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When in the spring I began to walk, I encountered you, O Dellingr;
You, who was quiet, and tranquil, and who lifted the sun just above
          the lake
That sparkled with your light’s reflection. O Dellingr! I met you in
          the spring
And parted with you in the winter cold, and oh how I’ve missed
          you…!
I have longed to meet you again at the lakeside where I sat
And was soothed by the birdsong
And looked upon the shining waters
And became enraptured by the love I felt in my own heart
Before you gave Dagr his reins and sent him to his mother.
O gentle god, O light reborn, O third lover and day-maker,
Will you sit with me again?
Here at the lakeside,
Will you fill my lungs with “I love you”s
And caress my cheek with your most calming breeze?
O dayspring, O Dellingr, please enchant me here,
And over and over,
And when I fall from the sight of this world, let me fall upon a
          lakeside knoll
And sit with you again.
This poem is written to praise the Norse/Germanic god known as Dellingr.
by the lake at sunrise
a strange dedication hangs in the air
concealed in threads of mist
that hang here, ghostly blankets
suspended by invisible strings
there is a silence without end every where
amorphous, it is as if the very elements themselves
hold their breath, poised
waiting for something to happen
while a silvery unexplained light
floats like mercury
on the lurid waters of the lake
the world looks on
in hideous and embarrassed silence
as I taste the lamentations of past times
a discord of sympathies swirl about
i cry out strange words
like making a wish in Latin
i am carried in a high altitude of color
through a French Pantheon of poems
and by the lakeside emaciated figures
form a density of mood
dripping in emotional subtlety
which cannot be properly named
my eyes gaze out upon the lake
in a vocabulary of incoherent signs
images that have no articulation
like that of a rancid stain
of ***** on a curved floor
that compares effects of sensitivity
to neurotic symbols
that rest uneasily on the walls
of hospital waiting rooms
a poetic syntax of sonorous symbolism
sensuously slashed
like a very, very sad crossword
I am high by the lakeside at sunrise
Anthony Moore Nov 2020
Sometimes I wonder
sometimes I wander
most times I both.

Each that I don't the thought of you is what got me through.
A soft touch, warm embrace, I am longing for the taste.
Palm to palm, chest to chest.

Sprawled upon the lakeside grass
waiting for the dreaming of you.

Sometimes I wrought
sometimes I rot
most times I both

Each that I don't it is fitting that I'm sitting with you
chest to chest, face to face.

Sprawled upon the lakeside grass
dreaming of and waiting for
You.
Alex Lemieux Jan 2014
I can still remember her eyes
The way they shimmered in the lakeside sunlight
Sparkling beautifully in conversation
I'll always remember them
As equal to none

I can still remember
Her magnificent smile
Strong with cheer
Filled with laughter
Growing often from her lips
But fading towards the end

I can still remember her touch
Gentle and forgiving
Loving with every touch
Through every fingertip
Only to stop so abruptly
Leaving me longing
spysgrandson May 2016
frogs "croaking"
in front of me, in the reeds
crickets "chirping"
behind me, in the brush
countless coyotes "yelping"
from across the lake
bass, carp surfacing
under a yellow moon
unaware its shimmering shaft’s
a magnet to my eye  
and more lullaby to me,
who can yet see spectral waves
but lost cherished vibrations--like birdsong,
winsome whispers--eons ago
Morgan Mercury Jul 2013
I know how much time you spent on your hair so I will not touch it,
but think of how soft it would feel running across my skin.
I know you hate it when I walk around in nothing,
so I'll try and teach you the ways to love your own body.
And I am here to be your crash pad when you get laid off at work
and come home crying.
And before the day is done I'll carry you into the woods and we'll put our feet in the lake to forget our tragedies,
and remember we're still young at heart.
There is no need to grow up and worry about your looks.
Worry how other people,
we don't know,
think about our bodies
and if they are silently judging.
Let's not worry about money.
We'll just camp in a tent on the lakeside when we lose our house.
And we'll go with the river,
play around like children
and enjoy life and live worry-free.
2013
Nuha Fariha Oct 2015
The smell lingered long after she had called the ambulance, after she had scrubbed the bathroom tiles back to a pristine white, after she had thrown out the ******* mangoes he had hid in the closet. For days afterward, she avoided the bathroom, showering the best she could in the old porcelain sink they had installed in the spring when he was able to keep fresh flowers in the kitchen vase. Those days, she would come home to jasmine and broken plates, marigolds and burnt biryani, pigeon wings and torn paper. Some days he was snake-quiet. Other days, his skin was fever hot, his limbs flailing to an alien language, his head tilting back, ululating.
Every day she would carry his soiled clothes into the laundry room, ignoring the thousands of whispered comments that trailed behind her. “Look how outgrown her eyebrows have become” as she strangled the hardened blood out of his blue longyi. “Look how her fingernails are yellow with grease,” as she beat the sweat out of his white wife beaters. “Look how curved her back is” as she hung his tattered briefs to dry in the small courtyard. The sultry wind picked up the comments as it breezed by her, carrying them down the road to the chai stand where they conversed until the wee hours.
Today, there is no wind. The coarse sun has left the mango tree in the back corner of the courtyard too dry, the leaves coiling inward. She picks up the green watering can filled with gasoline. The rusted mouth leaves spots on the worn parchment ground as she shuffles over. Her chapped sandals leave no impression. The trunk still has their initials, his loping R and V balancing her mechanical S and T. They had done it with a sharp Swiss Army knife, its blade sinking into the soft wooded flesh. “Let’s do it together,” he urged, his large hand dwarfing hers. A cheap glass bangle, pressed too hard against her bony wrist, shattered.  
Now, her arthritic finger traces the letters slowly, falling into grooves and furrows as predictable as they were not. When had they bought it? Was it when he had received the big promotion, the big firing or the big diagnosis? Or was it farther back, when he had received the little diploma, the little child or the little death? There was no in-between for him, everything was either big or little. Was it an apology tree or an appeasement tree? Did it matter? The tree was dying.
Her ring gets stuck in the top part of the T. He had been so careful when he proposed. Timing was sunset. Dinner was hot rice, cold milk and smashed mangos, her favorite. Setting was a lakeside gazebo surrounded by fragrant papaya trees. She had said yes because the blue on her sari matched the blue of the lake. She had said yes because his hands trembled just right. She had said yes because she had always indulged in his self-indulgences. She slips her finger out, leaving the gold as an offering to the small tree that never grew.    
She pours gasoline over the tree, rechristening it. Light the math, throw the match, step back, mechanical steps. She shuffles back through the courtyard as the heat from the tree greets the heat from the sun. She doesn’t look back. Instead, she is going up one step at a time on the red staircase, through the blue hallway, to the daal-yellow door. These were the colors he said would be on the cover of his bestseller as he hunched over the typewriter for days on end. Those were the days he had subsisted only on chai and biscuits, reducing his frame to an emaciated exclamation mark. His words were sharp pieces of broken glass leaving white scars all over her body.  
She remembers his voice, the deep boom narrating fairytales. Once upon a time, she had taken a rickshaw for four hours to a bakery to get a special cake for his birthday. Once upon a time, she had skipped sitting in on her final exams for him. Once upon a time, she had danced in the middle of an empty road at three in the morning for him. Once upon a time, she had been a character in a madman’s tale.
Inside, she takes off the sandals, leaving them in the dark corner under the jackets they had brought for a trip to Europe, never taken. Across the red tiled floor, she tiptoes silently, out of habit. From the empty pantry, she scrounges up the last tea leaf. Put water in the black kettle, put the kettle on the stove, put tea leaf in water, wait. On the opposite wall, her Indian Institute of Technology degree hangs under years of dust and misuse.
Cup of bitter tea in hand, she sits on the woven chair, elbows hanging off the sides, back straight. Moments she had shot now hang around her as trophy heads on cheap plastic frames. A picture of them on their wedding day, her eyes kohl-lined and his arm wrapped around her. A picture of them in Kashmir, her eyes full of bags and his arm limp. A picture of them last year, her eyes bespectacled and his arm wrapped around an IV pole. The last picture at her feet, her eyes closed and his arm is burning in the funeral pyre. No one had wanted to take that picture.      
A half hour later, a phone call from her daughter abroad. Another hour, a shower in the porcelain sink. Another hour, dinner, rice and beans over the stove. Another hour and the sun creeps away for good. It leaves her momentarily off guard, like when she had walked home to find him head cracked on the bathroom tub. The medics had assured her it was just a fall. Finding her bearings, she walks down the dark corridor to their, no, her bedroom.
She sits down now on the hard mattress, low to the ground, as he wanted it to be. She takes off her sari, a yellow pattern he liked. She takes off her necklace, a series of jade stones he thought was sophisticated. She takes off the earrings he had gotten her for her fortieth, still too heavy for her ears. She places her hands over eyes, closing them like she had closed his when she had found him sleeping in the tub, before she had smashed his head against the bathtub.  
In her dreams, she walks in a mango orchard. She picks one, only to find its skin is puckered and bruised. She bites it only to taste bitterness. She pours the gallon of gasoline on the ground. She sets the orchard on fire and smiles.
My Zebco 33 is part of my family
you see , on many a troubled day this
precision piece of machinery has helped
to foster great clarity , encouraged playful
lakeside banter , put many a panfish or two
in the creel as well
This old reel has ne'er skipped a beat in
thirty plus years , a faithful friend , riverbank
companion , an American workhorse in the blue
collar tradition , the 'go to friend' of a grateful fisherman* ...
Copyright September 25 , 2016 by Randolph L Wilson * All Rights Reserved
ilias Jun 2022
here I am
dwelling in solitude
with the moon
by my side
i feel quite lonely. but it’s okay because I’m no good
fray narte Aug 2019
midnights still find me retracing the moments
that led to our thousand lakeside kisses;
they were secrets left in a summer dream.
each second — a bowline knot
leading straight to our
late night drives
and vehicle breakdowns
and last minute goodbyes
at the break of dawn.

