Submit your work, meet writers and drop the ads. Become a member
There’s a whisper down the field where the year has shot her yield
  And the ricks stand gray to the sun,
Singing:—’Over then, come over, for the bee has quit the clover
  And your English summer’s done.’
    You have heard the beat of the off-shore wind
    And the thresh of the deep-sea rain;
    You have heard the song—how long! how long!
    Pull out on the trail again!

Ha’ done with the Tents of Shem, dear lass,
We’ve seen the seasons through,
And it’s time to turn on the old trail, our own trail, the out trail,
Pull out, pull out, on the Long Trail—the trail that is always new.

It’s North you may run to the rime-ring’d sun,
  Or South to the blind Horn’s hate;
Or East all the way into Mississippi Bay,
  Or West to the Golden Gate;
Where the blindest bluffs hold good, dear lass,
And the wildest tales are true,
And the men bulk big on the old trail, our own trail, the out trail,
And life runs large on the Long Trail—the trail that is always new.

The days are sick and cold, and the skies are gray and old,
  And the twice-breathed airs blow damp;
And I’d sell my tired soul for the bucking beam-sea roll
  Of a black Bilbao *****;
With her load-line over her hatch, dear lass,
And a drunken **** crew,
And her nose held down on the old trail, our own trail, the out trail,
From Cadiz Bar on the Long Trail—the trail that is always new.

There be triple ways to take, of the eagle or the snake,
  Or the way of a man with a maid;
But the sweetest way to me is a ship’s upon the sea
  In the heel of the North-East Trade.
Can you hear the crash on her bows, dear lass,
And the drum of the racing *****,
As she ships it green on the old trail, our own trail, the out trail,
As she lifts and ’scends on the Long Trail—the trail that is always new?

See the shaking funnels roar, with the Peter at the fore,
  And the fenders grind and heave,
And the derricks clack and grate, as the tackle hooks the crate,
  And the fall-rope whines through the sheave;
It’s ‘Gang-plank up and in,’ dear lass,
It’s ‘Hawsers warp her through!’
And it’s ‘All clear aft’ on the old trail, our own trail, the out trail,
We’re backing down on the Long Trail—the trail that is always new.

O the mutter overside, when the port-fog holds us tied,
  And the sirens hoot their dread!
When foot by foot we creep o’er the hueless viewless deep
  To the sob of the questing lead!
It’s down by the Lower Hope, dear lass,
With the Gunfleet Sands in view,
Till the Mouse swings green on the old trail, our own trail, the out trail,
And the Gull Light lifts on the Long Trail—the trail that is always new.

O the blazing tropic night, when the wake’s a welt of light
  That holds the hot sky tame,
And the steady fore-foot snores through the planet-powder’d floors
  Where the scared whale flukes in flame!
Her plates are scarr’d by the sun, dear lass,
And her ropes are taut with the dew,
For we’re booming down on the old trail, our own trail, the out trail,
We’re sagging south on the Long Trail—the trail that is always new.

Then home, get her home, where the drunken rollers comb,
  And the shouting seas drive by,
And the engines stamp and ring, and the wet bows reel and swing,
  And the Southern Cross rides high!
Yes, the old lost stars wheel back, dear lass,
That blaze in the velvet blue.
They’re all old friends on the old trail, our own trail, the out trail,
They’re God’s own guides on the Long Trail—the trail that is always new.

Fly forward, O my heart, from the Foreland to the Start—
  We’re steaming all too slow,
And it’s twenty thousand mile to our little lazy isle
  Where the trumpet-orchids blow!
You have heard the call of the off-shore wind
And the voice of the deep-sea rain;
You have heard the song—how long! how long!
  Pull out on the trail again!

The Lord knows what we may find, dear lass,
And the deuce knows what we may do—
But we’re back once more on the old trail, our own trail, the out trail,
We’re down, hull down on the Long Trail—the trail that is always new.
Jackson Freeman May 2013
"Little lass with the pink parasol,
standing by the sea
where your face was forgotten
and your dress dirtied,
what can you tell me of the wind?
Have you noticed its paws
tugging at your parasol
and how it dances 'round your tip-toes
and freezes your eyelids
with icicle pins?
How it shields your drinking sight
from sunlight
by raising a blind of your hair?
Or
have you instead chosen to count the peaks on the waves?
How each pinch in the watery fabric
pistons up and down
in the oceanic mattress
with the nature sporadic
of a mad stellar twinkling.
What treasures belch age and air bubbles
under the surface
of a fingertip's breadth?
Of such sweet gems and precious metal
surely are the gifts of its deepest depths daring.
It has been counting the times you've dipped your nose under,
under fear of the fathom's fingers
finding your face to be pretty,
and withdrawing.
You'll catch cold, lass.
Standing by the sea so often; always.
At the least you will go mad
at the infinite sound of roaring laps
against the shore
and the gales born of sea and sky
scrubbing memories of stillness from your mind.
Little lass with the pink parasol,
what do you hope to find
standing here by thesea?"
I asked her.
She was silent.
And I heard every word her own,
though uttered tangibly
by winds of local overcast atmospheres.
In the wet soil 'neath my tarred heels
did a coolness rise,
finding my lungs dry and welcoming.
The horizon joined grey and blue
and she was eyeing the vanishing point.
My eyes joined hers in trek
and I found infinity.
Nothing was visible along the skyline.
Meaning anything was beyond it.
Nothing was visible beneath the tide.
Meaning anything was under it.
The wind suggested transparency
but a secretless wind is merely still air.
She said nothing
and I understood;
the sea seems larger
when you are close enough to be kissed by the waves
because you forget that the whole world is behind you.
I am right now
standing by the sea.
The little lass with the pink parasol.
She is here, too.
Dosn't thou 'ear my 'erse's legs, as they canters awaay?
Proputty, proputty, proputty--that's what I 'ears 'em saay.
Proputty, proputty, proputty--Sam, thou's an *** for thy paains:
Theer's moor sense i' one o' 'is legs, nor in all thy braains.

Woa--theer's a craw to pluck wi' tha, Sam; yon 's parson's 'ouse--
Dosn't thou knaw that a man mun be eather a man or a mouse?
Time to think on it then; for thou'll be twenty to weeak.
Proputty, proputty--woa then, woa--let ma 'ear mysen speak.

Me an' thy ******, Sammy, 'as been a'talkin' o' thee;
Thou's bean talkin' to ******, an' she bean a tellin' it me.
Thou'll not marry for munny--thou's sweet upo' parson's lass--
Noa--thou 'll marry for luvv--an' we boath of us thinks tha an ***.

Seea'd her todaay goa by--Saaint's-daay--they was ringing the bells.
She's a beauty, thou thinks--an' soa is scoors o' gells,
Them as 'as munny an' all--wot's a beauty?--the flower as blaws.
But proputty, proputty sticks, an' proputty, proputty graws.

Do'ant be stunt; taake time. I knaws what maakes tha sa mad.
Warn't I craazed fur the lasses mysen when I wur a lad?
But I knaw'd a Quaaker feller as often 'as towd ma this:
"Doant thou marry for munny, but goa wheer munny is!"

An' I went wheer munny war; an' thy ****** coom to 'and,
Wi' lots o' munny laaid by, an' a nicetish bit o' land.
Maaybe she warn't a beauty--I niver giv it a thowt--
But warn't she as good to cuddle an' kiss as a lass as 'ant nowt?

Parson's lass 'ant nowt, an' she weant 'a nowt when 'e 's dead,
Mun be a guvness, lad, or summut, and addle her bread.
Why? for 'e 's nobbut a curate, an' weant niver get hissen clear,
An' 'e maade the bed as 'e ligs on afoor 'e coom'd to the shere.

An' thin 'e coom'd to the parish wi' lots o' Varsity debt,
Stook to his taail thy did, an' 'e 'ant got shut on 'em yet.
An' 'e ligs on 'is back i' the grip, wi' noan to lend 'im a shuvv,
Woorse nor a far-welter'd yowe: fur, Sammy, 'e married for luvv.

Luvv? what's luvv? thou can luvv thy lass an' 'er munny too,
Maakin' 'em goa togither, as they've good right to do.
Couldn I luvv thy ****** by cause 'o 'er munny laaid by?
Naay--fur I luvv'd 'er a vast sight moor fur it: reason why.

Ay, an' thy ****** says thou wants to marry the lass,
Cooms of a gentleman burn: an' we boath on us thinks tha an ***.
Woa then, proputty, wiltha?--an *** as near as mays nowt--
Woa then, wiltha? dangtha!--the bees is as fell as owt.

Break me a bit o' the esh for his 'ead, lad, out o' the fence!
Gentleman burn! what's gentleman burn? is it shillins an' pence?
Proputty, proputty's ivrything 'ere, an', Sammy, I'm blest
If it isn't the saame oop yonder, fur them as 'as it 's the best.

Tis'n them as 'as munny as breaks into 'ouses an' steals,
Them as 'as coats to their backs an' taakes their regular meals,
Noa, but it 's them as niver knaws wheer a meal's to be 'ad.
Taake my word for it Sammy, the poor in a loomp is bad.

Them or thir feythers, tha sees, mun 'a bean a laazy lot,
Fur work mun 'a gone to the gittin' whiniver munny was got.
Feyther 'ad ammost nowt; leastways 'is munny was 'id.
But 'e tued an' moil'd issen dead, an' 'e died a good un, 'e did.

Loook thou theer wheer Wrigglesby beck cooms out by the 'ill!
Feyther run oop to the farm, an' I runs oop to the mill;
An' I 'll run oop to the brig, an' that thou 'll live to see;
And if thou marries a good un I 'll leave the land to thee.

Thim's my noations, Sammy, wheerby I means to stick;
But if thou marries a bad un, I 'll leave the land to ****.--
Coom oop, proputty, proputty--that's what I 'ears 'im saay--
Proputty, proputty, proputty--canter an' canter awaay.
vincent j kelly Aug 2015
MY IRISH ROSE

      In the corner of the pub I stand and raise my glass
      and ask the folks to drink a toast to my Irish Lass
      the one I left behind - the one with the Irish smile
      the one I left behind - the one with the Irish eyes
      so raise your glass and drink a toast to my Irish lass
      cause hopes and dreams of love and life they all go by so fast

      she said oh Jimmy please don't go - you know I love you so
      I kissed her lips and held her tight she was my Irish rose
      then packed my bags with hopes and dreams and off to old New York
      and left her waving on the pier my rose of County Cork
      I said someday I would return and marry you my lass
      but days and weeks turned into months as years went by so fast

      In the corner of the pub I stand and raise my glass
      and ask the folks to drink a toast to my Irish Lass
      the one I left behind - the one with the Irish smile
      the one I left behind - the one with the Irish eyes
      so raise your glass and drink a toast to my Irish lass
      cause hope and dreams of love and life they all go by so fast

      I thought someday I would return with pockets full of gold
      but time has not been good to me I'm a penny short of poor
      it took me years to find my way back to County Cork
      to try and find my Irish lass but she had died the year before
      and on her stone the words they read - forever Jimmy boy
      I placed a flower on her grave - god bless my Irish Rose

                          By Vincent J Kelly (c)2000
                             from the song My Irish Rose
                                   vincentjkelly@yahoo.com
from a song I wrote left it as is ...a song....
Song one
This is a song about tarzanic love
That subsisted some years ago,
As a love duel between an English girl and an African ogre,
There was an English girl hailing along the banks of river Thames
She had stubbornly refused all offers for marriage,
From all the local English boys, both rich and poor
tall and short, weak or strong, ugly and comely in the eye,
the girl had refused and sternly refused the treats for love,
She was disciplined to her callous pursuit of her dream
to marry a mysterious,fantastic,lively,original and extra-ordinary man,
That no other woman in history of human marriage ever married,
She came from London, near the banks of river Thames,
Her name was Victoria Goodhamlet Lovehill, daughter of a peasant,
She came from a humble English family, which hustled often
For food, clothing, and other calls that make one an ordinary British,
She grew up without a local boy friend, anywhere in the English world,
She is the first English girl to knock the age of forty five while a ******,
She never got deflowered in her teens as other English girls usually do
She preserved her purse with maximal carefulness in her wait for a black man,
Her father, of course a peasant, his trade was human barber and horse shearer,
Often asked her what she wants in life before her marriage, which man she really wanted,
Her specification was an open eyesore to her father; no blinkers could stave the father’s pale
For she wanted a black tall man, strong and ruggedly dark in the skin, must own a kingdom,
Fables taken to her from Africa were that such an African man was only one but none else,
His glorious name was Akhatembete kho bwibo khakhalikha no bwoya,
When the English girl heard the chimerical name of her potential husband,
She felt a super bliss in her spine; she yearned for the day of her rendezvous,
She crashed into desperate burning for true English love
With a man with a wonderful name like Akhatembete kho bwibo khakhalikha no bwoya.


Song two

Rumours of this English despair and dilemma for love reached Africa, in the wrong ears,
Not the human ears, but unfortunately the ears of the ogres, seasoned in the evil art,
It was received and treated as classified information among the African ogress,
They prevented this news to leak to African humans at all at all
Lest humans enjoy their human status and enjoy most
The love in the offing from the English girl,
They thus swiftly plotted and ployed
To lure and win the ******
From royal land;
England.




