,
whenst I and thou art free,
from all t'ese ungodly barriers and misery,
to welcome th' fierceness of our fate,
and taste th' merriment of our delayed date.
Oh, my love!
My Cleopatra! My very own, my own,
and mine only-Cleopatra!
My dear secret lover, and wife; for whom
my crying soul was gently born, and cherished,
and nurtured; for whose grief my heart shall be ripped,
and only for whose pride-for whose pride only,
I shall allow mine to be disgraced.
Cleopatra! But in death we shall be reunited,
amongst th' birds t'at flow above and under,
To th' sparkling heavens we shall be invited,
above th' vividly sweet rainbows; about th' precious
rainy thunder.
Nigel Morgan Nov 2012
A thousand peaks: no more birds in flight.
Ten thousand paths: all trace of people gone.

In a lone boat, rain cloak and hat of reeds.
An old man’s fishing the cold river snow.

I am alone in this mountain fastness, on a steep downward path in the deepest shadow. I play with the twelve characters of Lui Tsung-yaun’s poem. How few poems tell of the desolation of winter. The coming of Spring, the passing of Autumn? Yes. But the onset of Winter? Even my sharp memory only recalls a meagre handful of poems to this season: the time of the first snows. Against all good sense I set out from Stone Village too late in the year: now I search for comforting word images to accompany me on this journey. Just below the snowline I pass through a stunted forest of ancient walnut trees almost leafless; the unrelenting wind has dispatched them crinkled brown into the valley below. I see there a winding river. I see its distant lake. I think of this poem known since my teenage years, puzzled over that one could see in one sweep of the horizon a thousand peaks. Here are that thousand and more if the ranks of limestone pillars in these mountains can be counted as peaks. I count them as peaks. And those thousand paths? At every turn there is some fresh way falling into the valley, or a faint trail rising to the heights. But this path I tread asserts itself on the traveller. Its stones are worn and the excrement of passing pack animals sticks to my boots.

Last night a cave, tonight I will reach the village of Psnumako. My former guide provided its name with a disdain he could not hide. When questioned he warned me not to enter without a stout staff against the mastiffs that guard each house, supposedly ******* during the day but apt to break their bonds at the smell of a stranger.

The steep and ever steeper descent brings pain to my knees. At this hour of the day my body would prefer to climb to the heights, but descend I must. The cold, the damp cold begins to stiffen weary limbs. I am tired from a day’s travel, tired from three hard climbs, two descents and this, my third, to complete before nightfall. I enter a narrow gorge loud with clamour of running water, cascade upon cascade flowing from the heights, falling fast to the river soon to interrupt my path. I shall have to force a crossing. What passed for a bridge were two fallen pines lashed together.  Now they lie akimbo a little distant, thrown apart like sticks by the spring flood as the deep snows melt. I must divest myself of boots and lower garments and wade across, stumbling on stones up to my waist in swift waters, terrified under the weight of my pack that I will fall and be swept under and along. To travel alone at such moments is foolhardy, but on this cold afternoon I have no choice.

I am so intent on preparing for this crossing it is only when I reach the end of the path that I notice snow is falling, its flakes sharp and white against the dark-water flow. The whirl and turn of the water mesmerises. Fatigue, fatigue embraces me, a day’s fatigue holds me fast on the river’s stony side. I close my eyes and hear the water rush and place myself into the protection of a mountain charm learnt from a passing traveller. Dwarfed by the size of his burden I see him negotiate a narrow path high above a chasm; he walked trance-like to the intoning of this charm.

It is soon done, the cold crossing, and with a lighter step I walk the remaining leagues to the lake-side and sight of the village. There are the faintest sparks of light amongst the silhouettes of houses. Animals are being brought in from the home fields against the night. A sudden shout, the barking of dogs, and now the snow falls thick and fast.

The guttural dialect here is barely discernable as speech. We are from different worlds this shepherd and I who meet at the stupa guarding the village entrance. This is not a Buddhist shrine but an acknowledgement of some mountain giant of terrifying aspect. The shepherd sees my official insignia and nods, knowing I will require shelter. He utters what may be a welcome, but could be a warning, and leads me forth. The mastiffs leap and bay as I pass between the primitive two-storey houses, animals below, humankind above. He disappears. I stop and wait. He returns with a woman who beckons me to climb the ladder to what may be her home. A widow perhaps? She is alone unless the rank darkness hides a man or child. But there is none. I hear animals move and grunt under the floor, a mat of dirt and straw. There is a sleeping loft, a cooking corner. I can see little else. But I am out of the snow, the biting wind, the cold. She pulls at my cloak, wet and caked with ice. There is a bowl placed in my hands; a rough tea. I speak a greeting, but there is no reply just a rustle of straw as she moves across the room.

The stupor of a journey’s pause is upon me. After three days on the trail to the heights I am numb with fatigue. I need food and sleep. I need rest before a final trek into the wilderness. Beyond Psnumako Lake known paths end. Except for the tracks used by shepherds to move their flocks to different seasonal pastures, there is wilderness. I hope for guidance, for the whereabouts of the sages who, in the winter months I am told, leave their reed huts on the heights for caves in the lower valleys. I shall be patient, remain here a little while. I am now immune to the discomfort and dirt of travel. That is how it is. That is how is must be. I miss only the mental absorption of writing, the caress of the brush on a scroll. In my home in Louyang I keep brush and paper close to hand; wherever I may be I can write, even in, especially in, the privy. If a line comes to me I can write it down. Here there is only the comfort of memory.

To think that in the past I wrote of this mountain wilderness out of my imagination and the descriptions of others. I once thought of these remote places as havens of spiritual liberation.

In the hills there is the sound of zither.
White clouds stay over shaded peaks,
Red flowers shine in the sunlit woods
Rocks are washed in the stream like jade;

How very different is the reality of it all; in this emerging winter world of mist, where the sun rarely visits and most living things have departed, where wind colours silence and one’s footfall becomes consolation. The sound of stone rubbing stone on the path is the eternal present. There have been days when only a distant crow moves in the landscape. Lammergeyers are known in these parts, but I have yet to see one. If there are wild beasts, they shun me.

As this bowl of tea cools in my hands but warms my frozen fingers I form pictures of the past day on its dark surface. Before dawn from the mouth of a river cave I sensed changes in the qualities of darkness that have hidden the heights above me. Then a perceptible line appeared and divided the mountain from the sky. That line became variegated; there were trees bristling on the highest rocks. It appears that at this hour the prevalent mist settles in the valleys leaving the sky clear.

The woman comes to me. She kneels to untie my boots. She looks with a curious innocence at my strangeness, the distortion of my face, the cleft palette, the deformed upper lip, the squint of my left eye. She is kindly as I give her my best smile though my face seems frozen still. There is a whisper, a prayer of welcome possibly. Then she bows her head, unravels a long scarf to reveal a mane of oiled hair, and sets about removing my boots. I see only the top of her head, a severe parting, hair held tightly in wooden combs. I close my eyes to bring to mind the image of Xaoli, so slight in comparison, her butterfly hands flittering into and around my sleeves, her seeing touch mapping out the extent of me, each piece of clothing, only later my face.

My reverie is broken by the entrance of two men. They squat behind the woman and, after taking in my ugliness and my hairpins of office, patiently wait for her to finish and retire. We stand and bow, then sit again amongst the straw.

‘Honoured Lord, I am Yun. You have travelled from Stone Village? And beyond?’

I pass him the Emperor’s seal he cannot read, but remain silent.

‘You are seeking those who live in the heights? The village only sees their servants, young boys sent for a goat or flasks of barley spirit. They bring herbs our women favour. Some have seen their huts when seeking lost animals. Now it is said they are gathered in the caves like animals waiting for the spring moon.’

‘When was the village last visited by their kind?’

‘ Hanlu, my Lord, the time of cold dew, two boys appeared with a pony. There was trading. They brought Chrysanthemum flowers and herbs for two geese and wine. They left scrolls for passage to Stone Village. Now the snows fall we may not see them until the Spring’

‘How far are your summer pastures? Have you any who would guide me there ?’

‘We do not seek these places after the first snows. The sages haunt the region beyond Chang Mountain. Before the 11th moon you might pass into the valley of Lidong where it is believed their caves lie, but to return before the Spring will not be possible.’

‘How many days there?’

‘Allow four. A difficult way, unmarked, rarely trodden, much climbing. There is one here who we could send with you – part of the way, and at a price, My Lord. Dahan travelled two seasons since as groom to a party of six with ponies, but then in late Spring.’

‘I will stay three days.’

‘Just so My Lord. Xiu Li will see to your wishes.’

And they depart, Yun’s companion has remained silent throughout, though searched my face continually. By the door he places his hand against the stout bag that carries my lute. ‘Guqin’, he says tenderly.

This instrument is my pass to the community of the reclusive. I am renown for my songs and their singing. My third-best guqin has not left its bag since Stone Village and I fear damage despite all my care on the path.