midnights still find me sleeping
next to a shoebox of the books you left;
i still hear your voice
when i read the lines
of your favorite paragraphs
the clock hands, mocking,
leading me through a maze of
memories and parking lot conversations.

midnights still find me rewriting histories
with resin-pressed flowers,
maybe the petals will point to where
i started losing you —
and maybe it's in every direction.
the black, bold numbers have become my crumbs
leading to road trips and
to all the bus stops we missed,
kissing;
now i still miss my stop
without your lips next to mine.

and midnights still find me
writing poems like these
but clearly,
you're too far off
for these words to reach.

and now, midnights still find me wanting you back.
and 'til now, midnights still find you gone.
Raj Arumugam Jul 2012
all life rolled by
all that has gone past
I saw you sit on the stone wall by the lake
and I knew – is there any other way? - what you thought about
the betrayal, the snatches of life and luminescence
from the days when you were a girl
the first day you could feel the stirrings;
all passages of life, all conversations and the promise
the pretty things, the art and the ecstasy -
but mainly the betrayal, I know, I could see it in your expression
and the pain of your children,
beings you brought forth into the world
your pain, each one
your joy, each one
and all of the darkness
the rich trees behind you, the rolling hills farther behind
and the lightness, the union of water and blue sky, by your side
but you looking farther, farther than the sky, farther than the clouds
far away, far away into your thoughts, beyond the sun,
beyond where sun can reach
all things rolled by, all life rolled by
all events, every thought -
O all that has gone past
I saw you sit on the stones by the lake
and I knew what you thought about –
how can I not? -
the betrayal, mainly the betrayal, the betrayal…
I saw you, I saw that…
I know, I know
There can be no forgetting;
There can be no forgiving
I saw you, I saw that…
But all I could do was to walk, to walk away
carry away my false words, carry away my deeds with me…
and leave you to the distance, to the distance
To the darkness, the luminescence, the betrayals…
Poem based on painting “Lakeside” (1897) by Kuroda Seiki (1866-1924); picture from wikipedia
I prayed with light voices, but a burdened heart;
You are not here--that I am supposed to know of.
But still, my mind cannot accept that we are now apart.
I am despaired by my own hands, by my own love;
Your images keep shrouding me--you keep haunting me.
Your portraits shout your name, but none of ‘em is truthful;
They reject my bliss, though they told me I was beautiful.
I keep looking for you in the shades: but all I find is blueness,
And as daylight grows mature, I feel but scarce and clueless;
I am entrapped by my own wishes, and I can no longer write.
Ah, ‘tis over now--I should declare;
I walk home and sleep, and decide I should no more be in love--
Some sheer charms I might better not be.

I was running across the moors, and secretly hoped I would find thee there;
Thee with thy own giggles and mockery and childish wishes;
Thee with a resemblance of moonlit skies on thy face.
Thee with a thousand arches in thy brown eyes;
Eyes that were genuine, hopeful; with spirits that would not die.
And those lithe hands; and thy handful of full lips;
Thou always startled me within thy black jacket,
Yes, that black jacket with gruesome naughty little pockets,
Thou always asked me to chase around the bogs;
While peering naively into the hidden summer spider webs.
Thou woke me up with thy morn noises;
Thou wanted to tell me a tale of castles, friendship, and promises.
Thee with a thousand smiles, hopes, and legitimate fears;
Thee with the sweetness of a moonbeam, thee with one hundred kisses.
Thou wert like a lonesome butterfly at first;
And on a shiny day I but caught thee;
and weaved my colourful love onto thy plain nest.
Thou shined again, and I felt but merited;
As time passed, I grew hungrier for thee--and always delighted;
Thou wert a summer to a pleasant summer itself;
Thou made my heart warm, and my seasons magnified.
Even my lavenders were stupefied by thy cleverness;
They were warm always, to welcome and greet thee at night.
Ah, my darling, my half spirit, my sweet;
Thou owned the second spare of my green light;
Thou wert my frost at conned summers, and mild winters;
Thou wert the white snow I played with--and its evening rainbow!
Ah, and at times--thou wert like a nature among yon shrieking green grass;
I smiled always, as I entrapped thee within my clear glass.

