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"mouthy" poems
ARTERY CONFESSION. _Her love to me is like moon light, on a starry night._ As rising sun at dhawn. Like vine planted on his heart's yard. _which he ought to water to flowery_ _And fruitage._ his love for her is as deep as the dept of an ocean, _with the fishes abiding therein,_ _as stars, moon,_ and the sun adhered to the sky, it never departed away from her side. _his love to her can simply easily be compared to_ _GOD's towards mankind._ So he confessed and rendered his heart to her. _Like a teeming downpour upon earthen soften, it surface._ so her love compassed his heart comforting, _like pabulum to mind._ As light rays to eye sight. His love for her is reality only can be told in tale of their love story, _gory to glory._ _He so_ Much love her and really ready, _in for her, fell in the water._ Lost and found with her for ever. _He wish he could wash her feet wilt the waters of his soul, cleansing her heart._ because he see her heart compatible to his. _Remembered old days of midnight calls, they never used to give sleep to their eyes._ While talk through night, dusk till dawn, _Remembered promises and all the pain they both had gone through heaven and hell._ *Never forgot the only first day he felt the fullness of her ******* _how sooth her heart. Tongue on tongue, mouthy pleasure._ His hands on her curves. Briskly remembered she _told him that after her_ momma he be next to her. _She call him dad he call her Mami._ Before she demised his mama used to asked about his lady. His homies do too. _His young blood can't either forget her memories,_ last night he was asked about her, oh sweetness _is all about thee._ _Can't forget_ her, _he always craves_ her. All he ever wanted and desires are all found in her, his boo. _He truly loves her because he knew she'd make a good mother,_ Hope she'd understand if he change sometimes just only because he never own everythang as his. _So remember he always told her_ that he will always be there for her as time, _even in the world after here._ _Her love is so good to him_ She has the key to his heart. _reminisce she told him she'd_ _rather die for him than sleeping at someone else side._ She's his inspiration like a transportation, his motivation only she can help build his cloud nation. _His aspiration_ all is found in her, _all in ONE no one else but she._ She source the past time joy and still the reason _for today's and the hope_ of tomorrow's glee. Sacrifice his love for her because he believes in future with her, she's his destiny his fate mate his ruth, his batsheba, _His mary, his eve and soulmate._ #c9_fm
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Feb 9, 2021
Feb 9, 2021 at 4:26 AM UTC
ARTERY CONFESSION
ARTERY CONFESSION. _Her love to me is like moon light, on a starry night._ As rising sun at dhawn. Like vine planted on his heart's yard. _which he ought to water to flowery_ _And fruitage._ his love for her is as deep as the dept of an ocean, _with the fishes abiding therein,_ _as stars, moon,_ and the sun adhered to the sky, it never departed away from her side. _his love to her can simply easily be compared to_ _GOD's towards mankind._ So he confessed and rendered his heart to her. _Like a teeming downpour upon earthen soften, it surface._ so her love compassed his heart comforting, _like pabulum to mind._ As light rays to eye sight. His love for her is reality only can be told in tale of their love story, _gory to glory._ _He so_ Much love her and really ready, _in for her, fell in the water._ Lost and found with her for ever. _He wish he could wash her feet wilt the waters of his soul, cleansing her heart._ because he see her heart compatible to his. _Remembered old days of midnight calls, they never used to give sleep to their eyes._ While talk through night, dusk till dawn, _Remembered promises and all the pain they both had gone through heaven and hell._ *Never forgot the only first day he felt the fullness of her ******* _how sooth her heart. Tongue on tongue, mouthy pleasure._ His hands on her curves. Briskly remembered she _told him that after her_ momma he be next to her. _She call him dad he call her Mami._ Before she demised his mama used to asked about his lady. His homies do too. _His young blood can't either forget her memories,_ last night he was asked about her, oh sweetness _is all about thee._ _Can't forget_ her, _he always craves_ her. All he ever wanted and desires are all found in her, his boo. _He truly loves her because he knew she'd make a good mother,_ Hope she'd understand if he change sometimes just only because he never own everythang as his. _So remember he always told her_ that he will always be there for her as time, _even in the world after here._ _Her love is so good to him_ She has the key to his heart. _reminisce she told him she'd_ _rather die for him than sleeping at someone else side._ She's his inspiration like a transportation, his motivation only she can help build his cloud nation. _His aspiration_ all is found in her, _all in ONE no one else but she._ She source the past time joy and still the reason _for today's and the hope_ of tomorrow's glee. Sacrifice his love for her because he believes in future with her, she's his destiny his fate mate his ruth, his batsheba, _His mary, his eve and soulmate._ #c9_fm
