"I can’t figure it out.” She said.
“I like cigars,
and pretty dresses and crossing my legs.”
She paused,
then continued,
“And I like smoking cigars in pretty dresses while crossing my legs.”
She uncrossed them,
then crossed them again.
One smooth limb over the other.
Just like that.

“But I never seem to have a lighter on hand.
Could you— sir,
please light my cigar?”
“You see, I have no pockets to hold such things and my purse…
Well,
You’ve confiscated that, haven’t you?”

“Thanks.” She breathed,
and inhaled,
and exhaled;
Sluggish wisps of smoke dissipating into the air.
Just. like .that.

“I didn’t know L'homme was into women who smoke cigars in pretty dresses while crossing their legs", She said.
“I mean, how was I to know?
I only noticed him noticing me.
It was probably the way my hair was tousled like so,
Or how my lipstick shone a deep, dangerous rogue,
Or the way I sipped at my champagne…
That made him walk over.”

“But I never asked him to light my cigar
Or comment on my dress…
Or stroke my legs.
So when I whacked him up top over the head with my glass,
I bet he never expected it to shatter and split his skull like so.
He dropped so sudden, sir. I…”
Another ringlet of smoke, a sigh, an uncrossing and crossing of legs again.
“I had no clue,
what else to do,
But to sit still in my pretty dress, with my legs crossed, smoking my cigar trying to figure out...
Just how I'd committed ******.”

1969 Hartford art school is magnet for exceedingly intelligent over-sensitive under-achievers alluring freaks congenital creeps and anyone who cannot cut it in straight world it is about loners dreamers stoners clowns cliques of posers competing to dress draw act most outrageous weird wonderful classrooms clash in diversity of needs some students get it right off while others require so much individual attention one girl constantly raises her hand calls for everything to be repeated explained creativity is treated as trouble and compliance to instruction rewarded most of faculty are of opinion kids are not capable of making original artwork teachers discourage students from dream of becoming well-known until they are older more experienced only practiced skilled artists are competent to create ‘real art’ defined by how much struggle or multiple meanings weave through the work Odysseus wants to make magic boxes without knowing or being informed of Joseph Cornell one teacher tells him you think you’re going to invent some new color the world has never seen? you’re just some rowdy brat from the midwest with a lot of crazy ideas and no evidence of authenticity another teacher warns you’re nothing more than a bricoleur! Odysseus questions what’s a bricoleur teacher informs a rogue handyman who haphazardly constructs from whatever is immediately available Odysseus questions what’s wrong with that? teacher answers it’s low-class folk junk  possessing no real intellectual value independently he reads Marshall McLuhan’s “The Medium Is The Message” and “The Notebooks of Leonardo da Vinci” he memorizes introductory remark of Leonardo’s “i must do like one who comes last to the fair and can find no other way of providing for himself than by taking all the things already seen by others and not taken by reason of their lesser value” Odysseus dreams of becoming accomplished important artist like Robert Rauschenberg Jasper Johns Andy Warhol he dreams of being in eye of hurricane New York art scene he works for university newspaper and is nicknamed crashkiss the newspaper editor is leader in student movement and folk singer who croons “45 caliber man, you’re so much more than our 22, but there’s so many more of us than you” Odysseus grows mustache wears flower printed pants vintage 1940’s leather jacket g.i. surplus clothes he makes many friends his gift for hooking up with girls is uncanny he is long haired drug-crazed hippie enjoying popularity previously unknown to him rock bands play at art openings everyone flirts dances gets ****** lots of activism on campus New York Times dubs university of Hartford “Berkeley of the east coast” holding up ******* in peace sign is subversive in 1969 symbol of rebellion youth solidarity gesture against war hawks rednecks corporate America acknowledgment of potential beyond materialistic self-righteous values of status quo sign of what could be in universe filled with incredible possibilities he moves in with  painting student one year advanced named Todd Whitman Todd has curly blond hair sturdy build wire rimmed glasses impish smile gemini superb draftsman amazing artist Todd emulates Francisco de Goya and Albrecht Durer Todd’s talent overshadows Odysseus’s Todd’s dad is accomplished professor at distinguished college in Massachusetts to celebrate Odysseus’s arrival Todd cooks all day preparing spaghetti dinner when Odysseus arrives home tripping on acid without appetite Todd is disappointed Odysseus runs down to corner store buys large bottle of wine returns to house Todd is eating spaghetti alone they get drunk together then pierce each other’s ears with needles ice wine cork pierced ears are outlaw style of bad *** bikers like Hell’s Angels Todd says you are a real original Odys and funny too Odysseus asks funny, how? Todd answers you are one crazy ******* drop acid whenever you want smoke **** then go to class this is fun tonight Odys getting drunk and piercing our ears Odysseus says yup i’m having a good time too Todd and Odysseus become best friends Odysseus turns Todd on to Sylvia Plath’s “The Bell Jar” and “Ariel” then they both read Ted Hughes “Crow” illustrated with Leonard Baskin prints Todd turns Odysseus on to German Expressionist painting art movement of garish colors emotionally violent imagery from 1905-1925 later infuriating Third ***** who deemed the work “degenerate” Odysseus dives into works of Max Beckmann Otto Dix Conrad Felixmulller Barthel Gilles George Grosz Erich Heckel Ernst Ludwig Kirchner Felix Nussbaum Karl *******Rottluff Carl Hofer August Macke Max Peckstein Elfriede Lohse-Wachtler Egon Shiele list goes on in 1969 most parents don’t have money to buy their children cars most kids living off campus either ride bikes or hitchhike to school then back home on weekends often without a penny in their pockets Odysseus and Todd randomly select a highway and hitch rides to Putney Vermont Brattleboro Boston Cape Cod New York City or D.C. in search of adventure there is always trouble to be found curious girls to assist in Georgetown Odysseus sleeps with skinny girl with webbed toes who believes he is Jesus he tries to dissuade her but she is convinced

Toby Mantis is visiting New York City artist at Hartford art school he looks like huskier handsomer version of Ringo Starr and women dig him he builds stretchers and stretches canvases for Warhol lives in huge loft in Soho on Broadway and Bleeker invites Odysseus to come down on weekends hang out Toby takes him to Max’s Kansas City Warhol’s Electric Circus they wander all night into morning there are printing companies longshoremen gays in Chelsea Italians in West Village hippies playing guitars protesting the war in Washington Square all kinds of hollering crazies passing out fliers pins in Union Square Toby is hard drinker Odysseus has trouble keeping up  he pukes his guts out number of times Odysseus is *** head not drinker he explores 42nd Street stumbles across strange exotic place named Peep Show World upstairs is large with many **** cubicles creepy dudes hanging around downstairs is astonishing there are many clusters of booths with live **** girls inside girls shout out hey boys come on now pick me come on boys there are hundreds of girls from all over the world in every conceivable size shape race he enters dark stall  puts fifty cents in coin box window screen lifts inside each cluster are 6 to 10 girls either parading or glued to a window for $1 he is allowed to caress kiss their ******* for $2 he is permitted to probe their ****** or *** for $10 girl reaches hand into darkened stall jerks him off tall slender British girl thrills him the most she says let me have another go at your dickey Odysseus spends all his money ******* 5 times departing he notices men from every walk of life passing through wall street stockbrokers executives rednecks mobsters frat boys tourists fat old bald guys smoking thick smelly cigars Toby Mantis has good-looking girlfriend named Lorraine with long brown hair Toby Lorraine and Odysseus sit around kitchen table Odysseus doodles with pencil on paper Toby spreads open Lorraine’s thighs exposing her ****** to Odysseus Lorraine blushes yet permits Toby to finger her Odysseus thinks she has the most beautiful ****** he has ever seen bulging pelvic bone brown distinctive bush symmetric lips Toby and Lorraine watch in amusement as Odysseus gazes intently Tony mischievously remarks you like looking at that ***** don’t you? Odysseus stares silently begins pencil drawing Lorraine’s ****** his eyes darting back and forth following day Lorraine seduces Odysseus while Toby is away walks out **** from shower she is few years older her body lean with high ******* she directs his hands mouth while she talks with someone on telephone it is strange yet quite exciting Odysseus is in awe of New York City every culture in the world intermingling democracy functioning in an uncontrollable managed breath millions of people in motion stories unraveling on every street 24 hour spectacle with no limits every conceivable variety of humanity ******* in same air Odysseus is bedazzled yet intimidated

Odysseus spends summer of 1970 at art colony in Cummington Massachusetts it is magical time extraordinary place many talented eccentric characters all kinds of happenings stage plays poetry readings community meals volleyball after dinner volleyball games are hilarious fun he lives alone in isolated studio amidst wild raspberries in woods shares toilet with field mouse no shower he reads Jerzy Kosinski’s “Painted Bird” then “Being There” then “Steps” attractive long haired girl named Pam visits community for weekend meets Odysseus they talk realize they were in first grade together at Harper amazing coincidence automatic ground for “we need to have *** because neither of us has seen each other since first grade” she inquires where do you sleep? Todd hitches up from Hartford to satisfy curiosity everyone sleeps around good-looking blue-eyed poet named Shannon Banks from South Boston tells Odysseus his ******* is not big enough for kind of ******* she wants but she will **** him off that’s fine with him 32 year old poet named Ellen Morrissey from Massachusetts reassures him ******* is fine Ellen is beginning to find her way out from suffocating marriage she has little daughter named Nina Ellen admires Odysseus’s free spirit sees both his possibilities and naïveté she realizes he has crippling family baggage he has no idea he is carrying thing about trauma is as it is occurring victim shrugs laughs to repel shock yet years later pain horror sink in turned-on with new ideas he returns to Hartford art school classes are fun yet confusing he strives to be best drawer most innovative competition sidetracks him Odysseus uses power drill to carve pumpkin on Halloween teachers warn him to stick to fundamentals too much creativity is suspect Todd and he are invited to holiday party Odysseus shows up with Ellen Morrissey driving in her father’s station wagon 2 exceptionally pretty girls flirt with him he is live wire they sneak upstairs he fingers both at same time while they laugh to each other one of the girls Laura invites him outside to do more he follows they walk through falling snow until they find hidden area near some trees Laura lies down lifts her skirt she spreads her legs dense ***** mound he is about to explore her there when Laura looks up sees figure with flashlight following their tracks in snow she warns it’s Bill my husband run for your life! Odysseus runs around long way back inside party grabs a beer pretending he has been there next to Ellen all night few minutes later he sees Laura and Bill return through front door Bill has dark mustache angry eyes Odysseus tells Ellen it is late maybe they should leave soon suddenly Bill walks up to him with beer in hand cracks bottle over his head glass and beer splatter Odysseus jumps up runs out to station wagon Ellen hurriedly follows snow coming down hard car is wedged among many guest vehicles he starts engine locks doors maneuvers vehicle back and forth trying to inch way out of spot Bill appears from party walks to his van disappears from out of darkness swirling snow Bill comes at them wielding large crowbar smashes car’s headlights taillights side mirrors windshield covered in broken glass Ellen ducks on floor beneath glove compartment sobs cries he’s going to **** us! we’re going to die! Odysseus steers station wagon free floors gas pedal drives on back country roads through furious snowstorm in dark of night no lights Odysseus contorts crouches forward in order to see through hole in shattered windshield Ellen sees headlights behind them coming up fast it is Bill in van Bill banging their bumper follows them all the way back to Hartford to Odysseus’s place they run inside call police Bill sits parked van outside across street as police arrive half hour later Bill pulls away next day Odysseus and Ellen drive to Boston to explain to Ellen’s dad what has happened to his station wagon Odysseus stays with Ellen in Brookline for several nights another holiday party she wants to take him along to meet her friends her social circles are older he thinks to challenge their values be outrageous paints face Ellen is horrified cries you can’t possibly do this to me these are my close friends what will they think? he defiantly answers my face is a mask who cares what i look like? man woman creature what does it matter? if your friends really want to know me they’ll need to look beyond the make-up tonight i am your sluttish girlfriend! sometimes Odysseus can be a thoughtless fool

