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Victor Carrillo Jul 2013
I am tired of you  
And your lies
I am tires I'd knowing how you cry
You climbed ladder and said you were Christ
You took some bulbs and stuck them on your head
And said I am ******* god
But let's be honest to the bone
Polish your sandy alters
For the first time in decades
Let me tell you something
I an tired of the sorrys
Because your just ******* sorry I found out
I am titled of the I will change
Because all you do is change your lies
I am tires of knowing
That when you go on and **** her
You promised me your love.
Please tell me how you are different
Because I think your mask is full of fleas
I am third of writing words
That heal me less
And make you eternal
Because let me break it down
Let me so clealry honest
I want you so bad
Want you so ******* bad
To be who I thought you were
I can't deny
How much sleep I loose when I know
I don't have you.
Or the fireworks in your heart
You have them
A
*******
god
And me
I have coffee
For
How tired
I have become
I have drunk nights to yell at you at 12
I have arguments stuffed in my head
I have my hand open
To you
I have my heart closed
To your voice.
I have an ark full of things
For you
And I don't understand what she has
What she gave you
Devil
Oh devil
You become
Turning my heart to stone
Devil
You ******* devil
Just a *****
With a ****
As useful as any stick
Maybe one day it will click
You make me sick
Because you lick
Anything that you think will trick
No one will pick
You for love
Maybe just a glove.
Akira Chinen Jul 2018
Something don't feel right
something is coming down
something going on below
something...

has all gone wrong
and the bomb is about to blow
mankind went after nature
and thought he won the race
but the verdict coming in is
that we're all headed
for death row

now we all are wearing
masks of ignorance
pretending we didn't know
it was gamble every time
we picked between two evils
to lead us down
our long descent

we like to blame the snake
for all the fruit we poison
but we knew all along
we were sleeping
with the devil
while dressing up like sheep

ba ba the witch is dead
don't you remember
we bunt her for our sins
and ate all of her children
because we feared
they were descendants
of the wolf

yet we still think
we hold the blessing
of the glory of some god
as if our acts of treason
against the higher power
have gone unnoticed

our hands may be clasped
in prayer
but behind the curtain
we're watching war
******* mother nature
like a *****

imaginary lines divide us
from one another
as we volunteer to spill
each others blood
until the oceans overflow
with all our spoiled milk

the coastline is moving in
and Noah can't build an ark
big enough for our ego

we're going to have to start
believing in evolution
because we're going to need
some gills
and hope Atlantis is kinder
to us than we have been
to each other
F White Feb 2011
again I wondered
what they saw...

how I don't
match.

the snowflakes in
my hair didn't
seem to melt and
my scarf dragged.

I felt strong
in these boots
but knew somehow
that I still
looked Weak.

But that
they didn't care
because the shades
of their own
worries stood
in their paths like
trees.

I ponder
why I keep fighting
other people's
giants.

I question
how it should
matter what
the outside
looks like

I conclude that
I do
because the
inside needs
so much ****
work that
it's a monumental
construction.

Like Noah's Ark.

Only there's no
way God is
going to ever
help me
with rounding up
that many
animals.
Copyright FHW, 2011
Cecelia Francis Mar 2015
Apart a part
partnership apartment
in the armpit of
the army

Arms arming
apart a part
artfully
artlike
ark like
covenant:
partners partly
apart
Lightbulb Martin Aug 2014
What foes or friends do we perceive when we connect by chance conceived?

Would you care to explain how this is my fault?

Pray tell tis Joseph come to his census.
Come nigh so late to what truth evinces.

Four heed own Lay won knot thin kit sis...

Prays got a buff!
Fine uh Lee…

Coarse sit duhs pour ten dove baa doe mens.
Naughty ville purse say! Oar eve in dud ark Om end...

Shell Ira Bjorn ease? Orb headers till yore effete?

Ike ant aft tub Abe eave oar yew yen owe...

Wall oh win knit.
Gore Ida head.

Yuck use amoeba *** is hint umm eye fall tis zit?
Yuck cues amoeba ditz nada tall mite urn toot ache tub lame.

Bub I...
Hope Joe Ill step pup two wit all
Irie lay trill lee dew
*** pus Ein calms Yahweh.
Michael DeVoe Dec 2009
Her halo is brightest in the dark
Something about the way the gold
Just reflects the lingering rays
Of a turned off light bulb

She can see into your soul
And know if your worth saving
Before you see it in yourself
To find a better way

She doesn't help people who already have help
She doesn't contribute to lost causes
She goes where the support groups wont
Finds the people who don't know they need help

In a room full of bullet holes
This angel keeps out the rain
In an arm full of track marks
This saint lets out the pain

She doesn't ask for permission
Doesn't look for those looking for help
Says if they're looking
They'll find it within themselves

Somewhere deep inside of her
God saw fit to come back to Earth
Shes a messiah without a gospel
A prophet without an agenda

She's not running for office
She's running from cops
She's not asking for donations
She's begging for change

This angel of mercy
Only survives because of it
This harbinger of love
Lives without it

The invisible hand slapped her in the face
And she kissed the blisters it gave him
God asked her to build an ark
She said,  “No, I can't afford it, but I'll fill it if it's there”

Under the star light her halo glows bright under the Burnside bridge
Her voice is the silence between discharging of shells
Her lullaby's to the villagers sounds like opening empty wallets
Her tears fall like shooting stars letting you make a wish every time she feels your pain
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
Michael R Burch Apr 2020
Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. Her bio appears after her poems, and it is a fascinating bio...



Temple Hymn 42: an Excerpt

to the Eresh Temple of Nisaba
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying...

Though approaching through a safe-seeming field,
our hair stands on end as we near you!

Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Lament to the Spirit of War
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns, Gishbanda, Ningishzida



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. The poem was discovered when the archaeologist Austen Henry Layard began excavations at Kalhu in 1845, assisted by Hormuzd Rassam. Layard's account of the excavations, published in 1849 CE, was titled Nineveh and its Remains. Due to Nineveh's fame (from the Bible) , the book became a best seller. But it turned out that the excavated site was not Nineveh, after all, as Layard later discovered when he excavated the real Nineveh.

