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Seán Mac Falls Feb 2015
.
1
death dirges

Frogs in distance sing  .  .  .
Foxes, herons, join in too,
  .  .  .  A round of croaking.



2
love gifts

Her gift of flowers  .  .  .
Came at night without garden,
  .  .  .  Were picked in bedroom.



3
twins demure

Full moon and she  .  .  .
Beauties without crescent smile,
  .  .  .  Naked in starlight.



4
light music

Before even sun  .  .  .
Gleam opens to paint each day,
  .  .  .  Beauty in birdsong.



5
iridescent

After sun showers  .  .  .
Sparkle of rainbow colours,
  .  .  .  Busy hummingbirds



6
chilling

Hollow sound through trees,
Naked and bare branches sway,
  .  .  .  Old winter creeping.



7
flirting

She wanted a child  .  .  .
Rushed from one suitor to next,
  .  .  .  Clock set to maybe.



8
super villain

Truth once singular  .  .  .
Mucked all up with politics,
  .  .  .  In cowl of falsehoods.



9
casualties

Blood spills in gardens  .  .  .
Naïve worms torn from loose grounds,
.  .  . Red robins, green lawns.



10
stigmata

Each spring miracle  .  .  .
Trees blessed by caterpillars gifts,
  .  .  .  Holey hands of leaves.



11
consecrations

Ripples lead to bows  .  .  .
After fish breaks the water,
  .  .  .  A kingfisher dives.



12
constancy

Steadfast as always  .  .  .
Wildflower in sun and rain,
  .  .  .  Showing true colours.



13
roommates

Chaste lovers wonder  .  .  .
How bodies weather the cold,
  .  .  .  Never knowing touch.



14
swept away

Suddenly we kissed  .  .  .
At beach as tides rolling in,
  .  .  .  Drowning by ocean.



15
seductress

Her red hair so long  .  .  .
Brushing my face, hiding eyes,
  .  .  .  A kind entrapment.
.
Danny Valdez Jan 2012
He woke up
next to the empty spot
where Wonder Woman had been.
He puked in the toilet
slammed down a forty-ounce Miller High Life
and started putting the suit on.
boots
the gray and black tights
the gloves
the yellow utility belt
and the cape.
It was leather.
He put the cowl
under his arm and left his apartment.
It was a late start
nearly noon
by the time
the bus got him to
Mann's Chinese Theater.
He saw a lot of his
friends and colleges
as the bus went down to his stop.
It was a regular day
all the characters were
in their usual little groups.
Spider-Man & Captain America
two Mormon boys that had been
excommunicated from the church
they got caught **** *******
each other
now they were stuck in Hollywood
like everyone else.
The X-Men
or H-Men as most people called them
were a group of junkies.
One of them had a cousin at Fox
and they got four replica X-Men costumes.
So that's how they scored
their junk everyday
garnered pretty good tips from the tourists.
Cyclops, Jean-Grey, Storm, and Wolverine.
It was a good grift. **** good idea.
Then you had the impersonators
plastic surgery freaks
obsessed with Michael Jackson
creepy bald men dressed as Dr. Evil
and there was always
a lazy fat guy
that would do Elvis.
Not know any of the songs
and saying the catch phrases all wrong,
"Well, thank you Ma'am....thank you so much."
Those guys never lasted too long.
The cutesy cartoon characters
were almost always
pedophiles or ******* ladies.
The horror people were hands down
the most bat-**** insane of the lot.
They got into the most fights
they terrorized the kids
and they talked a lot of ****.
Would bate guys into fights.
Michael Myers would always start ****
with guys that had beautiful women with them.
It was ****** up.
The LAPD took away Freddy Kruger last month
for beating up a guy
right in front of his kids.
There was talk from the cops
about shutting down their whole thing down.
Making it illegal to dress up in costumes
and get tips.
'Panhandling' as the office had said.
But
Batman hung out with
Superman & Wonder Woman
while doing his thing.
The night before
Wonder Woman and him
had been drinking, smoking, and
they ****** once
before she asked him
what she needed to.
"We got two new guys starting tomorrow."
"What?"
"Yeah. They came up to me on the street today,
wanted to know if they could hang with us."
"Wha? What? Well...do they have costumes?"
"Yeah." She said, exhaling smoke, wrapped in the sheet on the bed.
"These guys got a Green Lantern and a Robin costume. Really good quality,
they showed me pictures. Hey, you finally got a Robin now! Isn't that great?"
"****...I don't know Diana...I was kinda liking our little *******.
"Oh come on, Bruce. It'll be good." She said, wrapping her arms around him
as he sat on the edge of the book, looking out the window.
"We can finally get the big, group tips. Like what the H-Men got going."
"Alright. That's fine."
And the next day
there they were,
Green Lantern & Robin.
Wonderful costumes, like she said
their hair color and overall appearance
spot on.
"Hey there!"
"Hello. Robin. Green Lantern."
Their gloved hands all shook.
They got acquainted and he couldnt help but like them.
Nice guys, musicians, Rockabilly guys, from Venice.
They went out into
the crowd of people
Superman's voice booming over the crowd
telling everyone that they're safe from
evil and wrong doers, blah, blah, blah,
the usual ******* that Superman always said.
Batman yelled to Robin over the enclosing crowd.
They were now fully entrenched by people
fat & sweaty
Batman's panic attack took over.
"COME ON!" He shouted over the rising crowd noise.
The dynamic duo
shoved & pushed
parting the sea of fat tourists
and breaking out onto the sidewalk.
"What's up, Batman?" Robin asked
looking up to him.
The size difference was just like in the comics
Robin was a little guy.
"I just needed to get outta there. Let's go take a lap
down Hollywood Boulevard...see what kinda cash we can grab."
"Okay, Batman."
They walked
up and down
the walk of fame
posing for a few pictures
making some kids day
with wide-eyed excitement
that will be with them forever.
They made forty bucks too.
"Alright, that's good for now. Let's grab a beer, Robin."
It was a small dive
on Hollywood Boulevard
they were two beers in
and Robin was learning a lot
about how Hollywood really was.
Some real talk from Batman to Robin.
"Yup. I moved out here in 1997. I saw that movie 'Swingers' and I thought...
I could do that, that could be my life, I want that."
"And what happened Bats?"
"Well...I came out here, went to film school, did everything I was told, and...
I still got ******." He said, taking a long pull from the bottle.
"Well what happened exactly?"
Robin's green glove, gripping the brown bottle
tilting it back, bubbles rising
"Well...ya see...when I was in film school, the instructors all told us...you either do your internship here in Hollywood or go to New York. Anywhere else and you won't be able to make it. That's what they said."
"Yeah?"
"Yeah. So I did my internship here in Hollywood and it was for nothing. The whole two years that I was at Faramount, I was never allowed to even touch any film equipment. Well, just to dust it off and clean it. But they didn't even try to teach me anything there. I just did food runs at lunch, got them their Starbucks in the morning, and took out the trash. Swept the parking lot, cleaned the toilets, I was a ******* janitor at that place. And you know what happened next?"
"Huh?"
"One day they just fired me. Just like that. After two years of being their ***** boy. So now I have $50,000 in student loans that I can't pay back, and a degree that got me nowhere."
"****." Robin said, finishing his beer.
"Yeah. So what do you do?"
"I'm in school for audio engineering."
"Ah...the music business eh?"
"Yeah, Batman."
"Hmm."
Batman grew silent then, just finishing his beer, and staring into the mirrored wall.
He wanted to say,
"I have 117 scripts sitting in a stack next to my t.v. That's eight screenplays a year. Robin, I've been at this for fourteen years and it doesn't get any better. I never stop trying and I keep at it, year after year. But I'm done. Get out while you
still can Robin. This city will eat you, **** you, **** you. If you still have a home, I suggest you go back to it."
Batman sat there, his beer finished, still staring straight ahead.
Robin pulled out a ten dollar bill, smiling, calling for the bartender
with that sparkle in his eye
of youth and hope.
He didn't want to say all that ****
crush that gleam in Robin's eye
like he once had.
Those were the best days
the great days
the glory days
to be young, handsome, poor, and hopeful
that you could make it
that it could happen.
So Batman didn't say another word about it.
Nope.
There were things
Robin would have to learn all on his own.
Trevor Gates Jul 2013
The Obsidian Theater XV.



Welcome to my nightmare
Welcome to my show
The audience awaits your praise
And your stage light glow

My, my, it’s been too long.

[Walks across stage; light follows. Curtains pulled]

Where have all of you been?

[Audience laughter]

Oh, forgive me, that’s not the right question
To ask

Where have we been?

That’s more fitting


Where


Sipping Champagne with Bing Crosby among undead poets
With a casket made for two
“Brother can you spare a dime?”
He said,
“Lift me from this tribal paradigm.”

And

For many days I wandered the wilderness in the threads of
My carnivalesque grandfather
Ripping and tearing in the clinging trees
Hands of branches
Groping and pulling the garments off my body

In the middle of the Serbian wilderness was The Manor
Draped in dead trees and blackened ice

The valet stood at the gate in prime condition
Waiting

But for who?

“Why, you sir.” He told me, guiding me through the entrance, to the front door.

And inside were wonders to be held by the
muster of my weakened eyes

Ladybug dancers tossing their legs up to *****-tonk fanfare
Swirling magicians pulling rabbits and naked men from the shadows

Allegorical usurpers coated in a filmy residue of
Herzog dreams
And
Lynch fantasies

Perpetuated by my longing
My lost soul
My parched thirst
My growling stomach
My throbbing manhood
My forgotten affliction
And severed diction

A man slivering into the skin of a woman
A Lady donning the cowl of a man

Skins shivering with afterglow effects

And dreams woven by old witches with intestinal thread

It was eloquent darkness in the belly of the manor
Fit for a King of Devilish glamor

Brothers of Grimm
And
Sisters of Mercy

Told from the pages

From the books

Of frozen Gods
And forgotten Titans

These are the happenings of a great story
Fiction or not
You may tell it
And believe what you will

It doesn’t matter as long as it is strongly retold

From the lips of another

The wandering bard
Or
The pub crawling drunkard
To
The enamored *****
And
Bookworm report
It needs
To be shared
To others
Even impaired
To celebrate
Gasp
Giggle
Scare
Love
Soothe
Disrupt

My impeccable, capable
Hands-down sensational
Tour de force
Troupe
A la mode


Cherries on top of whipped screams and drinks
Juggling heads and animals over coals of fire
Give them a show
Give them a feat
Give them something to remember
Give them something to crawl back to
Give them a performance that will beckon the applause
For years to come
Show your audience
And readers love
And
Sorrow
The likes of which
Cannot be equaled
Or even compared to
Lesser
Congregations
Of silly-billy pud muffins
And their
Street-smart guff

Let the institution of your mind become a corporal being
Teasing and pleasing those eager and waiting eyes
Staring up at you with
Wanting
Drooling
Wanting
Begging
Wanting
Affections

Don’t you want to see a show worth seeing?

