Ah the persimmon, a word from an extinct language of the Powatan people of the tidewater Virginia, spoken until the mid 18th C when its Blackfoot Indian speakers switched to English. It was putchamin, pasiminan, or pessamin, then persimmon, a fruit. Like the tomato, it is a ‘true berry’.
 
Here in this postcard we have a painting of four kaki: the Japanese persimmon. Of these four fruit, one is nearly ripe; three are yet to ripen. They have been picked three days and shelter under crinkled leaves, still stalked. Now, the surface on which these astringent, tangy fruit rest, isn’t it wondrous in its blue and mottled green? It is veined, a ceramic surface perhaps? The blue-green mottled, veined surface catches reflected light; the shadows are delicate but intense.
 
You told me that it troubled you to read my stories because so often they stepped between reality and fantasy, truth and playful invention. When you said this I meant to say (but we changed the subject): I write this way to confront what I know to be true but cannot present verbatim. I have to make into a fiction my remembered observations, those intense emotions of the moment. They are too precious not to save, and like the persimmon benefit from laying out in the sun to dry: to be eaten raw; digested to rightly control my ch’i, and perhaps your ch’i too.
 
So today a story about four kaki, heart-shaped hachiya, and hidden therein those most private feelings, messages of love and passion, what can be seen, what is unseen, thoughts and un-thoughts, mysteries and evasions.
 
                                                                            ----
 
 
Professor Minoru retired last year and now visits his university for the occasional show of his former colleagues and their occasionally-talented students. He spends his days in his suburban house with its tiny non-descript garden: a dog run, a yard no less. No precious garden. It is also somewhere (to his neighbours’ disgust) to hang wet clothes. It is just grass surrounded by a high fence. He walks there briefly in the early morning before making tea and climbing the stairs to his studio.
 
The studio runs the whole length of his house. When his wife Kinako left him he obliterated any presence of her, left his downtown studio, and converted three rooms upstairs into one big space. This is where Mosuku, his beautiful Akita, sleeps, coming downstairs only to eat and defecate in the small garden. Minoru and Mosuku go out twice each day: to midday Mass at the university chaplaincy; to the park in the early evening to meet his few friends walking their dogs. Otherwise he is solitary except for three former students who call ‘to keep an eye on the old man’.
 
He works every day. He has always done this, every day. Even in the busiest times of the academic year, he rose at 5.0am to draw, a new sheet of mitsumatagami placed the night before on his worktable ready. Ready for the first mark.
 
Imagine. He has climbed the stairs, tea in his left hand, sits immediately in front of this ivory-coloured paper, places the steaming cup to his far left, takes a charcoal stick, and  . . . the first mark, the mark from the world of dreams, memories, regrets, anxieties, whatever the night has stored in his right hand appears, progresses, forms an image, a sketch, as minutes pass his movement is always persistence, no reflection or studied consideration, his sketch is purposeful and wholly his own. He has long since learnt to empty his hand of artifice, of all memory.
 
When Kinako left he destroyed every trace of her, and of his past too. So powerful was his intent to forget, he found he had to ask the way to Shinjuko station, to his studio in the university. He called in a cleaning company to remove everything not in two boxes in the kitchen (of new clothes, his essential documents, 5 books, a plant, Mosuko’s feeding bowl). They were told (and paid handsomely) to clean with vigour. Then the builders and decorators moved in. He changed his phone number and let it be known (to his dog walker friends) that he had decided from now on to use an old family name, Sawato. He would be Sawato. And he was.
 
His wife, and she was still that legally, had found a lover. Kinako was a student of Professor Minoru, nearly thirty years younger, and a fragile beauty. She adored ‘her professor’, ‘her distinguished husband’, but one day at an opening (at Kinosho Kikaku – Gallery 156) she met an American artist, Fern Sophie Citron, and that, as they say in Japan, was that. She went back to Fern’s studio, where this rather plump middle-aged woman took photographs of Kinako relentlessly in costume after costume, and then without any costume, on the floor, in the bath, against a wall, never her whole body, and always in complete silence. Two days later she sent a friend to collect her belongings and to deliver a postcard to her husband. It was his painting of four persimmon. Persimmon (1985) 54 by 36 cm, mineral pigment on paper.
 
‘Hiroshi’, she wrote in red biro, ‘I am someone else now it is best you do not know. Please forgive’.
 
Sawato’s bedroom is on the ground floor now. There is a mat that is rolled away each morning. On the floor there are five books leaning against each other in a table-top self-standing shelf. The Rule of St Benedict (in Latin), The I-Ching (in Chinese), The Odes of Confucius, The Tale of the Bamboo Cutter (10th C folk tale) and a manual of Go, the Shogi Zushiki. Placed on a low table there is a laptop computer connected to the Internet, and beside the computer his father’s Go board (of dark persimmon wood), its counters pebbles from the beach below his family’s home. Each game played on the Internet he transcribes to his physical board.
 
He ascribes his mental agility, his calm and perseverance in his studio practice, to his nightly games of Go in hyperspace. He is an acknowledged master. His games studied assiduously, worldwide.
 
For 8 months in 1989 he studied the persimmon as still-life. He had colleagues send him examples of the fruit from distant lands. The American Persimmon from Virginia, the Black Persimmon or Black Sapote from Mexico (its fruit has green skin and white flesh, which turns black when ripe), the Mabolo or Velvet-apple native to Philippines - a bright red fruit when ripe, sometimes known as the Korean Mango, and more and more. His studio looked like a vegetable store, persimmons everywhere. He studied the way the colours of their skins changed every day. He experimented with different surfaces on which to place these tannin-rich fruits. He loved to touch their skins, and at night he would touch Kinako, his fingers rich from the embrace of fifty persimmon fruits, and she . . . she had never known such gentleness, such strength, such desire. It was as though he painted her with his body, his long fingers tracing the shape of the fruit, his tongue exploring each crevice of her long, slim, fruit-rich body. She had never been loved so passionately, so completely. At her desk in the University library special collection, where she worked as a researcher for a fine art academic journal, she would dream of the night past and anticipate the night to come, when, always on her pillow a different persimmon, she would fall to ****** and beyond.
 
Minoru drew and painted, printed and photographed more persimmons than he could keep track of. After six months he picked seven paintings, and a collection of 12 drawings. The rest he burnt. When he exhibited these treasures, Persimmon (1989) Mineral pigment on paper 54, by 36 cm was immediately acquired by Tokyo National Museum. It became a favourite reproduction, a national treasure. He kept seeing it on the walls of houses in magazines, cheap reproductions in department stores, even on a TV commercial. Eventually he dismissed it, totally, from his ever-observant, ever-scanning eyes. So when Kinako sent him the postcard he looked at it with wonder and later wrote this poem in his flowing hand using the waka style:
 
 
*Ah, the persimmon
Lotus fruit of the Gods
 
Heartwood of a weaver’s shuttle,
The archer’s bow, the timpanist sticks,
 
I take a knife to your ripe skin.
Reveal or not the severity of my winter years.

ENDYMION.

A Poetic Romance.

"THE STRETCHED METRE OF AN AN ANTIQUE SONG."
INSCRIBED TO THE MEMORY OF THOMAS CHATTERTON.

Book I

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.

  Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.

  Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and ****.

  Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all ****-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.

  Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.

  Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,--ere their death, oer-taking
The surgy murmurs of the lonely sea.

  And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.

  Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter ****. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.--Ah, well-a-day,
Why should our young Endymion pine away!

  Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of ****** bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."

  Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:

  "O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds--
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinx--do thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!

  "O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly '**** myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completions--be quickly near,
By every wind that nods the mountain pine,
O forester divine!

  "Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown--
By all the echoes that about thee ring,
Hear us, O satyr king!

  "O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledge--see,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!

  Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereal--a new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknown--but no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!

  Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgotten--out of memory:
Fair creatures! whose young children's children bred
Thermopylæ its heroes--not yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruits--they danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its ****** tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,--Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'**** shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little

I have known this much talked about search for true love for over 10 years and I am aged 22 years now. There was this unforgiving loneliness till I was 17 years of age given that I am the only child of my parents who lives with them in a lonely campus of a research institute away from the small city.

A tumultuous relationship filled with resentment to the brim about my parents keeping me their only 'issue' was brought to the hilt and I was weary of being their arguably most beloved 'machine' who was supposed to live sticking to the 'guidelines' laid by them as the ideal only son.

We aren't from a landlord's family and have limited resources, so I was supposed to suffice in my parents' love and affection, studying at a fairly consistent dedication to bring forth the results worthwhile landing me a good job.

But who has been able to control a Romeo-in-the-making?

Answer: Nobody!

But my Juliet wasn't yet on the horizon till age 17, when I mistakenly took my first girlfriend who was my classmate till class 7, to be my last love. Period. Then for the first time I was introduced to the idea of 'love' by this sweet girl whom I dub "G3" over 11 months elder to me. I had proposed her, but it was not a pre-emptive proposal.

Our period of courtship had started over Orkut which was the most popular social website at that time. It was just friendship initially until I had unsuccessfully proposed two bimbets other than my first girlfriend. One of those two unsuccessful attempts was with her best-friend-once-upon-a-time.

I had told her about them both, she had even tried apparently helping me propose her best friend when I had told her that I had even written a song for my childhood crush over the years I had been away from my old school.

Her first reaction was, "I would die for having such a boyfriend! Wish it was I for whom the song was composed."

Then when I proposed my childhood crush, G1, I couldn't even mention about the song and she rejected my proposal. Period. I was distraught, I was broken & I was amazed at how easily she could've undermined my liking for her from the past 7 years.

To take my attention off the disappointment posed by my first rejection. I proposed a different girl, G2, non-seriously, knowing that another rejection was lurking behind the curtains of time.

Rejection 2 successfully diverted my mind away from the mess created. Anyways, I did have a girlfriend for myself. After all, people love guys who sing melodiously and can play guitar apart from having decent appearance, and believe me- I used to look this chocolatey young guy until I was 19 years of age.

The girl who later went on to have the place vacated by my first crush was her same best-friend-once-upon-a-time 'G3'. She went on varied lengths in narrating her own break-up story with the guy she was with. I got a second-hand  piece as my first girlfriend. It was no issues, at least till she was bickering about how he had broken her 'heart-of-a-self-proclaimed-princess' and we started having arguments and serious tiffs over what had been happening in her life.

We broke-up. I had enough of the hardships brought by myself upon her. She had taken to crying harshly over phone. I resented myself. I failed to identify that it was not true love indeed but only a mirage of the idea.

I next concentrated in studies and this time I prevailed over the hurdles offered by examinations and a second girlfriend, 'G4', who refused to openly accept she was going about with me was attracted to me. She'd go see the Taj Mahal at Agra and the Hawa Mahal at Jaipur with me apart from spending the night in the same hotel room but would still reckon me with my pending reappear supplementary exams and wouldn't openly accept a failure as her man. I was frustrated by her autocratic behaviour and opted for a different girl, 'G5'.

G5 was the prettiest of my first 3 GF's as far as looks were considered. We romanced around Delhi's historical places and malls; holding hands around cinemas and Old Fort walls in New Delhi. But still I was as ****** as I was when I was born.

May 7, 2010 was a scorching hot day with the sun ablaze overhead and me going on the busiest highway of India. I was going back to my home and met with a serious road accident en route that kicked me out of my senses into a frozen comatose state.

I somehow survived the life-threatening coma and was moving around in 52 long weeks, limping heavily all thanks to my parents and the kind physiotherapist. Thanks to a poor memory, I initially performed extremely below average at college.

Then I was all prepared to attack at all future examinations and nothing could stop me. I breezed past another girl 'G6', this was my last failure. She was confused between me and a different guy. Neither me nor any other guy with a high self-prestige would entertain the idea of being weighed as an option. I again moved on.

Then comes the continuing story of my true love. True love is the one that lasts forever successfully. She is incidentally my 7th chance upon the love pathway and last. I am sure this is her- my soul-mate.

She is my gateway to the 7th heaven, I find her presence in every aspect of my life. She is 6 years and 9 months younger to me and her descent in my life has been the best thing in my life. I celebrate and rejoice each day in her presence. Our tastes are so similar that we feel merely our X- & Y-chromosomes are different.

We patiently wait for time to last till the day till we perish after blessing our grandchildren. We live 250 kilometres away from each other and have only known each other through voices and photos. We are yet to meet. Till then I wait for the day my master degree gets over and she gets into a medical college.

Now I will end this post by saying that there's no end of love and no beginning of it - you just have to wait, identify and hold on to your truest love.

they (yeah, the paranoid pronoun, esp. in how it's used for abstract coordinates, concretely? conformists) decided it was easier to fill a psychiatrist's gob with my presence, and for psychiatrists to pay the mortgage with someone who they termed schizophrenic, forgetting the fact that the person in question was bilingual - odd how humanists confuse bilingualism with schizophrenia, maybe a coin flip later and we'd get biphrenic? that's pushing it, but it just might work to describe an atom evolved into a human form... basically in two places at the same time: confederacy of archaeological theology - and by being in two places, behaving differently in each stated sphere of observation... that's it though! theology translates as archaeology in science, excavating the designation of the argument of the spider and the spiderweb, the perfect yoga instructor, one position fits all... because scientific positivism is dead... it's dead... we're experiencing a transition into scientific negativism, mainly because there's a plumber's conundrum of a blocked fact-machine... which turned out to be a fat-machine... we're just hearing the same ****, over and over again.