As a surrogate for Inanna, the bride's mother would be either Ninlil or possibly Ningal, both goddesses.

As a surrogate for Inanna, the bride's father would be either Enlil or possibly Suen, both gods.

Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte. Whichever her name, she was the most prominent Mesopotamian female goddess. Inanna's primary temple was the Eanna, located in Uruk. But there were many other temples dedicated to her worship. The high priestess would choose a young man who represented the shepherd Dumuzid, the consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Akitu (New Year)ceremony, at the spring Equinox. The name Inanna derives from the Sumerian words for "Lady of Heaven." She was associated with the lion-a symbol of power-and was frequently depicted standing on the backs of two lionesses. Her symbol was an eight-pointed star or a rosette. Like other female love and fertility goddesses, she was associated with the planet Venus. The Enlil mentioned was Inanna's father, the Sumerian storm god, who controlled the wind and rain. (According to some god/goddess genealogies, Enlil was her grandfather.)In an often-parched land, the rain god would be ultra-important, and it appears that one of the objects of the "divine marriage" was to please Enlil and encourage him to send rain rather than destructive storms! Enlil was similar to the Bible's Jehovah, in that he was the supreme deity, and sometimes sent rain and plenty, but at other times sent war and destruction. Certain passages of the Bible appear to have been "borrowed" by the ancient Hebrews from much older Sumerian texts such as the Epic of Gilgamesh. Such accounts include the creation myth, the Garden of Eden myth, and the myth of the Great Flood and a mankind-saving ark. However, the Hebrew scribes modified the accounts to suit their theology, so in the Bible there is only one "god" who controls everything, and thus behaves like an angel at times and like a demon at others. And that is understandable if one posits that one god controls the weather, since earth's weather is unpredictable and at times seems like a blessing and at other times like a curse.



Untitled Heresies: The ur Poems

& GAUD said, “Let there be LIGHT VERSE
to illuminate the ‘nature’ of my Curse!”
—michael r. burch

reverse the Curse
with LIGHT VERSE!
recant the cant
with an illuminating chant
,etc.
—michael r. burch

Can the darkness of Christianity with its “eternal hell” be repealed via humor? It’s time to recant the cant, please pardon the puns.

if ur GAUD
is good,
half the Bible
is libel.
—michael r. burch

Christianity replaces Santa Claus with Jesus, so swell,
and coal, ashes and soot with an “eternal hell.”
—Michael R. Burch



day eight of the Divine Plan
by michael r. burch

the earth’s a-stir
with a GAUDLY whirr...

the L(AWE)D’s been creatin’!

com(men)ce t’ matin’!

hatch lotsa babies
he’ll infect with rabies
then ban from college
for seekin’ knowledge
like curious eve!

dear chilluns, don’t grieve,
be(lie)ve the Deceiver!

(never ask why ur Cupid
wanted eve stupid,
animalistic, and naked.)

ah-men!

Keywords/Tags: Enheduanna, Poetess, Sumer, Sumerian, Akkad, Akkadian, Saragon, Ur, High Priestess, Hymn, Hymns, Hymnist, Psalm, Psalms, Psalmist, Prayer, Prayers, Lament, Lamentations, Goddess, Nanna, Inanna, Ishtar, Astarte, Aphrodite, Sauska, Ornament of Heaven, mrbtr, mrbtran, mrbhymn
Larry dillon Oct 2022
Darkness made clearer
By the accretion disk of a collapsed star
Gravity is a force that binds us now:
Defining how strong we are

In our weakness we could not resist
Compelled towards a rift in the sky
distorting reality
A monstrosity not even light can escape
The irony being that we can assuredly
See our fate

Time slowed down as we neared it
soon it simply froze
We sailed past the event horizon
-onward toward a secret that through fear:
not even time is willing to expose

The nose of our vessel ripped apart
Ejecting us from the safety of our ship,
"The Noah's ark"
Unable to atone for the embryos aboard
we had lost
we drifted alone,
Together,
in the dark

rushing head first
towards the heart of oblivion
The mission escaped from our mind
as tidal forces began spaghettifying our skin

This wasn't the first time
A few seconds felt like
They would never end
Our destiny swallowed
by a black hole in outer space
Consuming our only hope
to restart the human race

Yet in this place I feel peace
we are shown a secret
that no man should ever see
Right before I desist
Collapsing Into that eternal nascent sleep

Something from beyond the singularity,

speaks...

I close my eyes.


                   "Such sweet release."
A story of two astronauts tasked with restarting humanity and coming face to face with the unimaginable.
Mark Bell May 2017
Fruit cake rising
Oven burns
Loopy Lou
Twist and turns.
Running naked
In tall grass while,
Men in white suits
Can kiss my ****.
Hit my head with
A lightening bolt,
the fishing trip
Was not my fault.
My ark has a complex
communication flaw,
letting in the demons
Through thee oven door.
ConnectHook Apr 2016
ክብረ ነገሥት

Oh Sovereign of wisdom Solomonic,
forgive us. The wicked wax demonic.
Golden vessels fill with foulness
man is bankrupt, sold and soulless
Unsettling harbingers loom dystopian.
Sheba rises in dreams Ethiopian.


Tested with questions, her spirit once gone,
occultic suggestions postponed her dawn.
(Six-hundred and sixty-six talents of gold
paid Nineveh’s rise as Messiah foretold.
Go read it in Matthew, obstinate sinner
You think He intends to have Satan the winner?)
Her ruins now surveyed by satellite
beheld on the screens of the Canaanite:
canals to expose, southern deserts to cross,
Eritrean legends of Prophet (and loss),
the Ark of King Menelik—Kebra Negast,
treasures of darkness presented, now past
have us checking those texts that worldlings despise
as we wait under dread Luciferian skies.