[Audience cheers; laughs and applauds]

Watch a movie worth seeing?

Read a book worth reading?

How do you come by this?

Create what you’ve always wanted to see, read, watch and say.

Those performers
Once peasants and beggars

Stood up from the grime and ridicule of the trash and rose above the
Plateau
To conquer their hearts

Look and see!

Those people balancing and singing with fluffy dogs
Magicians and warlocks summoning spirits to dance among stars
Poets on stage reading mixed words to nodding peers
Directors blocking actors on stage with unparalleled enthusiasm
All these creatures of the ubiquitous night
Gather and produce
The whim of their lives

But many of these masters
These

Unknowing

Are

The bus boys cleaning up after your meal
The mother alone at home with the kids
The unsociable man on the park bench
The frigid girl in the corner of the classroom
The nervous boy wandering the circus
The stern librarian in Brooklyn
The blogger in the studio apartment
The hard working abroad student on a farm
The homeless man cradling a dying dog
The celebrity chasing photographer
The undergraduate tutor
The ignored substitute teacher
The bullied Muslim student
The underprivileged south side coach
The Turkish cab driver


More and more

These warrior poets and victims to racial slurs
Commonwealth bigotry
Ghetto endorsements
Faulty criticisms

From hosting countries

And sheltered, over-privileged, disillusioned

Politicians

Bureaucrats

Religious figures

Dogs of War

Angels of retribution

Demons of industry

Ghosts of the hours and days past
To sympathize and cry for the world
Thrown into invisible and subtle chaos
Like an ocean littered with the blades of
Broken glass
The sludge toxic waste mixed in molten lava over craters of dead bodies
Or
The sand dust covering the thousands of bodies in the earth

So



What teams won the World Series?
Which movie star dates who?
What’s the latest trending diet?
What new pop sensation has been manufactured?
What new insult can talk show hosts say?
Is there someone new to blame for all the bad things in the world?

What are the things the media has told you?
And
The things it hasn’t?

It’s a
Bitter sweet symphony

A
Crucible for the faceless grins
Pointing fingers everywhere but themselves


Let’s leave the worries to our kids
I’m sure they’ll figure it out.
Allow me to thank my esteemed colleagues: Meryl Streep’s skeleton, Freddie Mercury’s ghost, Doc Hammer, George C. Scott, Doctor Emmett Brown, Marty McFly, Easter Eggs, internet message board administrators, Robert Redford, Aviator sunglasses, Don Cheadle, The Coen Brothers, the Dukes of Hazzard, Billy *** Thorton, Hammerfall, Saxon, Klaxons, Lou Reed, Spike Jonze, Michael Gondry, Guts, Son Goku, Tinkerball ***** force, the Die Nasties, The Iron Maidens, Judas Priestess, The Runaways
And many more I simply don’t have time to mention.

Now Get out of my theater.
SøułSurvivør Aug 2015
~~~<¤>~~~

through
lichen clouds
and lace of leaves
moonlight wanders
wends and weaves

a cowl'd orb
a saintly pearl
a poem rewritten
by the world

a swooning dove
a gentle face
in loving here
there's no disgrace

brings She out
her mystery still
floating effortless
at will

how oft does She
rehearse the game
in many phases
do the same

in Her embrace
sweet dreams are free
unbound by

moonlight mystery


soulsurvivor
(C) 8/29/2015
there's an artist moon tonight
MAGNIFICENT

~~~<¤>~~~
judy smith Sep 2015
He's a high-end fashion designer with a celebrity following, but when it comes to the perfect wedding dress, Henry Holland has admitted you don't need to spend a fortune.

The designer from Greater Manchester, who has his own fashion house, said there are plenty of options for brides on a budget on the High Street.

'Being a fashion expert, I have something to say on the subject of wedding dresses, and I think you can look amazing without blowing your budget,' he said.

'Everyone knows that wedding dresses can cost an absolute fortune. You can spend anything from £8,000 - to £50,000 if you're J Lo. But there are so many amazing different styles and options on the High Street.'

Holland reveals his top picks, which can all be bought off-the-peg for less than £1,000, in his new Channel 4 show, The Changing Room.

He's impressed by the array of bridal gowns offered by Phase Eight, earmarking one Fifties-inspired design called the Sally Tulle wedding dress, which costs just £250.

He said of the dress: 'It's a cute Fifties-style prom shape with nice tulle and it doesn't look cheap, which is important. The fit and flare style flatters so many different body shapes and the length means you can show off your shoes.'

He also loved a cowl neck, full-length ivory gown from Ghost for £395, and a lacy £450 vintage-inspired wedding dress from Damsel in a Dress.

When choosing the perfect gown to walk down the aisle in, Holland recommends brides consider what they will look like from all angles.

He explained: 'Remember how important the back is. During the ceremony you will have your back to the congregation or your assembled group of friends.

'So for one of the only times in your life, think about how you look from behind.'

He advises looking for dresses with beads and sequin detailing all the way round - and again said this doesn't have to mean spending a fortune.

Showing a dress from Clifton Brides with a price tag of £995, he said: 'You can see the work that has been put into it; the beads and sequins have been sewn by hand by a skilled artisan.'

In his other style tips for brides he recommends glittery or lacy T-bar shoes and said 'always wear a veil'.

He said brides should not feel embarrassed about buying their dress from a High Street store. He added they should also banish worries about a guest turning up in the same gown with a stark warning for those planning their outfits for a friend or relative's big day.

'Buying off-the-peg is absolutely fine. You don't need to worry about anyone else turning up in the same dress as if any of your guests turns up wearing a white dress they need to be told to leave or escorted off the premises,' he joked.

One bride who took his style advice is Alex, who will tie the knot next June in Corfu.

She features in Holland's fly-on-the-wall series, The Changing Room, where cameras are installed in fitting rooms of House of Fraser, New Look, H&M;, Monsoon and River Island stores across the country.

In the first episode, which airs this evening, Alex is filmed trying on a wedding dress from Monsoon as well as picking her bridesmaids' gowns from the Oxford Street store in London.

She was impressed with the design and price of the £499 'Elise' gown, which is embellished on the front and has a mesh cut-away back covered in gems and beads.

'I love it, I don't think I want to try anything else on,' she said.

read more:www.marieaustralia.com/formal-dresses-sydney

www.marieaustralia.com/formal-dresses-melbourne
“It is the voice of years, that are gone! they roll before me, with
  all their deeds.”

  Ossian.


NEWSTEAD! fast-falling, once-resplendent dome!
Religion’s shrine! repentant HENRY’S pride!
Of Warriors, Monks, and Dames the cloister’d tomb,
Whose pensive shades around thy ruins glide,

Hail to thy pile! more honour’d in thy fall,
  Than modern mansions, in their pillar’d state;
Proudly majestic frowns thy vaulted hall,
  Scowling defiance on the blasts of fate.

No mail-clad Serfs, obedient to their Lord,
  In grim array, the crimson cross demand;
Or gay assemble round the festive board,
  Their chief’s retainers, an immortal band.

Else might inspiring Fancy’s magic eye
  Retrace their progress, through the lapse of time;
Marking each ardent youth, ordain’d to die,
  A votive pilgrim, in Judea’s clime.

But not from thee, dark pile! departs the Chief;
  His feudal realm in other regions lay:
In thee the wounded conscience courts relief,
  Retiring from the garish blaze of day.

Yes! in thy gloomy cells and shades profound,
  The monk abjur’d a world, he ne’er could view;
Or blood-stain’d Guilt repenting, solace found,
  Or Innocence, from stern Oppression, flew.

A Monarch bade thee from that wild arise,
  Where Sherwood’s outlaws, once, were wont to prowl;
And Superstition’s crimes, of various dyes,
  Sought shelter in the Priest’s protecting cowl.

Where, now, the grass exhales a murky dew,
  The humid pall of life-extinguish’d clay,
In sainted fame, the sacred Fathers grew,
  Nor raised their pious voices, but to pray.

Where, now, the bats their wavering wings extend,
  Soon as the gloaming spreads her waning shade;
The choir did, oft, their mingling vespers blend,
  Or matin orisons to Mary paid.

Years roll on years; to ages, ages yield;
  Abbots to Abbots, in a line, succeed:
Religion’s charter, their protecting shield,
  Till royal sacrilege their doom decreed.

One holy HENRY rear’d the Gothic walls,
  And bade the pious inmates rest in peace;
Another HENRY the kind gift recalls,
  And bids devotion’s hallow’d echoes cease.

Vain is each threat, or supplicating prayer;
  He drives them exiles from their blest abode,
To roam a dreary world, in deep despair—
  No friend, no home, no refuge, but their God.

Hark! how the hall, resounding to the strain,
  Shakes with the martial music’s novel din!
The heralds of a warrior’s haughty reign,
  High crested banners wave thy walls within.

Of changing sentinels the distant hum,
  The mirth of feasts, the clang of burnish’d arms,
The braying trumpet, and the hoarser drum,
  Unite in concert with increas’d alarms.

An abbey once, a regal fortress now,
  Encircled by insulting rebel powers;
War’s dread machines o’erhang thy threat’ning brow,
  And dart destruction, in sulphureous showers.

Ah! vain defence! the hostile traitor’s siege,
  Though oft repuls’d, by guile o’ercomes the brave;
His thronging foes oppress the faithful Liege,
  Rebellion’s reeking standards o’er him wave.

Not unaveng’d the raging Baron yields;
  The blood of traitors smears the purple plain;
Unconquer’d still, his falchion there he wields,
  And days of glory, yet, for him remain.

Still, in that hour, the warrior wish’d to strew
  Self-gather’d laurels on a self-sought grave;
But Charles’ protecting genius hither flew,
  The monarch’s friend, the monarch’s hope, to save.

Trembling, she ******’d him from th’ unequal strife,
  In other fields the torrent to repel;
For nobler combats, here, reserv’d his life,
  To lead the band, where godlike FALKLAND fell.

From thee, poor pile! to lawless plunder given,
  While dying groans their painful requiem sound,
Far different incense, now, ascends to Heaven,
  Such victims wallow on the gory ground.

There many a pale and ruthless Robber’s corse,
  Noisome and ghast, defiles thy sacred sod;
O’er mingling man, and horse commix’d with horse,
  Corruption’s heap, the savage spoilers trod.

Graves, long with rank and sighing weeds o’erspread,
  Ransack’d resign, perforce, their mortal mould:
From ruffian fangs, escape not e’en the dead,
  Racked from repose, in search for buried gold.

Hush’d is the harp, unstrung the warlike lyre,
  The minstrel’s palsied hand reclines in death;
No more he strikes the quivering chords with fire,
  Or sings the glories of the martial wreath.

At length the sated murderers, gorged with prey,
  Retire: the clamour of the fight is o’er;
Silence again resumes her awful sway,
  And sable Horror guards the massy door.