Song three

Firstly, the African ogres recruited one of their own
The most handsome middle aged male ogre, more handsome than all in humanity,
And of course African ogres are beautiful and handsome than African humans, no match,
The ogres are more gifted in stature, physique, eugenics and general overtures
They always outplay African humans on matters of intelligence, they are shrewder,
Ogres are aggressive and swashbuckling in manners; fear is none of their domain
Craft and slyness is their breakfast, super is the result; success, whether pyrrhic or Byronic,
Is their sweetest dish, they then schemed to get the English girl at whatever cost,
They made a move to name one of their fellow ogres the name of dream man;
Akhatembete khobwibo khakhalikha no bwoya,
Which an English girl wanted,
By viciously naming one of their handsome middle-aged man this name.

Song four

Then they set off 0n foot, from Congo moving to the north towards Europe abode England,
Where the beautiful girl of the times, Victoria Goodhamlet Lovehill hail,
They were three of them, walking funnily in cyclopic steps of African ogres,
Keeping themselves humorously high by feigning how they will dupe the girl,
How they will slyly decoy the English village pumpkin of the girl in to their trap,
And effortlessly make her walk on foot from England to Africa, in pursuit of love
On this muse and sweet wistfulness they broke out into loud gewgaws of laughter,
In such emotional bliss they now jump up wildly forgetting about their tails
Which they initially stuffed inside white long trousers, tails now wag and flag crazily,
Feats of such wild emotions gave the ogres superhuman synergy to walk cyclopically,
A couple of their strides made them to cross Uganda, Kenya, Somali, Ethiopia and Egypt
Just but in few days, as sometimes they ran in violent stampedes
Singing in a cryptic language the funny ogres songs;

Dada wu ndolelee!
Dada wu ndolelee!
Kuyuni kwa mnja
Sa kwingile khundilila !

Ehe kuyuni Mulie!
Ehe kuyuni mulie!
Omukhana oyo
Kaloba khuja lilia !
They then laughed loudly, farted cacophonously and jumped wildly, as if possessed,
They used happiness and raucous joy as a strategy to walk miles and miles
Which you cover when moving on foot from Congo to England,
They finally crossed Morocco and walked into Europe,
They by-passed Italy and Spain walking piecemeal
into England, native land of the beautiful girl.

Song  five

When the three ogres reached England, they were all surprised
Every woman and man was white; people of England walked slowly and gently
They made minimum noise, no shouting publicly on the street,
a stark contrast to human behaviour and ogre culture in Africa, very rambunctious,
Before they acclimatized to disorderly life in England, an over-sighted upset befell them
Piling and piling menace of pressure to ****,
Gripped all the three ogre brothers the same time,
None of them had knowledge of municipal utilities,
They all wanted to micturated openly
Had it not been beautiful English girls
Ceaselessly thronging the streets.



Song six

They persevered and moved on in expectation of coming to the end,
Out-skirt of the strange English town so that they can get a woodlot,
From where they could hide behind to do open defecation
All was in vain; they never came to any end of the English town,
Neither did they come by a tumbled-down house
No cul de sac was in sight, only endless highway,
Sandwiched between tall skyscraping buildings,
One of the ogres came up with an idea, to drip the ****
Drop by drop in their *******, as they walk to their destiny,
They all laughed but not loudly, in controlled giggles
And executed the idea minus haste.

Song seven

They finally came down to the banks of river Thames,
Identified the home of Victoria Goodhamlet Lovehill
The home had neither main gate nor metallic doors,
They entered the home walking in humble majesty,
Typical of racketeering ogre, in a swindling act,
The home was silent, no one in sight to talk to
The ogres nudged one another, repressing the mirth,
Hunchbacked English lass surfaced, suddenly materialized
Looking with a sparkle in the eye, talking pristine English,
Like that one written by Geoffrey Chaucer, her words were as piffling
As speech of a mad woman at the fish market, ogres looked at her in askance.

Song eight

An ogre with name Akhatembete khobwibo khakhalikha nobwoya opened to talk,
Asked the girl where could be the latrine pits, for micturation only,
The hunchbacked lass gave them a direction to the toilets inside the house,
She did it in a full dint of English elegance and gentility,
But all the ogres were discombobulated to their peak
about the English latrine pit inside the house,
they all went into the toilet at the same time,
to the chagrin of the hunchbacked lass
she had never seen such in England
she struggled a lot
to repress her mirth
as the English
never get amused
at folly.




Song nine

It is a tradition among the ogres to ****,
Whenever they are ******* in the African bush,
But now the ogres are in a fix, a beautiful fix of their life
If at all they ****, the flatulent cacophony will be heard outside
By the curious eavesdroppers under the eaves of the house,
They murmured among themselves to tighten their **** muscles
So that they can micturated without usual African accomplice; the tweeee!
All succeeded to manage , other than Akhatembete khobwibo khakhalikha nobwoya,
Who urinated but with a low tziiiiiiii sound from his ***, they didn’t laugh
Ogres walked out of privities relaxed like a catholic faithful swallowing a sacrament,
The hunchback girl ushered them to where they were to sit, in the common room
They all sat with air of calm on their face, Akhatembete Khobwibo khakhalikha nobwoya,
led the conversation, by announcing to the girl that he is Victoria’s visitor from Africa,
To which the girl responded with caution that Victoria is at the barbershop,
Giving hand to her father in shearing the horses, and thus she is busy,
No one is allowed to meet her, at that particular hour of the day
But he pleaded to the hunchback girl only to pass tidings to Victoria,
That Akhatembete Khobwibo khakhalikha nobwoya from Africa
Has arrived and he is yearning to meet her today and now,
The girl went bananas on hearing the name
The hunch on her back visibly shook,
Is like she had heard the name often,
She then became prudent in her senses,
And asked the visitor not to make anything—
Near a cat’s paw out of her person,
She implored the visitor to confirm
if at all he was what he was saying
to which he confirmed in affirmation,
then she went out swiftly
like a tail of the snake,
to pass tidings
to her sister
Victoria.


Song ten
She went out shouting her sister’s name,
A rare case to happen in England,
One to make noise in the broad day light,
With no permission from the local leadership,
She called and ululated Victoria’ name for Victoria to hear
From wherever she was, of which she heard and responded;
What is the matter my dear little sister? What ails you?
Akhatembete Khobwibo khakhalikha nobwoya is around!
She responded back in voice disturbed by emotional uproar,
What! My sister why do you cheat me in such a day time?
Am not cheating you my sister, he is around sited in our father’s house,
Is he? Have you given him a drink, a sweet European brandy?
My sister I have not, I feared that I may mess up your visitors
With my hunched shoulders, I feared sister forbid,
Ok, I am coming, running there, tell him to be patient,
Let me tell him sister just right now,
And make sure you come before his patience is stretched.





Song eleven

Victoria Goodhamlet Lovehill almost went berserk
On getting this good tidings about the watershed presence,
Of the long awaited suitor, her face exploded into vivacity,
Her heart palpitating on imagination of finally getting the husband,
She went out of the barber shop running and ululating,
Leaving her father behind, confounded and agape,
She came running towards her father’s main house
Where the suitor is sited, with the chaperons,
She came kicking her father’s animals to death,
Harvesting each and every fruit, for the suitor,
She did marvel before she reached where the suitor was;
Harvested ten bananas, mangoes and avocadoes,
Plums, pepper, watermelons, lemons and oranges,
She kicked dead five chicken, five goats, rams,
Swine, rabbits, rats, pigeons and hornbills,
When she reached the house, she inquired to know,
Who among them could be the one; Akhatembete Khobwibo
Khakhalikha no bwoya, But her English vocals were not guttural enough,
She instead asked, who among you is a key tempter go weevil car no lawyer?
The decoy ogre promptly responded; here I am the queen of my heart. He stood up,
Victoria took the ogre into her arms, whining; babie! Babie, babie, come!
Victoria carried the ogre swiftly in her arms, to her tidy bed room,
She placed the ogre on her bed, kissed one another at a rate of hundred,
Or more kisses per a minute, the kissing sent both of them crazy, but spiritual craft,
That gave the ogre a boon to maintain some sobriety, but libido of virginity held Victoria
In boonless state of ****** feat, defenseless and impaired in judgment
It extremely beclouded her judgment; she removed and pulled of their clothes,
Libidinous feat blurring her sight from seeing the scarlet tail projecting
From between the buttocks of the ogre, vestige of *******,
She forcefully took the ogre into her arms, putting the ogre between her legs,
The ogre’s uncircumcised ***** effectively penetrated Victoria’s ****** purse,
The ogre broke virginity of Victoria, making her to feel maximum warmth of pleasure
As it released its germinal seed into her body, ecstasy gripped her until she fainted,
The ogre erected more on its first *******; its ***** became more stiff and sharp,
It never pulled out its ***** from the purse of Victoria, instead it introduced further
Deeper and deeper into Victoria’s ******, reaching the ****** depth inside her with gusto,
Victoria screamed, wailed, farted, scratched, threw her neck, kissed crazily and ******,
On the rhythms of the ogre’s waist gyrations, it was maximum pleasure to Victoria,
She reached her second ****** before the ogre; it took further one hour before releasing,
Victoria was beaten; she thought she was not in England in her father’s house
She thought she was in Timbuktu riding on a mosquito to Eldorado,
Where she could not be found by her father whatsoever,
The ogre pulled Victoria up, helped her to dress up,
She begged that they go back to the common room,
Lest her father finds them here, he would quarrel,
They went back to the common room,
Found her father talking to other two ogres,
She shouted to her father before anyone else,
That ‘father I have been showing him around our house,’
‘He has fallen in love with our house; he is passionate about it,’
Akhatembete khobwibo khakhalikha nobwoya was shy,
He greeted the father and resumed his chair, with wryly dignity.


Song twelve
An impromptu festival took place,
Fully funded by the father of Victoria,
There was meat of all type from pork to chicken,
Greens were also there in plenty, pepper and watermelons,
Victoria’s mother remembered to prepare tripe of a goat
For the key visitant who was the suitor; Akhatembete,
Food was laid before the ogres to enjoy themselves,
As all others went to the other house for a brainstorming session,
But the hunched backed girl hid herself behind the door,
To admire the food which visitors were devouring,
As she also spied on the table manners of the visitors, for stories to be shared,
Perhaps between herself and her mother, when visitors are gone,
Some sub-human manners unfolded to her as she spied,
One of the ogres swallowed a spoon and a table fork,
And Akhatembete khobwibo khakhalikha nobwoya,
Uncontrollably unstuffed his scarlet tail from the trouser,
The chill crawled up the spine of hunchbacked girl,
She almost shouted from her hideout, but she restrained herself,
She swore to herself to tell her father that the visitors are not humans
They are superhuman, Tarzans or mermaids or the werewolves,
The ogre who swallowed the spoon remorsefully tried to puke it back,
Lest the hosts discover the missing spoon and cause brouhaha,
It was difficult to puke out the spoon; it had already flowed into the stomach,
Victoria, her father, her mother and her friend Anastasia,
Anastasia; another English girl from the neighborhood,
Whom Victoria had fished, to work for her as a best maid, as a chaperon,
Went back to the house where the ogres had already finished eating,
They found ogres sitting idle squirming and flitting in their chairs
As if no food had ever been presented to them in a short while ago,
One ogre even shamelessly yawned, blinking his eyes like a snake,
They all forgot to say thanks for the food, no thanks for lunch,
But instead Akhatembete announced on behalf of other ogres,
That they should be allowed to go as they are late for something,
A behaviour so sub-human, given they were suitors to an English family,
Victoria’s father was uneasy, was irritated but he had no otherwise,
For he was desperate to have her daughter Victoria get married,
He had nothing to say but only to ask his daughter, Victoria,
If she was going right-away with her suitor or not,
To which she violently answered yes I am going with him,
Victoria’s mother kept mum, she only shot miserable glances
From one corner of the house to another, to the ogres also,
She totally said nothing, as Victoria was predictably violent
To any gainsayer in relation to her occasion of the moment,
Victoria’s father wished them all well in their life,
And permitted Victoria to go and have good life,
With Akhatembete, her suitor she had yearned for with equanimity,
Victoria was so confused with joy; her day of marriage is beholden,
She hurriedly packed up as if being chased by a monster,
Jack Jul 2014
~

Happy Birthday Wishes Sye


Sye, a few of your friends wanted to send you happy wishes on this
your 17th birthday. I hope you enjoy this.  

~~~

Happy Birthday Sweet Niece!
Sye, you are beyond amazing in your talents for writing, your beauty of soul and your caring and compassion. What a gift to our community on HP and the entire Universe that you are here! I am so very glad I met you!!! I hope this birthday and the year ahead are the best ever for you!
With much love,
Aunt Pamela

~~~

Seventeen, as cute as seven.
Funny as Hell, sweet as Heaven.
It's not hard to grasp just why
We love you so deeply, Sye.