Break the sixth seal of the seventh scroll;
let the thirteenth angel spill the bowl !
(or smoke it up in the courts of Heaven
till *****’s infinitude totals seven…)
Exhume Axum with the ****** of Marib.
decode the encryption on Adam’s rib
unearthed from some Antediluvian ravine—
Blast from the past: she explodes on our scene!
Seven oaths shall be sworn on her spectral beauty
(our Biblical transcendental duty).
The libation is mixed. Are we ready to swill it?
Beersheba? She brew ! Let us rise to fulfill it.
from sita to Saba fifth columns are ready:
Oh Sovereign — render their pillars unsteady.
For after explosions there’s mess to clean up,
and it’s worse than the horrors inside of her cup.
ክብረ ነገሥት
a  poem a day for NaPoWriMo2016
www.connecthook.wordpress.com
Universe Poems Feb 2021
In the tunnel,
it is so dark,
the walls covered,
in damp, and larch
Water runs freely,
damp and, needy
Elevated off the,
cold concrete floor,
pulling her closer,
she can feel more
Floating,
a whirling spark,
is it the ark,
light or vessel
Go slowly don't wrestle,
light at the end,
of the tunnel,
will always trestle,
when pure,
is in the vessel

© 2021 Carol Natasha Diviney
Terry O'Leary Sep 2013
MORNING HAS BROKEN
The men, in lines, ***** two by two,
forgetting all the women who
indulged them through a night of tricks
(their lips designed with crimson sticks,
their eyes a wild mascara mix)

and think instead on times ahead
when they’ll be gone, their bodies dead
(some rotting slow’, some mummified)
though once they were their mummy’s pride.

Attired bright in uniforms,
they strew their bombs in desert storms -
like melting sands, the sky deforms
with darkness, death - and doomsday swarms
through ravished lands where fires warm
the corpses, cold and puriform.

Their eyes flash forward towards the backs
of lucky ones who have the knack
of never being in the way
of bursts of bullets as they stray
(effacing phantoms faraway)
and dodging doom’s Redemption Day.

They’re wishing for a foggy morn
or best of all to be unborn,
and peering down to mark the sway
of wings in webs while spiders prey,

they wonder when their time will come
and they can cease their fleeing from
the sights they’ve seen, the deeds they’ve done,
the life they’ve lost, the death they’ve won,

then muse a while upon the child
they killed today when they went wild,
and when they’re finally reconciled
with broken bodies stacked and piled,

they ponder, does she have a kin
to curse them for their burning sin?

And if she does, will god reply
with tooth for tooth and eye for eye?

Or will her clan be mild and meek
and simply turn the other cheek?

2. MIDDAY MUSINGS
They’re counting steps to pass the time
and puzzle if they’ll reach their prime
or if instead they’ll serve the worm
their carnal flesh and aching *****

when soon, perhaps, they sleep in berth
provided by the chilling earth,
and fret about the fate they’ll find
below the stones that slowly grind.

And once or twice will come to mind
a sultry smile they left behind
(the distant past - a tepid trace –
another time, another place),
reflected in the gray grimace
that paints a frightened fading face.

And on they trek through guilt and gloom
to track their own and others' doom
and soon they’ll  grace another pool
with blood of other beings who’ll

inhale no more the evening airs,
unlike the wily Functionaires
who brutalize the fighting men
and send them far away and then

(relaxed, unwound, with victories made)
confer with sword an accolade
on those who’ve lopped bowed heads, with blade,
so someone bent must turn a *****

to hack a hole which then is filled
with all the cloven bodies killed
then cloaked with clay or loamy dirt,
as if to hide the pain and hurt.

3. TEATIME INTROSPECTION
Amongst the many are the few
who maim and **** and think it’s true
that purple war’s a parlour game
when really they’re submerged in shame
for crimes for which they are to blame
and can’t expunge with searing flame

while plodding through an endless time,
or pealing bells with holy chime,
or posing in a paradigm
where paradox and riddle rhyme.

And when they die (as die they must),
forevermore their putrid dust,
still soaked with gore and carmine lust,
will conjure thoughts of cold disgust.

And even though torrential rain
(which tastes at times like cool champagne)
can wash away the scarlet stain
which soaks the sands of god’s terrain,

it cannot ever cleanse the hands
that work the guns and burning brands,
or purge the throats that give commands
to him who never understands.

Nor can the raging hurricane
from blackened souls the white regain,
rescind the sins or void the banes
or loose the ****** from Satan’s chains
who line the pits of hell’s domains.

4. EVENING REFLECTIONS
When through the day to night they pass,
their eyes avoid the looking glass
displaying dim a pale phantasm
plunging deeper down a chasm,
surging through a blood ******,
smiling thin unveiled sarcasm

for the chances lost to taste
the many fruits that went to waste
when each was still a joyous lad,
who went to school and learned to add
and danced in rivers, barefoot clad,

attended church with mom and dad
(which tends the poor and cheers the sad),
to pray for good and curse the bad,
before, in war insanely mad,
he fought the fight (no Galahad)

by flinging flames and slashing throats,
immersing bods in  midnight moats
between the broken battered boats
where babes and booted bodies float,

and leaving bags of bones to bloat
in bullet-ridden overcoats,
and wondered if the goblins gloat
or spot (behind his eyes, the motes),

then strode away without a thought
that mortal lives had come to naught,
sedated by his conscience brought
to nothing more than dripping snot,
while Others sit upon a yacht
and pluck the eyes of fish They’ve caught,

for, when they die, fish seem to see
The Ones behind the tyranny
(with bellies round from gluttony)
in future dangling from a tree
(with leaves as black as ebony),
for that’s, They fear, Their destiny.

5. MIDNIGHT DREAMS**
At night the soldiers sometimes dream
of many things which make them scream,
like
                      floating down a gelid stream
             with burning flesh and cold ice cream
             upon their lips, which makes it seem
             as though their salt they can’t redeem
             when looking back at bold extremes
             of valiant warriors’ victory schemes.

Or ofter yet,
                      they sometimes meet
             a broken skull upon the street
             with gaping eyes, its mouth replete
             with swollen tongue that can’t repeat
             mere words of joy when lovers greet,
             or yell aloud or indiscreet’,

             or talk about the grand deceit
             of Those Who live on Easy Street,
             Who plot, destroy and overeat,
             while others bide beneath a sheet
             on bed of steely cold concrete,

             with final gift a flag or wreath
             that soon will wither like their teeth
             when once they’re settled underneath
             a mound of muck on mouldy heath,
             to lurk in Limbo Land beneath.