Later, as the village mastiffs gradually cease their baying as the quarter moon rises I take this instrument and place it across my lap. Its seven silk strings I wipe with a cloth and gently tune with its tasselled pegs. I then prepare myself through meditation to avoid the intrusion of distracting thoughts. With my eyes closed I allow my hands to seek out and name each part of guqin: from the Forehead of the Top Board, to the String Eyes, the Dew Collector, The Mountain, Shoulder and Phoenix Wings, past the Waist, the Hat Lines and the Dragon’s Beard, to the Dragon’s Gums and thence to the Inner Top Board. I can feel the Pillar of Heaven – the sound post – has moved a little in my recent travels. So too the Pillar of Earth – but with care I move both to their rightful positions. And so on naming the inner and outer parts of each of the two boards that make up the guqin. I begin to regulate my breathing and allow the fingers of my left hand to stroke and touch, to press and oscillate in the manner of vibrato. Zhoa Wenji describes twenty-three kinds of vibrato. I feel in turn each of the hui, the thirteen gold studs that mark the harmonic nodes and allow me to play the guqin by touch alone. In these moments of preparation I hear the words of my teacher: a good player makes sounds that are plentiful but not confused. As the moon reflecting on water, so the sounds are together but not combined. Like wind in the pines, they are combined but also spread out. Such sounds are valued for their lightness. Avoid the addition of inappropriate  "guest" sounds. This is the refined theory of the guqin. To be knowledgeable about music, one must seek this, then one can realize its beauty.

I have tuned to the Huangzhong mode. The song *Amidst Mountains Thinking of an Old Friend
I have brought to mind. I recall the words of The Slender Hermit who says of this piece that its interest lies in holding cherished thoughts, but having no way to tell these to anyone. There are emotions about the present time, longings and laments for the past, but there is no way to express any of this. And so this piece.

In this poor reed hut the room is filled with mist and haze,
how far away are the things I love;
the old plum tree seems exhausted, its flowers about to die,
the mountains are lonely and I am nostalgic for past times.
The moon shines brightly on this lovely evening,
from this distance I think of my old friend and wonder where he is.
The green of the mountains never fades,
but before I know it my hair will turn white;
the moon is waning and flowers wither,
Old friend, I dream constantly of meeting you.
How hard it is to recall the joy of our last meeting!
With the many mountain ranges,
and its hidden tigers and coiled dragons,
I am unable return to you in Chang An.
The road is distant, the tall trees make the road dark,
and the world is vast.

I mourn Aquila and Lyra
separated by the Milky Way like the cowherd and weaving girl,
on the ground we are separated by 1,000 li
in the sky we are each in a separate place,
though our passions remain strong
There has been no warm correspondence,
there is restraint to the bright harmony,
and the flowing streams are swallowed by the setting sun.


The thought of this song of mid autumn touches me before its words have issued from my lips. I play the last two lines in harmonics and sing.
Zuo Si was the brother of the courtesan and poet Zuo Fen. This short story is based on a chapter from my novel Summoning the Recluse. The opening poem appears in a translation by David Hinton from his collection Mountain Home.
There is beneath us the progenitor and we call it “Mother”. Above us is the progenitor and we call it “Net” for it takes us and tosses us into the known and the unknown.

Our home star is not as bright as yours. We prefer your temperate lands when we visit, where the vegetation is lush and green. Those of us who remain inhabit your deserts and open spaces.

We are your brothers and sisters. Our development has been to grow in awareness and the development of our power. You have the potential to develop as we have, but your instincts are of a social group who need dominant members. You develop your material reality and your physical world. Your anchor is fixed and you grip the familiar and reject the unknown. There is a comfortable point where you feel the fullness, that is the anchor. In order to maintain this as a static point you develop belief systems to support it. This is your weakness, you are innocent children.

We grew and developed along another pathway, our anchor is not  rigid. We use Net for our anchor and so are able to change our perceptual reality. We move in ways that you do not understand and in any direction. We draw the fibers of Net around us and jump and fly. You see us only from your anchor point so that you see us change shape, appear and disappear.

Our voices and languages are barely accessible to you. You hear deep sounds and high pitched chirruping and whistling. Very few among you have remnants of language incorporating any of these. Those remaining are as clicks and whistles. We prefer direct communication.

We are masters of illusion. Our survival has depended on it and it is our instinct.
Our power developed so that when we pull around us the fibers of Net we create a shield and throw an illusion before those who depend on vision. It is one of our protections and also our hunting technique. We are hidden from your material probes and instruments of increased sight in this way.

Although we have been close neighbours for aeons, you have hardly seen us, except for the Few. Your interpretations have created problems for you. Your reliance on the anchor is so great that some among you do go to great lengths to maintain it. There are those among you who will silence the Few rather than lose the fixed anchor.

You are infants only, a seeding coming to fruition, and you play with dangerous toys. Your anchor is geocentric. You are in danger as is any youngster who plays with fire. If we showed you ourselves openly your rulers would not be gentle in their curiosity. We have technology and use material tools but we have had less to restrict us. We held back your development as much as we were able to enable you to develop power of the mind and independent thought.

Your grasp of Net is strong but you are rigid and anchored. You have learned to stand up and hold on. Now is the time to let go and walk, let go and run, let go and fly.

Around what you name “body” and believe to be “All” is more that you do not perceive with your restricted vision sense. You are aware of this. If you will learn acceptance and filter less from your senses, you will find the beauty of the universe of energy around you and available. A small perceptual shift would show you how you appear to those of us outside your narrow sphere.

Your body has filaments, which when translated to sight, appear as small moving threads which shine with rainbows. They move and ripple inside an energy body of light. This is your true body. It has abilities and senses that are dormant as you do not access them. They are accessible but as your anchor renders you blind to this you do not use them without intense effort or instinctively in extremity. The filaments are drawn together and pass through the anchor. Depending upon your ability to select filaments of the Net, your habitual plane and reality is selected and determined.
Those among you with abilities in your energy senses you ostracise and even ******. You succumb to misinformation to treat them as fools or freaks. This may be instinctive but it is a control mechanism to perpetuate the anchor and maintain the hive of your artificial society. So due to this, you have even less sense of true reality as it could be to you, by breeding out and suppressing your gifts. We have attempted to rectify this with limited effect in successive seedings.

You may notice that our words to you have reference to sight. Your terminology is geared to vision. You rely on visual information  so much that you have neglected physical senses of taste and smell, hearing, touch and proximity. Compared with our perceptions you are as blind as a mole is compared to to your visual abilities.

Your construction of reality is so anchored that your dangerous inclination to gather around you artifacts gives to you a sense of permanence. You are anchoring yourselves in time, yet to you it is dead because your senses are dead. There is an opportunity for your predators to use this to enforce your perception of, and control you within, your anchor's limitations. In this way, producing written or pictorial and symbolic records in permanent form is beneficial only so far as understanding continues to exist of the conditions under which these records were left. By changing current understanding and language to suit their purposes, your enforcers are able to manipulate your branch of humanity on a large scale.

You seal yourselves into the rejuvenation plane of the Mother progenitor where you feed and breed. It is so pleasurable to you to stay within this cocoon of reality that you fail to open your cast and therefore fail to fly into the spaces of Net outside where your true inheritance lies. The end result of this is greed and unrest. Your greed is paramount to you as you seek ever more pleasurable gratification. You enslave one another, buy and sell time and forget what you are. You are allowing the destruction of your home world. Without the home world you will have no place of rejuvenation, and worse neither will the myriads of others who share this progenitor.

There is a song from each mother progenitor within Net. It is a combined song and made up of the host progenitor together with silent voices of each and every life form. Together from each home world, the inhabitants send out a pulse. This is not a song from one species of a world but rather it is a song from all species, in fact every particle of every organism that lives.

To our developed senses the song of a world is brighter than the star it orbits. They are filaments of Net. The varied forms of life all send out their unique song. Many of us interact, harmonise, visit, commune and combine. You feel isolation only because you fail to harmonise and join your own song.

In your past and present we have felt the song of your world. Those of us belonging are part of that song. It is the song of being from the many. It does not end at the perimeters which you imagine. You have a problem in that, for the majority, you do not join your voices to the song. Mainly it is in dreaming, in childhood and in old age that we hear you.

We attempted to observe and commune and found many of you receptive to us. We have taught to you methods of development and given you gifts and tools. You have kept and preserved some of this knowledge only for a select few. Fears and distrust among others has caused destruction of a great proportion of the gifts that we have given to you. We found many lines of breeding where potential for development was possible. Your greed and your predator class destroyed many of them due to the competitive desire to have power over others.

In past seedings upon your progenitor and in the oldest times of your present incarnation, we have been known well and respected. Acknowledged for our seniority and loved as cousins. You did call us gods to distinguish our abilities. Then what did you do? Your control mechanisms changed the meanings of your language, whole languages were lost in wars over territory. You developed power structures and religions. Powerful rulers accumulated and isolated your shared knowledge.

You reduced your development by selective education in the Way. Territorial disputes and greed over resources divided you. You ceased to listen to the Mother. Instead of harmonious living which you had managed in agreement with each other already, you were divided by hormonal impulses, insecurity, violence and greed. The natural openness of the female within it's central domain became enclosed, imprisoned and the natural desire of the male to outwardly discover and interact was turned inwards until it became a sedentary desire for dominance within the female domain. You lost the harmonics of the song. Your religions underestimate the power of borrowed tools. Your ruling classes made deals that they didn't understand, with predators they didn't recognise, in order to save themselves.

