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"fluency" poems
~*for M. both a living one, and imagined, too*~ 10/5/25 just woke up and began to work; the muses are cofuse-ed they think when head hits pillow. it is there then the~moment to refill my head with verses glorious, alas, alack, into the sub-subconscious furnace they go to melt, meld or even die iron of ironies; 90% of these words, were adrift in my head when I to bed, "for to be repaired" last night, and only came to be recalled @ 2:34 am when them muses and you guru, woke me to 'get outta bed', and you    who bids me sleep, this clashing arousal, starts engine's cylinders to begin live~composing, stoking and stroking, to awake, create, reassemble and uncover the poetic notions trans~versing my head one-day, someday they will depart, for cleaner, greener Champs-Élysées, where reborn poets speak all languages with equal fluency, eagerly awaiting my spouting in Hindi (already ✅), in Hebrew and any/all dialecticals this god earth ever mothered And there you have it, my FPOTD, dear m., SUNday 10/5  & writ in the city where I am alive in the Den of Writing, where the muses like to hang out with their old companion, until such time they will come to inhabit a younger, well rested, equally restless, a not-my-mine mind <nml>
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Oct 5, 2025
Oct 5, 2025 at 3:08 AM UTC
FPOTD: good mid-of night, my beautiful muses, living and imagined
Misconceptions Fasley smiles Psychoanalyzed   Could it be my OCDish Would they agree or disagree Respectfully  - with no referee Whatever matter  - It doesn’t Let it be I’m carefree It’s the best defense Not a draftee A perfectionist I am It stems from many forces My moral sense At any expense Not remorses Their sweet jabs From the start Yes From day one Like Mr. Shukar - they see I'm the new prospect My disposition in scrutiny As I take in with fluency No unity Let it be I’ll take it in my dome Its my best cover Not styrofoam I'll take it whichever way it's thrown Please... Pass the twisted news along I continue staying strong Detail-oriented is my syndrome
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Jan 29, 2016
Jan 29, 2016 at 2:55 PM UTC
workplace illusions
Oozing charm and fluency, over exuberantly, without vanity or pride or an arrogance of mind remaining humble and kind looking just fine Not with the fittest physic or perfect teeth, manicured hands drenched in gold leaf Or a sharp suit and tie which underneath emptiness lies But a beauty that shines bright like a beacon signalling hardship, success, failure, determination Strong and truthful Unapologetically flawed Lost youth and adult gains Ageing memories and hunger pains slight wrinkles, cheeks with dimples passion, it's quite simple perfection is meaningless It lacks personality and taste Humility, humour and good grace The hard times you stared point-blank in the face However, on the other hand It's like you're from another land Im lost In your perfect imperfections Filters and airbrush aren't a true reflection Of the life you've lived of the story you've told When you've been weak when you've been bold what made you happy or caused you stress How you like to chill and rest Or put your mind and body to the test I want to see what makes you, you I long to see it all For its what makes you beautiful
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Mar 3, 2017
Mar 3, 2017 at 2:02 PM UTC
Perfect Imperfections
**Mastering the whole range of bleats with meanings- made him think his command of 'goat lingo' was  perfect, But a cheeky Anglo-Nubian goat wasn't impressed by his fluency so remarkable, "Vocabulary is not all, my dear Sir" she bleated back " your accent is singularly atrocious"**
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Sep 3, 2013
Sep 3, 2013 at 12:35 PM UTC
"Your accent is atrocious" scoffed the goat
Verbalizing out her interests attracted opportunities. She planned to play with every insecurity, learning, growing and blooming with every opening. She just had to take a chance for the possibility. Event hough she was dubious and stuttering. But soon there would be rhythm and fluency and there she would find unity in a community.
