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"baptisms" poems
Silky smiled girls With cups tipped off of saturdays doubts Validating infidelity for a firm grasp Graffiti sideways winks Your only as remarkable as your last debute Born again to a word offering baptisms in svedka Your vices tattood on a list of hymns Find solice in no mans company Bring faith on your knees to a boy who can't speak his name Your body is a temple with access through insecurity Bless me father it has been two drinks since my last confession Silky smiled girls Make no home for validation in weekend crimes
0
Nov 6, 2013
Nov 6, 2013 at 11:13 PM UTC
Validation of Our Vices
all the lapses in time mix like melted crayons i'm tired and wish that they could stay on my skin, but they drip down and in to a puddle at my feet the moments that drip, slip away are the ones that i wish that i could keep but they melt, mix and make a puddle so deep i should step in i'd be delighted to sink take turns to tip back and taste each one like a drink splash, spill each one over my skin make each a mess for memory's sake turn, tilt, and take time to clothe my self in all the caressing colors like a motley collage of rainbows turned chameleon camouflage i'll hide in the folds of these memoreies for earth's forever fly where they take me daydreaming while waking splash in a puddle comprised of the past pbpbpbpbpbpbp play in a puddle of paint like late night rain puddle baptisms and fake rage spasms and faces so cute it's hard to look at em money could buy happiness if someone bottled and sold the sunlight that we napped in on the sidewalk the opposite appearance but the same substance as our late night...not dates...adventures...and deep talks the early Tuesday morning walks and discovering our very own piece of paradise complete with waterfall the overall romance like an always sheepish glance filled swing dance the innocence... the spontaneity and "do-it-you-won't-i-wouldn't-even-be-mad" spring break trips taco bell and heathens and sheathens, HELL!!! comments fresh beginnings and new starts curious minds and ravenous hearts lakes that look like bits of Scotland and arms with seals also on hearts (ar ar ar) memories like melted crayons in a puddle at my feet he will take the memories that i can't shake
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Mar 21, 2013
Mar 21, 2013 at 7:57 PM UTC
melted crayon memories, remembered before i sleep
all the lapses in time mix like melted crayons i'm tired and wish that they could stay on my skin, but they drip down and in to a puddle at my feet the moments that drip, slip away are the ones that i wish that i could keep but they melt, mix and make a puddle so deep i should step in i'd be delighted to sink take turns to tip back and taste each one like a drink splash, spill each one over my skin make each a mess for memory's sake turn, tilt, and take time to clothe my self in all the caressing colors like a motley collage of rainbows turned chameleon camouflage i'll hide in the folds of these memoreies for earth's forever fly where they take me daydreaming while waking splash in a puddle comprised of the past pbpbpbpbpbpbp play in a puddle of paint like late night rain puddle baptisms and fake rage spasms and faces so cute it's hard to look at em money could buy happiness if someone bottled and sold the sunlight that we napped in on the sidewalk the opposite appearance but the same substance as our late night...not dates...adventures...and deep talks the early Tuesday morning walks and discovering our very own piece of paradise complete with waterfall the overall romance like an always sheepish glance filled swing dance the innocence... the spontaneity and "do-it-you-won't-i-wouldn't-even-be-mad" spring break trips taco bell and heathens and sheathens, HELL!!! comments fresh beginnings and new starts curious minds and ravenous hearts lakes that look like bits of Scotland and arms with seals also on hearts (ar ar ar) memories like melted crayons in a puddle at my feet he will take the memories that i can't shake
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51
be honest when did you last wash your hands perform bacterial baptisms to was the nicotine from your lucky and pomade from your hair and when did you last think of me at three am were you in bed in the sea and the sky and was it hot in thirty below zero do you miss me when youre ***** and craving naivety and when it gets too hot under fleece pants are your thighs sweating yet?