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38
A walk around the block in my parents’ neighborhood at dawn wearing mom’s sweater and pop's sneakers with a clown hole cut out for         toe infection I was stopped by a cop in a cruiser this was during the Vietnam War long hair ago he was angry at everyone I was offended by everything he said which way are you going I said which way are you going so he socked me in the mouth and handcuffed me I was arraigned on disorderly conduct and resisting arrest my good parents came down and stood beside me before the judge I wrote to the police department internal affairs not for retribution but to start a paper trail in case this cop someday bopped one of my brothers a few months later I’m back at work in NYC two detectives come into the city to question me one good cop one bad cop we park in the park me in the back seat they wanna know was I mouthy to the cop who punched me in the mouth long story short they leave me on a bench to eat my lunch and the charges are dropped
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Jan 18, 2022
Jan 18, 2022 at 6:50 AM UTC
Long Story Short
Listen here ****** Your hole is too tight There are no fake ***** out here none made in China I despise virgins, cause ***** don't fit I don't appreciate blow jobs that's temporary I prefer full time jobs So won't you take ******* ***** as a full time job mouthy? Won't you wind my tambourine till it weeps and sobs? I don't like ******* that weren't ****** before They got penises acting like tampons I don't like being the first ****** this **** stays on girls hearts like tattoos If we **** you are my client, we build a rapport Growing up l had a phobia for hairy vaginas I always told my ****** to shave because I never imagined myself dating a bushman Nothing is an idiot like my **** I saw it growing feet and standing cause this girl in a taxi was eating banana Growing up I had a phobia of a pointy ***** in public. Don't hate, my ***** writing.
0
Aug 6, 2016
Aug 6, 2016 at 1:27 PM UTC
Don't Hurt My *****
Night starts with a drip, and roaches move your feet. But when day comes, it comes. Fear is as good as sunshine, it keeps you lose, then tight. The Jamaican bones, having been ground into sugar, are whipped into coffee and grey goose. A mouthy mix, and it seems to cleanse the whole earth; cannibals praise the lord in all of his glory. And on the way to the first day of forever, the iron in my blood clings to my gums. I know you there on the highway, as we both drive with our heads downwards, our evil hearts cuddling cowardly innards. Press your fingers, dismember what lingers. Crack those knuckles, smack those palms and blow that screaming bone.
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Sep 14, 2012
Sep 14, 2012 at 12:05 AM UTC
God fear.
You look at a person A stranger, a loved one, a partner And you think; How can one person be so beautiful? Inside and out you see an aura of unimaginable beauty A friendly face An intoxicating laugh A smile that makes you smile without even realizing it And then you look at yourself You hate the way you smile, all crooked and mouthy The way your cheeks are too pudgy Your glasses too big for your face Your voice too soft to break through the chatter of others But you You are a lion whose voice is booming thunder With claws that can tear through the veil The one you’ve kept yourself shrouded in for too long You should be proud Proud of your wild and unruly mane Proud of your scars earned from battles with many others Not to mention the battles you wage on yourself You could move mountains and uproot trees if you tried But you don’t You look at yourself Your cheeks too pudgy Glasses too big Voice kept under lock and key Vocal chords dusty with disuse Your heart is so big and so beautiful You see so much in everyone else But can’t bear to see anything in yourself You are a wild flower sprouting through the cracks in the sidewalk You could move mountains and uproot trees if you tried
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Dec 5, 2018
Dec 5, 2018 at 11:46 PM UTC
You Could
Have you ever been pulled over by the culture police? I know this culture cop who loves pulling people over for self-expression. He'll wait till you break into color, and cut you off at your most emphatic. He'll **** burp, scoff-- master craft a discombobulating smack to your mouth. He thinks most expression pins you down to obviousness. So by definition a lack of expression, or stifled expression, means you're not being obvious. Therefore tolerable, but being obvious, or not being obvious is still being, trying--expressly. Watchdog of his own passive-agression, his cagey brooding activated by voices in excitation of uniqueness. He's living hard between the lines, unable to read so to speak, as sing! My mouthy mute carbon copy of repression, I'm so sorry--truly.
