Submit your work, meet writers and drop the ads. Become a member
Sympathy I feel for those who haven’t seen what I’ve seen, and for those who have felt what I’ve felt. The embodiment of my regret, shining with all the light once saved me, now engulfs me in torment of my mistake. As I orbit in harmony with the rotation of a green star, that is much more than just a green star, I ponder what my life would be if I still had my green star. I know that in time, this green star that means everything and more to me, will collapse and perish, but we will only be able to see the star frozen in time, that very instant before it collapsed, desperately clinging to one single moment. I still cling to that moment, the moment I saw my soul break free from the chains that I thought would hold me down perpetually, in her eyes. I don’t quite know how it happened, I wasn’t looking for it, I wasn’t on the make, it was the perfect storm, I said one thing, she said another, and the next thing I knew I wanted to spend the rest of my days in the middle of that conversation. It’s painful to admit that I ruined the most precious friendship I’ve ever had, which tends to sting more when she was the only genuine friend I’ve ever had. I prefer solidarity most of the time, but that doesn’t mean I don’t long for a companion every now and again, but lately that desire grows stronger and stronger, holding on to the memory of the companion I once had and lost. My life on Earth, my past life, would be considered prosperous; I was one of the top aerospace engineers in the world, which is a very time consuming and painstaking practice, but exploring the unknown territories of the universe had always been my passion. I didn’t have much of a family, my mother and father passed away when I was 22 years old, and my brother and I severed ties shortly after the death of our parents, and I had not desire nor time for a significant other, let alone the willingness to dedicate my life to another person. I always believed that I embodied the definition of misplacement, I never seemed to fit in any particular group of people, nor with any other person, really, I enjoyed getting lost in the sea of my thoughts, riding the waves, pondering ideas, asking questions that can only be answered in theory, which essentially renders me incapable of interacting with others. However, being your own best friend can sometimes lead to psychotic thoughts of self-loathing, and eventually the last straw broke the backbone of my perseverance, and I convinced myself to commit suicide. Originality and pretentiousness ****** me, demanding myself to end my life a way no one else’s life has ended, and my imagination spiraled into a storm, brainstorming my own demise. My most recent endeavor at the time was to manufacture a personal bubble that would sustain in space, and condensing a spaceship into the size of a smart car was the threshold between my pathetic life of this planet, and self-destructive glory. After a year of an extremely unhealthy intensity of research, my talisman of my soul, my most cherished invention, my cosmic coffin. I traveled from my home in Anchorage to the highest point in Alaska, Mount McKinley, and inserted my body comfortably inside my space bubble and proceeded to ascend into my eternal salvation, ascending towards achievement of my life’s dream, ascending the edges of space, where no human has ever occupied in history. The butterfly feeling in my stomach, caused by the sheer joy I felt, is probably the closest feeling I had ever felt at the time to true love, the irony of my affection for death. As I slipped past our atmosphere and found myself floating closer towards the stars and planets, I sat down and enjoyed the galactic show of entropy before me, and after a while the visual melody put me in a hypnotic state, and before I knew it I was being stated down by a saucer shaped spaceship with luminous blue lights encompassing the round edge of the ship. I felt my capsule gravitating towards and entering the ship through a small hole on the underbelly of its structure, that appeared to look like a portal. As I passed through the light I was being observed by a feminine looking blue creature, with bright green eyes that sparkled like emeralds in the moonlight, and long, luscious blonde hair, straight and smooth as silk. She was tall, which I realized as I stood up out of my capsule, about an inch taller than my six foot frame, with long, skinny fingers and decently big webbed feet, and a long slender tail hanging down from her backside that wasn't quite long enough to touch the ground. She had shiny, scaly skin that had a deceptive rough appearance in texture, but felt soft and smooth when her hand reached out to embrace mine, and she said, "Hello, I am called Elora, what are you called?" Still in shock, the only awkward response I muttered was, "Eric" and she asked, "Why are you here Eric?" As I regained my quick wit I declared, "Does anyone know why they're here?" She smiled, exposing her sharp white teeth and proposed, "Well, you can help me find out." I think it had something to do with the adrenaline rush caused by the mystery and uncertainty of the situation, but I caught myself grinning, I didn't even realize I was smiling, it was an odd, unfamiliar feeling, but I was madly attracted to this blue angel from the stars. I spoke to her about my life on Earth, and my elaborate suicide plan, and she explained to me that she abandoned her home planet Eridani to conduct galactic research, and that she was from the Altair race. She elaborated on how life on Eridani did not satisfy her, and that she would spend her life roaming around nebulas, exploring galaxies, researching stars, and documenting her experiences. She showed me a star that she claims as hers, a green star called Zohra, which was her favorite star because she said she could only feel happiness when looking at it, to which I said, “It reminds of your eyes” and she looked at me and seemed flattered. She loved that star, her eyes lit up brighter than the star itself when she would stare at it, hypnotized at the sight of it, which I cared little to notice because I couldn’t look away from her. I couldn’t quite understand how someone could be so invested in something like that, something that just sits there spinning and spinning, peacefully participating in the orchestra of the universe. I think she was so fascinated by this object because she felt the same disconnect from others of our kind. The lonely, outcast feeling connected us, ironically, and we carried on intriguing conversation for what felt like an eternity, and I only wish that conversation could've lasted longer. I found in Elora what I had not found in any human being, she understood me, to the point where I was convinced she had mind reading abilities, and her understanding me didn’t diminish her interest in me, like what usually happened to me on Earth. I found happiness in her company, I found salvation in her embrace, I found unparalleled beauty inside and out, and I found myself in our friendship.  As time slowly rolled on my affection for Elora grew increasingly unbearable, and eventually the realization dawned upon me that I had to inform Elora of my feelings for her. We were accelerating towards the Crab Nebula, and I noticed the blurred blue light in the center, wrapped around by streams of red and yellow light, holding the blue heart in the center together. Elora was to me what the red and yellow streams were to the integrity of the Crab Nebula, without those streams, without Elora, my soul would fall apart and disburse, just like the blue light in the center of the Crab Nebula. When I turned, looked her square in her eyes, her gorgeous eyes that were accented by the light emitting from the Crab Nebula, those eyes that pull you in and leave you in a trance, those eyes that display the beauty of nature condensed into two little spheres that seemed to effortlessly gaze inside my soul, breaking down every single wall that I have ever built up to hide myself from other people, and uncover everything I so desperately attempted to hide deep down, and I said to her, “You are the only reason I’m still alive, the only reason I still want to live, the only other soul that accepted my lost, broken soul, you are the most amazing, most beautiful creature born from the stars we now roam around, I tried to die to see what heaven is like, but heaven can wait, because there is nothing more I want than to be with you until the day my soul slips away from my body, I am madly in love with you Elora.” I poured my heart and soul out to her, bleeding out every ounce of passion and love and sophistication to her, exposing every bit of my emotions, leaving me naked and defenseless before her. Different scenarios raced around my head about how she would respond, and she glanced down at the ground, looked back up at my blank face, and she said, “My people do not love, we do not believe in love, and we cannot love. Love, no matter how polarizing it may seem, always fades in time, everything fades in time, love fades in time, ideas fade in time, you will fade in time, I will fade in time, in the end, nothing is perpetual.” My heart sank down into my stomach, and right at that moment I grasped the idea of why they call it “falling in love” because I landed harder than I could even fathom, I did not know that such powerful emotional sorrow could physically hurt so bad. I dropped down to one knee, and the streams of tears ran from my face and splashed down on the ground, like delicate little glass beads shattering as they made contact with the surface, shattering like my heart and soul. The pure agony and embarrassment of staying with the love of my life, whom I had just made an absolute fool of myself in front of, was enough to crush any man’s esteem, so the only rational option I could think of was bail towards my space bubble, and go as far away as I possibly could from the light that saved me. With every inch of separation between her and I, my heart and soul grew sour and stone cold, and new theories to rationalize my reaction and actions that followed. As a child I went to an amusement park, and I was particularly frightened of a certain attraction that lifted you straight up, a couple hundred feet, and dropped you straight down, and now I realize that my fears of love are comparable to this ride. I was so mortified by the ascension, which precedes love, that I could never enjoy the thrill of the fall, even though this time the safety harness didn’t soften the landing. I came to the conclusion, after years of thought, that I could not blame Elora, it was who she was and there was nothing she could do to change that, and instead of accepting the fact that she did not love me, I cowardly abandoned the only thing in my life that I gave a **** about, I ran away from the only other being in the universe that could make me smile the way she made me smile. After years of solidarity and self-loathing I realized that I would much rather spend my life with Elora, even if she didn’t love me, as opposed to regressing back to my lonesome life, only surrounded by a vast, more captivating scene. The only reason I am still alive is because I have not given up hope that one day I will find Elora again, and I will beg for her forgiveness, and hopefully I will be able to cherish every precious moment I spend with her. I solemnly believe that the slim chance will occur that I will once again see that face, gaze into those eyes I once did, and curse my old self for being foolish enough to leave her. I am not certain, but I can only hope that she is at least indifferent to encountering each other once again, but if she denies me I cannot blame her, because after all it is my fault for my impulsive escape. But for now I wander as a nomad amongst the stars that form constellations that all remind me of Elora, watch the planets rotate, and reminisce on the time we shared together, the time I took for granted, time that I consider to be the most precious moments of my life’s experience. I spend most of my time roaming around Zohra, which was where she and I parted ways, in hopes that one day she will return to her favorite star, to find me right there waiting for her, however patience has not served me well, and my actions which I so deeply regret caused her to abandon the star which she claimed as hers, the star that radiated happiness upon her, the magnificent star that embodied her in beauty and essence, to avoid the thought of me leaving her, which is justifiable because she was probably very flustered by me scrambling to leave her after my episode. I rotate around Zohra, observing its physical qualities, seeing Elora’s face every single time I look upon its surface, but one day the light exiting the pores of the planet grew significantly brighter, and Zohra began rotating and shaking at a phenomenally fast speed, and I witnessed Zohra swallow itself in a supernova, creating a black hole. I interpreted this to represent the death of the hope I had to once again see Elora, or maybe time had taken her like time had taken her beloved star. I allowed myself to succumb to the irresistible force from the black hole, and the death of hope I had to once more see the angelic face of my love, swallowed my space bubble and my hollow body occupying it, to the point of no return, where I can no longer regret what I had done to her, because in time, my love for her destroyed me.
Umi Jan 2018
Noon; I swear by what the angels write,
When I met you the world bloomed in me, with flowers far and wide
Ahh of all times you have chosen winter to come
Its so cold here that I cant even feel my thumb
The snow falls into a pretty pile
Lets go and sledge, then drink a hot chocolate after a while
But in reality, I am sitting here on my chair
Trying to write new poems, ideas are quite rare
With pen in hand I will try my best
And see this as some kind of  a test
Until I may or may not run out of ink
Until I may am not able to think
And until I just want to sink into my bed
Ah my pen, you are so pretty, you're elegant and sweet
Documenting stuff with you is really so neat
Please pen write on