I should twist this story away, and welcome him;
Welcome whoever shines through my love--in reality, and in dreams.
I know I hath to celebrate him behind the furnace;
I shall smile sweetly and charm him by my maiden’s face.
He hath a lovely aura as the unheeded stars;
And his steps are awkward, but stately as the moon’s.
He hath smooth and virile advantages about him;
He hath a weather, but still he hath not thy playful air.
He is serious, thou art more festive and thoughtful;
He is cordial, but I findeth him at times uninnate and insoluble.
Ah, Immortal, he liveth but in a cold bubble away from me;
And so you know, the love of him is but a love of pain;
Sometimes I want to find thy face in his poetry;
Sometimes I want to see again, but your fairness.
Thy heart is, as thou hath figured, widespread within me;
It ambushes me and glides me around like a cheeky star;
But as thou gazed into me,
I found that thy charms were absolute;
I pampered this notion of thee--as I still do;
Thou wert my nymphic and immortal dream;
Thou art my sane and insane ambition;
Thou art my sand, my boats, my sails!
Thou art the sea worth a thousand miles;
And I care not what foul and fuzziness thy soul might carry;
I shall purify thee, I shall endorse thee, I shall welcome thee into my lonely heart!
Ah, Immortal, I am but a spoiled of ruins and wreckage now;
As I woke up t'is very morn, I knew I wouldst not see you tomorrow.
And guess now--how shall I define our once glossy, faint Sofia?
I do not want to pronounce to Sofia, ah, our very dwellings, a goodbye;
I shall never pronounce such; and on t’is I shall care for thy sayings not--
As telling such wouldst indeed be a remarkable lie.
Instead, I should dream again, of being by your side;
I shall be the terrified mermaid--but thee--my gentle merman;
We shall swim across the sea and startle the aquatics by our depth;
And thereon I shall dream of myself cherishing you--and holding you in my arms;
As I pray and bow and submit the rhapsodies of my heart, all day and night.

Ah, but where is Immortal, Immortal, Immortal;
Without whom my heart is bleak; and winters are hard.
Ah, Immortal; by whom rains are pretty, and colours are magnificently saturated;
By whom storms are no more storms, and no more downpours are petty;
By whom lakeside houses are not cold, and slippery rocks are not frightful;
By whom birch trees shall sing, and honey bees shall farm away for hours.
Ah, Immortal, by whom my poetry stays alive, and fed tranquilly by yon earth;
Immortal, by whose lullabies I fall asleep among the midnight’s icy hearth.
Immortal, whom my heart values, and urges me to love;
Immortal, by whose side debris are whole, and ruins picture unity;
Ah, Immortal, by whose singing melodies are songs, and rhythms are but poetry.
Immortal, Immortal, Immortal, by whose words--the entire worlds are but Sofia;
And all merit and grace but belong to the romantic Bulgaria.
Immortal my entire darling; who taught me to see how the moon teases the sun;
And how the latter becomes fainted but mirthful, at t’is very realisation.
Ah, Immortal, Immortal, Immortal, by whose absence I feel but frightened.
Ah, Immortal, do you think I should hurry--shall I fleet and run?
I shall meet thee again tonight, around the corner by the lake;
Before such an eve grows genuine--causing the day to turn fake.
I should meet thee before everything is but feasted and pierced;
And I shall bringeth thee my midnight poems and soliloquy;
I shall embrace thee by my myths, and relish thee within my solitude.
I shall make thee remain by my side, and keep shady thy burly night;
I shall, perhaps, make thee my mirth itself--I shall keep thee warm, and safe, and bright.
Ah, Immortal, one who was always aired by my fresh recitations;
One who was entrenched in my tales of craze, atrocity, and vanity;
One who cried by me like a selfish child--but at times, became the radiance itself.
Ah, Immortal, one within whose palms the moon is transparent;
And the harmony of night becomes more possible;
Ah, my darling Immortal, who was once infatuated with my nights--and 'twas apparent;
Oh, my darling, my own darling, my very darling--how I hath only words to play with!

Where is but Immortal, Immortal, Immortal,
My jokes cannot sleep, and even my eyes choose to stay awake.
My heart feels absurd, as it is not calmed and soothed by him;
Even as I can sleep no more, I am but unable to edify him in my dreams.
Ah, where is my Immortal--for as I scurry outside, I cannot locate him;
While he is but the golden lock I need to deliberate my heart.
Ah, my husband, who owns but the charms heartbeat cannot describe;
Ah, Immortal, by thy words--thou knoweth, vanished worlds are real to me today.
The rush of your blood still, knowingly, flows within my breath;
You look like that little lad proudly standing by yon bridge faraway.
Immortal, my little sound, my eager song, my profound lilac;
How shall you ever know what you mean to my heart?
To me, you are more than any gold, brown silver, nor white bronze;
You are my tears, my growth, and the height of my winter;
You own the youth and throne my heart hath always longed for.
Ah, Immortal, no matter how hard thou hath defeated--and perhaps, betrayed me;
Thou art still more immortal than a thousand suns outside;
And more mature than t’is benighted winter as it already is.
Ah, Immortal, 'tis hath grown silent again, and I need to greet my lavish worlds;
But for you know--your scent shall remain better than the sun's on its own, and more lively.
Ah, Immortal, and while those winds shriek, and hop, and wail;
‘Tis your voice still, that I but imagine in my *****;
And while their spread and take rule of their wings;
Thou shalt remain by prince, my ruler--the one I choose to be my king.

My heart hath borne thee since I was in her womb;
My mother's chaste womb--and there, just there--
I had but been formed by her sheepish threads.
Ah, and thus I heart her like t’is-but not as much as I heart thee, perhaps;
If I doth dream of her; it meaneth I'd but dream of thee;
And thou knoweth--my dreams of winter shall be but one about thee;
About thee--my vigour, my shadow in my traces, my vengeful spirit.
Ah, Immortal, Immortal, Immortal; my century of blessings, my time
and poetry of such an endless eternity.
Ah, Immortal, in whose heart there was purity;
And in whose love I felt reified, and no such tyranny,
Ah, and t’is loss of thee perhaps means a life of illness;
A time of neglect, but a loss of my valid youth.
I want not to age, for thou art, thyself, young and ageless and immortal;
I want to dwell but only in yon Paradise of thee;
And be fueled solely but thy desire, and not anyone else's.
Ah, Immortal, I want to feel but the flavour of thy skin;
And be engrossed but against thy stomach.
I want to be thy lily, and thy novel rose that shall never wither;
Ah, Immortal, I want to be little again; and thy most awesome lavender.

