Verse
Ever cruising , in the base ship
Now finding my feet on the ground
Muddy pathways ,
Pebbled alleyways,
River coursing eastwards

Chorus
Give me the revelation
That I need to elevate
Give me the calibration
That I need to stimulate
All aligning, all aligning

Verse
We are divided, in the realities
Now finding sensate zones
Hearts entwining
Minds compassing
Many flowing for the cause

Bridge**
And they shall walk on the land
Their feet will sink in the pads
They will smile and trance
Fight then unite,
Recite in their might
All attuned, all aligned

Airport

Covering my face with my hands, there is an incessant in-pouring of light. I feel like I am in a casket. My brain seems to be swelling, in tune with an invisible pendulum. Waves of nausea flood my body.  Small children thunder around in front of me, like hysterical nightmare projections.

I have never enjoyed being in Airports. They are morgues with an added buzz of visitors and commerce. The sterility of the interior design and the nervous excitability of the passengers sets me very quickly on edge. As a salesman for a major international e-commerce company, I am required to fly often.

To avoid excess stress and anxiety I prepare meticulously. Nothing must be left to chance. I am regimented and purposeful during my preparation. If the luggage allowance is 15kg, then I make sure that my suitcase is dead on that weight. I reweigh my suitcases on several sets of scales. Checking there is no error in their calibration.  I do not carry any prohibited travel items. I ring airline customer support several times to double-check. I rummage through my suitcase repeatedly. I allow no error to go unnoticed. I google articles about travel preparation, checklists, essential travel items and I read articles about anxiety related to fear of flying. Neither my emotional state nor practical matters are to take me by surprise. I am like a samurai undertaking pre-battle rituals.

Check-in is open. I funnel through to the check-in desk. There are several people before me; their movements generate a low pitch buzzing in my head. They are hyper-kinetic, speaking at unreasonably loud volumes in an indecipherable language. My arms vibrate down by my sides, my tongue thickens. I feel warmer and more vulnerable. I start to think about the first meal I’ll eat in Rekyjavik. I have panicked thoughts, recognition of myself in these thoughts is minimal. I swing around to check that nobody is standing directly behind me. The several people check in without issue. A man in all black clothing, I presume, a security guard intercepts me and asks me to go to desk 13. Although there is a sign hanging down from the ceiling with directions to check-in desks 10-15, I am unable to locate desk 13. I double back on myself, I ask the check-in assistant from desk 12 where desk 13 is. She says that it has been temporarily moved to the second floor of the terminal. Desk 13 on the second floor doesn't in the slightest resemble a check-in desk. A burly individual with an absence of ****** expressions or an officious manner mans an oak desk. There is no conveyor belt for the luggage, only a shopping trolley. ''Ermmm can I check in here?''. The man whom lacks an officious manner nods curtly without removing his eyes from the newspaper he is reading. "Documentation''. I hand him my documentation. ''Passport''. ''Going to Reykjavik?'' ''Erm yes''. ‘’Follow me’’.
The man, who lacks an officious manner, leads me a door behind the check-in desk that doesn’t in the slightest resemble a check-in desk. A young child with golden blonde hair in white robes pushes the shopping trolley behind me. We enter a room that is high like a cathedral and tiled in exquisite mosaic tiles; alternating gold and white into infinity. The ceiling is so high it seems to disappear off into a void. Sat down at a bog-standard mass manufactured desk in front of me, is a man who must be at least 13 feet tall, he has enormous ears like an elephant and is speaking in rounds of what sounds like the same phrase. I do not recognise the language. I am ceased from behind by the blonde child and the man who lacks an officious manner. The man with enormous ears like an elephant screams ‘’I hate Iceland’’, the blonde child laughs uncontrollably grabbing his stomach like he is holding his insides in. The ceiling begins to close in and a space opens in the floor. The man who lacks an officious manner says in a sinister tone says ‘’Do you think you would be forgiven”. I say ‘’I have got a ticket, I’m going to Iceland on business’’ I feel a prodding in my lower back and then darkness.

.                                                               @
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                america, americultus, americate, dubiously *******.
::: our gold-flecked bodies.
blackbirdian danceparty, i'll go.
washed-up beach bottles and all our feet amongst them curling time.
teens dream in orchid; they wait for stars and dark and los hombres of good dust.
they wait on eyes, and on embers, on belly belly.
jellyfish flashlight shrine.
we eat acid and strawberries and butter in the cemetery,
and feed foxes lizards face first :::
                us lost ghouls on school-nights.

                flash tag jazz, and yellow bicycles.
::: that hot eternal light.
that candy colored smoke don't smoke; go south on her body.
then thoughts form thoughts form action, form twangs all tuned to air.
& we, as notes, we notes harp like light
to dust.
our glistering hormonal thrusts beneath sheath of liquid love. her eyes,
with those multi-speckled strands
infinitesimally drunk :::
                seed from my ****.