i never knew it, but when humanism was born
it came across the challenges of
Darwinism (Aristotle's footnote),
with all due respect for humanism
though,
             humanism gave us
the most apathetic formulation of
any faith at all...
and do you see a rebellion happening
anywhere concerning this?
i see a bunch of ****-naked Amazonian
nomads singing the huh? huh?! song...
esp. when they see safety-hats and
tractors... me? i live in the
outer suburbs of a Greek city-state...
when you're walking down the
street and see a bare chested driver
of a tractor, and a loser (me) drinking beer
while the police pass by in their cruiser
and don't give a ****... well...
welcome to the Fe (iron) Fe Fe feral land...
(almost a sneeze, but not quiet)
metro-****** pinkies anywhere?
no... root that **** into your brains
you urban wankers... stay there,
rot... keep up the debauchery of
Beckton's recycling centre...
oh sure, keep the theatres open,
with Simon & Garfunkel applause of song...
like ballerinas and fat operas needed
an exercise regime...
Darwinism is brutal enough,
it's brutal, it's not pretty,
looking at it from a creationist perspective
you'll only get brutality from it,
only an Zimbabwe born englishman would
care to champion it... oh look!
a monkey ******* a ferret!
i cried today... my female cat was inspired
when a squirrel started doing gymnastics
on my garden fence, one paw tucked against
its chest... i haven't seen a squirrel in my
garden for a while, i've shown her a hedgehog
once, but a squirrel? try catching a squirrel!
it's like catching the ******* of a mosquito
wearing boxing gloves... or Zeno...
i cried my eyes out, by a squirrel...
acrobatic rats that hate throngs...
the simplest of things bring the greatest of joys,
and a consistency in thinking about
death make the simple assurances of mortality
so much more appreciated...
of course i think about death... why wouldn't
i? so this homeless man has a tent...
they're dragging them in, he says:
i haven't done anything wrong...
the military-industrial complex isn't secular at all...
psychiatrists are the complex's priests...
they're looking for subjects to ensure they earn
while giving oral *** to pharmaceutical companies...
and that's the *cul de sac truth -
no, wait... humanism's religious doctrine is
Darwinism, can't deviate from that,
keep a kettle and a sun on the same timescale,
i'm Caribbean lazy though...
you with beer and joint, me with beer and another
and another beer and an Apache echo impression
of echoing-yawn,
we have evolved past mating calls of animals...
all we have are warring calls... la la la for simplicity...
or in verse of new Zealander Haka:
                           ****, have no funny lyrics...
where was Darwinism when mating calls became
subtle and we exchanged mating calls for warring chants?
where was Darwinism then?
you telling me i have to own a watch, a mansion,
a nice car and enough money for a child's private
education to make one at all? pretty subtle
and all the more less colourful... you can ask me:
where was god when the Holocaust happened...
i'd reply: where was a decent joke?
apparently Moses died from laughter...
now i'm stuck with having to proof read
the first print of my book... that's going to be
agonising... i hate rereading my work...
and aren't we in a standing still position,
on an escalator, or the journalists are gullible,
i mean they're worse than pigs, they're eating
regurgitated facts... they're the ones that always
end up saying: if it ain't broken, break it...
that's their magnum opus fixation, and
the recycling bin... that's what they're there for,
i bet you a hundred quid that Putin's tears
would have turned into diamonds if they fell
on St. Basil's onion domes...
all these ****-incubating-real-emotion
calculators of the English parliament are worth
a psychiatric sketch show... punchline?
you ain't ever ever getting out, ha ha!
Darwinism is cruel, and people sort of like
the whips of a static history, sometimes they come back
to the 17th century and make a television program,
sometimes they have a chance encounter
to cite something from the only century that can
be experienced with anatomical dissection skill:
namely the 20th, or to be accurate, the 2nd half
of the 20th century... most of the time they haven't
the foggiest about history these days,
they're either electron-clouds of electron-orbits,
ping-pong between these two conceptions...
they're always pro-neutral (proton-neutron
centre) - and indeed the tetragrammaton invested
in Ke$ha... ka-ching! sz sh sharpener of wit...
got to love tactical pop, or the caveman ontological
obituary of buying alkaline batteries...
i bought alkaline batteries last year,
which technically makes me a caveman...
compact disks make me a caveman...
books make me a caveman... i'm a ******* caveman!
drag my woman by her hair...
what a great Darwinism provides,
we're all comparatively stone-age...
i love how we just made all history between that
into cf. snippets, and how the caveman attitude
is supposedly a ****** pill to supercharge our
attitudes into beastly thumps and gurgles and
elbows up the **** thrills...
Darwinism is cruel, Darwinism is currently the
theology of humanism... but once upon a time
the religious aspect (or in humanism's behaviour prescription)
was ascribed to one hour on Sunday...
now we're sorta stuck in a church, 24 / 7...
now we're all our own ritual makers...
we have the holy communions of buying a certain
type of coffee in a shop, or it's called curry Friday
and Saturday takeaway randomisation,
gathering the ready-meals Sunday to Thursday...
everyone having the busiest of lives...
if religion is dead, then i must be a nun.
i don't think Darwinism actually attacked theology...
some people are proper pranksters with
the notion that Darwinism attacked theology,
some get to play Jesus in some biblical theme park...
what i think Darwinism damaged, primarily,
is history... if journalists keep spanning
historical references from here & now and
that greatest ontological excuse: caveman once,
Chanel model no. 2, we'll surely sell many
more shaving equipment tools and sanity pills as we go
along into 24h / insomnia society...
me? i'm out... i'll be keeping my imagination
honed toward the Faroe Islands, along with my sanity.

It’s the tail end of fashion week in Paris, the busiest week of the year for fashion buyers.

When I meet Clodagh Shorten, owner of Samui, the game-changing boutique that put Cork on the fashion map, she’s already been here four days and is on her tenth buying appointment — there’ll be at least another five before she leaves in a couple of days time.

These appointments, private bookings with designers, allow her to get up close and personal with the clothes that have just been showcased on catwalks.

She’s deciding which pieces will best suit her customers.

Today, we meet at Schumacher, the stunning German label known for its easy chic look.

A beautiful white space, with lush cream velvet sofas, bare walls and white rails (nothing here to distract from the main event — the clothes), this room, prime space in Paris, is rented by the designer year-round just so they have the right venue to sell at Fashion Week.

It gives some indication of the power Fashion Week wields.

Clodagh is here with her right-hand woman, Samui manager Mary-Claire O’Sullivan.

There are two rails — the keepers and the ‘ones that got away’.

They’ve already seen this collection in London.

Today they are here to fine-tune.

This is unusual, Mary-Claire explains — at most appointments, they are seeing the clothes for the very first time.

“This is a big spend,” they tell me, and they’ll stay as long as they need “to get it right”.

Piecing together a collection is something akin to a jigsaw puzzle.

All the items are photographed — later they will be analysed back in the apartment they rent during Fashion Week.

The mix has to be right.

So the coats, a sleeveless waistcoat, are moved to the rail on the right.

They won’t make it to Cork.

Coats were already picked up this morning at another appointment.

Like I said, a jigsaw puzzle.

Two models are on hand to try on clothes when requested — I hear ‘can I just see this on one more time’ a lot.

There’s no haggling over prices in these sales negotiations — it’s all too civilised.

The price is set, as is the instore mark-up. These lauded designs must cost the same the world over.

Clodagh and Mary-Claire share a language and a wavelength. They can finish each other’s sentences and, while I don’t so much as sniff a hint of tension, they tell me they can disagree on buys.

“Clodagh doesn’t want a yes woman,” Mary-Claire says simply.

From Schumacher, Clodagh leads the way through the Parisian cobbled streets, phone held aloft, Google Maps to direct her.

Her wheelie bag is constantly behind her — inside there’s the laptop for orders and a camera for instant access to photographs of collections.

Her calculator is another permanent fixture in the showroom.

Today, Clodagh is dressed in an Australian label coming soon to Samui, Ellery. The lush black fabric sways and moves with her body; an outfit like that makes you really appreciate her eye for fashion. It’s sensational.

For this 5.30pm appointment we are heading to see another new label for Samui — Paskal (Clodagh will wear a piece from this line tomorrow).

The Ukrainian designer is looked after by an agency so in this showroom there are pieces by a handful of brands.

Again, the setup is the same — private appointments, models on hand.

Clodagh and Mary-Claire have to be more careful here — this is a new label and it’s more fashion forward so black is prioritised.

Not every client at Samui will wear this line. Every purchase, I realise, is a gamble.