And thy blame--such as t'is one, shall mean a brawl to my destiny;
And its glam is but my fiery--while insuperable--destruction.
As I promised thee--I shall not be weary, I shall not be sad;
But never shall I love, never shall I be satisfied.
Ah, Immortal, I shall never agree to love again;
I want to keep my love for thee; for whom I shall advocate my youth,
I want never to share my trembling love with anyone else.
As I hath loved thee just now, perhaps I shall love thee forever;
Ah, Immortal, as how it usually is, thou shall be the sailor-
And ever the painter, in our very own colloquial poetry!

Immortal, my grace, my perambulations, my ecstasy;
Immortal, my good, my one, my irrepressible;
I hath fulfilled thy wishes, at least at present, to bear t'is alone;
But for you know, that life without thee is no Paradise;
And even when I am dead, perhaps my soul shall never lie;
I shall wander the earth still--to look for thee, my tears and my lost love;
And insofar as thou remaineth away, I shall too stay on earth; and never ascend above.
Nigel Morgan Feb 2013
Prince Niou had removed himself from Kaoru’s company and the warmth of the wood-burning stove. Under the shelter of the steep karawa eaves he stood to watch the snow, to watch it fall, fall relentlessly, relentlessly. But for the biting cold he might have been watching the blossoms fall and scatter, those intricate, delicate flowers that, as you looked up at them in the trees, were in tessellation with the sky. It was Kisaragi (late February) when winter shows little sign that spring might appear. So now the time of deep snows in the mountain fastness where Kaoru’s family estates straddled part of the necessary journey from Edo to Kyoto.
 
The snowfall mesmerized Niou. It held such a purity of disordered motion, He stretched out his arm to feel the soft touch of the flakes on his embroidered sleeve. He imagined Ukifune’s touch would be like that of this falling snow, a pattering of fingers, a sweep of her long, long hair. She, Kaoru’s mistress, had left earlier in the afternoon to journey safely across the mountain passes to her lakeside home before the heavy snow fall set in. He had been close witness to Kaoru’s passion for this delicate flower picked from across the mountains to grace his country house his wife would never visit in winter. And now Prince Niou had, in just two days of polite proximity, lost his heart and all reason to this girl-woman, this woman-girl. She seemed beyond conventional description such was her beauty and her graceful manner. When her eyes rose to his he lost the composure he knew his station demanded. But Kaoru in his own infatuation and glowing with the pleasuring he and Ukifune enjoyed seemed oblivious to the Prince’s covert gaze.
 
This evening Kaoru had already drunk more than was sensible. But darkness was drawing in, and the duties, what little he allowed himself, were over for the day, except to entertain his eminent friend. He had allowed himself to be carefully boastful of Ukifune’s charms and beauty. His words made frequent veiled suggestions of their moments of pleasure together in this winter world of silence where lovers would part the screens and stand folded in each other’s arms to witness the white world of snowfall decorate the mountain landscape.
 
Prince Niou had already decided that as his friend fell into stupor then sleep, and that would be soon, he would set out across the snows to seek Ukifune’s path, to capture her for himself, to declare his love and passion. As she left he had passed a note to her maid telling her not to be surprised by a night-time visitation. He knew that a journey in falling snow would take many hours and it would probably be dawn before he could approach her mountain retreat, a small house by a lake. There, it seemed, she withdrew from the complexities of court life to find the peace and balance necessary to sustain her beauty. She had described the joy of witnessing the intricate twilights and blood red dawns of winter, of watching the birds rise from and return to the oft-frozen lake. She and her maid would drift idly in her boat watching the black, dense water lap too and fro, until the cold required a return to warmth and comfort.
 
It was to be a hard journey. Niou, though prepared with stout boots, an extra cloak and shawl, knew he would flounder into drifts along way. Only his long staff would save him from ignominy. His saw his path blessed by the light of a half moon and together with a myriad of stars arching across the heavens, he would triumph. He had borrowed items of Kaoru’s clothing, his hat and staff, his bag and winter cloak. To all intents and purposes as he approached Ukifune’s home he would appear as his soon to be cuckolded friend. His thoughts remained fixed on  Ukifune. He longed for the moment when she would raise her eyes to him from her pillow, in surprise, in wonder he hoped. He considered how his cold body would join with her warm body in the infinite caress of love’s first passionate meeting. He would then carry her wrapped in her bed coverings to her boat and, having secured her comfort, pole out into the lake and there join with her as the moon looked down from the dawn sky.
 
Later they would exchange poems:
 
Niou
​Snow upon hill, ice along frozen rivers:
​​There for you I trod, yet for all that never lost
​​The way to be lost in you.

 
Ukifune​
*Quicker than the snow, swirling down at last
​​To lie by a frozen lake, I think I shall
​​Melt away while aloft yet in mid sky.
Jim Marchel Sep 2016
Tear the flesh from my bones
Til my soul is alone
And my body's a lake
Fed from red-running holes.

You are stagnant and cold
Like the moss on a stone
And a cesspool for sinners
Who you let come and go.
For a soldier dealing with a bitter divorce.
K Balachandran Oct 2013
Crowded lakeside,
more than expected
on a normal day.
Hoping for a quiet
rendezvous in private
she looked aghast,
at such a turn of events,
nevertheless started
to make eyes at him;
patience wasn't her best friend.
Shutting up like a clam
he was a picture of contrast.
Every desire she expressed turned
to a love sick wood duck
soon  a flock was billing and cooing
preening and polishing in haste,
making amorous advances
with an aggressiveness suggesting
intolerance to his reticence.
They chased his silence with
irresistible  mating calls,
raising hell as if in heat,
making him regret.
Toby Sebastian May 2015
Pine needles fall to the lake's surface.
The world ripples,
beginning again,
and again.
DieingEmbers Feb 2012
The moon reflects soft
it's rays flowing
in stone thrown ripples
as I await this night
your touch.

The stars caught
in dew sodden cobwebs
shift position
in late evenings breath.

A twig breaks
a bird startled from rest arises
kissing tree tops
in open armed embrace.

And you where are you
amongst all this beauty
if not in my arms
you are always in my heart.

Hands blind my eyes
in whispered guess who
from breathy lips
and I silently smile my answer.

My hands upon yours
hold you there a moment to long
my heart aches my lips plead
and I turn expectant of your kiss.

Your smile frames your sweet mouth
pressed hard to mine
words lost in translation
of I love yous from occupied tongues.

Night falls in solitude of silent pines
their needles sewn blankets
of fresh crisp snow
where now I have my angel.
Tony Luxton Sep 2015
Walking along the narrow track,
parents shepherding ice cream kids,
making way for pushchairs, making waves.
The lakeside watch on ducks and swans.
The nodding smiles and genteel grins,
like a 50's Sunday promenade,
while walking sticks wait by benches
dreams die when mobiles chime.
Kopter Zero Jan 2014
White light
Shining off the lake
From the moon above.

She stretches out her arms
And raises her gaze skyward.

Stepping one foot into the water,
A low soft long moan.

You tiptoe gingerly forward.

Play of sound, waves.
Play of light, clouds.

You crunch the gravel beneath, echoing.