Birthday hugs from Norway!
-Sverre

~~~

Sweet Seventeen, a year so Sweet to bring Your Dreams into the World, Live them Proud and True, just for You!!
I Wish You a Very Happy Birthday Sye!
~ Venusoul7~

~~~

Happy Birthday "Daughter"
You are a Blessing who touches each life you enter,(as you have mine)
My wish for you this day, is that the Love and Happiness return to you ten-fold.
Happy B-Day Sweetheart! Paula

~~~

Hippy buffday to you!
Wishing you blessings anew
May your days be
Full of sunshine and laughter
And joyful songs too ***
Petal Pie

~~~

Happy Birthday Sye

A day of Celebration
of contemplation
The last remains of a year
The dawn of the new

A dawn...
Filled with wonder
With beauty
An adventure

Bask in the sunshine
Embrace the rain
From pain
Do you grow

My wish for you...

Live life
Open hearted

Your flower is blooming
Revealing the beauty
Within your heart and soul

Kelly Rose

~~~

17 candles a top the fruit cake
Your friends and family
Nigh to celebrate this great milestone
Wine glasses raised~
In honor of you
God has added yet another year
May your life be filled with so much joy~
And good health be your portion always
Happy birthday Sye…

Cassie

~~~

May Sye have a wonderful birthday as wonderful as her poetry.
Briar Thornit

---

Hello young Sye on the occasion of your birthday. You are a young lady who has so much still to offer the world of poetry and you can only get better

Keep on writing Sye

Old man Joe

~~~

Happy Birthday Sye

Young at heart, a mind for words
may you have a day of joy,
With many happy returns,
have fun let it all go its your day
so do what ever is your fancy
Have well remembered birthday fun :)

Poetic T :)

~~~

Only friends for a while
yet I know you're so kind
with that beautiful smile
you'll never be left behind

This wee bonnie lass
has a birthday today
such a kind and sweet soul
in our hearts she'll forever remain

Have a fantastic day Sye **

Louise

~~~

Tae Sye

Wi' a' the monie ways tae say,
I find I lack skill;
Tae ye, wi' a' me greetings lay,
Pray, o't, tak yowre fill!

Och, sic a bonnie lass as ye,
My hearty blessin';
Sae monie mowre ye Birthdays be,
Wi' a' the dressin'!

'Tis a sma' thing tae say,
Happy, Happy, Birthday!

'Tis a' for thee
Dear S. Y. E.

~Timothy~

~~~

Princess Sye you are amazing:) I have came to learn so much by you, and you have been a wonderful friend to me:) I hope this birthday finds you well:) Miles of smiles and much love always:)

Jonathan E Furches

~~~

betterdays 2 days ago
hello sye
my understanding is it is your17th birthday ....in honour of that and your amorevolous nature
i give you, these word gifts.
two quotes:
"blessed are the curious,
for they shall have
adventures"
Lovelle Drachman.
and
"For beautiful eyes, look for the good in others; for beautiful lips, speak only words of kindness; and for poise, walk with the knowledge that you are never alone"
attributed to,
Audrey Hepburn
but really Sam Lenvenson.
and
my best wishes for a, eellogofusciouhipopp-okunurious (good)
day
hugs and kisses
betterdays
p.s.amorevolous- loving and giving beyond self, nature.

~~~~

Dear Sye,

Uh - 17. Young enough to be stupidly foolish and wise enough not to realize it. Your writing has touched many, including me. Thanks for sharing your inner self. Happiest of Birthdays to you Miss Sye. Wishes for many happy returns of the Day.
Your friend in poetry, Kim

~~~


"I look at you and see so much promise
so full of life and always ready to help
although I have not known you much
I can see your beautiful soul through your words.
You turn 17 today and my wish for you is simple,
I hope you have enough courage to stand your ground,
to write what's true to you and do all that you love,
that you follow your dreams and
be the beautiful woman you were meant to be.

Happy Birthday, Sye :)
- H.U."

~~~

Sye as in sigh but also the world, from Korea to marine flag languages and morse code like this ...-.--.
I saw your name as a barcode while shopping for words,
these are what I bought: Happy Birthday to you Sye the World.

Regis Keuren

~~~

Sweet sixteen plus one
Oh what fun
The Sye flower will blossom
More and more so awesome.
She is loved by many here
Who find her so Dear.
Happy Birthday Dear Sye
Now you may cry.

Grandpa john

~~~

Happy birthday to my beautiful little sis! I wish you the most spectacular of days and the best of years. You deserve all the happiness and love, life has to offer!

You have been such a great friend and are always so kind and supportive. You amaze me with your wisdom and talent, sweet one. I am in awe of you, gorgeous! I feel so blessed to have met you!

Syeshine

The radiance
Beaming from
Your golden heart
Eclipses the sun
Sending light
And love
To all who bask
In the warmth
Of your sweet
Friendship...

Love you Sye!

Your adoring sis,
Kalypso

~~~

Thank you Sye for your excellent poetry as it's a gift to us all. Best of wishes on your birthday; you deserve all of the attention you get and, thanks to Jacks rally of poets, this attention can get to you. With pleasure, I salute thee -

Peter Watkins

~~~

Happy Birthday Sye! You are going to go so far in this world sweetie! Have an amazing day my friend! Continue to write amazing poetry.
Peace and Love
Margaret

~~~

Birthday wishes sent to you in hope that all your dreams come true x

Calpurnia Mockingbird

~~~

Oh, my Sye, my sweet, sweet, Sye
Wonderful sister and dear poet of mine
Words emerge from your stunning mind
And paint visions for all to read
But today is not about what you create
It's what God created 17 years ago
A wonderful person and talented friend
My non-blood sister to the end
Happy birthday my dear sister
Today is dedicated solely for you
Live it up and enjoy the wonders of life
And make sure to get some cake too!