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Mar 18, 2018
Mar 18, 2018 at 12:09 PM UTC
Grab every opportunity
i tried to stay true to the unity tuned to every opportunity i found my ruins in the mutiny loose stone of the community such a crude and brutal fluency the futile fruits of lunacy the pulled roots of my truancy grew away from my community
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Apr 3, 2016
Apr 3, 2016 at 4:05 PM UTC
community
On the night of initiation, curves of pale luster began to gleam unwrinkled from the darkened divots along the lunar surface A perspective unseen for so long, it was viewed as a defaulted “wink” on the face of the moon And therefore, forgotten, unmentioned, until it’s means were sought   From days ‘fore, and long since now dust Scribing authors, secrete beads of frenzy  into ink filled phial Sending tremors down, into the quill tip Filling scrolls for permanence in a preemptive defense against continuous unraveling thoughts would befall this fluency into incoherent clutter   Pioneers of preprint in a provoking tome, would speak educated reasons why these areas of Moon had been locked under sealed dark punishment since Empedocles mixed cosmic elements to breed an undeniable proving truth Exhibiting the myth of danger alongside The established absolute and supervening fizzling sunset proving the existence of love... —————————————————- “Since I have given you words from my within like the ecliptic rising and burning massive, Our mutual visibility of late is either one-sided or short lived I’ll take a detour around the comforts of romance And try to talk my way into your pants By tossing at you, letters squeezed together, for your minds transcription into the heart of my subliminal write   In hopes you’ll feel a trickling gush If I get really lucky these words will find you like a volcano erupts a **** The same way water, beating against years of stone can fall And crash through a dam with pouring force so insatiable it’s territory is marked in history
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Jun 22, 2019
Jun 22, 2019 at 11:09 PM UTC
On the Night of Initiation
On the night of initiation, curves of pale luster began to gleam unwrinkled from the darkened divots along the lunar surface A perspective unseen for so long, it was viewed as a defaulted “wink” on the face of the moon And therefore, forgotten, unmentioned, until it’s means were sought   From days ‘fore, and long since now dust Scribing authors, secrete beads of frenzy  into ink filled phial Sending tremors down, into the quill tip Filling scrolls for permanence in a preemptive defense against continuous unraveling thoughts would befall this fluency into incoherent clutter   Pioneers of preprint in a provoking tome, would speak educated reasons why these areas of Moon had been locked under sealed dark punishment since Empedocles mixed cosmic elements to breed an undeniable proving truth Exhibiting the myth of danger alongside The established absolute and supervening fizzling sunset proving the existence of love... —————————————————- “Since I have given you words from my within like the ecliptic rising and burning massive, Our mutual visibility of late is either one-sided or short lived I’ll take a detour around the comforts of romance And try to talk my way into your pants By tossing at you, letters squeezed together, for your minds transcription into the heart of my subliminal write   In hopes you’ll feel a trickling gush If I get really lucky these words will find you like a volcano erupts a **** The same way water, beating against years of stone can fall And crash through a dam with pouring force so insatiable it’s territory is marked in history
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30
Today, I sent out at least another 10 advertisements of myself. It’s not fair. These potential employee seeking companies show me at least a thousand ads boasting about themselves, but I only got the time to send out a fraction of their words, and it’s somehow bad taste to show off my handsomeness. No pictures at all, just boring words, competing against the tacky hordes of plastic signs, overt lies, and labeled every things. I don’t even get any screen time, and if I could even afford it, they’d think I over did it. So I can’t use any ****** tricks to show my fluency in PR devilry? Y’all hypocrites.
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Aug 20, 2014
Aug 20, 2014 at 8:05 PM UTC
Here is "Me" (now high fructose free!)