“We’ve made mistakes, of course we have,” says Mary-Claire though you get the feeling that could be a rare event.

Pieces bought by these two women rarely end up in Samui’s sales rack.

They know their customer, plain and simple.

There is so much trust there, some clients are simply sent collections each season, allowing Clodagh to make the call for them.

So much of their day is spent discussing various clients (never by name in my presence) — what they might like, the best size.

It is effectively the ultimate personal shopping experience.

The number of items and sizes are limited, so customers know they are truly getting one-off pieces.

As we leave, kisses over, the agency head tells them, “you’re our favourites” and you just know it’s not empty fashion talk.

People genuinely love Clodagh and Mary-Claire. And they respect what they do.

Samui is open 16 years now. Clodagh mastered her trade at Monica John before stepping out on her own. Mary-Claire joined her eight years ago.

It has been one of the few boutiques in Cork to not just survive the downturn but to positively thrive.

As the economy spluttered around her, Clodagh very masterfully decided to go high end.

First came Moncler — the top people here had to come and view Samui to see if it was the right match for their esteemed label.

It was — and, increasingly, doors began to open.

Carven, Marni, Rick Owens — people really began to sit up and take notice of Samui.

Now labels are often vying for space on the shop floor. Still though, it takes work to secure the big new names.

Clodagh spends a lot of time on planes, networking, meeting the key players. And it’s not as simple as a visit to Fashion Week twice a year either.

These days pre-collections are key too: these pieces will be on the shop floor for longer.

So Clodagh and Mary-Claire travel in January to Paris for pre- collections, Milan in February for Moncler, Paris in March. The same cycle begins again in June for A/W pre-collections, with S/S Fashion Week in September.

Clodagh is always pushing, always striving for new.

She was devastated to say farewell to Transit, the brand with her from the very beginning. It was simply time for a change she tells me.

They love seeking out new labels, nurturing them, sharing them with their customers.

The next morning we meet at 9am for Dries van Noten.

Clodagh stocks around 50 different labels, most exclusive to Cork. This Belgian designer is one of them.

Here again is a very fashion forward line.

There’s a minimum €20,000 spend here, and that’s the amount Clodagh and Mary-Claire can play with.

This is a much busier showroom, a slick operation. Buyers are everywhere, the models weaving between them.

They are assigned a seller and a table, laptop at the ready to secure the sale.

Sophie, today’s seller, walks them through the long rails and talks to them about the collection, the fabrics, the colour, the catwalk, the vision.

Clodagh and Mary-Claire repeat the process a second time alone, a third time again with Sophie.

There are little standing breaks for coffee — refreshments and lunch are provided by the designer.

Clodagh and Mary-Claire know to carry snacks everywhere. The buying process can be a long one; Dries could be an all-day event.

The price point is much higher here so, again, each piece has to be carefully thought out. Checked and checked again.

These A/W deliveries will land in store in July.

Watching them make their Samui edit on that March morning, I just know the Dries selection will be a show-stopper this Autumn.

I leave them to sign on the dotted line, wishing them success for the rest of their gruelling schedule as I head for Charles de Gaulle.

“People don’t realise what goes into this,” says Clodagh. And she’s right.

None of us can possibly grasp what it must have taken for one woman to put Cork on the fashion radar.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

civil lights against the black earth
sleepy eyes and silent faces of the
people around me
so many moving so fast without so
much as a flinch when we begin to
go

it is 7:04 and I think of the train ride home

a man jumped in front of a train
the cookies we bought were good
yet cold
it was fun for me but a stress I’m
sure for my grandma and her friend

it is 7:07 and I think of the time before the train

we lost my mom and grandma
the tube stop told us where the
real train station was
young cabbies always seem to
be the quietest and least helpful
of the bunch

it is 7:08 and I think of even before then

there was an itlaian woman on the train,
asking her husband for a baby
castles do not amuse me much, I’m not
one for old things or christianity
it’s cold and dark here but nobody seems
to mind

it is the evening of novemeber 26th

i belong to the daybreak
when humans with sleepy eyes
and mousy morning hearts
are brave enough to face
the scarily mundane world once again.

i belong to nature
to the hidden wonders of the world
there's unknown modern hanging gardens of babylon
and the secret sanctuaries
where the teenagers of the megalopolis
go to rest.

i belong to the ocean
in the deepest trenches
no man has seen
where it is quiet and still
and darkness reigns supreme.

i belong to outer space
in the galaxies who are
strangers we'd like to know
there's dark matter that swirls
space dust coalesces
and stars are born to die all over again.

i belong to the rain
when the sky cries and
the typhoons turn to drizzle
the water runs through
empty houses and thrift stores in the gutters
and on and on, to underground,
to God knows where.

i belong to the night
to the time when the busiest people
submit to slumber
but a few who are not
bothered by lightyears
sit by their windowsills
to watch the stars.

*i belong to the world
and the world belongs to me.

always had that feel that a poem could be born
when you're doing nothing lazily munching popcorn
because doing nothing is everything, it's not a void
but a streaming popcorn welling inside you can't avoid!
in sunlight and shadows in pricking pinching weather
the nothing that knows no rest doesn't give you a breather
doing nothing is the busiest time it's everything to savour
like your spicy popcorn that lends living a flavour!
doing nothing is the most fertile time for a perfect brew
munching your popcorn thinking wildest things to do
When bored of doing nothing that in His head earth was born
God surely conceived it when He was lazily munching popcorn!

I will wait for you
on a crowded street

I will wait for you
on the busiest bridge

I will wait for you
on a fussy platform

I will wait  for you
near the rushed office gate

I will wait  for you
near a temple

I will wait for you
near your house entrance

I will wait for you
wherever you assure to come

LUCKY 13 BIG TRIP DIP
From the 12th diary entry of Stewy Lemmon's childhood adventures.

This week my whole family, Smoochy and I, all headed off by car, to the annual big city fair on Friday the 13th. Some people believe an unlucky day of the year and an unlucky number for most. It was a big trip for the whole family, which took about two hours and twenty-five minutes to get there. But, we all still looked forward to it coming around each year, despite the long drive.

I had been to the big city fair, for every year that I can remember. My parents have been going there, every year since they were my age. I thought, 'Man, they must be old now, maybe one hundred and two years old or even a lot more'.

The food stalls were packed full of snacks and different makes of cakes and all kinds of different, yummy-in-your-tummy things, for us kids to eat.

There were stalls selling: Creamy Caramel Cup-Cakes, Limited Edition Lollipop Layered Lamington's and even some, short, swirly, Shortbread Slices. Even, my mum and two, much older, identical, twin sisters, Emma and Jemma, had set up their very own food stall. They, were selling heaps of my colourful creation named, 'A Colourful Take-Away Fruit-Blast In A Bag'.

They, were even selling, clear plastic cups along with a spiral-shaped straw.

But, only for the people, who emailed me for the secret, Jiggy-Jiggy Side-Kick Creation instructions, which was in my third diary entry named, 'Water off a Ducks Back'. Only then, will you remember what the plastic cups are for and how to perform the all important, Jiggy-Jiggy.

There were so many fun rides at the annual big city fair, for all of the kids to enjoy. Like the dodgem cars, a jumping castle and the pirate ship, 'my favourite ride of all time'. I loved sitting at the very back of the pirate ship because, it made me feel really funny in the tummy.