Madalyn Beck

~~~

And now it is my turn. To my sweetest friend on your special day…
As you look above and see all of these people, your friends and family
from Hellopoetry sending you love and beautiful birthday wishes,
I want you to know that you are my best friend in the entire world
and I wish you all that makes you smile, every happiness and joy
this coming year and those to follow have to offer.

Happy Birthday sweet Sye.

Your smile lights the world,

Jack
Thank you to everyone who participated in this with me. I appreciate your kindness more than you know.
Penne Jan 2019
Once there was a lass
Planted into a mysterious world
Does not know where to go, how to go
Three lights later, she was found
But it is not the kind of found she desires
Is there even a reason of existence
You want her to question about her sanity
Question about impossibility
Question what is underneath
Question what is on the other side
Do you think to look smart
Or do you think because you want to be mentally deranged
Does being a product mean,
To look unique, to look you know a lot more than anyone
Because insane is the new gain
Insane is the pain
Insanity is my oxygen
Does this look art to you
Just simply spilling her emotions and rants
But in reality she done nothing
So how come you label her as a product?
Everyday, questioned herself if she is even of worth
No matter where angles of skies she looked at , no answers burst
If she was born to be secluded
Does that mean she is out of this world
If she thinks differently
Does she have to change the world?
Should she be drowned in the pills of schizophrenia
To define what real art is?
To defy reality?
Is this enough
If not, then what am I
If not a product, then what
I disgrace sycophants and know-it-alls alike
Except for lucid and heavy dreamers for life
Are we bore to create a fantasy
Or altogether fall with this society
Does living in nomothethic oceans is a mistake
Talk about limitless yet senseful imagery
Chatter away with debates that activate logic which I do not have
What is more likely to balance
When there is a whole solar system to laugh at you
No, I should see more light
But what light shall I find
I do not know what is the real definition of every little thing
But I worry and think of them
They say it is the beauty
What beauty
Underneath or above
Which one did you admire first?
Do I have to question my faith
Do I have to question everything around me
Should I speak like Shakespeare
Should I speak colorful in my own language  than the language that became my mother's tongue
Should I write like an endless dictionary and a multi-faced human
Should I count every star accurately until the fall wither me
Or produce sounds alive like the city of owls
Should I make every human being smile when I cannot smile myself
Should I feel nothing but sadness for eternity
To pity me when I weave with words
Should I play like Arima
Should I paint like a museum artist
Just to call me a talent
Should I perfect my skills of every labor
Should success appear to me like magic
Should I explain the unexplainable
Or should I damage my cerebrum
Before I truly feel intelligent
Should I dance my life away like the Black Swan
Should I be tearing down politicians and teachers
Just to feel worthy
Just to be recognized in the light I desire
Or should I just look in the mirror
To check if my blood veins are still flowing
Real blood, not just veins of vain
Inhaling all the smoke of envy
I sin
I am flawful
I breathe in gold
Just to realize it is old
Just to realize my self-redeement is stone cold
Will you love and be deserved by light like that
Will you realize everyone who reads this has been ugly as well
Will you realize I am not writing about myself
But what we are all afraid to admit the most
Because you are only a person
And once there was an abnormal lass
It was a lover and his lass,
  With a hey, and a **, and a hey nonino,
That o’er the green corn-field did pass,
  In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.

Between the acres of the rye,
  With a hey, and a **, and a hey nonino,
These pretty country folks would lie,
  In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.

This carol they began that hour,
  With a hey, and a **, and a hey nonino,
How that life was but a flower
  In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.

And, therefore, take the present time
  With a hey, and a **, and a hey nonino,
For love is crownèd with the prime
In the spring time, the only pretty ring time,
When birds do sing, hey ding a ding, ding;
Sweet lovers love the spring.
Wheer 'asta bean saw long and mea liggin' 'ere aloan?
Noorse? thoort nowt o' a noorse: whoy, Doctor's abean an' agoan;
Says that I moant 'a naw moor aale; but I beant a fool;
*** ma my aale, fur I beant a-gawin' to break my rule.

Doctors, they knaws nowt, fur a says what 's nawways true;
Naw soort o' koind o' use to saay the things that a do.
I 've 'ed my point o' aale ivry noight sin' I bean 'ere.
An' I 've 'ed my quart ivry market-noight for foorty year.

Parson 's a bean loikewoise, an' a sittin' ere o' my bed.
"The amoighty 's a taakin o' you to 'isen, my friend," a said,
An' a towd ma my sins, an' s toithe were due, an' I gied it in hond;
I done moy duty boy 'um, as I 'a done boy the lond.

Larn'd a ma' bea. I reckons I 'annot sa mooch to larn.
But a cast oop, thot a did, 'bout Bessy Marris's barne.
Thaw a knaws I hallus voated wi' Squoire an' choorch an' staate,
An' i' the woost o' toimes I wur niver agin the raate.

An' I hallus coom'd to 's choorch afoor moy Sally wur dead,
An' 'eard 'um a bummin' awaay loike a buzzard-clock ower me 'ead,
An' I niver knaw'd whot a mean'd but a thowt a 'ad summut to saay.
An' I thowt a said what a owt to 'a said, an' I coom'd awaay.

Bessy Marris's barne! tha knaws she laaid it to mea.
'Siver, I kep 'um, I kep 'um, my lass, tha mun understond;
I done moy duty boy 'um, as I 'a done boy the lond.

But Parson a cooms an' a goas, an' a says it easy an' freea:
"The amoighty 's taakin o' you to 'issen, my friend," says 'ea.
I weant saay men be loiars, thaw summun said it in 'aaste;
But 'e reads wonn sarmin a weeak, an' I 'a stubb'd Thurnaby waaste.

D' ya moind the waaste, my lass? naw, naw, tha was not born then;
Theer wur a boggle in it, I often 'eard 'um mysen;
Moast loike a butter-bump, fur I 'eard 'um about an' about,
But I stubb'd 'um oop wi' the lot, an' raaved an' rembled 'um out.

Keaper's it wur; fo' they fun 'um theer a-laaid of is' faace
Down i' the woild 'enemies afoor I coom'd to the plaace.
Noaks or Thimbleby--toaner 'ed shot 'um as dead as a naail.
Noaks wur 'ang'd for it opp at 'soize--but *** ma my aale.
Dubbut loook at the waaaste; theer warn't not feead for a cow;
Nowt at all but bracken an' fuzz, an' loook at it now--
Warn't worth nowt a haacre, an' now theer 's lots o' feead,
Fourscoor yows upon it, an' some on it down i' seead.

Nobbut a bit on it 's left, an' I mean'd to 'a stubb'd it at fall,
Done it ta-year I mean'd, an' runn'd plow thruff it an' all,
If godamoighty an' parson 'ud nobbut let ma aloan,--
Mea, wi haate hoonderd haacre o' Squoire's, an' lond o' my oan.

Do godamoighty knaw what a's doing a-taakin' o' mea?
I beant wonn as saws 'ere a bean an yonder a pea;
An' Squoire 'ull be sa mad an' all--a' dear, a' dear!
And I 'a managed for Squoire coom Michaelmas thutty year.

A mowt 'a taaen owd Joanes, as 'ant not a 'aapoth o' sense,
Or a mowt a' taaen young Robins--a niver mended a fence:
But godamoighty a moost taake mea an' taake ma now,
Wi' aaf the cows to cauve an' Thurnaby hoalms to plow!

Loook 'ow quoloty smoiles when they seeas ma a passin' boy,
Says to thessen, naw doubt, "What a man a bea sewer-loy!"
Fur they knaws what I bean to Squoire sin' fust a coom'd to the 'All;
I done moy duty by Squoire an' I done moy duty boy hall.

Squoire 's i' Lunnon, an' summun I reckons 'ull 'a to wroite,
For whoa 's to howd the lond ater mea that muddles ma quoit;
Sartin-sewer I bea, thot a weant niver give it to Joanes,
Naw, nor a moant to Robins--a niver rembles the stoans.

But summun 'ull come ater mea mayhap wi' 'is kittle o' steam
Huzzin' an' maazin' the blessed fealds wi' the Divil's oan team.
Sin' I mun doy I mun doy, thaw loife they says is sweet,
But sin' I mun doy I mun doy, for I couldn abear to see it.

What atta stannin' theer fur, an' doesn bring me the aale?
Doctor 's a 'toattler, lass, an a's hallus i' the owd taale;
I weant break rules fur Doctor, a knaws naw moor nor a floy;
*** ma my aale, I tell tha, an' if I mun doy I mun doy.
Michael R Burch Apr 2020
A Red, Red Rose
by Robert Burns
translation/interpretation/modernization by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!

Keywords/Tags: Robert Burns, red, rose, translation, modernization, update, interpretation, modern English, melody, tune, seas, dry, rocks, melt, sun, ten thousand miles

Original Scots Dialect Poem:

A Red, Red Rose
by Robert Burns

O my Luve is like a red, red rose
   That’s newly sprung in June;
O my Luve is like the melody
   That’s sweetly played in tune.

So fair art thou, my bonnie lass,
   So deep in luve am I;
And I will luve thee still, my dear,
   Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear,
   And the rocks melt wi’ the sun;
I will love thee still, my dear,
   While the sands o’ life shall run.

And fare thee weel, my only luve!
   And fare thee weel awhile!
And I will come again, my luve,
   Though it were ten thousand mile.



Hugh MacDiarmid wrote "The Watergaw" in a Scots dialect. I have translated the poem into modern English to make it easier to read and understand. A watergaw is a fragmentary rainbow.

The Watergaw
by Hugh MacDiarmid
loose translation/interpretation by Michael R. Burch

One wet forenight in the sheep-shearing season
I saw the uncanniest thing—
a watergaw with its wavering light
shining beyond the wild downpour of rain ...
and I thought of the last wild look that you gave
when you knew you were destined for the grave.

There was no light in the skylark's nest
that night—no—nor any in mine;
but now often I've thought of that foolish light
and of these more foolish hearts of men ...
and I think that maybe at last I ken
what your look meant then.

Keywords/Tags: Scotland, Scot, Scottish, Scots dialect, night, nightfall, rain, grave, death, death of a friend, light, lights, watergaw, heart, heartache, broken heart, heart song
Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
       such strange things ‘have Never happened in our Land’,
       such quaint things ‘could Never happen in our Land’’,
       such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

The ***** grinder preaches fine on Sunday afternoons -
he quotes from books but overlooks the Secrets Carved in Runes:
“You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
it’s sink or swim as echoed dim in swinging door saloons”.
The laughingstocks are flinging rocks at ball-and-chained baboons.

While ghetto boys are looting toys preparing for their doom
and Mademoiselles are weaving shells on tapestries with looms,
Cathedral cats and rafter rats are peering in the room,
where ragged strangers stoop for change, for coppers in the gloom,
whose thoughts are more upon the doors of crypts in Christmas bloom,
and gold doubloons and silver spoons that tempt beyond the tomb.

Mid *** shots from vacant lots, that strike and ricochet
a painted girl with flaxen curl (named Wendy)’s on her way
to tantalise with half-clad thighs, to trick again today;
and indiscreet upon the street she gives her pride away
to any guy who’s passing by with time and cash to pay.
(In concert halls beyond the Walls, unjaded girls ballet,
with flowered thoughts of Camelot and dreams of cabarets.)

Though rip-off shops and crooked cops are paid not once but thrice,
the painted girl with flaxen curl is paring down her price
and loosely tempts cold hands unkempt to touch the merchandise.
A crazy guy cries “where am I”, a ****** titters twice,
and double quick a lunatic affects a fight with lice.

The alleyways within the maze are paved with rats and mice.
Evangelists with moneyed fists collect the sacrifice
from losers scorned and rubes reborn, and promise paradise,
while in the back they cook some crack, inhale, and roll the dice.

A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
with broken neck, he looks a wreck, the sparrows all aflutter,
the passers-by, they close an eye, and turn their heads and mutter:
“Let’s pray for rains to wash the lanes, to clear away the clutter.”
A river slows neath mountain snows, and leaves begin to shudder.

The jungle teems, a siren screams, the air is filled with ****.
The Reverent Priest and nuns unleash the Holy Shibboleth.
And Righteous Jane who is insane, as well as Sister Beth,
while telling tales to no avail of everlasting death,
at least imbrue Hagg Avenue with whisky on their breath.

The Reverent Priest combats the Beast, they’re kneeling down to prey,
to fight the truth with fang and tooth, to toil for yesterday,
to etch their mark within the dark, to paint their résumé
on shrouds and sheets which then completes the devil’s dossier.

Old Dan, he’s drunk and in a funk, all mired in the mud.
A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
“I’m feeling pain and crying rain and flailing in the flood
and no god’s there inclined to care I’m always coughing blood.”
The Monk, he turns, Dan’s words he spurns and lets the bible thud.

Well, Banjo Boy, he will annoy with jangled rhymes that fray:
“The clanging bells of carousels lead blind men’s minds astray
to rings of gold they’ll never hold in fingers made of clay.
But crest and crown will crumble down, when withered roots decay.”

A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry ***** -
she casts the Curse, the Holy Verse, and shoots a shot of dope,
then stalks discreet Asylum Street her daily horoscope -
the stray was struck by random truck which was her only hope.

So Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
where no one heeds the childish needs that little ones require;
where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
whipped by the flood, stray beads of blood cling, splattered on the spire;
though beads of sweat are cool and wet, cold clotted blood is dryer.”

Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread: her age? a sweet 16,
with child, *****, her soul dyed red, her body so unclean.
A place is sought where she can rot, avoiding churchyard scenes,
in limey pits, as well befits, behind forbidding screens;
and all the while a dirge is styled on tattered tambourines
which echo through the human zoo in valleys of the Queens.

Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.

Well, angels sweet with cloven feet, they sing in girl’s attire,
but Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire,
but near the nave or gravelled grave, there is no Rectifier.”
And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

A sodden dreg with wooden leg is dancing for a dime
to sacred psalms and other balms, all ticking with the time.
He’s 22, he’s almost through, he’s melted in his prime,
his bane is firm, the canker worm dissolves his brain to slime.
With slanted scales and twisted jails, his life’s his only crime.

A beggar clump beside a dump has pencil box in hand.
With sightless eyes upon the skies he’s lying there unmanned,
with no relief and bitter grief too dark to understand.
The backyard blight is hid from sight, it’s covered up and bland,
and Robin Hood and Brother Hood lie buried in the sand.

While all night queens carve figurines in gelatine and jade,
behind a door and on the floor a deal is finally made;
the painted girl with flaxen curl has plied again her trade
and now the care within her stare has turned a darker shade.
Her lack of guile and parting smile are cutting like a blade.