Here, Desolation holds her dreary court:
  What satellites declare her dismal reign!
Shrieking their dirge, ill-omen’d birds resort,
  To flit their vigils, in the hoary fane.

Soon a new Morn’s restoring beams dispel
  The clouds of Anarchy from Britain’s skies;
The fierce Usurper seeks his native hell,
  And Nature triumphs, as the Tyrant dies.

With storms she welcomes his expiring groans;
  Whirlwinds, responsive, greet his labouring breath;
Earth shudders, as her caves receive his bones,
  Loathing the offering of so dark a death.

The legal Ruler now resumes the helm,
  He guides through gentle seas, the prow of state;
Hope cheers, with wonted smiles, the peaceful realm,
  And heals the bleeding wounds of wearied Hate.

The gloomy tenants, Newstead! of thy cells,
  Howling, resign their violated nest;
Again, the Master on his tenure dwells,
  Enjoy’d, from absence, with enraptured zest.

Vassals, within thy hospitable pale,
  Loudly carousing, bless their Lord’s return;
Culture, again, adorns the gladdening vale,
  And matrons, once lamenting, cease to mourn.

A thousand songs, on tuneful echo, float,
  Unwonted foliage mantles o’er the trees;
And, hark! the horns proclaim a mellow note,
  The hunters’ cry hangs lengthening on the breeze.

Beneath their coursers’ hoofs the valleys shake;
  What fears! what anxious hopes! attend the chase!
The dying stag seeks refuge in the lake;
  Exulting shouts announce the finish’d race.

Ah happy days! too happy to endure!
  Such simple sports our plain forefathers knew:
No splendid vices glitter’d to allure;
  Their joys were many, as their cares were few.

From these descending, Sons to Sires succeed;
  Time steals along, and Death uprears his dart;
Another Chief impels the foaming steed,
  Another Crowd pursue the panting hart.

Newstead! what saddening change of scene is thine!
  Thy yawning arch betokens slow decay;
The last and youngest of a noble line,
  Now holds thy mouldering turrets in his sway.

Deserted now, he scans thy gray worn towers;
  Thy vaults, where dead of feudal ages sleep;
Thy cloisters, pervious to the wintry showers;
  These, these he views, and views them but to weep.

Yet are his tears no emblem of regret:
  Cherish’d Affection only bids them flow;
Pride, Hope, and Love, forbid him to forget,
  But warm his *****, with impassion’d glow.

Yet he prefers thee, to the gilded domes,
  Or gewgaw grottos, of the vainly great;
Yet lingers ’mid thy damp and mossy tombs,
  Nor breathes a murmur ‘gainst the will of Fate.

Haply thy sun, emerging, yet, may shine,
  Thee to irradiate with meridian ray;
Hours, splendid as the past, may still be thine,
  And bless thy future, as thy former day.
I.

  When to the common rest that crowns our days,
  Called in the noon of life, the good man goes,
  Or full of years, and ripe in wisdom, lays
  His silver temples in their last repose;
  When, o'er the buds of youth, the death-wind blows,
  And blights the fairest; when our bitter tears
  Stream, as the eyes of those that love us close,
  We think on what they were, with many fears
Lest goodness die with them, and leave the coming years:

II.

  And therefore, to our hearts, the days gone by,--
  When lived the honoured sage whose death we wept,
  And the soft virtues beamed from many an eye,
  And beat in many a heart that long has slept,--
  Like spots of earth where angel-feet have stepped--
  Are holy; and high-dreaming bards have told
  Of times when worth was crowned, and faith was kept,
  Ere friendship grew a snare, or love waxed cold--
Those pure and happy times--the golden days of old.

III.

  Peace to the just man's memory,--let it grow
  Greener with years, and blossom through the flight
  Of ages; let the mimic canvas show
  His calm benevolent features; let the light
  Stream on his deeds of love, that shunned the sight
  Of all but heaven, and in the book of fame,
  The glorious record of his virtues write,
  And hold it up to men, and bid them claim
A palm like his, and catch from him the hallowed flame.

IV.

  But oh, despair not of their fate who rise
  To dwell upon the earth when we withdraw!
  Lo! the same shaft by which the righteous dies,
  Strikes through the wretch that scoffed at mercy's law,
  And trode his brethren down, and felt no awe
  Of Him who will avenge them. Stainless worth,
  Such as the sternest age of virtue saw,
  Ripens, meanwhile, till time shall call it forth
From the low modest shade, to light and bless the earth.

V.

  Has Nature, in her calm, majestic march
  Faltered with age at last? does the bright sun
  Grow dim in heaven? or, in their far blue arch,
  Sparkle the crowd of stars, when day is done,
  Less brightly? when the dew-lipped Spring comes on,
  Breathes she with airs less soft, or scents the sky
  With flowers less fair than when her reign begun?
  Does prodigal Autumn, to our age, deny
The plenty that once swelled beneath his sober eye?

VI.

  Look on this beautiful world, and read the truth
  In her fair page; see, every season brings
  New change, to her, of everlasting youth;
  Still the green soil, with joyous living things,
  Swarms, the wide air is full of joyous wings,
  And myriads, still, are happy in the sleep
  Of ocean's azure gulfs, and where he flings
  The restless surge. Eternal Love doth keep
In his complacent arms, the earth, the air, the deep.

VII.

  Will then the merciful One, who stamped our race
  With his own image, and who gave them sway
  O'er earth, and the glad dwellers on her face,
  Now that our swarming nations far away
  Are spread, where'er the moist earth drinks the day,
  Forget the ancient care that taught and nursed
  His latest offspring? will he quench the ray
  Infused by his own forming smile at first,
And leave a work so fair all blighted and accursed?

VIII.

  Oh, no! a thousand cheerful omens give
  Hope of yet happier days, whose dawn is nigh.
  He who has tamed the elements, shall not live
  The slave of his own passions; he whose eye
  Unwinds the eternal dances of the sky,
  And in the abyss of brightness dares to span
  The sun's broad circle, rising yet more high,
  In God's magnificent works his will shall scan--
And love and peace shall make their paradise with man.

IX.

  Sit at the feet of history--through the night
  Of years the steps of virtue she shall trace,
  And show the earlier ages, where her sight
  Can pierce the eternal shadows o'er their face;--
  When, from the genial cradle of our race,
  Went forth the tribes of men, their pleasant lot
  To choose, where palm-groves cooled their dwelling-place,
  Or freshening rivers ran; and there forgot
The truth of heaven, and kneeled to gods that heard them not.

X.

  Then waited not the murderer for the night,
  But smote his brother down in the bright day,
  And he who felt the wrong, and had the might,
  His own avenger, girt himself to slay;
  Beside the path the unburied carcass lay;
  The shepherd, by the fountains of the glen,
  Fled, while the robber swept his flock away,
  And slew his babes. The sick, untended then,
Languished in the damp shade, and died afar from men.

XI.

  But misery brought in love--in passion's strife
  Man gave his heart to mercy, pleading long,
  And sought out gentle deeds to gladden life;
  The weak, against the sons of spoil and wrong,
  Banded, and watched their hamlets, and grew strong.
  States rose, and, in the shadow of their might,
  The timid rested. To the reverent throng,
  Grave and time-wrinkled men, with locks all white,
Gave laws, and judged their strifes, and taught the way of right;

XII.

  Till bolder spirits seized the rule, and nailed
  On men the yoke that man should never bear,
  And drove them forth to battle. Lo! unveiled
  The scene of those stern ages! What is there!
  A boundless sea of blood, and the wild air
  Moans with the crimson surges that entomb
  Cities and bannered armies; forms that wear
  The kingly circlet rise, amid the gloom,
O'er the dark wave, and straight are swallowed in its womb.

XIII.

  Those ages have no memory--but they left
  A record in the desert--columns strown
  On the waste sands, and statues fallen and cleft,
  Heaped like a host in battle overthrown;
  Vast ruins, where the mountain's ribs of stone
  Were hewn into a city; streets that spread
  In the dark earth, where never breath has blown
  Of heaven's sweet air, nor foot of man dares tread
The long and perilous ways--the Cities of the Dead:

XIV.

  And tombs of monarchs to the clouds up-piled--
  They perished--but the eternal tombs remain--
  And the black precipice, abrupt and wild,
  Pierced by long toil and hollowed to a fane;--
  Huge piers and frowning forms of gods sustain
  The everlasting arches, dark and wide,
  Like the night-heaven, when clouds are black with rain.
  But idly skill was tasked, and strength was plied,
All was the work of slaves to swell a despot's pride.

XV.

  And Virtue cannot dwell with slaves, nor reign
  O'er those who cower to take a tyrant's yoke;
  She left the down-trod nations in disdain,
  And flew to Greece, when Liberty awoke,
  New-born, amid those glorious vales, and broke
  Sceptre and chain with her fair youthful hands:
  As rocks are shivered in the thunder-stroke.
  And lo! in full-grown strength, an empire stands
Of leagued and rival states, the wonder of the lands.

XVI.

  Oh, Greece! thy flourishing cities were a spoil
  Unto each other; thy hard hand oppressed
  And crushed the helpless; thou didst make thy soil
  Drunk with the blood of those that loved thee best;
  And thou didst drive, from thy unnatural breast,
  Thy just and brave to die in distant climes;
  Earth shuddered at thy deeds, and sighed for rest
  From thine abominations; after times,
That yet shall read thy tale, will tremble at thy crimes.

XVII.

  Yet there was that within thee which has saved
  Thy glory, and redeemed thy blotted name;
  The story of thy better deeds, engraved
  On fame's unmouldering pillar, puts to shame
  Our chiller virtue; the high art to tame
  The whirlwind of the passions was thine own;
  And the pure ray, that from thy ***** came,
  Far over many a land and age has shone,
And mingles with the light that beams from God's own throne;

XVIII.

  And Rome--thy sterner, younger sister, she
  Who awed the world with her imperial frown--
  Rome drew the spirit of her race from thee,--
  The rival of thy shame and thy renown.
  Yet her degenerate children sold the crown
  Of earth's wide kingdoms to a line of slaves;
  Guilt reigned, and we with guilt, and plagues came down,
  Till the north broke its floodgates, and the waves
Whelmed the degraded race, and weltered o'er their graves.

XIX.

  Vainly that ray of brightness from above,
  That shone around the Galilean lake,
  The light of hope, the leading star of love,
  Struggled, the darkness of that day to break;
  Even its own faithless guardians strove to slake,
  In fogs of earth, the pure immortal flame;
  And priestly hands, for Jesus' blessed sake,
  Were red with blood, and charity became,
In that stern war of forms, a mockery and a name.

**.

  They triumphed, and less ****** rites were kept
  Within the quiet of the convent cell:
  The well-fed inmates pattered prayer, and slept,
  And sinned, and liked their easy penance well.
  Where pleasant was the spot for men to dwell,
  Amid its fair broad lands the abbey lay,
  Sheltering dark ****** that were shame to tell,
  And cowled and barefoot beggars swarmed the way,
All in their convent weeds, of black, and white, and gray.