Laura Rousseau Shane files for divorce from Bill she is exceptionally lovely models at art school she is of French descent her figure possessing exotic traits she stands like ballerina with thick pointed ******* copious ***** hair Odysseus is infatuated she frequently dances pursues him Laura says i had the opportunity to meet Bob Dylan once amazed Odysseus questions what did you do? she replies what could i possibly have in common with Bob Dylan? Laura teases Odysseus about being a preppy then lustfully gropes him grabs holds his ***** they devote many hours to ****** intimacy during ******* she routinely reaches her hand from under her buns grasps his testicles squeezing as he pumps he likes that Laura is quite eccentric fetishes over Odysseus she even thrills to pick zits on his back he is not sure if it is truly a desire of hers proof of earthiness or simply expression of mothering Laura has two daughters by Bill Odysseus is in over his head Laura tells Odysseus myth of Medea smitten with love for Jason Jason needs Medea’s help to find Golden Fleece Medea agrees with promise of marriage murders her brother arranges ****** of king who has deprived Jason his inheritance couple is forced into exile Medea bears Jason 2 sons then Jason falls in love with King Creon’s daughter deserts Medea is furious she makes shawl for King Creon’s daughter to wear at her wedding to Jason  shawl turns to flames killing bride Medea murders her own sons by Jason Odysseus goes along with story for a while but Laura wants husband Odysseus is merely scruffy boy with roving eyes Laura becomes galled by Odysseus leaves him for one of his roommates whom she marries then several years later divorces there is scene when Laura tells Odysseus she is dropping him for his roommate he is standing in living room of her house space is painted deep renaissance burgundy there are framed photographs on walls in one photo he is hugging Laura and her daughters under big oak tree in room Laura’s friend Bettina other girl he fingered first night he met Laura at party is watching with arms crossed he drops to floor curls body sobs i miss you so much Laura turns to Bettina remarks look at him men are such big babies he’s pitiful Bettina nods

following summer he works installing displays at G. Fox Department Store besides one woman gay men staff display department for as long as he can remember homosexuals have always been attracted to him this misconception is probably how he got job his tenor voice suggesting not entirely mature man instead more like tentative young boy this ambiguous manifestation sometimes also evidences gestures thoroughly misleading after sidestepping several ****** advances one of his co-workers bewilderingly remarks you really are straight manager staff are fussy chirpy catty group consequently certain he is not gay they discriminate against him stick him with break down clean up slop jobs at outdoor weekend rock concert in Constitution Plaza he meets 2 younger blond girls who consent to go back to his place mess around both girls are quite dazzling yet one is somewhat physically undeveloped they undress and model for Odysseus radio plays Roberta Flack’s “Killing Me Softly With His Song” both girls move to rhythm sing along he thinks to orchestrate direct decides instead to let them lead lies on bed while curvaceous girl rides his ******* slender girl sits on his face they switch all 3 alternate giggle laughter each girl reaches ****** on his stiffness later both assist with hands mouths his ****** is so intense it leaves him paralyzed for a moment

in fall he is cast as Claudius in production of Hamlet Odysseus rehearses diligently on nights o

The smoker
I bought some rare cigars;
had them insured against fire
And by three months later
I’d lost them all
in a series of small fires
But the ****** insurance company
wouldn’t pay
so I sued them


The judge
I’ve looked at all the evidence
and I accept the cigars had been
indeed destroyed
by a “series of small fires”
and so I order
the company to pay the insured
the sum of $15 000


The insurance company
We paid - we didn’t
want a prolonged legal case;
but now we are taking  the client
to court
as it’s clear through
the very evidence he submitted
he caused the “series of small fires”


The judge*
I find the insurance
company’s former client
guilty of arson;
and furthermore I order that
the man serve prison
a year each for each count
and so, to make it clear,
to see past all the smoke:
that’s 24 years in jail for arson

Our old uncle, Daedalus,
     he'd grin when he spoke to us
His mouth was missing teeth
and so his wisdom flowed out free
He always smelled of cheap cigars
     alleyways and corner bars
He'd tell us he had seen the world
     and this was his decree:

     "Don't fly too high, you little *****.
       You just might live to pay for it.
       The Sun is always hot,
       the ground gets harder every day."

"But, Daedalus," we would complain,
"You are old and we would fain
see the sights you saw before
          we sleep beneath the clay."

And dear old Uncle Daedalus
     he'd laugh and spit and swear at us
"You ******* little ***** had better
heed the tale I tell.
This life is one big ******* maze
with twists and turns and tricks to play.
The kings control the monsters,
who make Earth a living Hell."

We'd try to listen, try to thank
him for the words, but his breath stank
and, anyway, we thought that he
               had prob'ly **** himself

But dear old Uncle Daedalus
hung Death from lips that spoke to us
and ****** if he weren't right
about the things he always said:
"Inventiveness works, by and by
with daring, you may taunt the sky
                                   like I did
                                  but the fall is long--
my dreams and son are dead."

He always smelled of cheap cigars
     alleyways and corner bars
"You ******* little ***** had better
heed the tale I tell..."

"Don't fly too high, you little *****.
You just might live to pay for it.
The kings control the monsters,
who make Earth a living Hell."

Once on a yellow piece of paper with green lines
he wrote a poem
and he called it "chops"
because that was the name of his dog
and thats what it was all about
his teacher gave him an A
and a gold star
and his mother hung it on the kitchen door
and read it to his aunts.
that was the year Father Tracy
took all the kids to the zoo
and he let them sing on the bus
and his little sister was born
with tiny nails and no hair
and his mother and father kissed a lot
and the girl around the corner sent him a
Valentine signed with a row of X's
and he had to ask his father what the X's meant
and his father always tucked him in bed at night
and was always there to do it

once on a piece of white paper with blue lines
he wrote a poem
he called it "Autumn"
because that was the name of the season
and that's what it was all about
and his teacher gave him an A
and asked him to write more clearly
and his mother never hung it on the kitchen door
because of the new paint
and the kids told him
that Father Tracy smoked cigars
and left butts on the pews
and sometime they would burn holes
that was the year his sister got glasses
with thick lenses and black frames
and the girl around the corner laughed
when he asked her to go see santaclaus
and the kids told him why
his mother and father kissed a lot
and his father never tucked him in bed at night
and his father got mad
when he cried for him to do it

once on a paper torn from his notebook
he wrote a poem
and he called it "Innocence: A Question"
because that was the question about his girl
and thats what it was all about
and his professor gave him an A
and a strange steady look
and his mother never hung it on the kitchen door
because he never showed her
that was the year Father Tracy died
and he forgot how the end
of the Apostles's Creed went
and he caught his sister
making out on the back porch
and his mother and father never kissed
or even talked
and the girl around the corner
wore too much make up
that made him cough when he kissed her
but he kissed her anyway
because it was the thing to do
and at 3 am he tucked himself into bed
his father snoring soundly

that's why on the back of a brown paper bag
he tried another poem
and he called it "Absolutely Nothing"
because that's what it was really all about
and he gave himself an A
and a slash on each ****** wrist
and he hung it on the bathroom door
because this time he didn't think
he could reach the kitchen----

The barn is burning
The race-track is over
Farmers run out w/
buckets of water
The horse flesh is burning
They’re kicking the stalls
(panic in a horse’s eye
That can spread & fill
an entire sky.)

The clouds flow by
& tell a story

about the lightning bolt & the mast
on the steeple

Some people have a hard time
describing sailors to the
undernourished.

The decks are starving
Time to throw the cargo over

Now down & the high-sailing
fluttering of smiles on the air
w/its cool night time disturbance

Tropic corridor
Tropic Treasure

What got us this far to this
mild equator

Now we need something
& someone new
when all else fails
we can whip the horse’s eyes
& make them cry
& sleep
~~~

France is 1st, Nogales round-up
Cross over the border-
land of eternal adolescence
quality of despair unmatched
anywhere on the perimeter
Message from the outskirts
calling us home
This is the private space of a
new order. We need saviors
To help us survive the journey.
Now who will come
Now hear this
We have started the crossing
Who knows? it may end badly

The actors are assembled;
immediately they become
enchanted
I, for one, am in ecstasy
enthralled.
Can I convince you to smile?

No wise men now.
Each on his own
grab your daughter & run
~~~

“Oh God, she cried
I never knew what
it meant to be real
I thought all this was a joke,
I never let the horror, or
the sweetness & the dignity
penetrate my brain”

“Let me up to see
the window. Dark Riders
pass in the sunset
coming home from
raiding parties.
The taverns will be
full of laughter, wine,
& later dancing, later
dangerous knife throws.

Antonio will be there
& that *****, Blue Lady
playing cards w/silver
decks & smiling at the night,
& full glasses held aloft
& spilled to the moon.
I’m sad, so full of sadness”
~~~

She’s selling news in the market
Time in the hall
The girls of the factory
Rolling cigars
They haven’t invented musak yet
So I read to them
From The BOOK OF DAYS
a horror story from the Gothic age
a gruesome romance
From the LA
Plague.

I have a vision of America
Seen from the air
28,000 ft. & going fast

A one-armed man in a Texas
parking labyrinth
A burnt tree like a giant primeval bird
in an empty lot in Fresno
Miles & miles of hotel corridors
& elevators, filled w/ citizens

Motel Money ****** Madness
Change the mood from glad to sadness

play the ghost song baby
~~~

a young woman, bound silently, on
a hostpital table, obviously pregnant,
is gutted & rifled of her empire

objects of oblivion
~~~

Drugs *** drunkenness battle
return to the water-world
Sea-belly
Mother of man
Monstrous sleep-waking gentle swarming
atomic world
Anomic in social life

how can we hate or love or judge
in the sea-swarm world of atoms
All one, one All
How can we play or not play
How can we put one foot before us
or revolutionize or write
~~~