Some boys with cheek play hide and seek within a house condemned,
their faces gaunt reflecting want that’s hard to comprehend.
With no excuse an old recluse is waiting to descend.
His eyes despair behind the stare, he’s never had a friend
to talk about his hidden doubt of how the world will end -
to die alone on empty throne and other Fates impend.

And soon the boys chase phantom joys and, presto when they’re gone,
the old recluse, with nimble noose and ****** features drawn,
no longer waits upon the Fates but yawns his final yawn
- like Tinker Bell, he spins a spell, in fairy dust chiffon -
with twisted brow, he’s tranquil now, he’s floating like a swan
and as he fades from life’s charades, the night awaits the dawn.

A boomerang with ebon fang is soaring through the air
to pierce and breach the heart of each and then is called despair.
And as it grows it will oppose and fester everywhere.
And yet the crop that’s at the top will still be unaware.

A lad is stopped by roving cops, who shoot in disregard.
His face is black, he’s on his back, a breeze is breathing hard,
he bleeds and dies, his mama cries, the screaming sky is scarred,
the sheriff and his squad at hand are laughing in the yard.

Now Railroad Bob’s done lost his job, he’s got no place for working,
His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
The union man don’t give a ****, Big Brother lies a’ lurking,
the boss’ in cabs are picking scabs, they count their money, smirking.

Bob walks the streets and begs for eats or little jobs for trying
“the answer’s no, you ought to know, no use for you applying,
and don’t be sad, it aint that bad, it’s soon your time for dying.”
The air is thick, his baby’s sick, the cries are multiplying.

Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
and midnight dreams abound with screams. Bob knows he needs to hurry.
It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
he chooses gas, they breathe their last, there’s no more cause to worry.

Per protocols near ivied walls arrayed in sage festoons,
the Countess quips, while giving tips, to crimson caped buffoons:
“To rise from mass to upper class, like twirly bird tycoons,
you stretch the treat you always eat, with tiny tablespoons”

A learned leach begins to teach (with songs upon a liar):
“Within the thrall of Satan’s call to yield to dim desire
lie wicked lies that tantalize the flesh and blood Vampire;
abiding souls with self-control in everyday Hellfire
will rest assured, when once interred, in afterlife’s Empire”.
These words reweave the make believe, while slugs in salt expire,
baptised in tears and rampant fears, all mirrored in the mire.

It’s getting hot on private yachts, though far from desert plains -
“Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
Beyond the blame and pit of shame, outside the Walled domains,
they pet their pups and raise their cups, take sips of pale champagnes
to touch the tips of languid lips with pearls of purple rains.

Well, Gypsy Guy would rather die than hunker down in chains,
be ridden south with bit in mouth, or heed the hold of reins.
The ruling lot are in a spot, the boss man he complains:
“The gypsies’ soul, I can’t control, my patience wears and wanes;
they will not cede to common greed, which conquers far domains
and furtive spies and news that lies have barely baked their brains.
But in the court of last resort the final fix remains:
in boxcar bins with violins we’ll freight them out in trains
and in the bogs, they’ll die like dogs, and everybody gains
(should one ask why, a quick reply: ‘It’s that which God ordains!’)”

Arrayed in shawls with crystal *****, and gazing at the moons,
wiled women tease with melodies and spooky loony tunes
while making toasts to holey ghosts on rainy day lagoons:
“Well, here’s to you and others too, embedded in the dunes,
avoid the stares, avoid the snares, avoid the veiled typhoons
and fend your way as every day, ’gainst heavy heeled dragoons.”

The birds of pray are on their way, in every beak the Word
(of ptomaine tomes by gnarly gnomes) whose meaning is obscured;
they roost aloof on every roof, obscene but always herd,
to tell the tale of Jonah’s whale and other rhymes absurd
with shifty eyes, they’re giving whys for living life deferred.

While jackals lean, hyenas mean, and hungry crocodiles
feast in the lounge and never scrounge, lambs languish in the aisle.
The naive dare to say “Unfair, let’s try to reconcile.
We’ll all relax and weigh the facts, let justice spin the dial.”

With jaundiced monks and minds pre-shrunk, the jury is compiled.
The Rulers meet, First Ladies greet, the Kings appear in style.
Before the Court, their sins are short, they’re swept into a pile;
with diatribes and petty bribes, the jurors are beguiled.

The Herd entreats, the Shepherd bleats the verdict of the trial:
“You have no face. Stay in your place, stay in the Rank and File.
And wait instead, for when you’re dead, for riches after while”;
Aristocrats add caveats while sailing down the Nile:
“If Minds are mugged or simply drugged with philtres in a vial,
then few indeed will fail to feed the Pharaoh’s Crocodile.”
The wordsmiths spin, the bankers grin and politicians smile,
the riff and raff, they never laugh, they mark a martyred mile.

The rituals are finished, all, here comes the Reverent Priest.
He leads the crowds beneath the clouds, and there the flock is fleeced
(“the last are first, the rich are cursed” - the leached remain the least)
with crossing signs and ****** wines and consecrated yeast.
His step is gay without dismay before his evening feast;
he thanks the Lord for room and, bored, he nods to Eden East
but doesn’t sigh or wonder why the sins have not decreased.

The sinking sun’s at last undone, the sky glows faintly red.
A spider black hides in a crack and spins a silken thread
and babes will soon collapse and swoon, on curbs they call a bed;
with vacant eyes they'll fantasize and dream of gingerbread,
and so be freed, though still in need, from anguish of the dead.

Fat midnight bats feast, gnawing gnats, and flit away serene
while on the trails in distant dales the lonesome wolverine
sate appetites on foggy nights and days like crystalline.
A migrant feeds on gnats and weeds with fingers far from clean
and thereby’s blessed with barren breast (the easier to wean) -
her baby ***** an arid flux and fades away unseen.

The circus gongs excite the throngs in nighttime Never Land –
they swarm to see the destiny of Freaks at their command,
while Acrobats step pitapat across the shifting sands
and Lady Fat adores her cat and oozes charm unplanned.
The Dwarfs in suits, so small and cute when marching with the band,
ask crimson Clowns with painted frowns, to lend a mutant hand,
while Tamers’ whips with withered tips, throughout the winter land,
lure minds entranced through hoops enhanced with flames of fires fanned.
White Elephants in big-top tents sell black tusk contraband
to Sycophants in regiments who overflow the stands,
but No One sees anomalies, and No One understands.
At night’s demise, the dither dies, the lonely Crowd disbands,
down dead-end streets the Horde retreats, their threadbare rags in strands,
and Janes and Joes reweave their woes, for thoughts of change are banned.

The Monk of Mock has fled the flock caught knocking up a tween.
(She brought to light the special rite he sought to leave unseen.)
With profaned eyes they agonise, their souls no more serene
and at the shrine the flutes of wine are filled with kerosene
by men unkempt who once had dreamt but now can dream no more
except when bellowed bellies belch an ever growing roar,
which churns the seas and whips a breeze that mercy can’t ignore,
and in the night, though filled with fright, they try to end the War.

The slow and quick are hurling bricks and fight with clubs of rage
to break the chains and cleanse the stains of life within a cage,
but yield to stings of armoured things that crush in every age.

At crack of dawn, a broken pawn, in pools of blood and fire,
attends the wounds, in blood festooned (the waves flow nigh and nigher),
while ghetto towns are burning down (the flames grow high and higher);
and in their wake, a golden snake is rising from the pyre.
Her knees are bare, consumed in prayer, applauded by the Friar,
and soon it’s clear the end is near - while magpie birds conspire,
the lowly worm is made to squirm while dangling from a wire.

The line was crossed, the battle lost, the losers can’t deny,
the residues are far and few, though smoke pervades the sky.
The cool wind’s cruel, a cutting tool, the vanquished ask it “Why?”,
and bittersweet, from  Easy Street, the Pashas’ puffed reply:
“The rules are set, so don’t forget, the rabble will comply;
the grapes of wrath may make you laugh, the day you are to die.”

The down and out, they knock about beneath the barren skies
where homeward bound, without a sound, a ravaged raven flies.
Beyond the Walls, the morning calls the newborn sun to rise,
and Peter Pan, a broken man, inclines his head and cries...
Sammie wells Feb 2014
Fish fingers and beans
Will always mean to me
Dinner at my Nan's
When I was still a young lass

My mum would see us off
Out the door
Over the road
To the place that was
My Nan's

She would take me back
To World War Two
Telling me story's
Of people she knew

Some where really exciting

Some where  really quite scary

Some where really,
sad...

Some where hypnotizing
But

most of all she told me how
She met my grandad
A handsome man
With sparkling eyes
Who told story's of people
He knew

Fish fingers and beans
Will always mean to me

Dinner at my Nan's.
Making my daughter fish fingers for dinner which always has me thinking of my nan which in turn brought this poem to life .
Thank you nan ***
A note of seeming truth and trust
                      Hid crafty observation;
                And secret hung, with poison’d crust,
                      The dirk of defamation:
                A mask that like the gorget show’d
                      Dye-varying, on the pigeon;
                And for a mantle large and broad,
              He wrapt him in Religion.
                   (Hypocrisy-à-la-Mode)


Upon a simmer Sunday morn,
     When Nature’s face is fair,
I walked forth to view the corn
     An’ ***** the caller air.
The risin’ sun owre Galston muirs
     Wi’ glorious light was glintin,
The hares were hirplin down the furrs,
     The lav’rocks they were chantin
          Fu’ sweet that day.

As lightsomely I glowr’d abroad
     To see a scene sae gay,
Three hizzies, early at the road,
     Cam skelpin up the way.
Twa had manteeles o’ dolefu’ black,
     But ane wi’ lyart linin;
The third, that gaed a wee a-back,
     Was in the fashion shining
          Fu’ gay that day.

The twa appear’d like sisters twin
     In feature, form, an’ claes;
Their visage wither’d, lang an’ thin,
     An’ sour as ony slaes.
The third cam up, hap-step-an’-lowp,
     As light as ony lambie,
An’ wi’ a curchie low did stoop,
     As soon as e’er she saw me,
          Fu’ kind that day.

Wi’ bonnet aff, quoth I, “Sweet lass,
     I think ye seem to ken me;
I’m sure I’ve seen that bonie face,
     But yet I canna name ye.”
Quo’ she, an’ laughin as she spak,
     An’ taks me by the han’s,
“Ye, for my sake, hae gien the ****
     Of a’ the ten comman’s
          A screed some day.

“My name is Fun—your cronie dear,
     The nearest friend ye hae;
An’ this is Superstition here,
     An’ that’s Hypocrisy.
I’m gaun to Mauchline Holy Fair,
     To spend an hour in daffin:
Gin ye’ll go there, you runkl’d pair,
     We will get famous laughin
          At them this day.”

Quoth I, “With a’ my heart, I’ll do’t:
     I’ll get my Sunday’s sark on,
An’ meet you on the holy spot;
     Faith, we’se hae fine remarkin!”
Then I gaed hame at crowdie-time
     An’ soon I made me ready;
For roads were clad frae side to side
     Wi’ monie a wearie body
          In droves that day.

Here, farmers ****, in ridin graith,
     Gaed hoddin by their cotters,
There swankies young, in braw braidclaith
     Are springin owre the gutters.
The lasses, skelpin barefit, thrang,
     In silks an’ scarlets glitter,
Wi’ sweet-milk cheese in mony a whang,
     An’ farls, bak’d wi’ butter,
          Fu’ crump that day.

When by the plate we set our nose,
     Weel heaped up wi’ ha’pence,
A greedy glowr Black Bonnet throws,
     An’ we maun draw our tippence.
Then in we go to see the show:
     On ev’ry side they’re gath’rin,
Some carryin dails, some chairs an’ stools,
     An’ some are busy bleth’rin
          Right loud that day.


Here some are thinkin on their sins,
     An’ some upo’ their claes;
Ane curses feet that fyl’d his shins,
     Anither sighs an’ prays:
On this hand sits a chosen swatch,
     Wi’ *****’d-up grace-proud faces;
On that a set o’ chaps at watch,
     Thrang winkin on the lasses
          To chairs that day.

O happy is that man and blest!
     Nae wonder that it pride him!
Whase ain dear lass that he likes best,
     Comes clinkin down beside him!
Wi’ arm repos’d on the chair back,
     He sweetly does compose him;
Which by degrees slips round her neck,
     An’s loof upon her *****,
          Unken’d that day.

Now a’ the congregation o’er
     Is silent expectation;
For Moodie speels the holy door,
     Wi’ tidings o’ salvation.
Should Hornie, as in ancient days,
     ‘Mang sons o’ God present him,
The vera sight o’ Moodie’s face
     To’s ain het hame had sent him
          Wi’ fright that day.

Hear how he clears the points o’ faith
     Wi’ rattlin an’ wi’ thumpin!
Now meekly calm, now wild in wrath
     He’s stampin, an’ he’s jumpin!
His lengthen’d chin, his turn’d-up snout,
     His eldritch squeal and gestures,
Oh, how they fire the heart devout
     Like cantharidian plaisters,
          On sic a day!

But hark! the tent has chang’d its voice:
     There’s peace and rest nae langer;
For a’ the real judges rise,
     They canna sit for anger.
Smith opens out his cauld harangues,
     On practice and on morals;
An’ aff the godly pour in thrangs,
     To gie the jars an’ barrels
          A lift that day.

What signifies his barren shine
     Of moral pow’rs and reason?
His English style an’ gesture fine
     Are a’ clean out o’ season.
Like Socrates or Antonine
     Or some auld pagan heathen,
The moral man he does define,
     But ne’er a word o’ faith in
          That’s right that day.

In guid time comes an antidote
     Against sic poison’d nostrum;
For Peebles, frae the water-fit,
     Ascends the holy rostrum:
See, up he’s got the word o’ God
     An’ meek an’ mim has view’d it,
While Common Sense has ta’en the road,
     An’s aff, an’ up the Cowgate
          Fast, fast that day.

Wee Miller niest the Guard relieves,
     An’ Orthodoxy raibles,
Tho’ in his heart he weel believes
     An’ thinks it auld wives’ fables:
But faith! the birkie wants a Manse,
     So cannilie he hums them;
Altho’ his carnal wit an’ sense
     Like hafflins-wise o’ercomes him
          At times that day.

Now **** an’ ben the change-house fills
     Wi’ yill-caup commentators:
Here’s cryin out for bakes an gills,
     An’ there the pint-stowp clatters;
While thick an’ thrang, an’ loud an’ lang,
     Wi’ logic an’ wi’ Scripture,
They raise a din, that in the end
     Is like to breed a rupture
          O’ wrath that day.

Leeze me on drink! it gies us mair
     Than either school or college
It kindles wit, it waukens lear,
     It pangs us fou o’ knowledge.
Be’t whisky-gill or penny-wheep,
     Or ony stronger potion,
It never fails, on drinkin deep,
     To kittle up our notion
          By night or day.

The lads an’ lasses, blythely bent
     To mind baith saul an’ body,
Sit round the table weel content,
     An’ steer about the toddy,
On this ane’s dress an’ that ane’s leuk
     They’re makin observations;
While some are cozie i’ the neuk,
     An’ forming assignations