She stops and turns around.
Carsyn Smith Apr 2015
The surface ripples like the whisper of
A knife through the space between her
Ribs, and although it may be Great, it
Is but a spec on the sapphire that is our
Earth. Thousand stepped lavender
Converse soles suspended, kissing the
Lips of the restless waves like a
Gentleman upon her pearl clasped
Glove, oh how I wish she could see the
Way her eyes pulled at me like a
Riptide. And oh how I'd give to kiss
The water in her place, but she made
Love to the very lake she bore from
The depths of sleepless nights. She was
Waterborne with every crumbling step
Over cracked city sidewalks,
Wandering like a bottled message at
The whim of currents. I think she
Would have liked to sink to the
Bottom, but they've raised her like a
Bullet shredded battle flag. I think she
Would have floated in the silence of
Eternity instead of speaking through
Rotting lips. Perhaps would have
Rather whispered the petals of a
Midnight rose to his boat than kissed
The tips of his time tattered converse
Sneakers. Perhaps she would have
Wanted to catch him as he mirrored
Her dive into
                        oblivion?
Putting cherry gloss
On those lips
The way your jeans
Hug your hips

Seven inch heels
Is what you wear
You like it when
All the boys stare

Pulled up on my Harley
Wanna go for a spin
You've got the face of an angel
And a body for sin

You got on the back
Wrapped your arms around my waist
Your scent so delicious
I wanted a taste

On this moonlit night
We drove to the lake
Sweet love to you
Is what I wanted to make

In each others arms
We lie on the shore
When we were done
I begged you for more

This has been
An incredible night
Swept up in emotions
Unable to fight

I'm falling in love
It's impossible to hide
I hope someday
You'll be my bride
Marshal Gebbie Oct 2012
Locked within expressions
In this little girl’s smile
Are nuances of wonderment
Destined to compile,
All the mystery of womanhood,
The guile of the breed,
The allure of her ***
And the promise of seed.
Her love for her mother,
Her joy for her dad,
Her path to tomorrow
Be it happy or sad,
The tears and the joyfulness
Stretched out before..
There’s the dog at the hearth
And the cat at the door.
And the beautiful sunsets
Those blue eyes will see
And the love of her life
Who’ll get down on his knee,
The scent of the lavender
Fresh from the fields
And the lakeside laburnum
Which subtly yields.
The colours of love
And the texture of fire
When the threads of her life
Turn to passion’s desire.
The moment of truth
When she turns to her mom
And her face wears the smile
And her arms bear….a son.
Oh the world turns in circles
Of shades of soft hue
And time waits for no soul,
Especially you,
And the babes of today
Become mothers of yore
And the great lesson learned
Is.... keep open the door.*



Uncle Marshal
With wonderment at the beauty in a little girl’s secret smile.
Auckland
12 October 2012



© 2012 Marshal Gebbie
Jimmy King Aug 2013
In this little oasis
Of pizza and donuts
Dinners last
For four hours and
For seven
Glasses of wine.

Nested quietly
Between reality
And fiction,
The lake
Doesn't seem
Quite as polluted
As it really is-
And you can sit around
On your ***
For sixteen hours a day
And still feel productive
Because all you have to do
To be happy here
Is be.

I just hope
That this place
Where I've learned
To be myself
Will never become
The place where I once
Learned to be
The person
I used to be-
I don't want
These long summer days
To ever be past.

I want
An endless future
Of dinners that last
For four hours and
For seven
Glasses of wine.
Zachary Dubien Apr 2014
Crouched by the lakeside I grasp
a small stone, same as all its neighbours:
no jagged cliff-shorn shard of concussive weather
to be sent pounding across the surface,
but a smooth, round pebble, who traces a single arc
then vanishes from sight –
and the growing ring of ripples
the only testament to its passing.

As I wander on,
the waves of my lone effort are fading.
Yet, as each passing stranger
adds their own voice,
every wave harmonizes,
compounds upon its predecessors,
and once still waters accelerate
towards a resonating crescendo.

And my pebble rests below the surface,
unaware of the exultation above,
until wandering currents sweep it up,
back onto the lakeside once more.

I arise from my idle contemplation,
and pour myself in.
Toby Sebastian May 2015
Waving pines
in the lake
I am lost in the reflections.

A mosquito
bites my foot
and I pass from one dream to the next.
jolly Dec 2018
Often times a question regarding death, "what happens, where do you go?"
I'd say it's neutral, no ringing ears, nothing at all.
Though I've grown up neck deep in the tired and frightening atmosphere of death, nights spent as a child contemplating my own existence, I had learned to accept it at a fairly young age
This question no longer bothers me

Before I walked, before I talked genuinely, I was a million questions, a million ideas all kept under lock
And the way I walked and talked was not my own
And now, some days they'll call me a "man", but what I am is a hybrid of all of these thoughts
bright and faded colors, painted fingers and toes, distorted and vulnerable

And that sudden burst of consciousness at birth was the same I'd come to know in that moment, at the bottom with the fishes, counting pictures and having visions with my last bit of oxygen. Mermaids, gold glitter, and snakes in the water.
Never had I known such a gentle touch, among some collapsed lakeside cottage.

And that is why I am no longer afraid of death, because to cease to exist is not any kind of experience.
And I will always remember, the sudden burst of consciousness just before the renaissance that ensued from your touch.