Does the house burn? So be it.
The World, a film which men devise.
Smoke drifts thru these chambers
Murders occur in a bedroom.
Mummers chant, birds hush & coo.
Will this do?
Take Two.
~~~

each day is a drive thru history

Cigars from Summatra -

100% tobacco, strong in flavour

and catering for the hungry tastebuds

help

in between

putting on one's thinking cap

and an unadulterated

course of action.

One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.

As he walked through the maze of streets from the tube station he wondered just how long it had been since he had last visited this tall red-bricked house. For so many years it had been for him a pied à terre. Those years when the care of infant children dominated his days, when coming up to London for 48 hours seemed such a relief, an escape from the daily round that small people demand. Since his first visits twenty years ago the area bristled with new enterprise. An abandoned Victorian hospital had been turned into expensive apartments; small enterprising businesses had taken over what had been residential property of the pre-war years. Looking up he was conscious of imaginative conversions of roof and loft spaces. What had seemed a wide-ranging community of ages and incomes appeared to have disappeared. Only the Middle Eastern corner shops and restaurants gave back to the area something of its former character: a place where people worked and lived.

It was a tall thin house on four floors. Two rooms at most of each floor, but of a good-size. The ground floor was her London workshop, but as always the blinds were down. In fact, he realised, he’d never been invited into her working space. Over the years she’d come to the door a few times, but like many artists and craftspeople he knew, she fiercely guarded her working space. The door to her studio was never left open as he passed through the hallway to climb the three flights of stairs to her husband’s domain. There was never a chance of the barest peek inside.

Today, she was in New York, and from outside the front door he could hear her husband descend from his fourth floor eyrie. The door was flung open and they greeted each other with the fervour of a long absence of friends. It had been a long time, really too long. Their lives had changed inexplicably. One, living almost permanently in that Italian marvel of waterways and sea-reflected light, the other, still in the drab West Yorkshire city from where their first acquaintance had begun from an email correspondence.

They had far too much to say to one another - on a hundred subjects. Of course the current project dominated, but as coffee (and a bowl of figs and mandarin oranges) was arranged, and they had moved almost immediately he arrived in the attic studio to the minimalist kitchen two floors below, questions were thrown out about partners and children, his activities, and sadly, his recent illness (the stairs had seemed much steeper than he remembered and he was a little breathless when he reached the top). As a guest he answered with a brevity that surprised him. Usually he found such questions needed roundabout answers to feel satisfactory - but he was learning to answer more directly, and being brief, suddenly thought of her and her always-direct questions. She wanted to know something, get something straight, so she asked  - straight - with no ‘going about things’ first. He wanted to get on with the business at hand, the business that preoccupied him, almost to the exclusion of everything else, for the last two days.

When they were settled in what was J’s working space ten years ago now he was immediately conscious that although the custom-made furniture had remained the Yamaha MIDI grand piano and the rack of samplers were elsewhere, along with most of the scores and books. The vast collection of CDs was still there, and so too the pictures and photographs. But there was one painting that was new to this attic room, a Cézanne. He was taken aback for a moment because it looked so like the real thing he’d seen in a museum just weeks before. He thought of the film Notting Hill when William Thacker questions the provenance of the Chagall ‘violin-playing goat’. The size of this Cézanne seemed accurate and it was placed in a similar rather ornate frame to what he knew had framed the museum original. It was placed on right-hand wall as he had entered the room, but some way from the pair of windows that ran almost the length of this studio. The view across the rooftops took in the Tower of London, a mile or so distant. If he turned the office chair in which he was sitting just slightly he could see it easily whilst still paying attention to J. The painting’s play of colours and composition compelled him to stare, as if he had never seen the painting before. But he had, and he remembered that his first sight of it had marked his memory.

He had been alone. He had arrived at the gallery just 15 minutes before it was due to close for the day.  He’d been told about this wonderful must-see octagonal room where around the walls you could view a particularly fine and comprehensive collection of Impressionist paintings. All the great artists were represented. One of Van Gogh’s many Olive Trees, two studies of domestic interiors by Vuillard, some dancing Degas, two magnificent Gaugins, a Seurat field of flowers, a Singer-Sergeant portrait, two Monets - one of a pair of haystacks in a blaze of high-summer light. He had been able to stay in that room just 10 minutes before he was politely asked to leave by an overweight attendant, but afterwards it was as if he knew the contents intimately. But of all these treasures it was Les Grands Arbres by Cézanne that had captured his imagination. He was to find it later and inevitably on the Internet and had it printed and pinned to his notice board. He consulted his own book of Cézanne’s letters and discovered it was a late work and one of several of the same scene. This version, it was said, was unfinished. He disagreed. Those unpainted patches he’d interpreted as pools of dappled light, and no expert was going to convince him otherwise! And here it was again. In an attic studio J. only frequented occasionally when necessity brought him to London.

When the coffee and fruit had been consumed it was time to eat more substantially, for he knew they would work late into the night, despite a whole day tomorrow to be given over to their discussions. J. was full of nervous energy and during the walk to a nearby Iraqi restaurant didn’t waver in his flow of conversation about the project. It was as though he knew he must eat, but no longer had the patience to take the kind of necessary break having a meal offered. His guest, his old friend, his now-being-consulted expert and former associate, was beginning to reel from the overload of ‘difficulties’ that were being put before him. In fact, he was already close to suggesting that it would be in J’s interest if, when they returned to the attic studio, they agreed to draw up an agenda for tomorrow so there could be some semblance of order to their discussions. He found himself wishing for her presence at the meal, her calm lovely smile he knew would charm J. out of his focused self and lighten the rush and tension that infused their current dialogue. But she was elsewhere, at home with her children and her own and many preoccupations, though it was easy to imagine how much, at least for a little while, she might enjoy meeting someone new, someone she’d heard much about, someone really rather exotic and (it must be said) commanding and handsome. He would probably charm her as much as he knew she would charm J.

J. was all and more beyond his guest’s thought-description. He had an intensity and a confidence that came from being in company with intense, confident and, it had to be said, very wealthy individuals. His origins, his beginnings his guest and old friend could only guess at, because they’d never discussed it. The time was probably past for such questions. But his guest had his own ideas, he surmised from a chanced remark that his roots were not amongst the affluent. He had been a free-jazz musician from Poland who’d made waves in the German jazz scene and married the daughter of an arts journalist who happened to be the wife of the CEO of a seriously significant media empire. This happy association enabled him to get off the road and devote himself to educating himself as a composer of avant-garde art music - which he desired and which he had achieved. His guest remembered J’s passion for the music of Luigi Nono (curiously, a former resident of the city in which J. now lived) and Helmut Lachenmann, then hardly known in the UK. J. was already composing, and with an infinite slowness and care that his guest marvelled at. He was painstakingly creating intricate and timbrally experimental string quartets as well as devising music for theatre and experimental film. But over the past fifteen years J. had become increasingly more obsessed with devising software from which his musical ideas might emanate. And it had been to his guest that, all that time ago, J. had turned to find a generous guide into this world of algorithms and complex mathematics, a composer himself who had already been seduced by the promise of new musical fields of possibility that desktop computer technology offered.

In so many ways, when it came to the hard edge of devising solutions to the digital generation of music, J. was now leagues ahead of his former tutor, whose skills in this area were once in the ascendant but had declined in inverse proportion to J’s, as he wished to spend more time composing and less time investigating the means through which he might compose. So the guest was acting now as a kind of Devil’s Advocate, able to ask those awkward disarming questions creative people don’t wish to hear too loudly and too often.

And so it turned out during the next few hours as J. got out some expensive cigars and brandy, which his guest, inhabiting a different body seemingly, now declined in favour of bottled water and dry biscuits. His guest, who had been up since 5.0am, finally suggested that, if he was to be any use on the morrow, bed was necessary. But when he got in amongst the Egyptian cotton sheets and the goose down duvet, sleep was impossible. He tried thinking of her, their last walk together by the sea, breakfast à deux before he left, other things that seemed beautiful and tender by turn . . . But it was no good. He wouldn’t sleep.

The house could have been as silent as the excellent double-glazing allowed. Only the windows of the attic studio next door to his bedroom were open to the night, to clear the room of the smoke of several cigars. He was conscious of that continuous flow of traffic and machine noise that he knew would only subside for a brief hour or so around 4.0am. So he went into the studio and pulled up a chair in front of the painting by Cézanne, in front of this painting of a woodland scene. There were two intertwining arboreal forms, trees of course, but their trunks and branches appeared to suggest the kind of cubist shapes he recognized from Braque. These two forms pulled the viewer towards a single slim and more distant tree backlit by sunlight of a late afternoon. There was a suggestion, in the further distance, of the shapes of the hills and mountains that had so preoccupied the artist. But in the foreground, there on the floor of this woodland glade, were all the colours of autumn set against the still greens of summer. It seemed wholly wrong, yet wholly right. It was as comforting and restful a painting as he could ever remember viewing. Even if he shut his eyes he could wander about the picture in sheer delight. And now he focused on the play of brush strokes of this painting in oils, the way the edge and border of one colour touched against another. Surprisingly, imagined sounds of this woodland scene entered his reverie - a late afternoon in a late summer not yet autumn. He was Olivier Messiaen en vacances with his perpetual notebook recording the magical birdsong in this luminous place. Here, even in this reproduction, lay the joy of entering into a painting. Jeanette Winterson’s plea to look at length at paintings, and then look again passed through his thoughts. How right that seemed. How very difficult to achieve. But that night he sat comfortably in J’s attic and let Cézanne deliver the artist’s promise of a world beyond nature, a world that is not about constant change and tension, but rests in a stillness all its own.

Today I saw an ad on the TV for the good life
$129.99 and all you ever wanted delivered to your door in a box
Shipping and handling included
The man in the commercial had a big smile on
And a golden retriever by his side
Were sitting under palm trees
Smoking cigars...

Who doesn't want a cigar smoking golden retriever?
So I called up the toll free number and demanded a good life...

One week later the box came in the mail
"There's no way a golden retriever could fit in there"
I thought to myself
"Not even a puppy retriever
These must be the cigars"

No cigars
Just pills

"Of course" thought I
"Eating these will take me away
To an alternate reality
With palm trees, smiles
And cigar smoking dogs
Duh"

So I ate the pill and closed my eyes
Awaiting lift off
Like I've done so
Many times before

One Mississippi
            Two Mississippi
                         Three, four, five Mississippi...

And you know what happened next?
My **** got hard for hours
That's it

Who's the sick SOB
Who's idea of a good life
Is an unexplainably long
Lasting *****?

I alerted the authorities
Called the FDA
They must have the answers...
They just told me to visit the nearest hospital
Everything will be fine...

From that point on
I have been lost inside
And refuse to go outside
I shut my windows
And I lock the door

I can't make sense of it...
Why would I need to visit the docs?
I'm not the one thinking
Long lasting ******
Equals the good life

****** don't make retrievers smoke cigars
I'm not the one with the problem

Am I?

The Boy woke up at around a quarter to noon, and to his deep surprise, he found that he had not awoken where he had planned to the night before. Instead, he found himself in a strange bed, in a strange room, on a strange street, with a strange girl next to him. Of course, the girl was not so strange, as he had met her twice before, and the room, at least, he knew had to be somewhere in Ann Arbor, but that was certainly the extent of what he knew of his situation, basically, pretty much, that’d be what he told people later on, and would believe himself. He looked around, and he was shocked, and he remembered in a flash that this might not be very good boyfriending on his part, and in a fit of guilt, or maybe exhaustion or in forfeit, he leaned his head back once again and fell asleep for a while longer.