We stood on ground over ground and were called Immortals. We gave you wisdom and were called Kings. We moved and played among you and were called Jinn. We moved among the small folk and were called Faerie. We appeared in light and were called Angels. We wandered in places where you too did once wander and were called Ghosts and Demons. Those who spoke to us and attempted to impart to your hive our knowledge, you raised as prophets or slandered and ridiculed. You stole their words to make them your own words of power, changing them to your own ends or you murdered the messengers because you feared the changes that increased understanding brings.

You incorporated the experiences of your murdered victims into a celebration of your own power structures, twisted and out of synchronisation with the song. There are some among you who are in communion with the Great Spirit of life. We seek to heal your song, your complete home world song for the benefit of the myriad sentient beings who rejuvenate here, including yourselves. We seek to set you free to wander the threads of Net. It is within your reach but not in the ways that you  are taught.

Your world is about to change and you must change with it as you are a small part of it. Holding the threads into your own anchor point will break them. You have reached inertia, entropy. The movement has to come, it is inevitable. Imagine one of your large machines of cogs and wheels and bars. Your insistence upon a rigid anchor is like a bar within the machine that doesn't move. A point of inertia in a moving system will be removed. This has happened over and over among your kind and our kind in many places and worlds. You do not remember when worlds underwent cataclysm, forgetful of trauma you have followed a similar path.

We travel along pathways of energy, both upon worlds and in the Net. Moving bodies follow these paths. We follow comets and small bodies able to move freely within Net. Net permeates your mother progenitor.

Survivors mapped the movements of Net after the slate was wiped clean and you were reseeded. There is a secret that your rulers are aware of and you are not. The secret is that there are no rulers within Net. You all have the freedom and capability to access true harmony of the song. You allow a faction, to call themselves an elite class. You fear this as a hidden power, a predator. It's aim is to amass Time: a power based on material wealth. They take this power easily as they have taken and twisted truth and history. The gifts are shared among you equally and these few know this. Resources are plentiful and yet you succumb to their restrictions. A predator cannot survive without it's prey. We are not your predators although we move among you. Your predator is within and feeds upon your fear.

You are not in the tribes now, you have no shaman, no guide to take you in and out of the gate and this role cannot be allocated to parasitic Blind Time Hoarders. These whip up your passions and lead you into war and destruction to further their material wealth. It leads you away from the song, as these think to enhance their own survival which it may do but never can as they understand it. They seek to steal your dreams and make them their own, they are helpless without you. They care nothing for the song because they are aware of successive seedings.

Net is a dream reality, changing, immeasurable, boundless, filled with infinite possibilities and you are creators. Blind time hoarders drive you by combining the minds and dreams and belief systems of many to focus onto what they themselves desire, in order to bring it to fruition. They employ dream stealers to prevent your development. They believe that their own song can exist independently and they guide you only to anchor yourselves into your own prison.

All is a dream, all is ephemeral, changing, dynamic. There is no death after death, no damnation on any particular plane. Reality is how you construct your song. Your rulers create inertia for you the many and profit for themselves using you as the tools of your own entrapment. There is no death and no damnation, they are constructs of your reality made by material anchor points and you are controlled by fear of the inevitable. It is a statecraft to use belief systems to control perceptions of reality in order to fix the anchor point to a rigid point of convenience. In this way you are farmed, you are a crop in each seeding. Who seeds you? You seed yourselves. Sentient beings are all naturally regenerated by the mechanisms of Net when conditions exist that are compatible, world after world, in each growth cycle of every celestial body. In the regeneration, holding to your rigid anchor point, you seed into your prison after each cataclysm, each breaking of the inertia.

If you would be open to the mechanisms of the place you inhabit with it's creative forces, it's sentience and it's dynamics you will learn to fly the progenitor Net's pathways and return home for rejuvenation to your progenitor Mother of the tribes.
I wrote this a few years ago. It's a bit long
Bardo Apr 2019
I could spend my life in the supermarket, going around the aisles
Walking among the plentiful and the abundant
Looking for things to help plug the holes inside,
Looking for something, hungry for something, I don't know what
But something that probably can't be found on shelves
Something that was maybe lost a long time ago.

I seen her first among the cauliflowers
I was looking at the lettuce, but only just
Secretly, like a crack detective, I was watching her
Beautiful blonde Venus, tall and willowy, all by herself,
I watched her buy some broccoli, then move over to where the
    fruit was
There she picked some pears and some bananas -
"Mmmm", I thought to myself, " so you're into healthy eating,
    you still strive to maintain your health
You must still believe in life and things like love and joy
    and hope".

A little while later I seen her again, she was buying a Victoria
    sponge cake
And looking rather wistfully I thought at the huge array of
    chocolate bars and sweets
"A-ha!", I thought as if I'd caught her out, as if I'd found her
     weakness, her vice,
" So you lack sweetness in your life and you try to compensate
      with these"-
Well, not to worry, sure I often do the same thing myself
Temptation Alley I call this aisle - this place
You know, and here's a thought, I! Me! I could be your little
    Sweetie and you my little Honey pie
You wouldn't need to seek this kind of comfort anymore
I could give you words, I could give you lines, O! the lines I
    could give you
Thousands of words running in syrupy streams, sweeter than
     the sweetest honey
That'd dress you up in fabulous gowns, make your eyes widen
    in awe and wonder
Sparkle vivaciously like glittering sunshine on a sea in Summer,
I'd build you up, not knock you down, no! I wouldn't let you fall
The sun it'd always be shining in your heart ".

Next time I seen her, she was in among the wines
Looking a little bit lost like myself with all the different labels
" So!", I thought, "you like to kick loose sometimes, you like to try
   and shake off the shackles that bind, the shackles of your mind
You yearn to be free and wild again, just like you were when you
    were a little child,
To escape all those unpleasant restricting voices, old ghosts from
     the past perhaps
Or maybe dark monsters this world planted inside, that won't go  
    away
You want to make them all seem so crazy and funny and mad
I know, I know, it can get too much sometimes, can be hard to
    take
You know, Me! I'd do battle for you I would, I'd be your brave
    and valiant knight
I'd face down those awful dragons, I'd lance them and trounce
    them, I'd show you the truth
That they were always only mere shadows without any real
    substance behind them,
O! I would".

It was funny but it seemed that wherever I went she was there
    also
That wherever she went was some place I myself would go
It was like her shopping habits were a direct mirror image of
    my own.

She came up real close to me in the pet food section to get her
    cans of Whiskas
" So you own a cat too, I bet he sits on your lap and you stroke
      him gently
And whisper silly funny little catty things in his ears..."

In the herbal bath and fragrances section, she was waiting for
   me again
"So you like to soak in a hot tub, lie back and let the whole world
    just float away,
I could light some scented candles, give you a nice soothing rub
Put on some nice soft calming music, together we'd make an
    otherworldly place
For ourselves that no one else could find - it'd be our special
    place".

I met her again, this time browsing through books in the Books
    section, she was reading the blurbs on the back covers
I could see her thinking, trying to decide which one to choose,
" I hope you pick a good one, that'll make you happy, make you
    laugh and smile
Not the kind that'd make you shiver, cast a shadow over your
    world",
I watched her move over to the music CD's...sad songs and love
    songs, still the romantic I see,
I could see her sitting at home with her cat, reading her book,
    listening to her favorite songs
Dreaming of other lives she might have had and the heroes she
    might have been,
"But we can be heroes still, you and I, heroes of our own lives
We could write our own books, sing our own songs
We wouldn't always have to be looking over at them and theirs,
We could build a world we'd love to look at and wake up to.
O! Yes...yes we could".

I grew curiouser and curiouser about her
Once she turned around and glanced at me briefly, but only for a
     second
She had these wonderful big blue 'rescue me' eyes.

She reached the checkouts first
By the time I got there, there were other people in between us
I watched her, she smiled faintly at something the checkout girl
    said,
She looked like someone who didn't smile an awful lot,
" What a pity, what a shame", I thought, "someone who looks like
     you do".
I wanted...wanted to say something to her before she left the
     store,
I watched her fill her bags, then head to the exit door
I could feel her slipping away from me
" C'mon, c'mon", I thought impatiently as the checkout girl,
     she leisurely scanned my items,
Paying her quickly I bundled everything into my trolley and
     took off in a hurry,
Inside me a voice was shouting "Don't go! Please don't go! throw
    me a lifeline too, won't you!
Because sometimes I feel... sometimes I feel I myself I'm
    drowning, that I need rescuing too".

I could see her car pulling out, it was a small car just like my
    own, nothing fancy,
But wait! There was someone with her... a man!... another man
I was crushed/ torn inside," But I knew you, I understood
    you...better than he ever could",
And then... and then she was gone,
I was just left there standing in the car park with my shopping
    trolley.
Looking down at all the things I'd bought, all the things that me
    and her liked
I thought for a moment that they might magically transform and
    that she'd be standing there one more time, all vibrant & alive
But no! I guess that could never be.