          To meet some day.

But now the Lord’s ain trumpet touts,
     Till a’ the hills rae rairin,
An’ echoes back return the shouts—
     Black Russell is na sparin.
His piercing words, like highlan’ swords,
     Divide the joints an’ marrow;
His talk o’ hell, whare devils dwell,
     Our vera “sauls does harrow”
          Wi’ fright that day.

A vast, unbottom’d, boundless pit,
     Fill’d fou o’ lowin brunstane,
Whase ragin flame, an’ scorching heat
     *** melt the hardest whun-stane!
The half-asleep start up wi’ fear
     An’ think they hear it roarin,
When presently it does appear
     ’Twas but some neibor snorin,
          Asleep that day.

‘Twad be owre lang a tale to tell,
     How mony stories past,
An’ how they crouded to the yill,
     When they were a’ dismist:
How drink gaed round in cogs an’ caups
     Amang the furms an’ benches:
An’ cheese and bred frae women’s laps
     Was dealt about in lunches
          An’ dauds that day.

In comes a gausie, **** guidwife
     An’ sits down by the fire,
Syne draws her kebbuck an’ her knife;
     The lasses they are shyer:
The auld guidmen, about the grace
     Frae side to side they bother,
Till some ane by his bonnet lays,
     And gi’es them’t like a tether
          Fu’ lang that day.

Waesucks! for him that gets nae lass,
     Or lasses that hae naething!
Sma’ need has he to say a grace,
     Or melvie his braw clathing!
O wives, be mindfu’ ance yoursel
     How bonie lads ye wanted,
An’ dinna for a kebbuck-heel
     Let lasses be affronted
          On sic a day!

Now Clinkumbell, wi’ rattlin tow,
     Begins to jow an’ croon;
Some swagger hame the best they dow,
     Some wait the afternoon.
At slaps the billies halt a blink,
     Till lasses strip their shoon:
Wi’ faith an’ hope, an’ love an’ drink,
     They’re a’ in famous tune
          For crack that day.

How monie hearts this day converts
     O’ sinners and o’ lasses
Their hearts o’ stane, gin night, are gane
     As saft as ony flesh is.
There’s some are fou o’ love divine,
     There’s some are fou o’ brandy;
An’ monie jobs that day begin,
     May end in houghmagandie
          Some ither day.
AceLione Oct 2018
It was spring and I was sitting on the grass
When someone sat in front of me, a Bonnie lass
Her brown hair was moving by the wind
I took a deep breathe and I smelled fresh mint
I stood up and walked to her, but my body froze
I had many shivers from my head all the way to my toes
Was I scared of asking her or was I scared of things in the past
Oh I want you, my Bonnie, Bonnie lass
Scottish poem.... just because of the Bonnie lass
Rama Krsna Oct 2023
truth be told,
the ticking hourglass will never be our friend.
cos it keeps pushing my milky way
farther away from yours.

somewhere along the way,
you found dharma.
leaving me to waltz on that dance floor alone,
like i did to you, millenniums ago!

back then, i became
poet, philosopher, king and the lord of the universe.
while you stayed behind,
a shy country lass with lotus eyes
pining for my love.

in the quarrels of love and life,
you hid my golden flute
and threw away my loaded dice,
which helped me win
the mundane games of *** for tat.
leaving me now with an inexhaustible quiver of karmas eager to fructify.

as i stand here in a tree pose
regulating my incoming breath,
i the yogi
eagerly await for our galaxies to turn,
perhaps, even collide and kiss some day.

© 2023
this poem was written from the first word to the last without a pause in thought
Terry O'Leary May 2013
A pregnant lass with eyes of glass has never learned to cope.
Once set adrift her fall was swift, she slid a slipp’ry ***** -
She casts the Curse, the Holy Verse, and shoots a shot of dope,
And stalks discreet Asylum Street her daily horoscope -
The stray was struck by random truck which was her only hope.

Well, Banjo Boy, with little joy, he strums her life entire:
“The wayward waif was never safe; her stars were dark and dire.
Born midst the rues and avenues where lack and want aspire
Where no one heeds the childish needs that little ones require;
Where faith survives in tempest lives, a swirl within the briar,
Infinity grinds as time unwinds, until the winds expire.
Her last caprice? The final peace that no one could deny her -
Whipped by the flood, stray beads of blood are spattered on the spire;
Though beads of sweat are cool and wet, cold clotted blood is dryer.”

Though broken there, she’s fled the snare with dying thoughts serene.
And now she’s dead, the rumours spread:  “her age? a sweet 16,
With child, *****, her soul dyed red, her body so unclean.”
A place is sought where she can rot, avoiding churchyard scenes,
In limey pits, as well befits, behind forbidding screens;
And all the while a dirge is styled on tattered tambourines
Which echo through the human zoo in valleys of the Queens.

Without rejoice, in hissing voice, near soil that’s seldom trod
“In pious role, God bless my soul”, was mouthed with mitred nod,
Neath scarlet trim with black, and grim, behind a robed facade -
“She’ll burn in hell and sulphur smell”, spat Priest and man of god.

Well, angels sweet with cloven feet, they sing in girl’s attire,
But Banjo Boy, he’s playing coy while chanting in the choir:
“The clueless search within the church to find what they desire -
Beyond the nave, a gravelled grave, the final Rectifier”
And when he’s through, without ado, he stacks some stones nearby her.
René Mutumé Jan 2014
Why’d you get locked up then lad?
Oh. I’m locked up?
I know you. You won’t escape lad
Escape from where?

(Jackie Wilson at her majesties pleasure 1884, West Denton, Newcastle)

The sweat rolled off Dominic’s nose.

Its ‘movement’

movement

movement

Uniting.

Meditation takes a person out
from themselves
so far out, without any need
for any additional charge, toll, or need, that when you come back,
even if it’s within
the same body,
you feel

and the glow comes back
on-coming traffic smiles, dead less grace
the worst, and 7am

chess
without a game.
a drool.
an intricacy within
mirage.
hope in the sorry soft gas explosions
and death was heavy enough to fly and give
But not in the normal way
one second, and even joy spills
and the cabbies have begun to scream and break down at each other
even though it’s not a full moon
too many people squashed on a tight balcony
drinking us all away
too many hands
not dancing
it all away


Slugs emigrate across concrete when the soil is wet.
When you wonder why they’ve left.
Its pouring
and you think you recognise a name scrawled in the wet trail.

Single, intimate, observations.

And reasons for the evening to be near.
It will be worth it! – I’LL SEE YOU! –
And now we are allowed to be glorious without price.
And now it’s sad as hell.
And the trees know that.
But the squirrels never do.
And now those words don’t matter.
And now we are allowed.
And now we go.

And the laminate floor
has the weight of a cross.
And the thing is,
you know

(It’s all softly bombed)
Not in a horrific
or knowable
way.

But in God’s good loving
loving
loving
******* for ya.

We’re finally rubbed out.

Crucifying.
And uncrucifying.

Eyes are useless here.

Blackness first.
THEN that soft
‘soft’

dripping.

easy blackness.

Meditating, sat middle
the pentagram of a small flat.
blue white board marker, on ‘easy wipe’ wood flooring.

And if I wake, I can wipe all the lines out.

SO, it went the same.
blue colour of cityscape coming-black light flashing always
across the distance from balcony
a beautiful stillness.
Waves first. Sea. The complete sea. Swimming.
ego. Ego swimming. Ego going down. Hello! And ha!
And no more jokes.
And isolation.
And no more months.
But there were gushes.
Gushes of experiences in, and outside, with individual breathes
and the proximity of love, coming closer
like a germinating hand
guiding you down
into the oceans private concert

Not too close to the expensive parts, or the bad parts,
or anywhere too pristine.
Christ, that’d be
a joke. It’d be funny
and then the surgeon would come and operate
on you;
lifting you out whilst you’re asleep

And it would go like this:

Cancer: Hey! What’s going on?!
Get off! I’ve paid my
rent and don’t wet the bed
anymore,

Surgeon: Don’t care.
Come here...
Oh for **** sake you’re making my day long.
I don’t get paid
for this.
Cancer: Oh yes you do handsome.
Surgeon: Oh yeah!

rest on the long side of your bed.
‘What’d you do at the weekend?’
Where’d you go?

...

banter broke down into spider web
substance
before fading completely, as thoughts begin
to disappear and fly down
into heavier states
from outside you saw a man still dressed
in formal office attire
tie hanging undone around a white shirt, shoes kicked off
beside strange markings on a polished floor. From in,
the understandings
are quite different
fly gently, like a loved one retiring from life
as the single light bulb watches from your ceiling
tensing one last second time in hesitation
then blowing you out with a blink.  

looked into the well where life is buried
and reached down
arms lengthened like dusty pieces of ham down a hole
touching the foetus as it crawls back up,
and up through the highway lines of his veins,
like a rabbit hunts wolves,
like the peach reacts to your bite.

We smoked and ate apple pie as the autumn tattooed
We snapped small pieces off
then ate the mites.

And then when the well filled we made our arms lassoes;
that churned the grain,
turning the quietness into storm,
and back to parts of spring.

You hesitate, touching the ape
like a clown who’s just tossed his life into the air, and juggles it,
like dead poems and hot boiling yeast.
you looked further into the well and found the figments of the ‘Narwhal’
the sea creature with a prominent horn
that shoots from its head-

Early sea farers
used to think the horned mammal was a type of
magical being
it birthed the idea of unicorns
you let the water well mix and join
as we drink coffee today, and the night is less silent
than that of star of apples and gloom
each tarantula that scatters in the red stars of sand is welcome;
and the honey man and honey woman flicker,
through numberless bank checks and bills as knocks arrive
knock after knock after knock
into long vibrational hum

All that remains
is the bursting punch
near the bottom
of oceanic well

As it tightens your grip into the follicle hibernating bears
that speak eloquent words whilst we eat;
the deep groan of munching hands
in the well helps our arms
pull up the glowing carcass as it turns back
into us within our hands, it speaks easily and slow, telling each
servant surrounding
the hole that they should:

‘Dance casually, dance inside my red eyes’.

Some take advantage of melody, as a trust that funds satellites of globe,
as if no one ever dreamed or broke the yoke of more pleasurable things;
one of your arms
is like the way that a crab crawls past over my nose and into our future home

another asks that you aren’t so violent in February
and that the month is a counting mouth that multiplies zero
beside the arms reaching for a pyramidic beauty
under the ***** shell; aborting its children like blood in the snow,
without humanistic style, more in tune with time
than the army of water lifting your throat up,
spits- that poke at us with antlers, undeterred, no legged, mating in the sand

After a while, otherness takes over, and will comes.
And emotion is long shattered,
easing out,
playing skin game and dissipating need, where all will and human comes back
it takes a while.

And our gender has nothing to do with just lust
We are the almost completely blind, as the cliché remembers
Gender is
the lack of gender and the freedom of paradigm
whilst hands are upon love,
And more night(s) turn within us.
dream like bright black stars.

Weekends. Week. Work. Corporations dancing like butterflies on fire. Gone.
Gone
Gone
Gorgeous

nothingness
apart from its face and voice
speaking

“Heyy, how’s it going?”
Projection
No
“Yes... Lover,
Yes yes yes!”
“No.”
skull now linked to the lips of a home
“Correct, correct, correct...” The intangible
darkness, over and over

a rushing
and uncontrollable
heaviness of fire.

foxes in back alleys salute
the black sky with a mongrel scream
and all the animals of the world are linked for a split minutiae,
recognising and respecting the breach;

“You’re hurting... mmmmuh-” Dominic tried to say
in the onslaught.

Converging planes that came from the lips of the spirit crowning his mind.

“You’re not Juuu, Juh Juah Juh.”

He tried to say for the next few hours, as the sun spread down
on the city
and felt a deep
empathy for another one
of its children
attempting to free
itself.

“No.”

how right you are...” The spirit said
as Dominic’s head slumped from exertion.

“You see...” The spirit said seeping into his bones
and killing him;
paramedics zip
the bag
over his face.

“You see...” The voice says again
knocking the lights off
and flinging you
by your throat

Each one letting you
go

landscape sick in multiple elements of confused colour,
parts of buildings, art: growing up in the horizon, new structures
made by thoughts, old flowers inside limbs,
smoking.

“What...” The spirit
said.

sigh at the strange place,
without looking around.
blossoms of mind and traffic
circulated
characters
on a schizophrenic island

two flies ****** invisibly
and grow from the unseen smallness of their passion
and become an instant world
in the Red Mountains.

“What’s up?” Dominic say gloomily,
laugh a little.

“You’re meant to be screaming...
And yes...
Yet another ******* month
without hitting
target.” The nightmare says,

No incorporeal speech
no anger
anymore.

She might have been about twenty five,
dressed in a shade of grey
change
that covered her genitalia
and ******* from ankle up to neck

get used to it all.
raise your chin to the sky and try to blink away from the constant lick
of the beast growing
from yourself, or lover, or day

And grow the chimera
throughout numberless
stages
like a beautiful clay
that cant decide

Finally the meer-hawk looked like a Dickensian peasant
with an intricate smile, dressed all in jail rags
stinking of sweat, *****, and time.
And then we change
again

And her black hair scooped down
into the blackening sand
where the grains accepted her slim weight
through out itself

She was tired and fed up of the back-world today
She left her contract looking around upstairs
and accepted the hit
on her targets

A transference of types in the quaking room.
A quick drop of laughter flys
into the lil bear or a lot; and a snap and a lot of hunger
for us all...

The master of the basement was mostly machine.

The front of his face that we run towards
is a centred and hovering engine
at the far end of the shadow
room
and the stench
from its thought.

a farce and enough
to turn you away
from a really good
steak.

no walls

no matter

a car mouth approaches naked.

dead cats know this, as they lay purring still, licking their paws still,
misery knows,forgetting, and the coldness of the street gave birth

to numberless seedy neon lights
flickering away from the wall less walls
once more

and you know, we
all
have a prayer
that comes
out
here was
mine:

might as well let you know
whilst we’re at it
that this one comes
out, in some accent~~
but is how it’s meant to go

“...as if to prae
inside the rain
as if to move
the moon with small hands
ah cross the yard
and lucky sky

I live in that playce me lass
with ya quiet weiyht
upon me own
of ya li’l voice
that taeks it away

Ya-renuf ta bring
al me Gods back
an pin ‘em te tha walls

Enough ta mayke
al’ me angels breathe
heavy
for even an ounce
of ya grace

Ave begged at tha hands
of jesus Christ
for that tayste
of yeh
me sweet bonny lass
an ya the only lass
‘ahve evva met
that mayde us feel
like ah cuhd heal
without bein less

An I’m lookin at ya now
with al me luv
an ah divent need
ney where to ruhn
as am ah freed dog

and in ya charms

