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Jasmine dryer Jan 2019
dearie dearie
please inquiry
what happened to the porcelain doll

dearie dearie
send your best sincerely
for his glass skins been broken since the fall

dearie dearie
please remain cheery
for your toymaker skills are exceeding

but

dearie dearie
please remain weary
for his glass skin
leaks poison

dearie dearie
run as fast as you can
for porcelain doll
is a broken man
raise the shade
will youse dearie?
rain
wouldn’t that

get yer goat but
we don’t care do
we dearie we should
worry about the rain

huh
dearie?
yknow
i’m

sorry for awl the
poor girls that
gets up god
knows when every

day of their
lives
aint you,
                oo-oo.    dearie

not so
hard dear

you’re killing me
Ca’ the yowes to the knowes,
      Ca’ them where the heather grows,
  Ca’ them where the burnie rows,
      My bonnie dearie.

Hark! the mavis’ evening sang
Sounding Clouden’s woods amang,
Then a-faulding let us gang,
    My bonnie dearie.

We’ll *** down by Clouden side,
Through the hazels spreading wide,
O’er the waves that sweetly glide
    To the moon sae clearly.

Yonder Clouden’s silent towers,
Where at moonshine midnight hours
O’er the dewy bending flowers
    Fairies dance sae cheery.

Ghaist nor bogle shalt thou fear;
Thou’rt to Love and Heaven sae dear,
Nocht of ill may come thee near,
    My bonnie dearie.

Fair and lovely as thou art,
Thou hast stown my very heart;
I can die—but canna part,
    My bonnie dearie.

While waters wimple to the sea;
While day blinks in the lift sae hie;
Till clay-cauld death shall blin’ my e’e,
    Ye shall be my dearie.

  Ca’ the yowes to the knowes…
Ca’ the yowes to the knowes,
Ca’ them where the heather grows
Ca’ them where the burnie rows,
      My bonie dearie.

Hark! the mavis’ evening sang
Sounding Cluden’s woods amang,
Then a-fauldin let us gang,
      My bonie dearie.

We’ll *** down by Cluden side,
Thro’ the hazels spreading wide,
O’er the waves that sweetly glide
      To the moon sae clearly.

Yonder Cluden’s silent towers,
Where at moonshine midnight hours,
O’er the dewy-bending flowers,
      Fairies dance sae cheery.

Ghaist nor bogle shalt thou fear;
Thou ‘rt to love and Heaven sae dear,
Nocht of ill may come thee near,
      My bonie dearie.

Fair and lovely as thou art,
Thou hast stown my very heart;
I can die—but canna part,
      My bonie dearie.
Terry Collett Dec 2013
Someone special Della’s
mother told her. A Downs
with a lovely smile and
bright, slightly narrow eyes.

She had waited outside
the school grounds when
her mother drove up.

Sorry I’m late, her mother
said, got caught in the traffic.

Della frowned, her tongue
sitting on her lower lip.

Man said you sent him,
Della said. What man?
Man in a car. What man
in a car? Della looked at
her mother, puzzled.

Man in the car. What did
he say? Said you sent him
to pick me up. Called me
Dearie. But I’m Della.

Her mother got out of the
car and went and knelt
down beside her daughter.

You didn’t get in the car did you?
No he drove off fast when
Mrs Penbridge came over.

He said I was Dearie, but
I’m Della. Yes, you are. Not
Dearie. No not Dearie.

He smiled at me. You mustn’t
get in to a stranger’s car
unless I tell you it’s all right.

I didn’t get in. Good. He
drove off, Della said, lowering
her eyes to her new shoes.

He smiled. Yes, but that
doesn’t mean he was nice.

He seemed nice. Yes, but
men like that aren’t. Why?
Della looked at her mother.

Because he may have hurt you.
Why would he hurt me, I’m
special. Yes, you are special.

You are angry with me. No,
not with you. You’ve got
your angry voice. Not with
you. Seems angry with me.

Not you, the man. Why are
you angry with the man?
Because he may have taken
you away from me. Della
looked at her mother’s hair,
newly done. Where? Where
would he have taken me?

Away from me. Why?
Because he’s bad. Her
mother held Della to her
tightly. He didn’t look bad,
he had a nice smile. Nice
car, too. Blue. Nice blue.
Like a summer sky blue.

Never get in a stranger’s car.
Never. You are angry. Not
with you. Sounds angry.

But not with you. Not
with me? No, you are
special. Special. Yes.

Very special? Yes, very
special. Not to get in a
stranger’s car? No. Not in
a stranger’s car. I got in
your friend’s car the other day.

What friend? The man who
brings your groceries and
you and he talk and he makes
you laugh. Her mother stared.

When did you get in his car?
The other day. Why did you
get in his car? He said, you said.
Did he drive off with you? Yes.
The mother held Della out in
front of her. Where to? We
went to look at the ducks in
the pond. Why did you get
in the car? He said, you said.

But I didn’t tell him that.
He said, you said. Did he
touch you? Touch me? Did
he touch you anywhere?

He held my hand to go to
the ducks. Anywhere else?
He said I was special. You
are. Did he touch you anywhere?  
My hand. Anywhere else?

No. Just my hand to feed
the ducks. What happened
after you saw the ducks?

He said I was special. Where
did he drive you? I thought
Mrs Rice was going to pick
you up that day? I went
with your friend. Did he
touch you? He held my hand.

Anywhere else? Della shook
her head. He said I was pretty
and had nice legs. Her mother’s
heart thumped. Am I pretty?
Yes you are, but he shouldn’t
have said so. Why not? He
didn’t mean it nicely. Why?

Because he shouldn’t tell
you that. Why? Because he’s
no right to say you’re pretty.

You say I’m pretty. I love you.
He said I was pretty and had
nice legs. Did he touch your legs?
No he just looked at them.
Nice legs he said and nice eyes.

Have I got nice legs and eyes?
Yes you have but he shouldn’t
say so. You’re angry again.
Not with you. Seems like me.

It’s not. Seems like. I’m not.
Seems like. Never get in his
car again. Della looked at
the sky. I won’t. It looked like rain.
O, Falmouth is a fine town with ships in the bay,
And I wish from my heart it's there I was to-day;
I wish from my heart I was far away from here,
Sitting in my parlour and talking to my dear.
For it's home, dearie, home--it's home I want to be.
Our topsails are hoisted, and we'll away to sea.
O, the oak and the ash and the bonnie birken tree
They're all growing green in the old countrie.

In Baltimore a-walking a lady I did meet
With her babe on her arm, as she came down the street;
And I thought how I sailed, and the cradle standing ready
For the pretty little babe that has never seen its daddie.
And it's home, dearie, home . . .

O, if it be a lass, she shall wear a golden ring;
And if it be a lad, he shall fight for his king:
With his dirk and his hat and his little jacket blue
He shall walk the quarter-deck as his daddie used to do.
And it's home, dearie, home . . .

O, there's a wind a-blowing, a-blowing from the west,
And that of all the winds is the one I like the best,
For it blows at our backs, and it shakes our pennon free,
And it soon will blow us home to the old countrie.
For it's home, dearie, home--it's home I want to be.
Our topsails are hoisted, and we'll away to sea.
O, the oak and the ash and the bonnie birken tree
They're all growing green in the old countrie.
LearnfromBOBD Feb 2019
My Haseena

late night
pillow fights
watching stars
airplane flights
Wow’ babe, come see the morning clouds
With peaceful doves
Flying above
Wet kisses
Like a washed dishes
Sweat on yo breast
Di* grew stronger
Felt the touch of your hand on my hair
And the other hand romancing my back
just me and you
After waiting for so long
Oh my gosh,
Yo high heels tinkling my legs
Night gown wet
I’m ready and set
***** shaved clean, nuh hair.
My dear queen can I come in ?
No! Not what you think
I mean can I **** it ?
Let me give you the legendary of me
Dearie
Note to dreamboat ♥️
tranquil Jun 2014
love is rebel

when maddening rush of waves in sea
pound upon rocks obliterating all reverence
and meekest lilies bud in deserts to destroy
drowsy, shrivelled spirits of arid expanse

winds hum a song

and ballad of crimson bleeds from skylark's beak
as millennia of smoldering agony melt the furnace
of a gasping heart stomped upon by boots of time
weary, tired of burning for this world

i turn to you

chasing the merriest dream shut against an eye
of a frail romance, seeking a moment's solace
in tender touch of your silvery hue
lest my soul discern emptiness of my being

and turn blind without

caress of blissful light streaming down divinity
of a paradise which shall be home to lovers
in a moment something akin to blossoms fair
and be named the marvel of a moonlit sky

but how you only part

with moment lapsing into oblivion like a stream
housing ripples which fade into obscurity
as you flowing ride seaward along noiseless breezes
only to rest in nethers of a watery labyrinth

and doomed to burn

i part ways till my beloved's sleep grieves upon
dark stillness of heart as garish rays burn alight;
fill the land with a curtain of longing;
await your blissful countenance at twilight

beyond a chore of night and day

indulge in gleaming splendour of a festival
witnessed by angels and mortals alike
amid fleeting tenderness that paints our wispy sky
with a rosy blush, we seek each other

wriggling along

emptiness of space and hallucinate
a glittering spread of stars half asleep or coy
while celestial arena dumbfounded by our mutinous flight
gazes at two Gods sailing, sinking in each others arms

do humans plead and pray

wrought with sorrow, wish away the ill omen
turning glorious light to abominable darkness
as if life betrayed the vanquished spirit of
terrorized souls shouting, beating pots and drums

should someone tell the world

and those beseeching mercy from heavens
escape is a wing endowed to dream
through eyes of a lover which turn to riot
illuminate the darkness of a lifetime's longing

tell them dearie, tell them now

to the chanting, screaming vengeful barbarians
we're a tangle of coldly breathed sighs in lonesome nights
a mad rush of blooming desire grew tired of servility
wrapped inside the ring of black burning passion

we are the embrace

frozen in background of a singular nothingness
for which seems like an eternity but which shall
only last for a desperate twinkle of time
while savoured feasts of memories brew in our being

but long as we are bound

baited to the hook of grand order
crunched and gnashed under weight of divine province
we will part in an eye's blink again
like melody turned to a moan