0
Jan 5, 2014
Jan 5, 2014 at 10:29 AM UTC
be honest
"She says, 'It's only in my head.' She says, 'Shh, I know it's only in my head." I was baptized when I was four years old except it didn't turn out like most baptisms do. It was a backwards baptism, my childish innocence was left floating in the bath water like dead skin and I stepped out bathed in sin. Reborn in sin. Seeds of sin planted into my growing body by the man with the face like Jesus. **** on it like a lollipop", he said trying to appeal to the childish innocence that he unknowingly stole just moments before. I did as he said obedient child that I was. I didn't know the difference then like I do now but the difference doesn't even matter anymore. When you plant corrupted seeds you grow a corrupted tree. Now I wake up with blood under my fingernails from trying to shed the hate branded into my skin. Now I'm constantly fighting a civil war between the devil and god raging inside of me. Now I feel guilty for who I have become because I never knew how innocence felt. Now my poisoned mind only knows to yield to the sinful whispers that float inside my head whenever I close my eyes. I may have lost my innocence but I guess I didn't lose my obedience. "But the girl on the car in the parking lot says, 'Man, you should try to take a shot. Can't you see my walls are crumbling?' Then she looks up at the building says she's thinking of jumping says she's tired of life. She must be tired of something."
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Oct 25, 2016
Oct 25, 2016 at 8:53 PM UTC
i've never told anyone this before
Just six years old when I found out that kids could die. There was a family at my grandma’s church— The only black family in the entire congregation. The mother was petite, wore thick glasses, and played piano during church. The father was greatly obese, with thinning hair, and a permanent smile. Their two boys were four and twelve years old. The night of their death I saw them at church. Service had just gotten out and I was running wild with my two friends. Both a grade higher than me. We ran across the large stage and jumped into the huge bathtub they used for baptisms. The four year old boy, only an hour away from Death’s grip. He said to me with a big, genuine smile, “Hi Daniel.” But he was only four. Practically a baby, I thought. I was running with the big kids. No time for babies. So I turned back to running around with my friends, ignoring his friendly greeting. An hour later that little boy’s dad pulled the family Lincoln Town car over on the freeway. Flat tire. While the dad was walking around the back of the car, the wife and two boys were waiting inside. Some ******* drunk slammed into the car. The dad watched the car fly forward and burst into flames. The smiling four year old burned to death that night. The twelve year old suffered severe brain damage and died two days later. The mother’s face, chest, back, neck, arms, and hands bore charred and bubbling skin. The father died of a heart attack a few months later. That piano playing lady of the Lord buried her whole family. A decade later, a teenager back at my grandma’s church for mother’s Day. The burned former mommy and wife still sat and played at that piano. For some reason she was still working for the big guy upstairs. I couldn’t understand it then, and I still don’t. For not saying “Hi” to that doomed little boy that night. That was the first time I’d ever felt like an ******* When I was six years old.
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Dec 3, 2011
Dec 3, 2011 at 12:57 AM UTC
Children Can Die and Be ********
Just six years old when I found out that kids could die. There was a family at my grandma’s church— The only black family in the entire congregation. The mother was petite, wore thick glasses, and played piano during church. The father was greatly obese, with thinning hair, and a permanent smile. Their two boys were four and twelve years old. The night of their death I saw them at church. Service had just gotten out and I was running wild with my two friends. Both a grade higher than me. We ran across the large stage and jumped into the huge bathtub they used for baptisms. The four year old boy, only an hour away from Death’s grip. He said to me with a big, genuine smile, “Hi Daniel.” But he was only four. Practically a baby, I thought. I was running with the big kids. No time for babies. So I turned back to running around with my friends, ignoring his friendly greeting. An hour later that little boy’s dad pulled the family Lincoln Town car over on the freeway. Flat tire. While the dad was walking around the back of the car, the wife and two boys were waiting inside. Some ******* drunk slammed into the car. The dad watched the car fly forward and burst into flames. The smiling four year old burned to death that night. The twelve year old suffered severe brain damage and died two days later. The mother’s face, chest, back, neck, arms, and hands bore charred and bubbling skin. The father died of a heart attack a few months later. That piano playing lady of the Lord buried her whole family. A decade later, a teenager back at my grandma’s church for mother’s Day. The burned former mommy and wife still sat and played at that piano. For some reason she was still working for the big guy upstairs. I couldn’t understand it then, and I still don’t. For not saying “Hi” to that doomed little boy that night. That was the first time I’d ever felt like an ******* When I was six years old.
