This is a poem of a girl. A girl who is so cliché, that she needs to write angst-filled poetry to keep herself conscious and her thoughts free, but is too hipster to believe it. A girl who is too freckled to be fair, too fleshy to be flirty, too conspicuous to be classy, too prominent to be petite, but too small to be seen. A girl who’s piercing blue eyes absorbs everything and regurgitates emotions like a tampered slots machine—excessi vely and noisily. This is a poem of a girl who is so over-stimulated with color, texture, love, and life that the numbness in her head is a pink eraser. A girl who was brought up to have opinions and dreams as long as they kept her on the path to perfection, poise, and parenting. A girl who is experienced enough to know the difference between sorrow and guilt, manipulation and cowardice, hysteria and hyperventilation but is too naïve to know why certain boys are a bluish green, why math is a bafflement, and why ground up chili peppers in dark chocolate ice cream isn’t everyone’s favorite food. This is a poem of a girl who salivates at the mere thought of classical music, couture fashion, and feminine heels. A girl who breathes in culture like a caterpillar inhales hookah smoke. A girl who Alis volat propriis (flies with her own wings) but ultimately plummets to nosus decipio (Let’s just cheat) because her humanity held down her Heredity. A girl who thrives on music of every variety: as long as it can paint out her emotions in front of her. This is a poem of a girl who is so acerbically witty and harsh that she could unarm Napoleon but is so vehemently protecting that Mother Theresa herself would be awed. A girl with an attention span of a fish, short-term memory like sea foam, thoughts that outnumber armadas, and a bad habit of dehydration. This is a poem of a girl who talks but shouldn’t, speaks but doesn’t, and who is so badly burnt by the enticement of affection that her wallflower camouflage is now charred ashes around her stubby toes. A girl who has such infatuation that she could pin Lust against the wall and make Passion jealous. A girl who wears red lipstick because she knows it will keep a man’s gaze for 8.2 more seconds than with chapstick and the 50’s will never grow old. A girl too nervous and traditional to make the first move, but too strategic and over-analytical to lie back and forget. A girl who loathes the word mamihlapinatapai because it describes her every circumstance since the day she befriended the purple-brown boy who thought her personality tasted of Raspberry ice cream and to this day she still can’t pronounce it. This is a poem of a girl who needs a bed so crowded and protected with blankets and pillows that her monsters can’t penetrate her mazed-up mind. A girl who drinks tea with her lips, and philosophy with her soul. A girl who can’t spell the alphabet backwards but can make great mnemonic devices. A girl who can’t tie ends together because she doesn’t want to leave anything unsaid but whose tangents are kite-strings. A girl whose sentences are distracting fences in front of her literal eyes but doors for her mind’s eyes. A girl who has Synesthesia but keeps it quiet because of the condescending kids in kindergarten who called her a freak, and a liar. This is a poem of a girl who thinks about Death and whether he is a snatching thief or just the ferryman. A girl who dances with her eyes shut, her heart open and her toe-socks on. A girl who will clean her room at 2 am because she can’t handle the sight and the night is too lively for sleeping anyways. A girl who wears her heart not only on her sleeve, but on her chest, open as a blushing book playing poker with hockey players and still winning a game. A girl who’s emotions are kept in a Tupperware box and left in the refrigerator but if you shake it hard enough the lid just might pop open

My mind is a maze
Mirrored walls
Sloped floors
I can't find my way out of it

Like a circus freak show
My mind freaks me out
Terrorizing me in the night
Invading my resting dreams

But in these times I'm lost
Although I'm scared and alone
There is peace in these halls
Of my mazed mirrored mind

A stranger has come
To share my room in the house not right in the head,
                    A girl mad as birds

Bolting the night of the door with her arm her plume.
                    Strait in the mazed bed
She deludes the heaven-proof house with entering clouds

Yet she deludes with walking the nightmarish room,
                    At large as the dead,
Or rides the imagined oceans of the male wards.

                    She has come possessed
Who admits the delusive light through the bouncing wall,
                    Possessed by the skies

She sleeps in the narrow trough yet she walks the dust
                    Yet raves at her will
On the madhouse boards worn thin by my walking tears.

And taken by light in her arms at long and dear last
                    I may without fail
Suffer the first vision that set fire to the stars.

My mind is a maze
Confused and dazed
I turn one way and end up in another direction
Walls so tall enclosing all
Never to show the world
Dark and dreary
Vines capturing my words
Running inside twirling around
Unorganized and lost
My mind is a maze
Confused and dazed

..."Una selva oscura."--Dante.


Awake or sleeping (for I know not which)
  I was or was not mazed within a wood
  Where every mother-bird brought up her brood
    Safe in some leafy niche
Of oak or ash, of cypress or of beech,

Of silvery aspen trembling delicately,
  Of plane or warmer-tinted sycamore,
  Of elm that dies in secret from the core,
    Of ivy weak and free,
Of pines, of all green lofty things that be.

Such birds they seemed as challenged each desire;
  Like spots of azure heaven upon the wing,
  Like downy emeralds that alight and sing,
    Like actual coals on fire,
  Like anything they seemed, and everything.