So she went back to her world and I went back to mine,
I went back to my cat and she went back to hers and her man,
She had become just another thing now, just another thing I
    couldn't find.
Going to the supermarket won't be the same again. Quite sad this, a career in Mills & Boon beckons.
Nat Lipstadt Sep 2022
Sep 15 10:45am
Silver Beach, Peconic  Bay, Shelter Island

it is the day of the twixt and tween,
64°, stolid breeze on a bright sunshiny day,
but no question, we are well ensconced in
**** season, overlooking the shadowy, dry, speckled
blotchy, thirsty grass, and an empty bay, sails put aside

it’s a normal/semi-normal moment,
simultaneously secular and heaven blessed,
the stimuli of the quietude is the outlier,
it’s quantitude is overwhelming, it’s amplitude,
a wave of farewell humbled hushed rumblings of wind and
the drip of dropping leaves that fails to puncture
the total absence of noises, human et. al.

shirt off, chest wet & warmed, a light jacket,
my wrapper from the firm chill,
an undeniable temperate moment,
for this is an interlude day,
a goodbye and hello
shucked/unshucked poem,
the only semi-frisky item on the menu

even the animal kingdom respectful,
recognizing the sorrowful solitude
of this single intruder, so no cawing, honking,
even rabbits quietly chewing, their senses understand
this is a  remorseful write on a beauteous 1/365,
an adieu + au revoir script to
this island

but then the sign!

between Silver Beach and Noyac,
three heads a-bobbing,
white throats and white underbellies upright,
too far away to be heard,
but I swear I hear the purposeful porpoises saying:

“Adieu! Adieu!
until we see you and yours
once more,
for many more,
till then,
we await our mutual sheltering together,
in our shared waters”

<>

our summer palace,
where the sum of each newborn morn,
begins a life extending day, offsetting the aging of cells,
and softee smiles of children are botox injections,
directed to the soul’s lining,
an antigen antidote
to the toll time’s antibodies extract,
time units recorded and kept hid in the
the surround sound
of a special silence,
the sounds of rays twinkling
upon the waves,
reminders to everyone
that we are merely
betwixt and between
a plentiful heaven today
and a
plentiful heaven tomorrow
E McNamara Jun 2018
My lips are fresh berries
And my heart, a creamy peach.
When I speak,
My mouth drips mango juice,
Delectable and raw.
My mind is plentiful dragon fruit.
My eyes are green melon,
Bright and dewy.
My fingertips, fragile blackberries,
Tender and rich.
My lungs are tangy lemon slices.
To match my lemon soul-
Consuming crisp air.
My tongue, pleasant as pomegranate
**** and joyful.
I am alive.
Can you smell the peaches?
Poetic T Jun 2016
She walked through the streets in her shimmering
dress that hugged her skin as if part of her being.
Speaking in tongue misunderstood by thought she
stared not at you but within you as if she was gauging
the purity of your inner grace.

"What's a pretty girl like you doing alone?

"Where did you fall from,

One goaded, smiling she replied,

"I fell a long way down,

"Dii me ridere, [loosely translated]
"The gods are laughing at me?

She smirks at those in plentiful urgency to expel
what time they have on tribal necessities.
Wondering into a alleyway she had a few to choose
from but this one barely lit.

The spider and the fly came to mind, but who
was in the web and who was but a husk waiting to decay?

"Lady you going to have a bad night,

"Bad night, try bad millennium you apes make me laugh,

"Who you calling ape woman?

"Lets see your hairy, you smell, and you scrape your
hand on the ground, no sorry ape is to good for you organisms,


Her dress seems to separate and he hair lengthens to hide modest
of a body of perfection. before there eyes is an angel but her
feathers are as onyx as coal. "See my true from, As screams
bathe the walls and wisps of smoke ascend not to heaven
but fade in the wind. Eyes are charred echoes of where sight
Was blessed now eroded into husks of nothingness.

"Silly little things, when will they learn that there are things
in the night you shouldn't play with,


Walking out of the alley a smile on her face, she hadn't
had that much fun in a while. Scorching a soul wasn't
fun but they weren't worthy of it any way. Now she
was off to see what this nice little black number
would help to get a free drink or two.
george Mar 2017
Outside the white walls, symmetrical pillars, and broken windows do I find solemn within these saints and sinners and colorful people trudging down the hallways of unwashed history and flaunting peso bills all over the skies of painted jazz

The one that is running to the bottom of the staircase holding a box of cigarettes and a mouth full of curses- striding all over the barlights of blissful BGC and numbing taste of bitter alcohol in Taft- wandering on the streets of neon traffic lights and a plentiful of terrible people.

The one that is contemplating heavy metal (!) and bring suitcase for a living-walking faster than a madman of a classic 1980’s horror flick but talking like a dead man, grudging and grumbling his collar, mentally inspecting his fat books and depressing academic memories, calling on the birds of personified freedom weeping beyond his words and scratching his head with that awful haircut looking for a blessed be redemption.

The one that is like Sheila, hands on the wheels with glass-plated stilettos and terrible taste in music, bruise and battered chin, wounded shin and complete with broken dreams –flattered her way up to the pool of stingy bureaucrats and hateful hateful daughters of sacredly publicized personalities continuously eating her tossed salad and puffing marijuana to suffice her thoughts off dull memories and empty void of a brain’s one’s gaped hole.
She can’t be bothered to find peace in her ******* because one must work hard to the top of the social strata!

The one that is gifted with prophesy and hypocrisy of pretentious façade writing broken poetry- creating **** films for a living while dressed in his chelsea boots and pain-bearing insecurities of beautiful nightmares and leather bags of no significant purpose but to seem delight on all these saints and sinners and colorful people

Spilled out of my random thoughts and shapeless blossoming rainbows of emotions and grievances in all things I find goodness on the beautiful surface of that white wall and stubborn-looking beardless hip-hop heads with overpriced headphones and greasy Drake shirts and magnificent bomber jackets from angelheaded fuccbois with mom-washed jeans skinny trousers left them much to be desired and compounded inside the school of design and arts.
inspired by Howl by Allen Ginsberg
Colleen Brown Aug 2014
This might not be a poem: more so a realization at most. The complaints I have throughout the day are anything but morose. Walk an hour in another man's shoes, and suddenly life has so much more I could lose. Where could I be in that first step?

I could be standing in the flip flops of a beautiful friend , taking care of four children as a new widow.

I could be in sneakers as the man  selling newspapers in the desert heat day after day.

I could be in a different shoe every day, as a comedian loved by all, who could make everyone laugh, but himself.

I could be in heels in a doctors office, facing the reality of only a few months left.

But I'm not. My shoes are worn, but my heart is not. My days might be long, but my bed is warm. The jobs I work help keep our bills paid and our food plentiful.

I was going to complain today: but when I realized how beautiful today was, I had nothing to say.

Where could you be, in that first step?
ARTICHOKES are very nice roasted with pine nuts

Who likes BANANA cream pie?

They say that eating CARROTS improves your eye sight

Along the river Nile there are many DATE palms

ELDERBERRIES make a flavorsome wine

Piths from a FIG can easily get stuck between your teeth

Nape tape and shape all rhyme with GRAPE

HORSERADISH has a hot tangy taste

ICE-PLANT is a much used vegetable in Chinese cookery

The oil extract from JUNIPER BERRIES produces quine

My sister likes KALE steamed with lemon rind

It is so nice to munch on a LETTUCE leaf

MANDARINS are presently plentiful at the green grocer's

NEEPS can be mashed or left whole

On a hot summer day chilled ORANGE juice goes down well

Has anyone got a good PUMPKIN scone recipe?

Lashings of QUINCE jam were spread on my toast

The lady next door grows RHUBARB

SPINACH gave Popeye much strength

Smothering sausages in TOMATO sauce is sensational

UGLI is a member of the citrus family

In New Orleans you'll find fresh VELVET BEANS

WATERCRESS salad is so easy to prepare

XIGUA is a type of WATERMELON

YAMS are a staple of the New Guinean diet

ZUCCHINI bread is delicious fair
Poetic T Jul 2015
An urban legend of sorts they said, of a tree, of a
branch that took any weight given. it has nickname
It had a place in secluded nature where no one seen.

"The *** tree,

"Really,

"Ye but you have to watch your step,

"Why??

"Well lets just say its a well fertilized ground,
"The earth and plants feed well on the,
"Sap,
"Seeds,

Not from one but the many, I heard the branch
Can take any weight, a gentlemen of plentiful weight
Tested the legend and got stuck **** naked
Not for a,

"Moment,
"Minute,
"Hours,

"Was he stuck, birthday suit and all,

His lady friend had jogged off with wallet and all,
Its on YouTube,
Called tree hugger nudist,

There is loads of dents little *** holes,
Some say its all the ***** *******,
So many hard ones poking dents,
indentations forever of ******* against this tree.

"I've been their done that,

Really,

"Never again,
"Were standing on this branch,
"What's that look for,

"Nothing,
(Giggles under breathe)

"Getting into the moment,
"Thought sap,
"Tree sap,
"Was seeping in to my hair,

"Don't stop what happened stuck,
"Pants down skinny **** man up tree,
(giggles loudly)

"Dude I'm 6 foot 5inches,
It was sap of a different kind,

(Gags in mouth)

No Fudging way,

Yep that's not the worst,

"How the hell does some one seed a tree that high,

"It was like the tree was ******* itself,

"Old juice, sap, Klingon,
"What ever I throw up on her,
She bit down,
I, we feel three feet out the tree,

"So that's what the plaster cast is from,
"Is that why your walking funny,

Twenty nine stitches its like something
From a Frankenstein film,

Never again my friend a bed is where ill be from
Now on, she fell in a puddle of Jib juice triplets
She had all three different, DNA tests on all
Who visited the tree.
As a video recorded of all who entered,
Just not the naked bits seen.