Towards the end of the day, my dad, had bought a ticket in the, Big city annual lucky dip first prize, surprise raffle. He had never been lucky in the big city raffle, all of the previous years before. So, this time, he didn't pick his usual lucky number 7, but instead he picked number 13 and guess what? 'He won the first prize surprise'.

We all went to see what the first prize was, at this year's annual lucky dip surprise raffle. It was a family holiday to thirteen of the world's most colourful cities. The whole family screamed, with joy. But, I then slapped my face a little and said to myself, 'Is this another dream of mine'? 'Nope! this one's for real', mum told me, with glee.

The day had arrived, for the start of our colourful, lucky-dip, big 13, city trip adventure. We had, packed all our bags and I even put in my dad's trusty, fancy, far out, funny binoculars and my very, super, sporty, single-shot, stylish slingshot. Just in case, I needed them both on our exciting city adventures.

My two, much older, identical, twin sisters, Emma and Jemma, had packed their bags full of makeup, creams and a hair styling dryer. While, Lemmy, had his bag packed by our dear mum, Flo, along with her own. While, dad went to his unusually built and outrageously painted, backyard, outback, shed and gathered his tools and paint brushes for the trip.

We headed to the airport, to start our first leg of our adventure to London England. On the first day, we went to visit the queen, in her very large house named, Buckingham Palace. The palace guard's face's didn't move one bit. Even, when dad, tried to make them laugh, with a funny joke or pulling faces at them, to make them smile.

Then, off we went, to see Big Ben. It was built years ago along the river Thames. We, then went to see some old rocks called, Stonehenge. Nobody knows exactly, why they were made. Their just placed, all alone, located in the middle of a large field, gathering moss and all still on show.

We then took a ferry ride across the English Channel and hopped off in the Netherlands. We all stayed in the very colourful city of Amsterdam. Mum, loved all of the beautiful flowers and my two, much older, identical, twin sisters, Emma and Jemma, especially loved trying the, unusual sweet cakes and drinks in the many cafes all spread about town. While dad, Lemmy, Smoochy and I, really enjoyed riding the bikes along the paths, on the side of the long and winding canals.

Then, we went to the beautiful, but cold country of Norway. We stayed in the capital city of Oslo. We took a boat ride through the icy fjords and I even thought, I saw that whale that winked at me, on that adventurous day out at, Slip-Slop-Slap Bay.

We then went by bus up north to see the Aurora Lights. Wow! what a sight. It was like daytime, even at ten thirty at night.

I even thought maybe, Stefan Pettersson from North Poland the ski instructor at Shivermytimbers Ski Lodge, lived close to here.

Next city was Paris the city of lights in the country of France. We went up the Eiffel Tower and I pulled out dad's fancy homemade binoculars from my bag and had such wonderful views of the city and then took a taxi for a ride through the streets of Paris and even went under the historical Arc of Triumph. Then we all went to see the great artwork and sculptures at a place called the Louvre. We saw a serious painting of a sad lady named Moaning Lisa; at least that's what I think the tour guide said.

The next morning we boarded a small plane and landed in the very watery city of Venice in Italy. I thought we were going to land on water, just like Buck the Duck does back at the small village pond. The city is surrounded by water and everyone travels by a small boat called a gondola which weavestheir way through the water canals and under all the old bridges. Smoochy even climbed up into the top left-hand side pocket of the Italian man sailing the boat, to get a better view. The food was so colourful in Italy, like the spaghetti, pizzas and delicious and colourful gelato.

Egypt was our next adventure stop and we went to the ancient city of Cairo. The very old Pyramids were out of this world, with precision angles and stones that fitted together ever so well. A cruise on the long Nile River was very exciting to see as well. It went from one end of the country to the other, but we only travelled on it for a mile or so.

Then off to Thailand and to the capital city named Bangkok, the busiest city of them all. There were cars, taxis, two wheeled motorbikes and funny three wheeled colourful ones called

Tuk-tuks. There was traffic and people everywhere we went and a lot of confusion by the Lemmon's when trying to cross the busy streets. We even visited some very old Buddhist Temples in the countryside and had some lunch that was extremely hot stuff, which made us all, puff. They gave us bread and water to cool our mouths down afterwards. Mum said, oh what a colourful and spicy city it is, and I love there ancient culture and friendliness of their people.

Off to the big red and easy going country of Australia tomorrow. We visited a place in the middle of nowhere called Alice Springs, which was in the Northern Territory of Australia. The next day we climbed up a rock named Uluru that was a sacred area for Aboriginals, the original inhabitants of Australia. We took a trip to a beautiful area up north of the Northern Territory called Kakadu National Park. Where we saw big red kangaroos, crocodiles and even some emus. One kangaroo even to try and box dad, but dad ran away and said, ‘He would fight him, but he forgot his gloves’.

We then headed off to China and the island of Hong Kong. What a very old and colourful city it was, with so many colourful buildings to see. In the large harbour we saw painted fishing and food boats cruising around.

Brazil Rio de Janeiro was next and we even saw the famous Carnival, with people dancing to a very cool beat. All dressed up and having the best party of all time. Down on the beach people were swimming and surfing and lying about in the sun. We even went to see a football match with USA v Cameroon playing, oh so well, for the winner would get its hand on a large world cup. We also saw a very large statue of an important man perched on a mountain.

USA was the last country to visit before our adventures would come to an end. We landed in Los Angeles and went straight to the magical kingdom of Disneyland. We did a day tour of Universal Studios where they make all the great movies.

Off to Nevada we drove and stayed one night in the ever so bright Las Vegas, oh what colourful sites we saw from our seventeenth floor suite hotel window. There were so many colourful casinos stretched out as long as you could see which light up at night alright. Dad even said you could see the lights from outer space. The next day we took a flight over the Grand Canyon in a Hot Air Balloon. We saw beautiful waterfalls and even saw people on donkeys riding down far down below.

New York was our last city to visit; it was especially dad's favourite city, because his ancestors had lived there for years, before coming to live in our village of Shimmerleedimmerlee to start a family, all those years ago.

The Empire State Building was an historic tall building that even once had a gorilla on top making a movie. Statue of Liberty was so fun to climb up and see all the lights of New York from across the Hudson River.

We took a horse drawn carriage ride in Central Park and even saw a memorable garden for the ex-Beatle John Lennon.

While travelling the New York subway to get to Soho we saw some great graffiti artwork sprayed on council approved walls.

The next day we were heading back home, which is nestled amongst the trees on a hill, in a little country village, called Shimmerleedimmerlee.

On the busiest of days,
even prettiest of faces,
can sulk into nothingness.

Where is the smile
she used to have,
at the time when it all started.

Reassurance is gone,
And so is self-belief,
I might ask, 'what you did?'

Look back, you would find a way,
look back, if you want,
for pearls often are left behind.

During those hurried hours
of the flight to well-being,
when you race past everything,

Surging on like unceasing greed,
you outstrip your own noble deeds;
look back,
for pearls often are left behind.

The streak in my hair fades to crystal blue
Birds chirp and sing outside my window
The smoothie I made has a million ingredients
I don't know if I'm alone in our 3 bedroom
I ate for free today at work
Had the left overs for dinner
Everything requiring hundreds of dollars piles up high
My parents live and breathe and love me, though they will always expect more
(This is why I will always sort of believe I am never good enough)
I'll always wish I had known better with insert him
Philly continues on without me
I'm happier in Chicago than I was there
I have yet to meet "my person"
I wonder everyday, multiple times a day
If he exists
Since I was a kid, I've always believed I would be assassinated someday
My childhood friend Anna and I use to put on nonverbal sketches to music, playing out that very thing.
It was dramatic and dumb
And so rawly stunning.
I'm a freak in the sheets.
But there is nothing quite like making love.
I wake up every morning and get on the computer
But first, coffee.