When the Boy woke up again, it had turned to one in the afternoon. He woke up this time with a mop sweat, and his hair stuck to his forehead and his eyes burning from the salt water. The Girl was now awake also, and she was brushing her hair quietly, on her roommate’s bed right next to where the Boy was now sitting upright.
“I should go now.” The Boy tried to say, but before he spoke the Girl smiled at him, and crawled over and kissed him softly.
“Good morning.” She said, and rested her head on his lap, looking up.
“Good morning.”
“Did you sleep well?”
“Very. Thanks you. I hope you did too.”
“I did.”
The Boy touched the girl’s cheek and she touched his, and he knew he wanted to leave, but he was afraid, so instead, he and the Girl lay down together, and watched TV for a while.

I guess I made a mistake, thought the Boy. I guess this isn’t going to look too good. I should probably get back to the house, see Joe, smoke our cigar, think of a story that I can tell Melissa; but I shouldn’t tell a story, should I? It would certainly be safer. I should probably, for my safety. I should probably not for my conscience. Anyway, I’m not sure how to get back to the house. I’m not sure how I got here. I think I took a cab. I think I was at a party. I think it was last night. It may have been yesterday morning; for the football game. I think I got here without protest. I think the game was a good one. I don’t think I got in though. I don’t think we won either. My head should hurt right now. Why do I feel so good, and healthy, and spry, and energetic? This isn’t exactly just punishment for my actions. Her skin is so soft; I’d like to kiss it again. I think I will. Still, I do feel guilty. Melissa’s good to me. That was a good game, from what I can remember. I don’t think we won though. I think we lost. Ohio State won, but I got very drunk, and that was good, and then I danced, and I had fun. Then I ended up here. How did I end up here?

The Boy stroked The Girl’s hair and he kissed her again. In the light from the window she looked happy, and her smile was much whiter than his, and he liked that. She wore an oversized gray sweater, and without any makeup or any of the typical fixings she looked more beautiful than ever. Not surprisingly, this was a dilemma for the Boy, who wanted to leave so he could be done with this episode. Instead he stayed a while longer, didn’t pick up his phone when it rang, kissed the girl some more, talked about what they were going to do that day, forgot about Melissa. He felt guilty only for a moment, but more than anything, he felt proud, and that pride dug into his side and hurt him. Nevertheless, he didn’t want it to go away. It was his pride after all.
The Girl, on the other hand, seemed to feel guiltier than the Boy, but at the same time, she was tender, and welcoming, and she embraced what she had done in a sort of graceful manner that only girls with experience and class can do without seeming too self-confident. She too, had a boy back home, but she had liked the Boy, and that was that, and in the light on the day, to her, he also still seemed good to her.
Of course, what the Girl knew, and the Boy did not, was that as soon as he walked out of her room that day, that was the end of the episode in reality. There would be no more kisses, no more conversations, and when they both went home to see their others, she would stay with her boy because he loved her, and that would be that, and life would go on for the two of them as it had before; business as usual. Still, for the moment, things were as they were, and so she looked at the boy, and let him kiss her, and lay down on his lap, looking up at him and smiling.
“What are you going to tell your girlfriend?”
“I don’t know. Either the truth or a lie, I guess.”
“Don’t lie to her.”
“Won’t she be angry at me?”
“Yeah. But don’t lie to her. Trust me.”
“What are you going to say?”
“I’m going to tell the truth. But I’m going to leave some things out.”
“Isn’t that lying?”
“Not if you can justify it to yourself.”
“I feel like you’re confusing me right now.”
“You should tell your girlfriend the truth. She deserves to know everything, and if you ever want her to forgive you and stop being angry, then that’s what you need to do.”
“I know, but I’m scared.”
“I know. But you’re still here; and that says something.”
The Boy looked at the Girl, and he wanted to respond, but he had nothing. Instead he lay down next to her, and held her.
“I guess you’re right.” He said, and then rolled over with a sigh.

I got in on Saturday, right? No. Friday. Yeah, it was Friday afternoon because I didn’t have class then. I remember now. I got on the wrong bus, and I missed the stop for Ann Arbor, and I ended up near East Lansing, and I had to take a cab back. Why did I forget that? I got so drunk that night, I got lost. I remember that. I got lost and my phone went dead, and I had to have a security guard from the school help me back to Joe’s house so I could sleep again. But that wasn’t last night. That was the night before last night. That was different. That was just prep for that.
Yesterday was when it started, really. I woke up early and had a beer. Joe handed me the beer, and I drank it because, why not, it looked like it tasted good. Then I had nine more. Then I had Jell-o shots and whiskey, and some more beer. It wasn’t even nine yet, in the morning; my camera barely had enough light to expose my pictures, what was I doing? It was a lot of fun. I got really happy. I remember now.

The Boy reached for his shirt, and he pulled it on, over his head. He had to go, and he knew it, and he was taking the initiative to make it known that he intended to. He reached for his pants and he put those on too, but he put them on slowly, in the hopes that the Girl might have stopped him before he did, but she did not. Then he sat back down on the bed and he looked at her.
“Are you going to leave now?” She asked.
“Most likely.”
“Ok. Do you know where you have to go?”
“Not really.”
“I’ll show you.”
“Ok.”
The Girl grabbed a map off of her wall, and she took a marker from her desk and drew a line from one dark block to another. These were her building and Joe’s house. She explained to the Boy how to get back where he wanted to go, and she handed him the map.
“I don’t need to take this, what if you need it?”
“I already drew on it.”
“Are you sure?”
“Take it.”
The Boy felt almost embarrassed. This girl had been nothing but nice to him, and now he didn’t want to leave. He wanted to stay and hang out with her some more, and he wanted to forget about Melissa, and Joe, and his home, and his school. He wanted to stay, but he knew, finally, that he couldn’t. So he put on his jacket and he stood in front of the Girl, only inches away, neither of them touching the other, despite the very minimal distance separating their bodies.
“Thanks for the map then.” The Boy said, and the Girl giggled.
“Don’t worry about it, get out of here!”
“Ok then. Should we let each other know what we do?”
“That sounds like a good idea.”
They exchanged numbers.
“This *****.” The girl said.
“What?”
“Now I’m going to miss you.” The Boy’s heart broke a little bit. He smiled, but he didn’t dare say the same thing back to her. Instead, he moved his hand up to her face and stroked her cheek a little bit, then gave her a soft kiss on the forehead and opened the door behind him.
“I’ll see you.”
“Ok.”
“Let me know what you tell him.”
“I will. You let me know too.”
“Sure.”
The boy stood staring at the Girl a bit, and then he left and closed the door behind him. As he waited for the elevator to open up for him, the boy took out his phone and looked through his recent text messages. There was one from Melissa, asking him how he was doing, and if he’d been having fun in Michigan, but he deleted it reluctantly, so that it looked as if his last message had been from Joe. It read: Are you coming back to the house tonight? He answered now, a few hours later: I’m sorry. I’m coming back now.


The morning was pretty crazy. Game day, Ohio State, how could it not have been? But I was good during the morning, and I intended to be good. Didn’t I? Yes I did. I did look around, and I spoke to a few other girls, but I never intended to do anything with them. Only this one. I didn’t even get into the game. I tried to sneak in with a student ticket, and they didn’t let me in because I wasn’t a student. Instead I went back with Joe and we got ****** and watched TV and then I took a nap after we smoked a cigar together. At the parties, people stood on the roofs, and they danced around massive kegs, and I spoke to some people I had just met and flirted and danced, but I was good, and at Joe’s house, after the parties were over, we just got ****** and smoked cigars and watched the game and waited for phase two of Saturday to begin so we could rest.
Phase one was getting wasted. Phase two was rest. We built up our energy so we could go back out at night, for Phase three, and that’s when I met her, at some party Phil got us into. I had seen her before, back home, and we had spoken only a few times. Why had I been so angry at Melissa when I left New York again? Respect issues or something, wasn’t it? She had said something cruel to me while we ate dinner at that jazz club, and the lights made her soft skin glow so that she looked almost translucent. I reacted. I think it started because she had been flirting with a friend of mine. Anyway, I thought she had been. She claims she wasn’t. Then she got angry and she said something cruel to me so I got angry, and then she apologized a lot. She apologized so much, Her lips pouted. I wanted to kiss them. We had great *** that night. And I loved her. But I was still angry when I left for Michigan the next morning, and I was still angry last night, apparently. I guess that’s why I immediately gravitated towards that girl. She looked really beautiful that night also. And I always did have a crush on her. And I was still angry.

The Boy made it to Joe’s house at about a quarter to three in the afternoon that Sunday. He only had a little time left before he had to leave for his plane, but he spent it well. They smoked, and they got ******, and they smoked cigars and they talked about the night. Joe helped the Boy remember some of what had happened, like when the Girl’s friend got sick on the wall, and then the Girl had to leave to go help her, and when the Boy had broken a table by jumping on it too hard after Joe and some friends had challenged him. Joe barely remembered those things, but he remembered them better than the Boy, and the Boy was grateful for Joe then, who also reminded him of another thing:
“You cheated on Melissa, didn’t you?”
“I guess I did. I don’t feel great about it.”
“I thought you two had separated. I would have stopped you.”
“We were. We got back together about a week ago.”
“Are you going to tell her?”
The Boy thought about it. He hadn’t quite made up his mind yet.
“I suppose that would be the honorable thing to do.”
“Honor kills.”
“Not if I’d been honorable at the beginning.”
“True.”
The two sat thinking for a while, and they both could tell the other had plenty more to say, but they both waited for the other, and so neither of the two spoke a word for a little bit. Finally, the Boy took a pull from his cigar, set it down, and opened his mouth. No words came out the first few tries, but after a while, he got better, and then he spoke.
“I feel like my father.”

I couldn’t help myself I guess. It’s in my genes, this endless tail-chasing. Even though I had always thought I was the noble one, the one with honor, I’m still an animal, like my dad and his dad and his family before him. She looked so good, I don’t know how I held back for so long—she in her tight pants and that green shirt that made her eyes pop, and her long, beautiful, silky brown hair, and the way she moved her hips against me. I could almost hear her name in the music, like it was egging me on, like it was encouraging me to kiss her. I kept getting beers, just kept going to the bar, two more, one more, three more, until I was drunk enough to do it, because I wanted to because it’s in my blood. Then I kissed her, or she kissed me. I can’t remember how, but it happened, and not for a second did I feel remorseful. Not until this morning. I was too busy having fun. In a way, I kept telling myself a kiss was nothing, at least nothing to worry about.
Then I went home with her. That’s probably the part I’ll leave out in my story. Her bed was really comfortable, much better than the couch or the floor, which is where I spent the night before, and where my sides had picked up bruises from the beer cans all around me. She smiled at me funny then. She hadn’t smiled at me that way before. Her teeth were really white, and her lips were really soft.
I had seen her before, and we had always flirted before, so she made a joke about it being almost like fate that we ran into each other. I remember thinking that that was probably true, or at least that it would be my excuse for not stopping myself. Her skin was too soft, and her body was blessed with perfect curves and I couldn’t resist myself. In many ways, she felt like Melissa. I almost felt at home, like there was a comfort to it.
I, on the other hand; well I’m not sure how I got so lucky. I just had to be myself—even as goofy and as hairy and as drunk as I was, she still liked me for the night. And she didn’t make me feel like I had to earn her respect either.
But I’m being cruel. Neither does Melissa. Not often anyway; and I’m sure if I spent enough time with the Girl, she may have made me feel that way also. It may even be a girl thing, but at the moment, it felt like it was a Melissa thing, and this girl liked me very much, and I wasn’t even trying.

Now it was time for the Boy to go home. Even if he wanted to stay, even if he wanted to go back to the Girl, and spend the rest of the day with her, between her legs and in her arms, and smoke cigars with Joe whenever he wanted and get drunk Saturday mornings, and just forget about telling Melissa anything, it was time for him to go back to New York where he belonged. So he packed his bags and walked to the bus stop, and he put his hat on, and he got ****** with Joe one more time, and they both walked together, without saying a word, because they didn’t even have to.
At the bus stop, Joe turned to the Boy and said:
“Did you make a decision yet?”
“About what?”
“You know, you stooge!”
“Not yet.”
“Well let me know then.”
The Boy nodded. The two had a hug by the bus as it arrived, and then the Boy got on the bus and fell asleep on the way to DTW. The flight was short, and it was easy. Still, the Boy kept thinking about what he would do when he got to New York. Once back at Newark, he took the train, and on the way back to Penn station he sat next to a large man with hairy arms, a mustache and a trucker hat. The man wore very thick-rimmed glasses, and spoke to anyone that listened, with a heavy drawl from some unidentifiable location.