“and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”   Walt Whitman <> having recently been on standby for a permanent-entry residency visa to over & just beyond death’s door, Walt’s prescient prescription strikes my broken breastbone even harder much, than the persistent periodic pains confirming the breaking and the healing of this man’s mending of the human centric poetic ***** for this warped heart mine, now rejoicingly rejiggered with some threads and wires to deliver a new but fresh bloodied wisdom, begs me, eggs me to torrent word streams, but Whitman’s wisdom cautions a new slowness, the wisdom of mortality’s hot breath urges careful consideration of every letter that my second chance, consignment shop flesh, eagerly embraces, to both prescribe and proscribe inside-insights tween the deafening sounds of eyelashes beating synchronized to the revived heart rates rapid renewal and last second-chances…. torn tween minute torso sensations and the running silence of a new battery’s internal rapid intervals, the silent timing gaps tween beats leaves-just-enough-space to ask over and over again, from whence will come my richest fluency? (1) at 300am, I lay carefully caressing and chewing well each transitory thought, absent the former energetic ability to just spill, though highly desired, now requires, like me, steady re-piecing together the steady drumbeat of now-nearer-my-god-than-thee Titanic reflections demands a slowing rapidity this I thought before and now ken, even and ever better, that our primary endeavor shall always be the giving, the disbursement of the act of love…for therein lies the healing of each, and wet eyes, make necessarily concluding this poem about nothing and everything and I comprehend Walt’s dictum: my very flesh is a poem, every sensation a lyric, every breath taken and returned to the atmosphere so unconsciously are my oldest and newest 3:00 AM poetry companions
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Aug 18, 2023
Aug 18, 2023 at 4:41 PM UTC
the breaking and the healing...(“your very flesh shall be a great poem”)
“and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”   Walt Whitman <> having recently been on standby for a permanent-entry residency visa to over & just beyond death’s door, Walt’s prescient prescription strikes my broken breastbone even harder much, than the persistent periodic pains confirming the breaking and the healing of this man’s mending of the human centric poetic ***** for this warped heart mine, now rejoicingly rejiggered with some threads and wires to deliver a new but fresh bloodied wisdom, begs me, eggs me to torrent word streams, but Whitman’s wisdom cautions a new slowness, the wisdom of mortality’s hot breath urges careful consideration of every letter that my second chance, consignment shop flesh, eagerly embraces, to both prescribe and proscribe inside-insights tween the deafening sounds of eyelashes beating synchronized to the revived heart rates rapid renewal and last second-chances…. torn tween minute torso sensations and the running silence of a new battery’s internal rapid intervals, the silent timing gaps tween beats leaves-just-enough-space to ask over and over again, from whence will come my richest fluency? (1) at 300am, I lay carefully caressing and chewing well each transitory thought, absent the former energetic ability to just spill, though highly desired, now requires, like me, steady re-piecing together the steady drumbeat of now-nearer-my-god-than-thee Titanic reflections demands a slowing rapidity this I thought before and now ken, even and ever better, that our primary endeavor shall always be the giving, the disbursement of the act of love…for therein lies the healing of each, and wet eyes, make necessarily concluding this poem about nothing and everything and I comprehend Walt’s dictum: my very flesh is a poem, every sensation a lyric, every breath taken and returned to the atmosphere so unconsciously are my oldest and newest 3:00 AM poetry companions
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30
~for Isabel, Alex & Wendy, Theo & Rose~ be reading Whitman and Hafiz, adding some Shelley and Frost, for (no salt) seasoning, might add in a biblical, King Solomon’s be-loved, sugared Song of Songs… won’t need to go far, on my nightstand, search & reach, to love and preach to generations next, a lesson last & simple: read, read, read there by learning, how to first define, then preserve the variety of feelings rising from within! here’s a starter morsel from Walt, sort of a summary of how to do it, all well and proper… poppy ”This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life,. re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.” Walt Whitman Preface to Leaves of Grass, 1855. Walt Whitman, c.1887.
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Aug 16, 2023
Aug 16, 2023 at 4:08 PM UTC
To my dying day, (Walt & I, in Good Company)
Her attitude is ahead of it's time, tired out from trying to keep up I follow her body's motions Fluency in her rhetoric flow, my body is relieved at her rhetoric blow Foreign girls make me home sick, lost in time lost in translation Time doesn't matter when you **** on vacation
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May 19, 2014
May 19, 2014 at 4:55 AM UTC
Time Zone
The Summer Alphabet of Woman Every summer, I learn a new language. Every winter, it departs for warmer climes, And its charms and naked arms, its own alphabet, clean forgot. Multi-lingual in the summer's peculiar One language, one aleph bet, But mega-millions of dialects, Know them all cold, know them all, hot. I speak Woman. Summer is soft, shapely, sweet, Clean, bare, lush in a sparse way, And Woman is spoken thusly. There are no harsh sounds, Guttural exclamations, nein! I speak Woman. There is no ugly in the summer. Ugly being an ugly word.   It cannot exist in an atmosphere of Sun, greenery, sand, carefree days, vacations, no school. There are no ugly women in the summer. I could take this writ many places, But if you are sputtering sexist or other labeling words, Could not give a good god **** because in the summer, There is no ugly, there is no prejudice. And I still speak Woman with an almost perfect fluency, au naturel. Gym clothes, short shorts, A-line skirts swishing in the breeze, High, god, so high the heels, flats clip clopping, flip flopping all over my heart, But, it is the bare arms and the hints of summer Cleavage, the short skirts, body hugging one piece fabrics stretching from here to down there that does not Hint, the shoulder strap of the underthings that asks, that commands me, to wonder where it leads too... Even the light wrap at night mocks me, Like gift wrapping with a smile demure...a teasing blindfold... All these say: Write us poetry in our very own tongue, Woman. Will oblige. I curve with curve of the ***** and invert with  S arc of the waist, Mystifying, how it is the designed place For my hands to grasp, and never fails. The crayola colors of flesh variations, Boggle the senses... How can tan  and pale, Dark and Light Have so many Symphonic variations? Adagio, slow and leisurely, a pas de deux For two eyes, then a Timpani crash and thunder, as Byron wrote, "music arose with its voluptuous swell," Yes, swell...swell...swell Enough. My eloquence, no match for my Fluency. Late August, and my vocabulary is already Diminishing. I forget how to say in Woman *Without you I am nothing, With you, I am more than everything,* Tho I can no longer say it, It is is still true and Beyond belief.