I never meant to get into filmmaking
It was an accident.
I don't miss my ex, but I'd like to break his neck
I grow more and more apathetic with my feelings towards him
Each and everyday
I no longer mark out the days
But he haunted me everywhere I went Friday night.
I got caught up in perhaps, the wrong people when I first moved here
I'll always love them.
My parents still help me with money but I pray to end that
I'm the busiest I've ever been
I ate carbs today
And a chocolate popsicle yesterday
One of my girlfriends ate strawberry
It was cute.

One of my past lovers texted me a lot on Friday
(I didn't care but liked the attention)
There are so few men I'm sincerely interested in
I watch the numbers of the money I earn disappear
I miss my old friends but new ones grow
I've been here for almost a full year
I'm still figuring out who I am
Every. Day.
I finally do and say
Almost exactly as I would want.
A good friend of mine really hurt me recently with her criticism
(She did it out of love. But it was brutal)
I recover.
When a new man comes into my life, I'm scared for them to see me without make up for the first time<---a product of my upbringing and who I am.
I throw on whatever I want for clothes everyday and pay very little heed to what others would wear if they were me
I want more tattoos
I don't want to cut all my hair off anymore (as of the moment.)
My film drops and will be screened all around Chicago in mere weeks
My room mate has a much higher standard of living than me
My other room mate acts like a mouse.

I'm planning a road trip with two of my closest, newest friends
Whenever people try to own me or tell me what to do, I run.
(Literally.)
(I once ran away from my entire family in Disney World)
I spent all day being "lost"

One of my ex boyfriends lives in my old apartment with his girlfriend, it is and will always be ******* weird.
(I never really loved him but I tried to.)
My eyes work like a camera
I find myself thinking more about your new girl than you.
My dreams have always been short films
I miss my brothers
Our lives could not be more different
I want to have children
I might want to get married
But I refuse to wear white
I don't want a relationship. Not now. Not for a while.
I'm so drained, I have nothing to give other than presents
(Presence)
I'm on the IUD
I never know when I (gasp) bleed anymore
So I claim to be in a perpetual state of:
"I'm on my period?"
I worry that everyone is mad at me
(All. The Time.)
I'll always be the queen bee
(Don't even have to try.)
I retrace and go back to words exchanged, find the badness in it
It is the small interior death of me
I'm the skinniest I've ever been
I love the way my body looks
(And saying that scares me that others would find me vain)
Sometimes I pretend to like my body less to make others comfortable
Its easier to act small and shy
But I'd really rather rebel.
I miss my grandmother
(She died.)
Its time to move.
Change is always good to me.
I easily adapt
I have introduced myself and put myself out there, on my own
So. So. SO. Very much. The reward of that vulnerability
Has been so ******* plentiful.
I wish I could alter things a bit
But the struggle is so beautiful
Things are about to take off
But I'm so sick of saying that.
**** it.

I'm always tired
I love being alone.
I canceled all my plans today after work because I wanted to be with myself
(This is a thing I so deeply cherish.)
I miss theatre.
But I also really don't.
My **** got stolen Friday night
Another agent wanted to sign me, but she recommended I grow patient and give it 6 months
I look around and see who really has my back.
I am an extremely paranoid, sensitive person
I make art and it is like therapy
(I once had a co-worker who tried to steer me away from this and pit me against a best friend. She failed.)
I wear a uniform to one of my day jobs. I hate it.
(Khaki and brown)
I would rather find gems at a thrift store than drop $200 on one blouse
My dress for the premiere looks like a goddess gown
It is mothers day
I miss Alabama
I woke up with pink eye this morning
One of my girlfriends wants to move back home
(She is one of very very favorites. Lets hope she sticks it out.)
The first year is always the hardest.
Its always hard.
Highest highs. Lowest lows.

I bring light into every situation
And for once
I'm allowing myself to really
Own that.

I haven't penned a thing
I've been as busy as hell
The sun is rising

Part 1
When profound things leave us because serendipity seizes control and teases our soul,

few actually see it and believe in us....it takes its toll.

Our walls grow high...

Wise to all those sly predators that shared our space but ultimately never bettered us.

Likened to a wild bunch of criminals and nuns you sometimes share fun or lunch with,
then again spin adrift.

So we stay put...only peeling away the day-to-day’s fraying gray.

Though we have heightened steeliness to infernal charms,

We sometimes ignore internal alarms,

Oft' ending up-in-arms instead of in the arms of another.

Battling each curse from crib to hearse,
We continue to play anyway, but hold our cards close..
Somehow coasting on borrowed form and verse.

Still too afraid to lead with enormity.

Still too proud to follow in conformity.

We become shells and ghosts to project “normality”.

Still hoping for more,

Still revealing our core,

Still practicing what we’d say with one more chance to settle the score.

Refusing to sink, either our genius always on the brink of changing the world and more...

Or burning down and gutting out our current hideout and surrounding small town or place of clout.

Still reeling from the lingering devastation of past lackluster unreciprocated non-appreciation knockdowns.

To keep from being corrupt,

We fold our coldest stories up,

And box them up under a "never the right 'write' " pens and pencils cup long filled up.

Smiling a little, we continue through this long season's harsh climate.

Subconsciously buying "Dried" sage because "Rubbed" still seems to intimate.

Tragically tied down by the tiny tech gadgets flooding our data stream with faster updates;

All just to dazzle and daze us into a lazy malaise on our busiest of days.

PART2
More and more we wait.

The "what-if's" we contemplate.

The more we try to create something great, then hesitate, none too late

The more this inundating system of “Likes” rates you,

The less your gated fate or guiding faith makes you "you".

The less your justification or inspiration moves you.

Yet uncompromising and alone, you continue and make it through.

No one could ever guess from your crisp pants' fresh press. I digress.

Oddly, all it likely would take is one ego caress from soft smiling muse in sandals and a summer dress.

If you could only get this distress off your chest, fall hard for a new muse, give your defenses a rest

endure the re-birthing process and all the possible hot mess...then...

Never again would you have to guess or obsess.

The sheer potential magnitude of you at your best.

An open floodgate of uncanny, uncaddy personal success.

You would never again feel idleness or unrest.

But "who" you ask, would be caring, tough & daring enough,

willing to share all that stuff through such an arduous process, off the cuff?

Who has such pure heart intent, without the fluff?

A Muse who speaks out loud for you, never a mumble...

Is strong and humble, but not rough and tumble...

Who heeds the needs of your soul's rumble...

Who pulls the "new you" close while your old limits crumble...

Is fair and daring when you're sharing how bizarrely you sometimes raise the bar...

Joins your rare ****** to close down the bars while thoughtfully considering how fragile your scars are...

Who encourages you to shoot for the stars...

Sees the truth of who you were, hope to be and the screams in-between.

And by her sheer presence, becomes all these things for that new man and him alone.

Cause of she, he will achieve and be more than he could on his own.

Whoever that girl may be and until then,

I mend a tightly woven,

slightly broken,

rarely spoken,

unawoken caged soul for one more shinny token to spend on this world alone.