-- the sun
faint and pale, vague as mist
in drowsing depth of shaded sky
gleaming sweet between the hills
you bless me with eternal light

tracing out the spiral steps
tresses silver pave the way
out in garden of my stars
beams of gold do so convey

tales of shiny mistress knocking
a door of white, still rustiness
awaiting night's crescendo
a valiant saviour - nothing less

though momentary interludes
fleeting glimpses, passing glances
shall slip away in an eyes blink
with churning spell of nature's dances

while night sighs of nostalgia
beckoned by call of time
reluctantly we submit
tremble with solemn goodbyes

as slender arms of dreamy beams
leaning dwell in treads of clouds
we'll dress the pitch of emptiness
all in eager lonely shrouds

-- the moon
Raj Arumugam Jan 2013
Letters from Mom -  Letter 4 of 4: Life, Death, and Life*


Dear my Dearest *****

Life and Death, dearest *****
that’s what  news I’ve got for you here
in this post; sad and happy, dearie
ain’t that what’s it all about
Cos God gets drunk every other night
(just like your Dad)
life’s a mixed bag


Three of your school friends
last week
were in a pick-up truck
It was Dom who was driving
and the truck fell off the bridge
and into the water
Dom rolled down his window and got off
but the other two in the back
John and Mary, though good swimmers
they drowned, dearie
cos they couldn’t get the tail-gate opened


And your sister is now pregnant
and she’s all excited
but we don’t know if it’s a boy or girl
so we’ll decide later
if you are aunt or uncle
And your sis says if it’s a girl
she’ll name it after me –
so, she’ll be called Mom;
and if it’s a boy
she’ll name it after Dad –
so, of course, he’ll be called Dad






And that was good to hear from you
on the phone
you’re coming back home
You can run away from school
run away from your town
run away from mummy -
but you always got to
come back to mummy
dear O dearie my *****


See you soon, Darl *****
*Your loving Mom
And that , dear folks young and olde of HP, ends the series….This series is dedicated to Victoria, yes Our Lady of Good Cheer, here at HP…
The idea for a poem of humour on mothers came about from a recent comment by Victoria on my poem: “no charge”:
“ I know little of physics...much about mothering...”
A pretty pink rose
A blossom without peer
Love is in flower
Being set on the idea
Of getting to Atlantis,
You have discovered of course
Only the Ship of Fools is
Making the voyage this year,
As gales of abnormal force
Are predicted, and that you
Must therefore be ready to
Behave absurdly enough
To pass for one of The Boys,
At least appearing to love
Hard liquor, horseplay and noise.

Should storms, as may well happen,
Drive you to anchor a week
In some old harbour-city
Of Ionia, then speak
With her witty scholars, men
Who have proved there cannot be
Such a place as Atlantis:
Learn their logic, but notice
How its subtlety betrays
Their enormous simple grief;
Thus they shall teach you the ways
To doubt that you may believe.

If, later, you run aground
Among the headlands of Thrace,
Where with torches all night long
A naked barbaric race
Leaps frenziedly to the sound
Of conch and dissonant gong:
On that stony savage shore
Strip off your clothes and dance, for
Unless you are capable
Of forgetting completely
About Atlantis, you will
Never finish your journey.

Again, should you come to gay
Carthage or Corinth, take part
In their endless gaiety;
And if in some bar a ****,
As she strokes your hair, should say
"This is Atlantis, dearie,"
Listen with attentiveness
To her life-story: unless
You become acquainted now
With each refuge that tries to
Counterfeit Atlantis, how
Will you recognise the true?

Assuming you beach at last
Near Atlantis, and begin
That terrible trek inland
Through squalid woods and frozen
Thundras where all are soon lost;
If, forsaken then, you stand,
Dismissal everywhere,
Stone and now, silence and air,
O remember the great dead
And honour the fate you are,
Travelling and tormented,
Dialectic and bizarre.

Stagger onward rejoicing;
And even then if, perhaps
Having actually got
To the last col, you collapse
With all Atlantis shining
Below you yet you cannot
Descend, you should still be proud
Even to have been allowed
Just to peep at Atlantis
In a poetic vision:
Give thanks and lie down in peace,
Having seen your salvation.

All the little household gods
Have started crying, but say
Good-bye now, and put to sea.
Farewell, my dear, farewell: may
Hermes, master of the roads,
And the four dwarf Kabiri,
Protect and serve you always;
And may the Ancient of Days
Provide for all you must do
His invisible guidance,
Lifting up, dear, upon you
The light of His countenance.
Ksjpari Aug 2017
My dearest sister has a son.
We call him dearie Shauryan.
Healthy, wealthy and pawn
Of parents, demanded scone
For eating in evening or dawn.
Chess playing at state level on
Till nation or inter forgone.
Never is lazy, never is con,
Is the best known icon
Wishing best for solon.
I am developing a new style of writing poetry where ending words of a line rhyme with one another, at least in last sound. I named it Pari Style. Hope readers will like it. Thanks to those invisible hands and fingers which supported and inspired me to continue my efforts in my new, creative, artistic and innovative “Pari” style. Thanks for your inspiring, kind, soft fingers.
Michael R Burch Aug 2021
This page contains several double limericks, a rare triple limerick, and a new version of the double dactyl that I invented, called the "dabble dactyl."



The Platypus: a Double Limerick
by Michael R. Burch

The platypus, myopic,
is ungainly, not ******.
His feet for bed
are over-webbed,
and what of his proboscis?

The platypus, though, is eager
although his means are meager.
His sight is poor;
perhaps he’ll score
with a passing duck or ******.



The Better Man: a Double Limerick
by Michael R. Burch

Dear Ed: I don’t understand why
you will publish this other guy—
when I’m brilliant, devoted,
one hell of a poet!
Yet you publish Anonymous. Fie!

Fie! A pox on your head if you favor
this poet who’s dubious, unsavor
y, inconsistent in texts,
no address (I checked!):
since he’s plagiarized Unknown, I’ll wager!



Hell to Pay: a Double Limerick
by Michael R. Burch

A messiah named Jesus, returning
from heaven, found his home planet burning
& with children unfed,
so he ventured: “Instead
of war, why not consider cheek-turning?”

Indignant right-wingers retorted:
“Sir, your pacifist views are distorted!
Just pull the plug quickly
on someone who’s sickly!
Our pursuit of war can’t be aborted!”



These poems form a double limerick:

No Bull
by Michael R. Burch

There once was a multi-pierced Bull,
who found playing hoops far too dull,
so he dated Madonna
but observed, “I don’t wanna
get married . . . the things she might pull!”

So this fast-thinking forward named Rodman
then said to his best man—“No problem!
When I marry Electra,
if the ring costs extra,
just yank a gold hoop off my ****, man!”



I once provided the second stanza to a famous limerick, turning it into a double limerick …

A wonderful bird is the pelican;
His beak can hold more than his belican.
He can hold in his beak
Enough food for a week,
Though I’m ****** if I know how the helican!

Enough with this pitiful pelican!
He’s awkward and stinks! Sense his smellican!
His beak's far too big,
so he eats like a pig,
and his breath reeks of fish, I can tellican!
—second stanza by Michael R. Burch


The next two poems form a double limerick with separate titles:

Time Out!
by Michael R. Burch

Hawking’s "Brief History of Time"
is such a relief! How sublime
that time, in reverse,
may un-write this verse
and un-spend my last thin dime!

Time Back In!
by Michael R. Burch

Hawking, who makes my head spin,
says time may flow backward. I grin,
imagining the surprise
in my mother's eyes
when I head for the womb once again!



This is another double limerick with separate titles:

Toupée or Not Toupée, That is the Question
by Michael R. Burch

There once was a brash billionaire
who couldn't afford decent hair.
Vexed voters agreed:
"We're a nation in need!"
But toupée the price, do we dare?

Toupée or Not Toupée, This is the Answer
by Michael R. Burch

Oh crap, we elected Trump prez!
Now he's Simon: we must do what he sez!
For if anyone thinks
And says his "plan" stinks,
He'll wig out 'neath that weird orange fez!



Not all double limericks are light affairs:

Self Reflection: a Double Limerick
by Michael R. Burch

for anyone struggling with self-image

She has a comely form
and a smile that brightens her dorm . . .
but she’s grossly unthin
when seen from within;
soon a griefstricken campus will mourn.

Yet she’d never once criticize
a friend for the size of her thighs.
Do unto others—
sisters and brothers?
Yes, but also ourselves, likewise.



Triple Limerick: Attention Span Gap
by Michael R. Burch

What if a poet, Shakespeare,
were still living to tweet to us here?
He couldn't write sonnets,
just couplets, doggonit,
and we wouldn't have Hamlet or Lear!

Yes, a sonnet may end in a couplet,
which we moderns can write in a doublet,
in a flash, like a tweet.
Does that make it complete?
Should a poem be reduced to a stublet?

Bring back that Grand Era when men
had attention spans long as their pens,
or rather the quills
of the monsieurs and fils
who gave us the Dress, not its hem!



Officious Notice: I have invented a ***** nonsense form: the "dabble dactyl." A dabble dactyl starts out like a double dactyl, but forgets the rules and changes horses midstream. Anyone who prefers order to chaos should give the dabble dactyl a wide berth and also not sow any wild oats.  Otherwise, “A little dabble’ll do ya.” — Michael R. Burch



Double Dactyls
by Michael R. Burch

Sniggledy-Wriggledy
Jesus Christ’s enterprise
leaves me in awe of
the rich men he loathed!

But why should a Sadducee
settle for trifles?
His disciples now rip off
the Lord they betrothed.