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Aug 22, 2013
Aug 22, 2013 at 12:36 PM UTC
The Summer Alphabet of Woman (I Speak Woman)
The Summer Alphabet of Woman Every summer, I learn a new language. Every winter, it departs for warmer climes, And its charms and naked arms, its own alphabet, clean forgot. Multi-lingual in the summer's peculiar One language, one aleph bet, But mega-millions of dialects, Know them all cold, know them all, hot. I speak Woman. Summer is soft, shapely, sweet, Clean, bare, lush in a sparse way, And Woman is spoken thusly. There are no harsh sounds, Guttural exclamations, nein! I speak Woman. There is no ugly in the summer. Ugly being an ugly word.   It cannot exist in an atmosphere of Sun, greenery, sand, carefree days, vacations, no school. There are no ugly women in the summer. I could take this writ many places, But if you are sputtering sexist or other labeling words, Could not give a good god **** because in the summer, There is no ugly, there is no prejudice. And I still speak Woman with an almost perfect fluency, au naturel. Gym clothes, short shorts, A-line skirts swishing in the breeze, High, god, so high the heels, flats clip clopping, flip flopping all over my heart, But, it is the bare arms and the hints of summer Cleavage, the short skirts, body hugging one piece fabrics stretching from here to down there that does not Hint, the shoulder strap of the underthings that asks, that commands me, to wonder where it leads too... Even the light wrap at night mocks me, Like gift wrapping with a smile demure...a teasing blindfold... All these say: Write us poetry in our very own tongue, Woman. Will oblige. I curve with curve of the ***** and invert with  S arc of the waist, Mystifying, how it is the designed place For my hands to grasp, and never fails. The crayola colors of flesh variations, Boggle the senses... How can tan  and pale, Dark and Light Have so many Symphonic variations? Adagio, slow and leisurely, a pas de deux For two eyes, then a Timpani crash and thunder, as Byron wrote, "music arose with its voluptuous swell," Yes, swell...swell...swell Enough. My eloquence, no match for my Fluency. Late August, and my vocabulary is already Diminishing. I forget how to say in Woman *Without you I am nothing, With you, I am more than everything,* Tho I can no longer say it, It is is still true and Beyond belief.
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71
The most powerful thing in the world isn't a thing. It's the feeling when You're on top of a man, and His eyeballs start to roll back into their sockets, and There is a moment. There is a moment when his Soul Rockets Spell-bounding lengths away from his ties, Drifting amidst the stellar pockets glistening blissfully amongst the skies of your Galaxy. Listening A heavy Fluency of Fantasy, A mystical entrancing fascinating wonderful wondrous moment and you Capture The thunderous entirety of his Control. You behold The entirety of his control. On top of this man, On top of the world; I can see The universe. The universe is all powerful. Most powerful. Powerful: -the adjective for; Having great Power Or Strength.