And I will not wait
And I will sing in a violently feminine fashion
before the day my lung collapses
JR McFadden Jun 2015
Life and death are one in the same; most people just don’t know that. Once you realize that our conscious doesn’t walk the line between the two realms and they all exist in the same realm, you’re entirely ******.  The mundane reality of our existence becomes shockingly clear and it makes you wonder; who gives a ****?  For some reason or another we are expected to, just like we are expected to go to school, just like we are expected to get a job, just like we expected to work our lives away until we are old and gray, then we are expected to enjoy our golden years; die and go on to heaven or whatever. What happens when you reject these conceptions fundamentally and create your own. I don’t know… you don’t know… nobody knows. We could all just **** ourselves and maybe that would fix the world, well… no; that wouldn’t fix the world, but it might fix mine. That seems like a terrible idea doesn’t it? Self-destruction for self-preservation. What I mean by that is this, the world will either crush your soul and **** you, or **** you. So why take the risk, risk the disappointment? This was a wildly depression interpretation of existence. Maybe it's like this because I’m stuck in some dumpy ******* town… Where people drink to drown their boredom, which I find wildly depressing and somehow they soak it up. My entire life has been broken up into 14days on and 7days off. This means I spend 2 thirds of my life with this uninspired people how think binge drinking is the only way to have a good time. I suppose there was a time in my life when I could relate; however unfortunate that is. But now I’ve lost the desire to do so. Where are the other people in my life and in my writing? So focused on my own views on the world with know one else’s ideas or perception. Loneliness seems to be a theme of my life, and understanding myself is my great pilgrimage. The exploration of my body and soul can be achieved. It  begun when I realized I was a conscience being, The first time I contemplated suicide was at the ripe all age of 13. Why I thought about this on a beautiful day at the lake I had visited in the summer with my family for years, puzzles me to this day. Which happens to be the origin of some of my fondest memories. On my bike in the green space that over looks the beach next to the lakeside community center. The sun was bright and the day was hot. Family and friends that I’d known for years surrounded me. Could have been the fear of rejection from the girls that I had little boy feelings for. Interesting how the fear of rejection on such a minor scale can lead to self-destructive thoughts when I should have been playing in with my friends and riding my bike. Trying to write a story… but instead I get a case study for a psych student. Idle hands are the devils playthings. I was thinking earlier; as I was trying to find an activity for the evening and being told time after time that the bar called the Detour was the best place in town to have fun because in this town that’s where people go to drink and here drinking is the thing to do. I thought writing with all that for inspiration would be very difficult. Turns out that it’s not really difficult but **** is it depressing. I want my mind and soul to be immersed in art, music, poetry, philosophy and love; not drenched in close-minded thinking and rye whisky. But here we are, writing in my surprisingly nice hotel room. It’s brand new and the beds are fancy, I thought two pillows was more than enough, but here… I have FOUR! **** shame I have no one to share it with, but that’s to be expected. I feel like Weyburn Saskatchewan isn’t the place where I’m going to find the love of my life and I sadly don’t have much interest in becoming intimate with some unsavory harlot with tattoos being the primary sense of identity.  It doesn’t interest me in the slightest. There was a lovely girl at the restaurant today though, I was there earlier for dinner. She was from Victoria and seemed like a genuine person, but she had a boyfriend who dragged her out to this **** hole… yikes. I’m sorry beautiful, I hope he is a good man, because I would like to think that I could offer you more… but here I am... and what the **** do I know... Writing things that will probably never be read by another human being on earth, unless some catastrophic global event destroys everything on this planet expect my laptop and a few lucky survivors who repopulate and thirty thousand years from now they uncover this and recover my hard drive and finally read this. As unbelievable unlikely as that is, this one goes out to you future folks. Well done you guys really pulled through. If monkeys have taken over… I’m very sad that you’re reading my long dead words, I really feel like we would have really hit it off.

Ok ok, lets see if I can give you something worth reading. I want to write a novel, I real story. Something epic, heart felt and amazing. I don’t know if I can do it, but I have soooo much time to **** so **** it! I CAN DO IT!
Story ideas…
- Duel personally kleptomaniac
- Barbarian warlord tale… blood, guts, **** and  battle.
- Exploration of the world.
- Create my own world….
- A ****** tale about a guy who works in the oil patch and writes garbage, gets stuck and gets a cheese burger.

Alright… well that’s what I'm working with…. I'm going to get a cheese burger.
Don't take this seriously... I don't
Tommy Mar 2015
sometimes my heart was so happy it hurt
it pained and ached
under its own warm glow,
flickering like candle light.

and the earthworms,
tucked into their cubby holes
they sang songs of home,
and family,

and they drank sweet wine,
laughing and singing,
until the sun rose above the clouds
and sent them all to bed.

In the days of the moon king,
the night was a sacred place,
dangerous, mysterious and inviting
a veil of stars to light up the living

and he called upon his subjects
he called for that bitter wine and sad song
as we waltzed, danced and sang
making love under that gentle veil

the moon king was a winter prince
the short days getting shorter as he laughed
and we'd waltz with him,
all the night long

we danced through thunder so loud
it reverberated through my rib cage
playing me like percussion, 3, 4, 3, 4
playing the tune on the strings of my heart.

and the lightning struck so brightly
that it blew up the sky
our own firework display
to celebrate the reign of the dark.

his reign it comes and goes
a constant battle with the sun
whose glare burns holes through the darkest nights
and whose heat warms even the coldest of hearts.

the earthworms remained underground in the summers
while we danced along the beaches
feet entrenched in the soft, white sand
and sang songs of the future, of beauty, of the sea.

my heart was  once so happy it hurt, it ached,
and melted under its own warm glow
but now it longs, it yearns for the freedom it once had
aching only for sweet release.
take me back there
shanika yrs Dec 2016
Stars shine on the wrinkling water
ending a journey of billion years
far across the universe
voids, dusts and many hidden secrets
you are the same
if the yesterday is gone

Stone rocks and tropical trees
made their way to glorify dusk
greeting to birds, wind and our kind kids
beauty isn't what light or the dark
you are the same
if tomorrow is gone

Glorious sun shine for himself
Lighting the Alps blue and green
Even though the lake my breath touch
Caught only to star strikes
you are the same
if you live for now