By R.Craig David-Copyrighted 2012

Yes,
Yes it sounds a hell load more sexier
To say I nearly jumped off a terrace
Or
I used to slit my wrists

Than tell you that
yesterday
The lights
Went green
And I
I don't know what come over me
But I walked to the middle of
One of the busiest crossings
And attempted
To peer into my future
In the headlights
Of a bus

I find it easier
To tell people
That I am a head-case
And they should stay away
Rather than tell them
That I sat up the whole night
Crying
On my birthday
Because I felt like a Giant Mistake

I find it easier
To tell people these lies
I still call myself honest
Wonder if that makes me a liar

I find it easier to describe
The pretty way the lights danced inside her eyes
When I brought her something entirely unexpected
But I won't talk about the dark, gaping hole
In my heart,
When I realised that I wasn't worth a **** to her

I don't talk about things that affect me
If my face goes pallid
And someone asks me why
I'll tell them it's cause I didn't sleep
What I won't tell them
Is that half the night was spent
Wondering how I came to be
And the other, thinking about how repulsed I am by myself

I won't talk about the way
I flinch
Whenever someone touches me
I won't mention the fact that I was molested
By my best friend
But I'll sound close to tears as I describe
My sorry friend's case who didn't know what to do about it

There are some things
Which aren't any of your ******* business
But it's **** difficult
To keep everything to yourself
When you've got anonymity protecting you
And no shoulder
To cry upon

There is nothing.
Its the only thing that i see..
I have conceived emptiness..
In trying to be someoneelse..

The busiest road in oneself..
is the path of thoughts.
because that’s where people often get lost.
So i’ve  tried to visit it less.


There is that chaos.
Which can’t be heard..
But i feel it inside my head.
N now i perceive it like a nerd..

The fear of not being cared.
haunts me day and night..
The only moment i meet myself..
is when i am outside..!!

Now this shell asks for rawness.
As it has seen much fakeness..
The heart aches out a song..
when it sees nothingness..!!

Girl, around 27.
No, woman, rather.
Her youth walked through and hung there, dry, as mine did in exchange
so we pick and choose a role and sidle along the bar where
I am with a perk in the feet, lifted by the ***** of,
but a lot easier than you can imagine as
she lays her words out like warm hands and with a blue bird of compassion,
asks me how I am.
I gripe and she listens in a knowing way then reverse
in very clean queues and open mouths

She says, “They say today is going to be the busiest day of the year”, with a fire lit
behind an eye where she does not smile of her face, but through a grit in the teeth

I laugh inwardly, towards myself in a search for appropriation and then spit heavily onto table, “well, it looks like we both have something to look forward to, then”.

Then angelic laughter where my cheeks couldn’t follow and I am ****** in.

There was a moment then, which I wish could be brought to plate and silver.
a sort of cunning lock between a soul and my own where I hope only to god,
that I’ve thrown a key down river.

She walks out after our matching eyes and mirrored moves
So I watch her,
not her ***,
not her chest,
not her brown, burning hair,
but the still skin of her neck in an open sense where I want to take it in
as if she had the happiness and I am jealous
like a tearing gabble of a baby.

Self care is leaving

Its leaving the boy that doesn't know how to not hurt your feelings and cannot care less that he did. It's knowing that the second you do leave so many people will look down upon you. So many disappointed in you for breaking his heart.

Self care is knowing

It's knowing that the boy that your zodiac signs match a whopping 12% with will not work. Its believing the stars and putting your faith in them since your faith does not call to god. Its hoping that the boy you match with 99% will be better.

Self care is running

Running into the new boy’s arms that you fell so endlessly for. The one that always sneaks a kiss. The one that always makes time for you even though you have one of the busiest schedules in the world.

The poorest man would say he's rich in heart,
The richest man would say he's poor in spirit,
The happiest man does cry in secret,
The saddest face laughs when no-one is looking,
The patient man has no rush to death,
The busiest man hasn't got the time to drop and die,
The dreamer longs to fly so high,
The insomniac buries his head in the dirt of hopes.

So what of me, in the list?

I'm the poorest when it comes to being romantic; but rich
in my words of flirt. The richest of all my written love
poems; but the poorest in having a love to share them with.

I'm the happiest man when I cry myself to sleep in secret; and truly at my saddest when their eyes are no longer looking at me.

I'm patient on my morals, that keep me separate from death;
but at my stress, I rush into the thoughts of just dropping dead.

And I could dream a thousand times of wanting to fly; though
the insomnia of my creativity, is buried in deep thought.

All that you'd expect me to love, I'd surely hate. And so
I'm unknown to the actual truth of many peers. Who would know me by name, but never my real title.

I am Mr Untitled.

Repair to repair we mend.
Broken down we begin to be built up yet
Again and again and again
We Crumble.
We race and bustle about for constant cycles
Grasp and wrestle time yet
Around and around and around
We Bumble.
The Busiest of bees transparent to each other
A mystery without the magic we falter
Love is artificial. Placed in bars we search in profiles
Constantly connected without connection
Based on superficial affections
Stuck in an iron cage the music plays the sorrows of
The carousel of modern life
Around we go Around Again in circles
Playing the same game
Over and over
It never ends.
So let the games begin!  
The Constant carousel of crumble and mend.

(Recurring Reflections And Beliefs)

Birthday after birthday
i keep looking back...
and find five girls always on my tail,
i see them as my regular paparazzi
when i am in my busiest moments,
when things work out adversely,
against all my best efforts
i find them still tagging along with me...

And then,
i look back at my most trying times
i recall those epiphanies that came to light my way,
how they guided me through,
until i was out of the dark tunnel...
.....until that MOMENT came
when i could hear with just one ear,
i have no regrets, though, or anger within,
for, i could still hear the leaves rustle
when a light breeze blows...
i hear even the dry oak leaves
as they hit the ground,
or when an empty plastic cup
is blown by the wind
from corner to corner of the street...
these days, i am more aware
of the bees buzzing on top of the flowers,
the birds, scattering seeds, helping
create new lives on the ground.....
i still clearly hear the hummingbird flapping its wings,
hovering, as it drinks from the bird feeder,
even as dusk sets in...
i hear the mockingbird...as it closes its wings
and roosts on a pine twig.....

One vital truth keeps me going-
i still have my one good ear
my eyes, my arms, my feet...
always, i am reminded of this question:
why did God endow us with two eyes,
two ears, two hands, two feet?
we lose one, there is still the other
in our daily lives, the same thing applies
among our loved ones and friends,
we lose some, we gain some....
some doors close, another one opens...
second, even third chances are ever waiting,
a fresh start is always there to be claimed...

In this stretch of my life,
i still am faced with choices on paths to take,
those once transitory thoughts
still visit and within me, they stir..
but, reason and good judgment
rise above all...

.....these things, i have realized---
most of what i wanted then...and didn't get,
i have now let go....
selflessness is inevitable,
there are people...things...to be prioritized
over  our own happiness
understanding is important
.....seeing myself here, now,
.....i am happy,
.....i am no longer there
still, i am glad to have been there...

When asked the most puzzling questions,
i have learned to turn
to the wisdom of the children,
i always, always have but one answer....
"...just because...".

At this point and time,
life, still is not perfect...
but i have known how to be calm,
as i face each new day...
perfect, or imperfect,
it doesn't matter anymore,
heart and mind have been honed,
for this knowledge overrules all others:

God is beside me, He is behind me...
He leads me,
He's got me covered...
i have nothing to fear...