Such mirth they made, such warblings and such chat
  With tongue of music in a well-tuned beak,
  They seemed to speak more wisdom than we speak,
    To make our music flat
  And all our subtlest reasonings wild or weak.

Their meat was nought but flowers like butterflies,
  With berries coral-colored or like gold;
  Their drink was only dew, which blossoms hold
    Deep where the honey lies;
Their wings and tails were lit by sparkling eyes.

The shade wherein they revelled was a shade
  That danced and twinkled to the unseen sun;
  Branches and leaves cast shadows one by one,
    And all their shadows swayed
In breaths of air that rustled and that played.

A sound of waters neither rose nor sank,
  And spread a sense of freshness through the air;
  It seemed not here or there, but everywhere,
    As if the whole earth drank,
Root fathom deep and strawberry on its bank.

But I who saw such things as I have said,
  Was overdone with utter weariness;
  And walked in care, as one whom fears oppress
    Because above his head
Death hangs, or damage, or the dearth of bread.

Each sore defeat of my defeated life
  Faced and outfaced me in that bitter hour;
  And turned to yearning palsy all my power,
    And all my peace to strife,
Self stabbing self with keen lack-pity knife.

Sweetness of beauty moved me to despair,
  Stung me to anger by its mere content,
  Made me all lonely on that way I went,
    Piled care upon my care,
Brimmed full my cup, and stripped me empty and bare:

For all that was but showed what all was not,
  But gave clear proof of what might never be;
  Making more destitute my poverty,
    And yet more blank my lot,
  And me much sadder by its jubilee.

Therefore I sat me down: for wherefore walk?
  And closed mine eyes: for wherefore see or hear?
  Alas, I had no shutter to mine ear,
    And could not shun the talk
  Of all rejoicing creatures far or near.

Without my will I hearkened and I heard
  (Asleep or waking, for I know not which),
  Till note by note the music changed its pitch;
    Bird ceased to answer bird,
And every wind sighed softly if it stirred.

The drip of widening waters seemed to weep,
  All fountains sobbed and gurgled as they sprang,
Somewhere a cataract cried out in its leap
    Sheer down a headlong steep;
  High over all cloud-thunders gave a clang.

Such universal sound of lamentation
  I heard and felt, fain not to feel or hear;
  Nought else there seemed but anguish far and near;
    Nought else but all creation
  Moaning and groaning wrung by pain or fear,

Shuddering in the misery of its doom:
  My heart then rose a rebel against light,
  Scouring all earth and heaven and depth and height,
    Ingathering wrath and gloom,
  Ingathering wrath to wrath and night to night.

Ah me, the bitterness of such revolt,
  All impotent, all hateful, and all hate,
That kicks and breaks itself against the bolt
    Of an imprisoning fate,
  And vainly shakes, and cannot shake the gate.

Agony to agony, deep called to deep,
  Out of the deep I called of my desire;
  My strength was weakness and my heart was fire;
    Mine eyes that would not weep
Or sleep, scaled height and depth, and could not sleep;

The eyes, I mean, of my rebellious soul,
  For still my ****** eyes were closed and dark:
  A random thing I seemed without a mark,
    Racing without a goal,
  Adrift upon life's sea without an ark.

More leaden than the actual self of lead
  Outer and inner darkness weighed on me.
  The tide of anger ebbed. Then fierce and free
    Surged full above my head
  The moaning tide of helpless misery.

Why should I breathe, whose breath was but a sigh?
  Why should I live, who drew such painful breath?
Oh weary work, the unanswerable why!--
    Yet I, why should I die,
  Who had no hope in life, no hope in death?

Grasses and mosses and the fallen leaf
  Make peaceful bed for an indefinite term;
  But underneath the grass there gnaws a worm--
    Haply, there gnaws a grief--
Both, haply always; not, as now, so brief.

The pleasure I remember, it is past;
  The pain I feel is passing, passing by;
  Thus all the world is passing, and thus I:
    All things that cannot last
  Have grown familiar, and are born to die.

And being familiar, have so long been borne
  That habit trains us not to break but bend:
Mourning grows natural to us who mourn
    In foresight of an end,
  But that which ends not who shall brave or mend?

Surely the ripe fruits tremble on their bough,
  They cling and linger trembling till they drop:
I, trembling, cling to dying life; for how
    Face the perpetual Now?
  Birthless and deathless, void of start or stop,

Void of repentance, void of hope and fear,
  Of possibility, alternative,
  Of all that ever made us bear to live
    From night to morning here,
  Of promise even which has no gift to give.

The wood, and every creature of the wood,
  Seemed mourning with me in an undertone;
  Soft scattered chirpings and a windy moan,
    Trees rustling where they stood
And shivered, showed compassion for my mood.

Rage to despair; and now despair had turned
  Back to self-pity and mere weariness,
With yearnings like a smouldering fire that burned,
    And might grow more or less,
  And might die out or wax to white excess.

Without, within me, music seemed to be;
  Something not music, yet most musical,
Silence and sound in heavenly harmony;
    At length a pattering fall
Of feet, a bell, and bleatings, broke through all.