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May 7, 2017
May 7, 2017 at 10:42 AM UTC
Culture Police
Lydia's mother sliced the bread thinly and buttered sparingly and handed Lydia two limp slices and said get that inside you can't have you going everywhere with your stomach rumbling people'd think you've not been fed Lydia took the two slices and a mug of stewed tea but she hadn't been fed that was why she went and got the rolls and bread but she said nothing just nodded her head and followed her mother into the living room and sat at the table her big sister had gone to bed her father was sleeping off the beer Lydia nibbled like a mouse a thin long haired girl of a mouse can I go up West? she asked up West? her mother repeated as if her daughter had sworn at her up West? she said again turning the words around in her head to see how they fitted in best   can I? her daughter asked again anxiously you can in the sense that it's possible but if you mean may as a permissibility then no her mother said what? Lydia said uncertain where she was in her request your gran always said that the difference between can and may is one of possibility over permissibility said Lydia's mother may I go? Lydia asked softly no you may not her mother said why not? her daughter asked because I said so her mother replied why do want to go there? her mother asked Benedict said he was going there and that he'd take me Lydia replied oh him her mother said she sat and took a bite from her sandwich picturing the boy from upstairs in the flats with his hazel eyes and big smile and self assurance about him why does he want to go up West? she asked he likes adventures Lydia said adventures? her mother said repeating the word as if it were unknown to her who does he think he is Biggles or someone like that? Lydia sat nibbling frowning holding the bread in her thin hands he's never mentioned Biggles Lydia said don't talk with your mouth full her mother scolded Lydia swallowed the bread he's not said nothing about no Biggles Lydia said well you can't go her mother said firmly looking at her daughter's thin frame and lank long hair do you mean I mayn't? Lydia uttered gently I said what I mean her mother said and don't get mouthy like your big sister or you'll feel my hand across your backside Lydia nibbled and looked away a train steamed crossed the railway bridge leaving grey white smoke behind it lingering there unsettling the air her mother muttered words but Lydia didn't listen she watched clouds cross the sky darkly carrying a storm or rain she liked her backside as it was she didn't want no pain she'd not ask again.
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Nov 7, 2013
Nov 7, 2013 at 7:44 AM UTC
NOT ASK AGAIN.
Lydia's mother sliced the bread thinly and buttered sparingly and handed Lydia two limp slices and said get that inside you can't have you going everywhere with your stomach rumbling people'd think you've not been fed Lydia took the two slices and a mug of stewed tea but she hadn't been fed that was why she went and got the rolls and bread but she said nothing just nodded her head and followed her mother into the living room and sat at the table her big sister had gone to bed her father was sleeping off the beer Lydia nibbled like a mouse a thin long haired girl of a mouse can I go up West? she asked up West? her mother repeated as if her daughter had sworn at her up West? she said again turning the words around in her head to see how they fitted in best   can I? her daughter asked again anxiously you can in the sense that it's possible but if you mean may as a permissibility then no her mother said what? Lydia said uncertain where she was in her request your gran always said that the difference between can and may is one of possibility over permissibility said Lydia's mother may I go? Lydia asked softly no you may not her mother said why not? her daughter asked because I said so her mother replied why do want to go there? her mother asked Benedict said he was going there and that he'd take me Lydia replied oh him her mother said she sat and took a bite from her sandwich picturing the boy from upstairs in the flats with his hazel eyes and big smile and self assurance about him why does he want to go up West? she asked he likes adventures Lydia said adventures? her mother said repeating the word as if it were unknown to her who does he think he is Biggles or someone like that? Lydia sat nibbling frowning holding the bread in her thin hands he's never mentioned Biggles Lydia said don't talk with your mouth full her mother scolded Lydia swallowed the bread he's not said nothing about no Biggles Lydia said well you can't go her mother said firmly looking at her daughter's thin frame and lank long hair do you mean I mayn't? Lydia uttered gently I said what I mean her mother said and don't get mouthy like your big sister or you'll feel my hand across your backside Lydia nibbled and looked away a train steamed crossed the railway bridge leaving grey white smoke behind it lingering there unsettling the air her mother muttered words but Lydia didn't listen she watched clouds cross the sky darkly carrying a storm or rain she liked her backside as it was she didn't want no pain she'd not ask again.