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63
The driver wears a clock with a hat and it tips in favor to the newest customers twice a day. It drives a bright orange cab delivering backseat baptisms to the patients walking across the flat-top abyss at night. I see the cab roll up beside me and its only one step to get in but, flights of stairs are truly there. Judas with three hands invites me forward to sit down but, he starts shouting in tongues and all I hear is something about shoebox pupils. The weather in the cab isn’t inviting, it believes in me though and hands me a paper bag to ***** the obnoxious ticks away, leaving an empty stomach for fair elements. I hear my stomach quote: “I am the egg, a sack of an embryo of culture and ****** chairs open doors for me. You are the prized treasure of the spider’s remain bag. Bleaching light is afraid of you.” The driver then says with solid breath, “Jukebox oven needs only one more piece of our lives. It promises with frigid fingers and leftover voices that swamps will always run under us. So we do as conscience demands, we pay the fare and believe that is fair.
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Feb 17, 2013
Feb 17, 2013 at 8:28 PM UTC
The Jukebox oven
The lies we tell of God Are no baptisms in a dripping moon No cleansing in and of sunlight No anointing me of Earth The lies we tell of God A mark of mortal rage A mourning that glows and devours The fingerprints of our ancestors The lies we tell of God are the lies we tell of ourselves
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Sep 17, 2021
Sep 17, 2021 at 10:18 AM UTC
The Lies We Tell of God
We are simple people, whose names won't be remembered. They will not build us monuments or carve our faces into stones. When we pass from this world they will not broadcast our names on the Television to tell the world. Our mourners will not fill up Cathedrals. Instead we will get a single column Obituary. We shall lay our broken bodies in the family plot next to those who left before us, waiting patiently for those to come. We are simple people and this our fate. To celebrate the most mundane of things. Baptisms and weddings; First homes and new friends. This is the life for which we live. It is not a grand tale embodied with gold but do not let this fool you. Do not let this diminish its worth. For this is an ordinary miracle. A magnificent gift to be nobody, and yet be everybody. This is the phenomenon of simple life.
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Mar 26, 2015
Mar 26, 2015 at 8:37 PM UTC
Simple People
A Bach piece never heard was played for the first time by a cello player in a courtyard of a bombed Berlin hotel. I knew it as lovers know each other. No secrets. It resonated in my heart a lifetime of troubles and brief interludes of joy where baptisms don't matter and nothing is ever blessed.
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Aug 23, 2021
Aug 23, 2021 at 9:13 PM UTC
Nothing is Blessed
There is no knife that can cut as deep as you. Baptisms save no one...reassurance of mind is nice though. My mind and my room, filling us inside and out. All of the little things I barely use. The same things, done and done. Words become repetition just as the Earth and Motion. And what of the countless people who take their dreams and write them on paper as they take their lives, and write them on paper?
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Feb 26, 2012
Feb 26, 2012 at 11:43 PM UTC
Things are simple, People are complicated.
let me take you to church on friday nights after gin and whiskey roar ‘oh my god’ so she knows you like it take communion when my thighs greet your face - - - - taste thy gifts, which we are about to receive knees rap the hardwood floor, make you beg for mercy whisper sins in my ears, teeth bashed pillows no longer muffle crying out your confessions, repent - - - - keep it pseudo with a blindfold dip deep, deliver baptisms when i get you wet - - - - god is a woman in this bed, no more ****** mary’s metamorphose **** into holy water vocalize moans to the harmony of the gospel precise fingers conduct the choir - - - - adagio, andante, allegro - you designate reach salvation when you ****** - - - - arch your back, thy will be (un)done
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Mar 31, 2019
Mar 31, 2019 at 9:01 PM UTC
my version of praying
casts huge leaf shadows on dirt and the mockingbird's mocking me. "mockingbird," I put my hands in my pocket and pretend a smile, "some things you can't out run, church bells and a wedding dress, funeral processions and baptisms, the cop car radio, she was so beautiful in her wedding dress," I'm pointing my finger up at the mockingbird, "so I'm a few steps ahead of you in heartache, it was a toss of the dice,"I tell the bird, "I threw a handful of rice." "so don't look sad at me, bird. everyone gets hurt." and on her branch in the sycamore tree the mockingbird's crying to me... "I'm a few years ahead you... Sweet One, lonely bird. I've walked through fire, stared into the wall of shadow and sorrow into the cold silence of tomorrow. I hear what you're telling me, Dear One, loves been a little hard on you, too, and there in illusion lies the danger so please be kind, my friend, the sorrows that never seem to fade away become the grey, dark sea, and sunlight through the Sycamore tree.