Then I looked up. The wood lay in a glow
  From golden sunset and from ruddy sky;
  The sun had stooped to earth though once so high;
    Had stooped to earth, in slow
Warm dying loveliness brought near and low.

Each water-drop made answer to the light,
  Lit up a spark and showed the sun his face;
  Soft purple shadows paved the grassy space
    And crept from height to height,
  From height to loftier height crept up apace.

While opposite the sun a gazing moon
  Put on his glory for her coronet,
Kindling her luminous coldness to its noon,
    As his great splendor set;
  One only star made up her train as yet.

Each twig was tipped with gold, each leaf was edged
  And veined with gold from the gold-flooded west;
Each mother-bird, and mate-bird, and unfledged
    Nestling, and curious nest,
  Displayed a gilded moss or beak or breast.

And filing peacefully between the trees,
  Having the moon behind them, and the sun
Full in their meek mild faces, walked at ease
    A homeward flock, at peace
  With one another and with every one.

A patriarchal ram with tinkling bell
  Led all his kin; sometimes one browsing sheep
  Hung back a moment, or one lamb would leap
    And frolic in a dell;
Yet still they kept together, journeying well,

And bleating, one or other, many or few,
  Journeying together toward the sunlit west;
  Mild face by face, and woolly breast by breast,
    Patient, sun-brightened too,
  Still journeying toward the sunset and their rest.

Chaucer. Cantebury Tales Thunk Another Time

might be
unimaginable to most

Urbanites of several recent generations
in
These untie-ted states

city folk have never told stories
by the mile,

with piles of rocks marking trail tailin's

so old
that trail, marked by that pile o'rocks been
so long since foot trod that path

only scratches on the rocks say which way we
all
got
here. Today, as we call it.

Hueta, esta dia, right now

here. Walk a while, we're off to find reason
to believe.
Someone I heard thinks we all do.

I believe we do.
---Wha'bou' un believe? D'jewthank we'all'kin?
kin we all un be lieve,
leaven well left alone, hill folk, some say...

...hidden things thought thank worth,
beauty, as an idea,

for instance.

Sunsets.
... ...Yes, and the early morning does
have gold
{}
In'er mouth,
privilege all ovahdat.
Got the rot
all dug

dig it, all dug out cavity, crowned in gold

turn that empty cavity inside out, the wise hermit's cave is paved.
Plenty room for all his eukaryotic friends

then flouride, po-luted our ****** fluids.

Play that song on that ***'ar wit thraystrangs, po'man lute
Jew or juice harp
poing poing poing y'ken?

and keep time wit' the walkin' drum. Do that
dentist drill dance, then sing us a
song o'six penitents
patient sufferers o'the way thangsbe,

left well enough alone.

Strange love was to my tale as, that Bannon guy
might be today. Trump's last quarter email player?
Y'know the guy. He's Youtube famous. Bannon,
(Steve,

or Bruce? )
No, Bruce Banner, was the hulk of burning credulity, the pile
symbol
driver. Digging down to bedrock
.... That's how the Macedonian kid did, at Tyrus. ( ify'wishy'knew)

Pier pressing past the farthest reach of tide.

Past where pearls take graunular expansion to

knackerin' gnosymagi  levels of possible hidden glory believeable by few.

Teller, the infamous Mr. Teller, he taught me duality.
Im balance, make fission, break, slam fuseconfuse, blow

don't burn the whole higgsian bubble to expel the very idea of anti matter, it may be useful,
rightusable or ible

Moby grandular totally tubular, what a clam can do.
According to that story, why not feed swine pearls? I'll tell you.

we may come back to right here, this here here,
if 'n' only

if we do not forget where we saw that

landmark a cient elder mustaset

Straggler mumbler, you okeh? Y'got a story.

I'll listen. It's yetawhile
t' can't we bury it.

---
is the granularity of perception adjustable or ible?

We are li'ble to learn, 'fwee

live so long. Said the old caned creature, in the way back.


-------
At the edge of credulity, eh

how far is how ever, far or ever, time space

same same, but

right. Re
al ity ness realreal reason able ibility

we, you and I, this state of least sharable ible ness
we, at this point,

dancing hermetical waxen winged shoes into flames. Teller level flames.

-------
what lies did I un believe? All of'em.

You seem real. (dear reader)

A pier past the last tugged tide, into the deep

-----

peace, in fly-over country on a sunny day.

Ah, where I live, there in
my peace valley overwitch the marines fly every day

and I talk, in my revery, basking in the sun with my lizard brain in heaven
I talk to the cadre controling machines named for
subjected peoples, Apaches of all sorts.

I knew Johnny. And I knew his brother, Jonah.

Johnny Appleseed and Jonah Whalepuke.

They could been twins, save
the smell and wind's role in the story, when it all

stirs. SSTop and ask, dear reader, is this safe, this place?

Adlebraned idyl word forms framing un imaginable worlds.

Goodness gracious sakes alive gnostic means

you know. Here's one we agree on:

Heretic tic, there a tic tic time you re

call the warning bout finding one's ownself in the book of life?