© shanikayrs
After 26 years of life, I see dusk and the dawn mean more than ever, silence around you speak much sharp than all the words you hear. I wondered why writers don't write about macros. Yes they have explode
or expanding. Thus they won't see a bound, or a line or a sign of light themselves to stop
Barefoot and blue
Waiting for a waterbirds solemn return
Silently guided by a stiff windward call
to closure , my melancholy day in sunlit
exposure , from behind the clouds lie such
explosions , red eyes placed center stage ,
as would be thespians hide elephant red rage
Caramel colored , landlocked baptistry
Soak these tired feet , wash the salt from open
wounds , diluting memory and public affairs
Carry them to the bottom* ...
Copyright November 10 , 2016 by Randolph L Wilson * All Rights Reserved
Martin Narrod Sep 2014
WYA
I toast to the spirits you've been counting, lying in that hammock with a stranger from Mars. Your muddy fingers, they creep like hairless spider arms between the ropey knots that bind together all its parts. There is a house inside the hilltop, where it peaks there is a church- there once was a man in shackles and handcuffs living there, he also had mud on the bottoms of his feet. Even the pennies you found get lost now and then. Even your white hair goes a shade of blonde. I can't sleep but I don't try, I never tried not to do something so much that the rest of me broke. I pushed so hard that sand fell into my socks. You only told me half of what will happen to you at 10am, the rest of it you told me that you'd prefer I didn't know, but if I am to survive on the secrets I know that you don't know about. Then tonight I will be sewing the wool over my eyes.------------------------------------------------------------­----------------------------------------------------------- No one could ever have any idea what comes easy. The creaking heavy wood of your slop-room door, or the filth I cough up in green, mustard, and tar globules every hour. There is the was. Small hands in half pockets. Stitches supposedly dissolving into our skins. The yellow wall, the panda pillow, the Pink Sugar, your hair wax and heavy handed straight-ironing tilt my curved and bent feet Northward about 6 to 60º degrees. Late trains and no complaints. Stubs of hair and tender legs. I don't give but my elbows buckle. This frame wasn't built to take blow after blow. Some friends tell me they can see tomorrow before it comes. Lakeside, readied, silver-necklace I haven't seen. Gold flightless bird that's never walked but says it will. I am cornered, my cornea tinted my vexes and leftovers, black and white pearls, birthdays, earthworms, and vinegar. Family dinners that push me nearer to the hole in the donut. I'm just so afraid of falling overboard. It's just I can't go forever without being heard.-----------------------------------------------------------­----------------------------------------------------------- In and the. How long do stories like this carry on for? Does my name come up in private? Does mom two even know whether I ever existed or if I was split? I am the answer to the secret 'ask' question? When do I become background photo one or two? I am the one that's grateful I had a chance to sleep toe to toe. That I uncovered the winter that woke up the bleach and incense in the frosted air. While school is in session, am I crazy to believe in mermaids and sparklers and stickers, I'll stick with the choice that I made a year ago Tuesday- September hasn't ended but November's nowhere near. The reason I smoke so much is because I am no good at waiting. For phone calls, tweets, texts, updates, or written mail. No one told us that this could end underwater without even half of a breath, if you'd of asked then I would have told you that's why I steal your underwear and your sweatpants. You can have all my money, I don't even want, I just need it for you. You can have every word that I write, wield, and speak with, every sentiment and sentence, each promise,and compromise, everything that I own.-------------------------------------------------------------­---------------------------------------------------------- Four photographs later. Everything means something. I'm in knots. Spiderwebs from elbow to elbow. Fishing hooks from knee to knee. My neck feels very naked, bare. Nothing, not even traces of pink or cerise lipstick or lip marks. Smudge me, stop punishing me, please, prease, don't leave. This isn't very good for either of us. My story cannot tread so closely to an ending, to the ends of a night or a phone call or an eyebrow pencil or an eyelash curler, not the double-sided extra-soft blanket you keep on your bed, not the bottles and dollars and boxes and jewelry under your mattress, not the zip in your doorway or the zipper in my jeans, not the two holes in my belt loops or the caffeine in my morning coffee. I quit cigarettes, ended my sentences earlier, grew quiet, wore more band shirts and skinny jeans. Even the lines of lips, outlined by hips, white roses painted red, blonde hairs blanketed by the bleaching on your head. I'm wrestling hula hoops, I'm putting my pinkies in your gauges, and amazed how good it feels- and I'm happy you didn't....leaves of autumn shatter on concrete city streets, although you'd hate it I'm thinking of a tattoo sleeve, how about you make it? Darling please! Rice Krispie I'm on my Lee Dungaree's, begging you to meet me on our knees. And every candy that I spit out once I got to the middle, every lollipop that I ever bit into to find the gum, each Happy Meal toy I bought separately; you are the only girl I attended school to meet when I wasn't enrolled. I'm holding on. The bottoms of my jeans rolled up so I don't fade into use. I miss having your tongue in my mouth. I want to feel my hands in your pants. It's my tongue that gets curious as I begin to feel the heat off your *******. Tender touching. Dire romance. Throttle my face with your legs. I'll perch you up on a pillow, you can hold my head till I beg. Because if I go at this life thing alone, pretty soon I'll have a mouth full of lead.
Emily Jul 2018
Planned a long road trip
In the name of friendship
Seven hundred miles that day
Home and bed five miles away

Midnight sky with fireworks high
Red “H” on engine gauge much closer by
The sight was quite a fright
No longer feeling such delight

Pulling to the side
My time to bide
Until a tow appears
To relieve my fears

Mosquitos delight
They win the fight
On the interstate highway
Above their lakeside byway

Vibrations move the car
While passing trucks go far
E.T.A. at 1 am
Police set flares at 2 am

2:20 rolled around
At last the car was found
Speedy hookup
Not another hiccup

Left car at garage
Free ride home removed my rage
Doubled the driver’s tip
Reduced the bother to a blip

3am can go to bed
Yet so wired in my head
It takes an hour to mellow out
In four more, the sun from bed will rout

Was it worth it in the end?
Any day, I’d do it for my friend.
Nigel Morgan Jan 2013
Gradually as darkness fell the wind that had beset the travellers all day subsided and the particular silence of the lakeside clearing assumed a presence. It was a silence of the discrete movements of animals and sporadic calls of birds, the settling now into stillness of trees wind-tossed for a night and day, the breathing to and fro movement of a large body of water that already held the night sky’s reflections and would soon be enveloped in moonlight. Zou Fen rose and beckoned Meng Ning to accompany her to the Emperor’s Hall. There, they stood together on the long veranda and looked down through the sporadic trees onto the lake.

‘It is said that the Master did not discuss anomalies, feats of strength, civil disorder, or the spirits,’ said Zuo Fen quoting Confucius. ‘It is for you and I to disregard sorcery as nothing but illusion and cunning. We must bend our thoughts to seeking explanations from circumstance.’

‘We know, my Lady, that Yang Mo had already seduced the Emperor and his guests with his many and infamous illusions. To achieve these feats of the miraculous would have required a sizable retinue and the most careful preparation. It is unlikely that the Emperor would have countenanced such sorcery in daylight hours, so we might imagine how with the play of lanterns, fire and smoke Yang Mo was able to make the impossible seem possible. Like the actor he undoubtedly was, he was probably a man of commanding presence - all eyes would have been upon his person, all ears tuned to his words. And round about the harsh clangorous sounds and shouts of his assistants would be sustained as his illusions began to unfold.’

‘Wisely spoken Meng Ning,’ says Zuo Fen, ‘a most convincing exposition. So we must imagine how after a long presentation of illusory wonders, the imbibing of much wine and other intoxigents inhaled or consumed, the first presage of dawn comes upon the company. Guests and their consorts seek the privacy of their quarters, lights are dimmed, only the meditative music of the zither sounds in the Emperor’s hall as new confections of poetry continue to vie with the ancient verses. Then, as the Emperor rises to seek his chamber there, half hidden amongst the wraiths of mist floating on the lake, lies a sailing vessel, its single sail empty of wind, a spectre at once marvelous and shocking.’

‘But an illusionary boat, possibly a vessel that could not and need not run with the wind, something constructed, a shell no more, made out of the lightest wood or taut cloth that in the blue dawn would seem more substantial than it is, fashioned and placed in position by Yang Mo’s assistants at a right distance to evoke the illusion of reality.’

‘The Emperor summons his court and its guests, summons Yang Mo, regarding this as a step taken beyond what protocol allows, a violation of the ancient spirit traditions of the lake. Yang Mo stands his ground suggesting that this is his greatest illusion yet, that there is no harm done, and should the Emperor decline to sail on the ****** waters he will take himself away from his presence boat and all.’

‘At this Xie Jui, the second wife, lets it be known that she regards with some contempt the prohibition of a vessel’s presence on the lake. She wishes passage on the boat and if the Emperor will not accompany her she will go alone with Yang Mo. At this the Emperor is incensed but challenges Yang Mo to explain how he will deliver Xie Jui to the vessel.’

‘This is where, My Lady, we will need to seek the Red Slate Path that, it is said, Yang Mo prepared to take himself and his passenger to the waiting boat - only to disappear from view in front of the very eyes of the assembly. Our task for tomorrow perhaps?  Jia Li can be our guide as she surely knows its location.’