And ever more before they wake,
appear quaint dreams not quite opaque,  
like
                      upside down upon a lake
             keeps popping up a pregnant Drake
             who says “there must be some mistake,
             I only have a bellyache”,
             while high above’s a flying Snake,
             (a sight to make a killer quake).

             She cries aloud “for mercy’s sake
             your foresight’s blind, your wisdom’s fake
             the fragile bodies that you break,
             impale or burn upon a stake,
             then stack in layers like a cake,
             reflect a lust that death can’t slake”.

             And turquoise Turtles on the make
             (though taking time to overtake,
             each slurping down a chocolate shake)
             rev up to plead “let us explain,
             we think you men are all insane
            with morals thin as cellophane;

             for, peering through god’s window pane,
             we see quite clearly those you’ve slain,
             enough to fill the Dim Domain
             with blood and guts and tears and pain,
             Chimeras of a frenzied brain.”

             A worn and weary weather vane
             announces floods of claret rain
             that forty days and nights sustain,
             submerging mountains, raising Cain,
             while flushing mankind’s acid reign
             down nature’s evolution drain.

             The Serpent hails a hydroplane
             “because”, she hissed, “we can’t remain;
             behind the hill, the atom’s spark
             has vaporized the palace park,
             reduced to dust the Meadowlark
             and nullified the Rainbow’s arc”.

             And while the others hush and hark,
             a feline Toad begins to bark
             “This plane is certainly Boa’s Ark.

             Let’s flee the Human hierarch,
             forsake all Men to sate the Shark
             which swim within the Waters Dark,
             and purge all traces of the Mark
             in Eden when we disembark.”

             The beasts, in lines, by twos embark.

The dreamers wake, they’re staring, stark,
behind their eyes, a watermark.
call it the greenhouse effect or whatever
but it just doesn't rain like it used to.
I particularly remember the rains of the
depression era.
there wasn't any money but there was
plenty of rain.
it wouldn't rain for just a night or
a day,
it would RAIN for 7 days and 7
nights
and in Los Angeles the storm drains
weren't built to carry off taht much
water
and the rain came down THICK and
MEAN and
STEADY
and you HEARD it banging against
the roofs and into the ground
waterfalls of it came down
from roofs
and there was HAIL
big ROCKS OF ICE
bombing
exploding smashing into things
and the rain
just wouldn't
STOP
and all the roofs leaked-
dishpans,
cooking pots
were placed all about;
they dripped loudly
and had to be emptied
again and
again.
the rain came up over the street curbings,
across the lawns, climbed up the steps and
entered the houses.
there were mops and bathroom towels,
and the rain often came up through the
toilets:bubbling, brown, crazy,whirling,
and all the old cars stood in the streets,
cars that had problems starting on a
sunny day,
and the jobless men stood
looking out the windows
at the old machines dying
like living things out there.
the jobless men,
failures in a failing time
were imprisoned in their houses with their
wives and children
and their
pets.
the pets refused to go out
and left their waste in
strange places.
the jobless men went mad
confined with
their once beautiful wives.
there were terrible arguments
as notices of foreclosure
fell into the mailbox.
rain and hail, cans of beans,
bread without butter;fried
eggs, boiled eggs, poached
eggs; peanut butter
sandwiches, and an invisible
chicken in every ***.
my father, never a good man
at best, beat my mother
when it rained
as I threw myself
between them,
the legs, the knees, the
screams
until they
seperated.
"I'll **** you," I screamed
at him. "You hit her again
and I'll **** you!"
"Get that son-of-a-*******
kid out of here!"
"no, Henry, you stay with
your mother!"
all the households were under
seige but I believe that ours
held more terror than the
average.
and at night
as we attempted to sleep
the rains still came down
and it was in bed
in the dark
watching the moon against
the scarred window
so bravely
holding out
most of the rain,
I thought of Noah and the
Ark
and I thought, it has come
again.
we all thought
that.
and then, at once, it would
stop.
and it always seemed to
stop
around 5 or 6 a.m.,
peaceful then,
but not an exact silence
because things continued to
drip
  drip
    drip
  