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Apr 1, 2013
Apr 1, 2013 at 1:00 AM UTC
Spellbound-idly Powerful
A white abstract silence falls heavily like phosphorous snow… odd and oblique with nervous intensity of random limitations… sensitive and fragile in its unremitting generosity…A fluency of motion of imaginary realisation in silent turbulence descends in tenebrous shadows of illusion detonating the unconscious… the symmetry and exactitude of silence beyond all compass…. an intricate camouflage… meticulous and consistent. Disinherited it tries to sanctify the air….. a silence in where stars evaporate vibrational loud and inquisitive…. freezing time by the velocity of its inner momentum of silent adrenalin. Concealing its true identity isolating me in unknown realisation of what is to occur.. It resonates with constant tension waiting for unpredictability’s of indispensible voices that don’t speak….. This is a realisation of the imagination…. a vibrant insensibility…. density of unravelled thoughts that vaporise within me causing a vibration that fractures the equation of time and space in the burning crucible of my mind. Intractable proportions of silent thought…. hovering… a constant mirage of irrational calculations….. This silence forces all the tears of consequence to fall upon my face with no avail…..Then in this thunderous silence see graffiti on white walls…abstract and meaningless….Like primitive lives…those with meaning yet possess no meaning… an ungovernable democracy of fruitless endeavour… of non factual fastidiousness… a glimpse of life and its fallacy. Yet the words were spoken and written… by whom… And for why.. Now the silence punctuates and instructs…. phosphorous extinguishes itself and hides behind another truth…..The noise of the world cascades in torrents deafening… attempting to defeat… subordinate the senses in atavistic cruelty… Prowling searching for the silence… but it has gone…. disappeared in the imagination of my inner self…. an abstraction I call me….. But I know where the silence has gone….
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Mar 22, 2012
Mar 22, 2012 at 7:07 PM UTC
My Delirium
A white abstract silence falls heavily like phosphorous snow… odd and oblique with nervous intensity of random limitations… sensitive and fragile in its unremitting generosity…A fluency of motion of imaginary realisation in silent turbulence descends in tenebrous shadows of illusion detonating the unconscious… the symmetry and exactitude of silence beyond all compass…. an intricate camouflage… meticulous and consistent. Disinherited it tries to sanctify the air….. a silence in where stars evaporate vibrational loud and inquisitive…. freezing time by the velocity of its inner momentum of silent adrenalin. Concealing its true identity isolating me in unknown realisation of what is to occur.. It resonates with constant tension waiting for unpredictability’s of indispensible voices that don’t speak….. This is a realisation of the imagination…. a vibrant insensibility…. density of unravelled thoughts that vaporise within me causing a vibration that fractures the equation of time and space in the burning crucible of my mind. Intractable proportions of silent thought…. hovering… a constant mirage of irrational calculations….. This silence forces all the tears of consequence to fall upon my face with no avail…..Then in this thunderous silence see graffiti on white walls…abstract and meaningless….Like primitive lives…those with meaning yet possess no meaning… an ungovernable democracy of fruitless endeavour… of non factual fastidiousness… a glimpse of life and its fallacy. Yet the words were spoken and written… by whom… And for why.. Now the silence punctuates and instructs…. phosphorous extinguishes itself and hides behind another truth…..The noise of the world cascades in torrents deafening… attempting to defeat… subordinate the senses in atavistic cruelty… Prowling searching for the silence… but it has gone…. disappeared in the imagination of my inner self…. an abstraction I call me….. But I know where the silence has gone….
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5
desire tastes like fine wine and honey mixed with thin flakes of gold that drip from your parted lips as mine trace the hollow of your throat desire is my language my fluency in lust brings me to the sight of your glazed eyes your fists clenching my silk sheets cherry chapstick could never it never could have compared: not when your lips are ambrosia and nectar let me worship you like you are simply fit for the gods
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Mar 16, 2021
Mar 16, 2021 at 8:46 PM UTC
taste
i have been introduced to a fragmented universe blue and silver amid temporal ruins oxidized epochs extract from me thought processes and aural distillations of a catatonic rage, that discards all trivia in its scrutiny of minds in a chronological diversity of words and images it is a kinetic fluency of gestures in an ****** calligraphy of expansive transferable threads of thought it is the real and the imagined one that precludes inquiry which leaves me infused with a compulsion of composed complications in episodic inspired delirium
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Apr 14, 2013
Apr 14, 2013 at 12:46 AM UTC
episodic inspired delirium
12/18/24 I choose fingers, among the array of many wonderful parts on offer, the other sensory emissaries protest, but the multi-fluency of fingers, fluent in all Romance languages, nay, in every dialect, tongue, tippling the balance in their favor for the fingers are wonderful conversationlists, trumping the cooing coyness of sweet wordy verbs, fingers defy nouns, pronouns and are fingers the finest conjunction that was ever conjured ot conjuncted? the ears hear poorly when upom it a long  slim finger casually traces outlines slow~sensually and the eyes shut tightly, reflexively, the tongue froze to the mouth roof, muted into inaction even the the sense of smell lies powerless should we block the nostrils with but two fingers, and breathe mouth mightily we do not diminish the orchestration’s totality, the blending of sound ‘n sensation, but the blind and deaf all must bow before the power of fingers speaking to every part of the bodies totality