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147
I'm employed But not enjoyed They're annoyed Until I'm destroyed Then they fill that void With another humanoid I'm a hollow coil From lots of toil Like hot oil I'm not royal I just boil Underneath the soil I say howdy Loudly To the rowdy That doubt me And out me As mouthy This mistake Fish tank I drank Stank So rank My mind went blank I cannot fight it My mind on autopilot The roof I tile it To style it Violet While lit I am a changeling That is aging From waging A war raging Against those caging The rat who's racing The pain is inner As a fidget spinner A ****** sinner Ate for dinner For he's the winner Of the money printer And my mind of cinder They broke me No joking Just poking The nope king While hoping Society starts sloping Towards communal coping
0
Jul 30, 2018
Jul 30, 2018 at 2:34 AM UTC
Employment
You are daring and fun You draw me in I can't resist I can play I give it right back sacarastic & flirty You wanna try I give it right back Call me mouthy Whatever I can see see what's going on I got ya baby Wanna play Let's play Dam he's **** I like this game © Jennifer L Delong 11/2024
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Nov 10, 2024
Nov 10, 2024 at 5:18 AM UTC
-- Game On--
Messy Bessy Pouty fussy Screaming crying always ***** Ugly Bessy Huffy Puffy Yelling punching kicking kitty Silly Bessy Loudy mouthy Mommy madly gives a slappy
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Aug 3, 2010
Aug 3, 2010 at 12:57 PM UTC
Oh Bessy
Reynard and I held back after biology while the other kids had gone and we walked up the corridor I could have scored that goal lunchtime if Goldfinch hadn't got in my way he's always where you don't want him to be Reynard said I saw Jeanette walking ahead of us with her blonde friend Angela Jeanette had class I thought her friend was a short mouthy girl but Jeanette was quite reserved and looked at you as if you had stepped in her sunshine but I liked her and that quick kiss I snatched the other day still felt stuck on my lips Angela had short tight blonde curls Jeanette had long dark hair reaching her shoulders I gazed at her thin figure her arms by her side the satchel over her shoulder Reynard was still talking about the football lunchtime I was looking at Jeanette’s sway of hips almost unseen yet visible to the trained eye the way her legs came down to her well heeled shoes the white ankle socks think we ought to try get Frazer on our side he'd be great in goal better than Dunton the prat he couldn't save a goal if the ball was as big as he was Reynard said yes we must get Frazer I said wondering how I’d get that kiss that Jeanette promised the lips tempting and her cheek just visible the place my lips touched the other day and the kiss just stayed there and wouldn't go away.
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Apr 24, 2014
Apr 24, 2014 at 2:00 AM UTC
AFTER BIOLOGY IN 1962.
Antara sheddad a man of letter, Born to suffer and to write, For worse or for better, He thought he was doing right. Antara found himself in a pickle Over a mighty promise, His love went, although fickle, From a melody, to a hiss. Antara voiced his mind, A lustful mouthy dirt, Mindful he might find Joy in agony and hurt. Antara wrote for a nickel, Not to expect a dime, Clever and whimsical With a rhythm and a rhyme. Antara wrote a little and knew His audience expected a lot, He went cold on the few And on the rest went hot. Antara wept and laid down tall, Now out of breath His dying words call For life and for death. Antara lived in rumpus No home, no rest, no treat They named after him a campus A library and a street. Antara Sheddad lived a helot, Unfed on Obedience, A heart of a zealot, And an ill-fortune expedience.
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Oct 17, 2012
Oct 17, 2012 at 1:10 PM UTC
The Curse of Antara Sheddad.
Stare carefully. Drop it. Say yes to the coffee. Handle grip. Roll. Ticket scanned. Waved hand and then - stand. Stand more still. Mouthy slime. Thank you but sharp objects? Sneeze. Bless you. Floor. Floor. But more parking. Those seats. Pasta, beef. Gargle and inflate. Wear all red for all the hate. One kit. Quiet down the pumps. Noisiest shoes. And we’re gone. Thirty seven thousand feet kind of gone. Thunder side note: I want more friends. A little flash…and shake. How serious. Get up. Gingeralebreakanail. What happens if we crash. Home, not hometown.