                pearled halo: smoke above my head.
::: waves and machines and weekends. filtered by the long ****
of existence.
boys wait in rooms of hotels for more drugs, and the girls bringing them.
like caterpillars on silky thin treadways,
with nothing but the flavor of our passions to ignite the way. we
exacerbate the boundaries of our intentions. we
curl under sheets, bending sheets of light and sound. we
flakey emaciated flakes. [sequence suffered time in motion] we
                dirt. it’s what we are; dirt.

                we are druggernauts, tasting ourselves along the iridescent brim.
::: we crawl up cross-glowing hillsides toward portals and faraway
bleep-blorps of hot god-head calibration.
we sticky-crackle go burn. [nature puzzles]
the brain shifts back; twenty-one grams they say the soul weighs.
they say things.
cherry blossom tree tips in the dark.
tele-portal surfing with an intergalactic pizza priest, and his satchel of secret sauce.
he heaves in the corner; rebirth :::
                tendrils pulled tight, everybody **** chung…

A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy. This is based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the apothegms of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context. This instantiates that the consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously.  Both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight. This is because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny. By that very definition this could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor

Practicality is the reality
of ignominious totality
the devices of all sizes
and the grammatical mentality
of systematic duality.

Punctuation is the *******
the ******* of every generation
the permutation and saturation
of wordsmith temptation for re-calibration
the aberration and consternation
that leads to misinformation
and condemnation and annihilation
of the constellation colloquial conversation
the abomination of language urbanization
the fermentation and ionization
of linguistic complications
the desolation of commas and semi-colons
the affirmation of their vs they're
the augmentation of amalgamation
is just the lyrical *******
of a hooded basketball top nation
the culmination of devastation
the gestation and interpolation
that leads to appreciation isolation
and justification acceleration
the modification and assimilation
of poorly-worded implementation
and the contamination of myriad exploration
alienation in illumination
punctuation is the salvation of documentation
against the tides of violation
and the extermination of regurgitation
the classification of discrimination
and last but not least
the liberation of misrepresentation.

He walked briskly down the street matriculating prisms of light in the rhythm of the half-life gauging the calibration of the saints deluding angels with his card tricks keeping mediums amused with stories of Jewish cowboys in the old west towns like Tucson and Fort Smith El Paso and Los Alamos irradiated deserts and timber towers of purpose harbouring test wrappings and the allure of relativity the tease of light speed the promise of a new universe bore of a split nucleus of electrons freed and neutrons cowed sliding into a chaos of religious quest and the argument of philosophies both lost and found and true dichotomies and myths that excite but lie and serve sweet political purpose of mushroom clouds below home skies before they puncture the foreign and innocence lost on wide blue seas of dreams spiked with insidious isotopes walking the street wondering if he should forget should he discard and will we ever reach the stars

it's almost beautiful, we created the thing called
money, in order to turn tribalism
into a myth of Eden (alone, stark naked) -
          it's almost as if we deviated from
creating it and asking for family values,
            but never got them,
       i'm trying to imagine a Russia where
Rasputin wrote a book
that might have resounded with Nietzsche's
ubermensch - but thankfully precipitated into
world war i & ii... fancy the interlude:
a cold war i, now the cold war ii...
you should be happy, to be honest, it's the best
status quo you'll ever get...
but **** me, 1970s disco craze: even i'm
like Mozart-who?
               a little notebook, and my getting
drunk thoughts in it, funny how drink intellect
knows all too well about the: diminished responsibility
white flag -
              as with the **** chokes come the
drunk-and-writing-a-poem jokes,
                                i'd say blame Al Capone!
you know how many diacritical distinctions i could
insert into that surname? diacritical marks
are ulterior forces at-be when all punctuation goes
*******, not sentences, but words -
Cá       ponè - cockney slang Capone on the phone:
        we had fun: because you really don't say
Cáponé like you might say a torero's olé, do you?!
me? i find it grand to paint syllables with
diacritical marks, i mean: it's not even a blank canvas,
shame the semi-colon isn't minded in distinction,
but still, i already know that poets are scared of
punctuation, hence breaking the lines and not
engaging in a paragraph... tying shoelaces seems about
fine when it comes to modern poets,
talk about knitting jumpers, or scarfs by grannies -
sold as doing that same activity on shredded wheat cereal:
- = a hanging pause (suspense);
       , = necessary pause (or the expected
in a rhythmic cyclone);
   then i say to all my would be assassins:
you'll be doing me a massive favour, to be honest.
at times it really is the age of trusting entertainers
and not the media and certainly not the politicians -
it's almost stating the obvious.
i was in St. Petersburg for a month, and every time
i wanted to go to a danceclub to dance she refused me....
me and my naiveness in thinking that people could
actually be seduced by good...
      i don't mean being exposed to a tsunami
among the other elemental congregations of Shiva
there goes my belief in people being good to each other...
shoom! gone... bye bi!
(origins of dyslexia? maybe).
                                 she took me to the opera and
she started her snarling condescending approach to
the new-rich girls in the next booth...
     **** me, relationships leave me so ill-equipped
i actually find it staggering that i had any...
                 i must have been really naive in believing
that people could do good that i ended up
   a hermetic pessimist or misanthrope -
i never expected to be one, or share the juices of such
a calibration of humankind:
but it's funny how a movement overstates the cartesian
sum and never the cogito,
and when you by chance encounter the actual cogito
organising a movement, you represent nothing
representative of the movement's sum,
because the cogito is actually so staggeringly
divergent from being affiliated to the (e.g.)
         French revolution's guillotine locomotive.
when utilising only one hand in writing?
a black notebooks is written into at a rhombic degree,
yep, slant.
        i have two or three decent points to make,
but, obviously, i have to utilise verbiage to state them,
let's compare that to building a thousand homes
before the leaning tower of Pisa comes along
and people say: wow! in the immediate sense i
will require compensating that exception with
enough social housing for the tower to actually be erected:
that's natural: regurgitating maxims from no experience
would be an equivalence to an exoskeleton:
no experience, no harm... and where's the fun in that?