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Dec 19, 2024
Dec 19, 2024 at 2:43 PM UTC
Sunlight Through the Sycamore Tree
Now I will take ya'll further back in my time The time when I realized angels were taking care of me They were always mine My Daddy was quite different when he came home from Vietnam My Mother became secondary His mission in life was to show others God is number one Don't misunderstand me, I know this is true Yet I saw it my in mothers eyes at times this made her blue Daddy stayed in the army but we also opened our home It became a place of residence for the unwanted We called it "The Manor" A place to find Christ and no longer rome During this time I was a very young child In my eyes this enviroment felt a bit wild Everyone rejoicing, singing hymns Then out of the blue great vibrance would come Someone would burst out speaking in tongues Oh, so very much going on My sister was upstairs jammin to psychedelic rock Hangin with the hippies who were supposed to be downstairs at church or the rehab class Yet they had wandered away To the psychedelic world that led them astray I remember once seeing one of the alcoholic homeless men Sneakin into my Daddy's bathroom Drinking his aftershave To satisfy his alcohol crave Ah, the good Ole' daze After sometime we moved "The Manor" To the country, in the sunshine A place we called "The Farm" A big ole Victorian home, the stairs to the attic were gone The stories were that the house was haunted The scary tales my sisters told me yet still I never felt any harm The Cape Fear River flowed thru nearby I watched the Baptisms as I played on the side Spiritualism in my heart so very true It buried deep inside me as I grew I decided not to let it escape For in my heart I knew the true cost it intakes Even then I longed for a simple life Trouble free, I dreamt, at no price I sure did get happy when I would see Grandma and Papa pull up It meant we were heading to the beach In Papa's SUV That is always when true PEACE would arrive Inside of me
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Mar 19, 2015
Mar 19, 2015 at 9:40 PM UTC
ANGELS DELIVERING PEACE
Now I will take ya'll further back in my time The time when I realized angels were taking care of me They were always mine My Daddy was quite different when he came home from Vietnam My Mother became secondary His mission in life was to show others God is number one Don't misunderstand me, I know this is true Yet I saw it my in mothers eyes at times this made her blue Daddy stayed in the army but we also opened our home It became a place of residence for the unwanted We called it "The Manor" A place to find Christ and no longer rome During this time I was a very young child In my eyes this enviroment felt a bit wild Everyone rejoicing, singing hymns Then out of the blue great vibrance would come Someone would burst out speaking in tongues Oh, so very much going on My sister was upstairs jammin to psychedelic rock Hangin with the hippies who were supposed to be downstairs at church or the rehab class Yet they had wandered away To the psychedelic world that led them astray I remember once seeing one of the alcoholic homeless men Sneakin into my Daddy's bathroom Drinking his aftershave To satisfy his alcohol crave Ah, the good Ole' daze After sometime we moved "The Manor" To the country, in the sunshine A place we called "The Farm" A big ole Victorian home, the stairs to the attic were gone The stories were that the house was haunted The scary tales my sisters told me yet still I never felt any harm The Cape Fear River flowed thru nearby I watched the Baptisms as I played on the side Spiritualism in my heart so very true It buried deep inside me as I grew I decided not to let it escape For in my heart I knew the true cost it intakes Even then I longed for a simple life Trouble free, I dreamt, at no price I sure did get happy when I would see Grandma and Papa pull up It meant we were heading to the beach In Papa's SUV That is always when true PEACE would arrive Inside of me
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49
I feel as if I'm corrupting you You exhale as you have me pushed against your bed I think of unholy baptisms and ****** awakenings I just want your body You slur insistently But I also want your hair. And your lips. And your eyes. You add importantly Using your fingertips gently for emphasis Now I don't know whether to go or stay
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Jun 28, 2013
Jun 28, 2013 at 4:33 AM UTC
Two writers in a close proximity
We’d made things once, things of substance: Copiers, straight-sixes for Chevelles, Novas, Impalas, And tons of film, of course, loaded into tiny Instamatics Which accompanied us to everywhere and everything (Unless they mystifyingly scampered away from pocket or purse, In which case we drove, cursing and volleying blame to and fro, Fifteen, twenty, maybe more miles to retrieve them From the kitchen table or back of the toilet) To document births and baptisms and weddings, The in-betweens and hereafters, (Renderings of children and dogs Sitting under trees with blossoms of pink and red The blooms implausibly bright, child and beast stolid yet smiling, Or tableaus of tux-clad cousins and brothers, Squinting blankly in the aftermath of a visual right-cross Courtesy of the supernova-esque emanation From the blue cube perched on the camera’s top) So they would not be victims of the vagaries of memory. All of that is gone--no, taken--from us now, The means of production having embarked for Memphis or Mumbai, Those things which sustained us now simply vestigial curiosities, Like hand-cranked presses or ancient milking machines We’d tittered at on long-ago school field trips. The march of time and technology, to be fair, But it has left us obsolescent as well, Stranding us without context or clarity, With access to neither advance or retreat (The old photographs simply mock us now, The red-eyed images fading to the soft tones Of a rose at the end of its summer, The name of the third man on the left, Who’d worked on the line with us nearly three full decades, Refusing to be conjured out of the thin air) Leaving us diffuse and unordered As the old and cracked negatives Stuffed higgledy-piggledy between old snapshots In an enveloped at the back of an old file drawer.