Donald Dabble Dactyl #1
by Michael R. Burch

Higgledy-Piggledy
Ronald McDonald
cursed Donald Trump, his
least favorite clown:

"Why should I try to be
funny as Donald? He
gets all the laughs,
claiming upside is down!"



Donald Dabble Dactyl #2
by Michael R. Burch

Wond’ringly, blund’ringly
Ronald McDonald
asked, “Who the hell
is this strange orange clown?”

“Why should I try to be
funny as Donald? He
gets all the laughs,
claiming upside is down!”



Donald Dabble Dactyl #3
by Michael R. Burch

Piggledy-Wiggledy
45th president,
or erstwhile manse resident,
perched on a throne

of gold-plated porcelain
matching his orange “tan,”
bombing Iran
from his twittery phone?



This famous limerick inspired my Einstein “relative” limericks:

There was a young lady named Bright
who traveled much faster than light.
She set out one day
in a relative way,
and came back the previous night.

I recently learned this poem was originally penned, in a slightly different version, by Arthur Henry Reginald Buller; his limerick appeared in Punch (Dec. 19, 1923). I find it intriguing that one of the best revelations of the weirdness and zaniness of relativity can be found in a limerick. I was inspired to pen multiple rejoinders:

The Cosmological Constant
by Michael R. Burch

Einstein, the frizzy-haired,
said E equals MC squared.
Thus all mass decreases
as activity ceases?
Not my mass, my *** declared!


***-tronomical
by Michael R. Burch

Relativity, the theorists’ creed,
says mass increases with speed.
My (m)*** grows when I sit it.
Mr. Einstein, get with it;
equate its deflation, I plead!


Relative Theory I
by Michael R. Burch

Einstein’s theory, incredibly silly,
says a relative grows, *****-nilly,
at speeds close to light.
Well, his relatives might,
but mine grow their (m)***** more stilly!


Relative Theory II
by Michael R. Burch

Einstein’s peculiar theory
excludes all my relatives, clearly,
since my relatives’ *****
increase their prone masses
while approaching light speed—not nearly!


Relative Theory III
by Michael R. Burch

Relativity, we’re led to believe,
proves masses increase with great speed.
But it seems my huge family
must be an anomaly;
since their (m)***** increase, gone to seed!



The Heimlich Limerick
by Michael R. Burch

for T. M.

The sanest of poets once wrote:
"Friend, why be a sheep or a goat?
Why follow the leader
or be a blind *******?"
But almost no one took note.


These are limericks of the singular variety …


Caveat Spender
by Michael R. Burch

It's better not to speculate
"continually" on who is great.
Though relentless awe's
a Célèbre Cause,
please reserve some time for the contemplation
of the perils of EXAGGERATION.


This is another of my scientific limericks …

Parting is such sweet sorrow
by Michael R. Burch

The universe is flying apart.
Hush, Neil deGrasse Tyson’s heart!
Repeat, repeat.
Don’t skip a beat.
Perhaps some new Big Bang will spark?


Low-T Hell
by Michael R. Burch

I’m living in low-T hell ...
My get-up has gone: Oh, swell!
I need to write checks
if I want to have ***,
and my love life depends on a gel!


ANIMAL LIMERICKS
A much-needed screed against licentious insects
by Michael R. Burch

after and apologies to Robert Schechter

Army ants? ARMY ants?
Yet so undisciplined to not wear pants?
How incredibly rude
to wage war in the ****!
We moralists call them SMARMY ants!


Dot Spotted
by Michael R. Burch

There once was a leopardess, Dot,
who indignantly answered: "I’ll not!
The gents are impressed
with the way that I’m dressed.
I wouldn’t change even one spot!"


Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



The Dromedary and the Very Work-Wary Canary
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"


The Mallard
by Michael R. Burch

The mallard is a fellow
whose lips are long and yellow
with which he, honking, kisses
his *****, boisterous mistress:
my pond’s their loud bordello!


The Trouble with Elephants: a Word to the Wise
by Michael R. Burch

An elephant never forgets
and thus they don’t make the best pets:
Jumbo may well out-live you,
but he’ll never forgive you,
no matter how sincere your regrets!


The Limerick as Parody
Marvell-Less (I)
by Michael R. Burch

Mr. Marvell was ill-named? Inform us!
Alas, his crude writings deform us:
for when trying to bed
chaste virgins, he led
right off with his iron ***** ginormous!


Marvell-Less (II)
by Michael R. Burch

Andrew Marvell was far less than Marvellous;
indeed, he was cold, bold, unchivalrous:
for when trying to bed
chased/chaste virgins, he led
right off with his iron ***** ginormous!


Here's a limerick about one of the universe's greatest ironies: the lack of rhyme words for "poetry" and "limerick." I almost solved the latter, but fell a bit short:

Shelved Elves
by Michael R. Burch

I wanted to rhyme with “limerick”
and settled on “good old Saint Slimmer Nick”
about a dieting Claus,
but drawing no “ahs!”
I glumly rescinded the trimmer trick.


To show the flexibility of the limerick form, it has often been used for political purposes, and to expose, satirize and savage charlatans. Here are are two such limericks of mine:

Baked Alaskan

There is a strange yokel so flirty
she makes ****** seem icons of purity.
With all her winkin’ and blinkin’
Palin seems to be "thinkin’"—
"Ah culd save th’ free world ’cause ah’m purty!"

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved



Going Rogue in Rouge

It'll be hard to polish that apple
enough to make her seem palatable.
Though she's sweeter than Snapple
how can my mind grapple
with stupidity so nearly infallible?

Copyright 2012 by Michael R. Burch
from Signs of the Apocalypse
all Rights and Violent Shudderings Reserved



I have even written limericks about religion, mostly heretical limericks:

Pell-Mell for Hell Mel
by Michael R. Burch

There once was a Baptist named Mel
who condemned all non-Christians to hell.
When he stood before God
he felt like a clod
to discover His Love couldn’t fail!


Why I Left the Religious Right
by Michael R. Burch

He's got Jesus's name on a wallet insert
and "Hell is for Queers" on the back of his shirt
and he upholds the Law,
for grace has a flaw:
the Church must have someone to drag through the dirt.



Ribbing Adam
by Michael R. Burch

“Dear Lord,” fretted Adam, depressed,
“did that **** really rupture my chest?”
“Yes she did,” piped his Maker,
“but of course you can’t take her,
or I’d fry you in hell, for ******!”



There was an old man from Peru
who dreamed he was eating his shoe.
He awoke one dark night
from a terrible fright
to discover his dream had come true!
—Variation on a classic limerick by Michael R. Burch


There once was a poet from Nashville
which hockey fans rechristened Smashville,
but his odd limericks
pulled so many weird tricks
his pale peers now prefer Ogden Gnashville.
—Michael R. Burch


There once was a poet from Tennessee
who was known to indulge in straight Hennessey
for his heart had been broken
and cruelly ripped open
by an ice-hoarding Dame of Paree.
—Michael R. Burch


Here's one for the poets:

The Beat Goes On (and On and On and On ...)
by Michael R. Burch

Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.


Here's one for the Flintstones:

Early Warning System
by Michael R. Burch

A hairy thick troglodyte, Mary,
squinched dingles excessively airy.
To her family’s deep shame,
their condo became
the first cave to employ a canary!


Donald Trump Limericks aka Slimericks

Viral Donald
by Michael R. Burch

Donald Trump is coronaviral:
his brain's in a downward spiral.
That pale nimbus of hair
proves there's nothing up there
but an empty skull, fluff and denial.


Stumped and Stomped by Trump
by Michael R. Burch

There once was a candidate, Trump,
whose message rang clear at the stump:
"Vote for me, wheeeeeeeeeeeeeee!,
because I am ME,
and everyone else is a chump!"


Humpty Trumpty
by Michael R. Burch

Humpty Trumpty called for a wall.
Trumpty Dumpty had a great fall.
Now all the Grand Wizards
and Faux PR men
Can never put Trumpty together again.


White as a Sheet
by Michael R. Burch

Donald Trump had a real Twitter Scare
then rushed off to fret, vent and share:
“How dare Bernie quote
what I just said and wrote?
Like Megyn he’s mean, cruel, unfair!”


15 Seconds
by Michael R. Burch

Our president’s *** life—atrocious!
His "briefings"—bizarre hocus-pocus!
Politics—a shell game!
My brief moment of fame
flashed by before Oprah could notice!


Trump’s Golden Rule
by Michael R. Burch

Donald Trump is the victim of leaks!
Golden showers are NOT things he seeks!
Though he dearly loves soaking
the women he’s groping,
get real, 'cause he pees ON the meek!


Cancun Cruz
by Michael R. Burch

There once was a senator, Cruz,
whose whole life was one pus-oozing schmooze.
When Trump called his wife ugly,
Cruz brown-nosed him smugly,
then went on a sweet Cancún cruise!


Anchors Aweigh!
by Michael R. Burch

There once was an anchor babe, Cruz,
whose deployment was Castro’s bold ruse.
Now the revenge of Fidel
has worked out quite well
as Cruz missiles launch from his caboose!


Canadian Cruz
by Michael R. Burch

There was a Canadian, Cruz,
an anchor babe with a bold ruse:
he’d take Texas first
and then do his worst
to infect the whole world with his views.


Eerie Dearie
by Michael R. Burch

A trembling young auditor, white
as a sheet, like a ghost in the night,
saw his dreams, his career
in a ****!, disappear,
and then, strangely Enronic, his wife.

Fortune named Enron "America's Most Innovative Company" for six consecutive years, but the company went bankrupt and vanished after its accounting practices were determined to be fraudulent.


The Vampire's Spa Day Dream
by Michael R. Burch

O, to swim in vats of blood!
I wish I could, I wish I could!
O, 'twould be
so heavenly
to swim in lovely vats of blood!

The poem above was inspired by a Josh Parkinson depiction of Elizabeth Bathory swimming up to her nostrils in the blood of her victims, with their skulls floating in the background.