(interlude no. 1)

almost 15 minutes in an opera house, long enough
for the march from your seat into the street and a smoke,
  i still can't understand while people adopted money
for the demand of talking to each other via pebbles,
we are in our billions and made it so demanding to
only appeal to the few for company... i mean, should
i be sad? we made our company so unbearable because
of engaging in the concept of money that we later had
adapt to books as the conversations we need to have
among people we can't even talk about the weather to.
people always think that talking about money is
shallow... as if it's some really necessary version of
the crucifix (which to my mind sounds like a name for
a charity and the need to be thankful for it being there),
then again: something so geometrically pure
hanging over us and then comes Rodin's the kiss:
that really is a miracle - walking on water can hide itself,
turning water into wine (40 days & nights in the desert would
do that to you, every time you rehydrated, any liquid
would be intoxicating).
             oh hell, i have the notebook narrative,
i need to take a break after having written the unexpected
intro, and subsequent interlude.

it seems to me that language can never be sampled,
sampling language
is anti-scientific,
because it breaches an objectification of things,
which sad,
    are the Balkan states Slavic, Christian or Turkish?
i'm asking because a Greek said
it's Byzantine, and then lapping allah illha Allah
turkish took to Istambul...
*how best to defame a god with ensnarled capitals,
each, levelled,
                                only Islam will reign under the
praise of my name, which alone, will sing my praise.
   to move mountains, one must move throngs.
          to move people you expect them to become
mountains: or sun-tanned noon
  having been charcoaled into obliteration.
     one thought: an ottoman janissary: and vlad
the lesser crucifier and the adamant
impaler, who said that homosexuality shouldn't matter....
   imagine the comparative pain...
i can't: therefore i won't.
                     thus the black scripts of notation...
better than uttering original maxims,
          as in... better to engage in transcendentalº
dialectics
     ºin ref. to Nietzsche: the masses do not hold
an opinion on sanity: hence my concordance
with "him" - and insanity in individuals (self-dividing
                      duos in calamity of one):
insane individuals are rare: but conglomerates are
the norm - thus an agreement of shared truths
that has no debate to support it, because it has been
"plagiarised",
   the transcendental aspect is the lack of dialectics
(replaced with diacritics),
     and also the historical novelty of shared observation
with a disparity of a century's worth of history:
governing still the caveman and the modern man,
            as if the two were mutually compatible.
that one could rewrite the other, and so too true in
reverse.
   i find it harsh having to relinquish the authority
of language, as my own it used,
but only when school-friends suggest it, those
with ******* family members do i foremostly
experience it as my own: well... thanks to you
i'm not a plumber because your father detonated
the atom bomb and never bothered checking what
the gorilla did next with the grand censor of fertility
to protect an aesthetic...
           but then again: you were always Irish.
oo! well: sodomite that oops... it'll be worth something
in 30 years' time. strange how it must read...
Holocaust deniers also have the same lysergic trip.
             insanity in individuals is rare,
among groups it's the norm, within a framework
of Nietzsche: thus an agreement of shared truths,
that has no debate to support it,
because it has been "plagiarised" (necessarily experienced
more than once),
   ºthe transcendental aspect is the actual lack of
dialectics, and also the historical shared novelty of sharing
of observation (the tsunami cult, the earthquake cult)
with a disparity of range toward the century-range...
   philosophy infamously aks purposively
unsolvable questions: or questions that require many
more questions... or what is known as a transcript
of Aristotelian awe: of those who commit to error
with that science of pure wording, to spur people on;
philosophers are the adventurers in error:
only because this engages them in providing a "gravity"
locus... for others to hone onto and correct...
(oh how i'd believe had there been a Koranic surah
on the mindful hoplites)...
         purposively erroring: philosophy;
philosophers are pioneers: birches... scientists
are all but oak: auburn well established.
       but what of transcendental dialectic that expands
into shared truths (as experience) within the dual-disparity
of nearing death and the dawn of the 20th century
   and never-nearing a life at the dawn of the 21st century?
excluding dialectics and diacritics has given us
such a society, where everything is nearly snowflake
lucratively dissolvable and gentle...
                   few people utter truths,
even fewer utter truths than need to be debated...
             for the over-lord truth is mono, or glue...
        but still the tactic of avoiding certain truths
for the necessity of sitting in an armchair rather than
on a cold pavement... for in their pluralism
they express as many universal traits of non-experience,
as they subsequently express enough
    particular traits of experience
(translate rhyming into philosophy and you get this...
going cross-eyed in allocating an understanding,
summarised by the word zez).
hence the unwinding: universals (x, ÷):
       and particulars (+, -):
    of time, and how to encourage abstracting
worded coordination into an advanced literacy rate,
that'll fail, because literacy is power that requires
labouring anyway.
  because you did say "encapsulating a zoo"
readied to perpetrate a staging of a freak-show.
examples: universals (x, ÷):
       and particulars (+, -)        are zeniths in
the narrative compensation to nothing -
        in literature a surprise turn of the plot,
a summarisation, as such stand-out moments,
or quotes: here is a version of encoding verbal
"mathematical" synonymity -
         i too would wish to create a language
that doesn't abide by the language of miles,
but that of metres, but then there's the thesaurus
distinction between metres in deviations of
centimetres and nano in close-proximity
          ruby, crimson, burgundy, bled throughout the week
until pale grey and with an epitaph.
      language never brings us together,
it never did, we all wished to be cats and have said
meow... but we rarely and will never say...
that's nearing toward shame...
  i absolve humanity of the original sin...
                    if sinning was so original i would suggest
other forms of compensating it rather than prayer:
i'm thinking of the original shame...
it's that story of a serial killer who believed he
had no universal traits concerning him,
he had no systematisation of conscience,
he denied having a sense of guilt...
          it's hard to believe such things,
given the ceiling is the universe...
        it's hard to become a rat in a solipsistic maze...
that's ****** had to believe...
                   to deny having universal a priori
is also to deny particular a posteriori...
                           even though nothing really happened
apart from god laughing and man yawning
and the devil crying. it's very hard to believe people
these days, even though they deserve it,
                    it's hard to summate oneself in being
able to;
  thank god philosophers didn't complicate simple words
with remnants of Latin like psychologists did,
there's the prior (a priori) and there's the after (a posteriori),
or the two within a-: without a prior (to) / priority -
                  or without an after / an imitable vogue / trend /
    zeitgeist.
          can you write something like someone disclosing the fudge
of what's technically an arithmetic summary?          
no intelligence is being undermined here,
         what's being undermined is what's critically an optical
   java transitory period.                                                    