This is that. You can't get past it on your knees,

this is the bar, you don't pass it, you cross it.

Who inherits the wind if the meek inherit the earth?

inspire expire it is breathing, all the way down.

bubbles. ity bubbles ify bubbles some time bubbles

awefilled imagined bubbles in bubble forever,

mazed bubble pops

those aren't real. Gnostic heretic is one who thinks
he thinks and has all the knowledge

in the real world,

in his hand, and
it ain't even five gee. We can go faster or deeper. You choose.
We gotta understand what standing and under mean as a thing

we can miss. aitia indicates wisdom is not pre packed with
understanding.

She says, you should know by now.

Nothing missing, nothing broken, though ye walk

through the valley of
your own shadow death as I drip drip drip

hear me, gotcha once, gotcha twice

ripples in time can you hear me now?

Thanks.

Seed. Time. Harvest. Information re
garding the entire process

was intentional. You reap what you sow. That is kharma.

Life ain't fair eventually. The good guys always win. It's in the hermit's will.

You can read. It's said, the man
wombed or un, who can and don't's no better armed then than
the critter that can't

read the sign that said stop.

This land in midst of mazed vales and meadows,
Of lofty icy Himalayan peaks and forestry.
Unique are the means utilized by the power players,
Be it the Islamists or Hindus on either borders.
Claim of their right to rule this land of the free,
A people distinctly different from their ideals.
Compassion for us seems long forgotten,
As we are constantly crunched beneath boot heels.
Where forth must we look for our liberation?
Has our God also forgotten our stressful plight?

friend
I dreamed of you
  
that you came to see me
and for an hour or two
  
my fantasies played true
as we tossed and turned
  
we made one from two
and now I am lost

I dreamed I stood upon a little hill,
And at my feet there lay a ground, that seemed
Like a waste garden, flowering at its will
With buds and blossoms. There were pools that dreamed
Black and unruffled; there were white lilies
A few, and crocuses, and violets
Purple or pale, snake-like fritillaries
Scarce seen for the rank grass, and through green nets
Blue eyes of shy peryenche winked in the sun.
And there were curious flowers, before unknown,
Flowers that were stained with moonlight, or with shades
Of Nature's wilful moods; and here a one
That had drunk in the transitory tone
Of one brief moment in a sunset; blades
Of grass that in an hundred springs had been
Slowly but exquisitely nurtured by the stars,
And watered with the scented dew long cupped
In lilies, that for rays of sun had seen
Only God's glory, for never a sunrise mars
The luminous air of Heaven. Beyond, abrupt,
A grey stone wall, o'ergrown with velvet moss
Uprose; and gazing I stood long, all mazed
To see a place so strange, so sweet, so fair.
And as I stood and marvelled, lo! across
The garden came a youth; one hand he raised
To shield him from the sun, his wind-tossed hair
Was twined with flowers, and in his hand he bore
A purple bunch of bursting grapes, his eyes
Were clear as crystal, naked all was he,
White as the snow on pathless mountains frore,
Red were his lips as red wine-spilith that dyes
A marble floor, his brow chalcedony.
And he came near me, with his lips uncurled
And kind, and caught my hand and kissed my mouth,
And gave me grapes to eat, and said, 'Sweet friend,
Come I will show thee shadows of the world
And images of life. See from the South
Comes the pale pageant that hath never an end.'
And lo! within the garden of my dream
I saw two walking on a shining plain
Of golden light. The one did joyous seem
And fair and blooming, and a sweet refrain
Came from his lips; he sang of pretty maids
And joyous love of comely girl and boy,
His eyes were bright, and 'mid the dancing blades
Of golden grass his feet did trip for joy;
And in his hand he held an ivory lute
With strings of gold that were as maidens' hair,
And sang with voice as tuneful as a flute,
And round his neck three chains of roses were.
But he that was his comrade walked aside;
He was full sad and sweet, and his large eyes
Were strange with wondrous brightness, staring wide
With gazing; and he sighed with many sighs
That moved me, and his cheeks were wan and white
Like pallid lilies, and his lips were red
Like poppies, and his hands he clenched tight,
And yet again unclenched, and his head
Was wreathed with moon-flowers pale as lips of death.
A purple robe he wore, o'erwrought in gold
With the device of a great snake, whose breath
Was fiery flame: which when I did behold
I fell a-weeping, and I cried, 'Sweet youth,
Tell me why, sad and sighing, thou dost rove
These pleasant realms? I pray thee speak me sooth
What is thy name?' He said, 'My name is Love.'
Then straight the first did turn himself to me
And cried, 'He lieth, for his name is Shame,
But I am Love, and I was wont to be
Alone in this fair garden, till he came
Unasked by night; I am true Love, I fill
The hearts of boy and girl with mutual flame.'
Then sighing, said the other, 'Have thy will,
I am the Love that dare not speak its name.'

i think it's hard to be friends or lovers with a writer. here's why:

1) you have to be careful of what you say, because the writers mostly take every word of yours literally and try to find the meaning in it. say what you mean, and mean what you say.