***** LIMERICKS



A randy young dandy named Sadie
loves ***, but in forms reckoned shady.
(I cannot, of course,
involve her poor horse,
but it’s safe to infer she's no lady!)
—Michael R. Burch


There was a lewd ***** from Nantucket
who intended to *** in a bucket;
but being a man
she missed the **** can
and her rattled johns fled, crying: "**** it!"
—Variation on a classic limerick by Michael R. Burch


Here are three "linked" Nantucket limericks of mine, forming a triple limerick:

There was a coarse ***** of Nantucket
whose bush needed someone to pluck it
’cause it looked like a chimp’s
and her johns were limp gimps
who were too scared to **** it or **** it.

So that coarse, canny ***** of Nantucket,
once ****-shaved, decided to shuck it
—that thick, wiry pelt
that smelled like wet felt—
and made it a toupee for Luckett.

Now Luckett, once bald as an eagle,
like Samson, stands handsome and regal
with hair to his ***
that smells like his lass,
but still comes when she calls, like a beagle.
—a triple limerick by Michael R. Burch


Shotgun Bedding

A pedestrian pediatrician
set out on a dangerous mission;
though his child bride, ******,
was a sweet senorita,
her pa's shotgun cut off his emissions.
—Michael R. Burch



Untitled Limericks

There was a young lady from France
Who’d let cute boys poke in her pants:
They'd give her the finger
Where she'd let them linger
because that's the point of romance!
—Michael R. Burch


There once was a girl with small *****
who would only go out with young rubes,
but their ***** were too small
so she sentenced them all
to kissing her fallopian tubes.
—Michael R. Burch


A coquettish young lady of France
longed to have ***** men in her pants,
but in lieu of real joys
she settled for boys,
then berated her lack of romance.
—Michael R. Burch


A virginal lady of France
longed to have a ménage in her pants
but in lieu of real boys
she settled for toys
& painted pinkies to make her bits dance.
—Michael R. Burch


A germane young German, a dame
with a quite unpronounceable name,
Frenched me a kiss;
I admonished her, "Miss,
you’ve left me twice tongue-tied, for shame!"
—Michael R. Burch


A germane young German, a dame
with a quite unpronounceable name,
gave me a kiss;
I lectured her, "Miss,
we haven't been intro'd, for shame!"
—Michael R. Burch


A germane young German, a dame
with a quite unpronounceable name,
French-kissed me and left my lips lame.
I lectured her, "Miss,
That's a premature kiss!
We haven't been intro'd, for shame!"
Michael R. Burch


Four Limericks  plus one Lead-In Poem

Updated Advice to Amorous Bachelors
by Michael R. Burch

At six-thirty,
feeling flirty,
I put on the hurdy-gurdy ...

But Ms. Purdy,
all alert-y,
kicked me where I’m sore and hurty.

The moral of my story?
To avoid a fate as gory,
flirt with gals a bit more *****-y!



Mating Calls
by Michael R. Burch

1.
Nine-thirty? Feeling flirty (and, indeed, a trifle *****),
I decided to ring prudish Eleanor Purdy ...
When I rang her to bang her,
it seems my words stang her!
She hung up the phone, so I banged off, alone.

2.
Still dreaming to hold something skirty,
I once again rang our reclusive Miss Purdy.
She sounded unhappy,
called me “daffy” and “sappy,”
and that was before the gal heard me!

3.
It was early A.M., ’bout two-thirty,
when I enquired again with the regal Miss Purdy.
With a voice full of hate,
she thundered, “It’s LATE!”
Was I, perhaps, over-wordy?

4.
It was probably close to four-thirty
the last time I called the miserly Purdy.
Although I’m her boarder,
the restraining order
freezes all assets of that virginity hoarder!



Teeter Tots
by Michael R. Burch

For your spuds to become Tater Tots,
First, artfully cut out the knots,
Then dice them into tiny cubes,
Deep fry them, and serve them to rubes
(but not if they’re acting like snots).



Golden Years?
by Michael R. Burch

I’m getting old.
My legs are cold.
My book’s unsold and my wife’s a scold.
Now the only gold’s
in my teeth.
I fold.



Trump Limericks aka Slimericks



The Nazis now think things’re grand.
The KKK’s hirin’ a band.
Putin’s computin’
Less Ukrainian shootin’.
They’re hootin’ ’cause Trump’s win is planned.
—Michael R. Burch



Trump comes with a few grotesque catches:
He likes to ***** unoffered snatches;
He loves to ICE kids;
His brain’s on the skids;
And then there’s the coups the fiend hatches.
—Michael R. Burch



Trump’s Saddest Tweet to Date
by Michael R. Burch

I’ve gotten all out of kilter.
My erstwhile yuge tool is a wilter!
I now sleep in bed.
Few hairs on my head.
Inhibitions? I now have no filter!



the best of all possible whirls, for MAGA
by Michael R. Burch

ive made a mistake or two.
okay, maybe quite more than a few:
mistakes by the millions,
the billions and zillions,
but remember: ur LORD made u!

where were u when HEE passed out brains?
or did u politely abstain?
u call GAUD “infallible”
when HEE made u so gullible
u cant come inside when Trump reigns.



Scratch-n-Sniff
by Michael R. Burch

The world’s first antinatalist limerick?

Life comes with a terrible catch:
It’s like starting a fire with a match.
Though the flames may delight
In the dark of the night,
In the end what remains from the scratch?



Time Out!
by Michael R. Burch

Time is at war with my body!
am i Time’s most diligent hobby?
for there’s never Time out
from my low-t and gout
and my once-brilliant mind has grown stodgy!



Waiting Game
by Michael R. Burch

Nothing much to live for,
yet no good reason to die:
life became
a waiting game...
Rain from a clear blue sky.



*******' Ripples
by Michael R. Burch

Men are scared of *******:
that’s why they can’t be seen.
For if they were,
we’d go to war
as in the days of Troy, I ween.



Devil’s Wheel
by Michael R. Burch

A billion men saw your pink ******.
What will the pard say to you, Sundays?
Yes, your ******* were cute,
but the shocked Devil, mute,
now worries about reckless fundies.



A ***** Goes ****
by Michael R. Burch

She wore near-invisible *******
and, my, she looked good in her scanties!
But the real nudists claimed
she was “over-framed.”
Now she’s bare-assed and shocking her aunties!



MVP!
by Michael R. Burch

Will Ohtani hit 65 homers,
win the Cy Young by striking out Gomers,
make it cute and okay
to write KKK
while inspiring rhyme-challenged poemers?

Will Ohtani hit 65homers,
win the Cy Young by striking out Gomers,
prove the nemesis
of white supremacists
while inspiring rhyme-challenged poemers?

Will Ohtani hit 65 homers,
win the Cy Young by striking out Gomers,
cause supremacists
to cease and desist
while inspiring rhyme-challenged poemers?

Keywords/Tags: limerick, limericks, double limerick, triple limerick, humor, light verse, nonsense verse, doggerel, humor, humorous verse, light poetry, *****, ribald, irreverent, funny, satire, satirical
Yenson Mar 2019
Accept my pity, ye tormented souls unable to raise and dazzle
all I did was earn my keep and walked in sunshine from the soul
but
When men are full of envy they disparage everything,
whether it be good or bad.

Now I know some minds never grow and thrive only in envy
For Envy, like the worm, never runs but to the fairest fruit;
like a cunning bloodhound, it singles out the fattest deer in the flock.

These wretched starved toxic souls, only see a man with plenty
The flower which is single need not envy the thorns that are numerous.
I did not countenance that faces are pale because they lacked
just thought that was the Creator's work on days when brown
and yellow, swarty, ivory and tan paints ran out

I knew a lot hated this insipid opaque pale colouring, but at least
they have beautiful hair and lucky ones have pearly white teeth
but unbeknown to me, real envy resides in them and blinds them and makes it impossible for them to think clearly.

Oh dearie me, our pale brothers and sisters die inside their souls
And age so quickly, radiant in bloom one day, grey and wrinkled
in the morrow like a wilted rose devoid of water and light
Their pain and envy, their self-loathing, their insecurities ravages
Let age, not envy, draw wrinkles on thy cheeks, dear friends.

For you see, God's truth judges created things out of love,
and Satan's truth judges them out of envy and hatred.
Our envy always lasts longer than the happiness of those we envy.
If malice or envy were tangible and had a shape,
it would be the shape of a boomerang.

I fear not and now understand why you envy and hate me
I can appreciate the bile and venom for Fools may our scorn,
not envy, raise. For envy is a kind of praise.
Worth begets in base minds, envy; in great souls, emulation.





When people envy someone else, they want what that person possesses. As time passes, they develop hostile feelings towards that person, and eventually begin to hate that person because of their possessions and the unrequited desire to obtain those possessions.
There is perhaps no phenomenon which contains so much destructive feeling as moral indignation, which permits envy or hate to be acted out under the guise of virtue, the revolution of  thieves, liars and scumbags for'the greedy leech' who worked hard, paid his taxes and never took or stole from any one..
Ye banks and braes and streams around
The castle o’ Montgomery,
Green be your woods, and fair your flowers,
Your waters never drumlie!
There simmer first unfauld her robes,
And there the langest tarry;
For there I took the last fareweel
O’ my sweet Highland Mary.

How sweetly bloomed the gay green birk,
How rich the hawthorn’s blossom,
As underneath their fragrant shade
I clasped her to my *****!
The golden hours on angel wings
Flew o’er me and my dearie;
For dear to me as light and life
Was my sweet Highland Mary.

Wi’ mony a vow and locked embrace
Our parting was fu’ tender;
And, pledging aft to meet again,
We tore oursels asunder;
But, O, fell Death’s untimely frost,
That nipt my flower sae early!
Now green’s the sod, and cauld’s the clay,
That wraps my Highland Mary!

O pale, pale now, those rosy lips
I aft hae kissed sae fondly;
And closed for aye the sparkling glance
That dwelt on me sae kindly;
And mouldering now in silent dust
That heart that lo’ed me dearly!
But still within my *****’s core
Shall live my Highland Mary.
Shruti Atri Jul 2021
Do you know that feeling?
Of deep certainty...
Knowing the truth in your bones.