and there was no smog then
and by 8 a.m.
there was a
blazing yellow sunlight,
Van Gogh yellow-
crazy, blinding!
and then
the roof drains
relieved of the rush of
water
began to expand in the warmth:
PANG!PANG!PANG!
and everybody got up and looked outside
and there were all the lawns
still soaked
greener than green will ever
be
and there were birds
on the lawn
CHIRPING like mad,
they hadn't eaten decently
for 7 days and 7 nights
and they were weary of
berries
and
they waited as the worms
rose to the top,
half drowned worms.
the birds plucked them
up
and gobbled them
down;there were
blackbirds and sparrows.
the blackbirds tried to
drive the sparrows off
but the sparrows,
maddened with hunger,
smaller and quicker,
got their
due.
the men stood on their porches
smoking cigarettes,
now knowing
they'd have to go out
there
to look for that job
that probably wasn't
there, to start that car
that probably wouldn't
start.
and the once beautiful
wives
stood in their bathrooms
combing their hair,
applying makeup,
trying to put their world back
together again,
trying to forget that
awful sadness that
gripped them,
wondering what they could
fix for
breakfast.
and on the radio
we were told that
school was now
open.
and
soon
there I was
on the way to school,
massive puddles in the
street,
the sun like a new
world,
my parents back in that
house,
I arrived at my classroom
on time.
Mrs. Sorenson greeted us
with, "we won't have our
usual recess, the grounds
are too wet."
"AW!" most of the boys
went.
"but we are going to do
something special at
recess," she went on,
"and it will be
fun!"
well, we all wondered
what that would
be
and the two hour wait
seemed a long time
as Mrs.Sorenson
went about
teaching her
lessons.
I looked at the little
girls, they looked so
pretty and clean and
alert,
they sat still and
straight
and their hair was
beautiful
in the California
sunshine.
the the recess bells rang
and we all waited for the
fun.
then Mrs. Sorenson told us:
"now, what we are going to
do is we are going to tell
each other what we did
during the rainstorm!
we'll begin in the front row
and go right around!
now, Michael, you're first!. . ."
well, we all began to tell
our stories, Michael began
and it went on and on,
and soon we realized that
we were all lying, not
exactly lying but mostly
lying and some of the boys
began to snicker and some
of the girls began to give
them ***** looks and
Mrs.Sorenson said,
"all right! I demand a
modicum of silence
here!
I am interested in what
you did
during the rainstorm
even if you
aren't!"
so we had to tell our
stories and they were
stories.
one girl said that
when the rainbow first
came
she saw God's face
at the end of it.
only she didn't say which end.
one boy said he stuck
his fishing pole
out the window
and caught a little
fish
and fed it to his
cat.
almost everybody told
a lie.
the truth was just
too awful and
embarassing to tell.
then the bell rang
and recess was
over.
"thank you," said Mrs.
Sorenson, "that was very
nice.
and tomorrow the grounds
will be dry
and we will put them
to use
again."
most of the boys
cheered
and the little girls
sat very straight and
still,
looking so pretty and
clean and
alert,
their hair beautiful in a sunshine that
the world might never see
again.
and
I woke up in Omaha Nebraska off California street
with the sun kissing me through the open window
I woke up with no alarm,
Alarmed by the fact that I might be late for work
But I wasn't
In fact I was right ON time
Put off by the fact that it was nothing or no one that awoke me,
But my own conscious self
Knowing somehow, that even with my eyes closed
My thoughts were wide open
I was fully aware
My naked body arose from where I slept
And crept up in a home ( not of my own )
To awkwardly put on MY OWN clothes
Through someone else's window
.. I start to think ..
How often I really have put on my own clothes
Through someone else's window
Looking closely now,
I change the word 'window' to 'perception'
Kind of like my own sort of window,
My own way of perception
How often I dress myself for the occasion,
or better yet, THEIR occasion
How often I've put on those skinny jeans,
Because YOU like them
How often I wear a bra
Because you don't want to see what my *****
look like through my favorite silk shirt
When I say 'you' - You know who you are
At least, you know who you might be
How often times people do things for you
How often times you do things for other people
How often you hold yourself back from being you - at all
How many times I have held myself back from being me,
And **** it's such a shame. I am ashamed.
Honestly by the most simple things
Overthinking a compliment I want to give someone
Because we are about to pass each other on the same side of the street
Avoiding their eye contact by just looking down
And staring at my own feet

COOL. REALLY. COOL.

I have been wearing these moccasins for 4 months now, Alisha
They look good, but I already know this
I am not the one who needs to hear it
Especially, not from myself
And I don't know them at all, but maybe,
Just maybe, what I want to say to them
Could break down what we all thought was an everlasting wall
Whether it be MINE or THEIRS
At the end of the chapter,
A wall that separates us from our own freeedom
Where we break down all similar walls and learn to defeat them
If anything, a smile, maybe a compliment back,
Not even to myself, but the next person down the track
It's a small movement, but I want it to move
I am making this promise to myself,
Because I want to improve
I want to make things that are so simple
More common in this world
Things that should not be overlooked,
Spread out amongst everyone and painted on their face like a mural
Desire for this righteous fire I want to be in power of
Spreading my smile for literal miles
Like Noahs Ark and that sacred white dove
The best thing about a dove is
It is just but a white pigeon
And every pigeon is capable of finding its white dove within him

It is there, and it always has been
Right under your sleeve
In the sliver of your grin
We can make this world more than you ever imagined
The power behind the strength of passion
When people come together in the form of one
When we all hold hands
Do you know what is being done
Connection is so out of this world
Touch is what keeps us in this treacherous swirl
Deadly sins that we latch on to
Riding the dragon is what we need to
Do, and do again
Tell the entire world, and invite all your friends
We are all Great Gods in this lonesome kingdom
The path to aloness is what is hidden underneath you
Very beneath you, you will have to fight
Fight to the death of your ego inside
It holds no mold, despite all you have been told
This world will **** you in,
and drag down your immortal soul
It is there, and it always has been
I will show you the road
Soften your ego, and create a new mold
You could stay here forever if what you look for is gold
Not the the gold that you see, but the gold that you feel
Not in front of your eyes, but what is actually real
No picture or place, No space or time
Use what you want to invent your new rhyme
Rhythm is now, rhyming is here
The goal of music
(Your mathematical medicine, my dear)
Replace your body with tunes of the soul
Sing the great white song
And let the youth be OH SO BOLD
Bolder than you could have possibly pictured
The movie you've been waiting for
Is your motion picture
Event, that is happening now
Sit back and enjoy
Those who don't know are your crowd


That in itself is exceptionally sad
Why would you leave behind your loved ones
Your mom or your dad
Your sister or brother
Your dead cousin or grandmother
They have no conscious awareness
It was never their fault
It was never their meaning to forever fall
The change of pace is now in your hands
This entire universe is inside you,
Give awareness a chance
Keep guiding yourself towards this lightning bolt feeling
Let it live inside you
Realize what your keeping
To yourself and not sharing
This selfishness will sink
It is absolutely more powerful than you could possibly think
It is the path to aloneness,
but who wants to be alone?
We could all share this peace
Let us connect and hold hands
Give our dark sins the golden control
RW Dennen Sep 2014
What sights
are seen around
this flower cart
The ever changing
sea of humanity
The exciting sounds
that shout about life,
young and old alike
living to the fullest
and some unfortunately not
Young and old busying themselves
in fast-foot-paces
Vendors of every
nationality pre-existing into one nation
Besides a lot
of people stopping long enough...
to buy and smell the flowers


I raise my petals
to the sun,
sitting in this whitened
cart
a fragrance
bundled joy...
Please take me home
and gently whisper close to me...
I'll send you
     to
     my
     love
           forever be


Filled to the brim
with goodies for your nose
and colors for your eyes,
while in the middle of beehive hustling
this whitened cart
of ours holds
little flowery kisses
helping to kiss away
your hectic day
Here time stands still for you
and entwined magic leafy
flower wands
help change your worldly view
A kindly wink from nature
     A kindly gift from you...