(int­erlude no. 2)

the laziest philosophers always write about the word
philosophy without actually philosophising,
you can say as much when saying: i'm thinking about thought.
of all the professions, philosophers don't know theirs...
it's true, if you do it, you do it not-knowing / unconsciously.
modernity does in fact overprescribe the word genius
because it doesn't give practitioners of philosophy any
credit in the slightest of actually being recipients of
life... every time a thought spawns from nothing
the limitation of expressing it is: you don't exist;
soon enough you hang up having any competence in language
and say to people you thought you knew: adios amigos,
good luck: then you wonder why they're so
prematurely depressed, and then you forget about them
and think of a million Chinese carpenters:
simply because it's less depressingly so.
     do you ever write encapsulating a rhombus on a page
with your literary / wanking hand? i know i do,
write in a notebook askew - or that's what's called the
future of absurdity: i'm thinking about thought -
some later claim morality, and some later claim god -
        that should sound more simply as: ought i?
    but it doesn't... hey, here's to self-projecting ****** -
it's not even that good people invented god,
  it's that evil people did...
                  which is always a bit ****** having that
microchip in my abstract mind (the brain) i sometimes
try to get rid off while acting as an atheist for pop super!
       does that sound highly idealistic?
it probably does... have i an influential counter to it?
n'ah. thinking about thought without the either or of
ought leaves me asking outside the box / transcendental
questions about what self is ingested by that
Pontius Pilate... talk of the "true" self and talk of
the "false" self: who the **** is the narrator then?
are we all bleaching our handshakes these days to
give a handshake?!
    some men would claim to be the husbands of that
insatiable "woman" that's Sophia,
         who, after all, is better equipped to satiate 3
men, than a man to satiated 3 women:
the trinity of ****, vaginal: oral - funny that,
how perfectly that plays against all those years of
practising to a demand of the churches': kneel!
i'll just watch you **** him off while Mary Magdalene
spread the schematic that resulted in the Islamic
******* analing the "respected".

(interlude no. 3)

just can't be bothered mate...
  never did so much charity work pour into
      herr Herrman's charity chest of
the never thought of set of poems.