~ Umi
A poem for my pen
Llahi Fuego Sep 2012
Your fingers
Your dainty fingers, so nimble
The way you roll a cigarette
Then light it and put it in my mouth
And look at me as I smoke.
The smell of vanilla flavoured tobacco
In the air
You lean in to kiss me
Wanting to taste the smoke
From my mouth
We look at each other,
The miracle of mouths and eyes.

It’s always the little things that I remember most,
You lying on your back, naked
Your legs apart, bent at the knee
My tongue in between
The arch in your back
The gentle swelling of your flower
That image of you, in ecstasy
Gasping
Like shortness
Of breath
Oh, the bedroom
And the fun we have in it,
Who said we need to be outdoors
To explore?

The morning sun
The clear blue sea
The smile on your face
Which is more beautiful?
You grab your camera to take photos
I grab my pen to write poems,
Each of us has our preferred method
Of documenting these memories,
But then how could we ever
Forget them?
The light pollution
from the lives of little people
in the big city
reflects off the lowriding clouds,
the same way my knees reflect
in the little puddles
from the big rains.

It hurts my eyes to look up
without sunglasses,
hurts my lips to think of tasting
the subway oil that
drip
drip
drips

I speculate at the transformers,
part automatic, part people
in their pre-ripped jeans,
learning to get their Ns
to drive themselves away,
yarn trailing from their sweaters
like parade float streamers.

Citizens run so fast
to catch the early train home,
freefalling down the stairs  
breathing in the exhales
of the other racer’s exhaust.
Marking their triumphs
with participation ribbons.

The pacific pants at toes,
a puppy that only occasionally misbehaves.
Impatient for attention,
waves wagging back and forth,
up the imitation river,
past the downtown.
Kicking the sea wall with it's gravity boots.