XXI.

  Oh, sweetly the returning muses' strain
  Swelled over that famed stream, whose gentle tide
  In their bright lap the Etrurian vales detain,
  Sweet, as when winter storms have ceased to chide,
  And all the new-leaved woods, resounding wide,
  Send out wild hymns upon the scented air.
  Lo! to the smiling Arno's classic side
  The emulous nations of the west repair,
And kindle their quenched urns, and drink fresh spirit there.

XXII.

  Still, Heaven deferred the hour ordained to rend
  From saintly rottenness the sacred stole;
  And cowl and worshipped shrine could still defend
  The wretch with felon stains upon his soul;
  And crimes were set to sale, and hard his dole
  Who could not bribe a passage to the skies;
  And vice, beneath the mitre's kind control,
  Sinned gaily on, and grew to giant size,
Shielded by priestly power, and watched by priestly eyes.

XXIII.

  At last the earthquake came--the shock, that hurled
  To dust, in many fragments dashed and strown,
  The throne, whose roots were in another world,
  And whose far-stretching shadow awed our own.
  From many a proud monastic pile, o'erthrown,
  Fear-struck, the hooded inmates rushed and fled;
  The web, that for a thousand years had grown
  O'er prostrate Europe, in that day of dread
Crumbled and fell, as fire dissolves the flaxen thread.

XXIV.

  The spirit of that day is still awake,
  And spreads himself, and shall not sleep again;
  But through the idle mesh of power shall break
  Like billows o'er the Asian monarch's chain;
  Till men are filled with him, and feel how vain,
  Instead of the pure heart and innocent hands,
  Are all the proud and pompous modes to gain
  The smile of heaven;--till a new age expands
Its white and holy wings above the peaceful lands.

XXV.

  For look again on the past years;--behold,
  How like the nightmare's dreams have flown away
  Horrible forms of worship, that, of old,
  Held, o'er the shuddering realms, unquestioned sway:
  See crimes, that feared not once the eye of day,
  Rooted from men, without a name or place:
  See nations blotted out from earth, to pay
  The forfeit of deep guilt;--with glad embrace
The fair disburdened lands welcome a nobler race.

XXVI.

  Thus error's monstrous shapes from earth are driven;
  They fade, they fly--but truth survives their flight;
  Earth has no shades to quench that beam of heaven;
  Each ray that shone, in early time, to light
  The faltering footsteps in the path of right,
  Each gleam of clearer brightness shed to aid
  In man's maturer day his bolder sight,
  All blended, like the rainbow's radiant braid,
Pour yet, and still shall pour, the blaze that cannot fade.

XXVII.

  Late, from this western shore, that morning chased
  The deep and ancient night, that threw its shroud
  O'er the green land of groves, the beautiful waste,
  Nurse of full streams, and lifter-up of proud
  Sky-mingling mountains that o'erlook the cloud.
  Erewhile, where yon gay spires their brightness rear,
  Trees waved, and the brown hunter's shouts were loud
  Amid the forest; and the bounding deer
Fled at the glancing plume, and the gaunt wolf yelled near;

XXVIII.

  And where his willing waves yon bright blue bay
  Sends up, to kiss his decorated brim,
  And cradles, in his soft embrace, the gay
  Young group of grassy islands born of him,
  And crowding nigh, or in the distance dim,
  Lifts the white throng of sails, that bear or bring
  The commerce of the world;--with tawny limb,
  And belt and beads in sunlight glistening,
The savage urged his skiff like wild bird on the wing.

XXIX.

  Then all this youthful paradise around,
  And all the broad and boundless mainland, lay
  Cooled by the interminable wood, that frowned
  O'er mount and vale, where never summer ray
  Glanced, till the strong tornado broke his way
  Through the gray giants of the sylvan wild;
  Yet many a sheltered glade, with blossoms gay,
  Beneath the showery sky and sunshine mild,
Within the shaggy arms of that dark forest smiled.

***.

  There stood the Indian hamlet, there the lake
  Spread its blue sheet that flashed with many an oar,
  Where the brown otter plunged him from the brake,
  And the deer drank: as the light gale flew o'er,
  The twinkling maize-field rustled on the shore;
  And while that spot, so wild, and lone, and fair,
  A look of glad and guiltless beauty wore,
  And peace was on the earth and in the air,
The warrior lit the pile, and bound his captive there:

XXXI.

  Not unavenged--the foeman, from the wood,
  Beheld the deed, and when the midnight shade
  Was stillest, gorged his battle-axe with blood;
  All died--the wailing babe--the shrieking maid--
  And in the flood of fire that scathed the glade,
  The roofs went down; but deep the silence grew,
  When on the dewy woods the day-beam played;
  No more the cabin smokes rose wreathed and blue,
And ever, by their lake, lay moored the light canoe.

XXXII.

  Look now abroad--another race has filled
  These populous borders
I went to stay with an old schoolmate
In the village of Rushing Brooke,
I thought there wouldn’t be much to do
So I took a favourite book,
He said he’d only been there a while
For the cottage rent was cheap,
He’d needed to get away, he said,
But never could get to sleep.

His face was haggard, his eyes bloodshot
His hands would tremble and shake,
He said it was close to a fortnight since
He’d started to lie awake,
‘I get to the point I’m drifting off
When I hear that terrible knell,
A long slow tolling invades my sleep
From the church that has no bell.’

We sat up talking ‘til one o’clock
Then I made my way to bed,
But nothing invaded my sleep that night,
‘It won’t at first,’ he said.
‘There’s something wanders the street outside
In the hours before the dawn,
Clad in a cowl, or a hooded cloak
But it’s gone before the morn.’

From all that I saw of Rushing Brooke
The cottages were quaint,
They certainly had a timeless look,
Could do with a coat of paint.
The roads were rough with a pebbled look
But I saw no folk about,
I passed the Smithy and Fodder store
But the Blacksmith, he was out.

We walked on over to see the church
That was grim, and overgrown,
There’d not been a single service there
Since the Roundheads stormed the town,
But weeds grew up in the vestry, there
Were signs of an ancient fire,
And looking up we could see a space
Right under the old church spire.

‘That was the space they hung the bell
But the bell has long been gone,
The Roundheads carried it off, they say,
So it couldn’t toll for Rome.
The bell had tolled for the death of Charles
As his head fell under the axe,
The soldiers came for revenge in force
In one of their brute attacks.’

I kept him company every night
But I had to get some sleep,
For days I’d wake and I’d find him still
Awake in a crumpled heap.
I woke one time and I saw him stare
Through the window, into the night,
For there was a ghostly cloak and cowl,
It gave me a sudden fright.

And that’s when I heard the tolling bell
For the first time, that he’d said,
The bell from the church, that wasn’t there
Was tolling in my head,
I lay awake ‘til the sun came up,
Went out to greet the day,
But there the village had tumbled down,
Had long since gone away.

Only the marks of ancient roads,
Foundations that had stood,
There wasn’t a cottage left out there
Just an encroaching wood,
The church was standing among the trees
And our cottage, cracked and scarred,
Half of the roof was missing, and
The chimney lay in the yard.

We hurried away to the nearest town
And found an old-style Inn,
My friend had fallen asleep within
A moment of checking in,
He slept and he slept for two whole days
While I asked about the town,
‘What of the village of Rushing Brooke?’
But all that they did was frown.

The wife of the keeper of the Inn
Was tidying my room,
I asked her the same old question as
She worked there in the gloom,
‘I wouldn’t go near to Rushing Brooke
Not now, for a thousand pound,
That’s where the soldiers stole the bell
And mowed the villagers down.’

‘They say as the place is haunted by
The figure of a monk,
They burnt him alive inside the church
As he tolled the bell by the font.
He lived in a little cottage there,
The only one that stands,
I’ve heard some tell that they’ve heard the bell
And seen him, walk in the grounds.’

David Lewis Paget
I

Just as my fingers on these keys
Make music, so the self-same sounds
On my spirit make a music, too.
Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,

Thinking of your blue-shadowed silk,
Is music. It is like the strain
Waked in the elders by Susanna;

Of a green evening, clear and warm,
She bathed in her still garden, while
The red-eyed elders, watching, felt

The basses of their beings throb
In witching chords, and their thin blood
Pulse pizzicati of Hosanna.

II

In the green water, clear and warm,
Susanna lay.
She searched
The touch of springs,
And found
Concealed imaginings.
She sighed,
For so much melody.

Upon the bank, she stood
In the cool
Of spent emotions.
She felt, among the leaves,
The dew
Of old devotions.

She walked upon the grass,
Still quavering.
The winds were like her maids,
On timid feet,
Fetching her woven scarves,
Yet wavering.

A breath upon her hand
Muted the night.
She turned--
A cymbal crashed,
Amid roaring horns.

III

Soon, with a noise like tambourines,
Came her attendant Byzantines.

They wondered why Susanna cried
Against the elders by her side;

And as they whispered, the refrain
Was like a willow swept by rain.

Anon, their lamps' uplifted flame
Revealed Susanna and her shame.

And then, the simpering Byzantines
Fled, with a noise like tambourines.

IV

Beauty is momentary in the mind--
The fitful tracing of a portal;
But in the flesh it is immortal.

The body dies; the body's beauty lives.
So evenings die, in their green going,
A wave, interminably flowing.
So gardens die, their meek breath scenting
The cowl of winter, done repenting.
So maidens die, to the auroral
Celebration of a maiden's choral.

Susanna's music touched the ***** strings
Of those white elders; but, escaping,
Left only Death's ironic scraping.
Now, in its immortality, it plays
On the clear viol of her memory,
And makes a constant sacrament of praise.
Deep in the village of Darkling
Where the Squires and their Ladies rule,
No-one comes out in the eventime
Unless they’re a brazen fool,
The Hunt is rallied for after dark
And they wear the hood and the cowl,
Roam far and wide through the countryside
While the ravening hounds just howl.

They say that they’re hunting foxes,
But I know, that just isn’t true,
That blood they seek at the end of the week,
They may be looking for you,
They take their cues from the Magistrate
Who leads the Hunt through the grounds,
His word is law, and he sets the score,
They call him the Master of Hounds.

Sir Roland Bear has an awful stare
As he glares at you from the bench,
The lawyers do what they’re told to do
And offer little defence,
If you poach a hare from a Squire’s land
Or take a fish from his stream,
And you see him add your name to a list,
You know it’s your final scene!

For once outside in the courtyard there
The peasants will stare in dread,
They cross themselves as they pass you by
For nobody speaks to the dead!
You can’t go hide in your cottage,
If it still has a window or door,
Though you’re locked right in, the hounds of sin
Will come up through a hole in your floor.

The light of my life, Evangeline,
Was married to Percival Shroud,
He beat her once with a riding crop
To keep her bullied and cowed,
She worked all day in the Dairy,
In a barn on Percival’s Farm,
And I said one day that he’d have to pay,
I’d not see her come to harm.

