"impalpable" poems
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine
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627
The Tint I cannot take—is best—
The Color too remote
That I could show it in Bazaar—
A Guinea at a sight—
The fine—impalpable Array—
That swaggers on the eye
Like Cleopatra’s Company—
Repeated—in the sky—
The Moments of Dominion
That happen on the Soul
And leave it with a Discontent
Too exquisite—to tell—
The eager look—on Landscapes—
As if they just repressed
Some Secret—that was pushing
Like Chariots—in the Vest—
The Pleading of the Summer—
That other Prank—of Snow—
That Cushions Mystery with Tulle,
For fear the Squirrels—know.
Their Graspless manners—mock us—
Until the Cheated Eye
Shuts arrogantly—in the Grave—
Another way—to see—
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I rise impalpable
from poked and scattered ash.
Memories from the 20 years I lived
leave a crimson rash
on my skin once as white as snow.
the skin they began to scar
when I was 11, too young to know
that they were not just scars.
they were the marks on the bark
of a green, tender tree-
marks of men (or brutes?)- wild
and untamed.
there was nothing left of innocence,
nothing left of rainbows.
I did not have my days to play-
instead I was being played with.
I, a delicate ***** white,
stripped and whipped and sold.
a love-bit nape, blackened sight,
named the girl of gold.
but no more, no more.
I have risen from the depth
with my soft body rugged
and sour breath
and teeth marks on my collarbone-
like it was only yesterday.
men and their laughs-
tormenting and know-all,
conspiring my fall.
Now that I'm awake,
risen from my grave-
(they were kind to give me one)
I shall give them back the scars
they etched upon my heart,
I shall give them back the pain.
the little purple bruises.
I shall torture them quite insane
and they would die,
they would eventually die with regrets-
regrets not confessed.
I would return to my grave
and smile,
maybe laugh the manly laugh-
tormenting and know-all,
I would be their fall.
Apr 5, 2014
Apr 5, 2014 at 1:04 AM UTC
We flourish in this partial reality.
As I quietly touch your face, your lips, with my thumb,
Begging to know the thoughts you never utter.
Perhaps this suppression is a favorable one,
Where after my uninformed dreams will run wild with hope,
And your affections are safely concealed by
Plaster walls and my contract to mum.
We really do thrive here.
In this vacuum.
I dare not think of when we must leave it…
When nights like this one
Come to a close.
We will only be able to dislodge quavering,
Reluctant sighs.
For we have so often recited the volumes of our hearts with
No words.
Always saying everything by saying nothing
At all.
Only fit for heaving heavy desperate breaths--
Airy, impalpable syllables.
On a silent quest for time’s
Antidote;
Struggling to exist permanently within
Such small moments.
Lips.
Hair.
Skin.
Snippets of life to which we cling.
Nov 28, 2011
Nov 28, 2011 at 1:10 PM UTC
799
Despair’s advantage is achieved
By suffering—Despair—
To be assisted of Reverse
One must Reverse have bore—
The Worthiness of Suffering like
The Worthiness of Death
Is ascertained by tasting—
As can no other Mouth
Of Savors—make us conscious—
As did ourselves partake—
Affliction feels impalpable
Until Ourselves are struck—
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This world, that we live in,
Is not at all less.
It is full of lies
And a lot of mess.
The innocent being abducted,
The honest being convicted,
There’s no ray of hope,
In this world,
Of untruthful, slimy slope.
It is so not possible,
To climb back up,
Because the world,
Is constantly trying,
To pull you back down,
In this ditch,
So that alone they do not drown.
This is what
You have to watch out for.
Everybody is selfish;
Nobody is yours,
Except your family.
Who is always there;
Even in wars.
People are bad,
And will always be,
You have to survive,
With dear ones to your support,
You have to thrive.
Go on, who stops you?
But watch out for these traitors:
That will always be near you.
Looking for a potential prey,
Every single day.
They will treat you nicely at first,
On cloud nine,
They will make you fly,
But what comes later,
Is something impalpable.
Falling through a canopy,
Into a trench that is
Unfathomable.
Come on! You have to get up:
Be strong,
You have to catch up!
This not the end,
But the beginning,
Of your story.
A story,
That will one day be exemplary,
For all,
In this howsoever bad world.
Success will follow you,
If you follow struggle;
This struggle will become obsession;
Obsession, your passion.
And passion is unstoppable.