The geese are on hiatus
until they can take back the city.
Making the drains overflow,
creating their own habitat,
they’ll strut their haughty markings,
distinguished from orcas,
away from any saline nonsense.

Were we to retrain the population
to turn blind eyes,
we’d be much more efficient,
stop wasting time contending
to society’s obsession
with documenting itself.
But then, what would we do all day?

Creating light pollution
must give immediate gratification.
Once all the lights are turned off,
the influence won’t continue,
creating a lack of permanence,
making our need to be remembered
seem trivial indeed.
Xella Nov 2020
Like bells they hear this ringing
Not of Christmas but of orange goodness.
This Irish voice walks past on balled up green,
her hair red as the warmth in early March spring.
The voice speaks of prickled roses that lie at my feet,
she reminisces on the tacky green and welcomes
the seaweed green.

It's baffling the up and down in her voice
Like a paper crown it could tumble,
My eyes dare look left.
She's skipping now, down to the town hall
to walk off the corners edge.
Journey of Days Aug 2017
tears have colour

red
fresh tears created in battles
they gnaw away at the wounds
dashing away in torrents
uncontrolled
wild
draining and savage
mixing with the red rain
the acid of injury
the trail is ****** and raw
rubble left drenched
painted
then soaked to the core
the phase of red tears.

purple
here begins
the agony of the heart
purple tears
are razors
they slice
cutting away
at a mind left in tatters
shredding itself within loops
purple tears leak randomly
chasing the what ifs
around and around and around
on tilted merry-go-rounds
spraying centrifugal patterns
onto canvases previously untouched
the phase of purple tears

black
tears of black herald possession
symptoms of poison
the rot of insult
moral injury tracking through veins
distorting sight
and clouding the remnant mind
black tears ooze
sticky with regret and anger
they recreate battles
some that never happened
they fuel the movies of revenge
give off a cold smoke
that distorts time
they can shine brightly
creating the illusion
of strength and restoration
black tears are the trap
offering paths down perpetual loops
the phase of black tears

blue
these tears are tricky
they look normal
but carry the code of injury
blue tears are loaded with emotion
irrationally
they course away in silent sobs
leaving the DNA of injury
residue on everything they touch
unwanted and unwarranted
they track along the scars left behind
those barely healed from the red phase
blue tears are often habit forming pastimes
shoehorning themselves into the spaces where
the light has begun to shine through
chasing away the recovered moments of normal
they crave medication
and feed on isolation
they are needy fellows
and linger haplessly
the phase of blue tears

green
marks a turn in the path
green tears are productive
rewards for growth
indicating better days
more steps forward than back
sometimes they smell sweet
and are infused with joy
and in an odd combination with happiness
tactile responses to finding a way back
not to where you came from
but to where you are mean to be
green tears have no shadows
the come from a different origins
they heal pain while documenting memories
new skill learnt
converting dark to light through green
not easily replicated
a new born foal on wobbly legs
they take time to master
forgiveness is possible with them engaged
the phase of green tears

so explains the colours in the *evolution of tears




@journeyofdays
“evolution of tears #5”  is the fifth part in the series of poetry and paintings
Alexis Martin Sep 2013
he is the kind of boy I want to write a book about
he always addresses me by my first and last name
as if I were someone of any sort of significance
he drinks and he drinks, and no one stops him
people flock to him just to listen to him tell
a painfully drawn-out joke that isn't even funny
but we still fall down laughing at the punch line
just because it was him in the spotlight
he walked up to a boy who he did not know
and he kissed him on the ******* mouth
and five minutes later he was crying on the boy
telling him about how he was sexually abused as a child
to say he is beautiful would be like saying
Mt Everest is just another hill on the horizon
I will never meet anyone like him again
but I do not fear I will forget him
he is the epitome unforgettable
he is the kind of boy I want to write a book about
-
his name is E. G.
Sarah Writes Aug 2013
I. The Lie.

She said
The ugliest things become beautiful on my lips
She said
My whole body is a mouth
I think it’s because I was truthful
I think it’s because I was useful
She
Did not exist
But if she did, I would have tried to sell her myself
As a customizable pre-packaged parcel
Or some precious antique lost
To be discovered, under-priced, buried deep in that section of the second hand store that everyone ignores
Because god forbid you be seen shopping
For used underwear
But she would be discreet
And I would be a surprise
She would think
That I was some great gift of serendipity
That she’d always been looking for something just like me
Not knowing that her prize was just one thing stolen
From an entire house of antiques
A house so ******* full of things that it will never feel complete
A house where the potential buyer can never stand in doorways
For fear of what they might see
Where every room is replete with a full set of furnishings to give her the illusion that she might
Love me

II

I am a different person for everyone that I meet
And again on each day of the week
My love history is a researcher’s notebook, documenting anomalies
There is only one theme
I’ve always fallen for those people with faces that always seem smiling
I've gone about it quietly
Because, secretly, I’ve always felt that that they were better than me
I think it’s because they look like they know something I don’t
It makes me love them
It makes me forget how to speak, how to be
Any functional version of myself around them
Let alone create the perfect version
That might make them fall in love with me

III

But I have been loved I think
I have sold myself well
And been loved well, one dimension at a time
By all the wrong ones
And still, it’s always a surprise
I don’t do well with surprise
So, with the excuse that I was unprepared for company, I only show them that room of my house
Which I feel they will appreciate
The one I won’t have to explain
A brief overview of an interview with past lovers would reveal
That I am a house of many changeable rooms divided by false walls
That I am as many different people
As I have been loved by
And that just when each had finally felt that they’d started to know me
I'd leave
They'd say that everywhere you go in me, I am always burning sagebrush
Trying to smoke myself clean

IV. The Truth.

I am too concerned with being known to be anything but in love with
Myself
Through the imaginary eyes of someone else
And I am greedy
I want to see and feel and be everything
But the truthful way of saying that is just
That I always feel I should be more than what I am
And it consumes me
Loving me would be lonely
I have one of those faces that always looks a little sad
A little mad
And I think
That there is too much of me that would have to be looked over, or forgiven, or explained
For anyone to know all of me, it’s
Too much to ask
I make excuses like, who would want to do all that?
But really, I’m just too scared to trust anyone with the task
Of piecing together my smile, or loving the lines on my hands,
Or forgiving me
For all the things that I am
Or think that I
Should be
petuniawhiskey Dec 2013
Sweet baby,
split-pea soup.
croissant carbs,
sliced tomato,
onion crisp, and
spinach greens-
ooh avocado,
please!

look out the
kitchen window,
my dog's head in
the compost pit!
"LIBBBBBYY!"
homemade soup on the back-burner

******, scratch it,
there ain't even any
tomatos or onion to
throw on this french
bread!
ohh, but mama,
let's get real,
since when was
there ever any
money for all these
S.Pellegrinos!?