"Nature can keep its *** tree,
   "I'll be lucky if mine works again,
"Mine isn't wood its a limp branch now,

"Dude you got ****** by wood,
"Bitten limp by teeth,
"Unlucky bro,
"Hahahahah,
*"Rather you than me,
A little Indian temple in the Golden Age. Around it a garden;
around that the forest.  Anashuya, the young priestess, kneelinq
within the temple.
Anashuya. Send peace on all the lands and flickering
corn.  --
O, may tranquillity walk by his elbow
When wandering in the forest, if he love
No other.  -- Hear, and may the indolent flocks
Be plentiful.  -- And if he love another,
May panthers end him.  -- Hear, and load our king
With wisdom hour by hour.  -- May we two stand,
When we are dead, beyond the setting suns,
A little from the other shades apart,
With mingling hair, and play upon one lute.
Vijaya [entering and throwing a lily at her]. Hail! hail, my
Anashuya.
Anashuya. No:  be still.
I, priestess of this temple, offer up
prayers for the land.
Vijaya.  I will wait here, Amrita.
Anashuya. By mighty Brahma's ever-rustling robe,
Who is Amrita? Sorrow of all sorrows!
Another fills your mind.
Vijaya. My mother's name.
Anashuya [sings, coming out of the temple].
A sad, sad thought went by me slowly:
Sigh, O you little stars.! O sigh and shake your blue
apparel.!
The sad, sad thought has gone from me now wholly:
Sing, O you little stars.! O sing and raise your rapturous
carol
To mighty Brahma, be who made you many as the sands,
And laid you on the gates of evening with his quiet hands.
(Sits down on the steps of the temple.)
Vijaya, I have brought my evening rice;
The sun has laid his chin on the grey wood,
Weary, with all his poppies gathered round him.
Vijaya. The hour when Kama, full of sleepy laughter,
Rises, and showers abroad his fragrant arrows,
Piercing the twilight with their murmuring barbs.
Anashuya. See-how the sacred old flamingoes come.
Painting with shadow all the marble steps:
Aged and wise, they seek their wonted perches
Within the temple, devious walking, made
To wander by their melancholy minds.
Yon tall one eyes my supper; chase him away,
Far, far away.  I named him after you.
He is a famous fisher; hour by hour
He ruffles with his bill the minnowed streams.
Ah! there he snaps my rice.  I told you so.
Now cuff him off.  He's off! A kiss for you,
Because you saved my rice.  Have you no thanks?
Vijaya [sings].  Sing you of her, O first few stars,
Whom Brahma, touching with his finger, praises, for you
hold
The van of wandering quiet; ere you be too calm and old,
Sing, turning in your cars,
Sing, till you raise your hands and sigh, and from your car-
heads peer,
With all your whirling hair, and drop many an azure tear.
Anashuya. What know the pilots of the stars of tears?
Vijaya. Their faces are all worn, and in their eyes
Flashes the fire of sadness, for they see
The icicles that famish all the North,
Where men lie frozen in the glimmering snow;
And in the flaming forests cower the lion
And lioness, with all their whimpering cubs;
And, ever pacing on the verge of things,
The phantom, Beauty, in a mist of tears;
While we alone have round us woven woods,
And feel the softness of each other's hand,
Amrita, while -- -
Anashuya [going away from him].
Ah me! you love another,
[Bursting into tears.]
And may some sudden dreadful ill befall her!
Vijaya.  I loved another; now I love no other.
Among the mouldering of ancient woods
You live, and on the village border she,
With her old father the blind wood-cutter;
I saw her standing in her door but now.
Anashuya. Vijaya, swear to love her never more.
Vijaya. Ay, ay.
Anashuya. Swear by the parents of the gods,
Dread oath, who dwell on sacred Himalay,
On the far Golden peak; enormous shapes,
Who still were old when the great sea was young;
On their vast faces mystery and dreams;
Their hair along the mountains rolled and filled
From year to year by the unnumbered nests
Of aweless birds, and round their stirless feet
The joyous flocks of deer and antelope,
Who never hear the unforgiving hound.
Swear!
Vijaya. By the parents of the gods, I swear.
Anashuya [sings]. I have forgiven, O new star!
Maybe you have not heard of us, you have come forth so
newly,
You hunter of the fields afar!
Ah, you will know my loved one by his hunter's arrows
truly,
Shoot on him shafts of quietness, that he may ever keep
A lonely laughter, and may kiss his hands to me in sleep.
Farewell, Vijaya.  Nay, no word, no word;
I, priestess of this temple, offer up
Prayers for the land.
[Vijaya goes.]
O Brahma, guard in sleep
The merry lambs and the complacent kine,
The flies below the leaves, and the young mice
In the tree roots, and all the sacred flocks
Of red flamingoes; and my love, Vijaya;
And may no restless fay with fidget finger
Trouble his sleeping:  give him dreams of me.
spysgrandson Nov 2015
brushstrokes, some broad,  
some as narrow as one fine hair,  
are often red  

scarlet and scattered
across the canvas, splattered
against a crumbling wall, where,
for no rhyme or reason, the artist
may place a wilted wreath of flowers,
pallid, yellow
      
horses and people, babes
and the ancient not spared  
their share of the crimson cream  
the painter heaped munificently
on their mangled remains

Paris, Beirut, Yola yet to be painted
but there is still time: in its abundance
someone else will need only lift a hand  
to spill the ubiquitous blood      

our palettes do own other hues
black for charred crosses, white,
the lightning streaked screaming sky
but  none so plentiful as the red  
none so plentiful as the red
Darvoid Mar 2014
Poor poor toothbrush
Precariously perched upon the porcelain precipice
Each night I push your plastic pricklies into my plentiful plaque
Only to reduce you to your perch
To ponder your pitiful plight
I commited this to memory from my childhood. I don't know who wrote it. There was a cartoon attached of a little dog looking up at the toothbrush on the edge of the sink.
Anon May 2014
Upon the loss of the dinosaurs, so plentiful,
Back in the land before time when life wasn’t so dull,
Tall trees, blue skies, green grasses, deep dark water,
Nature as it was meant to be, with volcanoes that couldn’t be hotter.

This was the world you lived in before it came to an end.
A meteor? A flood? Maybe. But obviously it was something you could not mend.
Velociraptor, T-Rex, Triceratops, you’re all gone.
A species once so valiant, nobody stood in their way, not one.

Shaping some of the animals we have today, dinosaurs are like, square one.
From a 40ft menace to a lone iguana, isn’t evolution fun?
The highlight of the prehistoric era,
If you think I’m awkward because of my enthusiasm for dinos, then call me Michael Cera.

Like a bad ending to a good movie,
Your demise was something that nobody wanted to see.
The world would be a better place with a dinosaur here and there.
Some people wouldn’t be a fan, but does it sound like I care?

I think every single dinosaur is badass,
Even the herbivores that only eat grass.
If you’re the type of person that’s glad dinosaurs are dead,
Then I wish it was YOU that was hit by the meteor instead.
my first dinosaur sonnet got me in trouble with my then english teacher. it was rough. so i wrote a second one.
Cecil Miller Dec 2015
It was All Hollow's Eve.  

From all around people were coming to the south eastern seaboard to pay homage to the full moon, and beseech the moon to bless them in the upcoming harvest season.

As was customary, the people brought their bongos to attract the attention of the moon. The drummers settled across the length of the beach in many little groups and began drumming their rituals. They drummed for many reasons.

To this ceremony came a young boy.
He was a quiet boy from a tribe of very meager means. He did not have with him a bongo, ornate and with a bold resounding rhythmic thump. All he had to bring to the ceremony was a single tiny bell and a sounding rod with which to strike it. The bell, when struck, would render a soft, high pitched ring.

The boy knew it was a drum circle and not a bell circle, but he wanted to be a part of the evenings events.

The sun was beginning to set and the drummers had begun.

The boy with the bell joined a group of drummers who drummed to ask the moon that the breeze would be cool and gentle, instead of savage and destructive. The boy was feeling the rhythm, and when he felt he was found the place, struck the bell with the sounding rod.

The drummers stopped drumming. One of the drummers, an older boy around the outside of the circle shooed the young boy with the bell away from the group.

The young boy felt sorry. He hoped he had not been to much of a disturbance to the circle. He walked down the beach a little way. The faintest sparkling of a few stars could begin to be noticed in the sky. The sun had nearly set.

Another circle of drummers drummed so that the moon would intercede with the vast ocean and ask that the tide be gentle instead of large and destructive to the crops in the field.

The small boy liked the rhythm made by the various hands rapping on the tight skins and the sides of the bongos. He could hear in his mind how his bell might fit in with this rhythm. He was patient. He waited. When he felt it was just the right place, the boy struck his bell with the sounding rod.

The drumming ceased. Many drummers scowled at the young boy with the bell from a far off village. One of the drummers waved for the boy to go away from this circle. He pouted a little and left.

The boy did not mean to cause a disturbance. He had only wanted to join the ceremony.

The sun had long since set. The moon and stars illuminated the sky like a silvery blanket. The boy felt the love that was on the beach deep in his chest. He began to smile.

The boy was drawn in by the rhythms of another circle of drummers who were drumming to ask the moon that the crops be plentiful with fruit, the goats to yield plenty of milk, and the chickens many eggs.