That very day,
When you know your goal very evidently,
And the journey is your pal,
Nobody can stop you,
From being on top of the world.
And this time,
Nobody’s going to push you
Because on top,
You will be
All alone.
Dec 27, 2015
Dec 27, 2015 at 12:21 PM UTC
[On my birthday]
At low tide like this how sheer the water is.
White, crumbling ribs of marl protrude and glare
and the boats are dry, the pilings dry as matches.
Absorbing, rather than being absorbed,
the water in the bight doesn't wet anything,
the color of the gas flame turned as low as possible.
One can smell it turning to gas; if one were Baudelaire
one could probably hear it turning to marimba music.
The little ocher dredge at work off the end of the dock
already plays the dry perfectly off-beat claves.
The birds are outsize. Pelicans crash
into this peculiar gas unnecessarily hard,
it seems to me, like pickaxes,
rarely coming up with anything to show for it,
and going off with humorous elbowings.
Black-and-white man-of-war birds soar
on impalpable drafts
and open their tails like scissors on the curves
or tense them like wishbones, till they tremble.
The frowsy sponge boats keep coming in
with the obliging air of retrievers,
bristling with jackstraw gaffs and hooks
and decorated with bobbles of sponges.
There is a fence of chicken wire along the dock
where, glinting like little plowshares,
the blue-gray shark tails are hung up to dry
for the Chinese-restaurant trade.
Some of the little white boats are still piled up
against each other, or lie on their sides, stove in,
and not yet salvaged, if they ever will be, from the last bad storm,
like torn-open, unanswered letters.
The bight is littered with old correspondences.
Click. Click. Goes the dredge,
and brings up a dripping jawful of marl.
All the untidy activity continues,
awful but cheerful.
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Ok, Sinabi ko na
na kung kinalimutan mo ako.
Kung kakalimutan mo ako. Kung nawala ako sa isip mo.
Hindi na kita patutuntungin kahit sa door mat ng kamalayan ko.
Ok, ang nasabi ko ay nasabi ko na.
Pero ang nakakainis
At nakakatawa, bakit sinisilip pa rin kita
mula sa maliit na siwang ng bintanang
sinadya kong iniwang bukas para makahinga.
Ok,
Kung kinalimutan mo na ako at tuluyang nawala sa sa isip mo,
Ok,
Kung nakatulog kang hindi man lang naalala
ang pangalan ko. Huwag na huwag mo na akong hanapin
Tuluyan mo nang alisin ako sa isip mo
dahil hindi lang ako naka-invi. Nag-logout na ako.
At nagbubuklat ng dictionary.
Sinusubukang tagalugin ang tula ni Pablo Neruda.
Pero habang hindi ko pa nahahanap ang mga tamang salita.
Habang hindi ko pa natutumbasan ng mga tamang kataga
hayaan **** basahin ko muna
nang mahina.
"I want you to know one thing.
You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me.
Well, now, if little by little you stop loving me I shall stop loving you little by little.
If suddenly you forget me do not look for me, for I shall already have forgotten you.
If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land.
But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine."
Aug 2, 2015
Aug 2, 2015 at 12:59 PM UTC
Escape from what?
The pieces impalpable
Once part of thy self, are
Nowhere to be found
How many times will you try
To cope up
From some feeling
Very profound.
Escape from what?
Your own self or the world
Is only one force governing you?
Or is it dyarchy, through and through!
You try to split from the other
But it has an embrace
Around you
With the tightest glue
Escape from what?
The happy or the gloom
Calm or chaos,
You do have a clue
Or do you?
Is it numb or very eerie
Always sad, never cheery?
Escape from what?
Reality, harsh and smooth
O dear, stay here
It is going to be a tough root
Though all the impalpable
Would unravel
Someday on a blue moon!
Mar 17, 2022
Mar 17, 2022 at 10:51 AM UTC
*It's optional
Like the fading of skies
Early, wild, or remorseful.
All the impalpable space in the lights
Scaled in weighty gilt and curls
The locks and gold of sun,
early as it sets on a moiety of moor grey
Brushed by shadows of agonised poplars
on a spiral land of sheer pistachio blanket.
Muffled by lyres played from the trumpets of
convolvuluses, behind spears of the brain-
an imagery commence to carouse
into planet deep.
A promenade atop the tulle of skies,
an optional way to live.
Saunter and fall onto slopes, shudder, meditate
and hit a bee coffin pebble on the temple
Where there are options to live, to bleed.