I'm not complaining,
and I know ain't
isn't a word,
but for Christ Sake!
Being home is always
wild.

To sit by the fire,
or to be a free-running
child?

I can't even make lunch
without getting excited,
and documenting my odd
life.

Could have made that Bumble-Bee-
solid white albacore,
or Skippy,
squeeze that Skippy-
it's the skippy you squeeze!
Figured I'd go a little
more home-made today.

How long will it be
'till Mama starts asking
for rent?

All those Doctor bills,
wild insurance-
you slay me!
Mental health,
Hunterdon and Rutland,
you really did me deep.
And to keep paying those
Doctor's with those degrees,
sheesh!

Rode my bike to the TDBank,
to take out the last of what I
had, for Mama.
Talk about hell on two wheels!

So now my choices can be narrowed-
Do I hit the restaurants and do
the night shifts, waitressing in
that filthy grease?
Do I get a portfolio and try to model,
without Mama's approval?
I sure do have one impressive
resume, but this state wants to
take my license away.

My student loans are
in over my head, here
at least there's a futon
and a warm bed.
Chicago means an air mattress and
Vegas screams something I can't really
be too sure about.

I guess it's true, home
is where the heart is.
Home is where my toes
are warm and where my lunch date,
Libby, never leaves my side.

This U-turn situation,
it's not so bad. Yeah, sure,
I was supposed to be in Utah,
canyoneering. And this New Year's,
I would have, should be, could have been
backpacking through Nepal-
a dream.
Sometime I just get a little sad.

So I'll read some books,
watch some films,
give Libby her beef-flavored
pain-killer pills,
and pray for a pretty little
white-christmas miracle.
Alex Hoffman Sep 2015
We’re going through a transitional period
trying to be good friends to one another
yet overwhelmingly self absorbed.

We got no time to think about legacy’s.
Our future takes cover from
the worry of the present
kicking the shins of our courage.

We smoke to forget
Drink to muster the drive to begin
Eat out of pots washed in
gas station sinks.

We collapse each moment into a screen
capturing scenery with black boxes
documenting life behind pixels and glass.

We thrive on uncertainty
Middle fingers up
to the system
that gives us shelter
that we exploit to find freedom
overturning the stones of a complex world
looking for definitions and characters
to call culture.
Taylor St Onge Nov 2020
I’m thinking about the doctor's hands shaking as she
                                               struggles to intubate a cat.  
I’m thinking about the technician's hands squeezing the cat’s rib cage,
pulsing life with a delicate force; she is much more gentle than
                                                      practition­ers are with humans—
hard and quick down with the palms; the ribs snapping,
                                                                ­     the sternum sore.  

Some time ago an 80-year-old woman on my unit was
opened up bedside for a cardiac procedure during a code.  
After a week in ICU, she came back to us on the unit, was up and
walking and talking, and was discharged home within another week.

Meanwhile, the 60-year-old man was dead in the morgue
       after a 45-minute code failed to resuscitate him.  

The flip of the coin.  The thin line.  The blessing or the curse.  
The absolute darkness of a body bag.  The cold chill of absolute zero.  
The fresco painted on the catacomb walls could either depict the
light of the sun or the multicolored lights that the
brain shoots off minutes before death.  
                                                        ­               The eleventh hour,
                                                                ­  isn’t that what it’s called?  

We don’t want to talk about body care, death care.  
We have to, but it won’t register.  
                                                     ­       After a loss, after a trauma,
                                                                ­   we are on autopilot.  
I think of my mother,
                                        six feet beneath frozen soil in
                                      a pink padded casket and think:
                                                                ­                             I don’t want that.
I think of the prearranged plots my grandparents picked out
next to her in an above ground crypt and think:
                                                          ­                                   I don’t want that.
Bacteria still causes decay after the embalming process.  
Putrefied flesh.  Bones visible.  Muscles eaten.  Tissues disintegrated.  
We don’t talk about it.  

We try to think the opposite.  The positive vs the negative.  
(But that’s not always possible or healthy.)

I’m thinking about hands inserting IVs, hands taking
blood pressures, hands documenting the code notes
on a clipboard in the back of the room.  
I couldn’t do these things.
                                                 My hands tend to break what they touch.  
The glass bowl in the pet store.  
                               The clay project in art class.  
                                                        ­    The succulents, the basil, the orchid.
I’m good at things I don’t have to think about:
good at the autopilot, good at the autonomic,
                                                                                    good at trauma.
notice that the fawn response isn't titled here
imnthea May 2017
yesterday in milky way
i heard giants used to be in this world  
how enormous creature they were
even with their beastly claw
how they have fallen
yesterday in milky way
things were different and tall
now all we hear is legend
if so mighty can not be here at all
i wonder if we'll be just another legend
them digging our bones and documenting
In log  " yesterday in milky way"
Sarah Margaret Jan 2013
If a man exists
And no one
Takes note
Of his life,
Does he exist
*At all?
Glen Brunson Aug 2013
two summers ago,
I found myself under a cabbage leaf
curled beneath the sun.
circled in slumber,
like there was never an end to anything.
then, I grew wings
and left my warmth for speed
sacrificing my calm breeze for cold storms
and windy nights.

on my flight home,
I sit through red lights and
look for tear tracks on the
faces of strangers
kissing their cheeks with my eyes
and pretending I can see the salt.
because there is hope left in
loss, my friends.
sometimes, you just have to let
the best things fall.

(how do you think storks still fly?)

so, I spend rush hour
untying the cloth diapers from my ankles
and when the highway pulls
my hills away from me,
I send them flying out the window
like dead birds
knowing
I will never see the seeds
fertilized through their bones
praying God thinks this
is a gesture of my good will.

let us all pray that God notices
our empty hands when we give up
the deepest now for an uncertain future.

Personally, I am praying for a cardboard-box
collection of home movies documenting
the growth of all the people I left,
of all the places thrown behind me
like stale cigarette smoke,
the homes I have broken with
my ever moving feet, my restless
guilty wings.