I once fantasized
a fantasy
of lilacs
of ferns of forget-me-nots
and many more

All herded two by two onto a pushing
ark-cart of white

But soon a flood of humanity
encircled that ark-cart you see
And soon they stormed their
yearnings for fresh fragrance
for lilacs
for ferns
for forget me notes
and many more

And the outcome was a pleasant
calamity as you can easily see
For those blossoms were
all swept overboard,
caught in the wavy arms
by the sea of humanity...
Pauper of Prose Nov 2018
Amongst the broken ships
I see thy standing upon a sinking deck
No chains bound her in place
The glare of sunlight shields her face
Then swans and sparrows come in pairs
Settling upon her feet
Pecking and prodding with cooing sounds
Their music a masterful soothing score
That drowns out the brutish ocean’s roar
So that a new sea of melody floods the world
Then all these notes flow into the girl
Resting within her once rigid heart
Which has now become a sacred Ark
Randy Johnson May 2015
Noah and his family were the only people on Earth who were doing right.
So God caused a flood that killed everybody in 40 days and 40 nights.
All of the people on Earth were evil, it was a time that was dark.
Noah and his family were spared when God told them to build an ark.

God told Noah to take two of every animal so that all species would survive.
When the flood was over, Noah and his family were the only people who were alive.
It probably wasn't an easy decision when God decided to **** all of those women and men.
He gave us the rainbow which is a promise that he'll never do it again.
Turquoise Mist Apr 2014
It was called
Noah's Ark
It was a place with
Slides
Sand
Bikes
Smiles
Friends
Fun
It was the place
Mom trusted
To leave her little girl
Daycare
It was the place where
We held hands
And prayed
Before lunch
And before
Nap time
When
Tiny
Beautiful
Innocent
Pure
Children of God
Were
Irreversibly
Violated
Yes. I can fathom it.
Unperturbed in austere times
Unentangled in a web of complex signs
Unfazed by a vicious complex
I find solace in the face of duress
Configured to righteousness
I am withdrawn from Cross and Crescent mess
Invisible against a tide of boisterous wave
I weave my way and gravitate towards space
The sun a distant memory
Passion and zeal my most valuable armoury
In the heavens i light my stars
In paradise lost i leave my mark
With Noah's design hacked
Not even Jupiter can navigate my ark
Unlike terminator I Am Back
Nat Lipstadt Nov 2019
~for betterdays, and all Aussies~


the fires massifs all around, the smokes surrounds,
the house invaded with closed-out-of-college students,
mother and father who are similarly workless, a fire bounty,
all this a treat to an nine year old (no school) boy and his dog

newly self-appointed ringleader, the little boy,
in his fire heaven, with a gang to command, to entertain,
some adults, silly college students, who don’t know “no,”
when he says this is the game we are playing next

this vignette, is not a Manhattan variety^
but an insight story heard, unwitnessed, but of
those who tell the tale, unwittingly, of finding small joys
amidst sky-full clouds, all grayed bunting of burning stink

few wiser than my old, tired and smokey clouded eyes,
though, one yet detects those who are truly not lost,
those who are found, and those who will find them all,
and lead them to the safest places inside themselves

and my heart and brain, at last in unison,
forgives the restless adults who with grownup worries,
yet can! just barely detect those mini joy-rivulets among the whiffs
of destruction and bravery, losses and new hands extended

So I ask, Mum, what game shall we play next?

Perhaps, Noah’s Ark?
https://www.washingtonpost.com/weather/2019/11/21/massive-bush-fires-horrendous-heat-worsening-drought-plague-australia-summer-nears/

^ search Manhattan Vignettes in the HP Search Box
spysgrandson Dec 2017
thirty years
since Mark gunned you down
thirty years, passed
like a long sleepless night
that ends with taunting morning light
no brilliant sunrise grandly pronouncing
a glorious new dawn of man
although that would have been your plan
with your entreaties to give peace a chance
and imagine, imagine, imagine

now I kneel in this rain gray park
like a reject from some holy ark
a pilgrim in doleful disappointed pose
after seeing what your earthly brothers chose
was not to imagine a world of peace and love
but to wear reality like a cast iron glove
making mockery of your martyred chants
proceeding like a billion scurrying ants
deaf to your childlike pleas

across the soaked soil where your ashes lay
yesterday and today…and tomorrow
I feel the soggy sorrow
that you would have felt
if you could still see
all the rage of humanity

(written 7 years ago on the 30th anniversary of the ****** of John Lennon)
wren Dec 2023
...and words still come to my fingertips as i undress you in spirit.

almost-friend, hold me tight and love me true / stare me down, see me as i am: disquieted, patinaed and accustomed to pockets / loose change, a worn copper penny; incoherent, the thrill and lurching sensation of gravity / blooming in my core as i die in my dreams; afraid, for all that word means / of the figs that lie waiting on the branches ahead / ample and pregnant with sweet-rot possibility;

we will labor, singing of light and covalence / until dusk is shorn of its gloomy nightgown / staving off the cold with what tea, what liquid light / the yielding sun could gift our wide eyes: / just ask, darling almost-friend / and i will provide, because…

you are a fawn, limber and knobby-kneed / and i am but a stranger waxing melancholy in stolen glances from afar / as you come into focus in my wood / drinking from my fountains and eating from my briars / leaving me to wonder, “how could i not love such a soul, astute and gentle as it is?” / and so i offer you food and drink because i have nothing else / you could be in want of;

but such things are not for me to behold / and i fear that you will molt your coat as seasons change / the down behind your ears yielding to antlers sprouting like milk teeth from gums / tendering tender for tenacious, grace for gruesome / that you will forget the hands that have proffered to you / sustenance and healing in your darkest hours / for to see others consume satisfies my hunger / to see others delight, my vicarious feast;

in my mind’s eye, you are unclothed and angelic / even with the ophidian basin of your back pressed flat against the tiles of a scalding shower / even with tears ravaging your honest face / here, the masquerade, the spectacle and circumstance, ends / because your rapture will betray your guilt / and we will summit new zeniths hand-in-hand / be baptized, enthralled in the fresh, algid, restless oceans we called forth from the far reaches of our globe / with nothing more than the labyrinth-etched palms of our hands / charting the great floods of yesterday / inking them into the annuls of a friendship (nothing more) for the ages;

celebrate holier mysteries in the anamnesis of that day / we rested upon sand fine as powder, crusted on our knees and elbows / as the ark of our covenant neaped and sprang with cyclical certainty / almost-friend, smile me but one more drowsy floodgate grin / rest your raven-crowned head upon my bare chest / laying in that tender way for eternity / and never again will i ask that wretched question of you: "are you with me?"