She stared at me with her worried eyes
And she let me believe she cared,
We’d hide together beneath the hay
At the height of our love affair,
But one day soon, her burly groom
Had seen us going to ground,
And hauled us before the Magistrate
While our legs and our hands were bound.

‘There isn’t a place in Darkling here
For the likes of a pair like you!’
Sir Roland Bear, his pen in the air
Considered what he would do.
‘You’ve wandered outside the marriage bounds
Brought shame on the vows you swore,
While you have sullied her decency,
And turned a wife to a *****!’

He put his pen to the fabled list
And he wrote two names in there,
Then ****** us into the courtyard so
The folk could shame and stare.
They cut our bonds and we heard the hounds
As they howled and yapped for blood,
So we went trembling, hand in hand
To hide ourselves in the wood.

The Squires were grim and remorseless when
The Hunt pursued its fare,
Their Ladies thought it a festival
When they rubbed warm blood in their hair,
I’d said I’d not let her come to harm
But Evangeline had cried,
I broke a branch and I sharpened it
To defend my shattered pride.

They came at us like the hounds of hell
In their cloaks, and hoods and cowls,
Along with a pack of hunting dogs,
We could hear their approaching howls,
Evangeline was safe in a tree
While I stood guard below,
My fear was clear in my trembling hands
But I stood so it wouldn’t show.

A rider burst on out through the trees
And he roared, ‘Now pay for your crime!’
I waited until he rode up close
Then I ****** my stake in his eye,
He screamed just once, and fell from his horse
And his cowl, it floated wide,
I saw I’d killed the Master of Hounds
As the dogs tore at his hide.

The Squires looked down with little remorse
At the corpse that lay in the mud,
While the ladies leapt from their jittery mounts
To dip their hands in his blood,
We made our way unseen through the woods
Escaped from the killing grounds,
And Darkling now is free from the spell
Of the evil Master of Hounds!

David Lewis Paget
I like a church, I like a cowl,
I love a prophet of the soul,

And on my heart monastic aisles
Fall like sweet strains or pensive smiles;
Yet not for all his faith can see,
Would I that cowled churchman be.
Why should the vest on him allure,
Which I could not on me endure?

Not from a vain or shallow thought
His awful Jove young Phidias brought;
Never from lips of cunning fell
The thrilling Delphic oracle;
Out from the heart of nature rolled
The burdens of the Bible old;
The litanies of nations came,
Like the volcano's tongue of flame,
Up from the burning core below,
The canticles of love and woe.
The hand that rounded Peter's dome,
And groined the aisles of Christian Rome,
Wrought in a sad sincerity,
Himself from God he could not free;
He builded better than he knew,
The conscious stone to beauty grew.

Know'st thou what wove yon woodbird's nest
Of leaves and feathers from her breast;
Or how the fish outbuilt its shell,
Painting with morn each annual cell;
Or how the sacred pine tree adds
To her old leaves new myriads?
Such and so grew these holy piles,
Whilst love and terror laid the tiles.
Earth proudly wears the Parthenon
As the best gem upon her zone;
And Morning opes with haste her lids
To gaze upon the Pyramids;
O'er England's abbeys bends the sky
As on its friends with kindred eye;
For out of Thought's interior sphere
These wonders rose to upper air,
And nature gladly gave them place,
Adopted them into her race,
And granted them an equal date
With Andes and with Ararat.

These temples grew as grows the grass,
Art might obey but not surpass.
The passive Master lent his hand
To the vast soul that o'er him planned,
And the same power that reared the shrine,
Bestrode the tribes that knelt within.
Even the fiery Pentecost
Girds with one flame the Countless host,
Trances the heart through chanting quires,
And through the priest the mind inspires.

The word unto the prophet spoken
Was writ on tables yet unbroken;
The word by seers or sibyls told
In groves of oak, or fanes of gold,
Still floats upon the morning wind,
Still whispers to the willing mind.
One accent of the Holy Ghost
The heedless world hath never lost.

I know what say the Fathers wise,
The Book itself before me lies,
Old Chrysostom, best Augustine,
And he who blent both in his line,
The younger Golden-lips or mines,
Taylor, the Shakspeare of divines,
His words are music in my ear,
I see his cowled portrait dear,
And yet for all his faith could see,
I would not the good bishop be.
Chris Saitta Sep 2019
She walked out of the watercolor storm of a fresco
Like a cowl-bound form in a light drizzle of rain,
Her mosaic tiles of ancient lovers’ eyes, ceramic-borne,
Just as her hips held the curves of the urn, kiln-fired,
The coiled heat of Greece still stinging through her flesh.

For her, the treetops had been the summoners of storm,
In kind, she poured down the wet grove of her hair, electral,
Pantheress of humid breath and fanged flair of lightning,
Tamed once in the cloudy cage of Pentelic marble of the Parthenon.

But the world piled dust before her, baiting with its groveled roads,
For her black mullings, much-tasted rain, and heaven’s leaves to fall.
If only the Michelango-to-come had carved the clouds of her
For the light to remain, shining its centuries,
Then maybe the thunder would have been left undone.
Annie Hintsala May 2010
An autumn moon shone overhead,

The shadowed trees filled with dread.

Out of darkness came a howl,

Fur and fang from inside cowl.

During daylight hours Morning Star shone,

When night came down she ran alone.

Shedding clothes and skin and manners within.

Shedding good and evil and all of her kin.

Morning Star! The people would wail.

Dog and horse led to a ****** trail.

Out of home, out of time,

She runs on two to find her kind.

Morning Star! Her sister spoke,

Her brothers arrows armed and broke.

Morning Star! Run to wilderness run,

On four paws away from sun.

Morning Star! The pack has claim,

And nothing will ever be the same.

Run with wolves, a Midnight Star,

Run with wolves to reaches far.

A skinwalker newly made inside out

Morning Star, Morning Star, the people shout.

But none of her was left to hear,

Black fur for hair, claws for spear.

Morning Star to Midnight Star under autumn moon.

Midnight Star, the hunters come for you soon.
This is one I wrote last year, based on some Native American Legends.  I revisit it every now and again, trying out new things and wondering what works and what doesn't.  Any thoughts?
Ken Pepiton Dec 2018
We get better as we get better

Mneuromorphicmeme makers
Sapiens augmentatious, that's us

Who could argue against us. AI don't know

Smell that smell,
Suffer, wait, wait wait
let patience have her perfect work

wait to see the whites of the eyes,
what am I seeing?

Why the shades at night, are you cross eyed?
Are you lookin' at me?
What are you lookin' at?

Shame on you, who can see what I see
I look at you
do you see what I see? nope,
similar, right

watch my eyes, see the whites,
ninoculate bi noc u late

see the angle point 123
see
the point I see from my aiming vector,

see my point from the angle of your POV
see

Pretend you do, and walk a mile with me,
help me with my load,
you know any stories told 'round here?

Life history strategies, those they conserve,
per haps a cultural system,
like pickling, or fermenting, or culturing
gut-felt tales of gods and monsters?

Guts, good god, Maudie, come see
a-fore-al-flusher, disgusting
turds taken for golden nuggets,
we missed in the dust
dancing in the golden sun shone
through a tiny hole in the roof
through which rain may drip, someday we may remember

Camera obscura, who first saw the truth in one of those?

"what you diggin' fo down there, Gold?", she giggled,

Gold dust sprinkled fine as fine can be,
breathe this
Deep in the tunnel,
the last highest part of the dust of the earth,
the dust of many men drifting in the wind,
radiates, dis integrit-ified, trans mogr ified known,

No, I would not have guessed.
I should have learned and
did, did you? Is war your

right and my wrong?
Warrior,
can you imagine
following a peace? Bliss? Nirvana? The
rest that remains for the people of God?

Is this real? Is real. AI affirm ifative

Warfare is thinkified, just-ified, never done.
The doing of evil at this level of living is imaginable
only, not re-alizable.

We remain mortal. These peaces we put together are
for mortal moments.
We remember learnings we recall from gatherings together,

Familiar things, whence we seen the source whither
haps in my favor may be found
in the next round
after, ever after

I find a way back to the light where I saw
dancers in a blue moon beam,
blue light, not calendar man made myth of two full moons
in a single cycle of the moon,
we know better,
set your timer with the solstice,
let the seasons roll.

Precision, close enough, field-ish, an ion cat ion sort of,  

the safer it gets, the safer we need it to be,
let patience have her perfect work,

safe liberty needs broad horizons,
not high walls.

Enemies are ideas wishing to be im-portentious,
as if forever is a game to be won.

Contention is single source. Pride.

So, you, passerby, can you make proud, or pride
weigh more than the peace I made?
Want to trade?
I take your pride and flush it, wipe your own
stench away, but trust your gut,

a peace-filled gut wins every single time,
incident after incedent, pre-dictable as forever
in any direction,
going on.

Does this smell digestible or does my gut go
NONONO yech onomatopoeic retch

finger down the throat, you know, the secret sign,
in a word,
*******. Don’t swallow any more. Spit it out.

Why not? The dog eats it.
It's disgusting.
But, watch, the dog rolls in it, then she sneaks up
on the skunk, oh
****, I ruined her hunt, she had that skunk,

Until I yelled, "Macy, no!" She froze, the skunk fired,
on my exclamatory point.

Right there, see. What is aimed at,
wait to see the whites of their eyes,

shoot 'em.
Sniff, nose gnostic vapours settled by dew
soak into the mulch maker's realm,
de cay, de cawl, draw back your cowl and scowl

in the mirror,
or was that in a movie? The camera was you, you
saw the blood swirldownthedrain, you
saw thy evil mother,
locked away,
NULL-ified for as long as I live. Okeh.

******-drama scenario. This is the game? No rules?
You lie. Lying is allowed here, it is a skill
we conserve, we conserve the
sacred liberality ification
manifested in the
leavened sons
of God's sons.

Truth, be known, has one foe. Pride that makes the lie.

-------
Magical transfer, dis gust, take yo breath away,

congenital liar, natural nurturerer,
teller of tales of the mighty hunter,

the hunter of might,
might he be a hunter of darker

theory of mind, begins with the first lie

I may remember mine, do you?

The green man? Yeah, spiderwoman's caretaker.
Lacto, make some cheese,

we offer the milk mixed with the smoke
from the mushrooms grown on
the darkside of *******.