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Dec 30, 2024
Dec 30, 2024 at 2:01 PM UTC
the fingers of love
Writing a poem is about locating self. Every facet within what you’re about to create blooms from your consciousness, your subconsciousness your ego, your mind, your heart But where are those elements planted? Where are they rooted? They are rooted within: your ethnocentric illusions your lived reality your privilege, your pleasure, your pain your abilities, your disabilities your socioeconomic status: have and/or havenot your fluency, your empathy, your sense of humour your vices and your storytelling devices Now we've got some roots, what are we going to grow? Let’s begin by observing, using our senses Maybe, let’s use our eyes Consider, the reality of how we see and sense the world Is different for each and every one of us Everything is tempered by the lens we use Which is informed through the roots of our synapses Which empirically flow from the subjective ground On which we stand And what does this have to do with poetry? What you describe in your poem, Is an interpretation of what you see (and feel) Interesting poetry comes when there is exploring to do It is a poet’s imperative to Explore the edges Out past the boundaries of the visual and audible spectrum If we were fish poet’s Would we write poetry about water? I like to toy with my teenagers on occasion So I asked my son the other day, what his worldview was? And I have been enjoying the vacuous silence ever since To be fair, I have been asking myself the same question for many years And this might have been the inciting incident leading me to storytelling As we began this journey together, it was stated that Writing a poem is about locating self. Can you describe your context? Let me attempt to describe mine: Here I am on the stage in this ocean of air At the Owl Acoustic Lounge On a Wednesday night in May Popping air with rhythm, nuance, and a certain je ne ce quoi Although this poem is not objectively true Let me attempt to share that this poem blooms from my developing cosmology From the overtures of my Overself; from the undercurrents of the Monomyth, From my ***** and through my groans of intercession This poem blooms from oblivion Threading through philosophy, to worldview, and into a budding cosmology For myself: Worldview fell away when I found cosmology while reconnecting with the night sky That night sky took me places while grounding me concurrently in inner spaces Where locating self flows into meta-cognitive health, Well ... that is something to write about
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May 24, 2023
May 24, 2023 at 8:25 PM UTC
How to Write a Poem
Writing a poem is about locating self. Every facet within what you’re about to create blooms from your consciousness, your subconsciousness your ego, your mind, your heart But where are those elements planted? Where are they rooted? They are rooted within: your ethnocentric illusions your lived reality your privilege, your pleasure, your pain your abilities, your disabilities your socioeconomic status: have and/or havenot your fluency, your empathy, your sense of humour your vices and your storytelling devices Now we've got some roots, what are we going to grow? Let’s begin by observing, using our senses Maybe, let’s use our eyes Consider, the reality of how we see and sense the world Is different for each and every one of us Everything is tempered by the lens we use Which is informed through the roots of our synapses Which empirically flow from the subjective ground On which we stand And what does this have to do with poetry? What you describe in your poem, Is an interpretation of what you see (and feel) Interesting poetry comes when there is exploring to do It is a poet’s imperative to Explore the edges Out past the boundaries of the visual and audible spectrum If we were fish poet’s Would we write poetry about water? I like to toy with my teenagers on occasion So I asked my son the other day, what his worldview was? And I have been enjoying the vacuous silence ever since To be fair, I have been asking myself the same question for many years And this might have been the inciting incident leading me to storytelling As we began this journey together, it was stated that Writing a poem is about locating self. Can you describe your context? Let me attempt to describe mine: Here I am on the stage in this ocean of air At the Owl Acoustic Lounge On a Wednesday night in May Popping air with rhythm, nuance, and a certain je ne ce quoi Although this poem is not objectively true Let me attempt to share that this poem blooms from my developing cosmology From the overtures of my Overself; from the undercurrents of the Monomyth, From my ***** and through my groans of intercession This poem blooms from oblivion Threading through philosophy, to worldview, and into a budding cosmology For myself: Worldview fell away when I found cosmology while reconnecting with the night sky That night sky took me places while grounding me concurrently in inner spaces Where locating self flows into meta-cognitive health, Well ... that is something to write about
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59
transparent boundaries in a mind mark out the blank vacuum of space scrutinize other minds discard all trivia extract with a kinetic incisiveness required information in a chronological diversity of images speak with the fluency of an abrupt halt which is maximized to reduce an effect on the skeletal calisthenics of introspective histrionics by acquired extrasensory faculties by that very mind, by that very mind a neurobiological transmutation
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Mar 3, 2013
Mar 3, 2013 at 2:26 PM UTC
I think where I am not...therefore I am not where I think...