I will project the shaky film
all over my internals until my
gut is soaked with light
and the last shocked thought
of my quickly fading mind
will be of the things I could have seen,
the memories I would have made
if I had not gone away so much.

If I had just stayed.

but the wind is a vicious thing,
especially the updrafts
especially the hot breath under wings
which gradually convinced me
that my home was a cold dead thing
that there was no life left in my town
that the only world worth seeing was
far far away.

I have burned the eyes
of bluegrass Beethovens dying
slowly on a stage just to prove
that I never needed a quiet place.
that I was above all the country songs
and overalls and camouflage,
but we all need to hide sometimes.
even from ourselves.
Aurora Feb 2020
R.J Calzonetti


Screaming cross the skyscraper’s windbreaker tapering

Aether vapour- trailblazing ****-sapien wafers

Of machinations psychotropic doppelgängers

Aristotle throttling menagerie’s philosophically hypnotic obelisks

Mind-boggling astronomical chronological esophagus

Antioxidants phosphorus catastrophic mitochondria

Beyond anaconda onomatopoeia

Of hallucinogenic Armageddon biblical umbilical cords

Swarming northern lights of aurora borealis

The chalice a battleground of Evangelion belladonna

Metalica candelabra swallowing the monochrome Hanukkah

Of a cold winter’s eldritch disintegration photosynthesis

Of innocent infinity stretching wretched beckoning requiem

The words that fall upon my page, are really just a shallow grave

Of the dawn of nighttime in my eyes, calm upon the twilight sun

Wrong is done draped on the blood moon wraiths

Skyscraped fields dusk a hollow thud below the dunes

That thumps the consumption of our fate, fumes to glow in darkness loom

Left blind in light of day you cannot see, the little pieces silver sheen

For blinding light may fade to grey, and I will never have my way

Nightfalls on another daybreak, dawning darkness, sundown on another day

Twilight plays with sparkling haze, the sky a wildfire made ablaze in patchwork scarecrows

Who etch rainbows black as a heart of coal, sold flatlining railroads

Gold wraithlike halos of stained-glass cathedrals unreal in the fever-dream of human beings

Bleeding Elysium from the seabed of dead worlds, gourds of incorporeal cornucopias

Born orchestra morsels of sorrowful oracles predicting crucifixion of ellipsis’ antithesis


(MC) Aurora


Absonant  as my pen writes the twilight, the red swallowed on horizon and bright

As through a sea of blood under my feet and shrinking mast of my mighty ship

A shadow I make on that red snow and peep into my heart’s hollow

It’s deep as much as my pen spake of grief.

I blinded in that last light and hurled like a beast dreading the songs of holy lies

That have just pained in bright and made me grieve.

They dragged me on my wings and deplumate  me as so fallen humans

They wrenched my limbs and rive my heart out and flinger me in air and I laid forever

On the stones that dank my blood.

I wait for the troth  of  demise but betrayed as it didn’t come to detract,

I laid when the horizon grinned red on my face and poured the last ale

And brutally drank the last sip of me.



R.J Calzonetti


People are sleeping under the blankets of a tranquil streetlamp

A sunflower in the damp bed of concrete

Soon they’ll be pushing up daisies

Underneath the foundation of what I stand for

Nip the bud of the flower pedalling the root of all evil like fallen leaves

Breeding paraplegic freedom from the pollen melancholic

Anarchistic polycrystalline shapeshifters drifting vilified

Buried alive like asphalt constellations crowning metallic gallows alcoholic in my solitude

See the clouds bury the ground in half a heaven’s heartbeat

Limbo’s limitless abyss the photosynthesis of the sepulchral diablo

Revenants of redemption dancing with death

Evanescent in its bioluminescent crescent moon spooning illuminated illustrations

Of Himalayan mayhem cremated avarice of ethereal onomatopoeia unravelling catacombs in God’s palindromes

Homeopathic saplings decapitated in the dismembered September wastelands defibrillator

Invigorating the nightshade white wraiths plane-walkers of Apocrypha documenting entropy

Pent up sentience avenging the endless demigods of discombobulated proclamations nocturne graceless, octaves eldritch, evangelic

Elegant elevators to flights of staircases where the air is fragrant with the fragments of stagnant stained glass asterisks

Written gospels to masquerade hostage to the faith the man misplaced the sacred hate, the passageways of apathy apostrophe

Apartheid of serpentine survivors carving smiles on the sidewalks

Farming diamonds and their detox

Arming giants like a phoenix

Carnal nihilists with their secrets

Stardust quiet as the bleachers

Start defiant still a reject

Art discipled to our freedom

Shattered hearts pick up the pieces

Jigsaw puzzles, smothered treasons

Sow the seeds and **** the reaper

Even legions rhyme and reason

Tattered flags without a penance

Good men do not go to heaven

Buy your burden at 7-11

Your exit is the only the next entrance

Resurrection prepubescent

Asymmetric biomechanics

Anguish to be reprimanded

Megalomaniac in our sabbath

Living life is just a sentence

Psalms of seance death’s senescence

Baptize vengeance lest it ventures into heaven

Ventriloquist omniscience of rhythmic equilibrium

Earthly hurricanes reemerging insurgent as the sugarcane purgatory

Primordials metamorphosis contorting rigour Mortis oracles horoscope cloaked in cloaca hallucinations

Induced irradiated amalgamated retaliatory incorporeal chlorophyll

Born from the sorcerers' spell, the cathedral of doubt

The only darkness is within oneself, light shed within a holy shell

Isolation is a lonely hell, scythes of moonlight blight of bells

Nightingales fail to halo word of mouth

Enveloped in the clouds cast shadows hex

But resurrection cannot hide from the eyes of death

Fresh as babies breath

Rank as the body festers effigies

Bless the Nephilim the questions beck

And call for some god to collect the rest

Is there any answer?