(November 13, 2013)


Sally

Copyright November 2013
Rosalia Rosario A. Bayan

I buried all my pain in a 40oz bottle
My mother had once asked me if I was an alcoholic
She found endless bottles beneath the crevice of my bed
It looked like the valley of the shadow of death;
A grave yard of bottles that had been drunk’ to the last drop-
She lined every one across my desk; pleading for some answers
Her eyes were solemn and filled with grief
She must have looked like she aged about 20 years in that moment,
I saw her wrinkles were pained with disappointment
Tears escaped her eyes, I was lost to her.

She walked into my room to watch me sleep for a few minutes and say goodnight,
I was wearing a sweatshirt; only it wasn’t me
It was stuffed with blankets and pillows.
I was in the closet, I felt her disappointed sadden breaths as she peered in at her little girl
She had no idea I was leaving; I left the moment her bedside light when out.
Somewhere there was still a broken little girl who buried her pain in liquor and drugs
When the phone rang during the dead silence of the night she wondered if her little girl would be gone forever
She struck a blow to my sisters face; She had never been faced with a situation like this before
Her first instinct was to blame her for the loss of breath that would not will itself out of my lungs
Her eyes peered in at her little girl;
But this time it wasn’t from her bedroom door-
It was through her blurred vision standing outside an ambulance.
When a pulse was found my mouth began to foam and my chest heaved in spasmodic compulsions
It took me two days to recover; my mother didn’t leave my side.
She must have instantly grown grey hair the second she laid her eyes on my lifeless body

When I went away to Africa she found my drugs, she flushed them down the toilet
Wishing she could flush away all my bad habits
She must have sat in my room and cried numerous times that summer
Her little girl was still lost, even more than she could have imagined.
She didn’t know what to do, so she did what she could-
So she replaced my drugs with bible verses that had been burned into the back of my skull since I was a kid
I came home that summer to open arms, still full of love
But this time it looked as if she must have aged another decade
I walked into a perfectly clean room;
It must have taken days for her to clean.
She didn’t miss a single spot, my drugs we’re completely gone
And I felt pieces of my heart slip away,
I wondered how I could burden the woman who brought me into this world I wonder if she felt all hope was gone

She asked me if I was an alcoholic again
When she found new liquor bottles stuffed between my clothes
And the 24 pack of beer in the far corner of my closet
This time I left; I didn’t come back
She cried and tired to rip my bag from my hands
But the disappointment of her stare burdened me to no extent.
Her little girl was slowly slipping through her fingers.
When I finally came home she still welcomed me with open arms
She embraced me as if I was the prodigal son who had finally returned She didn’t realize I was still lost-

I told her I was going to my best fiends house
We went to Santa Cruz instead;
I was hyped up on coffee, and would soon be so drunk I couldn’t walk
My mom got another call that night; Her daughter had been in a car accident, it was bad-
The entire car was totaled on one of the busiest highways
I looked to the side and a semi was coming full on
I thought I was going to die;
I prayed that God would give my mother some peace about me
That he would somehow get her through the death of her child that has been long coming;
But I didn’t die, because some part of God’s plan wasn’t over
The semi hit us, our car was slightly underneath it;
Death stared at me inches from my face
Yet all I had was a few broken ribs and a scratch that ran along my forehead
I wonder how much older my mother looked then.
I was still lost, did she wonder if there was any hope of bringing her little girl home?

My mother discusses books with me now;
She hardly brings up my past
I can still see disappointment in her eyes
But she somehow looks younger Because her little girl finally came home-
Because even though her nerves want to wake her up at 3am wondering where I am, they don’t
It sounds like quite the story, but imagine reading it through her eyes.

It was her graduation day
It was my busiest day
It was her important day
It was my DEADLINES day
But I promised her...
I did...

My maternal instinct urged to react..
I threw my files away
I drove like crazy...
Almost hit a pregnant cow..
It stopped in the middle of the road...
Staring at me... You are late MOMMY!!!
ahh cynical cow...

I rushed to the school hall
I came darling... I came...
There she stood sobbing...
I came Ali... I hugged my daughter
She was mad.. She had tears on her cheeks
She had tears brimming in her innocent eyes

I did not apologize… selfish I was
I wanted her to understand instead...
Mommy is late but Mommy is here…
I put my hand on her chest
Mommy is always here...
Doesn’t matter how late…
She smiled a little
She smiled a bit more
She hugged me tight
And laughed and giggled…
My sweet daughter…
I LOVE YOU MORE..

"no, it's just funny you should say that."

"why?"

"because I work at the capitol."

"oh yeah? what's the most interesting thing about it?"

"i don't know, it's ******* boring."

"nah, there's gotta' be something."

"not really, man. i mean, i guess the toilets are the busiest i've ever seen....nah, nah i'm serious, man. you know how most fellas use the ******? not at the ******* capitol."

"you know why that is, right?"

"why's that?"

"'cause politicians are full of ****."

Couldn't care less
shouldn't care more;
Should have said less
and win the war.
Mixed up in this mess
heading straight for the bar.
Thoughts so fussy, clumsy, mossy
and aches became excessive.

Over-drunk, heading to Road West,
chatter and giggling at their busiest.
Then it started raining.
Pillagers couldn't make a move at me because it is raining.
I love the rain.
Soaked in beer
and Drenched in rain
Every where was muddy,
and slippery.

Still stangering,
He left foot step on air
weightless and painless
till his right foot joined in curiousity.
no OUCH sounded
or even any wincing from him.
Death became physically present,
Its gripped his skull
and enveloped his heart.

"Sweet Torture come to me", he thought.
Then he passed out.
He woke the next day
on the hospital bed.
His wife saw his state
and a tear drop escaped her lids.
He turned his face away.
Somewhere in the background, the sun ray focused on His face.
Hope is seemed,
the new him is redeemed.

Even when I'm having the busiest day
I find time to think of you
weird huh

I wonder what it would feel like if you
loved me in the same way that I love you,
calling just to say I’m on your mind
or writing me drawn out amorous poems.

I wonder what it would feel like if you
loved me in the same way that I love you,
with thoughts of me overtaking your beauty sleep
or making it impossible to crave any other.

I wonder what it would feel like if you
loved me in the same way that I love you,
effortlessly giving your all because anything less would be average
or living as if every single day was still the honeymoon stage.

I wonder what it would feel like if you
loved me in the same way that I love you,
realizing that one weekend of not speaking can slowly turn into our weak end
or remembering who's truly important even on the busiest of days.
I wonder what it would feel like..

Then my wonder begins to wander as I slowly whisper to myself
the only line I remember from that purple book sitting on my nightstand,

“Everyone loves differently.”

At the busiest hour/ when rings the bell
An abhorred guest/ peeps through the grill
I mutter go sell/ your wares at the hell
I want/  none of your deals.

Wish I could/ really be that harsh
Give him my piece/ of bitter mouth
Vent on him/ the choicest curse
Impale him with/ outta here shout.

The minute hurries/ but can’t disguise
His despair's plead/ broken eyes
Just a minute sir/ I won't take more
But on my face/ don't close the door.

Have got no time/ for the seller's trap
Not wanna buy/ all those cheap crap
No tears would swell/ no pin-pricked heart
Would love to see him/ quickly depart.

Too soon he knows/ here is no gain
Hopes would lie minced/ brutally slain
Stoops his head low/ bows out in grace
Must find himself/ another address.