I've got a licence to be poetic and I'm not afraid to use it Can I stop you for a moment cos I think you need to hear this I can work with a little discord I can dance with juxtaposition I'm even sometimes partial to a suggestion by omission I've got a licence to be poetic and I'm not afraid to use it I've got a mouthful of metaphor and little time to chew it I get giggly with similes and silly with alliteration I'm warning you now I'm devoted to proper diction I've got a licence to be poetic and I'm not afraid to use it So give me some extra space cos I think I'm going to lose it I'm in love with eloquence and I fawn for fluency I can't get near enough of off-beat rhythmic lunacy I've got a licence to be poetic and I'm not afraid to use it But I use it for the good and avoid the call for nasty I'm tired of hearing hate bred from agressive bitterness I'm looking to collaborate with writers with forgiveness I've got a licence to be poetic and I'm not afraid to use it So let's sit down to talk cos I think you need to hear this
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Apr 18, 2019
Apr 18, 2019 at 2:44 AM UTC
Poetic Licence
I remember the first time you leaned in to kiss me, The way you held my waist gave me faith, And I could recite the words on your lips with the same fluency a priest could recite prayers, I remember how the taste of cigarette butts and addiction told me more about your sins than your words ever could, And the skin of your fingers and how you held my hand as if it could've would've cured your depression, Your touch against my skin felt like wedding vows in front of a priest, Yet my hand trembled like a Saturday stripper at Sunday mass and not even god himself could stop it, The way your body looked that night gave meaning to the word "miracle", And how heavenly you looked under the moonlight could make a Christian want to be loyal to someone other than Jesus Christ, My dear, I hear your voice behind the religious advice my parents gave me, "she's no good for you, she's no good for you", And I remember how we drowned all the memorized bible verses in alcohol and sweat, I still remember how I knew that you'd be leaving and how I wept into god's fists, "don't let me fall in love, don't let me fall in love", And how we'd always find a way to sin, no matter the countless efforts made by nuns, I remember how you smiled in between kisses, like 7 year old footsies at mass, And I can hear the silence in the confessionary booth, and how I wanted to kiss you for a thousand light years, I promised I wouldn't let it fall a p a r t, like god promised when he made the rainbow, Yet the rainbow looks more familiar than you now a days, So, dear, no matter how we fell apart nevertheless, I hold you sweetly in my ocean, like rosaries stuck in between pages, And I never doubted you how I doubted whether god would help me through  nights like these, And if god gave me this soul, I will repay him by loving you with all of it, And I will never forget how your lips danced while you told me you would kiss me till the end, But those same lips would grow arms and shut the doors into heaven closed
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Feb 16, 2014
Feb 16, 2014 at 11:23 AM UTC
******
I remember the first time you leaned in to kiss me, The way you held my waist gave me faith, And I could recite the words on your lips with the same fluency a priest could recite prayers, I remember how the taste of cigarette butts and addiction told me more about your sins than your words ever could, And the skin of your fingers and how you held my hand as if it could've would've cured your depression, Your touch against my skin felt like wedding vows in front of a priest, Yet my hand trembled like a Saturday stripper at Sunday mass and not even god himself could stop it, The way your body looked that night gave meaning to the word "miracle", And how heavenly you looked under the moonlight could make a Christian want to be loyal to someone other than Jesus Christ, My dear, I hear your voice behind the religious advice my parents gave me, "she's no good for you, she's no good for you", And I remember how we drowned all the memorized bible verses in alcohol and sweat, I still remember how I knew that you'd be leaving and how I wept into god's fists, "don't let me fall in love, don't let me fall in love", And how we'd always find a way to sin, no matter the countless efforts made by nuns, I remember how you smiled in between kisses, like 7 year old footsies at mass, And I can hear the silence in the confessionary booth, and how I wanted to kiss you for a thousand light years, I promised I wouldn't let it fall a p a r t, like god promised when he made the rainbow, Yet the rainbow looks more familiar than you now a days, So, dear, no matter how we fell apart nevertheless, I hold you sweetly in my ocean, like rosaries stuck in between pages, And I never doubted you how I doubted whether god would help me through  nights like these, And if god gave me this soul, I will repay him by loving you with all of it, And I will never forget how your lips danced while you told me you would kiss me till the end, But those same lips would grow arms and shut the doors into heaven closed