Even growth can be a cancer

Lifeless corpses once were dancers

Devils waltz on top of canopies

Heaven’s hands have touched serenity

****** brands that crushed His enemies

Stained glass sanguine dismantled entropy

Calamity ran dry insanity dabbling in humanity

Unravelling the candy wrapper saplings of happiness

Pitch black irradiant dull edges sharpening archangels, darkness reincarnating

Blinding bioluminescent glistening abyssal rakshasa sarcophagus parting monarchies

Metamorphosis coruscating fornication immortalization Tartarean

Reverberating ****-sapien scintillating hurricanes palpitation circulating ricocheting oblivion

Shining crepuscular homunculus dully illustrious

Sunless avatars, mannequins of Abaddon stygian as fallen leaves on the breeze of Avalon Evangelion

Incarceration breeding Elysium’s jailors in the cathedral of double helixes

Bethlehem's’ new genesis of Lucifer’s crucifixion

Brighter than a fallen star

Mourning in the dark

Doppelganger apostles night stalkers of phosphorous

Pockmarked arcanum bloodstained in gravestone Salem

Where the braves’ halos dined on maelstroms alone

Heirs succeeding failures of the empty throne

Filled with nothings’ own

Brimming bound by Babylonian poems

Deus ex Machina's apocalypse coughing prophets of Samsara blossoming diabolic

Life is but a Holocaust

Death the moment God forgot

Breath the only psalm we sought

Kept within a hollow box

Shedding devils, angelic, lost

Finding metamorphosis


(MC) Aurora


A world often synonymous with beauty on the horizon,

Meet my eyes you mourned demon load the strength on thee.

Crestfallen light on your wrist burns down your girth

And you can plead, just plead your twilight sun.

Watch the dead sea swallow you in the salts of agony

And drown in the anguish, hundreds of angelic bloodsheds,

Press hold of the thumbprints on your throat, you can't roar.

Sore lugubrious melancholy aired atmosphere,

And downhearted souls dispirited dragons dragged along.

The sob grim hiding in a blue funk rusty smog choking wind,

The nyctophilliac animals howl long the cold-blooded love song

In your lungs and burn.

It's the twilight sun,

Just that twilight sun.
By Aurora & R.J.Calzonetti
K Balachandran Feb 2013
You are a songbird,
at night shift,
on the branch of my tree.
I am ever ecstatic,
in documenting body music;
the time is ripe for our concert,
we are intoxicated, drunk with the vintage wine of lust.
"No combination could be more perfect"
I hear you whisper poetry in my ear, inebriated.
Let us satiate-
the prompt of our divine longing
before this night leaves us behind.
Yes, you are right,
**I am Omar Khayyam thinly disguised.
Isabella Watson Nov 2016
There was a time
where god heard me scream,
And left me to die
So mercilessly.

My flesh is still living,
And places I go,
But my mind left my body
A long time ago.

-I.w.
Sarah Writes May 2013
In theory the milky way
Adventure
A break from breathing in only history
From spitting up dust in my sleep
In theory --- simplicity
                  But I've gone and got myself
Committed
                     To seven feet of sky I
Walk the same gravel back and forth and back to bed
In this rhythm I've lost all the reasons why I ever came to this place
Pebbles in the river getting rounder
Smoother til they disappear
                                At least when they're gone they won't cut your hands
It's so quiet here in the canyon
It's an effort to breath
I have nightly conversations with the me inside my head
        I exist, she screams
Yes, but I need you to rest
        Everyone at home loves you, she wheedles, and at home, every day is different
Easy to say so far away
Besides, this is simple, you've never tried simple before
                        Puke in the drain, simple
                                  Highway with one headlight, simple
                                                   Last cigarette clutched in your fist, simple, it's broken but you needed a way to keep the smoke in
            I do all my best writing when I'm driving
But words scatter at every destination
My thoughts are butterflies frightened of being pinned down by the pen
            Frightened of being stuck here with me in this canyon
                                                          ­                    Stay neutral
                                                         ­                            Simple
                                                          ­                                   My mouth tries to smile while my voice makes small talk
My eyes aren't for smiling anymore
They're for looking at my feet, documenting each step that will someday lead me home
For if I look up, take in what's around or ahead, I won't be able to breath
                                                          ­                                          It's simple
Let it all roll through, It's not your job to hold it still
Besides, everyone knows all dams go down in the end
Up at dawn every day
But haven't seen a single sunrise simple
Drink my coffee like it's water
                              Because it's water
                              Simple
Maxed out credit card, so no **** pads
And no leaving either
Call home and cry on a park bench, duck ponds are simple
I think I must've misread the stars I think
I am a star
            Shaped me trying
                                 To fit into a square shaped hole
**** rodeos and
**** this poem
I wrote it while I was driving so it ran away to lie on top of a mountain in last year's summer and look at the milky way
Free
With all the parts of me that I don't need these days
Simple to be subdued down to fraction of me, do I fit in here yet? And if I do, can I recover from that?
                       And what would Tom say? Why be sweet why be simple why be kind, after all he's only
A man and we all know a man
Has only one thing on his mind
But then again he
                           Would never trust a girl crying next to ducks
Never mind, this is just another travelin' song my thoughts are a travelin' on
I'm left with stolen lyrics from Waits and Oberst but only seven feet of quiet sky to sing them in
I am here with my sleeping heart and aching back while my thoughts are off
Rambling on and on and on
TS Jan 2019
Let's just all stop judging each other okay?

I have a new challenge for you:

to amend your attitude, to not put others down for the things that erupt passion in their hearts.

When did it become the cool thing to look down on others because they show excitement for something?

I was recently thinking about the term 'tourist'. That word used to make me cringe. I hated the idea of being a tourist because I hated the idea of being the outsider, the person who isn't "from around here". In reality, however, we are all tourists. We can't be from everywhere and often times I still consider myself a tourist in my own town. I feel like "being a tourist" has gotten such a bad wrap. Often times the term is synonymous with "annoying" and "main-stream". I've heard people say, "Be a traveler, not a tourist." And I say, aren't they the same thing? Aren't they both people who are passionate about exploring somewhere  new? People spend so much time gawking at the tourists that kiss in front of the Eiffel tower or take photos in front of the Coliseum. How unfair is it for us to judge them for that? They are documenting a memory, their memory. They are fully immersed in the now. They are enjoying every last drop of everywhere they go.

It's disappointing to see so many people look down on others for the way they show their excitement and passion simply because it doesn't look like theirs. Just because you don't show your joy by taking a tour through the Louvre doesn't mean it's wrong. Sure, hidden gems of cities can always be cool and unique but that's not the only way to experience the world. Attractions are popular because they hold a value to so many people - if anything, that just makes it that much more worth it.