no, darling almost-friend: forget me not / because fair weather or poor, my love will remain / echoing truer far and far more sweet / than the oblivious whisper of a forest brook / or the stentorian thundering of an ocean reclaiming what once belonged to it / to know that i am cared for even a fraction of how i care for you is an honor/ and as but a stranger gazing from afar, i promise you this: i will far sooner take myself for granted than you / even should no tea remain to keep us warm, i will hold you till the storm passes / and forever will your name be engraved herein.
song of solomon 8:7: "many waters cannot quench love, neither can the floods drown it."

after the film "your name engraved herein". this one's been sitting in the drafts for a while, i thought sharing might motivate me to write more ")
I'd marry you tomorrow.
I'm not even kidding.
Like if you said,
"Let's go. Let's do this,"
I would be 100% down.

We haven't known each other
very long, six months-ish.

We haven't explored each other
like a ship sailing every
nook and cranny
of every ocean and sea,
but I've seen enough.

You are the best thing that isn't even mine.
And in time, I hope to make that statement a lie.

I want you to be the best thing that is mine.
And I, want to be the best thing that is yours.
I think we're on our way, even without
a perfect, smooth sailing.

So, you could say I'm shipping us,
a one-true-pair.
We'd go up the ark together,
and I think Noah would agree,
two-by-two, you and I would be
the two that he'd expect to see
pairing up.

I'd marry you tomorrow.
I'm not even kidding.
Like if you said,
"Let's go. Let's do this,"
I would be 100% down.
-WRR
Verse 1:

Cancelled out; nullified, material feelings on a visual plane

Melodic turbulence in my soul; I’m so disconnected

The Great Wall of me; It has yet to collapse

Useless data; simplified processing

I’m broken to pieces; Raw and uncut

Chorus 1:

The winds have carried me off; I blend in with the skies

I become nonexistent; I’m brought to my demise

Personal compaction; I’m forced into a shell

I become claustrophobic; I panic in the dark

Verse 2:

Butterflies of darkness greet me in the Garden of Decay

Mesmerized by their beauty, I’m seduced into my tears

I’m greeted with distant smiles; no threads connect our souls

A golden sun awaits me over the horizon; it’s contours have been obscured

Chorus 2:

The ocean carries me off; I drift to the bottom of the seas

My tears have become casual; my pain is an anchor to The Ship

A titanic of the watery deep; a treasure lies within

The ark of the covenant; a pearl made of luminous blood

Bridge:

An oyster awaits me in the ships caverns; I become one with the waves of the sea

Aqua is my destiny; time will heal frost smoke

A fire bolt will descend from the heavens; it will conduct my weary eyes

Radiant gold and amethyst await me on the shore of aegis wings

Chorus 3:

The fire scorches my demons; I awaken to the light

I knock on heavens doorway; I’m greeted by Father Time

The cogwheels to my suffering shall come to a crashing halt

The bastion surrounding my halo shall crumble in the Fall.
Overwhelmed May 2010
Arches tall lead from
Little dividers keeping
Some out and others
Trapped inside

Pink birds with weird
One leg stances stand
In clumps taking wonder
From the people that
Come and go like farm
Cats

Black and white bears
Lazily pick away at hard
Bamboo sticks and are
Content with being the
Last of their kind

These are the beast of
Far away and this is the
Ark carrying them over
The sea of life

For they
Have lost their
Fight

Their instincts
The things that make them
Animals

They are the peaceful wonders
Staring out of fish bowls and
Wondering why people come
And stare at their simple lives

All they have is time
The lion sleeps softly on a rock
The tiger swims, but with no prey to catch
The elephants walk about seeing the
Crowd’s shock with each of his
Thundering steps

The monkeys swinging from artificial
Vines not caring that we (their brothers)
Have given up our childhood games we
Used to play

Opting, instead, to walk lazily in the hot
Summer day and stare agape at the beasts
Who are not beasts that wonder at our
Funny ways and the food that appears
To them each day but who do not care
And decide to sleep instead
Tryst Oct 2014
You stand within a wooded glade
The air is still and calm
Your hand rests on a mighty blade
A shield upon your arm

> GO NORTH

You stand beside a castle moat
The water, grim and dark
To cross you'll need to find a boat
Or build yourself an ark

> BUILD ARK

To build an ark would take a year
And lots of willing folk
(We wrote this whilst we drank some beer
That option was a joke)

> FIND BOAT

You really think you'll find a boat?
You're not the brightest spark
You're meant to think, you silly goat
(Or maybe build an ark?)

> GO NORTH

You walk towards the castle keep
And fall into the moat
Lucky for you, it's not too deep
Since armor doesn't float

> GO EAST

You're standing in an ogre camp
Three ogres are asleep
One looks like he's an ogre champ
(Perhaps you'd better creep?)

> **** OGRES

You draw your sword and take a stance
You howl a battle cry
The ogres wake and watch you dance
Then hit you and you die

GAME OVER

(L)oad saved game  (N)ew game  (Q)uit? >_
Elijah Corbeau Jan 2015
Now I lay me down to sleep,
And God, I hope before I wake
That you have mercy, mercy on me
For the path that I have to take.

You see, I tried and can no longer wait
For my soul to be suddenly granted grace,
Instead, Ill create my own sovereign state
And defy the world to deny my place.