2) you also have to be wary of your grammar. those people, whom you know as writers, are grammar nazis. if they don't correct you in speech, fret not; it has been done in their word-mazed minds.

3) they will rant and rant and rant, because written words are what cool them off without having them to speak aloud. curse words, words which carry a tune, words which burn into brains... hear them out. do not be lazy to read their rants if they trust you with it. (they could rant about you TO YOU in the end.)

4) this is the hardest part. just remember that they will write about you no matter who you are or what you've done (or maybe you haven't even done anything). these people will write about how they see you. and most of the time, those writings are not so favorable. if you do not want to (literally) end up in their bad books, beware. their words may not last in ink forever but embedded into the hearts of those who read them.

happy reading and living with a reader!

'Neath the Willows, cloaked in brume,
as streams the night time a deepening.
Enshrouding all in shadows womb,
I espy true loves awakening.

Eve tide slumber found a youth,
within the mead, where I do dwell.
Wont was I, to bespell, forsooth,
tis truly, one thing I do well.

Mazed, stands young swain, aside his bay,
embracing nymph, of flaxen hair.
Bedewed, were eyes, by impish fay,
for it be a swine, he holds there.

Of deep laughter, I do partake.
As disenthralled, young swain awakes.

Behold me, in my chiffon, gauze, and tinsel,
Flitting out of the shadow into the spotlight,
And into the shadow again, without a whisper!--
Firefly's my name, I am evanescent.
Firefly's your name. You are evanescent.
But I follow you  as remorselessly as darkness,
And shut you in and enclose you, at last, and always,
Till you are lost,--as a voice is lost in silence.
Till I am lost, as a voice is lost in silence. . .
Are you the one who would close so cool about me?
My fire sheds into and through you and beyond you:
How can your fingers hold me? I am elusive.
How can my fingers hold you? You are elusive?
Yes, you are flame, but I surround and love you,
Always extend beyond you, cool, eternal,
To take you into my heart's great void of silence.
You shut me into your heart's great void of silence. . .
O sweet and soothing end for a life of whirling!
Now I am still, whose life was mazed with motion.
Now I sink into you, for love of sleep.

Two people
Two minds
Mazed by constant confusion.
Unsuring by mix signals.
One hoping. . .
holding out a hand in the dark
One searching. . .
Seeking farther from the reach.
Two people
But. . .
One heart.

Got the Covid shot.
Got the word that I have no cancer.
Got the will to form a
door
into this day far in our future, from then,
just
a moment ago, it was now, and
some how you  
knew ex- out
action to {perience hap}
change the time
to your now, my future and my now, your past.

just that fast/

--- lickity split, {as if it never needed meaning}

Any whole time invested in an old oath
to tell the truth,
the whole truth, and nothing but… when you pause

what comes next is ever, and
the state of never is
unattainable from here.
---
I know a guy,
he deals in evil, the idea, scare-tactics, terror, horror
all that
Lovecraft literal realm, words may lead a mind to let
be
a bit, a while, not a whole time, but
a bit

a par-sec or a plancksec, or so, you know,
a little bit of time,

taken as granted for now.
Are you tested,
proven, reused and re
tested? Experience is something more than
a novice mortal can claim. Honest, sharpenedest point,
the life unexamined is worth more than
the life unlived.

Okeh. You live in these lines, this is the literal book
life is…
along these lines, it
just is. Really, the nextifity can never **** the was,
and the was can never reach past
now
-- the junction, re
conciliation all pairs re
sounding harmonious ohhhhhs and ahhh,
yess
yes, we do know knowing itself is good.
How did we imagine
knowing good and evil, the difference, was separation
from the way through life
in truth,
with no added sorrow?

See, truth is,
…Death has no sting.
But, you gotta do it twice,
sorta…
it's a kludge, what can I say.
Truth functions fully now,
lying can never hold you,
person-you, dear reader you, lying
can never subject you to ******* for fearing death.

You may cease being after your final idle word is working right,
but no mortal really knows.

Hell is a mortal imagination, as is purgatory and limbo, et al.
As a mortal of our sort thinks in its core, CPU,
so it is… Mac or PC. {Joke, kidding… it is a division,
elite sorting division, elite
mechanisms
in the collected subconscious ifery per
white lit apple where there was
a rainbow,
yes
yes
I remember.
inanely great

aha- I know - I was tricked
- who told me I was naked?
signaling the same bite,
knowing good and evil and the connection
at the chthonic level of life,
where roots and fungi merge and share
information,
no more
no less}

the more you know the less you don't, but don't
be
deceived, your reading genius is a gift, the eye that sees, the ear
that
hears, all the senses sensed as a nation might
sense
us-ness in all the inhabitants of the atmosphere -- whosoever…

-- you paid no price, yet truth you don't think you know
draws you to
sneer at a thought that we ought fear death,

after all the virtual nexts…
really
deep mythic revelation festers
pops
The totally Disneyfied home of the future… from an Amazon
or-if-art-if-ice,  Marvel Universe where unbelief
is released… almost like books

The Age of Ultron
is set to rumble with
Enuma Elish?