- and a day later, just a blank,
what a formidable evening,
why do i queue for even a trombone, violin,
       a viola, trumpet or a sax to add to my voice?
but in musicological terms: that's exactly what i'm doing.
it's hard to not see this as a cure:
with 16,713 views matta's echo babylon is
truly the antithesis of Prokofiev, or any other,
as might call it: windy character.
        classical music was bound to tornados and
zephyrs - modern music is the epitome of rhythmic
sampling, drum eroded violins,
           and other things happened, too.
rhombus within the framework of the hand-written prior,
on tiny scraps of rectangular paper,
because it's easier to write like that: slanting
and therefore for the imagery of cascading -
and as the pronoun revolution dies down,
                    and the voices go unheard,
   people will start to think about thought
and later thought per se for transcendental purposes...
     because choice will be ejected from
having competent access to it: namely?
   i can't see those **** the ***** protests seriously
if people can't take to shooting guns,
          i mean real rebellion... obviously i'm egging
on the situation and spraying gasoline on it
(obviously), but if the French give you the statue of
liberty as a present, you get to look at the appendix,
and start thinking: where are the guns, so
it looks like a genuine protest? i thought the idea of
being able to own guns (by the people), was to suggest
that if the government was electorally undesired,
people could start shooting... the tongue isn't
a

Its a thing of heart or mind? I would not know. I've been trying to make up my own language just so I could tell you I love you in way no one else has heard. From the day I met you, I've lost my human nature, sure am off calibration but I guess that's what it takes to love a Goddess...

The trapeze artist without
trapeze,
encased within a paper weight,
reading through eye
glasses crafted for readers
astigmatic use.
This is the mind set...... this is the end truth.......
Being is embryonic,
to become, to the pupal larva,
a new becoming, Life.

               II
Quantum leaps often end in tragedy
               when the time traveler ceases to travel
                         The sudden stop!
Rapid communication......synaptic calibration......recall all yesterdays.
blind intellect               one tenth of one second         15 seconds
The dimensions split and the bicameral mind appears two lobes
right and left, inverted vision adjusted for
mythic fusion,
creating abstracted convolutions
answering to them self. A planet in a galaxy of confusion.

            III

Imagination finding place in the new electronic
institution, man made synaptical illustrations
from pixilated madness.
We take from this..............an
illogical extension of our existence that makes some sense.
We make it such
that it becomes
the most told lie
we believe without questioning.
Till death we do part.

             IV

As I inhale looking at my past...my last past, well
in any case the past is where I just wrote past the last time
like now PAST.
Rationalization is overrated, intellectual *******
is for the cools, and catatonic haze is a new wave drug.
It is early in a new society's evolution.....
It is late in the face of time......
ergo quantum quandary quid pro quo

Ajerry / copyright

                                                                   2013

There was this season for many reason
A failed ambition or bad decision
Too much subtraction, no single addition
Pictures of low resolution, everything in demotion
But surely... Life must go on...

Days of self damnation because of wrong position
Flowers  that need attention for admiration
Head that was full of delusions that needs calibration
Victims of disqualification without any consolation
But definitely... Life must go on...

Minutes of demoralization, hours of depression
Roads of devastation no clear relocation
Eyes shed in repetition because of hard reason
Goodbyes to all special persons for their final destination
But simply.... Life must go on.....

Written: October 23, 2014 at 11:35 PM

In times gone past we used to play
With abandon. We experimented.
We vowed we’d never settle down
Become complacent or contented
Everything seemed possible
Reality just one calibration
Of potential, possible worlds
Each one a sheer sensation
The world was a bright, clean canvas
For the ink of our imagination
Knowing we could make the world
We laboured at its creation
But along the way complacency crept in
And we lost our special flow
One by one the sparks in our hearts died
And why we’ll never know
But I’ll hazard a rough guess
And it’s worth heeding what here's stated
What’s worthwhile in life is lost
When what’s wild is domesticated

The times that came gave us the idea of war
We accepted it. We became rank and file citizens
Became wrapped up in the politics
The world became a spoiled canvas
Destroyed by cruel imaginations
Knowing they could break they world
They ripped the petals off its carnations
It nevertheless remains that we
Will one day throw off the yoke
To dwell once more in amity
And live in dreams bespoke
I'll hazard a rough guess
And it's worth heeding what here's stated
What's worthwhile in life comes back
When we realise that dreams are created

What comes next is chaos and rebellion
We go wantonly. We dedicate ourselves
To joyful revolution, against tyranny
To put life back in to good health
The world becomes unified again
And not in the imperial way
But in the way all souls are friends
And borders die and go away
The world becomes a canvas new
Ready to take a splash of art
Adorned with colour and beauty
A fresh and fruitful start
Along the way we will regain our voice
And sing and play like children
happy music will make them rejoice
And let them dwell in freedom
I'll hazard a rough guess
And say this time is near
Because more spirits are learning to say bless
And make their spiritual bars disappear

Oh, **** all this **** getting in the way of our happiness!
I just want to drown gloriously in your eyes like I used to.
To drink you in and be enveloped by your essence ,
to breath in the same air and kiss that kiss so openly begging to be tasted!
The chasm close enough to rue, too far to jump?
the universe conspires against us,
****!
****!
****!
Who the hell is in charge of this ****!?
A fraction of a fraction off, in one calibration
and love is completely ******!
Who writes this stuff?
Get a fuckng clue!

I want a new case manager,
this one is ******!