Like the lurid sunrise sifting on
yellow-green nuts, and dandruffs combed
like granulated sugar
Oh the taste of chemistry
on the shea butter candles.
It's sanguine and optional,
your farewells on laden calendars of poems
A promenade- back into sea of spears and flames
A cadaver veined in pink,
bearing plethora of methanol
down pulverising bone.*
Jun 27, 2014
Jun 27, 2014 at 5:52 AM UTC
Those twin galaxies of yours
Beckoned on my sister oceans'shores.
I swam away, I heard the lore,
'A furtive glance will ask for more.'
I hid beneath these bitter waters
heaven graciously showers,
And sank to their esoteric depth-
My treasured detaching step.
But these shrouds are latent webs,
Impalpable yet enthralling herbs,
That compelled those galaxies
Towards my oceans'caged reveries.
Astral lights came flowing
On my secret crevices - cosmic cunning.
On faint surrender, oceans reflected
Those lights thought connected.
But you feared degrees unknown,
Ceased the sailing, you will never own-
They you thought mastered the song of lorelei,
The depths you will die.
Was it that shed leering glimmer
From distant galaxies hover
Around the interval that mist covers
And stirring these waters?
My immensity is foreboding,
Your vastness is deceiving.
Would our core surface, if in mist
You linger and I in abyss?
You intoxicate me with cosmic light nothing can sober,
But refuse to drink from my oceans' water.
Your galaxies shine on infinity
But are not my property.
You are locked on a cache, no one could immerse,
Owned by some private universe.
The lore of your galaxies, a blurred maze,
An immortal quest to my gaze.
Feb 1, 2011
Feb 1, 2011 at 1:45 PM UTC
How is it that I am now so softly awakened,
My leaves shaken down with music?--
Darling, I love you.
It is not your mouth, for I have known mouths before,--
Though your mouth is more alive than roses,
Roses singing softly
To green leaves after rain.
It is not your eyes, for I have dived often in eyes,--
Though your eyes, even in the yellow glare of footlights,
Are windows into eternal dusk.
Nor is it the live white flashing of your feet,
Nor your gay hands, catching at motes in the spotlight;
Nor the abrupt thick music of your laughter,
When, against the hideous backdrop,
With all its crudities brilliantly lighted,
Suddenly you catch sight of your alarming shadow,
Whirling and contracting.
How is it, then, that I am so keenly aware,
So sensitive to the surges of the wind, or the light,
Heaving silently under blue seas of air?--
Darling, I love you, I am immersed in you.
It is not the unraveled night-time of your hair,--
Though I grow drunk when you press it upon my face:
And though when you gloss its length with a golden brush
I am strings that tremble under a bow.
It was that night I saw you dancing,
The whirl and impalpable float of your garment,
Your throat lifted, your face aglow
(Like waterlilies in moonlight were your knees).
It was that night I heard you singing
In the green-room after your dance was over,
Faint and uneven through the thickness of walls.
(How shall I come to you through the dullness of walls,
Thrusting aside the hands of bitter opinion?)
It was that afternoon, early in June,
When, tired with a sleepless night, and my act performed,
Feeling as stale as streets,
We met under dropping boughs, and you smiled to me:
And we sat by a watery surface of clouds and sky.
I hear only the susurration of intimate leaves;
The stealthy gliding of branches upon slow air.
I see only the point of your chin in sunlight;
And the sinister blue of sunlight on your hair.
The sunlight settles downward upon us in silence.
Now we ****** up through grass blades and encounter,
Pushing white hands amid the green.
Your face flowers whitely among cold leaves.
Soil clings to you, bark falls from you,
You rouse and stretch upward, exhaling earth, inhaling sky,
I touch you, and we drift off together like moons.
Earth dips from under.
We are alone in an immensity of sunlight,
Specks in an infinite golden radiance,
Whirled and tossed upon silent cataracts and torrents.
Give me your hand darling! We float downward.
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I hear the smell of chocolate ice cream
Ringing through my ears
It echoes through my head
Like an old ***** in an England church
I can taste Canon in D Major,
Refreshing like lemonade
On a hot summer day
I smell my favorite songs
Like the perfume rack at Macy’s,
When I read the printed word
I sigh, because I have tasted chocolate cake
And when I touch sandpaper
I taste banana cream pie
And when I see you
I hear the most beautiful ballad
Impalpable, playfully teasing me with its notes
Dancing in my head
Waiting to be attained
I never will reach it
But I will reach you
Dec 9, 2012
Dec 9, 2012 at 9:02 PM UTC
At my side the Demon writhes forever,
Swimming around me like impalpable air;
As I breathe, he burns my lungs like fever
And fills me with an eternal guilty desire.