The boy thought he might try one last time to find a place for his soft, highly pitched bell tone. He was hopeful because a few of the drummers were rapping and shaking beaded pottery. Surely this circle would be open enough to allow the boy with the bell to join in and help beseech the moon.

He waited and listened. When he felt that he had found the right place in this rhythm, the young boy struck the bell with the sounding rod.

Once again, the drummers stopped. A man wearing a frown pointed sternly with an outstretched muscled arm and sent the boy further down the beach where there were no more circles of drummers.

His head hung low, and with nobody around to see, the young boy with the bell who had been sent away from all the drumming circles on the beach let heavy and hot tears roll down his face and drip from his round cheeks.

"Do not cry, Young One, " the boy heard a soft voice say.

The boy took a breath and the raised his head. Standing before him was a woman in silver robes fettered with strands of fiber shimmered like stardust. A soft mist surrounded her.

"The tone of your bell was most pleasing to me because it was possessed of a sincere gentleness and simplicity that was unique among a multitude of sounds that all bore a similarity to each other. By the time they reach the heavens, they are all the same.

Because your bell was different, it got my attention.

Because you rang your bell with the first circle of drummers, the wind will be gentle. Because you rang your bell with the second circle of drummers, the ocean will be calm. Because you rang your bell at the third circle of drummers, the crops and livestock will produce a plentitude."

The young boy could barely believe what the beautiful woman had said. She seemed to be cloudy through his lingering tears. The boy brought his palms to his face to wipe them from his eyes. When he looked back up to see her clearly, she was gone.

The round full moon was brightly shining in the midnight sky.
This is an original short story. I got the idea on my first night I moved to Miami on South Beach in 1999. There was a young adult latin male who kept going to the different circles and sounding a bell, trying to find his place in the various rhythms ,but getting scowled at by some people, so that part is mostly true. The rest is from my imagination. The bell and the sounding rod are metaphores for the boy's love and hope. It is prose, rather than verse. I wanted to capture a feel kind of like The Velveteen Rabbit, my favorite children's story. I hope you enjoy it. Many of the elements are mystical and poetic. I retain the ownership and all legal rights to this story. Written on 12-15-2015
Do we have any idea?
Have we even got a clue?
Can it be that we don't give a ****
what others are going through.

Are we so wrapped up in selfish mode?
So devoted to our own.
That we should sit back and watch
as others are gnawed down to the bone.

Should it be that our own offspring
if they were cast away so far?
Would we worry about that pipeline
bringing fuel to run our car?

Or would we stand aloft in horror
as they were thrown unto the ground?
Or for fuel thats cheap and plentiful,
is it ok to make no sound?

We hear about disasters.
Tsunami strikes upon Japan.
Earthquakes raging out in Haiti
Watch death befall our fellow man.

Throw donations in a bucket
at the supermarket doors,
then forget because of shopping.
but we have paid towards their cause.

Could you ever even fathom?
Your children crying as they play,
not for Barbies or Play-stations
but for the pain to go away.

Never asking for the latest
made by Hamleys or Mattel
rather just an handfull of food
to help beat the starvation battle.

Wash it down with poison water
from a river filled with ****
or collect in rusty tin cans
from a worn and stagnant pit.

If this was the plight of our children
things would surely be said.
We would try to move a mountain
rather than our young be dead.

Could you ever really imagine?
Could you ever really get,
that a million hits on You-Tube
turn endangered species into pets?

What if someone could ask on face-book
about your daughter or your son,
saying"It looks so cute and cuddly,
"go on e-bay and buy me one."

If only we could all be happy,
not feel a need to own the place.
If we could learn to be contented
by a childs smiling face.

Treat the world with awe and wonder.
Treat its creatures with respect.
Treat each other in this same way.
Treat nobody with neglect.

Then perhaps we may push together,
make our Governments do right.
Let's lead the World with people power,
no more starvation or blight.

Let's be less materialistic
let us have a life of worh
Not by owning all we see,
rather sharing this our earth.
26th January 2012
SES Jan 2014
beginnings
i see how we are.
We are cute.
We are "perfect" as everyone tells us.
But i see one problem.
i don't know how to love You.

i thought it would be easy:
after all my trials and tears,
i figured that i could love someone
if they loved me too.
Now i find that is not the case.
Now i find that even now i am still broken,
trying to keep from bleeding into Your own wounds.
Do i walk around on tiptoes trying to please You?
Do i hold my tongue while You hold me?
Maybe that is how i comfort You-
by forsaking my own.
Maybe i will grow to be this girl.
Maybe comfort is something that comes with the passing of time.
Time.
It always comes back to that.

After all,
i had my doubts.
God knows they were plentiful.
But now i look at You as if he stars aligned in Your eyes.
Your brown eyes.
How strange for me to like someone without eyes that remind me of water.
Water always brought me comfort as well as fear.
Maybe that is why i am always so drawn to them.
But now, as Your hands mesh with mine,
the world meshes with understanding.
Things seem...
okay.
That hasn't happened in oh so long.
i may have had spurts of happiness.
A period of contentment here and there.
Okay is a much different feeling.
But beyond this touch, how do i comfort You?
Do i touch the deepest parts of Your consciousness?
Will i ever touch Your unconsciousness?

i see our story.
i can picture it enveloping
days
or weeks
or months
of our lives.
And maybe that just makes me a silly schoolgirl.
But you know what?
This time,
i don't care.
Hurt me.
End up hating me.
Break me like i've been broken before.
But right now,
hold me like i am everything you have ever wanted
because i am starting to think
that you are everything i need.
i've given You more than anyone has ever had from me.
Do not make me regret it,
that is my one request.
i've never been happier.
Please don't ruin that for me.
Continue to treat me like a princess because as cliché as it is,
it's a worthwhile surprise.

The way i've fallen for You-
oh it's a mystery.
i lose all reminiscence of self-control with i’m with You.
i never expected the happiness that accompanies Your name.
i wasn't aware that i had the option
to be happy;
to heal;
to love.
But that's what i have now.
This is my life.
Who would have thought i could be this content?
This okay?
When i look at You i see someone i could fall in love with.
But that terrifies me.
Please don’t make me fall in love with you.
We're both broken,
but maybe we can temporarily heal each other.

i never thought i would mean
anything
to
anyone.
Why would i?
i am nothing special:
an average girl with impossible dreams.
i didn't expect You to treat me so wonderfully.
i didn't think i deserved that,
so i didn't expect it.
But You,
lovely You,
made me see that i deserve to be treated like the person You see me as.
You keep saying that You are worried that You could be treating me better,
well i am here to say that You have treated me better than i ever imagined
and i couldn't ask for more.
i never saw myself as being respectable
or deserving of love.
Yet somehow You saw me from afar
and decided You would be the one
to open my lifeless eyes.

update: I'm still learning to love
i am not used to these emotions and it scares the heart out of me.
i’m scared of happiness.
How ****** up is that?

But let’s go back to what i’ve said before:
“How do i make You happy?”
i was never going to be good enough for You.
How am i supposed to measure up now?

i know:
i’ll hide the scars
to protect You from worrying.
That’s my gift to You.
And i hope You never have the chance to say
“thank you.”
Could You really not see?
You are so easy to fool.
I could put scars anywhere on my body
and you would ask the same question
"did I do that?"
What a life it must be to not know
what the marks mean when they are right in front of You.
Think.
No, You didn’t do them.
And they aren’t cat scratches, darling.
Think.

i may scare You away
and i may not have the strength
to beg You to stay.
i’ll try to be better for You.
i’ll try to be the girl You see.
i’ll try to give You everything You need.
But I won’t let You in, let You know,
when doing so would just confirm
what i’ve been saying all along.
i. Am. Nothing. Good.

i will never be good enough for You
and i will always be crippled by the fear
of disappointing You.
Those are the fears i have never been able to
escape.
You don’t get it.
i am not someone that You want to love.
And as guilty as i feel about that,
i hope You always stay blind.

The melancholy’s dragging me down.
Please don’t let it drag you down as well.
i’d rather let you go that do that to You.
Today, i’m sorry that Your friends had to be the ones
to open Your eyes to how much of a mess i am.
But i think we are all kind of crazy,
not just myself.
And occasionally there is someone who matches Your unique flavor of crazy.
Oh and then things become magical.

i have found that people (me) are funny.
They crave love,
but reject it because they think they don’t deserve it.
What kind of strange sense does this make?
How odd to pick a person to give yourself to.
You.
i pick You to love me.
And You to hurt me.
You to heal me.
And You to break me.
i hate that You know me.
You know every inch of my skin,
but i’m still keeping the gates locked on my heart and soul
for as long as i can.

i am afraid that when this is all said and done,
i will despise all the little things i love about You.
i mean if we think in terms of reality,
this is going to end completely and utterly wrong.
There is no other outcome.
So is there really a point?
Why be happy now
only to be crippled by pain later on?
Can’t You see the pain in my eyes whenever i hear those words?
The way You romanticize death terrifies me.
So much of You is unknown,
so much of us is questionable.
But for now all i want is something of Yours
so that when i’m scared of losing You,
or ******* this up,
i can put it on
and fall in love with the comfort.

You told me one night in a low voice
(the one You use when You both remember or anticipate pain),
“i don’t want to be the mistake you made in high school.”
Oh love, i can assure You that i will be Yours.