I myself, am more along the lines of getting off the beaten path and forging my own - but still floating back to earth a bit to see the views everyone's talking about. I know everyone travels differently and people are interested in other things - that's okay. That's what brings diversity and personality to the world. I'm not saying you need to conform and do what everyone else is doing, I'm just saying - don't judge others for how they choose to spend this life - but also, don't be afraid to spend yours how you want. Don't shy away from visiting Neuschwannstein Castle just because everyone goes there. Who cares how it looks to others? Only you. If we all spent a little less time judging others, maybe that would leave a little more time for enjoying the life we are in. You never know what is going to happen a week from now, a month from now, or years from now - so go do what excites your spirit - no matter how many or how little people do the same thing. Just go, explore the world, and be unapologetically you.
Took a hike in a park today.
Charles Lupo at my side - camera in hand
watching, waiting, and wondering
as we climbed those cute dunes of sand and sea grass.

There we plopped our ***** down, at the top,
Charles Lupo - busy documenting beauty.
Me, reading the same,
all bewildered and stubborn-like.

At our backs: industrial and residential devils,
all doggy eyed and spoiling words, disrupting our documents.
Setting fire and hell to our paper,
one by one.
Feeding the fire of big smokey green,
across the drenched, softly-splintered sky,
and in every peripheral of its inhabitants the notion:
Fly.

Before us, the crisp clear apple light
all egg yolk orange and such.
What a happiness elixir my mind has swallowed
on the sand banks next to my documenting companion.

Devils in our hearts,
minds like America’s harsh cornerstone turning,
and the park, only an image.
We pack our things and head up or down shore.

Return is certain.
Tyler Nicholas Jul 2011
Slum ditch ****
and a double-decker train
heading straight for the heart;
bypassing all other organs.

I sit next to
dresses and scarves
and MomandSon kisses
and journals in the hands
of Chicago lovers
documenting every moment.
SexySloth Dec 2013
"With love's light wings did I o'er-perch these walls;"
- *Romeo
  in  Romeo  &  Juliet, Act II Scene II

I remember fondly;
all the little things, the little details.
everything is like a photograph with a little note written beside it,
documenting the moment in its beauty, treasuring, savouring
what was seen, what was said, what was felt (fluttering inside)
it's never going to occur again.

In my photographic memory, it's all too familiar
the arc of your back
the glistening of your eyes
the way you stand and poise yourself,
ever in the stance I'd knew you be in
because I've observed you so many times before.

To speak in all honesty,
I was very shy.
Thoughts dashed about my mind like
people dressed in work clothes, rushing for the train;
embarrassed flights of thought that
like a bird, fluttering here and there,
not really staying at one place, and never seeming to leave.
What thoughts? oh of course,
You.

Made up scenarios and talks that never happened, but I could envision
1) Your smile
2) The way your eyes would look into mine
3) The sound of your voice and
4) The satisfaction of finally having your attention
seeking only you, because that's what I truly want, you know. Nothing else matters if your presence wasn't here, and I'd still check from the corner of my eye.

Alas, when what anticipation has been held in me flushes out as
you appear before me,
I force away all those silly thoughts...
please, am I really in love with you?
I pretend again, that we're just good friends,
and to enjoy the moments (how little they may be) left with you.

so that when I get home, I'll be miserably happy
that the last time I saw the organic, solid, truthful, existence of you,
I had been happy.

(and no doubt, heartbroken.)
Grace Feb 2014
Full of senselessness.
he seeps
withers
grieves.

Arts and crafts for the soul.
forming thoughts out of visuals and sounds.

weaving
a basketful
of images to save in my memory bank ...

Occasionally documenting the silence.

itching and aching
raw and anxious
red and sticky.

warm.
deepening.
a candle is meant to melt
in the moonlight of your life
your skin drapes loose over your bones
documenting your existence
and wrapping up memories
that you have determined will remain untold
leaving me wondering what you might have said
and now never will
c Jacqueline Le Sueur 2011 All Rights Reserved
Brandon Apr 2011
System malfunction
Analytical predictions based on formality
Lithium hallucinations develop into swarms of locusts
Instant addiction to the possible restrictions of never
Caught stuck in the storm with a body full of metal
Falsification addicted to contradiction
Testimonial analysis documenting excessive possibilities of black
Hear the screams singing the golden song into the night
Ceremonials speak precision accuracy when you listen intimately
Apprehension of the individual
***** induced waterfalls
sometimes even i don't know what i mean.
ryn Nov 2017
I have been, I am and I will be documenting the complexities that run rampant within.

It’d be easier if my mind and heart spoke
the same language. Most times they’re in conflict.

So I’ll cope in the best way I know how.
I’ll keep posting...

Because no amount of sentences...
Can succinctly form the verses that fully capture what I see and think.

No amount of metaphors...
Can successfully mask and satisfy what I truly feel.

No amount of poems...
Can accurately draft the blueprint of what and why I am.

Do forgive me for I have fallen far and deep. And for the umpteenth time, I am looking for that window or door so that I could see and taste purpose again.

So please bear with me...
There will be more to come as I indulge in my quest for equilibrium.



Yours in ink,

ryn

.
ERR Dec 2010
My thirst for conversation has continued to impress me
Fills me with stories helping to shape another in my eyes
Met with friend for a mutual exchange of identity
An interview with questions directed; I asked first
Starting with the earliest formulation of conscious thought
Hers was the return of a sick father
She eagerly embraced him when he arrived home safely
Vividly describes the large red chair present
I transitioned to exchange of reflection most powerful
Searching for a single memory of hers that stood alone
Her face brightened, her eyes shining with nostalgia
Her dog’s name was Max
Max entered her life when she was one year old
On the celebration of her birth in fact
He was the runt of the pack, a ruby retriever
Grew to maturity and average size, with love
Max made his way into her writing in the classroom
His possible harm one of her first worries
He was a cherished family pet, she loved him with all her heart
Being a young child, sometimes she was too rough
Cancer took Max from this world at nine years of age
He was buried under a peach tree in the back yard
The peaches swollen and ripe make death turn to life
To this day they represent the sweetness of his soul

Her early years were full of stress at thought of parental separation
Subject to fickle fears and frozen emotions
Her true panic began in high school days
Developed into distinguishable attacks and episodes
There were never tangible reasons or focus points for fear
Racing thoughts, vertigo chills, imminent death
Creeping insanity and the dry, frustrating inability to swallow
Worsened as college approached and the familiar faded fast
Week one was worse than any panic period yet
Heart flutters, helplessness and disorienting dizzy spells
Friends were far away or had yet to be encountered
Sympathy for perceived insanity ran thin
These experiences require constant care and medication
Hospital visits and appointments with understanding ear
She shared her life with me through effect of anxiety
I shared in turn, but couldn’t help distraction
We did not record the interview so I took it upon myself
Documenting with equal force her story and my amazement
Nicole Bataclan May 2014
Only thirty-six
Choose wisely
The next shot
Will be
The one
Worth
Documenting.