It anchors you,
Grounds you to yourself.
You feel assured and confident
Of your choices and decisions...

I wish I could feel it again...
...

All hope is dead.
Arm yourself with confidence
Green grow the rashes, O!
Green grow the rashes, O!
The sweetest hours that e’er I spend,
Are spent amang the lasses, O!

There’s nought but care on every han’
In every hour that passes, O;
What signifies the life o’ man,
An ’twere na for the lasses, O?

The warl’ly race may riches chase,
An’ riches still may fly them, O;
An’ though at last they catch them fast,
Their hearts can ne’er enjoy them, O.

But gi’e me a canny hour at e’en,
My arms about my dearie, O,
An’ warl’ly cares an’ warl’ly men
May a’ *** tapsalteerie, O!

For you sae douce, ye sneer at this,
Ye’re nought but senseless *****, O;
The wisest man the warl’ e’er saw,
He dearly loved the lasses, O.

Auld Nature swears the lovely dears
Her noblest work she classes, O;
Her ‘prentice han’ she tried on man,
An’ then she made the lasses, O.
Kara Jean Nov 2014
It’s 2:24 and it’s raining sand to clog up eyes and put this house to sleep.
The wind rocks the foundation as the windows crack and yawn.
My spine feels the shudder as the walls give in and surrender to the night.
It’s 2:27 and I’m awake in the bare skeleton, left alone to converse
with the breath of a ghost that once held hopes of a happy home.
Oh, if I could get outside these walls.
Yank me from my human state.
Let the night turn me into dust so that I may ride the winds of change,
because even false hope is better than none.
Let birds build nests from my ribs, let rabbits gnaw on my arms.
Send my heart out to the ocean
(oh, to be an ocean)
Let the fish thrive in my hair.
But do leave my spine to congeal into this skeleton wall,
so part of me may remain to comfort those I leave behind.
It’s 2:43 and I’m giving myself over to encompassing black.
So long, dearie.
Terry O'Leary Jan 2019
.             <Well, ShallowMan’s ne’er at a loss>
              <for voicing shallow thoughts that gloss.>
              <With trenchant wit he reaps the dross>
              <when seeking sense in applesauce.>

              <But to his aid flies FactoidMan>
              <who always has a Fact at hand;>
              <with him, who needs a whether-man>
              <to answer “if?” or “but?” or “and?”?>

“Oh ShallowMan, let me explain
the Facts of life to you, so plain,
yet flush with truthful thoughts arcane.
When understood, you won’t maintain
that callowness you think urbane.”

                              “Oh FactoidMan, give benedictions,
                              save me from all contradictions
                              with your knowledge, no restrictions
                              finding Facts, avoiding fictions.”

“Well, when in doubt, you always may
request my help to find your way
through shades of black and white and gray,
and from the Facts you’ll never stray.
Yes, ShallowMan, I’ll make your day.”

                              “Since yesteryear I’ve wondered why
                              I’m served a piece of humble pie
                              whene’er attempting to descry
                              just what’s a Fact, and what’s a lie,
                              and which be Facts one can’t deny.
                              With candor, can you edify
                              me with some recondite reply?”

“Well, as you know, my Facts are Facts
which naught nor nothing counteracts
and things that do, mere artifacts
in dim myopic cataracts.”

“A lie’s a thing which disagrees
with Facts I utter, if you please,
and hides the forest from the trees
ignoring all my verities.”

“And this reminds me of my youth,
with axioms defined as truth
which I selected as a sleuth
(abetted by a sweet vermouth);
I being now so long of tooth,
to contradict me’s hardly couth.”

                              “That certainly helps me clarify
                              whom I can trust: yeah, you’re the guy!  
                              Now, furthermore I’ve wondered why
                              the moon can’t fall and clouds can fly.  
                              What’s called that law those facts defy?
                              And mightn’t I just give a try
                              to make a guess to verify?”

“If you link your facts to law
(ah, please excuse a gruff guffaw)
you’ll certainly flaunt a flimsy flaw
that strains belief and breaks the straw
of what you’ve heard and thought you saw.
(I‘ll leave you with some bones to gnaw
that leave you holding me in awe
when once you’ve grasped and gasped ‘aha’).
So tell me now your ideas, raw,
but keep it short, your blah, blah, blah.”

                              “Umm, could it be just gravity
                              (well, something like a theory
                              that some call Relativity)
                              which pulls the apple from the tree
                              and puts a strain upon my knee;
                              or is that fact absurdity?”

“Ahem, a theory’s just a theory,
not a Fact, it’s all so eerie,
something which should make you leery
as explained until I’m weary.”

                              “If Relativity’s a theory,
                              and a theory’s not a Fact,
                              is it a fiction I can query
                              when I’m falling, ere I’m whacked?”

“Though theories might be based on Fact,
a theory is, in fact, not backed
by any cause, effect or act
which might be salvaged when attacked.
For you, this Fact may seem abstract,
plumb depths where shallow thoughts distract.”

“Yes, what goes up must soon come down
is quite a Fact of world renown.
But theory’s just a heathen gown
to deck the naked King in town,
and when he falls, he breaks his crown
which leaves him wearing but a frown.”

“It surely should be obvious,
the property of Heaviness
(like Godliness and Heaven-ness)
defines the cosmic edifice,
refuting Newton’s flakiness
and Einstein’s spooky emphasis  
on space-time’s 4-D flimsiness.
Yes, Facts like these are copious
(I count them with my abacus);
to argue would be blasphemous
displaying mental barrenness
about the push and pulling stress
when bouncing ***** rebound, unless
one views elastic laziness
as evil Satan’s stubbornness.”

                              “Well now I think I understand,
                              that gravity seems somewhat grand,
                              but’s just, in fact, a rubber band
                              that stretches through our earth-bound-land
                              constricting us when we expand.”

“Yes, ShallowMan, you finally got it,
just as I’ve long preached and taught it.
I’m so happy that you’ve bought it.
(Not a question nor an audit -
you’re so shallow, who’d have thought it?)”

              <Once ShallowMan dipped into science>
              <seeking FactoidMan’s alliance>
              <gaining, hence, a strong reliance>
              <on the Facts and their appliance,>
              <justifying strong compliance,>
              <turning down those in defiance.>

                              “Hey, FactoidMan, another topic
                              leaves me reeling, gyroscopic,
                              dealing with the microscopic
                              in a world kaleidoscopic.”

                              “Within the realm of vacuum loops
                              Dark Energy in quantum soups
                              of anti-matter sometimes swoops
                              across inflation’s Big Bang stoops
                              where space-time ends and matter droops.
                              Do you believe, or just the dupes?

“It’s nothing but a passing phase,
(a theory that in fact betrays
obscure occult communiqués
that fevered fantasy conveys)
of those who thump creation days.
Just check! The vacuum state portrays
perfection in your shallow ways
reflected in that vacant gaze
you cast upon the dossiers
of all my Facts that so amaze.”

                              “And what about the quantum theory?
                              Particles not hard but smeary,
                              just like waves? It’s kinda eerie!
                              Facts could not be quite so bleary
                              leaving Bohr, well, sad and teary.
                              FactoidMan, just tell me, dearie,
                              what the Facts are, bright or dreary.”

                              “And then again what are those holes
                              (as black as ravens bathed in coals)
                              wherein the past and future strolls
                              exploiting fields that Higgs controls
                              beneath the shady shallow shoals
                              between magnetic monopoles.”

“The science lab’s a ‘fact’ory
concocting stuff that cannot be
(like unknown realms and notably
those tiny things NoMan can see
with naked eye on bended knee
neath microscopic scrutiny)
and claim they’ve found reality;
they call their god a ‘Theo’ry
(a fig-ment of the Yum-Yum tree)
that leads them to hyperbole
about the singularity
that’s dipped in dazed duplicity
denying all eternity.”

“Here’s my advice that seems to work:
ignore the ones with ‘facts’ that lurk
behind their ‘proofs’ (which always irk),
and being challenged have the quirk
of stepping back within the murk
(indulged, I chuckle, smile or smirk).”

              <Now ShallowMan is quite content>
              <receiving FactoidMan’s consent>
              <to quibble and express dissent>
              <as long as keeping covenant>
              <with fingers crossed and belfry bent>
              <when viewing Facts in sealed cement:>

                               “The Facts you give me circumvent
                               those ‘truths’ your chuckles supplement;
                               although they might disorient
                               they can’t be wrong, I won’t dissent,
                               just using ones which you invent.“
“(No need of source in that event).”

                               “Your wise advice is simply sound
                               in cases where a game is bound
                               to parcel points out round by round
                               or else on verbal battleground
                              where know-it-alls are duly crowned.”

              <Though ShallowMan is kinda slow>
              <he still takes time to learn and throw>
              <his facts and theories to and fro,>
              <amazing facts which seem to show>
              <that theories sometimes come and go,>
              <returning strengthened with the glow>
              <of new found facts (for which to crow)>
              <that fill the gaps of long ago.>

                               “Oh FactoidMan, just tip your cap!
                               I’ve found a piece to fill the gap
                               that simplifies a mouse’s trap:
                               if triggerless, it still will clap
                               to give the mouse a mighty zap
                               that makes its tiny back bone snap.”

                               “With mousetrap type simplexity,
                               reducible complexity
                               helps arguments’ duplexity
                               with twists of crude convexity.”

“Ha-ha! That serves to prove my case:
for each gap filled, two in its place,
each growing at the doubled pace;
for unfilled gaps, I’m saying grace
(they help, indeed, for saving face)
Trying to get out of neutral....
don't know whether I'm in first or reverse...
“Willis, I didn’t want you here to-day:
The lawyer’s coming for the company.
I’m going to sell my soul, or, rather, feet.
Five hundred dollars for the pair, you know.”

“With you the feet have nearly been the soul;
And if you’re going to sell them to the devil,
I want to see you do it. When’s he coming?”