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Feb 21, 2017
Feb 21, 2017 at 7:30 PM UTC
an empire of kodachrome
We’d made things once, things of substance: Copiers, straight-sixes for Chevelles, Novas, Impalas, And tons of film, of course, loaded into tiny Instamatics Which accompanied us to everywhere and everything (Unless they mystifyingly scampered away from pocket or purse, In which case we drove, cursing and volleying blame to and fro, Fifteen, twenty, maybe more miles to retrieve them From the kitchen table or back of the toilet) To document births and baptisms and weddings, The in-betweens and hereafters, (Renderings of children and dogs Sitting under trees with blossoms of pink and red The blooms implausibly bright, child and beast stolid yet smiling, Or tableaus of tux-clad cousins and brothers, Squinting blankly in the aftermath of a visual right-cross Courtesy of the supernova-esque emanation From the blue cube perched on the camera’s top) So they would not be victims of the vagaries of memory. All of that is gone--no, taken--from us now, The means of production having embarked for Memphis or Mumbai, Those things which sustained us now simply vestigial curiosities, Like hand-cranked presses or ancient milking machines We’d tittered at on long-ago school field trips. The march of time and technology, to be fair, But it has left us obsolescent as well, Stranding us without context or clarity, With access to neither advance or retreat (The old photographs simply mock us now, The red-eyed images fading to the soft tones Of a rose at the end of its summer, The name of the third man on the left, Who’d worked on the line with us nearly three full decades, Refusing to be conjured out of the thin air) Leaving us diffuse and unordered As the old and cracked negatives Stuffed higgledy-piggledy between old snapshots In an enveloped at the back of an old file drawer.
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37
Every year visits to grandparents occur, And the grandkids have “grown so much,” And they need to “put bricks on their heads”. Every year the family is updated about The sports and the activities, The good dates and the not-so-good dates Of the previous year, The births and baptisms, The deaths and funerals. Every year we endure the Sometimes awkward, always long conversations With the friends we see just once a year, Maybe less, and every year we seem To get further and further apart, And the conversations are shorter, Maybe even just a “Hey”, and you Wonder why we can’t talk to these people anymore. Why do people so close to us in heart become So much more hard to communicate with in person? Is it technology, fooling us into thinking That we are connected to each other, when really We don’t know each other at all? Is it time, slowly eroding our years of Memories and similarities, leaving us Longing for the “good old days” instead Of embracing the new ones? Is the problem simply us; Are we not willing to create new memories, Go through the stresses of trying to forge A new relationship when distance Becomes an issue? Maybe that is the problem. Yet no one is willing to fix it, So every year is the same. I’ll probably be writing a poem about this Next year.