Knowing my love of Art, he snares my senses,
Appearing in woman's most seductive forms,
And, under the sneak's plausible pretenses,
Lips grow accustomed to his lewd love-charms.
He leads me thus, far from the sight of God,
Panting and broken with fatigue into
The wilderness of Ennui, deserted and broad,
And into my bewildered eyes he throws
Visions of festering wounds and filthy clothes,
And all Destruction's ****** retinue.
Apr 10, 2014
Apr 10, 2014 at 2:28 AM UTC
there may
or may not
exist
certain colours
that the human eye
is unable
to see
an insipid
blueish-yellow
an unpalatable
greenish-red
each said
to be impossible
for our eyes
to process;
if seen
it could appear
in all manner
of forms
but would remain
indescribable
they say that
butterflies can see
the ultraviolet spectrum
and that
the honey bee
sees in infrared;
and so
it would not
be too absurd
for a person
to dismiss
the "impossible"
to believe
in the possibility
of the as-yet
unseen
although
scientifically
the only way
to perceive
these "forbidden" hues
is through trickery
and constraint
by forcing the brain
into seeing both
antagonistic colours
simultaneously
and
without reprieve
until the border
between
the opposing shades
finally dissolves
there may be
a truth
but it is hidden
somewhere between
the plausible
yet impalpable
and the proven
yet proselytised
May 2, 2022
May 2, 2022 at 11:30 AM UTC
I am the mist, the impalpable mist,
Back of the thing you seek.
My arms are long,
Long as the reach of time and space.
Some toil and toil, believing,
Looking now and again on my face,
Catching a vital, olden glory.
But no one passes me,
I tangle and snare them all.
I am the cause of the Sphinx,
The voiceless, baffled, patient Sphinx.
I was at the first of things,
I will be at the last.
I am the primal mist
And no man passes me;
My long impalpable arms
Bar them all.
1.8k
Life is a sacred journey.
No two are the same.
Respect for divergence
is paramount
to a holistic experience.
Life
is not about
status-quo
or
expectations,
t'is simply what's made thereof
Lyphe
is a sacred opportunity
not to be taken lightly
Our Bodies
are our umbilical vessels
which tether us
as mortals
to "Reality,"
which, in itself,
seems to me to be
a reduction of potentials
from chance
to actuality
such ephemeral eternety;
infinite limitations;
actualized potentials;
possible paths-
these are but some of
the koan-like attributes
which lead me to use
the rather ambiguous
and ambitious
term "sacred."
Truly,
it becomes
whatthefucksoever
One may well will
to create thereof.
Action is Manifestation,
yet Thought begets Action.
Therein lies the sacred gift of Life.
'T'is all too oft taken for granted.
Every living being
(i am convinced)
has an equally vivid depth of experience
and I find it more than somewhat offensive
that humans (with a lowercase H)
feel they are the penultimate organism.
All is One
in that existence, itself,
tethers us all
to everything
and probably even beyond,
and so
to be so
hubristic and arrogant
as to assume a hierarchy
so convieñantly crested by mere
**** Sapiens Sapiens*
seems to me to be
an anthrocentric and narcissistic projection
of that meddlesome ages-old archetype
of the "Ego,"
that is to say "God,"
whatthefuckever that means!
Find it in thyself
to be humble enough
to accept that each and every iota of "Creation"
is, by virtue of association, equally sacred; divine.
Heirarchy, thus, seems to be a manifestation of some desire for order; control; a yearning to alleviate some hypothetical insecurity as a result of being essentially "absolute, infinite" (vis-a-vis the domain of Consciousness) yet contained within a vessel that is mortal, and, thus, ephimeral.
The Ego doth so loathe it's own limitations:
too bad it's far too arrogant to realize that most of the limitations it experiences are illusions, allusions;
charades of an insatiable Consciousness
Hell-bent on experiencing something
it won't redily allow itself to experience!
What a Holy fuckton of
incredulous, ineffable, impalpable, inspirational **** that would be, eh?! (insert interrobang)
I am me (I think...)
as thou art thee;
so why can't that just be good enough?