Forelsekt (Norwegian): the euphoria you experience when you are first falling in love.
Words are strange and language is beautiful.
i think You have even described me in such a way…

at least i was Your first something
I had a panic attack yesterday
as I was driving you around.
I was stupid and don’t worry,
I know I deserved it.
I made a mistake
and we could have paid.
It was the first one I had had
in such a long time.
And the first one I had had
in front of you.
I think it may have been the first you had seen too.
I’m glad I could be your first something,
even something as broken and chaotic a panic attack.
But isn’t that what we are?
We’re both a whirlwind of broken chaos.

As the panic took over,
all I could think,
and what made it all the worse,
is that you must have thought I was insane.
“Did I make a mistake with this girl?
Everything’s okay now.
Why doesn’t she just calm down?”
Only crazy people panic for such a long time
(and it was; it was the longest attack I had ever succumbed to).
Only crazy people start shaking even once they’re safe
(although I am sure you didn’t feel all that safe).
Only crazy people so desperately grasp for air that is easily accessible
(even I can’t explain it).

Once,
I had a panic attack in front of a boy before.
And you know what?
All he said was,
“It’s no big deal.
Just calm down.
Why are you freaking out?”
But that’s paraphrased of course.
It happened months ago and after that,
I promised to save my broken moments for solitary
because I could not deal with someone whom I cared about
not caring about me.
But you didn’t do that.
You were kind and you were calm.
And yes a little confused,
but that’s to be expected.

You’ll always take care of me, won’t you?
You’ll always protect me, won’t you?
I’m beginning to see that now.
Who would have thought that anyone
would ever want to care someone
so **** broken to the very core?
Not me,
that’s for sure.

Thank you darling,
for you words
and your actions that prove to a hard heart
that maybe love is real.
And maybe someday,
I’ll feel it too.
I want it to be you I fall in love with.
But right now,
I’m still closed in my tiny, claustrophobic cell
that I constructed around myself for the past few years.
I built it up with every harsh word,
and every bad day,
and every painful moment.
But if anyone can push through it,
babe it might be you.
So again, thank you
for you.

for you**
Is it really 2014?
Wow.
I made it this far.
That may be my greatest accomplishment.
It hasn't been easy.
Nature is telling me no,
and well nurture has yet to be a kind, nurturing force.
How much farther do you think I'll make it?
I won't die of natural causes,
of that I am sure.
Someday I will become the murderer of my own soul.
I still have most of 2014 let to live,
but how will I life it?
I can only hope it brings better luck than 2013 showed me.
In 2015 I'll be dragging myself through senior year,
and then off the dorm rooms and lecture halls.
Do you think I can survive that too?
I barely know where I want to go.
I barely know if I want to be alive to choose.
So how am I expected to think about the future,
if I am unsure that a future is what I want?

They used to say I was so strong.
I am beginning to think that "strong" is a jinxed term,
like "best couple" or "most likely to succeed."
Strong.
More like "tired, lost, and uninterested."

I made a promise to a very nice boy,
and I intend to keep it.
Here is what I have to say to him-
I won't hurt myself anymore.
I'll do that for you.
Much of the time, I don't want to live.
I don't really see the point to it all.
I've never been good at life
and I don't enjoy doing things I am not good at.
But you I will live for.
When I am with you,
I can see why people appreciate this whole thing called life.
I'll live for the day to day things that make me laugh,
because we all know that it's the little things that matter most.
I'll live for hope and a future,
that may or may not involve you
but I kinda wish it does.
I think that would be fun, don't you?

I thought I was a lost cause
but then you swooped  in and changed that.
You changed me.
So thank you.
I don't think I tell you that enough.
I.
Am.
Grateful.
For.
You.
So yes.
I'll live for you
because you taught me an crucial thing.
While everything may not be great,
things can still be good.
Laying next to you,
I feel safe.
Life for me is mostly a torrent of hits and misses,
of cards that I wish could have been dealt further apart.
But my life with you is... good.

I will live for no loner seeing your face contort into a terrified expression formed around puppy dog eyes as you ask,
"no more, please?"
while you trace the cuts on my arm.
I will live for days spent in your room because somehow we never get bored
(and I get tired of people at an alarmingly fast rate).

I will life for you because simply put,
I am in love with you.
This is our story, ever evolving
Stacie Lynn May 2014
i saw a beautiful red rose that sat in a field of wilted weeds
and as time went on
and the weeds grew more and more plentiful
the rose remained the same
just as cheery and red as before

and i was brought to the realization
that it's possible for a something so beautiful to be surrounded by
such insignificance
something with so much life
can exist in the middle of emptiness
although it may seem like everything is dead,
there's always a little hope
always
mEb Oct 2010
Upon his glottal’s larynx spreads a lingual deformity. Isolation as a result from tuggo disaffiliates. Misshapen promontory in the direction of upper-body inflammation. Not only above torso alone, location;head/injury;mouth/main informative;tongue.
The boy’s tongue was permanently horned. A horn of 18 inches shy, where taste buds formulate, he owned a lone spike. He wasn’t abraded by the unfoldment of onlookers around. His irregular attachment was a main confidant. Criticized, he was not welcomed by towns near. Citizen’s were baffled and disgusted, ridiculing him daily, he did not impale with grieve over appearance. Enmity he wanted and craved. Among the works of flesh, square inch niches, repugnance revealed. Revenge, revenge. Vindictive spirit shelled so timely and calm. Remaining this state of sumptuous integrity made him stronger each go about. These goes were so stimulus, adding to the *** of hatred. Deep into the tundra’s most vile he intruded. Went so every month or few, for weeks at a time. For this sheet of rigid earth so contiguous to the town made the worried weary, the skeptical seared, and the nautical not so knitted with directional sense. This was his consummation of gathering. The place of being a being. The dry winter amid eight months was restricted, so the moment a due mustn’t be bothered. He had his reason of validness for course. A rich succulent from the bearings of plant life on cliffs. Repelling an obstacle such as was ludicrous for even one born the ever so adequate and society defined norm. Now having a tongue with a horn, some sought might as well die to be reborn. He had to, to stay alive. The liquid, which sit so treacherous, was the mold to mouth medicine. To speak at all it must be attained. Not only a curdling death trap waiting to swallow, the boy had to get a plentiful amount for the hard hitting winters collied. His tongue could swell like the storms, loud crimson on the esophagus. To die of asphyxiation was his dodge of ultimatum.
While passing by a local television in a thrift shop-
“Today’s Newscast: Blizzards, moving in at speeds of 94 mph. Predicted to cover like a blanket for 12 months. Ice Age relative people, this one is gonna be big! Stay indoors at night, the barometric’s indicate that from 9PM to 4AM temperatures as low as 28- will stouten for the next year. Once again people, stay indoors at these hours, get your needs when available. Back to you Ronda with the quintuplets birth today!”
Plucked and grit witted he stood. He felt the trepidation of abhorrence swaying in orbit around him. How to emanate from this delay? At least five clones of self did not exist for him. Merriment struct pro, while the cons derived from which they know. Exultation when despondent, how greatly that gift could gab. Despoilment of that, he weighed options out. To altercate thick snow or simply, let it go. Afraid to die unrivaled, the off cutting is wisest. Since his first second to now he’s flourished with his horn. Obliteration to the occulted manifestation mannered as an antique replica of anyone catching him by twice by day. Remove it, remove it, remove if you want life in your years that follow. Remove it, ever so. Remove it, cut and sew. Cut and sew. Remove.
This plateau poisoned place stay calm, anticipating climate of tempest bold reaches, anyone who was anyone was not so. Negative degrees. How could he retaliate the opposite, while acquiring a surgeon field hay day buck builder? Eruption turns the wave of cons. An only equal precision, deciding, tonight is the night. To assemble the tools, publicly was questionable, no more, through. He will emerge to the lands and people a new man, sustained, and hornless. No more. From scratch he will vender what’s needed. Wood was chiseled under the last moon viewed for three sixty three days ahead. Uprooted vines of old pine will hold the bark tight. Breath revealing around the outsides of his appendage. Like a fork in the road, which way can you go, for him air strides both. Scuffling fearful towards the pike of the tundra, he is where wanted by none. A be all end all as you could alleviate ones slightest sympathy, the courage it takes, ****** immense. His sweat was not seen, but there it consists. One hand grappled around his earthly dagger, tongue positioned in an outward arrangement. Travail glowing all over him as an aura unlanguid with no disruption veering. Abound now, without great weight on his shoulders, he’s lived. Ascending keen eyes towards the blood bath around his feet, going both ways around the fork and road. After relinquishing his steady gavel, the checking of his pulse is counted. 5, 6, 7, 8, seconds, still life to live. For the very first ritual to come, placed in his mouth, the tongue. The rigid roof so unfamiliar and new he bestowed in his joy of such a common flank. The tundra felt warm as he inside let over pour. Once more a milder gasp as he vociferates to the last moon for the year. On his peak, and favored place of being, he let out his tongue. Sharp inclement so hawkish and frosted he felt. The lilliputian of no pain, heeded by first snow to wane.
this was inspired by the album art of Morgul;

http://black-legion-shop.de/catalog/images/Morgul%20-%20Sketch%20Of%20Supposed%20Murderer%20-%20CD.jpg
When I was a child, I thought,
Casually, that solitude
Never needed to be sought.
Something everybody had,
Like nakedness, it lay at hand,
Not specially right or specially wrong,
A plentiful and obvious thing
Not at all hard to understand.