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Jun 25, 2018
Jun 25, 2018 at 4:40 PM UTC
Every Year
until I watched her at low-tide, I never believed she could pull water from the rocks until I walked to the shore at dawn, and found her moon-lonely, floating above the empty remnants of a river once home to a town-full of baptisms, until erosion turned her cheeks to aqueducts, pouring herself back into holy until she looked at me and asked if I thought they would notice that from now on the Mississippi would be salt water, until I looked into her eyes, hollowed and cored and caved, and all of the things I had drowned or orbited in her over the years was looking back at me I didn’t know that running just leads to caught
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Sep 3, 2014
Sep 3, 2014 at 1:34 PM UTC
freewrite 8.26.14
we circled each other like strange, timid animals of prey you’d never seen me crazy but you’d never given me a reason to try so discarded you mark me shelf me as that little girl who’ll never understand now here we are parked in your car the orchard is quiet tonight echoing the silence we are disrupting before you can take my hand and preach your lies I pop the door and take off you sigh believing me to still be a child until you get out to fetch me and in the dark you see my top before you do you question what’s underneath me like you do what’s under the rest of my clothes no where in sight is the little girl you once knew intuitively you head toward the pond contemplating new baptisms or finally cleaning off layered dust to find reality wondering what tragedies I’ll bring you this time do I still make you feel like a young boy as I jump in the water covered by mere splashes and starlight are you surprised by the me I am here that the me you barely knew was fraud or rather only a mask as painted as your own
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Mar 8, 2015
Mar 8, 2015 at 9:20 PM UTC
April Showers, in Late August
“Love isn’t always magic, sometimes it’s just melting. Or it’s black and blue where it hurts the most.” – Andrea Gibson Love isn’t easy, but it is familiar. It is memory. It is rehearsal, target practice, skipping stones. It is knowing you cannot hide in anonymity when love always reveals. I. You can wear no veil, no shroud, no cloak that will fool me. I will know you by your gait, by the silence of songbirds that have come to expect your nightingale melody, by the parting of the sea as you rise from its depths. II. You cannot even hide behind clouds. I will know you when lightning strikes too close to home. I will know you when the sun comes scorching, leaving angry marks of Cain on my sin. I will know you when the sun doesn’t come at all. There is no heavenly body that can keep you from me. III. You are known to me even when I do not face you. I will know you at the playground when you don’t know how to tell me you like me without pulling on my pigtails. I will know you on your rooftop when our triangular wishes are carried off by blinking airplanes. You are known to me even when you cannot face the pain you’ve left me with. IV. I speak in your voice before I even realize the words are yours. Forgive me, again and again, for singing in a language you and I torched after its creation. I know you because no one else dares speak to me in tongues. No one else prophesies salvation in a thousand speeches before the tower comes crumbling down. I will know you when you are silent. I will know you when you are crashing thunder. I will know you when you are civilization falling. V. Love isn’t easy, no, but it is you. Love is knowing. It is unraveling, undoing. Mapping out your dreams and learning rescue remedy. Love is you even when I least understand. It is holding funerals for who you were, baptisms for who you can be. Love is ceremony. It is breaking bread, saying grace. “The one verse you can trust.” Swallowing covenant. //A.Z.// 07-17-20 2:17 AM
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Jul 25, 2020
Jul 25, 2020 at 1:44 PM UTC
Love Is Ceremony
“Love isn’t always magic, sometimes it’s just melting. Or it’s black and blue where it hurts the most.” – Andrea Gibson Love isn’t easy, but it is familiar. It is memory. It is rehearsal, target practice, skipping stones. It is knowing you cannot hide in anonymity when love always reveals. I. You can wear no veil, no shroud, no cloak that will fool me. I will know you by your gait, by the silence of songbirds that have come to expect your nightingale melody, by the parting of the sea as you rise from its depths. II. You cannot even hide behind clouds. I will know you when lightning strikes too close to home. I will know you when the sun comes scorching, leaving angry marks of Cain on my sin. I will know you when the sun doesn’t come at all. There is no heavenly body that can keep you from me. III. You are known to me even when I do not face you. I will know you at the playground when you don’t know how to tell me you like me without pulling on my pigtails. I will know you on your rooftop when our triangular wishes are carried off by blinking airplanes. You are known to me even when you cannot face the pain you’ve left me with. IV. I speak in your voice before I even realize the words are yours. Forgive me, again and again, for singing in a language you and I torched after its creation. I know you because no one else dares speak to me in tongues. No one else prophesies salvation in a thousand speeches before the tower comes crumbling down. I will know you when you are silent. I will know you when you are crashing thunder. I will know you when you are civilization falling. V. Love isn’t easy, no, but it is you. Love is knowing. It is unraveling, undoing. Mapping out your dreams and learning rescue remedy. Love is you even when I least understand. It is holding funerals for who you were, baptisms for who you can be. Love is ceremony. It is breaking bread, saying grace. “The one verse you can trust.” Swallowing covenant. //A.Z.// 07-17-20 2:17 AM