Leadership, lead away. Followers,
this way, down or
up.
It's POV, you see,
Ya'll are the beta testers. If people as smart as you don't tell me I am mad, to try, I shall continue to pay close attention as time, per se, parses out.
Martin Narrod Dec 2018
well then shepherd in the mess why does that sharpened cowl of wheat surround those sweet yams in the satchel, some scene of loosening transgressions, no pear ripening itself one dull, and one unfulfilling afternoon, rolls down over its branch of sister and brother father and mother Bartletts from the stem, only to make its way into the bottom of that stretched out tawny hide. Where by the wayside every other nobody can see straight inside when a hand moves in, sweeps its fist and then goes deeply down into that can of rotten novelties we all hate, but you feel keeps us in suspense. I wonder will it ever end? Bells busting from the insides of their guts, another candy shock, up and bounces, popcorn kernels, roasted almond slivers, and some preceding green vegetable posted on the 8th St. Diner marquee display on 9th, another advertisement fighting at the sore, devoured hunger for that silhouette following closely behind the moistened wells where my brush dabs lightly into the cup before the gouache and paint mixture begin to dry, that is where I wait and wonder why? Why? Pained with hunger but besmirched with fright, skin sweaty, knotted like muslin yards growing weak against the coil. So humbling were the groans that nearly a decade crossed swiftly across his face, only five or ten minutes had passed before another twenty years flowed into the vast matrix of the rivers of blue sweat marked by estuaries, creeks, and streams across the brow, down the cheeks, and ultimately across the neck, lazing down into the chest, before settling its heavy panic soaking in the guts. Where a heavy glass brick has been vitrifying in the sun, never have two people seen the steamy and piping-hot quarry go from its conviviality and festivity of life, into this shriveled up tree having found its way into the prairie where giant winds bend its branches and enormous thunderstorms nearly strangle it with its own roots. Frisked by sin and pangs of nostalgia in which a thousand thoughts intersplice the whorls imprinted upon our brains.
Thought circles
Helen Nov 2013
Seems to me like the Grim Reaper would have some sense of humour... Just look at his job description....

   He was staring at the fire with a horrified expression on his face.

   I quickly hid the stick with the marshmallow squished to the end of it behind my back. I frowned slightly at the look on his face and shook my head, thinking 'Nah, he’s not ready for that kind of humor' and I just stood slightly behind him and let the firelight dance in the night.

It certainly was a time for reflection…

  I go to touch him softly and he slowly turns his head away from the fire and as his eyes settle on my hand hovering above his shoulder and he shudders and jerks away. I’m offended at first until I realize I forgot my gloves that day.
Opps, scary, bony hand. Right! A real turn off and I duck my head to make sure the cowl is covering my face.
No more mistakes!

   “Where am I?” he grits though clenched teeth while his head swings between me and the fiery conflagration upon the motor way.

   “Who the hell are you”

“Me?” I ask, exasperated. Like the scary, bony hand didn’t give me away!

   “Am I dead?”

Oh ****, he’s now hyperventilating… not a good sign

“Not yet” I answer slowly… Hmmm, how to explain? “ No, your not dead, but you will be. I took you early because well…” and I wave my hand in the general direction of the car that just exploded, which quite nicely scored a point in favor of my benevolence. “I just swooped in a bit early because, lets face it… do you want to be there?!!”

He throws his hands over his head and ducks at the loud explosion and looks at me like it was my entire fault. Well I wasn’t the one that thought I was okay to drive home after drinking all night but I’m used to being pegged as ‘The Bad Guy’… rolls eyes Sheesh!

   “Where’s Janet?” he asks quietly then with an ear piercing scream (I don’t really have ears but by the howls coming from the forest behind us (because I can hear animals, I'm not completely deaf) I’m assuming his voice ratcheted up a notch or two…)
JANET!!

"Calm down dude. She’s gone already."

   "Gone already? What do you mean gone already? You got me out and left her in the car?!?" He seems really ****** now.

"No! I didn’t! I mean that Gabriel has already been to collect her. Hey you’re a lucky guy. Gabriel doesn’t just shuck his wings to swoop down for nobody. She must be a real nice piece of… well a really nice lady for Gabriel to come collect her."

   "Gabriel?" He's shaking his head slowly like he's trying to dislodge a twig from his hair and his eyes are growing wider by the minute. "Gabriel? As in Archangel Gabriel? So she's going to heaven?"

He seems relieved which in turn makes me breath easier until he focuses again on me with a crazy eyed stare which makes me think he's about to get hysterical again.

   "Then what the hell am I still doing here? Why aren't I with her?"

Oh, tricky question. I hate the tricky questions. I'm so not paid enough for this **** and tricky questions. Why can't they just ever come along quietly?

"Umm" I hedge, with a little twitch right about where my eye muscle should have been. "I believe it has something to do with your secretary?" I deliberately leave it ending in a question.

   "My secretary? What the hell does that... Ohhh..."

Bingo, there you go. I love it when the penny drops quickly.

But I'm saddened because I know for a fact that his secretary was a scheming ***** that came onto him and he sidestepped all her advances at every opportunity but he was caught late night at the office with a big case and she took advantage of the late hour and even though nothing happened he still fantasized occasionally about the almost moment.

I pointed this out to Gabriel when he came to collect Janet and also advised that Janet was less innocent than she looked and he just sneered to me in that pompous angel way...
"Yeah? So what. We're really bored up there and this one is pious enough to escape notice but just enough down and ***** we can have some fun.
Back off Death!

You've already touched this one.


You just make sure you clean up the mess left over and make sure her man doesn't come sniffing 'round our domain or we'll make sure Lucifer hears about your little mistake with the last Pope and how you let him escape upstairs when he was meant to take the elevator south... Yeah, you know what I'm talking about...."
and then he was gone. All shining light and white wings and trumpets and fanfare.

Pfffttt... the mans exit is the most exciting thing about him so I guess Janet really is going to get what she deserves...

   "So what about me?" he said to pull me out of my reverie

"What about you?" Oh! What
about* you? Okay, well I can put you back in the car and you can be burned alive until you take your last breath and get just a small taste of where you are heading"

He didn't really seem to like that answer and by the look on his face that is when I decided to toss the stick with the marshmallow squished onto the end of it far into the treeline. I really didn't think I was ever going to be able to pull that one out of the bag. But I was still really ****** at Janet (on his behalf) and I'd ******* this one up to royal proportions so I didn't think my next suggestion would be any less worthy of the moment.

"Or, I could bust you through the windshield on impact before the car sets alight."

He's not sure but he's nodding his head slowly and he's listening.

"Now, you have to remember, you were traveling at speed and not wearing a seat belt of course so you have to know that where you land after skidding a bit.... well, there will be scars..."

   *"Scars, chicks dig scars"
he murmurs thoughtfully

"Yes, they do" I warm up to the thought. "And don't forget, you'll be a Widower too... Chicks dig that too"

   "Yes, a widower, scarred and tragically losing their wife. I like, I like"

He's warming to my idea.

I'm so smart!

Because he wasn't supposed to be the one I was to escort to Hell.
It was supposed to be his ***** of a wife Janet, but who in their right mind fights an Archangel for a soul? Not me, I'm the biggest wimp of all time. I just touch them and they fall! I'm not a fighter. Janet, for all her sins was to be mate to Lucifer tonight. I could have just touched Gabriel but I noticed he didn't get close enough to me to allow it and I didn't push the cause because I knew his payload wasn't anything he should gloat about and I wished him well...

So I really did '****' two birds with one stone this night. Janet got what was coming to her (Gabriel is the biggest sadistic ***** of the bunch) and her husband is a little banged up but the sympathy vote is scoring him some serious chick points.

Me?
I love my job :-)
please lemme know and honestly profess
if profusion of words create a lingual Loch Ness
(when hens canst come home to roost
   especially, encountering
   the following conglomeration
   in matthew scott harris patois).

He readily admits writing inventive
   attempts usually ten tubby a literary mess,
thus finding innocent cyber cruisers
   Angle fishing for Saxony fundamental fluidity
   courtesy of Freudian stream of consciousness,
   gabbling gibberish, muck not done on purpose
   and certainly less
to impress.

Gnome hatter intent toward
   cogency, fancy ingenuity,
   levity, the inevitable
   resultant wrought gobbledygook
   fascination for Lingua Franca
   feeble endeavor splutters, splinters,
   and splatters Asia Yukon guess.

Paramour status analogous with twenty six letters,
   sans En gull Lush Mother tongue confluence
   finds me submerged (as an Arctic Monkey)
   swimmingly enervated
   via ****** laced sentiments
   perhaps finds bravely daring soul madly
   hollering, gesticulating floundering,
   (in close proximity to Davey Jones's locker)
   to avoid drowning at sea
   perchance comprehending passionate influence.

   Upon espying a signature poem of mine
   forces one pre ponder ring lurking predilection
   tib hush anonymous re:
   dears (dares) adventuresome mettle
   taking him/her to the brainy
   (briny) deep brink
   Icon fess

this (NON FAKE) pretense, why
   aye metaphorically express
(via medium of ordinary Anglophile
   alphabetic wanton soup,
   or figurative egg drop bub
   bling broth (el) doth brew)

   pronouns Sibyl affectation
   affliction sans plethora,
   where each ladle full adrip with
   richly flavor Verdana Font lee
   and sincerely textured vocabulary.

   Pluperfect mortals beings undoubtedly feel
   (blindsided, how this hunger stricken author
   suffers said sesquipedalian syndrome
   particularly expectorating flashy

   hoping tum bark on successful literary quest)
   hyper aware aspiring paperback writers wannabe
   might stoop to conquer, cheat, cadge
   vis a vis plagiarize plethora
  amidst storied plentiful English droppings.

Rather than succumb pretense feigning paucity
   temptation to bask exultantly,
   professed glorious unrequited love
   announcing required sworn vow,
(el lye ding) avowed consonant covenant.
Poetic T Dec 2015
She stood at the gravestone a shard petal
Fell cutting upon the air. It littered the floor
With tears of wine, falling and spilled on the
Found staining the memory below. She gripped
Upon its stem in a hardened stance of tears.

Her cowl draped over her soft hair in the
Scattered winds it flowed and from her
Grief did vengeance flourish. shadows
Granted form trod upon the ground.
Beauty in darkness bled upon the land.

Hooves trebled on odours that were seeping
Scent bleeding a trail on the land below.
There onyx alicorn cut into the wind tasting
The vengeance that would bleed upon there
Moment of satisfaction as shadow feed cold.

Hooves were separated, as the hunted greeted
Foe, shadows were separated and in to mist
They seeped back to the cloak. Fibres torn
From the impact and bled darkness on all
It graced upon. She felt each of there pains.

One still galloped on, ever seething in connected
Grief of its fallen parts now concentrated in its
Raging torrent of remorse. Each that had fallen its
Location bleed into the sky showing each the
Position of vengeances handle well grasped.

Rapid breath did concentrate on a veil of
Misted wisps as in site that which felled the
Love of one in shadows trawl. Now as blade
Swung for a third strike hardened by fallen
Before it glided on concentrated form.

Majestic beauty seethed in onyx fought for
What was owed in blood. It  needed to be fed
Upon its quivering movement, not sullen as
Before, for each learned from the fallen before
Swifter and fluid motion formed and flowed forth.

Her main was cleaved into oblivion as wisps
Drifted off. Hooves took on to flesh and connected
In true form. blood urged to be released as lips
Gestured forth and expelled raindrops of pain
On self and the watching earth silent below.