There's one "special" Holiday, in the **** can I will toss
The Pagan Calibration, of fricking Santa Claus
-
If that ****** Bozo, down my chimney tries to come
I’ll blow his *** away, and beat it like a drum
-
Then I’ll shoot his Reindeer, I’ll have a jolly feast
Hey Rudolf Dancer Prancer, you will be deceased
-
All the Queerass little elves, I’ll blow away as well
And that stinking slay, I will go and sell
-
To the North Poll I will go, with an Atom Bomb
500 megatons!! And drop it with aplomb
-
December 25th, from the calendar I'll wipe
And all the goody-goody "Good Cheer", and all the Farceass Hype

{If you are getting the notion that I don't like Christmas, you are right! Why? I think it's blasphemous to associate the birth of Christ with a Pagan Holiday} {AND the way it's celebrated !!!}

and as the western slavs took to roman calibration and the eastern slavs took to reinterpreting greek with cyrillic, both the eastern and the western slavs lost sight of their pagan "ordeal" by forgetting their once fabled fathers in the stately category of gods, so while the eastern slavs continued to cling so desperately to woman kneeling in shawls by the altar of "innocent" sacrifice, the western slavs experienced a pagan revival on calton hill - so within all this being done, roman lettering had to undue the theological plagiarism of turning zeus into jupiter and jesus into jehovah on that mighty trident of poseidon. (oh... is it really that desperate and annoying and childish to use these nouns? i'd like to see you replace zeus et al. with: hydroxypropyl starch phosphate... or sodium lauroamphoacetate, although i admit, there's one rational and scientific concession to this, zeus et al. are all imaginary nouns, a bit like √-1ª.)*

on the shore of loch lomond
i was seduced by zeus to revive
polytheism in earnest with a stern gazing eye,
for zeus heard of the satisfaction of yahweh(ª although
this noun isn't... because why would rabbis
pain over yhwh with ha ha he he hi hi hu hu ** **
disambiguations, while the greeks
didn't ze ze za za is is us us es es os os zi zi zu zu
but instead allowed aristotelian musings?)
at the establishment of the state of israel,
(ah ****... had the pictures once...
but words are better than pictures
since pictures are a blockage of memory’s revival
while words penetrate -
although the damnable thing is,
i don’t remember what i said)
then too i saw hades seal the revival having turned
himself into cerberus in the forest of my resentments
unnamed just above bedford’s forest.

.
i had begun this story a millenia ago.

the novels so defined that even diamonds could not shape its edges any further.

mindset of winders worries,

and a heart that builds monuments upon itself.

to the ages of timber i have rested,

within the cinder of burial grounds we have fallen before.

to see the sight of death and life in so many contorting angles is to breathe the cornel from beneath the husk.

we all love,

though to love the way that we have been gifted may also become our curse.

to house the hearts of thousands within your own may prove to become infertile with each task you have peered upon.

the turmoils of hidden dreams and lusts of past lovers proves to be less than static.

white noise of saphire breezes brings forth the shadows of time.

to here i rest my soul,

to these blades i lay my being.

the smell of memories can hinder the scent of the now.

appreciate those futile moments,

the frivelous bounty of desire.

love the sound of her voice as it carries through the sails of premonition,

steer the vessel of the body within the revines of her eyes.

to you i share the utmost calibration of this life,

and the life you lead will be in the steps i have previously taken.

i have sprinkled you across the ripples of the Chesapeake,

and whispered the hynm we both hummed on those streets.



your sun shone upon me this day,

and now, my sun shall shine on me in the morrow.

all my poems begin with the weather,
overlaid with time and place

comforting certitude,
cocktail of calibration,
calculating precision,
a surety bonding.
a shared time and space
with humanity


all my poems end with
"if only,"
incessant self-queryimg, imbalanced cowardice,
a yellowing shadow of red doubt,
overwhelming black stain of a starless night sky,
an inconsequential infection
coveting my weakfish earthbound innards

tyranny of selfish doubt,
the cowardly safety of 'not me'
the pockmarked constellation of
everything tragic body tattooed,
the Cain mark you hide beneath the torn skin
of being
only human

all my poems end with whether

"Oh, my sweet bode,"
Said the ladies' favoured son.
It's a sweet surrendered code,
For the forsaken shoddy one.

"Go away from me quickly"
he whispers with weary haste
the plague made the ladies sickly
For the forsaken shoddy waste.

"I refuse to willfully reply,"
Were his lover's listed words.
T'was a refusal to comply,
For the forsaken shoddy swords.

"I now stand poorly inflicted"
He choked with tempered love
His worst fear now depicted
For the forsaken shoddy above.

*in calibration with Miss Anndette Wanderlilly

Wishbone

Holding things down
on my end, calibration
the name of the game
purchase gained and lost
longing for your exquisite
exertions palpable
the length of this delicate glyph
grace and menace
in equal measure
on display across the bight
floored by your gaze
play of three fingers against
your effortless pinch
my feigned contortions
leavened by a finning
hand to ward off
the snap of lesser wishes.