“What’s your name?” He asked the Boy.
“Johnson.” He replied, having decided not to give his real name.
“Well Johnson, let me tell you. Don’t ever travel without alcohol.”
The man reached into his jacket, and he pulled a 24-ounce can of beer out in a plastic bag. He opened it up and took a swig from it, and then proceeded to lecture the Boy about the struggles and pains of traveling and marriage. He had lost his wife only a year ago, after he’d

He was born in 1924
And at 17 went to war.
Parachuted over Sicily,
Wounded, sent home to live in civility.

One day he met a Ryder,
Tall and elegant and regal.
Married her and made a home,
Though the front lawn lacked a gnome.

He died before I could really know him.
But what I remember is this:
His heart was good and full of love,
Tender, strong and not at all rough.

He pulled quarters from my ears
Whenever I saw him.
He and Shadow walked the beach
For miles before a swim.
He smoked cigars and drank beer
While playing cribbage.
And he was my favorite person
When I was four years old.

Let us spark,
Lest we dwindle on
Such ill preconceptions.

Let us spark
For the steps
We have taken
Towards setting suns
And rising moons.
For the tears we shed
And the blood we’ve sullied
Alongside tobacconists,
Who pray without hands,
Hymnal steam seeping through
Chapped lips
For the sounds of laughter
That erupt from
Inconsequential selves
Who only ask
A tiny bead
Of hallowed light
To cut the smoke
Dense in our skulls.


This heaving ashtray
Will go on for miles.
I beg pardon for
A moment’s reprieve
In dear memory
With cigars.

-Juan Carlos Gomez

ah, christ, what a CREW:
more
poetry, always more
P O E T R Y .

if it doesn't come, coax it out with a
laxative. get your name in LIGHTS,
get it up there in
8 1/2 x 11 mimeo.

keep it coming like a miracle.

ah christ, writers are the most sickening
of all the louts!
yellow-toothed, slump-shouldered,
gutless, flea-bitten and
obvious . . . in tinker-toy rooms
with their flabby hearts
they tell us
what's wrong with the world-
as if we didn't know that a cop's club
can crack the head
and that war is a dirtier game than
marriage . . .
or down in a basement bar
hiding from a wife who doesn't appreciate him
and children he doesn't
want
he tells us that his heart is drowning in
*****. hell, all our hearts are drowning in *****,
in pork salt, in bad verse, in soggy
love.
but he thinks he's alone and
he thinks he's special and he thinks he's Rimbaud
and he thinks he's
Pound.

and death! how about death? did you know
that we all have to die? even Keats died, even
Milton!
and D. Thomas-THEY KILLED HIM, of course.
Thomas didn't want all those free drinks
all that free *****-
they . . . FORCED IT ON HIM
when they should have left him alone so he could
write write WRITE!

poets.

and there's another
type. I've met them at their country
places (don't ask me what I was doing there because
I don't know).

they were born with money and
they don't have to ***** their hands in
slaughterhouses or washing
dishes in grease joints or
driving cabs or pimping or selling ***.

this gives them time to understand
Life.

they walk in with their cocktail glass
held about heart high
and when they drink they just
sip.

you are drinking green beer which you
brought with you
because you have found out through the years
that rich ******* are tight-
they use 5 cent stamps instead of airmail
they promise to have all sorts of goodies ready
upon your arrival
from gallons of whisky to
50 cent cigars. but it's never
there.
and they HIDE their women from you-
their wives, x-wives, daughters, maids, so forth,
because they've read your poems and
figure all you want to do is **** everybody and
everything. which once might have been
true but is no longer quite
true.

and-
he WRITES TOO.
POETRY, of
course. everybody
writes
poetry.

he has plenty of time and a
postoffice box in town
and he drives there 3 or 4 times a day
looking and hoping for accepted
poems.

he thinks that poverty is a weakness of the
soul.

he thinks your mind is ill because you are
drunk all the time and have to work in a
factory 10 or 12 hours a
night.

he brings his wife in, a beauty, stolen from a
poorer rich
man.
he lets you gaze for 30 seconds
then hustles her
out. she has been crying for some
reason.

you've got 3 or 4 days to linger in the
guesthouse he says,
"come on over to dinner
sometime."
but he doesn't say when or
where. and then you find out that you are not even
IN HIS HOUSE.

you are in
ONE of his houses but
his house is somewhere
else-
you don't know
where.

he even has x-wives in some of his
houses.

his main concern is to keep his x-wives away from
you. he doesn't want to give up a
**** thing. and you can't blame him:
his x-wives are all young, stolen, kept,
talented, well-dressed, schooled, with
varying French-German accents.

and!: they
WRITE POETRY TOO. or
PAINT. or
****.

but his big problem is to get down to that mail
box in town to get back his
rejected poems
and to keep his eye on all the other mail boxes
in all his other
houses.

meanwhile, the starving Indians
sell beads and baskets in the streets of the small desert
town.

the Indians are not allowed in his houses
not so much because they are a ****-threat
but because they are
***** and
ignorant. *****? I look down at my shirt
with the beerstain on the front.
ignorant? I light a 6 cent cigar and
forget about
it.

he or they or somebody was supposed to meet me at
the
train station.

of course, they weren't
there. "We'll be there to meet the great
Poet!"

well, I looked around and didn't see any
great poet. besides it was 7 a.m. and
40 degrees. those things
happen. the trouble was there were no
bars open. nothing open. not even a
jail.

he's a poet.
he's also a doctor, a head-shrinker.
no blood involved that
way. he won't tell me whether I am crazy or
not-I don't have the
money.

he walks out with his cocktail glass
disappears for 2 hours, 3 hours,
then suddenly comes walking back in
unannounced
with the same cocktail glass
to make sure I haven't gotten hold of
something more precious than
Life itself.

my cheap green beer is killing
me. he shows heart (hurrah) and
gives me a little pill that stops my
gagging.
but nothing decent to
drink.

he'd bought a small 6 pack
for my arrival but that was gone in an
hour and 15
minutes.

"I'll buy you barrels of beer," he had
said.

I used his phone (one of his phones)
to get deliveries of beer and
cheap whisky. the town was ten miles away,
downhill. I peeled my poor dollars from my poor
roll. and the boy needed a tip, of
course.

the way it was shaping up I could see that I was
hardly Dylan Thomas yet, not even
Robert Creeley. certainly Creeley wouldn't have
had beerstains on his
shirt.

anyhow, when I finally got hold of one of his
x-wives I was too drunk to
make it.

scared too. sure, I imagined him peering
through the window-
he didn't want to give up a **** thing-
and
leveling the luger while I was
working
while "The March to the Gallows" was playing over
the Muzak
and shooting me in the *** first and
my poor brain
later.

"an intruder," I could hear him telling them,
"ravishing one of my helpless x-wives."

I see him published in some of the magazines
now. not very good stuff.

a poem about me
too: the ******.

the ****** whines too much. the ****** whines about his
country, other countries, all countries, the ******
works overtime in a factory like a fool, among other
fools with "pre-drained spirits."
the ****** drinks seas of green beer
full of acid. the ****** has an ulcerated
hemorrhoid. the ****** picks on ****
"fragile ****." the ****** hates his
wife, hates his daughter. his daughter will become
an alcoholic, a *******. the ****** has an
"obese burned out wife." the ****** has a
spastic gut. the ****** has a
"****** brain."

thank you, Doctor (and poet). any charge for
this? I know I still owe you for the
pill.

Your poem is not too good
but at least I got your starch up.
most of your stuff is about as lively as a
wet and deflated
beachball. but it is your round, you've won a round.
going to invite me out this
Summer? I might scrape up
trainfare. got an Indian friend who'd like to meet
you and yours. he swears he's got the biggest
pecker in the state of California.

and guess what?
he writes
POETRY
too!

Once on a yellow piece of paper with green lines
     he wrote a poem
And he called it 'Chops'
     because that was the name of his dog
And that's what it was all about
And his teacher gave him an A
     and a gold star
And his mother hung it on the kitchen door
     and read it to his aunts
That was the year Father Tracy
     took all the kids to the zoo
And he let them sing on the bus
And his little sister was born
     with tiny toenails and no hair
And his mother and father kissed alot
And the girl around the corner sent him a
     Valentine signed with a row of X's
     and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it

Once on a piece of white paper with blue lines
     he wrote a poem
And he called it 'Autumn'
     because that was the name of the season
And that's what it was all about
And his teacher gave him an A
     and asked him to write more clearly
And his mother never hung it on the kitchen door
     because of its new paint
And the kids told him
     that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
     with thick lenses and black frames
And the girl around the corner laughed
     when he asked her to go see Santa Claus
And the kids told him why
     his mother and father kissed alot
And his father never tucked him in bed at night
And his father got mad
     when he cried for him to do it.

Once on a paper torn from his notebook
     he wrote a poem
And he called it 'Innocence: A Question'
     because that was the question about his girl
And that's what it was all about
And his professor gave him an A
     and a strange steady look
And his mother never hung it on the kitchen door
     because he never showed her
That was the year Father Tracy died
And he forgot how the end
     of the Apostle's Creed went
And he caught his sister
     making out on the back porch
And his mother and father never kissed
     or even talked
And the girl around the corner
     wore too much makeup
That made him cough when he kissed her
     but he kissed her anyway
     because that was the thing to do
And at 3am he tucked himself into bed
     his father snoring soundly.

That's why on the back of a brown paper bag
     he tried another poem
And he called it 'Absolutely Nothing'
Because that's what it was really all about
And he gave himself an A
and a slash on each ****** wrist
And he hung it on the bathroom door
     because this time he didn't think
     he could reach the kitchen

She stood up against the wooden bar lit by a stale football field that shined florescent green and highlighted polyester blue like a muse of Van Gogh or Galileo. Her hair ran down the nape of her neck like a ****** waterfall and the light of the bar highlighted her sphinx like eyes as she turned and caught his eye. He stood at a small table away from the main bar with a couple of friends who were telling stories of their old college days and he, half-listening, quickly looked away, faking to scratch his eye, for he knew he had been caught looking at the back of her and she, with her women's intuition of being observed and knowing this, kept looking and he knowing the only way not to show he had been caught was to look away quickly and very obviously; like a bad actor caught dumb and silent, clueless of their next line. They blushed and shared the heat of embarrassment in their cheeks with the sounds of worn dollar bills slapping hard against the smooth wood of the bar, the bar man eyeing it angrily as cigarette smoke surrounded them and slowly drifted up like a lost soul toward the ceiling and the piano man, eyes tight shut played for everyone there when no-one cared to listen, all underneath the dim light of the bar as they strained to look away from one another, trying to find something they could put their focus upon, but, at the same time, wanting very much to look back and have their eyes meet by mistake all over again.

He focused on the design of the bathroom placards that were in the right corner of the tiny bar where you had to turn sideways and touch shoulder's with every soul inside just to get a drink. He feigned interest in the bronze design of the men's bathroom: a tiny boy looking down at his pecker as he ****** a 1/2 inch thick stream into what the man gathered to be a sunflower ***. The boy was thrusting his hips forward, both of his hands on his side, and he showed no smile, no grin of satisfaction or victory, just a stark, blank face, as if he were thinking "I am peeing in this ***. That is all." The women's bathroom sign was of a young girl with the same kind of *** the boy had been ******* in, but it was missing the sunflower and was replaced by the *** of the girl. She stared up into the sky and into the ceiling lights and was dramatically reaching for a butterfly or bird - he couldn't make out which - something with wings and made him think of a basic metaphor that this poor little girl just wants to get off the *** and be free like the birds and butterflies and clouds in the wide blue sky.

She focused on the man's shoes. She looked at the black shine and the pristine black shoe laces, all looking like everything had just been purchased that day. "There is not a single scuff on them and the way this man cuffs his pants only a single turn," she thought to herself, "Tells me he has something of a style on him". Not so run of the mill. Something special. Something of interest.* But then, she was annoyed by the cuff of the pants because she remembered that was what all the schoolboys in her prep school would do when the day was rainy or the boys rode their bikes home from school or they were nerds. The memory immediately turned her off of the man all together, but luckily, she put her gaze back on the jet-black, seemingly un-touched leather that told her success, class, and security.

The man heard a loud Cheer's!" from his table, abruptly bringing him out of his distraction. He was forced to turn and as he did, he made sure not to look up. He kept his eyes on the table and looked for the half-full beer with the worn Budweiser coaster underneath it. He could see from the his top periphery that she was still facing him but she was looking down at something toward the floor. He fumbled with his large hands for his glass and panned his eyes up slightly. The woman, seeing the movement at the table, looked up. She stared back to where she had first caught him looking at her and waited. The man felt her looking at him and in the same instant, saw the faded Budweiser coaster and reached for his beer. He picked the glass up and as the second Cheer! was yelled, he clashed his glass against all the others, all the while keeping his head not toward his friend's faces, but turned in the direction of the bar toward the girl. He smiled at her as he lowered his glass, not taking a drink. His friend slapped him on the back and told him," You gotta' drink after the cheers or its bad luck," and so he did, still staring dumbly at her as he did. She nodded at him with a self-conscious and embarrassed grin, raised her nearly gone low-ball glass of gin and tonic and tipped it toward him and turned around to face the bar.