Could it be?
What obstruction precludes such harmonious divergence?
I reckon 't'is but us;
and very little else, indeed!
Mar 1, 2016
Mar 1, 2016 at 9:37 AM UTC
Quiero que sepas
una cosa.
Tú sabes cómo es esto:
si miro
la luna de cristal, la rama roja
del lento otoño en mi ventana,
si toco
junto al fuego
la impalpable ceniza
o el arrugado cuerpo de la leña,
todo me lleva a ti,
como si todo lo que existe,
aromas, luz, metales,
fueran pequeños barcos que navegan
hacia las islas tuyas que me aguardan.
Ahora bien,
si poco a poco dejas de quererme
dejaré de quererte poco a poco.
Si de pronto
me olvidas
no me busques,
que ya te habré olvidado.
Si consideras largo y loco
el viento de banderas
que pasa por mi vida
y te decides
a dejarme a la orilla
del corazón en que tengo raíces,
piensa
que en ese día,
a esa hora
levantaré los brazos
y saldrán mis raíces
a buscar otra tierra.
Pero
si cada día,
cada hora
sientes que a mí estás destinada
con dulzura implacable.
Si cada día sube
una flor a tus labios a buscarme,
ay amor mío, ay mía,
en mí todo ese fuego se repite,
en mí nada se apaga ni se olvida,
mi amor se nutre de tu amor, amada,
y mientras vivas estará en tus brazos
sin salir de los míos.
1.8k
i dream of you i dream with you,
following the musings of the aching poet
blathering hyperbolic verbiage
into subconsciousness
where we leave entwined mortal bodies
for the impalpable enclave
we have created.
i dream of you i dream with you,
in sleep our minds meld
over aching bodies
and lift our spirits
to the ethereal nether-realm,
where we roam
for eons
sauntering through the fields
of ecstasy.
i dream of you i dream with you,
where the groans of the spirit
and its insatiable yearnings
find solace in the vastness
of the tangent universe,
existing outside our mortal guise,
alluded in our mind’s eye—
it’s heaven
built by you and i.
i dream of you i dream with you,
in lucid dreams
where we know we are asleep,
but we just laugh whilst
walking through the gates of eternity
flourishing in the eternal splendor
we have created.
Jan 29, 2017
Jan 29, 2017 at 1:15 PM UTC
I can't feel my soul, but I'm certain it's there.
There are no MRI's or CAT scans of it
There are no people that make it glow like it used to.
But before bed, each night,
I put a pen to paper and it pours from my fingertips.
I don't know how else to explain it.
I'm sure it's there.*
Sep 2, 2016
Sep 2, 2016 at 4:33 PM UTC
¿Por qué tocas mi pecho nuevamente?
Llegas, silenciosa, secreta, armada,
tal los guerreros a una ciudad dormida;
quemas mi lengua con tus labios, pulpo,
y despiertas los furores, los goces,
y esta angustia sin fin
que enciende lo que toca
y engendra en cada cosa
una avidez sombría.
El mundo cede y se desploma
como metal al fuego.
Entre mis ruinas me levanto,
solo, desnudo, despojado,
sobre la roca inmensa del silencio,
como un solitario combatiente
contra invisibles huestes.
Verdad abrasadora,
¿a qué me empujas?
No quiero tu verdad,
tu insensata pregunta.
¿A qué esta lucha estéril?
No es el hombre criatura capaz de contenerte,
avidez que sólo en la sed se sacia,
llama que todos los labios consume,
espíritu que no vive en ninguna forma
mas hace arder todas las formas
con un secreto fuego indestructible.
Pero insistes, lágrima escarnecida,
y alzas en mí tu imperio desolado.
Subes desde lo más hondo de mí,
desde el centro innombrable de mi ser,
ejército, marea.
Creces, tu sed me ahoga,
expulsando, tiránica,
aquello que no cede
a tu espada frenética.
Ya sólo tú me habitas,
tú, sin nombre, furiosa sustancia,
avidez subterránea, delirante.
Golpean mi pecho tus fantasmas,
despiertas a mi tacto,
hielas mi frente
y haces proféticos mis ojos.
Percibo el mundo y te toco,
sustancia intocable,
unidad de mi alma y de mi cuerpo,
y contemplo el combate que combato
y mis bodas de tierra.
Nublan mis ojos imágenes opuestas,
y a las mismas imágenes
otras, más profundas, las niegan,
ardiente balbuceo,
aguas que anega un agua más oculta y densa.