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Aug 23, 2012
Aug 23, 2012 at 12:15 AM UTC
just as guilty
You walked home from school with Sutcliffe (O’Brien was off with dysentery which Eddie thought was a load of **** along the New Kent Road by the shop from which you bought a stamp album and the silver looking 6 shooter gun and holster with the belt with pretend bullets all around in little holders and Eddie said his big sister was beginning to spend too much time in the washroom getting herself all geared up for her boyfriend and that his dad banged on the door wanting to get in for his shave ( she’d used all the hot water her mother had boiled in the copper for the family bath that night and his sister had bellowed back I’ve got to look my best I can’t go out smelling like a dead rat and Eddie laughed (his buck teeth showing) and Dad told her she’d feel his hand across her backside if she got too mouthy with him so she shut her noise and came out all dolled up you her hair all piled high her lipstick bright red her tight skirt and Dad said if you think you’re going out dressed like that you can think again but she did and that was it and Mum said to him she's only young once but he just shaved and moaned and I could hear him muttering to himself and so Eddie went on (O’Brien would have baited him about his sister would have riled him bad but he was away and Eddie was glad) and so you got to the corner of Deacon Way where Sutcliffe lived and so you walked across the road to Meadow Row and he waved and you watched his blonde cropped hair and black uniform disappear from sight and walked towards home hands in pockets satchel on your back scuffed shoes kicking stones onto the bombsite home to tea of bread and jam then out with Ingrid on the balcony looking down over the ledge at the people passing or kids playing making a din until her father called her with his rough voice and she went back in.
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Aug 27, 2013
Aug 27, 2013 at 3:43 PM UTC
EPISODES WITH SUTCLIFFE AND INGRID.
You walked home from school with Sutcliffe (O’Brien was off with dysentery which Eddie thought was a load of **** along the New Kent Road by the shop from which you bought a stamp album and the silver looking 6 shooter gun and holster with the belt with pretend bullets all around in little holders and Eddie said his big sister was beginning to spend too much time in the washroom getting herself all geared up for her boyfriend and that his dad banged on the door wanting to get in for his shave ( she’d used all the hot water her mother had boiled in the copper for the family bath that night and his sister had bellowed back I’ve got to look my best I can’t go out smelling like a dead rat and Eddie laughed (his buck teeth showing) and Dad told her she’d feel his hand across her backside if she got too mouthy with him so she shut her noise and came out all dolled up you her hair all piled high her lipstick bright red her tight skirt and Dad said if you think you’re going out dressed like that you can think again but she did and that was it and Mum said to him she's only young once but he just shaved and moaned and I could hear him muttering to himself and so Eddie went on (O’Brien would have baited him about his sister would have riled him bad but he was away and Eddie was glad) and so you got to the corner of Deacon Way where Sutcliffe lived and so you walked across the road to Meadow Row and he waved and you watched his blonde cropped hair and black uniform disappear from sight and walked towards home hands in pockets satchel on your back scuffed shoes kicking stones onto the bombsite home to tea of bread and jam then out with Ingrid on the balcony looking down over the ledge at the people passing or kids playing making a din until her father called her with his rough voice and she went back in.
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104
From that moment the mouthy man in the middle, top hat in hand, barks and waves our three floodlit rings into motion with a flourish of brassy blasts, the big top gets turvy and my stomach's all nerves making the bushel of peanuts I just munched feel like broken glass chewed by my friend the tattooed geek. Martha says, Elephants are supposed to be more dignified... don't mope! It is hard to grasp for her tail day after daisy-chained day when I'm holding this bouquet of forget-me-nots rubber-banded by a grudge. I tell her, The real indignity's being dressed in a rhinestone-studded satin cape.