Others
You will have to
Remember
Force yourself
To lock down
In a corner
Smiles
Landscapes
Dinners
Which one
Is good
Enough
To treasure.

Technology
Took that option out
Click away
Because
No longer
Are you
Limited
Go on
Take another
Until you
Satisfy
Your desire.

Limitless
And you
Thought
You would
Achieve more
Everything valuable
Will all be stored

But what irony

Now there is
Too much
Information
Drowning
And confused
About what is
Precious.

Rather
Back to
Limited
There is less joy
In limitless

Being deprived
You had more
By having one alone
It mattered more
Because ultimately

Rather
Chosen wisely
Than have
One too many.
Patrick Sutphin Jun 2012
To understand the stories we tell,
we must experience them.
Smell the burning timber
of a ruined house.
Hear the cries of a newly made widow,
so others may understand her sorrow.
Feel the warmth of the twisting flames,
swallowing every scrapbook and
pillowcase, tile shingle and teapot.
Observe as a lifetime’s collection
of material objects melt before
the eyes of their owners.
Watch as the light works for you,
bending and burning,
solidifying in still frames
the very details it destroys.
Feel the pain of their loss,
and allow the images you create
to properly illustrate that agony.
Some may see snapshots
of a burning house,
but others will understand
that these are not pictures,
but moments stolen from time.
Do this, and you will find,
that instead of documenting death,
your images preserve life.
loopterces Nov 2018
I've felt like a sailor a lot lately
An explorative scientist of sorts
Documenting my interpretation of life, into the void
The worst on these pages exist in the concrete world
But it's possible they could never be read
If a tree falls in the forest...
I mean
If a tree writes you a love letter in the forest
and seals it with liquid amber and pine straw
and buries it, snug under deep roots
Does it make a sound?
Can I tell you the truth with telepathy?
Can I hear yours?
If I dig a hole deep enough can I find the words you'll never tell me?
I'll close me eyes
and wait for a sign
JoJo Nguyen Jul 2016
did we know that today
in 2016 we'd be reading the future
about the Great American
soft
depression interlaced
August 16 with Lehman
Goldman
Sach King David
how this time it will be
different but the bubble
starting
in 1995 always burst
even if its only two years
later Elizabeth Montgomery
died we were joining the Academic Mafia
around Circle Drive
Korean BBQ
Blues Caravan and
cruising around East Los
in a Blue Toyota pickup truck
now
there's a parked Prius
because we're too busy
running
numbers a racket
in Cambridge that leaves us
just a bit of fried egg in the morning
with coffee vorleser-ing and documenting
just
as any moral Hannah would do
in 1939 to say hey this is the way
we wanted right boxcars leading
to abattoirs today we do our best
imitation
of a weak McNamara
mea culpa
~
November 2024
HP Poet: Jill
Age: 47
Country: Australia


Question 1: A warm welcome to the HP Spotlight, Jill. Please tell us about your background?

Jill: "Mum and dad immigrated from Northern Ireland to Australia before having my brother and me. I’m very grateful to be living in South Australia on Kaurna Land. My parents were teachers, and they seeded and encouraged my love for education. At university I studied psychology, philosophy, and French. Then I went on to a PhD in psychology, and later, a master’s degree in statistics. In my day job, I’m a psychology professor, which includes lots of scientific writing. Outside work, I love playing music and singing with my partner and our friends and spending time with my precious son and our fluffy dog."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Jill: "I’ve been writing poetry on and off for years. The times in my life where I have been most active coincided with having friends who were interested in reading and writing together. In high school, my dear friend and I would watch British comedy shows and write silly, surreal, or nonsense poetry. Our aim was to make each other laugh as much as possible. More currently, I’ve been writing songs with friends, including lyrics, which often start as poems. I joined HP only recently, in August 2024. This community is so generous and supportive, with such a variety of style, depth, and imagination for inspiration and motivation."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Jill: "In many of my poems, I’m trying to make sense of big feelings. I often write about my experiences caring for my parents, who both had close and complex relationships with alcohol. That is a never-ending well for poetry, ranging from trying to process some of the intense events, to exploring what it has meant for my self-concept and mental health. Having said that, sometimes I’m just trying to write something that sounds pretty or might cause someone to smile. I love challenges like BLT's Webster’s Word of the Day – seeing what comes from a single word across different poets."


Question 4: What does poetry mean to you?

Jill: "In my more personal poems I am documenting, reconsidering, and re-investigating my memories, and organising them in nice, even lines, which feels cathartic. In poems, I find that the small or large amount of distance that you can create through imagery, rhyme, or humor makes it possible to explore difficult or even traumatic experiences, thoughts, and feelings. Writing poetry is a transformative exercise, but there is something greater still about sharing poetry with others."


Question 5: Who are your favorite poets?

Jill: "One of my favorite poets is WB Yeats, I particularly love 'The Stolen Child'. Other all-time favorites include Shakespeare, Oscar Wilde, AA Milne, Lewis Caroll, Edward Lear, Spike Milligan, Rik Mayall, and Crawford Howard. I also love lyricists like Joni Mitchell, Michael Stipe, Stephen Schwartz, Tim Minchin, Wayne Coyne, Stephen Malkmus, and Rufus Wainright. I have so many favorites on HP – too many to list!"


Question 6: What other interests do you have?

Jill: "I love music. Since childhood, I’ve played violin in classical orchestras and musical theatre pits. I adore Irish folk music. For me, at the moment, music mostly happens with friends, with my electric violin, in pub bands of different kinds. Most of the poems I’ve written previously have only been publicly shared, adapted as song lyrics, with some of these bands. I also love all things science-fiction."


Carlo C. Gomez: “Thank you so much Jill, we truly appreciate you giving us the opportunity to get to know the person behind the poet! We are thrilled to include you in this ongoing series!”

Jill: "Thank you so much for giving me the opportunity to be a part of this, Carlo! It is such a privilege."




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Jill a little bit better. I most certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #22 in December!

~

— The End —