“I half suspect you knew, and came on purpose
To try to help me drive a better bargain.”

“Well, if it’s true! Yours are no common feet.
The lawyer don’t know what it is he’s buying:
So many miles you might have walked you won’t walk.
You haven’t run your forty orchids down.
What does he think?—How are the blessed feet?
The doctor’s sure you’re going to walk again?”

“He thinks I’ll hobble. It’s both legs and feet.”

“They must be terrible—I mean to look at.”

“I haven’t dared to look at them uncovered.
Through the bed blankets I remind myself
Of a starfish laid out with rigid points.”

“The wonder is it hadn’t been your head.”

“It’s hard to tell you how I managed it.
When I saw the shaft had me by the coat,
I didn’t try too long to pull away,
Or fumble for my knife to cut away,
I just embraced the shaft and rode it out—
Till Weiss shut off the water in the wheel-pit.
That’s how I think I didn’t lose my head.
But my legs got their knocks against the ceiling.”

“Awful. Why didn’t they throw off the belt
Instead of going clear down in the wheel-pit?”

“They say some time was wasted on the belt—
Old streak of leather—doesn’t love me much
Because I make him spit fire at my knuckles,
The way Ben Franklin used to make the kite-string.
That must be it. Some days he won’t stay on.
That day a woman couldn’t coax him off.
He’s on his rounds now with his tail in his mouth
Snatched right and left across the silver pulleys.
Everything goes the same without me there.
You can hear the small buzz saws whine, the big saw
Caterwaul to the hills around the village
As they both bite the wood. It’s all our music.
One ought as a good villager to like it.
No doubt it has a sort of prosperous sound,
And it’s our life.”

“Yes, when it’s not our death.”

“You make that sound as if it wasn’t so
With everything. What we live by we die by.
I wonder where my lawyer is. His train’s in.
I want this over with; I’m hot and tired.”

“You’re getting ready to do something foolish.”

“Watch for him, will you, Will? You let him in.
I’d rather Mrs. Corbin didn’t know;
I’ve boarded here so long, she thinks she owns me.
You’re bad enough to manage without her.”

“And I’m going to be worse instead of better.
You’ve got to tell me how far this is gone:
Have you agreed to any price?”

“Five hundred.
Five hundred—five—five! One, two, three, four, five.
You needn’t look at me.”

“I don’t believe you.”

“I told you, Willis, when you first came in.
Don’t you be ******* me. I have to take
What I can get. You see they have the feet,
Which gives them the advantage in the trade.
I can’t get back the feet in any case.”

“But your flowers, man, you’re selling out your flowers.”

“Yes, that’s one way to put it—all the flowers
Of every kind everywhere in this region
For the next forty summers—call it forty.
But I’m not selling those, I’m giving them,
They never earned me so much as one cent:
Money can’t pay me for the loss of them.
No, the five hundred was the sum they named
To pay the doctor’s bill and tide me over.
It’s that or fight, and I don’t want to fight—
I just want to get settled in my life,
Such as it’s going to be, and know the worst,
Or best—it may not be so bad. The firm
Promise me all the shooks I want to nail.”

“But what about your flora of the valley?”

“You have me there. But that—you didn’t think
That was worth money to me? Still I own
It goes against me not to finish it
For the friends it might bring me. By the way,
I had a letter from Burroughs—did I tell you?—
About my Cyprepedium reginæ;
He says it’s not reported so far north.
There! there’s the bell. He’s rung. But you go down
And bring him up, and don’t let Mrs. Corbin.—
Oh, well, we’ll soon be through with it. I’m tired.”

Willis brought up besides the Boston lawyer
A little barefoot girl who in the noise
Of heavy footsteps in the old frame house,
And baritone importance of the lawyer,
Stood for a while unnoticed with her hands
Shyly behind her.

“Well, and how is Mister——”
The lawyer was already in his satchel
As if for papers that might bear the name
He hadn’t at command. “You must excuse me,
I dropped in at the mill and was detained.”

“Looking round, I suppose,” said Willis.

“Yes,
Well, yes.”

“Hear anything that might prove useful?”

The Broken One saw Anne. “Why, here is Anne.
What do you want, dear? Come, stand by the bed;
Tell me what is it?” Anne just wagged her dress
With both hands held behind her. “Guess,” she said.

“Oh, guess which hand? My my! Once on a time
I knew a lovely way to tell for certain
By looking in the ears. But I forget it.
Er, let me see. I think I’ll take the right.
That’s sure to be right even if it’s wrong.
Come, hold it out. Don’t change.—A Ram’s Horn orchid!
A Ram’s Horn! What would I have got, I wonder,
If I had chosen left. Hold out the left.
Another Ram’s Horn! Where did you find those,
Under what beech tree, on what woodchuck’s knoll?”

Anne looked at the large lawyer at her side,
And thought she wouldn’t venture on so much.

“Were there no others?”

“There were four or five.
I knew you wouldn’t let me pick them all.”

“I wouldn’t—so I wouldn’t. You’re the girl!
You see Anne has her lesson learned by heart.”

“I wanted there should be some there next year.”

“Of course you did. You left the rest for seed,
And for the backwoods woodchuck. You’re the girl!
A Ram’s Horn orchid seedpod for a woodchuck
Sounds something like. Better than farmer’s beans
To a discriminating appetite,
Though the Ram’s Horn is seldom to be had
In bushel lots—doesn’t come on the market.
But, Anne, I’m troubled; have you told me all?
You’re hiding something. That’s as bad as lying.
You ask this lawyer man. And it’s not safe
With a lawyer at hand to find you out.
Nothing is hidden from some people, Anne.
You don’t tell me that where you found a Ram’s Horn
You didn’t find a Yellow Lady’s Slipper.
What did I tell you? What? I’d blush, I would.
Don’t you defend yourself. If it was there,
Where is it now, the Yellow Lady’s Slipper?”

“Well, wait—it’s common—it’s too common.”

“Common?
The Purple Lady’s Slipper’s commoner.”

“I didn’t bring a Purple Lady’s Slipper
To You—to you I mean—they’re both too common.”

The lawyer gave a laugh among his papers
As if with some idea that she had scored.

“I’ve broken Anne of gathering bouquets.
It’s not fair to the child. It can’t be helped though:
Pressed into service means pressed out of shape.
Somehow I’ll make it right with her—she’ll see.
She’s going to do my scouting in the field,
Over stone walls and all along a wood
And by a river bank for water flowers,
The floating Heart, with small leaf like a heart,
And at the sinus under water a fist
Of little fingers all kept down but one,
And that ****** up to blossom in the sun
As if to say, ‘You! You’re the Heart’s desire.’
Anne has a way with flowers to take the place
Of that she’s lost: she goes down on one knee
And lifts their faces by the chin to hers
And says their names, and leaves them where they are.”

The lawyer wore a watch the case of which
Was cunningly devised to make a noise
Like a small pistol when he snapped it shut
At such a time as this. He snapped it now.

“Well, Anne, go, dearie. Our affair will wait.
The lawyer man is thinking of his train.
He wants to give me lots and lots of money
Before he goes, because I hurt myself,
And it may take him I don’t know how long.
But put our flowers in water first. Will, help her:
The pitcher’s too full for her. There’s no cup?
Just hook them on the inside of the pitcher.
Now run.—Get out your documents! You see
I have to keep on the good side of Anne.
I’m a great boy to think of number one.
And you can’t blame me in the place I’m in.
Who will take care of my necessities
Unless I do?”

“A pretty interlude,”
The lawyer said. “I’m sorry, but my train—
Luckily terms are all agreed upon.
You only have to sign your name. Right—there.”

“You, Will, stop making faces. Come round here
Where you can’t make them. What is it you want?
I’ll put you out with Anne. Be good or go.”

“You don’t mean you will sign that thing unread?”

“Make yourself useful then, and read it for me.
Isn’t it something I have seen before?”

“You’ll find it is. Let your friend look at it.”

“Yes, but all that takes time, and I’m as much
In haste to get it over with as you.
But read it, read it. That’s right, draw the curtain:
Half the time I don’t know what’s troubling me.—
What do you say, Will? Don’t you be a fool,
You! crumpling folkses legal documents.
Out with it if you’ve any real objection.”

“Five hundred dollars!”

“What would you think right?”

“A thousand wouldn’t be a cent too much;
You know it, Mr. Lawyer. The sin is
Accepting anything before he knows
Whether he’s ever going to walk again.
It smells to me like a dishonest trick.”

“I think—I think—from what I heard to-day—
And saw myself—he would be ill-advised——”

“What did you hear, for instance?” Willis said.

“Now the place where the accident occurred——”

The Broken One was twisted in his bed.
“This is between you two apparently.
Where I come in is what I want to know.
You stand up to it like a pair of *****.
Go outdoors if you want to fight. Spare me.
When you come back, I’ll have the papers signed.
Will pencil do? Then, please, your fountain pen.
One of you hold my head up from the pillow.”

Willis flung off the bed. “I wash my hands—
I’m no match—no, and don’t pretend to be——”

The lawyer gravely capped his fountain pen.
“You’re doing the wise thing: you won’t regret it.
We’re very sorry for you.”

Willis sneered:
“Who’s we?—some stockholders in Boston?
I’ll go outdoors, by gad, and won’t come back.”

“Willis, bring Anne back with you when you come.
Yes. Thanks for caring. Don’t mind Will: he’s savage.
He thinks you ought to pay me for my flowers.
You don’t know what I mean about the flowers.
Don’t stop to try to now. You’ll miss your train.
Good-bye.” He flung his arms around his face.
Dearie
Hear me
without you right here
my dreams are nightmared
O woe is me, my heart is sad,
For I should never know
If Love came by like any lad,
Without his silver bow.

Or if he left his arrows sharp
And came a minstrel weary,
I’d never tell him by his harp
Nor know him for my dearie.