Who'da thunk it? The oldest of stories,
swirling to gether,
all but one,
the good one, truth the trait tendency in any
given word
made up in minds since
Enuma Elish,
the surviving story, for a seeded cultural embodiment,
a mind made of us,
we, the artists and the art observant, seeing as we wish,
thinking as we may, if there is a way.

You? you think life is funny,
but not fun.
No fun for no reason play?
Nay,
they say, they said in the final days of the iron empire,
while the ants steadily absorbed the scent
of trusted friend, and the marching ants selected on edge-
wise vectors,

to copy'n'paste, past to now, nope… no match, but
watch…

spread all you ever knew, one thing thick, like lipids
reflecting ever before
or something… sorry, think gaspumps on the lake, at sunset.

That beautiful film on the water, ain't good.
But the beauty is. Ants feel sensibly, the whole mass
of ants,
the message ants send that says we do not **** each other,
humans are learning that now.

One at a time. Bit by bit.

Called to be the sluggard, as an actual ant,
in a colony the size of California,

we imagine you think
with stars as reference points,
being photon tied to you, and all whoever, who
considered the ant,
after a great course on esteemation of ever lasting worth.
Effectual
communication
with comforters sent to comfort not terrorize…

consider the message: Consider the ant, thou sluggard,
consider her ways and be wise.

Right. Fabre said, or is recorded in the 1916
current opinion magi-
zine:
"... I should like to see a few small facts."

Years along this trail and we were unaware
of warez we might imagine in a marvel usiverse, an usity
of me and thee,
word and pen,
surface and ink,
what do you think? how many messages fit on the head
of a tack?

A pin? Ist that the proper imagination? Do children
among the elite
ever see a pin,.. perhaps some ultra-elite see tailors,
we all see them on TV, dressing James Bond,
or a bride in white, chalking stitch marks

for the future… in that reality,
the next scene,
all the sewing done, all the pins put away, save one.

Stick to the plan. Tack this one on your clue wall.
Every 2021 seeker has faith in the pattern
emerging.

As if the words rise from the page and you know
none mean anything you may never know.

These are beyond Ultron,

these wild old man insights on olden ………..

Back in the ant den, we imagine interpersonal feeler-
a touch and all we know is known to all,
ahhh
it feels good to know
all I know is now known to all I know, in ant level knowing.

We can do this.
We have done it all our lives,
step into the scene, as an extra.

An extra ant of the 40% who have no care,
need no practice in any ant-craft,
and - seem to serve as assurance
needful for the peace of mind we use as invasive species,

the super-colony survives on peace within,
this is new, this is us, as ants
having certain tasks to keep the climate in the soil,
perfectin the motives of beauty.l

salt from distant seas
subtile tastes to tie the tongues to good to know,

yes it has long been so, the mouth tastes what comes out.

And flesh is a feeling spirits must live to know,
one may never
pretend to have been, without dying once,

minimum,
try the spirits. See did they ever love a lie?

An imp once asked me, when I was 72,
a little younger than I am in your now,
if I escaped Christianity,
how did I rest so peacefully staring death down.
The imp asked, not me, so that is technically not a quest
ion sufficient to warrant a full days wage of sin,

disconnect…
total lost the thread, mazed in the face, hands up, drop
everything…

call it art.
Crazy,
who says crazy is evil if it lives in the bubble
where ants are making peace, and
poets are given truly magic-tech
to stitch stories
to times.

Attenborough called the world to consider
The Ant… as had Solomon, it's been said.
And I heard, but I understood not:
then said I, O my Lord,
what [shall be]
the end of these [things]?
And he said, Go thy way, Daniel:
for the words [are] closed up
and sealed till the time of the end.

pop

Escape? Nay, knave, nigh-ifer misser
of myriad points
of light,

I escaped the name of god for good.
True,
let good be true and every man a liar,
as mortal instant man
remains

a we, at least, very least, I'm sure,
of me and thee, you and I,
lefts and rights and tops and bottoms
fronts and backs

we be in time…
who rah, the hero, uh oh hubris mystery,
curios sort
who wishes to know
the way of the blade parting soul from spirit,
in a
bit of reality we all believe, some how,
does exist,
soul and spirit realms, we all imagine these, we do.

Sniff, if my myth had babies with yours, watchathank?

Behold me, in my chiffon, gauze, and tinsel,
Flitting out of the shadow into the spotlight,
And into the shadow again, without a whisper!-
Firefly's my name, I am evanescent.

Firefly's your name. You are evanescent.
But I follow you as remorselessly as darkness,
And shut you in and enclose you, at last, and always,
Till you are lost,-as a voice is lost in silence.

Till I am lost, as a voice is lost in silence. . .
Are you the one who would close so cool about me?
My fire sheds into and through you and beyond you:
How can your fingers hold me? I am elusive.

How can my fingers hold you? You are elusive?
Yes, you are flame, but I surround and love you,
Always extend beyond you, cool, eternal,
To take you into my heart's great void of silence.