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May 7, 2010
May 7, 2010 at 3:30 PM UTC
Bred to a Circus, I'm not
I wrote you a poem, about why I'd write a poem for you. You caught me one time trying to tame my mind with lines of rhyme, when I told you it was about a woman we both knew you said, next time... why don't you write about me? I said because you don't inspire me. The easiest excuse for writers block... I need to be inspired. I need to be hotwired into a matrix of men and women who are driven by every feeling they are giving. I need rhythm and words. The pen is a decipherer and the page a treasure map where we will write our way to gold. We sold ourselves on the belief that we could... write smiles onto people... So we write. Muster our might and write light into the dark times. Stitch beauty into the scars of the harmed,  arm ourselves to the teeth against those who act beneath what is considered humane. With ink in our veins we write like we fight. Unafraid of a broken bones because the next blow we throw will be through our throats. We are mouthy poets, and the most powerful weapon in arsenal is our battle cry. And should one of us die on the field we'll uproar, we'll outcry, we'll encore and we'll breathe life into what remains of our fallen and give them the best ******* send off ever. And when we finally reach home after our time together ... We'll keep writing. We'll write worlds out of words. Write instructions to the sky and orders to the ground will write love notes to sound and have this all down before the next sun swings around, with metaphors abounding and similes astounding we don't clown around with the words we've found. We write in skin grafts. We talk the hollow into wholesome entice oppressed into the inspired and paint the lonely as lovely. We fill in the gaps. We are the ifs the ands and the buts following the 1 word answers to the big questions. Do you love me? What are you angry about? How do you feel? And we'd say, yes! If I was terminally ill and have the doctor prescribe me you, because you make me feel more alive than I've ever felt! We'd say, everything. Sometimes I just feel trapped in my own skin like the society that we live in has made jail cells out of my skin cells! We'd say... Okay. I feel like his smile told me, he'd catch me if I should fall. We write so we can say it all. We write in passion and love, we write an apology, we write in admiration, and affection. We write in absolution as much as uncertainty. We write in purpose as much as apathy. We don't write because we should. We write because we can and It's everything we are and everything I am. This!.. Is why we write.
0
Aug 30, 2015
Aug 30, 2015 at 5:31 PM UTC
Why We Write. (spoken word) https://www.youtube.com/watch?v=YOuMJYuGfQ8)
I wrote you a poem, about why I'd write a poem for you. You caught me one time trying to tame my mind with lines of rhyme, when I told you it was about a woman we both knew you said, next time... why don't you write about me? I said because you don't inspire me. The easiest excuse for writers block... I need to be inspired. I need to be hotwired into a matrix of men and women who are driven by every feeling they are giving. I need rhythm and words. The pen is a decipherer and the page a treasure map where we will write our way to gold. We sold ourselves on the belief that we could... write smiles onto people... So we write. Muster our might and write light into the dark times. Stitch beauty into the scars of the harmed,  arm ourselves to the teeth against those who act beneath what is considered humane. With ink in our veins we write like we fight. Unafraid of a broken bones because the next blow we throw will be through our throats. We are mouthy poets, and the most powerful weapon in arsenal is our battle cry. And should one of us die on the field we'll uproar, we'll outcry, we'll encore and we'll breathe life into what remains of our fallen and give them the best ******* send off ever. And when we finally reach home after our time together ... We'll keep writing. We'll write worlds out of words. Write instructions to the sky and orders to the ground will write love notes to sound and have this all down before the next sun swings around, with metaphors abounding and similes astounding we don't clown around with the words we've found. We write in skin grafts. We talk the hollow into wholesome entice oppressed into the inspired and paint the lonely as lovely. We fill in the gaps. We are the ifs the ands and the buts following the 1 word answers to the big questions. Do you love me? What are you angry about? How do you feel? And we'd say, yes! If I was terminally ill and have the doctor prescribe me you, because you make me feel more alive than I've ever felt! We'd say, everything. Sometimes I just feel trapped in my own skin like the society that we live in has made jail cells out of my skin cells! We'd say... Okay. I feel like his smile told me, he'd catch me if I should fall. We write so we can say it all. We write in passion and love, we write an apology, we write in admiration, and affection. We write in absolution as much as uncertainty. We write in purpose as much as apathy. We don't write because we should. We write because we can and It's everything we are and everything I am. This!.. Is why we write.