Then, after twenty, it became
At once more difficult to get
And more desired - though all the same
More undesirable; for what
You are alone has, to achieve
The rank of fact, to be expressed
In terms of others, or it's just
A compensating make-believe.

Much better stay in company!
To love you must have someone else,
Giving requires a legatee,
Good neighbours need whole parishfuls
Of folk to do it on - in short,
Our virtues are all social; if,
Deprived of solitude, you chafe,
It's clear you're not the virtuous sort.

Viciously, then, I lock my door.
The gas-fire breathes. The wind outside
Ushers in evening rain. Once more
Uncontradicting solitude
Supports me on its giant palm;
And like a sea-anemone
Or simple snail, there cautiously
Unfolds, emerges, what I am.
Don’t be fooled regarding one’s tongue,
for it has the power of life and death.
Before doubting these words of wisdom,
now pay attention and catch your breath…

before any more idle words touch the ground.
We are accountable for everything we say;
Therefore, remember to think before speaking,
since our reckonings will come on Judgment Day.

Consciously refrain from speaking evil curses,
knowing that God’s presence surrounds each soul.
Undisciplined tongues unwittingly spew their venom
and cause unseen damage with poisonous control.

A perverse tongue easily breaks the human spirit
and keeps evil, generational curses flowing.
Plentiful sins roll off the tongue in the forms of:
Gossiping, Tattle-telling, Slander, Lying and Boasting.

Instead, give praise concerning the good things of God;
speak life into situations, since healing can be attained.
the reliability of The Word can be assured, for…
its promises insure that ours lives can be sustained.

  

Author Notes:

Loosely based on:
Prov 18:21; 1 Cor 4:20; Deu 32:47; 2 Pet 2:3; 1 Sam 3:19; Psa 12:6
Lev 19:16; Mark 4:14; Prov 15:4, 21:23; Jam 3:1-18; 2 Cor 5:10

Learn more about me and my poetry at:
http://www.squidoo.com/book-isbn-1419650513/

By Joseph J. Breunig 3rd, © 2012, All rights reserved.
Nat Lipstadt Nov 2014
another Thanksgiving,
another voyage in the rareified
l'air au-dessus,
the air above,
next to, amidst
the satisfying but untouchable still,
the gray-white of the clouds of which we so oft
exclaim, and always fail,
to do justice by

this time the
turbulence
within
compulsion beating
compels this thanksgiving addition
to the compilation of airplane poems

the pointer finger tapping
out this journey's record,
a priori, gold leafed,
added, inscribed,
on the priory wall
of other journeys,
even before
it was conceptually written

the pointer finger tapping
upon your own chest,
calming the beating turbulence
ever present, a giving present
to me,
red wrapped

no whining!

I promise myself,
to promise you,
cause if this be,
the best poem
I ever write
(why not, could it not be this one?)

a small prayer shawl supplication,
shall not be marred,
with plaints and requests,
visions and incisions,
the beseeching distaste of
be and re quests,
this one simple,
even, and as always,
a tad odd like me

I am just an ordinary Joe,
flying over the middle,
the country, the real one,
no megabytes
amidst the real,
a few hundred other supplicants,
gaily glad on a mostly
head-phoned, protected silent passage,
over water, land, rivers, and family clans,
all engaged and presaged by
calendal X marked to make ,
a Mecca trip,
a Jerusalem western walled, holy mount,
which ironically is for me is
direction relative,
that bastion of flesh and sinners,
the city of tan men
and salt pillared women,
the City of Miami

whoa, real turbulence
makes the typos egregious, plentiful,
and the body sways,
left to rightly,
the poem is compulsed
urgent flown to completion
(amazing the shaking and the stirring,
to the point of locating the airbag)
perhaps, he thinks, someone in this
airy residence doe not want this prayer
finished

enough.

"The Prayer~Poem of Seat 25D"

Dear Deity of Whatever Name:

We humans peculiar to some places,
set aside a day, this week
for being superlative,
for looking inward and do
quiet summary addition,
employing organs,
as many as necessary,
noses and toeses external,
organs invisible internal,
a counting to make,
to number what we are,
isolating the better reasons,
why our existence justified

we do it in
foolish human ways,
as is our nature,
human and fools interchangeably
one and the same

So this one man counts
his words, ever careful,
ever plentiful,
and utters grace,
the Bene and the Blessing,
quiet inside,
his fellow airplane passengers
holy unawares,
that he is praying for them
simply saying this

May each one pause,
even for a second,
and collect the moment,
understanding,
that thankful is a
but half a notion,
incomplete unless
it is given
away to another,
by making it
selfless
in the air over the Georgia/Florida border
Seat 25c
zuolim Apr 2013
In my Times column Thursday, I reviewed a new generation of LED light bulbs. They last 25 times as long as regular bulbs, use maybe one-eighth the electricity, work with dimmers, turn on instantly to full brightness and remain cool to the touch. A big drawback has always been cost, but now, I noted, the prices have fallen.

This column generated a lot of reader e-mail, probably because LED represents change. And change is always scary. Here are some excerpts, with my responses.
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* For LED bulbs, the biggest issue that most consumers will notice is the color. You correctly point out that you can get different colors, and also different shades of white, from warm white, to cool white, to daylight. However, not all white is the same. Two bulbs, both of which measure 2700K (warm white) color may create a completely different impression in the room.

The difference is C.R.I. (Color Rendering Index). Incandescent bulbs have a C.R.I. of 100. Really bad LEDs have a C.R.I. of 50; average ones (most of them) have a C.R.I. of 80 to 85. The really good ones have C.R.I.’s above 90.

C.R.I. is a way of expressing how many colors in the rainbow are actually contained in the white light. Incandescent bulbs contain every color in the rainbow, all in equal measure.

With LED bulbs that have low C.R.I.’s, the color of objects looks wrong, and everything “feels” ghostly. It is not a subtle effect.

Wow. Well, I’d never heard of C.R.I., and it certainly isn’t listed on the package.

I can say only that I’m completely happy with the light color of the Cree bulbs. They look nothing like the weak, diluted light of the compact fluorescents they’re going to replace. I don’t perceive anything ghostly or wrong about them.

But if you’re worried about C.R.I, maybe try out one bulb at home before you replace the whole house’s bulbs.

* Why I don’t have LED bulbs: I have yet to see one that puts out close to the same lumens of an incandescent bulb rated at 75 or 100 watts offered for sale in my area.

Many of you made this point: that the 40- and 60-watt bulbs I reviewed are not bright enough for aging eyes, reading, detail work and so on.

That really is a good point. You can buy 75- and 100-watt-equivalent LED bulbs — online, they’re plentiful — but they’re still expensive ($30 to $45 each).

* At my home, CFLs don’t last half as long as stated on the box, and when CFL electronics flame out, they leave that nasty burnt electronics smell, strongly disliked by my wife. A few friends have reported CFL flame outs that have set things on fire.

Sorry to hear that! However, my column was about LED lights, not compact fluorescent light bulbs. Compact flourescents are basically curlicue tubes filled with gas that lights up. LED bulbs use tiny light-emitting diodes, of the type you have seen in some flashlights and the “flashes” of smartphones.

* Why didn’t you write up the LIFX bulbs on Kickstarter? Are you some kind of paid shill for the light-bulb industry?

Mainly, because I hadn’t heard about LIFX bulbs. Now I have!

Looks like it’s a lot like the Philips Hue kit I reviewed, in that these are LED bulbs you can control from a phone app: brightness, timing and color. The beauty of LIFX, though, is that there’s no router box required. The networking electronics are right in the bulb.

And the LIFX does more, too: changes color in time to the music, for example, or notifies you when you have new e-mail.

These bulbs did super-well on Kickstarter, so they’ve obviously captured the public’s imagination. I’m in touch with the creators, and they’ve promised to send me one to try out when it becomes available!

* You have done what many before have done: Praise LED light bulbs — without touching on the quality of light.

It doesn’t matter whether the light bulb is $200 or 50 cents. If the light is ugly, and it hurts your eyes to read, then why should I buy it?

Compact fluorescent lights have an austere blue tinge. Some give a “warmer” shade of yellow. But the quality of light they produce is atrocious.

I did, in fact, mention the quality of light; in my opinion, it’s wonderful. You can choose “daylight” (whiter) or “warmer” (yellower). With some, like the Philips, you can dial up any color you like: white with a touch of blue or yellow, say.

But I’m not sure why we keep talking about compact fluorescent lights. LED technology is completely different. There is zero relationship between a compact fluorescent light bulb’s light quality and LED’s light quality.

* You neglected an important point: because of heat issues, you’re not supposed to put LED bulbs into enclosed fixtures, like ceiling “cans.”

Actually, I asked Cree specifically about this. The representative says the bulbs are fine in ceiling cans. “The Cree LED bulb can be used in any application that would use an incandescent bulb. As long as there is an opportunity for air to circulate, the bulb is designed to work properly.”

I’m aware that not all bulbs meet this criterion; I’ve seen warnings on 3M and Philips bulbs, for example, not to use them in ceiling cans.

* Is there a potential issue with RF (radio frequency) interference from the circuitry? I know someone who put the LED bulbs in his garage door opener and then had trouble with the remote control.For more information, please visit cree led flashlight

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