"I"ll stand here and wait for him to come up to me," she thought, "And if he doesn't the man is a coward and a louse and not worth my time. I have looked twice now and there is some rule in some magazine that I read somewhere, that if you look twice at a man that it is sign, not a coincidence. No, it has a purpose and though I barely know what reason I want this man to look at me other then to get a drink out of him and maybe some conversation, I am certain I have looked twice, maybe even three times. Yes. I have looked at him and I have made my interest known and now I must wait for him to either come or stay with his drunken friends. They look like frat boys cheering like that. They look like drunken, silly frat boys that wouldn't know the first thing about chivalry. Hell, they probably couldn't even spell the ****** word." She laughed under her breath and smiled maliciously to herself and caught her own reflection in the mirror and, for an moment, wanted to quickly look away. Her face did not frighten her, for she was a beautiful woman, not her skin, which was milky white with the faintest and gentlest dash of rouge on each cheek, nor her chocolate colored curls that bounded like boulder's down a hillside. She turned away from a look upon her eye she had not seen or had recognized in a very long time. Her eyes were frightened.

"Frightened?" she wondered.

The man put his beer glass on the table on top of the coaster. The foam rested at the bottom of the cup like the thin layer of ice that blows over a frozen lake, barely there at all passing with the wind. He stared at her back and liked how she leaned on her right hip and put the toe of her left high-heel to the ground, rocking the nose of the shoe back and forth like she was thinking about something playfully frivolous. Behind him, the noise of his friends became a hollow echo, drowned out by the draw of this woman. She swung her left heel back and forth like a pendulum trying to hypnotize him. Someone touched his shoulder but he shrugged the hand away as in this echo chamber he could only hear the music change tracks on the juke box. The song had changed to an old Ottis Redding song and there was nothing else in the world that he wanted to listen to in that moment. As he watched her, leaning into the bar seemingly all alone, no boyfriend or girlfriend in sight, he saw her raise her glass to the barman and knew she had something by the gentle nod of the back of her head. He then saw her point with her left finger and tap the rim of the glass. Her drink was empty. She wanted another drink. He would buy her another drink.

"There is nothing in this world that a man is more responsible for than getting a woman like this a drink," he nodded, thinking to himself and trying to pick up his courage,"One that plays with my heart like a kitten would a spool of yarn, and yet also like a vulture who would peck out the eyes of a dead man in the desert. This is nothing more then that obligation. A rule passed down from man to man, from age to age, where chivalry was not for the base reason to lay with the woman, but to honor them, praise them lightly as the rain from a heavy mist and show them to the pedestal every woman, whether they wish to admit it or not, do wish for, sincerely do at least once in there life." He readjusted his belt and realigned his shirt that had gotten crooked after the celebratory cheer and thought some more,"I'm not going to do that here, this pedestal stuff. This is more like a step toward that pedestal. Yes. A step toward the shrine she wants to trust she deserves and will one day end up on. And this shrine is all cast and painted in the blurry french film noir of dream, is it not? Aren't dreams the only thing we hope to one day come true? How often - when and if they do come true - they can sometimes disappoint and eventually turn sour like a bad orange. I hope she is drinking and that wasn't just a tonic water. If this woman doesn't drink I don't think any of this will be worth anything at all."

She stood there serene and angelic, the hand that held her drink now resting on the base of the bar. Behind the man, he heard the chatter of his friends and the drone of football scores and player updates coming from the ten or more televisions that hung from the ceiling. Someone reached out to touch his shoulder but missed him as he left the table. His name then echoed behind him but soon the sound evaporated as dew does that rests on blades of grass in a summer morning to a summer afternoon. There was only her and her smell that had drifted to his table and shrouded him with the scent of white chocolate and smoke and her delicate, porcelain hand that had held up the drink shyly but not weakly, in passing demand without that demanding quality drunk people can get like at bars sometimes. He approached her, hovered behind her, but she did not turn, and then came up to the bar to lean into. He did not turn to look at her, though he wanted to very badly, but looked down at her low-ball glass with two half-melted ice cubes and a used lime. The smell of gin came from the glass and the man smiled to himself and put his hand up to signal the bartender.

"If this man orders his drink first and walks back to that table with all of his drunken friends, I am giving up men all together," the woman thought to herself," * Tonight and forever! If he can put his hand up and not even turn to look at me, as I was doing, I thought, to be very flirtatious but gentle, then I see no reason at all to keep going with men. They are barbarians that only want to eat, drink, sleep, and fornicate with women that are easy and provide no real challenge at all in their life. If he wants it easy, he can have it as easy as he wants, but not with me. No sir. Not with me ever. Not with me for a night, an hour, a minute, or even a second."

The bartender, a stout slightly overweight man that was a little over forty with streaks of grey in his thin, short-cut hair, looking very much like he should be home reading with a nice cup of tea by his side rather than in the bar serving drinks to stranger's, approached the man and asked him what he would like.

"Two gin and tonics please," the man said, "With a slice of lime and four ice-cubes in each."

"And what kind of gin, sir?"

The man turned to the woman, "What label do you drink?" he asked.

"Pardon me?" she stuttered startled, her eyebrows raised.

"Your drinking gin, aren't you?" He nodded his head toward the woman's empty glass. The tiny lines of transparent lime skin floated on top of the water that had gathered from the melting ice-cubes.

"Yes, I am. I was just about to order."

"I'll get this round and you'll get the next one."

"Any gin is fine."

The man turned to the bartender," Tanqueray, please bartender."

He nodded and went to make the drinks.

"Your very perceptive," the woman said as she turned to face him.

"I try."

"I saw you from across the bar, but was afraid to walk up to your table for fear of getting ambushed by all of your friends. Those are your friends, right?"

"Yes," he nodded as he looked over his shoulder at them, "Old college friends all with old stories of college that, truthfully, bring me little or no joy to even hear."

"Then why come at all?" she asked, "You seem smart enough to know that if you meet up with old anything, you'll be hearing about the old times all night."

"I was forced to come."

"Someone getting divorced?"

"No," he laughed, "The opposite. Married."

"Well, I hope it's not you or this would look very bad if your fiance walked in."

"And why's that?"

She clicked her tongue and turned to look at the shelves stocked with every kind of liquor. The bottles reflected the soft orange glow of the lights that circled the bar and the colors of the television screens. The man continued to look at the woman who had turned her back on him and caught their reflection in a bottle of Jack Daniel's. He waited for a response, but she stood there silent, knowing she was playing with him. Behind him, his friends were growing louder and a tray of shots had found its way to their table. The waitress who had brought the drinks, polite and with a smile, asked them to try and keep it down. They shouted "YES'S and screamed "YEAH'S" with moronic smiles on their faces, their heads nodding up and down like a dog playing fetch. The waitress giggled a thank and walked away shaking her head with disgust when she was out of sight.

"Well," she said,"You did just order two gin and tonics and I think if your fiance walked in with you chatting with me with the same drink in both of our hands, I think she would be a little upset. I know I would be."

"Perhaps we could act like we are old grammar school friends and just happened to run into one another?"

"Well, that would be a lie."

"Yes, that would be a lie."

"Which would mean we were hiding something from said wife."

"And what would that be?"

"That you approached me after I looked at you, perhaps the look from me wasn't flirtatious, maybe I thought you looked familiar, like I had seen you somewhere, and you came up to me and ordered me a drink and started a conversation with me, much like we are doing right now."

"What's wrong with conversation?" The bartender approached them and placed the two drinks in front of the man. The man took out his wallet without losing his gaze on the woman, took out a twenty and slid it toward the bartender. The bartender took the twenty, paused for a moment to see if the man wanted any change, but left when he saw he didn't want any by not moving.

"Conversation can lead to very dangerous things," the woman said playfully and wise.

"Your here by yourself and your not stupid; someone is going to come up to talk to you."

"And your that somebody?"

"I'm sure I'm not the first one tonight."

"Your sweet."

"I try," he said as he slid the drink over to here,"Your drink."

"What should we drink too?" She asked and raised her glass, the light above them reflecting in the ice-cubes and thick glass of the high-ball.

"Conversation," he said proudly and with a smile, "And the danger that it brings."

They clinked their glasses together, their eyes never leaving one another, and they both took a long drink.

"I'm not here with anybody and I'm not expecting anybody tonight either," the woman said.

"What's your name?"

"Why?"

"I want to be able to tell my friends I met a very interesting woman, but they won't believe me if I don't give them a name."

"I'm standing right here, silly. Go and tell them you met the most interesting woman in your entire life, look over at me when they ask you what my name is, then point over to me and I'll wave."

"You'll be here?"

"I'll be here."

"Promise?"

"Go, go, go," she repeated, pushing him back toward his table, "You bought me a drink, didn't you? The least I can do is wave to your drunken college friends."

The man walked back to his table, glancing quickly over his shoulder, trying to hide it, before he reached the table. He arrived to all of them drunk, beer spilt on the table and an ashtray full of punched out cigarettes and ground up cigars. Every one of them were rocking back and forth with each other, their arms sloppily hung around their neighbor's shoulders, their eyes blood shot with their mouth half-cracked open barely breathing in the smoky, beer smelling air. The man struggled to wedge his way into the circle, and when he did, he tried to get the groups attention by screaming an

when i was born within the Chernobyl aftermath, and the nurse tried to **** me, in that she almost choked me, enlarging my heart, and when that didn't **** me, and they attempted to befriend me, and gave me a brain haemorrhage... and that didn't **** me... i started to think: what will? i can't say i'm in hell, i can only assert limbo: i'm not a monster, just yet... it's only later that i became *******, when they wrapped me in a blanket of denials, to ensure their society was a beacon of false hope and even more false love... that last bit is the cherry on the top... i once hated ridicule: now i started to loath playground like games of lies... i just started thinking: these people are a bit worthless... how could people i once respected become so... so... pointless? it's not a case of: oh poor me... i'm laughing... asking for the next quickened allotment of epitaph in marble... i prefer the pain rather than this kiddy game of denying something being true... that sort of **** just makes up for being thought about too much... it exhaust my mental capacity... limbo is quiet fine, i'm apprehensive where these people think they live... utopia isn't exactly a best-described vicinity... but when did people start to become so ugly? it's slow down here, the big bang just happened, or as i say: with the kettle boiling water... biology's darwinism timescale for a reaction, and physics's timescale of the big bang theory are not exactly fascinating for me, boiling my water to make a cup of tea... i am literally split-mind concerning these two "barometres"... it's just hard juggling these two (0, 0) coordinates... to stress a beginning... evidently juggling these two narratives leaves us living our lives on amphetamines... insect like... it's hard to even make time or emotional investment in: a death in a village... it's doubly hard to make adjustments for a tomorrow, giving our input in beginning: no one knows, billions and billions... years... and then back toward the befitting cranium... it really is man with an omni-characteristic, well... at least one of them... which clarifies itself in a way: given that we're no longer exploring this orb, globalisation ensured the tribe died... we can go in circles: round and round... there's never a clear vector in sight... no real unknown land to challenge... it's all been tamed... once the savannah, now the zoo... as one german noted: the melancholy of the completed house... all the work gone into constructing it, the thrills, all gone... it just stands as perfect, as it is already derelict... hard to keep track of a two-beginnings system... it's hard to find awe these days, i mean awe that might allow an Aristotle, rather than just looking stupid... i think that England really does require an invasion to shake it up a little bit, it looks so docile in its arguments... so certain: "poised" to conquer... i can get (0, 0) of the big bang, a big blank... my brain just became scrambled eggs... i store that **** in my head: i'll see forever-never-tomorrow... i store the monkey-suit in my head (the other (0, 0) beginning) - i'll begin to wonder: but the monkeys have it so easy! me panda! me and bamboo! darwinism has either killed of history that we made in the centuries a.d. / a few centuries b.c., or what they're prescribing us really can't fit into one head, or into a few, to make it into a crowd... because when a few ditto-heads ingest one wise monkey talking over another monkey... the atheistic crowd is the quickest to disperse... as with the constant banging on about the number of stars in the universe... i like to look at the number of carbon dioxide bubbles in a glass of Perrier water.