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10
I wish we had a president That cared about the populace Instead of one who's wants the law To bankrupt almost all of us. The one we have cares about Only the super rich and the white. He’s a ditzy mouthy narcissist And for sure that is not right! It really wasn’t long ago We went through this kind of fear And now we are feeling sick That terror is once again here. This time we’re not afraid Of people from another land. Our country may be dying But, again it’s by it’s own hand. Part of it is stupidity and sloth And part is just evil mindedness, That either makes us look away Or make others hate kindness. Some of our parents trained us To be big bullies and whiney brats. And others ******* progress By dissolving into brainless spats. I wish we had a president Like we have had in times gone by Instead of one who is so happy To pat his own back, cheat and lie. It would give us all a chance To avoid waging another war. I wish we had a president That knew what that job was for.
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Nov 22, 2016
Nov 22, 2016 at 4:17 AM UTC
I WISH WE HAD A PRESIDENT
John sits on the school coach by the window next to Goldfinch watching the trees and fields and cottages go past. Goldfinch is talking of football: who do   I put in goal lunchtime as Potts is way, who do you think? Goldfinch says. Not me that's, for sure, John says, his mind isn't on Goldfinch or the goal, but on Elaine sitting over the other side of the coach. He looked at her when she and sister got on the coach, but she looked away, and not at him. He guesses she was shy after all the rumpus since Elaine's mouthy sister told everyone on the coach that he had kissed Elaine. But it soon died down and apart from a few How's the Frump Elaine? When he got on and later when Elaine got on, then it died out. Now the kids are talking amongst themselves or listening to the music from the coach radio, some pop song about loving somebody. Need someone by lunchtime, Goldfinch says, whom do you suggest? Green might, he ain't bad, John says. Green? He couldn't save a 1p for Christmas; someone else, Goldfinch says. John doesn't care who, he's thinking of Elaine and whether she'll let him kiss her again after the rumpus; he hopes so, although he's not sure he'll be welcome at Elaine's home now. Why did her sister tell like that? He muses, listening half heartedly to Goldfinch's talk, it was just a quick kiss not too passionate and it was only while her mother was out of the room briefly that day. He looks over to where Elaine is sitting quickly to see if she's looking his way, but she isn't she's staring out the window. Her sister glares at him, so he looks away, and back out of the window and the passing view, not sure what to think or what to do.
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Oct 6, 2016
Oct 6, 2016 at 4:39 AM UTC
WHAT TO DO 1962.
John sits on the school coach by the window next to Goldfinch watching the trees and fields and cottages go past. Goldfinch is talking of football: who do   I put in goal lunchtime as Potts is way, who do you think? Goldfinch says. Not me that's, for sure, John says, his mind isn't on Goldfinch or the goal, but on Elaine sitting over the other side of the coach. He looked at her when she and sister got on the coach, but she looked away, and not at him. He guesses she was shy after all the rumpus since Elaine's mouthy sister told everyone on the coach that he had kissed Elaine. But it soon died down and apart from a few How's the Frump Elaine? When he got on and later when Elaine got on, then it died out. Now the kids are talking amongst themselves or listening to the music from the coach radio, some pop song about loving somebody. Need someone by lunchtime, Goldfinch says, whom do you suggest? Green might, he ain't bad, John says. Green? He couldn't save a 1p for Christmas; someone else, Goldfinch says. John doesn't care who, he's thinking of Elaine and whether she'll let him kiss her again after the rumpus; he hopes so, although he's not sure he'll be welcome at Elaine's home now. Why did her sister tell like that? He muses, listening half heartedly to Goldfinch's talk, it was just a quick kiss not too passionate and it was only while her mother was out of the room briefly that day. He looks over to where Elaine is sitting quickly to see if she's looking his way, but she isn't she's staring out the window. Her sister glares at him, so he looks away, and back out of the window and the passing view, not sure what to think or what to do.