It clipped with its etched alicorn flesh tight
And willing to be cut upon, as tears of life
Draped ever faster she was called to this
Calling to venture into the known finishing.
In elegance she edged slowly forth unto him.

I was in a beat of another draped in essence of
Loves grip. You stole the heart that held mine
And it fell shattered into dust. I claim the right
Of loves vengeance on that which was taken
Now entombed  in eternal stones grasp.

As the last steed faded into recollection and
Joined her cowl now whole. Its horn now
A knife of blood rose thorns ready to drink.
He went to venture words but her finger
Silenced anything seeping forth.

"Love was my light and you extinguished it,

"Now darkness collects it dues on that death,

She plummeted it into his chest and it drank, as
A husk knelt before her then dust graced the
Gentle wind and she stood alone once again.

"My love as yours was stilled,

"Now they do not breath breathe,

And she hilted her dagger and once again
Stood over the stone that held silent thoughts,
And a heart that still beat but not of life anymore.
inspired by this piece
http://ap-pics2.gotpoem.com/ap-pics/contest/2659/348.jpg?unicorns.jpg
Nick Strong Sep 2015
Howling wolves,
Calling unearthly creatures
Night bound to deathly horrors
Cold icy fingered wind, bites
Whistles down stone chimneys,
Inside amber flames flickering in the hearth,
Shadows dance across the wall,
Candle sputtering in the draught
Casting an eerie glow cross the page
The book being read, strange tales
Outside the wind surges, lashing
Rain against the leaden panes
A splinter of lightening flashes eerily
Warm and cosseted against the storm
The page is turned, the story continued
A single scratch at the window,
And a rattling of the latch
Heavy door squeaks open,
On old heavy hinges
Fingers slowly slide round
Gripping the doors edge
Skin grey, taught against bones
Hooded face slowly revealing
It’s secret from beyond
The Reader’s eyes riveted
On this unfolding chapter
Spine chilling flicker of recognition
Of his own face beneath the cowl
The book drops …
Final version of the poem. I hope you have seen how it develops and changes over time.    The question is what does the visitor say or do?
Aa Harvey May 2018
The Discworld Death


The Discworld Death and Binky the horse, are here to stay.
The knight and his steed.
The darkest light even on the sunniest of days.
He is here now and he has always been here.
He will be here at the end;
The time you reach the end of your allotted years.


The Death of Rats fears no cat,
For he is already immortal; he always appears in black.
Even if a rat has been killed by a cat
And the cat can see The Death of Rats,
He still walks in his cowl and carries his scythe,
Because no matter how much the cat would like to attack,
It cannot **** the Death of Rats, as it is no longer alive.


You cannot **** Death, nor can you **** the Death of Rats.
You cannot escape the end,
And you cannot escape the cat,
If you are a rat;
On that you can depend.


Susan is Death’s Grand Daughter, with her hair black and white.
Albert is Death’s helper; the foolish type.
Death stands alone in the night and at his side there flies a crow.
With electric blue eyes, Death stares deep into your soul.
He can reach inside you and take your life,
Or he can let you go.


But when your time is up,
From Death there is no escaping.
He is your undertaker, have no fear of the Reaper;
He cannot tell you where you are going.


Death is an anthropomorphic personification.
Discworld is my favourite form of fiction.
It would be my preferred place,
To take a lifelong vacation.


(C)2017 Aa Harvey. All Rights Reserved.
Sombro Dec 2014
A taste of the future has come to my lips,
Sickly, but then, I asked for it
The droplets forsook me and went to my eyes
But nobody living has taken the sips
Like I have drunk deep of the pit
And the water was refreshing, to my surprise

I fortold the blessing, like a hand to the brow
I carried the scars, like lines on my face,
But ones that aged me more quickly
I heaved at the thought of the then and the now
My make up was dark, but light at the place
Where I applied it more thickly

So tell me the truth, all those from beyond
Explain the shadows under your eyes
I don't understand how you sink to your knees
A cowl of cold on me has been donned
It never could bring me to rise
For me and for life, we do as we please.
A little poem on life and its processes.
Terry O'Leary Apr 2013
The sinking sun is now undone,
                                   the sky is fading red
and shadows prowl neath cloak and cowl
                                   for midnight lies ahead.

Above the heap, the bosses sleep
                                   with bloated bellies fed;
for, yes indeed, no one's in need,
                                   at least, that's what they've said.

Amongst the ones that hunger shuns,
                                   in day's retreating tread,
are spiders black ensnaring snacks
                                   while spinning silken thread.

But as it stands, in conquered lands
                                   a famine reigns instead -
and kids at noon, collapse and swoon
                                   on stones they call a bed.

With aching eyes they fantasize
                                  and dream of gingerbread,
and after while, they wake and smile,
                                   now dining with the dead.
Chris Saitta Jul 2019
She is the typesetter’s “e”

The once-rounded uncial script,
Unbroken like the solemn vow of a monk,
His whisper, a shepherd of words under the cowl,
Murmurations of the Holy Mother to the lambswool shroud of candlelight.

His candle-flock of dreams to some hill of penitent towers, war-cowed
And broken open like faith-unfended helmets, littering the ground,
With their unspeaking tassels in babbling pagan sound of wind,
That hill too, once-rounded bare under the glittering apostles of twilight.

In the abbeywork of air, calligraphy was a cipher of souls,
He unwrested demons from an inkwell of sunsets, smothered them in blotting paper,
Freed the incarnate whole to the book of hours, nib-pointed in quills and illuminated in gold,
Line by line, in Carolingian winding sheets, he returned the misshapen to the fold,
To the carpet page of home and the warm ligatures of their waiting women.
So the shutters of the heavenly house could blow light in slanted rays to a wilderness in storm.

But he never tamed the aero-elongated, descender of Troy in a “t,”
He never knew the unholiness of the underscore or fonts as ******,
Or the world unwilling to know itself in serif robes of ancient lore.
His life was a simple rounded-out syllable of one man,
Left in the muddied, unintelligible text of faith and war.

She is the typesetter’s “e” and now belongs to any hand.
For slide video:  https://www.instagram.com/p/BzmNoRhl5_w/?igshid=n0ukp97qre18

Uncial script was predominantly used between 400-800 AD and is a majuscule script (only in capital letters)
True uncial scripts were unbroken, meaning the pen wasn’t lifted.
Carolingian script was the predominant minuscule script between 800-1200 AD and was used in the Medieval ages.
Other calligraphy terms include “blotting paper,” “carpet page,” “ligatures,” and “descenders.”
I wander down the path
Seemingly still and quiet
No shadows in sight
But a light so bright
What could be, this Enigma?
I’m mesmerized, so transfixed
And with its grace and beauty
It rejects every stigma

my Invigoration
simple conjuration
of feeble elation
becomes condemnation
an exacerbation
of lost contemplation

falling to the floor i find myself
beyond salvation and left to starvation
I did not choose this, to feel this, or to be thrown away
My intentions are gold, no ill will in sight
but they choose to see what they want

HARK!
A figure engulfs the horizon
Shrouded and concealed from the world
It charges forth as a familiar phantom
It strikes me back as I stagger away
Its cloak blackens the sky to my dismay
as air evaporates bleeding my mind astray
but hope is in sight for I have found a knife!
again and again, Brutus would be proud
for the pool beneath the figure must end my strife
and to the figure, I remove its cowl
lo and behold, the face is my own
reality then breaks at the seams
to have this fate, I couldn’t have known
lost and diluted much like my dreams
My hands remain red
Trapped in my own head
-About those times when you feel like you're constantly ruining everything-
Seán Mac Falls Oct 2013
Falcon rise— yellow racing eyes,
Blue wraith that rakes the skies,
Never has one fared such beauty,
Airs naught wholly bright as thee.

Is there a kneel for end of days—
Songs, deeds for those who prey?
Is there light breaking pied wings,
Or is heaven overlord to all things?

Sun spots feathering coated crest,
Talons top spires mountain breast,
When rivers of the wind fail all fowl,
What grace and splendour in a cowl?

Is there a psalm in the wailing winds,
A hymn that carries all innocent sins,
Or a fable, blue as stupendous skies,
A truest place where redemption lies?

The sea slides with lost ocean birds
And blue wings coast, row unheard,
Edging the skies with razors' tinge,
Seeding the immortal spark begins.

Falcon rise— yellow racing eyes,
Blue wraith that rakes the skies,
Never has one fared such beauty,
Naught airs wholly bright as thee.


                  — after William Blake
Marshal Gebbie Jan 2011
Thou spinster of the silken night
Why slide beneath that sylphen cloud,
Why hide the blush of pallid cheek
To mask your secret smile in shroud ?

Pale crescent love of velvet void
A vivid splash of pinprick gems,
Suspended in black solitude
Such  beauty midst celestial friends.

Lovers kiss beneath your spell
Hand in hand they stroll the lane
Garlanded in silver light,
Ensnared within your crescent’s reign.


Thou siren voice doth wax and wane
These very oceans sing your song,
As seabirds ply your ebbing tides
And global winds blow clear and strong.


Lunar light threads through tree boughs
Casting lurid shadows bare,
Causing wolves to crouch and howl
At living, moonbeam shards in air.


Oh sister of the silent night
Feel the haunting call of owl,
Scan the forest’s shadowed light,
Gild the snow clad mountain’s cowl.


Thou spinster of the silken night
Rest thy secrets in thy soul,
Fade as shadows blend  to day,
Relenquish all to sun's control..



Marshal Gebbie
Victoria Park Tunnel
14 January 2011
byron Johnson jr Sep 2020
With each reach I am further away than I hoped.
Clawing desperately at walls of mud.
Foiled by the viscosity of fools.
No matter how hard I try to escape the solitude it haunts me still.
Looming over me like a cowl adhered to my skull.
Comforting is its presence.
Complex are it’s vexes.
Is it the walls or my skin that take the brunt of my aggression?
Is it outward or all within?
Could it be that the darkness is my only friend?
The only thing that remains.
All my efforts are in vain.
All my transgressions explained.
My thoughts are all insane.
But here in the depth I can escape the pain.
So here I shall remain.
Filled with more of the same.
Questions unexplored… a bane.
Alexis J Meighan Oct 2012
I figure this to be
The sanctuary
Build from the ash and debris
Of past storms and unhealthy tendencies
A folk lore
Just short of a mystery
The list is infinite
But the bottom of the page is clear to me
I focus my point
Trying to stay on target but I miss easily
Dreaming of clouds and celestial cuisines, heavenly
Close my eyes and jump from outer space
Screaming as if it will cushion the fall from grace
Tearing apart on impact, what's left?
My complacency, complexity, impurities, the real me?
They way down is way down
How long a fall? Just way down
I'll aim for that hay pile
Like a middle era hero with a pale cowl (Altaïr Ibn-La'Ahad  reference)
Falling feels like sinking
The weight in my gut persist to expel itself
In my panic I'm thinking
"I wish gravity would give up
I'm 500 feet from the pavement
15 seconds till impact
If this is my dream the wings will be there
And I'll soar away just before I hit the floor
I close my eyes and begin to squeeze
Visualizing the emergence of these beautiful wings
I open my eyes
I can see the cracks on the side walk and lines on the street
10 feet from the ground ready to take off then like a dream I .............(Loud Thud!!!!!!)
Ouch!!
    -Xin-
Seán Mac Falls Mar 2019
.
1
death dirges

Frogs in distance sing  .  .  .
Foxes, herons, join in too,
  .  .  .  A round of croaking.