well, maybe because they aren't
my contemporaries... but i despise Chopin
like despise Liszt... the fact that the latter
smoked cigars is just asking
for me to abhor him... and that a poet
   succumbed to his virtuoso skills
with dire tears of
       a jealous thread (matt arnold)...
for me Liszt and Chopin battered the piano,
literally, battered the piano...
     could have slaughtered a cow also...
but then again there's a part of my that says:
well, if the god argument is infantile,
how about the nation argument, is that infantile also?
are we to be bleached entities,
or merely abstract pronoun users? you see,
   they stole Copernicus from the Poles,
and Mickiewicz, and evidently Chopin is no Pole...
but a prize nonetheless... so they keep him
as that rare thing: something born into an almost
inescapable state prone to disintegration...
   what with the monarchy being
     one of import, either a Swedish electer ruler,
or a Hungarian, or a Russian, or a German (e.g.
house of Sas) - a monarchical brothel,
   otherwise known as an aristocratic "democracy"...
    it's just a good thing i don't like him... i don't see how
a piano can be ***** as it has been by either Liszt or
Chopin, sure enough, nimple fingers,
joseph ii hapsburg, mozart, the film amadeus citation:
                                                               too many notes...
    a bit like me... for its worth, the piano is so delicate,
    so so delicate... how it becomes an instrument that
requires competitors, how you need more virtuosos
who can play the **** music than original from-scratch
composers... piano: it just asks for gliding hands,
it's not asking for these megalomanic
tunes that might leave you with a wish from an audience
memember: to break your fingers...
evidently nothing more than a death / ******* stare...
or why the true resting place
of Chopin is Japan... as odd as it might seem...
           plays the piano great... plays a woman
  like a bagpipe...
                  aren't the two related?
     and when i first heard *ola gjeilo on the radio
i was a woman watching a romcom...
                              the whole northern lights album...
my: a feast!
         just one of the few contemporary composers
that i can invoke...
     so coming back to the piano:
   me more of a Debussy and Eric Satie palette...
they just glide... i can only imagine
       a flight of migrating swans,
   or ice-skating...
    Chopin and Liszt is a mathematical headache...
        solo piano and the gentleness of approach...
    and only today,
   a lesbian couple travelling to manchester...
one of them phoned the radio station
and asked for a request...
      i've been dying to note this song / composer
down for a year or so... always heard the song:
never the composer's name...
                   ludovico einaudi,
much to my taste: the piano still remains
   a wardrobe item of the orchestral architecture,
rather than a door of your fridge...
constantly yapping for: more, more, more.
you glide across it,
tease it, rather than taste it,
  or subject it to a rubric of quickened calculation,
it stuff the room,
the best you can do is make it sound airy,
    make diacritical echoes from it,
than actual letters...
           say: the acute above the o, rather than
the o and acute in ó....
such a delicate thing: the piano:
which is why i never understood Chopin,
or felt a need for a national argument
       needing him, propping him on a peddlestool...
having him as a national treasure...
                  i always remained true to
those who settled for gliding over the alphabet...
    rather than immersing themselves in it...
that kind of composition, that simply fakes lazy...
     they are the ones i admire...
     and yes, given that dialectics has been
completely forsaken,
   the best we can do is give an indulgence
in an opinion, and make comments of
diacritic...
   women, chocolates,
men: dialectics...
                    or at least that's how i find myself,
making diacritic comments...
   akin to piano (contra chess,
    white notes consonants,
black notes vowels,
or should i say: any letter with a diacritical
distinction is the black note,
vowels and consonants are uniform in white)...

There’s a line in a movie which goes something like “pain is good, it lets you know you are still alive”. The obvious question that I can hear you asking is “So when the pain goes away you know you’re dead?”  This inevitably leads to a conversation about life after death.
Now that topic can be dangerous if you don’t walk away from the conversation quickly enough, at one of “those” parties, you know the ones; the one you would not have gone to if you knew that the person who invited you believed in the power of healing crystals. So as the bottles of wine get emptier, the part time philosophers get louder and more opinionated about everything from the existence of an afterlife to what was the “real” message behind the final episode of M.A.S.H. And yes, I have been unfortunate enough to actually hear some overfilled part time philosopher postulate a well thought out, theory on the subject at an Italian restaurant in Brisbane and unfortunately was only up to desert so could not escape without missing out on coffee and Muscat and cigars. It was a tough call though.  Ah smoking in a restaurant, those were the days, now where was I?
So given the opportunity to choose an activity which you know involves pain, i.e.: Rugby League, running a Marathon, Childbirth or  listening to drunk part time philosophers at parties, why would you knowingly throw yourself into any of these extreme sports? Well maybe because the rewards of the end result are worth the pain involved during the activity. So that cool night in that Italian restaurant I sat through Scott’s theory, not knowing at the time if the pain of the story was going to be offset by the quality of the temptations to follow desert. And so that leads me to the reason for writing this. A friend of mine recently wrote. “Apparently any given situation can look good if viewed from the right angle. Sometimes I get cramps!”
Well my friend the Muscat was good that night, the coffee rich and earthy and the cigars cheap but free. Scotts actual theory is long gone from my head but the memory of that Muscat coffee and cigars lingers for twenty years.
I am lead to believe that cramps may be a symptom or complication of pregnancy, kidney disease, thyroid disease, hypokalemia, hypomagnesaemia or hypocalcaemia (as conditions), restless-leg syndrome, varicose veins,[2] and multiple sclerosis.
So, given that if in fact it turned out that you had one of these afflictions and the cramps lead you to discovering this fact, I would say the cramps; like my terrible dinner experience, viewed from the right angle looks good! Now off to the doctor with you, I’m off to the bottleshop.
From Wikipedia, the free encyclopedia

The dead-bolts on the interior doors
Against the nephews most securely locked
(One is destructive; the other explores)
Ignored by their mother (usually crocked)

The brother-in-law babbles about his bowels
And surgeries over the festive spread
Ignoring his wife’s disapproving scowls
Detailing each grim therapy and med

The puppies are safely penned inside
Because of an incident with a crowbar
And a nephew who kicked and screamed and cried -
He wasn’t allowed to **** the dogs or bash the car

His mother comforted him in his tears
And glowered at me for telling him no
And comforted herself with a few more beers
Her special child is sensitive, you know

The brother-in-law’s colonoscopy
With lurid adjectives of graphic doom
Comes with the pie and more iced tea
His miseries circulate around the room

Then from the living room an expensive crash
“Not me!” “Not me!” More screams and denials and cries
An old family vase – it’s now just trash
“You shouldn’t have glass around,” their mother sighs

The brother-in-law offers to show his scars
He finds his shirt buttons, makes his move
We other men escape outside for cigars
Cigars!? The women uniformly disapprove

One nephew leaps upon a garden seat
And jumps and yells until it falls apart
Their mother says her boy is cute and sweet
“Are you all right, my dear little heart?”

The brother-in-law holds his tummy and groans
And tells us all about his flatulence
And just which foods lead to what moans
(Perhaps he should practice some abstinence)

The women come outside to cough and choke
With practiced puritan disapproval and sneers
About the satanic scent of tobacco smoke
The world’s best mother chugs a few more beers

The brother-in-law explains why he can’t drink
It’s about his digestion (be surprised)
And we shouldn’t smoke; if only we’d think
And we (got a match?) are properly chastised

Then at the end of this mandatory day
Of mandatory Hallmark merriment
All of them finally go the (space) away
And how did the mailbox get broken and bent?

But the brother-in-law pauses at the garden gate
“Say, did I tell you about my new pills…?”
And so dear solitude again must wait
While darkness slowly falls upon the hills

Pearl Avenue runs past the high-school lot,
Bends with the trolley tracks, and stops, cut off
Before it has a chance to go two blocks,
At Colonel McComsky Plaza. Berth's Garage
Is on the corner facing west, and there,
Most days, you'll find Flick Webb, who helps Berth out.

Flick stands tall among the idiot pumps-
Five on a side, the old bubble-head style,
Their rubber elbows hanging loose and low.
One's nostrils are two S's, and his eyes
An E and O. And one is squat, without
A head at all-more of a football type.

Once Flick played for the high-school team, the Wizards.
He was good: in fact, the best. In '46
He bucketed three hundred ninety points,
A county record still. The ball loved Flick.
I saw him rack up thirty-eight or forty
In one home game. His hands were like wild birds.

He never learned a trade, he just sells gas,
Checks oil, and changes flats. Once in a while,
As a gag, he dribbles an inner tube,
But most of us remember anyway.
His hands are fine and nervous on the lug wrench.
It makes no difference to the lug wrench, though.

Off work, he hangs around Mae's Luncheonette.
Grease-gray and kind of coiled, he plays pinball,
Smokes those thin cigars, nurses lemon phosphates.
Flick seldom says a word to Mae, just nods
Beyond her face toward bright applauding tiers
Of Necco Wafers, Nibs, and Juju Beads.

I always said she had too much coffee and cake ,
her portly shape was due to too much wine ,
and now all she craved was a good time.

I always said the cigars she smoked were like
Tomb stones ,
to blind to notice,
to addicted to care .

I always said ,
I always said .

And her heart only beat to climb the stairs ,
and the chocolate and chips helped her through the day .

Rainbows and demons ,
Chains and weeds ,
and the wind and rain ,
and the rain and the wind found us on our knees .

Spoh koyn nee noh Cheh dorogoy , ( good night my dear ) for
I shall navigate my love under a starry host on my ship of jesters and
Fools .

You’re cigars and cake are the rainbows and demons ,
and chains and weeds to our love ,
For you’re laughter for our foolish freedom came not from God above .

Must I then take the ash and crumbs and the yellow **** you retch ,
and hope what’s left does not choke you .

We shall marry in our Geogian satire of smokin mirrors , gin and Russian roulette ,
I will play the doctor ,
You the patient.
Our babies will smoke cigars from their Georgian prams ,
Wine ,cigars , chocolates and cake I shall spoon feed you ,
.....until you’re dead .


For you’re chains and weeds have killed you ,
and death has taken you away .

And here at our table I shall sit alone ,
thinking of you .
With wine a cigar ,
Chocolate cake and a cigar I shall toast you ,
until this day ,
draw a curtain ,turn off the lights .
Sweet dreams my malen kaya kroshka
( my little crumb )
sweet dreams .

my favorite material
rich, luxurious, deep
cigars and a musky afterglow
your man's warmest sweater
he smells like the earth
he smells like lust
he smells like leather

my favorite material
*******, bedroom, broken
lay me in a vice grip and
force me to inhale
it smells like love
it smells like I'm centered
it smells like leather

I was distracted from colors so bright
By the scrumptious cakes and chocolate bars
I walked through those doors, taffy past my height
Where I saw sweet teas and candy cigars

Bins filled with lollipops and gummy bears
Colorful gum ***** and chocolate coins
Chocolate dipped plums and delicious pears
Oh, how very sweet! The ache in my *****.

One man so strange tapped me on the shoulder
“Hello,” said the man, breath scented of smoke
“There is more candy out where it’s colder”
I follow him out. He hands me a coke.

But to my surprise, no candy outdoors.
In the trunk of his car and on all fours

Eating mushrooms, to her is yet another art
she loves to perfect, in my ear she whispers
with such visible pleasure,"I want to be a connoisseur in this"
Her studio smelled herbs and wild flowers of inner forest,
brought me back to the cardamom and cinnamon garden
I played in my days of boyhood; spices build a  bridge for us.

More of a herbalist than a paint smelling artist, she seems,
mounted on the wall on irregular fashion were the mushrooms
she painted with a passion rare, and a precision mirroring life;
the paintings  brought her past in to the studio, only trained eyes
would discern the cryptic symbolism, a consummate artist she certainly is!

 The woman who smoked cigars in succession and untiringly danced,
she said was her favorite, along the lake front we took a long walk
comparing notes;  there were parallels that met, we found soon enough.
"You too knew her so well, I am aware", she said. A room filled with smoke
where we dance, make love, grow tired, fall down and sleep, wasn't it our life?
No one can miss the signature smell of her dense cigar smoke on my dress!"

I loved the smell of cloves she exhaled while eating mushrooms.
though detachment she pretended, eating mushrooms never was that!
I kept looking down at her eyes, a sailor about to sight the land,
any panting moment that rushes with a monsoon song for me and her.