“O go your ways and have no fear,
For tho’ Love passes by,
He’ll come a hundred times, my dear,
Before your turn to die.”
A lost in time, forgotten track
colorless, washed out, hollowed rather
meaningless if you were to describe it
used to write all the time, used to dream
in the bus, in bed as well, it has all
said its bitter farewell, oh dearie!
oh my beloved!, spare me of this cruel
misery filled path, I now cross
some sort of emotionless symphony
worthless effort, faded paint
insignificant piece of poetry
a fallen ode to legacies, significance
and memories, all fantasies
dreams, hopes and tales of stargazers
daydreamers and hopeless romantics
have been lead astray, by this
oh this filthy tray of decandence
forsaking a mournful heart
an adulterated soul...
A rather bitter poem, well at least it's honest.
Ma Cherie Oct 2016
I took a nice long walk,
and had a very nice talk
went down my  driveway
past old man pickles...
wearing old flannels and boots,
tipping his John Deere cap
relying on his cane in vain
down to the edge of everything
to my  favorite secluded path
just past familiar borders,
where a mossy stone fox
and 2 giant maple trees
guard her entrance
down laden paths of brick red
and burning orange
...I press on,
woodland creatures
scurrying & hurrying about
no doubt getting ready
for Old Man Winter visiting

As a chubby squirrel
sits happy and thankful
for the crumbs I laid down
I give the eager fox a pat
on the head,
thanking him and asking my charge

Agreeing to the terms,
signing a waiver
traveling deep in the woods
to a glen  
with a canopied
ceiling of golden mustard,
greeted by an eager ******
cutting wood
Past the foggy bog
and past his favored log
at last I hear the croaking frog

Where I suddenly
saw some very interesting
....looking people
they are obviously not from here,
  I'd say,
I know these woods well
they brought a pet,
we've never met
but a wonderful way
to meet and greet
thank you guardians of the forest

"Adorable dog"  
my hand reaching from my side...
smiling at the newcomers
and to my critter friends

"Oh, my ...he looks just like a giant
toasted marshmallow,
so perfectly groomed,
a very beautiful animal,
so curious he is"
I compliment the hound

The gentleman was just that
Said how friendly he is
Brought him right over, for a pat

Of course, me...
I get down on one knee
talking to the furry fellow
'bout the crooning drops of yellow
communicating
he looks in my eyes,
& past my disguise
and sits,
patiently,
gracious and thankful
for the new friend
and bidding adieu
to some old,
but not forgotten acquaintances
"We understand one another"
I chuckle warmly...

The two ladies looking on
in seeming horror
& utter disbelief
so I think, anyway...
that I'm gonna get *****
doing such a thing?

That is until she blurts out
unable to restrain herself
seeing her lips fumble with thoughts
"Interesting get-up you have on"

I ponder the comment,
not wanting to say anything just yet,
I squint my eyes to see her face
then I look at her & quietly say

"Likewise my lady, interesting indeed"
the gentleman smirking at me
giving a wink, perhaps
hoping she doesn't  notice
then she goes on to say...

"That shirt, is...
perfect, I love the natural look
such quaint embroidery"

I again ponder,
speaking,
with a thoughtful reply & a sigh
"Quaint, by definition,
meaning...
old-fashioned, charming, sweet, picturesque?
Or more like bizzare
unique, offbeat & unconventional?
Then I agree, all of those are fine compliments, my Grandmother,
a Native American...
hand stitched this beautiful piece,
colors of Fall
I am just like Vermont & this place"
I laugh low for a second...
admirin' the trees clapping happily

She stared at me
with a puzzled face
one, I'm sure I won't soon replace...

The gentleman now smiling
into his discomfort,
when the other, lady pipes in...

"Your Grandmother, you don't say?
well... I suppose if you take it away
that tattered old sweatshirt over it,
those faded blue corduroy pants...
& those shoes....I just can't..."

Now I'm getting,
a tad bit irritated
though amusing still
remembering the goal
to help those weary souls
I look off to the side,
staring in one direction...
gaining insight
still thinking,
... the second lady chiming in

"Yes, so true..has potential,
how much for the shirt dearie?
It might be worth something"
... urging the other gal on

As the gentleman
steps back in disbelief
I'd imagine anyway,
not uttering a sound now

Now my one eye,
the left one is twitching
I look at her, I stare on,
as her mind I'm bewitching
keep on looking at the stitching
as I call out my Grandma,
to tell me exactly
...what to say,

"Anyway, thank you, I think.
I happen to love everything I'm wearing, especially these shoes.
You know what they say about walking a mile in someone else's?
I might consider loaning them to you if I knew you better, except the thing is,
like this place, like this land ...
and people are never supposed
to be for sale, this piece of history,
the weaving of my family ...
is not for sale either,
for any price each stitch in time
is priceless, so I am sorry,
but no deal ma'am.
Hope you enjoy this beautiful place, thinking yes,
by the look on your face?"

Befuddled and speechless...
the gentleman finally speaking,

"Oh, I think she means that this place is so interesting and amazing.
We probably should get going, get some lunch.
Very nice to meet you though."
The brushoff?
a nervous calm falling over

Humphhhh..

A good idea and distraction
as they hem and haw  
about being "famished"
I offer...

"Famished?
Can't have that.
You mean to say,
you went all this way,
and you didn't squirrel something
to eat
in that ***** pack?

Pulling out a yummy sandwich
slinging a worn backpack,

"I have drinks in there too,
lovely lemonade & some nuts,
dark chocolates even.
Perhaps some things in there
I forgot about, best not to venture out
into these woods with nothing.

"Here you go, take this,
I won't take no for an answer"

Stunned and stupefied she just reaches out and humbly replies
"Thank you, I think?"

I smile and say
"You are most welcome,
thank my Grandmother
and thank you for coming,
enjoy your stay"
I wave them on

"How do I thank her dear girl?
  Is she still with us?"

Now I am quiet
I look to the heavily
opening in the trees
"look and you will see"
I point upward reaching
my hands are teaching
drawings in slow motion
as the trees open to the sky
colors gradate and radiate
a red tailed hawk comes by
the largest one I know
completely in awe they are,
as I slip off...

Something whispered under breath,
"Can you believe that?
Where'd she come from anyway"

Then,
looking in the bag,
he reaches in opening
the sandwich
and bites...
chewing on goodness

"Oh, wow, this is amazing,
this is just delicious,
everything you could want, try it"

the man offering to the ladies

Unable to resist a satisfying nibble, tempted by fate, they take a bite,
"your absolutely right"
she declares...
"and such a lovely lady she is"

"Hey where'd she go?"

"Why, I don't know..."

"Gone like a wisp,
you can tell she is deeply rooted
in this place and such a
beautiful place it is"

they see eye to eye

"With so many valuable lessons
to learn along this yellow wooded path"
as they all agree,
satisfied with their journey
eager to push on...

"Did she mean that bird is a spirit?
Her Grandmother?
Maybe she is a ghost too?"
They are definately wondering...

"So true and I'm kinda of full,
  how about you?"
He states, poignantly adding
"Let's try some of that chocolate"
sampling the lemonade
and roasted nuts
topped off with that sweetness
tasting the menu of sharing

From  behind the tree
where I'm sitting
I have a VERY big smile covering
  that clever, wily face

Knowing I'm not seen
letting out a giggle  
as they turn in wonder
I know the secrets of this place
all its words
and where
it echoes

the loudest.

Cherie Nolan © 2016
Inspired does this make sense?
Emerson Nosreme Sep 2018
What is the cost of loving you, sir?
A slap, or two, or three or four?
Even more than that
If I tip my hat
Can we make that none?

What is the cost of loving you, dearie?
I can see you're asking for quite a lot of money from me.
Can we make that none?

What is the cost of loving you, Ma Chérie?
Another lover, but one who I think
Is not your lover?
Can we make that none?

What is the cost loving you, sweetheart?
You're not so sweet I see
If you want to beat me
Like eggs in a cup
Shattered, bleeding
Can we make that none?

What is the cost of loving you, handsome?
Some hate, not from you.
But from bystanders.
Who
Seem
To
Be
Unable
To
Shut
Their
Mouths
To
Stop
Pouring
Out
Hate
Towards
Us
Over
Nothing.
Grace Nottingham Feb 2014
Babushka doll, you're an acid vase
Empty as church mornings
Devoid of all feelings;

You unravel your sullen smiles,
Ill-bred and unclean.
You are not complete.

You lost your babies.
Now you're alone.
Darling, darling, darling, how does it feel?

To feel the root of brute in the stubby heel,
Your silly scarves lost in the wheel.
Just peel off the cabbage roses

Petal by Petal,
Dismember yourself.
What a laugh!

The air has asthma,
The sun gives it T.B.
Oh dearie me!

It wheezes kisses heavier than a lecher.
Saboteur of my days,
Why must you hurt what you can?

Because you hate me, hate me.
You are an acid vase full of hate.
I can see your ruddy heart like an X-ray.

Unstick yourself from me.
I don't want you,
Your scarlet lips

Lake Baikal eyes,
or Eastern European knits.
The rings shed their gold.

Knock knock,
Dead at 30.
The last twist of the knife.
“I had a plan for you, my dear;” her whisper ruthlessly pounded at Matvei's overwhelmed senses. His entire environment shifted and trailed off; his vision useless, a muddy smokescreen of shapes and colors bleeding into and breathing out of one another.

“A glorious plan, indeed,” she continued, her whisper becoming the hiss of a rattle snake, then slowly shifting pitch, going through every mode, until it was in perfect tune with the deep resounding purr of a well pleased kitten. Which, as fate would have it, was exactly the creature that had taken a seat in front of Matvei's double. The double, still suspended in mid-air, continued wrestling with his chains and screaming madly at the swirling pool of blood at his feet; the vision of the dogs violence still dominating his feeble mind.

Being so occupied, Matvei's double took no notice of the small black kitten as it lapped at the blood between its long and bassy purrs.

“You're without that precious body of yours these days, Sweet Matvei!” The woman explained.