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23
Been off stubbing repeatedly, my toes, on the raggedy twisted sidewalks of a sinking city, not mine, where here, my own metaphor, is being hand delivered, to me, for me, by me too many cayenne creole paroles, none of them getting me any freer none, as of yet, making me a free parolee been off studying some of what I cannot yet do, parole in libertà, a language cosmopolitan of creation, via creative writing remolding all of the dix senses been drawn and french quartered, drilled down, found no unknown solace deep bedrock grown, so doing a redistricting of the map personal, exposing my gardens, my Doric columns, to any passerby with the audacity so sheer to look me in the face direct and say laissez le bon temps rouler! looking to liberate my words, looking for liberty in my words, in a different melting *** where here I am a semi-low semi-free person of color called Old Fashioned White, looking for a seasonal hurricane to move me along, push me to write in a new style, developing cayenne words smothered in jazz à la mode multi-flirting with multi-fluency, searching for Experimental mellifluous words stolenlen from, and built upon a thousand years of languages, river wide delivering its mountain deep cargo of silt, a city of words, upon it built, just like the great Mississippi, changing course every one                                                thousand years my mouth, a river opening wide, catching both salty and fresh, god's love delivering, doing the best I can, writing real fracking poetry for poetry's sake, not text messages of asstags kissing nobody's ads of sad dead #hashtags, following nobody noticeably, but thrusting your good stuff into my orifices, most pleasurably deep                  but never parrying,                           I am a poet social only in this: my devotion to my crew                                    stronger every day for and                            of that particular poetry,            I can write better than anyone,               so big,                                     sooooooooo easy, and that's, Steve, Bala, y'all, how and what I'm doing and by the way, Putain Zang Tumb Tumb you could look it up
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May 25, 2014
May 25, 2014 at 9:32 PM UTC
Status Update: Been off
Been off stubbing repeatedly, my toes, on the raggedy twisted sidewalks of a sinking city, not mine, where here, my own metaphor, is being hand delivered, to me, for me, by me too many cayenne creole paroles, none of them getting me any freer none, as of yet, making me a free parolee been off studying some of what I cannot yet do, parole in libertà, a language cosmopolitan of creation, via creative writing remolding all of the dix senses been drawn and french quartered, drilled down, found no unknown solace deep bedrock grown, so doing a redistricting of the map personal, exposing my gardens, my Doric columns, to any passerby with the audacity so sheer to look me in the face direct and say laissez le bon temps rouler! looking to liberate my words, looking for liberty in my words, in a different melting *** where here I am a semi-low semi-free person of color called Old Fashioned White, looking for a seasonal hurricane to move me along, push me to write in a new style, developing cayenne words smothered in jazz à la mode multi-flirting with multi-fluency, searching for Experimental mellifluous words stolenlen from, and built upon a thousand years of languages, river wide delivering its mountain deep cargo of silt, a city of words, upon it built, just like the great Mississippi, changing course every one                                                thousand years my mouth, a river opening wide, catching both salty and fresh, god's love delivering, doing the best I can, writing real fracking poetry for poetry's sake, not text messages of asstags kissing nobody's ads of sad dead #hashtags, following nobody noticeably, but thrusting your good stuff into my orifices, most pleasurably deep                  but never parrying,                           I am a poet social only in this: my devotion to my crew                                    stronger every day for and                            of that particular poetry,            I can write better than anyone,               so big,                                     sooooooooo easy, and that's, Steve, Bala, y'all, how and what I'm doing and by the way, Putain Zang Tumb Tumb you could look it up
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