The outsiders bid farewell to you Little-London,
Fire on your pasture forces them to flee
To sweet home, home sweet home
They all come to you for different reasons,
And with different intentions,
You lure them all,
The cruel and the kind,
The hardworking and the lazy,
The educated; and even the illiterate,
You ****** them all
They try to calibrate themselves to your society,

Your culture,
Your dressing,
And language,
They make homes away from home,
Mingle and fit in
Where you do not want them,
Like an uninvited jilted maiden
At an ex-lover’s wedding anniversary
They receive privileges forbidden them,
They are a wandering flock
Grazing on forbidden pasture,
Breathing the air
Meant for your flock,
They are the alleged cause
Of your own follies;
Of climate change,
Of children skipping school,
Of the highest rates of divorce,
Of the highest rates of early, unplanned pregnancies,
Of the highest levels drug abuse among teenagers;
And of abortion,
Of the highest crime rates,
Of unemployment,
Of the infamous strikes and demonstrations
That result in blood being shed,
Of power cuts,
Of guns in schools,
Of the..!

There is a lisp in the outsiders’ assumed calibration,
It sets them far apart from your flock,
It is a tattoo on the forehead;
It identifies them,
And they stand out as aliens, to be condemned,
To die in the most excruciatingly evil way:
Death by fire, by knife; and by stone,
More painful than pain,
Your flock set fire on your green pasture
To burn the outsiders,
With a flame so vehement the whole world has eyes upon you,
Lovely Little-London, were your pastures green
Would they burn so vehemently?
Beautiful Little-London
The cure for the chaos in you is not chaos,
The solution to the gangrene on your heart
Is not infliction of pain on guilty innocent outsiders,
But look deep into yourself
With an unblinking eye,
Have you been faithful to yourself;
And to THE MOST HIGH?

Twenty-two Push-ups, T'ai Chi, and Death Metal:
A great way to greet the day;
Some spiritual and physical calibration
and then some cathartic rocking out.

she is my inspiration.
motivation,
concentration,
my rejuvenation,
i will make a declaration
for this infiltration
of exhilarating exaggeration,
of our joining corporations.
while your vibrations
trigger my salvation of
sensational temptation.
like a starvation that you feel on
a beautiful vacation.
this flirtation of adaptation
that we take into notation
without any negotiation
of our confirmation that we
apply in applications
in calibration
with our wildest aspirations.
our conversations make me
feel dehydration
like my education is an exclamation
its not an estimation of our escalation.
this desperation
our correlation is stronger than any  confederation.
you're the most beautiful creation,
and you deserve one hundred standing ovations.
i love you

The long unending chain of toadies
All but goes on knees
To kiss the ground beneath
The Caesar’s feet divine,
And masses spineless fawn o’er him
With lolling tongues canine,
While Caesar smugly smiles.

His laurels, rank, and destiny,
His power, throne and crown,
Anoint him with, then gladly
They press on him their leash.
Teeth glittering, widened lips,
Resounding, deafening claps,
At every single dropping word
From Caesar’s lips divine.

Then tail-like wag all tongues;
Sweeter than honey spread,
Cloying, unctuous, authentic,
Invented compliments.
They truly lie and truly please
The head that wears the crown.
Their words and praise rise not
From heart from lips downwards they drop.

Bravo! Stinging and biting,
Inverted compliments,
Impressive speech, well-worded,
And what fine sentiments!
You think you know then
All you need of countless regiments.
We live by knowing where to bow,
And smile, fawn and kiss when,
The hallowed ground beneath his feet
Aand selves how prostrate then,
While Caesar smugly smiles.

Our happy days and nights,
We smiling live our lives, at Caesar’s feet divine.
By God we truly look our part
With lolling tongues canine.
O you tigers of wrath!
Your wars for liberty,
Produce dictators worst,
Today you have your Julius,
Tomorrow Augustus.
And what indeed is truth if not calibration?
Timeless, endless, meaningless ratiocination?

The un-discovered country;
in his eyes
when he praises you.

He attempts to hide the nervousness
the rate of his breathing increases.
His father never gave him praise. 
Never gave him glory.
Never it seems, made him the special centre of the moment.

And yet now he works this gift for you;
does it with no experience.
Is motivated by the desire to see you grow.
To see you swell with growing.
He stumbles over foreign land.

A son: your father.
Not measured by calibration.
Not perceived in weight or wonder but
as hard stone,
the slow carved mark
sharpening on
unborn generations.

You walk with him.
Your hand in his.
The path new, yet well worn with wishing.

This image is an invocation:
Father and son, two friends like fire,
like kindling, like warmth.

If we imagine this for many sons and
for many fathers
perhaps  
it will not be
so much further off.