“Or, maybe you've yet to notice that as well? You thick headed pig!”

Stolovsky's vision returned; he was back inside his body. He was the double.

“How's that, dear? Better?” the blood stained kitten at the edge of the swirling pool purred sweetly.

Stolovsky didn't respond and turned his gaze upward. He saw her for the first time; she was beautiful, ungodly so.

“Clean your head up, you animal! How dare you think of me that way!” she laughed.

Her voice returned to what one would expect from such a beautiful creature; the sweet vibrations of a woman, flirtatious and soothing to the ear of any man.

“I'm flattered, really, but we hardly know each other. At least, you hardly know me. Though, sometimes it is best that way, I admit!” she mused, finishing the thought.

“But, on to business then, shall we?”

“I don't suppose I have a choice, do I?” the words escaped Stolovsky's lips as though they were not set free by choice, but of necessity, by reflex alone.

“No. By the looks of it, you really don't, do you?” the spirit retorted.

“Who are you!?” Stolovsky screamed, unsure if he wanted an answer.

“I wouldn't raise my voice to her if I were you, dearie.” purred the kitten, as if it were attempting to instigate some sort of violent reaction from the spirit.

Those kittens, one must always be wary of a blood stained kitten! It is a thing to avoid, afterlife or otherwise. Be that as it may, the kitten's attempt at being the provocateur seemed to have quite the opposite effect.

“My name is not important.” she sang, her voice continuing to astound Matvei's senses, the sweetest evil you'd ever want to hear.

“You can call me Jehovah if you'd like!” she laughed as she spoke.

“Right now, you are my child, my sovereign property. I can do with you whatever I wish!” she paused for a moment, to allow Stolovsky the opportunity to recognize the gravity of the situation.

He did not.

She continued on, her voice shifting again,

“And let me tell you, boy, you've been a great disappointment! Did you know that?”

The rumbling of her tone, the changes in her pitch, were beginning to drive Matvei mad; he'd never heard anything like it! It was absolutely nauseating.

He attempted to gather himself; this was all so confusing. After all, wasn't he dead? Should he fear this, this, whatever it was? He controlled his anxiety enough to ask,

“What are you?”

“She's your new master, Matvei! And a wonderful master, indeed. You are very fortunate!” chirped the blood stained kitten.

“I believe he was asking me, X. Away with you, you ***** kitten!” Immediately, X vanished into thin air. Stolovsky stared downward, mesmerized, as his double was, by the pool of blood swirling beneath him.

“Am I dead?” he asked the goddess.

“You don't even know what that means, you idiot! Besides, you'll be worse off than whatever you think you are now if you keep asking silly questions. Now shut up and listen to me!” she replied.

“There is someone I'd like you to meet.”

As she said this, it appeared to Stolovsky as though the layer of existence that he had, until this very moment, believed himself to be in full occupation of, swelled outward at an amazing speed. It was as if he'd become as tiny as a quark and yet, he continued to become tinier still. He could see nothing recognizable; the sheer brilliance of giant photons zapping through space was enough to blind him. Even as he noticed this, they became infinitely larger, like suns themselves.

Stolovsky felt as though he were falling through it all, becoming smaller and smaller; or, was everything else growing larger and larger? He struggled to reposition his body. The intense pressure of the experience was becoming unbearable.

He could feel his rib cage sinking, his heart struggling, his lungs collapsing as he desperately clung to whatever consciousness this was that he was currently experiencing. X, the blood stained kitten, appeared to him just as she had been moments before.

“It feels strange doesn't it?” she asked.

“What is happening to me?” Stolovsky replied, struggling with the words.

“You're dying the Second Death. Don't worry, it'll only take a minute.”

Before the kitten could finish the sentence, Stolovsky's eyeballs popped, hurling frozen droplets of organic material in all directions.

The frozen droplets would continue to fly on for many years, some straight through into eternity. A few would be so fortunate as to crash into other, much larger, groups of particles and give rise to some very interesting lifeforms. Who, as fate would have it, would go on to destroy one another, along with one-third of their known universe, trillions of smaller universes, and something that may amount to a shoelace being vaporized in my level of existence, in a great war a few hundred billion years later. But alas, a story for another time.

“Oh, wow. That was much quicker than expected, Old Boy!” purred the kitten, pleased at this unforeseen turn of events. "Dr. Orville will be so pleased to learn of our improvement! I must tell the Master straight away!"

And once again, that silly blood stained kitten disappeared. Things were about to get very interesting for Mr. Stolovsky. The Third Life awaits.
The first part is buried in my poems somwhere...
Raj Arumugam Jan 2013
Mummy
I think you should send Grandma back
to where she came from;
she comes into my room
stares about, and she says:
“Decadent! Decadent! Decadent!”
And then she mutters:
“Never had such things in my day!”
Ma – it’s a good idea to send her back
to where she came from, I think
And when no one is home
but me and Grandma
she puts plastic flowers in her hair
and dances all round with her song:
"This eve is my wedding;
this eve am I the bride
And I've me the handsomest man
in all of the land"

She hid my shoes the other day
and she grinned when I found them under her bed;
when you are not looking
she swipes her hands over a pretend iPad
and sticks her tongue out, and pops her eyes out
and whispers to me:
“That’s how you look, dearie dear;
like the village idiot in days of old”

She says I dress too short;
I should wear skirts right down to the toes
Grandma stood over my bed
yesterday morning
and she said I was sleeping late, too long;
and she copycats me eating, and she says:
“You are at a sumptuous table
but you eat like the poor”

And she pretends to kiss me goodnight
and she whispers her secret curse:
“Girls who don’t wash their toes,  
they don’t go to Heaven
You might wake up in the morning
and find yourself  walking
on the hot coals of Hell”

Mummy, please
I think you should send Grandma back
to where she came from
...I acknowledge that the theme in this poem has been tried, as one will notice reading a good collection of children's poetry....but I hope I've endeavoured to offer a different perspective, a freshness in this poem...
Anna Lo Nov 2012
she says that she's been scared a long time ago.

that pink dress only gets worn in special occasions, mary lou anne!
so lost here, in a crowd with my fingers crossed behind my back, talking to a wall of pictures
--what she means is she's a queen of Chopins, the queen of *** covered mountaintops--

the hair dresser shall pin your hair up later at four, dearie.
she says that he was a man a long time ago.
mother mother, is lost in Kuwait. father father, is troubled with apple turnovers.
if this isn't right, then nothing will ever feel right again.

madam, please stop fidgeting with your dress.
a kiss has been seared onto her breast,
making the tissues underneath
smooth and strong.

darling, you look beautiful.
but somehow she's been buried there, with her daughters, her sons, and 200 families.
in a sundress by the beachside.
she says the Ripper tore her ******* open a long time ago.
music boxes tells her otherwise
that in his arms there are no more pink tomorrows.
Isabella Lopez Dec 2011
I remember breaking down that barrier.
A Berlin wall, of sorts,
That haunts every friendship.
On one side,
There are pleasantries.
There is “How are you?”
Who shares an apartment with “It’s been too long dear”,
Who lives across the street from “I have so much homework!”
And down the hall from “We ought to see a movie this weekend”.
On the other side, there are feelings.
Not the simple kind.
Not the kind that can be expressed at a locker,
Before homeroom,
Or over a cup of coffee.
The kind that are ugly.
The ones with rough edges,
That will ***** your hand,
If you hold them the wrong way.
The ones that sit alone in dark corners,
Because no one wants to claim ownership.

It’s a thrilling moment to break down.
Falling to the ground, you cry,
You wail,
And you blabber out every feeling you’ve ever felt,
No longer able to hold them inside.
I remember when I broke down for the first time.
Like a citizen of West Berlin,
I took a sledge hammer to the wall.
With each word, chunks of concrete disintegrated,
Into crumpled tissues,
And tear-stained pillow cases.
The last word hung in the air.
Inhaling deeply,
Freedom filled my lungs.

I held my breath.

I saw shining lights,
Glimmering stars,
And vibrant smiles.

I knew that behind me,
You saw rusted steel,
Broken glass,
And graffiti.

It wasn’t too late,
I could run away.
Run away and never look back.
And re-build that wall with every stride.
If you didn’t want to cross that threshold,
Between shining stars and broken walls,
Between singing joyously and sitting silently,
Between happiness and heart-ache.
I would not force you.

“Dearie.” You said, arms outstretched.
“Come here.”
Hedonic Nihilist Nov 2013
Good morning all my friends have retired

Hello I am running out of things to do to forget that they have all made better plans and that I am not to be included

Good day to you to, zzz I am falling asleep sir

I am feeling my mind deteriorate from a lack of sufficient socialization
Zzzz I am falling asleep again because I don't want to think about it
Zzzzz I keep dreaming about you dearie why'd you go again

I am running out of things to distract myself with; who cares about diction when you don't have any body to spill out beautiful words to

My love, I'm getting close to substance abuse

My love, I'm afraid of trying it I am afraid of artificially feeling like I did before

I am still confused; you are not; I am missing out on something
Carolyn Cagnon Dec 2017
You can't repair her heart for it is too far broken,
You can't take back words that were never spoken,
You wish like hell you could change the past,
But your ****** up relationship just wouldn't last,
And now you search for yourself in the bottom of a whiskey bottle,
And you busy your mind to keep from slamming into a wall at full throttle.

Welcome to your existence after breaking such a beautiful spirit,
For making her hate love you are hereby sentenced to fear it.
So tell me dearie was it all worth it?
The mind games, sly words, and *******.
Did you have enough fun while breaking such a kind heart?
Did you laugh as she peeled back her skin; painted with the blood within and called it art,
While she handed you her heart time and time again,
Only to watch you trample it yet keep it on a ******* chain...
So that she may never wander too far,
Did you enjoy ******* that girl's brain?



Was it really ******* worth it in the end?
I hope it was because now you can never make amends.
Enjoy your life long sentence of fearing love...
Since she's now forced to simply hate the idea of it.

— The End —