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Working these lonely nights While everyone asleep Chained to heavy irons As I pace slowly upon the deck Paying an old debt Whom the crew has butchered Leaving no witnesses To persecute The captain is decease I, a stable boy Knew the real truth For my tongue will never speak Nor mouthy words make noise Being a mute Who eyes can only see The silence of horror Coming towards me
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Jan 25, 2010
Jan 25, 2010 at 6:06 AM UTC
The Deafen Seas
My Moonlight archipelago, my escape I approach the buttress of boredom better known as your doorstep I pull you in... your hair stretches from clenched fingers and what follows down to the feel of my fingertips is religious in nature under a broken blue street lights, i cradle inward, immersed now in infinite youth of lust... a flash of light... street lamps lit now a Coca Cola Red ... the color plays, a chromatic cinema fills through your follicles I spin you away momentarily and envy my shadow now pressing upon you we are Cathars, heuristic heretics, learning love through touch in a hate filled land (the pesky conformity of late-stage Western Civilization) still Your ether look absolves me of this world’s sins beam raw: render quiet: Baptize me in the esoteric and verbose stares, the *** is drawn on your lips, so mouthy, but saying nothing inside the long Chaplin silence, you vacillate and I’m vacant my voice removed spent, empty in the Valentino deadpan stares  Post Script: The gaze gave conversations: conversions still silent in her looks, a living Bible's worth of words in those sacred scripture holy eyes.
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Oct 27, 2018
Oct 27, 2018 at 6:12 PM UTC
Your Hair Stretches
I'll take a rain check on saving for a rainy day Spend all I got on getting wrecked and watch my vision sway Problems for health it does outweigh When I'm out I look like a ******** on display On the bus I'll spew in ya handbag With one hand down my trousers the other holding a glad rag Spit some abuse at some mouthy dumb **** When I'm drunk I'm harder to move than a wet sandbag
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Feb 23, 2016
Feb 23, 2016 at 12:04 PM UTC
Freestyle bars
It’s not an absence this 2am darkness— half-dark and half-lit by its unnatural glows— grabs hold of, firmly pulling it— this thing not an absence— growling from the dead black inside a stray dog’s too-mouthy head; not just it, but the voices— untroubled and present if not too many, tucked into a more deeply darkened night. It takes them, not to gobble them up, but to throw them off cobble, cement and stone to open places, voices won’t normally come.
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Jun 10, 2012
Jun 10, 2012 at 6:02 PM UTC
2am street scene
Hmmmmm, always look, before the street you cross Forget you not, tween your teeth, to use the floss All the food upon your plate, consume Bed you make, before you leave your room To your elders listen, as they are wise, and sage from the dark you walk, as student, turning page Mock not your master, giving you advice me, you pretend to be, that isn't very nice Say you what? ******* little you over here you come, lessons, you will do Lip you give, receive thrashing so you shall none crap I take, not from you, my forceful mouthy pal
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Jun 2, 2017
Jun 2, 2017 at 7:54 AM UTC
Yodisms to live by
I have always been accustomed to cleaning up everyone else's messes. At work I literally do it. With my friends, I'm the peacemaker. With my family, I always offer to assist financially Or I'm not given a choice. So why can't I seem to get my own life in check? Why is my own slew of pain Anxiety, worthlessness and loneliness Just settling like oil on top of water? Now, in the places I used to fix things I'm breaking them. Where I used to clean up messes I'm making them. At work I'm combative or panic stricken Sometimes even both. At home, sometimes I get mouthy But when I offer to help with my parents' money problems It just makes it worse. And it's not like I have any friends anymore I shut them all out Or vice versa. Now, I know this is a ramble But all I want to know is When will someone come to save me? When will one of the people Who I used to protect Step in to help me Clean up my messes The way I fixed theirs?
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Jul 10, 2014
Jul 10, 2014 at 1:31 AM UTC
Cleaning up messes
The joint in your hand quaked Under the pressure of your diagnosis, Its flame slipping into the air, While your last puff trickled into left lung. At first you smoked for depression. Now it was a cry to God, A beg for mercy from lifeless feet, A trip down a flight or two of stairs, A fall in the shower. I didn't know how you would walk again without your toes Knees Hips. But I learned your condition is a silent killer - it started with the smallest flakes of skin, As Satan lit an accurate match to singe your nerves. You told me you had MS And I didn't know why your breaths became frantic, Or your tears screaming. "Mean spirited", "Mouthy sister", Was what I told my friends. God was playing jump rope with his spinal cord. Multiple sclerosis didn't roll off my tongue so quickly, first attempts were stutters at best - I had to grow up first. And while I was lying about your health You were in agony over your grandmother, Dead for five years on a stained hospital sheet. In the end she begged for death, And we have years to go.
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Jan 24, 2016
Jan 24, 2016 at 11:11 PM UTC
The Mispronunciation of MS