An ‘av ney-where left to luk
but I’ll kip alreet the neet pet
cos ya by me side

an in me arms.”

But now it is rather late my friend, and
we all know how long old accents last,
mine, I cherish, I will say it when cursing
and gone
when lit among friends and when
impressing
new jobs, that I shall leave, such is
my
way
and
i may
see you
again.
Yenson Aug 2018
Its a scam, its a scam, see the Crimson Gang deftly scamming them
They by sleight have befuddled gullible masses Moral Compass
Made them see wrong as right twisting their brains from the stem
With deceitful guile they shepherded them all to the fools' campus

Slander and fake News galore fed to vacant hungry masses scrum
Knowledge is power the reprobates declares, do not let it pass
We're the majority the bullies screams, knowing they're just scums
Worthless charlatans who rob successes and **** without cutlass

They take a foregone conclusion and coat it with fool's gold crumb
A victim with no intention of going after an uninterested lass
Dumb masses fed fake news fooled into harassing actions dumb
A non-event becomes a show of the controlling might of our class

Crimson gangs interpret a non-events from his deluded sad drum
Creates a warped sick drama round a hapless victim for laughs
Gives street theater actions to masses, these will oppose and numb
Whilst poor victim subjected to 'voiding' madness wonders past

The Crimson leaders laugh so much like pirates drinking ***
Look how we manipulate the masses, they are so simple and crass
With our devious twisting propaganda they eat out of our ***
We simply use them to nail and crucify our victim to the cross
Gang stalking is simply a form of community mobbing and organised stalking combined. Just like you have workplace mobbing, and online mobbing, which are both fully recognised as legitimate, this is the community form.
Gang stalking is organised harassment at it's best. It the targeting of an individual for revenge, jealousy, sport, or to keep them quiet, etc.

It's organised, widespread, and growing. Some describe this form of harassment as, "A psychological attack that can completely destroy a persons life, while leaving little or no evidence to incriminate the perpetrators."
Michael R Burch Apr 2020
Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

The poem "Comin Thro the Rye" by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in "The Catcher in the Rye." In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the "catcher in the rye," rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a "catcher" in the rye, but about a girl who has met someone in the rye for a kiss (or more), got her underclothes wet (not for the first time), and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are "easy." Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves. Keywords/Tags: Robert Burns, Jenny, rye, petticoats, translation, modernization, update, interpretation, modern English, song, wet, body, kiss, gossip, puritanism, prudery


Translations of Scottish Poems

Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!

Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss



Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!

there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”



To a Mouse
by Robert Burns
modern English translation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!



Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!



Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.

"The Banks o' Doon" is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy)Kennedy, a girl Burns knew and the area around the River Doon. Keywords/Tags: Robert Burns, air, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English, love, hill, hills, birds, rose, lyric
Ella Aug 2018
Tear stained sky
Up above the tear stained face
Of the light-haired lass
Covered in lace
Blue diamonds in her eyes
And the blue skies up above her
Her face lined with wit
A masking
And no trace of
The light haired lass
Covered in lace
With the tear stained face
Gone and hidden
Faraway
Will she come back someday?
Only if
She learns behind
The mask
is concealing
diamonds
Sage King Sep 2012
And
I will sit in this chair and sort unneeded papers
that I can't seem to throw away
until I do
And
You flit around the kitchen making a dinner
that I will not eat because
my brain says
no he will not come back with happy thoughts on his mind
he never does
And
I will look though these meaningless sheets of history
and drop my chemistry in the waste paper basket
and my earth science from
8th grade was a good year
only 14
where hormones were only whimsical
and we laughed
at things that were silly
And
I didn't mind being caged
because I didn't know the outside world
growing up too fast
but not fast enough for the rest of
this town is smothering my beat
A not so old music binder that holds no music
just black and white spots
all potential disintegrated
And
a poem written in computer apps
while the others type,
a sad dad falls
down
a lass; a lad; fall in
love is something that throws me
because we hurt when we love
and it is against a wall
And
the floor
that I throw these unneeded sheets of scribblings
love notes written by a publishing company
and chemistry tests
down upon
Ceida Uilyc Jul 2015
I could tell you,
But you’d laugh at me.
Because it is bare, raw and pure.
You gloat on the preservatives.
You discard the genuine.
Listen to me, my friend, there is a part of the world, where even a bulb is never, ever, witnessed in real, but reel of the sanskrit Cartoon slots. The peppy  and ‘lone B-grade Cartoons .
Filled with Flesh.
The stories of tantric mantras, with a sliver of diminishing hearth,
on the
Dimensions and depth of the Yoni in the resin of shellac
on the Immaculate ceremony,
In a woodpecker hole just underneath the sealed power of the Yakshini who truly screws it up if you have taste of her once.
the one who harbingers drunk loners of Kavadiyattom alley after 3:20 am.
She takes them to the crown chakra of palm trees.
Shows them the world.
she pushes them off the crown and the falcon falls in endless spirals of a inhuman push that pushes the concrete innards to a danlgling mass of amoebic copulation.
Breath comes back.
It is a big nauseating gag of Kumbhakarnan's long sadya that lasted for half a decade.
Of the soma saras that made the entire India go, ga-ga and believe they've seen the god.
But not one nor any saw the same face, colour, shape or even vibe of the god they had seen alone.
They agreed in unison that all their hallucinations of beautiful humans in Flower UFO s and high-tech cloning, were a vital hair in the nostril of the cosmos.
They made, each a god out of their genuine mix of memories.
Or in the, priest's ways,
Hence, the 2.3 Billion populous of the country had the same, well, odd Spiritual benefactors.

Keeping it all aside, lemme be honest, I'd follow many a fairy god-mother but give my milkey teeny tooth to the special one.
Hinduism tells you God is omnipresent.
Hinduism tells you God is within you.
It also says, there is no God.
The clipper to snap off the confusion of this, lies in the same cheap stained-yellow cliche of love. It entails everything. You, me, animals, plants, cosmos, vibes, thoughts, dreams and the universe.
It tells you to live with your body mind and soul.
From Kamasutras that teaches sense.
The excitement, control and breakthrough of it.
Like tao did under his exposed roof without the sacred dung of from Hindu Land.
This is the secret of a rumoured Mohini,
Of her 1000 per hour ******* during the her/ his/ its 352 incarnations.
which was the reason for Big bang.  
Amidst the sultry scant of the voluptuous *******,
Their skin,
a vernacular reflection of a dusk on the Japanese gold beaches, And the mounts,
firm and glowing with the rusty shade of pharaoh’s Gold anklet.
The gooey glaze of yesterday’s glamour in the wink of a gay galore.
Paulo Ceolho’s Holy Communion with God,
Or like the Japanese Tengaman says,
Or rather screams,
That all it it takes is a little *******.
So, yes.
That precise art of attaining a consciousness, from where your mind was
Afloat
Wild
Free
Satiated
By yourself
You’ve just consumed the essence of you
Your Ojhas
And the tiny matter that teaches the universe
Of a Shunya.
That, momentary sense of lapse of your body mass,
Or the breakthrough into your eye of the crown.
Only to join the mundane bustle of the 10,00 speakers on all four
JBLs, Boses and Pioneers live looping the zillions of sanskrit mantras under one roof.
In your Ear drum.
A synechdoche of the Gods and their jacuzzi of amphetamine bubbles.
Splashed from a white Elephant's bejewelled Snout, which has the
crowned ring in your pineals.
Secret lies under
the rotten bone chip of Hussain Sagar
deep under the ***** green lake,  
drowning the rainbow Buddha in the city of slimy immortal maggots on ham.
Open your eyes.
For the Gods will
Else
Cut your eyelids off
to show you that
the city's shardminds await you.
roaring
Playing close to the fire demons of Redland
A nail close to your wide open lid-less
White flowing eye.
Hear the city scream.
The deafening chaos,
In unison,
Intoxicating their venomous fruits
of the delirious worlds
Or simply put, divine prayer and offering
for
the Omnipotent,
Omniscient
And the
Om.
Shunya.
Or the cyclic abyss of meaninglessness.
But,
Like, the wilted azures
that seduced those flies,
From a far far away,
To come the praise the combs of their bellies,
Filled with the red from the omnipotent, dead, weak and evil
In one little fly belly.
They came from the
land called Lullaby.
To go there
from here,
But, first,
bear the Weasleys' infamous extendable ears and heed me now, for I say twice and See him Come.
The snake, the tangy smell of goated black rub and blueness.
Siva shouldn't come?
Not yet. A little DMT more in the brain and perhaps the spark will happen.
Better than the potions of those gigantic forest priests.
No, Heed me, now.

3 Dodos Walk-afar,
And, take the lone left-laden log
the one that is,
limitless Long
loyal and  let alone
By those
languors which
Killed
Lord Leopard Loot'.
While,
Lord's Lass
Lays lolled lambs,
Lolled ‘long le ******,
Leech on the laiden log,
leading to Lord Lava,
Yes.
The bridge of Casilii Po.

Of the Lord.
Guarded
By these bubbling bellies with a drop of the world's make.
Assassins.
the Fly, flies.

retain the scarification of theolden curse,
Older than the rocks underneath this gurgling lava,
On which reincarnation steams.

As destiny should have it,
the astrologers had seen,
3 centuries back
That at a Sphinx’s Wedding,
a war of Vision,
will break.
It will
Bring the Stars
Out of those melting blue nightsky of Neruda's wails;
And the diabolic estrangement inflicting Eagle,
From Meena’s vibes,
that rubbed of a distinct scent of Malabar embedding a little of everybody in the village,
on its Kasavu lines posing
at the focus
of Sahib's Ferguson or Baker.

The gold turned white.
A liquid white, like that of the sap,
For that,
***** on a parrot green rubber plant
And work your fun with the white gluey milk,
fragrant than the sap
Like the  Ylang Ylang buds freshly kissed by the drooly dew,
sealed away
elegantly in a crystal Indigo bottle by the pen stand.

One that glitters if you look at its surface, but smells of naphthalene ***** in the sink
in
that
creepy trailer in
mid salem night of the tut.
Colourful.
This is colorblind.

White is motile.
White is wriggling.
White is life.
With a **** of Eve’s fabric-less
Skin.
White is divinity
feeding you excess of everything,
With an tenfold over dosage injected intravenous, by a silver-haired-glow-in-the-dark-dodo-cupid;

She is divine.
**** Her.
**** her on a Pyre.
**** her innards on a fire.
inflame the bubble
of her her oily effluent you found on the toilet seat
Instil in her, the seed of your sodomic occult,
Not by compassion, but through a hiss and sting
of the
flawless venom of the diabolic.  
Then. Disinfect your fruit that you flicked off the paradise.
And bellow to the blowing gurgling below.  
A reign of ****  nihilism,
moaning the mood-swings-of-a-98-year-old-menopausing-Bhairavi of the Indian Aghora Tales;
And Shelly, fueled in his undiminished hearth with the help of his impetous West Wind,
dreaming lucid,
on a flight in the sky for one week,
with Lucy’s sewing  sequined buttocks,
Stinging their luminescent, lactating, lustrous skin,
Like a tatto machine, lifting rays into the epidermis
So that it roasts, burns a soot and neonifies the only colour
A shade of
The rave, rainbow-red karmas of human existence,
Its little greedy quantas waltzing around the matter
And of its unleashed illuminations
That fuel the same vessel in the universe,
infamously known as,
the
black hole.
Uggh!!
All characters and plots are fictitious.
Your nightmares are yours, not Caesar's.
This is truly the fruit of my insomnia. I have been awake 52 hours now. Had to rant the wakefulness out.
It is unedited. All those offended, I didn't mean it, you did.
René Mutumé Oct 2014
Polymath hearts
the planets were occupied
so burnt that we traded

embrace
we trade nothing
but birth

my lap shadow kin
my beers my skin
where endless i go.
Gordi Turnbull Mar 2012
Fair Maiden is beautiful and blonde,
And of knights she is quite fond.
A Round Table groupie is she,
Seeking heroes where'er they may be.

Tall and striking with eyes so blue,
Dressed in a gown of a golden hue,
She dashes around the countryside
Hunting knights far and wide.

Searching the world for good deeds to do,
For a maiden to save or a dragon or two,
Those chivalrous men, so noble and true,
Are tired of that girl with her eyes so blue.

Fearless and daring are those armour clad men,
But they're tired of seeing her again and again.
They want her to leave, they want her to go,
That maiden who chases them to and fro.

To get her to quit, to stop her fixation,
To rid the country and the rest of the nation
Of that small, wee girl with her eyes so blue,
Those knights have a plan to bid her adieu.

They've taken a vote and decided, to a man,
To get rid of that blonde Round Table fan.
They'll tie her to a stake and offer her up
As a sacrifice to the dragon, Hiccup.

"He can have her," they rise up and shout,
"For breakfast he can munch on that gadabout.
That fire breathing dragon loves beautiful girls,
Especially ones with blue eyes and curls."

What murderous thoughts for such valiant men
To send that poor girl to the dragon's den.
But the knights have reached the end of their rope.
With Fair Maiden they can no longer cope.

They seized that maiden, that damsel so fair,
And rode with all speed to the dragon's lair.
Those tall, strong men with blades of steel
Were determined to give that monster a meal.

They tied the young woman to a sturdy stake
As she cried, "Don't go, you've made a mistake.
Come back," said she, "Don't leave me alone,"
And she uttered a cry and issued a moan.

As he heard the dragon give a terrible roar
One brave knight could stand it no more.
He raced to the lair on the back of his steed
To try and save her ere the beast could feed.

That fire breathing dragon, the one called Hiccup,
Could smell his dinner. It was time to sup.
Extending his head out of that cave,
He looked 'round and saw one lone knave.

The beast started huffing and puffing away
And blowing smoke to scare his prey.
The knight took one look and decided to run
Before he was cooked like an overdone bun.

"Sorry, Milady," he cried as he ran from the scene,
"I'm not very brave and that dragon is mean.
Chivalry is all well and good," said he,
"But not if it means the end of me!"

"Tut tut," said the maid, "Tut tut," said she,
"Chicken a la king, that's what I'll call thee!
You deserve to become that dragon's dinner,
Shame on you, you're no winner!"

Those knights of the realm, those stout hearted men,
Abandoned that lass to the beast in his den.
The lady screamed loud as the dragon drew near