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80
We can thrive as a planet or die as a species and our egos may argue otherwise but it will go extinct and wither quicker than our bones will dry and all the false currency we gave our time to will crumble in its uselessness as life will go on without it and those who thought themselves immortal under the grace of god who thought their sins against life forgiven by the repetition of hollow words while burning down the home around him will drown in the waters of their meaningless baptisms and life will go on without us as it had before and as it will long after any memory of our existence has any light or thought and yet today we still breath today there is still hope still a chance to thrive as a planet to survive as a species to stand against the ego of our minds and follow the wisdom of our hearts
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Jun 26, 2018
Jun 26, 2018 at 1:54 PM UTC
wisdom of our hearts
my most recent self published Lulu book, [MOON tattoo], was reviewed by Krystal Sierra, and part of what she says is here: Because of the relationship between the line and white space, the reader turns back to the poem again and again, a practice that speaks to religious tradition, incantation byway of word and image, how the poem itself becomes the way God, or Spirit, communicates with us via channels we understand, the interplay between the word and white space much like what we know and do not know about the nature of the divine. – Krystal Sierra ~ some poems, from [MOON tattoo]: [level] brother is digging barehanded in the backyard a hole for what he hopes is the alien of god’s choice. as for existence, my mother’s is low on mine. my father is keeping out of the same sentence any mention of ****** and totem pole. no one including you cares for my sister’s worry that this no this is the bottom of a rock. if asked, I will say I was visiting with my arms the museum of rowboats during the regional spike in baptisms we as a family failed to interrupt. ~ [meditation] summer was for sexting and for watering the scarecrow’s spine. say it with me this was not that summer. as a ghost might surprise the mother and go to salt, a doll might remember its teeth.
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Jun 2, 2016
Jun 2, 2016 at 3:21 PM UTC
{off}
You stole my religion, And left me faithless. That’s what happens when you love so hard that you switch places. I’m into *** and drugs, Not a prayer in sight. You’re into baptisms and bibles, I bet you pray every night. I used to be envious, I used to covet thy neighbor, But now: I don’t care. I’m into cheating and lying, I’ll never tell the truth. You’re into virtue and life after dying, You’re in the “battalion of youth”. I’m the lost little lamb, You’ve taken my place in the flock. I’m lost to the wilderness, You’re the sudden block. I sleep with the snakes, You can imagine the venom in me. You sleep in the clouds, You fly with angels so free. I’m okay that I’m evil, It’s alright to be bad. I know the life you took from me, I remember the life that I had. I’m leaving the nest soon, Mama bird will never know. But soon my dark heart will consume me, And eventually it’ll start to show.
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Apr 23, 2020
Apr 23, 2020 at 4:47 PM UTC
Inactive
Coded messages, inscribed by the scars on my skin Aspects of a secluded heart; as the line of tears, maps Out the journey to a long sense of finding due healing As the border between maturity and old youth, in a new attire; Once the public uniform of coming in your, “Sunday best,” Disguising all the vile of yourself- as we fashion ourselves to Look like the most likable person; the scrap pieces of dripping water From prior baptisms- as some of the sovereign believers are uncouth To their God, wearing the many false skins, hunted in wickedness- Their very own diplomacy of delighted barbarism Separate all of your self-gratifying creeds, and agreed to Worship in love, pray together; coming as you are- as we are All knitted together by familiar troubles, hurts, griefs, uproars- To raise our voices, bringing life to this new body.
0
Jul 14, 2024
Jul 14, 2024 at 7:14 AM UTC
New body
brother is digging barehanded in the backyard a hole for what he hopes is the alien of god’s choice. as for existence, my mother’s is low on mine. my father is keeping out of the same sentence any mention of ****** and totem pole. no one including you cares for my sister’s worry that this no this is the bottom of a rock. if asked, I will say I was visiting with my arms the museum of rowboats during the regional spike in baptisms we as a family failed to interrupt.
0
Jan 3, 2016
Jan 3, 2016 at 7:41 PM UTC
level