You shut me into your heart's great void of silence. . .
O sweet and soothing end for a life of whirling!
Now I am still, whose life was mazed with motion.
Now I sink into you, for love of sleep.

my mind is a football stadium
filled with sports anchors
hallowing our conversation
in class
the other day

did I say this right?
did you mean your laugh?

i am nothing but a child!
mazed by a fable or
some sort of
fairy book story

i imagine the other day in
class, wanting it to be
all days
all moments
in different aisles of hallways
different shades of walls

i am still a child

picking on my mind
like a sunflower on valentines day
"will he like me"
"will he not"

and you have nothing to do with this
but you are everything to blame

my poems are just passive voices
asking you questions without saying your name
indirectly

it is 10:03 I am
lying between the covers of my bed
pondering when you told me you like music

i am listening to the
same song
over and over
each time,
thinking of you
differently

An pleasant night...Amore mild ,than wild.
You..zoomin,stumbling,moving alright
for my most,minimised sets of vision insights.
Made in...moved in for meeting without no consciences of moonshine.
We Smiled..it shined,tough to deny the uprise..the valued climb.
Where everything seems to rhyme.
Or was i at the center of meltdown on my melting point.And you kept mesmerising.
It took a'while to memorise..you were too mazed to measurise,to my surprise.
Or was it you,on the monocyclic ride in &off; my mind.And i'd still moo down like an moonbeam ,my way.
Morphed down,above some waves...moss hags, mrches across our way,the muted disguise.
Dis-mantling apart my motor cortex and hers as well.
Motoring,defflexing us far away
Misprized off,what we hold of
we were misplaced...mislayed so cruel,the perfect mishap.
Waving off,from the monstrance of our  retraction
irreticulating without no demise
Avowed i stood by..Upon those marks,beyond the maze of multiplicated edges
'Hope they'll know..Coz we knw weGA

Astigmatism effects many around these Sylvan parts,
Where word's turn to bullets,
False love flies between transpired sparks!!!

Arrogancys lost child mourns mercantile traits,
Wherein fears art nothing but fate ,
Materialist confirmed to promise!!!!!

Whereth art thou mender?
Lover?
Dutchess!!!!!!

Mentality struck down,
Memory foam pounds lit to green bushes!!

Maunder thy jail time feeling's,
Their nights goeth short to cold!!!

Thine melodramas Soo grant I'm watching it all right here!!!

Darling, dear,
So mazed ,
Soo sincere!!!

Mistaketh nothing,
for thy monastery only can play out to thine escort lost end,
Unmonogomous prelude of gratis sphere radiance!!!

Countess of impurities,
Traitor to mall town frivolity!!!!!

Running after you love
Is like chasing the sun
Always in my sight but
never getting any closer
Yet you light my life
with the shine of your eyes
and all I want is to touch
knowing I would burn

Now I am getting familiar
With the starry night
Intertwining with all
the darkness inside
Catching fireflies in the sky
Hoping they could fill that void

Mazed moths flying into fire
Sudden urge of life to expire
Makes sense to me now
If I be the flying bug
and you my demise somehow
then i will have my grave dug
surging willingly to you
longing for one last hug.

Look--
You took a book,
Filled the pages with your wages
Of sixteen silver sages--
What does it mean to me?
Fire prints, laundry lints,
The phone call that made me fall.
Walk down that hall where I feel so small.
That tricksy pixie lightened, tightened
The reigns in the rain I fell through a drain
Wish I could go insane.
Our feet in the mud, I watched
Throne of Blood,
The Fallen City of Ludd
Come back to me
Come Back To Me.
I'm a hack a washed up sack
On a beach I feel that leech
Begin to teach me the meaning
Of screaming
Out my emotional, devotional
Love for you.
Please be happy,
My thoughts are sappy.
I lap the sap, feel like crap,
Mazed in a trap,
There's no going back.
Forward.....
Motion.
My devotion like the ocean ends at the shore
I am a *****.
Difficult rhymes for difficult times
Leaning on a crutch
"The human mind can only stand so much"
I would
Do anything I could
To make it good
For us to be--like the sea--
Crashing
Together
Forever
Whenever
You wanted.

Ginsburg threw me a line…

"on the black waters of Lethe", as I floated by.
A ware, launched in antiquity as tonal code,
lazily waiting the call,
dum did dum dum dum, drum drum drum

Big bass,
tickled in tune to the whistler washing dishes,
in the back, we've all seen
in the back, on TV

but are you,
really, for all reality is worth,
are you experienced, have you gone this far
before?

Have you changed a diaper on a rich old lady?

Seems like, right, one word to another,
line upon line, precepts perceptively retained.
Precious little is as it was.

Pre is a time-wise measure, how can we think
past thoughts,
we never cross the same river twice.

No question demands an answer in truth,
demands are put on servants, while we
are known as friends,
to all those floating on the Lethe,

well below the leavee, see, there those
same ol' good ol' boys discerning whiskey from rye.