2
love gifts

Her gift of flowers  .  .  .
Came at night without garden,
  .  .  .  Were picked in bedroom.



3
twins demure

Full moon and she  .  .  .
Beauties without crescent smile,
  .  .  .  Naked in starlight.



4
light music

Before even sun  .  .  .
Gleam opens to paint each day,
  .  .  .  Beauty in birdsong.



5
iridescent

After sun showers  .  .  .
Sparkle of rainbow colours,
  .  .  .  Busy hummingbirds



6
chilling

Hollow sound through trees,
Naked and bare branches sway,
  .  .  .  Old winter creeping.



7
flirting

She wanted a child  .  .  .
Rushed from one suitor to next,
  .  .  .  Clock set to maybe.



8
super villain

Truth once singular  .  .  .
Mucked all up with politics,
  .  .  .  In cowl of falsehoods.



9
casualties

Blood spills in gardens  .  .  .
Naïve worms torn from loose grounds,
.  .  . Red robins, green lawns.



10
stigmata

Each spring miracle  .  .  .
Trees blessed by caterpillars gifts,
  .  .  .  Holey hands of leaves.



11
consecrations

Ripples lead to bows  .  .  .
After fish breaks the water,
  .  .  .  A kingfisher dives.



12
constancy

Steadfast as always  .  .  .
Wildflower in sun and rain,
  .  .  .  Showing true colours.



13
roommates

Chaste lovers wonder  .  .  .
How bodies weather the cold,
  .  .  .  Never knowing touch.



14
swept away

Suddenly we kissed  .  .  .
At beach as tides rolling in,
  .  .  .  Drowning by ocean.



15
seductress

Her red hair so long  .  .  .
Brushing my face, hiding eyes,
  .  .  .  A kind entrapment.
.
Classy J Sep 2019
Thick-muddy roads around some sick cruddy homes.
Drugs flowing in toe by toe.
Water’s running dry or poisoned,
Just waiting for the Vultures to show.
Institutionalized woes, seen in droves.
Internalized hatred making each other foe’s.
Systematic destruction killing everything we know.
But that’s the way it goes,
In the savage lands where people lose their very souls.
We in the savage lands, where things are running foul.
With some not realizing we never really got rid of the white cowl.
I don’t care what you have to say!
Things aren’t ok, ok, ok!
Don’t you see racism is still alive today?
Uh, education? What education?
After 100 years of attempted extermination.
Forcing their indoctrination, lock us up,
Incarceration.
Isolating us from the rest of the population,
What’s that called again?
Alienation!
With missing and murdered indigenous women.
Yet the police take so much longer in their investigations.
Confiscating children out they homes,
Calling it salvation.
It’s like a third world country out here man!
It’s like we living in Damnation!
But that’s just the way it goes,
This is the savage land, where people have lost their very souls.
We in the savage lands, where things are running foul.
With some not realizing we never got rid of the white cowl.
Yeah, so I don’t care what you have to say!
Things aren’t ok, ok, ok!
Don’t you see racism is still alive today?
Seán Mac Falls Feb 2015
Truth once singular  .  .  .
Mucked all up with politics,
  .  .  .  In cowl of falsehoods.
Connor Jan 2016
I

Flowers already,
sputtering bicycles and the mad drums of foreshadowed
Springtime,
Massage therapist of the universe!
The extracted final note in a bird's outcry and my ears are full of sound
and sleep.
A cities undeterred heartbeat welcomes me to the continuous span of events only separated by the lambent verve,
windowless eyes watching each other
a signal-light blue ocean winding around a wicked mattress
seductively spinning a cowl into the night for her lover
(who's thoughts have been paused!  he's 100% clocked in and spun out, a hanging aluminum)
DAZZLING!
toothpaste spit outside into January's soft grass from a second story dorm room that's curtains reminds me of The Glenshiel..
(or maybe I'm suddenly feeling sublime death slowly knotting itself into my lungs, always been there but kinda like noticing your nose resting on your face for the first time)
On the bus home I thought of new years eve, 2015.
After the countdown, emerged from the underground
James Joyce pool hall,
rushing out to the streets
an asphalt madhouse
lunacy, absolute, and stabbings nearby tortured parkades.
Here's the new year made real,
a tangible calendar
an authoritative sentiment
while I listened to Donovan's "To Sing for You"
My new friends laughed, arms together,
I felt like I was standing on the edge of an undiscovered sun,
replaced by Vietnamese clouds
(Which I'll sail by come September)

II**

A crow waits on a balcony, wet and lonely from the rain.
Radios buzzing an electric tuba.
Smoke is the father and
dew is the mother
I am the son cold and clothed, while others soak beneath
canopies, cement gaps, they pray, I pray for them although I
wouldn't consider myself religious,
"Agnostic spiritualism"
yeah, the has a nice flow to it
but that's just my opinion..
Waking up before the sun has breathed
the first western factory.
Yellow hats
****** fists
a faint star is singing
I'm listening
ears are ringing
a static drone collapses
consciousness reaches a peak before subsiding to sunlight
(sequel to the last day, prequel to the days to come)
I'll fall in love again, I know it
I have it marked on my calendar you'll see!
Water a few hours still/room temperature/is shaking because my foot
beats against the carpet/
this music isn't exactly conventional or pure as the morning
more a glass shatter
or a psychotic scream in distant queer Victoria nightclubs.
Passing Christmas,
Oak Bay,
Spanish holiday (potentially)
and ** Chi Minh City market walks
(future events ^^^^^^^^^^^^^^^^^^^
A university lecture from Vandana Shiva,
watching my dad's cat for four months
(Where my room was destroyed in a forty-five minute
terrified chase thru the house to lock him in a carrier for an urgent vet appointment due to kidney stones, or what we thought was urinary crystals at the time. He howled the entire car ride there)
I think back to childhood, 1996 Apartment light and the December blizzard which buried parking lots, blocked entrances/exits n forced people to be patient for once, sit and talk, make love without setting an alarm for the morning after
(before I was even 5, or 10, long before I wrote poems, and lost those I would come to care about..)
Hopefully all those elementary school friends turned out okay.
Since moving, I've frequently passed great corner store curtains,
green and grey dusty
by the rusting tills
an empty town
where the soccer fields became overgrown and ice cubes melt slow on
people's fingers (As they wait for time to roll by like it always has)
a forgivable loss of community.
Even so, there's that consistent disappointment in lost years,
a waiting room, and I'm choking on oriental carpet threads lodged one by one into my throat and here I thought I'd eventually taste the Chinese
but it appears that they have instead swallowed me, downed me with tequila (label torn from passing months and birthdays not celebrated)
The holy temperate wind expands down and through bare branches,
argumentative hours
desperate hands
a loudspeaker CALLING!
and the WILD MACHINE cuckoo cuckoo past the insulation.
Silvery sweet, undreamed kisses, misunderstandings,
the cool reflection of a kettle while two wait for midnight and for the butterfly to creep up on their shoulders.
(cradled by cosmic lobotomy, hours where not one person can sleep,
and Sadhus give spiritual advice for those that need it, India, while I need their voices here on Vancouver Island, far from the Ghats)
When can I go for that intercontinental voyage??
to escape the warehouse cathedrals,
capital Christs,
nettled lipstick,
weariness in the age of wireless consciousness
and a spectrum of commonplace goddesses who wake with no lucidity.
My breathing getting heavier every day, with the weight of wanderlust,
an asthma designed for those who's material position is dictated by a secluded room
(slowly catching fire)
I'm only months away from the prophesied airplane..
all been leading to this
here, now
soon.

The only known alleviation
on this unrest for experience
resides in poetry.
PK Wakefield May 2010
a cluttered fragrant death
(stark garden
a valley billowing with apathy
sweat scented flavors richly bloom
an
aspect consumed with the tedious
graves accurately graying in verdant profusion
as riven plaited dusty erosion
beckons the touch ofINFINITE drops:

this cloudy cowl drawn taught on
everclear translucent whiskers shorn
from rough bubbling lilies
rivuleting heady green stems
onto the tender hillocks of rocky *******
jut so silently into finite

                                                      ;)
Down in the depths of Frosty Hollow
The Dell where nobody sleeps,
The eyes are watching one another
In case some human peeps,
It sits in a time of hither and slime
Each side of a distant flood,
Where nothing is really worth the bother,
The ancient Wizard stood.

He stood by the spell of them-and-us
That he spun in a past go round,
That sought the well of the what-they-were
When the skies were close to the ground,
And nobody sought to leave the Hollow
Except in a cowl or hood,
The ways of men were hard to swallow
Outside the enchanted wood.

The stars that sparkled up in the trees
Had promised a cold come in,
But the Wizard ruled the things that matter
And various types of sin,
He ruled the currents that gave them breath,
And told of the marsh outside,
Where those who left met an evil death
In the end, so nobody tried.

And slowly, he would increase the size
Of the Dell to the world outside,
The Dell would spread on the bones of the dead
He said, in his sin of pride,
But the eyes were fed with suspicions, and
They looked to each other first,
And the first in Hell were those in the Dell
Who looked at the Wizard and cursed.

Down in the depths of Frosty Hollow
The Dell where nobody sleeps,
The eyes are watching one another
In case some human peeps,
It sits in a time of hither and slime
Each side of a distant flood,
And there you’ll find an ancient Wizard
Who lies in a pool of blood.

David Lewis Paget
Seán Mac Falls Mar 2014
Falcon rise— yellow racing eyes,
Blue wraith that rakes the skies,
Never has one fared such beauty,
Airs naught wholly bright as thee.

Is there a kneel for end of days—
Songs, deeds for those who prey?
Is there light breaking pied wings,
Or is heaven overlord to all things?

Sun spots feathering coated crest,
Talons top spires mountain breast,
When rivers of the wind fail all fowl,
What grace and splendour in a cowl?

Is there a psalm in the wailing winds,
A hymn that carries all innocent sins,
Or a fable, blue as stupendous skies,
A truest place where redemption lies?

The sea slides with lost ocean birds
And blue wings coast, row unheard,
Edging the skies with razors' tinge,
Seeding the immortal spark begins.

Falcon rise— yellow racing eyes,
Blue wraith that rakes the skies,
Never has one fared such beauty,
Naught airs wholly bright as thee.
— after William Blake

— The End —