MChallis © 2015

Warm your body
to all fire

stick your hand to it
to burn emotion

you've been on the same branch
on my Hackberry all day

in shade; though I don't know the glare of a star
means the same to you

for me, the arc of the Texas sun is measured
by Mercury and the clock

for thee, time, heat, and light are perhaps pulse
without calibration

I only know your mate has been in the shallow grass
beneath you...

prostrate, still, silent--since well before
this dawn

she awakes.
her ballerina toes are poised, her nose is scrunched -
she is – what’s the word – alive.
her powder fingertips crease mechanically like a hydraulic press.
she has a beating chest with the calibration of cast iron.
her feet can climb Mount Olympus and higher.
she is limber.
she is – what’s the word – living.
her name is –
her skin has the swirl of a gleaming cantilever.
her head teeters.
she is speechless.
her lips are soft, her hands touch her face like it is a monument,
like she is a strawman.
is she a –
her spine has a curve, she can bend into geometric shapes, her arms are straight
but they encircle her.
galatea.
he whispers her name to her.
or maybe he names her.  
she can choose a name herself, maybe.
she is – what’s the word – a woman.
her hair can swim through the air, her curls have strands that brush her cheeks
and her cheeks can color in the blank space left behind
by words.
galatea, she whispers.
her tongue clambers in her mouth, for some purchase,
for some worthy noise.
she searches herself for a – what’s the word – idea.
you are mine, galatea, he says. i made you.
do not be afraid. i will bathe you, dress you, anoint you.
i will worship you, and i will save you.
he caresses her hand.
her palms are dry as sandpaper.
she is – what’s the word –
her eyes have the shutter frequency of a lens.
she bends.
she is awake.
she does not remember a before.
she does not remember a maker.
she hasn’t yet made any mistakes.
her name is galatea
but she is no longer milk-white.
he says, you are my wife.
she says, i am alive.
he says, i gave you life.
she says, yes, you are right.
you gave me life,
and i won’t return it
because you gave it,
because it’s mine.

I live among prying peers
Telling me which way to steer
They’re all I can hear
So to garner cheers
In their direction I veer

I thought if I stayed still
They wouldn’t see me
So I took a pill
So I could be me
But that didn’t free me
Once I was needing
Constant feeding

So I join civilization
And see their indications
Pointing towards temptations
To provide societal placation

They send me
To the trendy
Intending
To amend me

The conformity
Is informing me
Changing horribly
To what I see normally

My confirmation of conformation
Is in observations of obfuscation
In this iteration of integration
Where I conform for calibration

I’m willing to be wrong
To belong
Can I be strong
Singing another’s song?

I want to fit in
So I sit in
Places I’m whipped in
Hatred I’m dipped in
In a crazed conniption

I’ve had a painful life
Under their knife
Giving me strife
To make me right
In their light

Consumed by conformity
Society absorbing me
Changing enormously
To the form I see

I hate what I’ve become
At their behest
So I load my gun
And join the rest

I’ve become an automaton
Building atomic bombs
To drop on the calm
Who don’t sing my song

Earth children bathed in flickering snow hush
after sign-off and test pattern calibration check.
- speed of thought through time
- in mindtimespace
- 2024
Tele OS 5G first electric story tool
in the village, Starlink,
Go ye, carry knowledge everywhere
be a mini hero bearer of all the news
first chromebook, first literate old man,
taken as a child to missionary school, first
to return with a kind of talk to the world tool,
that runs directly from the sun,
if you can believe it, or not,
it is known, the evil colony gospel
by Jon. Edwards and Dr. Livingstone.
is mollified with Google Translate and Bard.

I venture a guess, that few boomers
ever took a leap of faith on acid,
to envision a future
something like rurally electrified now moieties
of the connected and the unconnected.

The trips that fostered the lost hope vision,
left me plenty of free time to redeem,
late in my excursion through the foam.

Discovering how small a hermits bubble is,
the hermit learned to expand his knowns,
using the secrets only readers learn,
accepting assisting intel inhalable,

he did, and lived to be this old,
with tools for creative play,
granting me ink in the pool,
and endless emptiness to fill with worthy
seed con carne machined psipsyscienitious-
ness, withstanding all natural disasters,
as stars sidereally impressed the ancients.
This is accounted time and word redeemed.

The story that proves life ain't fair.
Death and ignorance never had a chance.

Iyobe did not know the sweet influence,
the persuasion of Pleiades,
when asked, yet he knew
in his intuitive truth detector, why

the inquisitor might assume he did.

Because the entity asking Job about stars,
had never seen them with mortal eyes.

Sing the stories told us all,
remind us what the pioneers did,

won the west, from godless heathern, hmm.

Certainly the pioneers was essential as pawns
for taking territory,
for staking claims in God's ineffable name,

as was taught good and proper by priests,
mostly Jesuit from the same bread of Jesus
eaten, never mind.

But, 2024, ask why the way and the truth
in life, would, or could hate enough
to imagine a real, in this reality hell,

to which one is tricked
by loving one's adversary.
Ask why
teach that, the ultimate judge
holds a grudge, especially for wild kids.

Teach that war is the lie,
and any heroic conquest in Jesus name,
any lifting up of hate to win with,
is blaming truth for lies you chose to believe.

Toes, untrodden, step forward, the subtilty,
greater than that of any beast, acknowledges

poets often guess they picked the winner,
then their enemies eat them alive.

But time I'll bend
it would have no say
when it knocks on my door-
I'll shove it away--

I'm a free man, never at the behest
of minutes or hours of the day
life is not for mechanical calibration
I'm my own master, I'll hold time at bay.