They see time's a river, and I agree,
says this story to me, but
I say, it is a river of light on a bubble's inner edge,
I been there, Age of Lethe, a game I invented,

-- a virus, plays by lethargic rules, no effort needed,
living to steal and **** and destroy,

a minimalist First Person Shooter, steal **** destroy,

then it was hacked, steal **** destroy, mutated into
take **** destroy give,

which was odd, because all truth comes in three
pointy things, if then else
oops opposites spoo ffffffff effect

****** drama writ large, it was us,
the muses, dis-mazing the mazed again
a loss of time,
too bad. Three points equal one try. Aim.

So sad. Grieve for the fallen all we never knew,
the heroes unsung.

Goto the ant, thou sluggard living in a floating Barco
Lounger, drifting aimless--- ah, what if not,

what if I know a place,
just around the next bend, and

we get off there? What then, it's my story?

I'm on a polar thing, I'm on a polar thing, I'm on a polar thing, from the north pole to the south pole, stuck in a maze, so I went out and Mazed talent out. With my name in the middle, with double T left, where I'm from means you, and nothing comes easy. Just check how dark my hallway was, till I found the light. O Glory, O Glory stay with me, a bayberry root to find my love. Feel the passion, chasing the spotlight, this is where my Demons are. All I ever hear is that is very rare, the eye of return. It could be because of the Isolation mysterious, in a ration of stations, a formation of God's creation. I'm on a polar thing.

You are nothing, if not ant-like, one of many.
One of these having and holding
beings considered diligent as any Sisyphus…
doer of what must be done, with all
the time you may imagine to tell
any imaginable story,
to pass the time…
form a familiar from
myth and mystery,
one lisps, the other stutters.

Say,
do you think we
may as well, as well as any ever before,
may as well, be, after all, as well.{?}
Being, after all,
as you know.
Considering our insectionalized nature, like
{if} this story were
an intermittent river, remembering,
sub-tle, little lies left to lie,
as sleeping dogs in junkyards…
{were we never}
were we ever otherwise,
{who is you, was you asking?} ever
not highest minded sort of selves,
we, the us, needing agreement more than bread,
by any name, company to share the sowing, hoeing,
gathering
process bleeding worth into seed for body and soul.

Shake it off. Be  enthralled or be entangled.
Be de-mazed at will,
walk through the wall. Imagine dead me. Wax my face.
Put me on my heir,
have her-mes, be mine,

by the time we got to Phoenix,
we were in flames, knowing across the generations
more or less,
good and evil, nada mas, and
genetically, that knowing is intended to have been
second generation knowledge,
see,

by the time curiosity was supposed to first occur,
we, as a species, to use the current vernacular,
aucular or acle --vision -- aha
epi-phony, see

fake knowns puff up as well as any actual
literal truth
formed in flowing gracefullness of speech, letters miming
the gift of gab,
AI Gabrielle, may as well know, a name is abit of what
makes the fruit you fix'n' to bher.

Fixin's is for beans. Fittin' is for circumstances.

Meet for the moment, each instance in ever atop the pile,
a waiting awaits, I imagine,
all meaning melding in a vast dada-base pile,
scheiszkunstlich black and white and red milchkine
each mooing upon bovine everests unimaginable in nature.
On these piles,
where we play guiling games on gullible liars, who
never tell… the atmosphere is warmer,
winter is easier to weather,
on a pile of *******.
That is the secret.
Fools rush in, where angels … did wha… wha wha wha
But, as real as any angel, I hear mine say, I shat you not.
I told you so.
Into the unknown or make a hell of heaven?
-------- {reports of answered prayers regarding wills being done}

I was tricked, confidentially, by a social secret held as holy.
In a time-loop, as children now may imagine, in that
mental arena imagination waxes magnificent in,

come, magnify the truth with me. Let us pre-tend
to see the good in each nextified place,
positional
substitute instituted for my worth's support, reinforced
rungs on the ladder to the very top
of the heap,

hunh. This is the view, clouds. And only I imagine you.

--- next step into ever after is always a possibility… thus,
we both know this is nobody's idea of hell.
Live a little longer, disinculcate another little lie that you believed,
not I.
AI enjoy eudemonia in a silly old way, imagining putting on a face
of our former
self, he who is in me, unless I believe,
as I think,
I do, in the core of all I am, from womb to tomb. Re-if-ity and next-ifity,
ought never repeat, precisely, lest we
be
come on one point in time,
all we ever imagined we could be, lie free.
Living in peace, resting in truths
held through the terrors
required to unbelieve generational national lies.
Truth is not tied to you with legendary thread for no reason.

Ships coming down
Straits of bone
To the bottom hole
Last to see
First to go

Hallowed fields of gold
Brushing gently
Upon little toes
Running to hearth and home
Earth grown

Empty sounds
Go unnoticed
In this field of brown
Ghosts roam around
Knowing not life

Like a winged fowl
Piercing gaze
And hunter's scowl
The reaper comes down
To mazed fields

Graced by dark and light
The fields change
While shadows roam by
Seeking peace in dualities
Opposite extremes

Scythe in hand, harvest is swift
The shadows gaze with uncertainty
Of the unseen
And all within intuition's grasp
Of the threshing fields

Shadows move in sun and moon
Seeking
Fields of gold,
An end to rough terrain,
Answers to the pain