And so, as the three quarter moon rises over Eryi-lou and the chamberlain takes his leave of the courtesan, Mei Lim appears from the near darkness to escort her mistress to the small chamber where they will pass the night. Zuo Fen remains in a trance-like state but allows the ministrations of her maid to prepare her for the business of sleep.
      Meanwhile Meng Ning, intoxicated by Zuo Fen’s presence, does not return to his quarters but takes the terrace steps down, down to the lakeshore. He allows his official skills as a poet to fashion an array of characters he will first commit to memory, only later write out in his fine calligraphic script, and then destroy. Whereas Zuo Fen commutes between dream and reality he has no such pleasure. This is a stark, cold place at autumn’s end. But this condition only seems to excite and fuel his passion for this woman, this gracious, mysterious woman with whom he has spent the recent hours in close proximity. Her face floats before his eyes; her precise lips and still perfect teeth, gentle chin and youthful neck, the beauty and grace of her bearing seated cross-legged like a sage before him.  He imagines for a brief moment her long nakedness revealed in the bright moonlight under which he now stands. Holding this momentary image close to his physical self he makes his way up the many terraces to the small wooden chamber in which he will sleep.
       Despite her journeying and the revelations of the day Zuo Fen lies awake. She is savouring a very different quality of the night in this remote place. For many years she has remained wakeful in the hours of the Rat and the Ox to welcome her Lord Wu should his goat cart find its way to her court. She would like to rise and reflect on the images that hold sleep from her – but fears to wake her maid without whose close attention she might falter. This natural world beyond her court and the Emperor’s gardens are of an almost constant wonder. She reflects that as she gets older each season seems to become more vivid than its predecessor. This autumn, with its vivid dreams and visions, she likens to flowers picked from her garden, their colours and textures continuing to hold true and firm. Between such thoughts the intimacy of her time with Meng Ning remind her of the delight of human association. Aside from her dear brother Zuo-Si she has rarely known that keen intimacy of another man - other than her Lord. Though she has, she reflects further, in the writing of The Pale Girl, allowed her mind to explore the variousness of the body’s pleasure. To school Meng Ning in the arts of passion would be pleasurable indeed, and she considers he would be a most willing and attentive student. She imagines, for a moment, guiding him towards the exacting refinements of touch and stroke a woman requires to achieve the deepest coitus. Her body stirs as this thought takes hold and caresses her towards necessary sleep.

(to be continued)
Danny Valdez Dec 2011
I can never  seem to warm up
these days.
Its freezing all day
my feet like popsicles
pale, white, and frozen.
Winter is really
hitting Arizona
Its
wet
gray
painful
Ian Curtis and Hank Williams weeping in the black clouds above
walking to the bus stop
my freshly shaved bald head
numb from the cold.
The pomp
the greasy combed hair
gone.
Since my pin-up girlfriend
the Marilyn to my Elvis
packed up and left.
The week before Christmas.
I can't say I really blame her
I can't say she didn't try
She stuck it out a good while there
She left because I cant hold down
a job
and because
I caught her going behind my back
with another man
that combed his hair too.
Secret conversations
with a guy that had what I didn’t
Vintage wool suits
An apartment in New York City
And exotic antiques.
No matter how handsome a ***
eventually
he doesn’t stand a chance.
She used to joke about it even
“Ya know, you’re lucky you’re so handsome.”
when we both knew most woman would be leaving.
I forgot to tell her
good looks only get you so far
and they don’t last very long.
But I got a job
actually
started it the day she left for Tucson.
It’s a place that represents small business office suppliers
paper, ink toner, pens, pencils.
They get small offices to ditch the corporate
staples office max kinkos office depot
and go with small business suppliers instead
stimulate the local economy they say.
It’s a cool gig
pays high commissions and is a real quiet place.
It sits in a business district that’s right next to
an artificial lake
a big winding one
going around medium sized lakeside houses
with tiny docks and tiny boats.
It’s so close
Its just right there
out the backdoor
next to the radio blaring AC/DC
outside it’s like an entire other world
not Arizona.
green waters
thick green grass
little green *****
from the green headed
mallard ducks.
There’s pairings of them all over
a lady said they mate for life.
Those mallards
they give all that fake stuff life
they make it real.
On our smoke breaks we all go out there
most everybody just stands
and smokes on a little back porch area.
laughing, joking, telling stories
putting the cigarette butts neatly in a coffee can.
sometimes I’ll walk away from the group
and stand at the green/blue water’s edge
staring at the concrete shelf of the fake lake
just beneath the water
the real dirt
concealed beneath the murky blue/green mixture.
And everyday
I miss her
a little bit
less
and a little bit
less
with every
fake wave
that rolls in.
I just gotta warm up
winter has really hit Arizona.
Fresh off the typewriter, tonight.
Clara Miller May 2014
His favorite place was lakeside
But mine was by his side,
And don't tell me that "boys will be boys",
When he made me get on my knees
At my own mother's birthday,
Because what he felt for me was lust
Not love,
And although his passion was requited
His love was not.
My body was once a temple
Until he conquered and turned a once sacred place into ruins,
Like the true Spartan he was,
With armor strong enough to protect his heart,
And sharp enough to cut the hearts of others.
He didn't throw babies off cliffs,
But his glare when I told him "no" was enough to
Make me jump off of one into a pit of cold redemption.
I loved him more than words could fathom
And he loved me with please's and yes'.
My voice was hidden under darkness and low self-esteem
And every time he pulled my hair I plunged further
Into these waters.
I lied to everyone and myself,
But there comes a time when all these lies
Start to poison any reason you once retained.
What pulled me out was the will to restore the sacredness
To my desecrated heart.
His favorite place is still the lakeside,
But now mine is my inside.
Coop Lee Sep 2015
bottlerocket,
ski click &
shoot.

         [empress impressed.]

petrol souls drift the skin & aetherous
of our holy mother lake midday.
by alpine,
lymph node,
spine of glimmering fish;
i never truly thought that love could destroy.

       [to display the paradise boon and boom salute.]

her knife atop the stump.

*

yon machines construct art-form of reservoir (yon being short for yonder),
knee-boarder-boy wake to wake, he wags his tail when he dreams.

        [lakeside.]

tribal the beach: a family drunk on juiceboxes.
rolling rocks. tall boys
& boulders/ bountiful canyon kids
with their beautiful gasping dogs.
****** knee **** and gallop at the foot of a mountain/mound &
sugar ants stomped, longing to empire.

mom bunches her fists into sand
of stolen crag, listening closely for her childhood in the whistle
of a casio conch.
margaritaville will do.

          [to **** or kiss beetles.]

kiss;
the bitty prince.
maintain a steady alliance with all lifeforms and flora.
life is programmed as thus;
algorithm of love.

bright honeydew soaked slabs of wood,
or plank, tabletop treatise.
wet pile of seeds.

young small birds hoard seeds for winter;
teeter into spring;
& upon summer find solace in swift slip-n-slide daylights.

— The End —