En su húmeda tiniebla vida y muerte,
quietud y movimiento, son lo mismo.
Insiste, vencedora,
porque tan sólo existo porque existes,
y mi boca y mi lengua se formaron
para decir tan sólo tu existencia
y tus secretas sílabas, palabra
impalpable y despótica,
sustancia de mi alma.
Eres tan sólo un sueño,
pero en ti sueña el mundo
y su mudez habla con tus palabras.
Rozo al tocar tu pecho
la eléctrica frontera de la vida,
la tiniebla de sangre
donde pacta la boca cruel y enamorada,
ávida aún de destruir lo que ama
y revivir lo que destruye,
con el mundo, impasible
y siempre idéntico a sí mismo,
porque no se detiene en ninguna forma
ni se demora sobre lo que engendra.
Llévame, solitaria,
llévame entre los sueños,
llévame, madre mía,
despiértame del todo,
hazme soñar tu sueño,
unta mis ojos con aceite,
para que al conocerte me conozca.
1.7k
I've got the world's best kept secret
locked in 2 AM screenshots--
her late night musings over a crusty joint, a crushed pill,
or some ***** cigarettes.
She sends me her thoughts,
fears,
anxieties,
insecurities--
at her most vulnerable,
absolutely the most beautiful.
Her anguish stressed in the digital scroll
(though she doesn't like Kerouac, I let her borrow my copy),
her stained fingers mashing all their hurt and nicotine
into the keyboard--
and her pen aches and her paper stains
with the unrequited love she empathizes with
in the somber pop punk songs that explode from the stereo
she sings loudly on cold and lonely night drives
(I shiver in her passenger seat).
And she made for me the greatest of mixtapes,
her holy scrawl expounding upon a dull grey donut-shaped
slowly fading form of intimacy,
a blank CD--
"This mix is a good time"
and when I jammed it into my car stereo I was illuminated.
She is so cool, she is so punk,
and in her clandestine drugstore car charger thefts,
broken poems,
impalpable aesthetic,
impeccable music taste,
illuminated or even further obfuscated drug trips--
I have the world's best kept secret,
and more than anything, I wish to share it with you--
so she can make someone another mixtape.
May 30, 2016
May 30, 2016 at 11:50 PM UTC
Marching on thru our circuital seas:
A moat lurking beneath tremendous Facebook walls,
delineating our impalpable fortress of solitude (irony).
We slog through the trenches like Lee's troops,
drudging on a fatal course
to an awaiting Grant in Appomattox (destiny?).
Soldiers falling at the wayside,
from wounds, starvation, disease,
hashtags for dog tags draped around cadaverous necks--
Perhaps you can identify us by what's trending.
Had we the strength to shout,
and tear down the walls of Digital Jericho,
would we have been able to do it,
in 140 characters or less?
Apr 12, 2016
Apr 12, 2016 at 4:19 PM UTC
Nebuchadnezzar has three dreams,
not even the "wise men" of old
could interpret the dreams of this old man.
It then takes lads of Meshach, Abendigo, and Daniel
to "cling" together in a fiery furnace,
only to see a fourth man that
the King recognizes and acknowledges
as the the God of Most High.
Why would this dumb old King
still insist on the power of the Most High
with a 90-foot tall statue of no statutes?
Then how is it that Daniel-
a wise man of Babylon
able to entice God's presence?
Even with all the threats and insanity
of this crazy old King,
Wise man, Daniel, stands up against
a statue of a multitude of people
when he stares as tradition in a mirror.
With the delusion of creating a nation alone
has made that crazy old King
filled with insanity and obsession over people.
Sounds familiar with our own traditions,
and obsession to worldly pleasures.
Here is the real problem,
the ruins of Babylon is not only
a metaphor, but a reality to lives
living on this Earth for those
"wise men" who think they can
take the place of God.
Unfortunately, we are crawling around
like beasts on this Earth,
because there is no other
to lift us up, but God the Most High.
Soon, the four Angels
Destiny, Death, Purity, and Balance
will "let it go,"
the four winds of strife on a land
that has insist the impalpable sin.
When I am constantly placed in
a fiery furnace, all the one's around
me feel the heat, and die of their own curse
they caused me, letting go;
and bringing Babylon in ruins.
Nov 5, 2014
Nov 5, 2014 at 1:33 AM UTC