I can remember that first encounter. He was a man in his early thirties, bright eyes but with a dark grin and was smoking your cigars wearing a black hat and he was also carrying a guitar. He was here to show me how to strum an few chords.

I remember him distinctively saying...

"Guitar playing I am about to teach you is really the same as love making you know?"

I  laughed and blankly said
"but how so?"

" Well... (grinning)
Each string has to be carefully plucked, and contains a different  sensation and vibe if you mishandle the strings that final note will sound awful.

He was showing me how to re-tune and play a few chords which were C, D and G then pass me over the guitar back to me.
"Its your turn dear, and be really gentle"

While doing this and playing the first few chords of the guitar which was D I could feel him rub my shoulders and chest gently.
"Don't worry you can trust me, I was just loosening you up we can't have you feeling tense"
"Now, show me a G"

I begin to play the chord G while doing that he then grasped firmly on my other hand : I can feel a surge of heat from his hands firing up my fingers. This heat was making its way to my chest. He now caressed and circled around the chest and then higher up to my *****. I can feel his breath and his tongue swirling and stretching out to **** on my *******.

"Okay ... final note play me a C"

I crouch down to the floor and begin to strum that final chord and can then feel him stretch his hands beneath my skirt I could feel the sensations further of his fingers strumming my ***** in the same rhythmic motions of his guitar previously.

"See what I said? music playing really is the same as love making"
"I nodded and said yeah I suppose"

A bit shaken and uncertain how to respond but he kept whispering into my ear and repeating that same line: while kissing me on my cheeks, stroking me up and down in circular motions in which I could feel a tense feeling of release and then silence again

Was that the final note?

I thought all of life existed in a smoky room
Confident men raising spotless claret glasses
Matches firing their dreams and memories
Until the last cigar reminds how time passes
And now where life has taken us
Is the refuge of sidewalks groaning under the masses
We long for those days of fearless bravado
While we wonder if meaning is buried under the ashes

Went down, slippery cold stairs
Spiraling down, words on walls,
The paper sheets?

Heard the music down there...
Down... Down...
I've heard it before;
Down... Down...  Rumble down...
An underground celebration,
                      So I went - down.

        (the cave)
Infants were there, dark rooms,
Bathing in the boiling red wine,
Laughing madly in the fumes,
The ceiling and walls were moist and dripping.

These babies, visages of chimera,
Evil grins cutting their faces,
Evil smiles, gruesome masks
and cigars in their hands, claws...
          -Stop!!!

This I will unleash,
One day, whiskey, liqours,
Yeah.
Beers, drinks... rumbling.
Calm dark surface of the lake
At night
And the carnival nearby,
Mile away or so...
you can hear their sounds,
muted slightly;
faint lights of torches,
at the other side of lake.
Weird tribesmen
Praising the summer solstice
With howls, maracas,
Tiny bells, dance,
Fire.

-But listen to me now!
Now, when you hear me,
Look here, look closely.
Put your hand in me,
Can't you feel I'm almost boiling?
I'm no mud, I'm a clear water,
Almost as a spring!
Swift and clear - and hot.
                                
                           ­        and dark.

eph you see kay etouffee if you see Kay tell her a catawampus catahoula hound hog dog crossed bayou levee last night all right what did you say if you see Kay tell her a catawampus catahoula hog dog crossed the levee last night all right i heard what you said the first time why you got to repeat eph you see kay you ******* ****** **** what? what did you say you ******* ****** **** heard you the first time you **** a **** a ***** a ***** hello stop end begin believe conceive create no thank you i already ate what? what did you say begin believe conceive create no thank you i already ate quit ******* repeating yourself  you ******* ******* hello stop end begin believe conceive create eph you see kay etouffee if you see Kay tell her a catawampus catahoula hog dog crossed the levee last night all right

the renown physicist dressed in brown wool suit brown leather laced shoes white shirt burgundy knitted tie wild curly graying hair climbed the stairs walked across the stage stood at the lectern adjusted narrow support pole height reached down into brown leather briefcase retrieved his thesis concerning the relative theory of everything tapped microphone composed his posture made a guttural sound clearing his throat looked out at packed full auditorium it became evident to the distinguished audience the renown physicist’s fly was open and his ***** hanging out it was unanimously dismissed as a case of professorial absent-mindedness

all the creatures of the earth (excluding humans) convened for an emergency session the bigger creatures talked first grizzly bears stood upright explaining demand for gallbladders bile paws make us more valuable dead than alive sharks testified Asian fisherman cut off our fins for soup then throw us back into the sea to die elephants thumping heavy feet stepped forward yeah poachers **** us for our tusks rhinos concurred yes they **** us for our horns wild Mustang horses neighed about violent round-ups then slaughtered processed for cat food whales complained of going deaf from submarine sonar tests then sold for meat many dolphins sea turtles tuna swordfish sea bass smaller fish swam forward pleading about getting caught in long line nets barbed baited hooks over-fished colonies chimpanzees described nightmares of being stolen from their mom’s when they are very young then used in research labs for horrible tests song birds chirped about loss of their habitats land tortoises spoke in gentle voices about being wiped out for housing developments saguaro cactuses dropped their arms in discouragement masses of penguins solemnly marched in suicidal unison to edge of melting icebergs polar bears and seals wept honey bees buzzed colony collapse disorder bats flapped about white nose syndrome coyotes and wolves howled lonesome prairie laments the session grew gloomy with heart-wrenching unbearable sadness sobbing crying then a black mutt dog spoke up my greyhound brothers and sisters and all my family of creatures i sympathize with your hurt but it is important to realize there are people who care love us want to protect us not all humans are ravenous carnivores or heartless profiteers a calico cat crept alongside black dog and rubbed her head against his chest an old gray mare admitted her love for a race horse jockey who died years ago a bluebird sang a song suddenly lots more creatures advanced with stories of human kindness Captain Paul Watson Madeleine Pickens Jane Goodall a redwood tree named Luna testified about Julia Butterfly Hill the winds clouds sky discussed concerns by Al Gore lots and lots of other names were mentioned and the whole tone of the meeting changed every one agreed they needed to wait and see what the next generation of people would do whether humans would acknowledge the cruelties threats of extinction and learn grow figure out ways to sustain mother earth father sky then the meeting let out just as the sun was rising on a new day

there is a cemetery in Paris named Père Lachaise buried there are the remains of Jim Morrison Oscar Wilde Richard Wright Karl Appel Guillaume Apollinaire Honoré de Balzac Sarah Bernhardt the empty urn of Maria Callas Frédéric Chopin Colette Jean-Baptiste-Camille Corot Nancy Clara Cunard Honoré Daumier Jacques-Louis David Eugène Delacroix Isadora Duncan Paul Éluard Max Ernst Suzanne Flon Loie Fuller Théodore Géricault Yvette Guilbert Jean Ingres Clarence Laughlin Pierre Levegh Jean-François Lyotard Marcel Marceau Amedeo Modigliani Molière Yves Montand Pascale Ogier Christine Pascal Édith Piaf Marcel Proust Georges Seurat Simone Signoret Gertrude Stein Louis Visconti Maria Countess Walewska and many other extraordinary souls it is rumored at late dusk their ghosts climb from graves gather drink fine brandy from costly crystal glasses smoke fragrant cigars and once a year on November 2 party hard all night culminating in deliriously promiscuous ****** **** it’s difficult to know what the truth is since the dead don’t talk or do they

**** Tumblr. **** Facebook. **** thumbs up. **** Iphones and everything with an " I " before it's name.  Even if it's  an " Ivone ". **** Justin and Katy, teenagers and children. **** the children. **** GIFs and Instagram. **** the hashtag #. **** twitter. **** ‘selfies’ , ‘felfies’ and ‘braggies’. Put a camera in your ***, take a picture, that's a selfie too, you ******. One you can brag about.
******* as well. **** this, **** that, ******* again. Especially you, yOU ****. **** twerk and Miley. **** MTV. **** the 2000's. **** rich people trying to look poor cuz they're hipsters and that's " Indie ". **** Indie ****! Everything's " Indie " nowadays. **** that! Not everyone is struggling. Make some noise, you don't have cancer.
**** people who smile to every **** a **** does when they visit the hood to buy drugs, because they're stupid and soft. **** social conscience.
******* again for pushing a beard and a moustache because it's fashionable. **** John Lennon. **** the Beatles. **** **** as a trend. **** me, but at least i'm cool. **** cool. Everyone's cool currently!? I started smoking when I was 11. Now that i'm 25, i realize smoking is kid's stuff, so i quit smoking. **** cigars. **** having 25. **** sexist and feminist.
**** the dikes who think they have an advantage on other women for not being a **** fan. **** LGBT haters. **** the LGBT flag. **** flags.
**** Amsterdam. **** Vintage, used to be cool, now it's fake ****. **** cars these days. Their shape and their drivers. **** TV series. **** this zombie ****! What's with the zombies? **** FOX. **** people who hate on TV, because their to smart for that, but let computer/internet melt their brains into liquid ****. **** stupid people. **** the army,everywhere. **** politics. ******* for trying to make me vote. I don't believe in it and i'll never will ,it's a ******* waste of time and i don't care. ******* for believing that's a choice. ******* for participating in that sharade, making politics who they are, you ******* *******. **** people who talk to much. **** people who don't listen that much. **** people who talk WAY to much and expect you to be as excited as they are. *******! ****  "LOL" in a face-to-face conversation. Laugh *******. **** random generation. **** " Likes " and **** " Sharing " because no one gives a ****.

And yes i'm a misfit, you genius. We all are. That's the truth...
**** the truth.

The Bishops bathe in Babylon
while Princes, prancing on the lawn,
watch Queen deflowered, pale and wan.
            The King dares not defend her.

The Horsemen, holding broken reins
the Morning of the Hurricanes,
sigh “it’s no use, it’s all in vain,
            the Saints will soon surrender”.

They wonder why they ever came,
they have No One whom they can blame,
they have no face, they have no name,
            and even less, a gender.


The empty-handed Vagabonds
smoke stale cigars, stroke faded Blondes
while waiting at the walls beyond,
            but kneel as Chaos enters.

They’re gazing through the window panes
in hopes that distant Hurricanes
will twist and break their iron chains
            defying life’s tormentors.

The Fantom of the Opera frowns
as feeble minded Cleric-clowns
mouth hollow hurdy-gurdy sounds
           when blessing doomed dissenters.


The Pirate wields a wooden leg,
with pupils dull and visage vague,
and if by chance he spreads the plague,
            it really doesn’t matter.

His Princess, pale, no longer feigns,
foresees instead (down ancient lanes)
the coming of the Hurricanes -
            the Stones stir, staring at her.

And Jackals scrape the river bed
as Savants soothe the underfed
and Crows, collecting scattered bread,
            adorn, with crumbs, the platter.


The Jokers Wild and One Eyed Janes
weep, winding up in rundown trains
mid whispers of the Hurricanes,
            and Priests refuse to christen.

They’re fleeing from the Leprechauns,
the cuckoo birds, the dying swans;
while pitching pennies into ponds
            their eyes opaquely glisten.

The spectral Clocks with spindled spokes
remind the Mimes to tell the  Folks
the time of day and other jokes,
            yet No One looks to listen.


The Hunchbacks with contorted canes
galumph before the Hurricanes,
in melted sleet, in frozen rains,
            in bruised and battered sandals.

Their Groans engulf the land of gulls,
the land of stones, the land of nulls,
and lurk between the blackened lulls,
            for Nighttime brooks no candles.

Their prayers to Dogs and Nuns and Dukes,
(and other long forgotten Spooks)
are more than random crazed rebukes,
            though taunting to the Vandals.


The Beggars ’neath the balustrades,
and broken Children, Chambermaids,
are running wild from wraiths, afraid
            of dreams where death redoubles.

They fritter time with tattered threads
(from ragged clothes they’ve left in shreds),
crocheting hoods to hide their heads
            and faces, full of rubble.

But many things will not remain
the Morning of the Hurricanes,
when goblets filled with cool champagne
           evaporate in bubbles.


The White-Robed Maid adorns the trash
with charnel urns awash in ash,
then fumbles with an untied sash
            while pacing in the Palace.

Her hopes congeal in coffee spoons
with memories adrift in dunes;
yet, still she smiles with teeth like prunes
            and lips of painted callus.

And long before the midnight drains,
the Saviour wakes, the Loser gains,
the waters of the Hurricanes
            will fill her empty chalice.


The storm (behind the clarinets,
the silver flutes, the castanets,
the foghorns belching in quartets,
            the bagpipes, puffed and swollen)

is keeping time to tambourines
while Tom Thumb and the Four-Inch Queen,
pick up the shards and smithereens
            of moments lost or stolen.

They’re trekking through the Dim Domains
(where fountains weep, the mountain wanes),
yet can’t escape the Hurricanes
            with trundling eyes patrollin’.


The Crowds (arrayed in jewels) in jails,
stoop, peering through a fence of nails
while light behind their eyeballs pales
            with plastic flame that sputters.

They huddle there because they must
(with eyelids hung like peeling rust,
their tears, palled pellets in the dust),
            behind the bolted shutters.

They’ll reawake without their pains
the Morning of the Hurricanes,
without their sores, without their stains,
their agonies will fill the drains
            and overflow the gutters.