And that brave knight so bold fled in fear.

"Even that lizard is better than you.
He's not a coward, I'll give him his due,"
Said that fair maid with her eyes so blue
All dressed in a gown of a golden hue.

Fair Maiden awaited with bated breath
For Hiccup to come and put her to death.
Tied to that pole she had no recourse
But to be that monster's main course.

A surprise was in store for our fair maid.
She had no reason to be so afraid,
That scaly beast was as gentle as a kitten
Because with the lass he was truly smitten.

That fire breathing dragon was very irate
To see Fair Maiden in such a cruel state.
He exploded with rage at her sorry plight
When he saw that rogue riding out of sight.

Throwing back his head and with a terrible cry,
He blew and he blew and let those flames fly.
That knight of the realm, riding so fast,
Was scorched by the awful power of that blast.

"There," said Hiccup, "take that you knave.
Shame on you.  What a way to behave.
You shouldn't abuse beautiful girls,
Especially ones with blue eyes and curls."

Turning around on the tip of his tail
And holding his breath so he wouldn't exhale,
He freed that poor maid who was tied so tight,
The one they had left for his supper that night.

"Thank you, kind sir," said the beautiful miss
As she stood on tiptoes and gave him a kiss.
"You're welcome," said Hiccup standing up tall,
And he blushed a bright red, "It was nothing at all."

"I think you're sweet, I think you're swell,"
The dragon declared to the modest young belle.
"To keep you safe from those faint hearted men,
I would like you to stay in my humble den."

"You're very gallant, Mr. Dragon," said she.
"You're chivalrous and kind and I like thee.
To give you a hand and your kindness repay
I will live in your cave for a year and a day."

"During that time I'll keep your den clean
And make it sparkle with a glistening sheen,"
Said the maid as she looked with trepidation
At the messy state of the dragon's habitation.

"Looking after me will be quite a job,"
Said the beast.  "I've become such a slob.
But I'll try to reform my slovenly ways,
The ones I learned in my bachelor days."

So the two lived together in the monster's den,
Just the fire breathing dragon and the fair maiden.
She kept his home tidy during the whole of her stay,
But soon came the end of that year and a day.

A Round Table groupie was the maiden so fair,
But now she fancies that dragon in his lair.
Instead of harassing those knights of the Round,
She's decided that dragons are nice to be around.

That monster doesn't need a groupie or a fan.
He's decided he liked his life as a bachelor 'man'.
He thought she's be sweet, but instead she's a pain,
And his love which was strong, is now on the wane.

He's tired of her nagging and her bossy attitude,
And she calls him silly names like sweetie and dude.
He's anxious to be rid of that girl with eyes so blue,
The one that's dressed in a gown of a golden hue.

The poor dragon's desperate to have her depart
Because now he's sure she's a cheap little ****.
He wants her to leave, he wants her to go,
That maiden who chases him to and fro.

Now he knows why those knights, to a man,
Took a vote to get rid of that Round Table fan.
That maiden who followed them here and there
Was more than those armour clad men could bear.

He thinks and he thinks and comes up with a plan,
Something he should have done when all this began.
"I'll just have to dine," said the dragon, Hiccup,
"To get rid of that vexing maid, I'll eat her up!"

The moral of this story is quite plain to see.
When you spot a knight, don't stop, just flee,
And be careful of dragons who offer you a deal
Because sooner or later you'll end up a meal!
Gleb Zavlanov Oct 2013
That gorgeous lass, she looks at me
Her eyes twinkling like stars above
Like diamonds with fine clarity
Fallen I by clutches of love
Although lurk I in sorrow still
Knowing be mine never she will

My heart is dark with my strong woe
My soul is crippled down to none
Knowing she’s ne’er mine leaves me so
In a piece, no longer a one
For though she seems like a seraph
At me Cupid can only laugh

As he says, “the best joke I’ve seen
She can ne’er be yours so leave off
Quit from continuing to glean
Your ‘precious gems’ of petty love.”
And though those words were most severe
I’ll still chase love now that it’s here

For a joke, true love never is
And tis the wave and tis my call
For she fills my heart’s gap with bliss
The deep gap that once scarred my soul
I’ll love the one I always loved
No matter what, ‘gainst grim I’ll go
And hope against all hope I got
She, that girl will just love me so

And love me till the end of light…
Copyright Gleb Zavlanov 2013
Escalus Sep 2014
But you see, she's not just any lass That's the thing that terrifies me, she wasn't just any lass yesterday, and surely she won't be just any lass tomorrow. She is not just a lass. Because no other lass can affect me the way she does when she smiles, or when she speaks.
Christos Rigakos Dec 2012
Oh, why give credence to the speechful lass
who judges sanity among the two
admirers differently, one fail, one pass,
and take to heart the failure judged in you?

Why question why--when both have done the same
exact deed with no difference in the act--
should you be deemed a nuisance and insane,
and he a hero, opposite of fact?

"He stares at me, this stalker and a creep,"
says she of your mere passing little glance.
"That staring handsome hunk I think I'll keep,"
she coos, his eyes ******* her in dance.

Attraction makes acceptable the deed
that otherwise repels the heart in need.

(C)2012, Christos Rigakos
English (Shakespearean) Sonnet
martin Jan 2015
Once I lov'd a bonie lass,
Ay, and I love her still;
And whilst that virtue warms my breast,
I'll love my handsome Nell.

As bonie lasses I hae seen,
And mony full as braw;
But, for a modest gracefu' mein,
The like I never saw.

A bonie lass, I will confess,
Is pleasant to the e'e;
But, without some better qualities,
She's no a lass for me.

But Nelly's looks are blythe and sweet,
And what is best of a',
Her reputation is complete,
And fair without a flaw.

She dresses aye sae clean and neat,
Both decent and genteel;
And then there's something in her gait
Gars ony dress look weel.

A gaudy dress and gentle air
May slightly touch the heart;
But it's innocence and modesty
That polishes the dart.

'Tis this in Nelly pleases me,
'Tis this enchants my soul;
For absolutely in my breast
She reigns without control.
for Burns night
Alas in class I can not stand,
for sitting stuck
I am

Bricked in within this open tomb,
a lamb not on the lamb

Penned in among a hundred sheep,
as, subtle thought, is shorn

This lectures lies on liberty,
a dogma badly worn

A lass up front, her words float forth,
entreating minds, "Obey!"

As silence echos loudly back,
against the yawning day

Perhaps tis cruel to vicious rule
this agony too long

To taunting treat and witty beat
this croaking siren song

Alas in class I must to stay,
or lass will doom my GPA

But even so I worry not,
as time entangles now my lot

For though this lass has caught me in
a class from which I wish to win
my freedom yet I do not fear
the warped ties that bind me here
at last a lass will be no more,
this bit of class will dull it's bore

And freedom will at last then come
as class, alas and this, is done



For more see:

~ http://aweavingofwords.blogspot.com ~
Ignatius Hosiana Jan 2017
There Was A gorgeous lass in my Class
Whose dressing always outlined her ***, alas!
When she walked it was gracefully with ease
yet attracted glances like petals and bees
That enchanting lass in my class.
DieingEmbers Nov 2012
Old fellow old fellow
where for art thou old fellow

I'm in t'shed wi whippet and tin bath
his filthy from his walk on t'crags
you should ha seen him what a laugh
chasing through t'mud a plastic bag


Oh Fred you said it were too wet
to go a walking on t' pit top
your boots are caked in mud I'll bet
oh I bet thy breath sticks high of pop


Quiet woman can you not see
I'm as sober as a judge
so get yer back to makin t'tea
as I wash off me boots of sludge


She is the moan this northern lass
that makes me old heart flutter
but just one more word of disrespect
and I'll head in there and nut her


He is the pain makes me old heart ache
and the one that brings me t'laughter
but I'll **** him soon as look at him
if he don't respect that I'm a grafter


Teas on t'table drippings hot
there's fresh bread in the oven
by heck lass that there's real class
I love yer, yers a good un


So no Romeo nor Juliet
just honest homely folk
whom now the worth of mother earth
and the value of a joke

Let's leave em be in kitchen warm
wi the humblest of fayre
for Yorkshire folk are t'salt of earth
and I know coz I live there.
T' is the as in the bed t'bed, sludge is thick wet mud, pit top the **** heap, wi is with
Patrick Austin Sep 2018
Tinder dame, early September,
kindred flame I'll long remember.
I crossed her path & she crossed mine,
attraction shared was so in line.
A close encounter, nothing serious?
I'd never tried, she had me curious.
Commitment for us to meet soon,
tonight at 9, nearby saloon.
The tension built 'til she arrived,
a warm embrace, my fears subside.
All the while my stomach in knots,
we cleared the air & shared our thoughts.
Talk of cribbage & our pasts,
hopes for futures built to last.
Face to face, our eyes spoke words,
reading minds, beyond what's heard.
Telling I could use a nudge,
She told me she's not one to judge.
Rainier cans & shots of whiskey,
holding hands & feeling frisky.
She opened doors, established trust.
Leaving together was a must.
One more dose of nerve eraser,
another first, a pickle chaser.
We walked along, enjoyed the view,
talked and smoked, Camel's for two.
The house of love, our room awaits,
we tiptoed through the noisy gates.
Alone at last, where to begin?
The curtains drawn, a lovers den.
Our souls & skin soon came together,
kissing lips soft like a feather.
Arousal swelled, and time stood still,
as I explored her lakes and hills.
A loving gesture I did get,
the best one I have ever yet.
Overcome with thoughts of lust,
the mounted madam felt my ******.
Upon her neck, my hands feel right,
She'll teach me more another night.
Our scissored legs ensured a ride,
within so deep I could reside.
Both of us were so perspired,
we drank some water, cooled the fire.
On through the venture we pursued,
enjoyed each other in the ****.
I found it such a great surprise,
my hands controlled her rolling eyes.
A luscious lass with her own way,
her glass half full began to spray.
I found it far beyond appealing,
it gave us both a special feeling.
Afterwards we're side by side,
I couldn't sleep, my smile's so wide.
Bursts of sleep, I dreamt for more,
was not prepared to close this door.
In morning light, our eyes would meet,
I kissed her more beneath the sheet.
Our bodies rested now and ready,
I gave her mine & took hers steady.
I lost my focus in her eyes,
My ***** release, between her thighs.
A perfect evening, morning too,
a shared passion with someone new.
A breakfast spot, that we both know,
Sandwich, omelet, cups of joe.
It was so nice to share a meal,
two new friends who made a deal.
As we went our separate ways,
I hope again, her eyes I'll gaze.
When I felt lost, inside myself,
I found my way through someone else.
This poem is based on my first experience with online dating. A very inspiring event after a difficult separation from my long time spouse. It provided me with a positive outlook and confidence during a time of chaos, confusion and self doubt.
Amitav Radiance Mar 2015
Drenched in moonlight
shimmering silver gown
lissome steps treads the path
lonely lass, walks toward me
dreams in her eyes
to make me a part of
the lingering sensuality
night's young and glowing
nubile heart calls me near
tonight is the night
when the stark beauty shall reveal
Joseph Sinclair Sep 2016
Widgets and gadgets
gizmos and apps.
Whatever happened
to cause the collapse
of my simple world?
What happened to the
simple pleasures?
The joy of simply living;
the joy of simply loving?
All consigned to the limbo
of a thousand electronic
gizmos.

I used to love a lass.
I gave her all I had
in time and space
and multiple delights.
But it is not enough
to satisfy her nights.
Without apps
she snaps.
That *****
needs her gizmo.
Without widgets
she fidgets.
She must have
her gadgets.

I’d like to bury hatchets
in her gadgets.
brandon nagley Aug 2015
i

Confectionery amour', quiet peaceful girl, flower haired gem
Whilst we maketh love to the old spinning record, eyes content;
The moon to leadeth ourn feet, bathed in chocolate fountain,
We prance as freely Galloper's, thither the desert, cool mountain

ii

I'll meeteth thee at the playground, inked in ourn red blotch,
No ticking tumultuous hand, to ruin ourn plan's, none to watch;
A private invitation, a rosey petal to surrender thine oath and vow, a seeded rightful city, conversation open and aroused

iii

Charlatan's to be naysayer's, exactly as the rest hath becometh,
Ourn cloak's to be as spiritual coat's, dashing in none repugnance
The waterside to be ourn resting residence, the pasture plain's to awaken ourn brain's, as we shalt be marksmen of lass and lad.



©Brandon nagley
©Lonesome poets poetry
Made up story for whoever comes along I guess lol just nice story on hopeful for one to love me one day (::
Black widow, waiting for a strike,
Crouching small, behind your mike.
You love to see contestants cringing,
This is a quiz; it’s not a lynching.

Face ******* up behind her glasses.
I’ve seen better bums on lasses.
Centre spot on stage she poses,
A jagged thorn on jet-black roses.

She’d like us to believe, I think.
She’d never be the weakest link.
Superior look upon her face,
Shame about the old boat race.

What’s this I see? You have a degree?
Still, you’ll never be as good as me.
Who chose that dress? Don’t like the shirt!
She loves to dig and throw the dirt.

Oh! And you belong to Mensa.
I’ve never met anyone who’s denser.
This is a quiz, I hope you know?
You’re the weakest link; you’ll have to go.

She earns more money than the Queen.
She’ll never be an old has been.
Was she born or just invented?
Let’s hope the moulds been lost or dented.

Where do you come from? No don’t know it.
Still you’re common and you show it.
I’m from Liverpool; I’m a Scouse,
You ought to see my big fine house.

It’s easy when you have the answers; see!
Too believe you are much cleverer than we.
But you’re not that clever, Ann we think.
Oh and one more thing, I Hate That Wink!
ramya Nov 2020
A little girl once dreamed of a fairytale ending and a big white horse, ridden by a knight fairer than all.
For stories and tales that grandma told always said that happiness came with a big white bow and a ring on your fourth.
So the little girl heard and believed as she was told, fables and myths she followed with her eyes closed.
She waited and waited for a knight with white armour to come and save her. From what? She wasn’t really sure.
Years passed and the lass lost hope. But once on a moon lit night came riding a young man on his own.
Bewitched by love, the lass couldn’t see the young man was indeed the devil on his knees.
He cast into the sky a spell so dark and heavy, the young girl couldn’t escape even with a rope at the ready.
For she hoped that another man with the intentions of a knight would come rescue her from the gloom of the night.
And one fine day the lass got fed up with time, and taking matters into her own hands, she climbed out and didn’t give a dime.
For the lass had learned that the stories were fake, the myths were shackles and the waiting was insane.
A hidden sword, a hidden pen, was all that was needed to bring light to her darkest days.
So she picked up the pen and began to write, a story without a brilliant, white knight.

— The End —