To those with no care, I will no longer give chase
For why should I sacrifice my heart?
And if given space, they’ll come face to face
With the fact that it is now that I start-

A beginning of the end, a new world apart.
A flight to the highest of skies-
A mountainous mark on the walls of the Ark,
That none but the blind would deny.

For I’m no longer a child, I am no longer weak,
And it is a lonely path I must take.
So Lord, have mercy, mercy on me
For the conquests that I will make.
Lord, please have mercy..,
CH Gorrie Aug 2012
The white dove has been
symbolic of abstract things.
I ask it to fly
far, put muscle on its wings.
Until recently the dove

atrophied inside
the skull. Now I’ve forced it out,
favoring strong emblems,
images too pure for doubt:
The Ark, the raven, the dove.

The raven flew the globe
but found no carrion worm.
Because of instinct
it was unable to confirm
any paradigm or thought.

Next the dove took flight
and, though it failed at first,
found a concrete
symbol to quench the parched Ark’s thirst:
one lonely olive leaf.

But even olive leaf
allows interpretation.
Each stronger symbol
creates its complication:
the skull, the Ark, leaf and bird.
This poem is about my stylistic movement away from abstract symbols into more definite ones, but then falls back on itself in the last stanza. I choose a concrete image from the Bible (i.e. Noah's raven and dove) that uses the abstract "dove" found in so many, many poems.
HEK Jan 2013
it is dark, and in the center of the dark

is a white spotlight

and a box as if on the floor

of a stage



a hand enters the light

it is lifting the box and holding it up for display

but what is the box

is it pandora’s dowry

or

a collection of nails and screws from my father’s garage

does it drip with old motor oil

are rust flakes clinging to the hand

is it covered in mud and clinging roots

inside a tin robot, ripped playing cards, a length of string

and a box of matches

is it tin or wood is it light or heavy

and if it’s heavy will the thing inside blind me

is it the ark of the covenant

or an old wedding ring

or a penny, or a dead worm



the hand retreats with the box

pulls back into the dark

there is only the spotlight

and the light is gone
Joseph C Sep 2011
Safe inside my beehive
Picking cobwebs off the honeycomb
At the heart of this shipwreck

The devil keeps me lukewarm
Suckin' out the red sea
Then parting ways with bad dreams
By way of a submarine ark
Carried by the gust of shooting stars

Boney fingers on the steering wheel
Fingernails dug into the leather
If the sky preaches parades
We'll be in for nasty weather

Landfall calls for mongrels
On crippled horses
Salivating for a sister of mercy
Or any kind of company

Erase me, help me
Before he gets me
I've never seen his face
Just his mafioso posturing

Push me, pull me
Let the sirens scream
I'm too scared to sleep
In the jaws of the peripheral
Michael R Burch Mar 2023
Nonbeliever
by Michael R. Burch writing as Kim Cherub

She smiled a thin-lipped smile
(What do men know of love?)
then rolled her eyes toward heaven
(Or that Chauvinist above?).

Keywords/Tags: Agnostic, Atheist, Chauvinist, Heresy, Heretical, God, Religion, Atheism, Nonbeliever



Is there any Light left?
by Michael R. Burch

Is there any light left?
Must we die bereft
of love and a reason for being?
Blind and unseeing,
rejecting and fleeing
our humanity, goat-hooved and cleft?

Is there any light left?
Must we die bereft
of love and a reason for living?
Blind, unforgiving,
unworthy of heaven
or this planet red, reeking and reft?

While “hoofed” is the more common spelling, I preferred “hooved” for this poem. Perhaps because of the contrast created by “love” and “hooved.”



Evil Cabal
by Michael R. Burch

those who do Evil
do not know why
what they do is wrong
as they spit in ur eye.

nor did Jehovah,
the original Devil,
when he murdered eve,
our lovely rebel.



Red State Religion Rejection Slip
by Michael R. Burch

I’d like to believe in your LORD
but I really can’t risk it
when his world is as badly composed
as a half-baked biscuit.



Enough!
by Michael R. Burch

It’s not that I don’t want to die;
I shall be glad to go.
Enough of diabetes pie,
and eating sickly crow!

Enough of win and place and show.
Enough of endless woe!

Enough of suffering and vice!
I’ve said it once;
I’ll say it twice:
I shall be glad to go.

But why the hell should I be nice
when no one asked for my advice?
So grumpily I’ll go ...
although
(most probably) below.



Altared Spots
by Michael R. Burch

The mother leopard buries her cub,
then cries three nights for his bones to rise
clad in new flesh, to celebrate the sunrise.

Good mother leopard, pensive thought
and fiercest love’s wild insurrection
yield no certainty of a resurrection.

Man’s tried them both, has added tears,
chants, dances, drugs, séances, tombs’
white alabaster prayer-rooms, wombs

where dead men’s frozen genes convene ...
there is no answer—death is death.
So bury your son, and save your breath.

Or emulate earth’s “highest species”—
write a few strange poems and odd treatises.

"Altared" in the title is not a misspelling, but a play on the words "alter" and "altar" (as in a religious altar).



Pagans Protest the Intolerance of Christianity
by Michael R. Burch

“We have a common sky.” — Quintus Aurelius Symmachus (c. 345-402)

We had a common sky
before the Christians came.

We thought there might be gods
but did not know their names.

The common stars above us?
They winked, and would not tell.

Yet now our fellow mortals claim
our questions merit hell!

The cause of our damnation?
They claim they’ve seen the LIGHT ...

but still the stars wink down at us,
as wiser beings might.



Well, Almost
by Michael R. Burch

All Christians say “Never again!”
to the inhumanity of men
(except when the object of phlegm
is a Palestinian).



Advice for Evangelicals
by Michael R. Burch

“... so let your light shine before men ...”

Consider the example of the woodland anemone:
she preaches no sermons but — immaculate — shines,
and rivals the angels in bright innocence and purity —
the sweetest of divines.

And no one has heard her engage in hypocrisy
since the beginning of time — an oracle so mute,
so profound in her silence and exemplary poise
she makes lessons moot.

So consider the example of the saintly anemone
and if you’d convince us Christ really exists,
then let him be just as sweet, just as guileless
and equally as gracious to bless.



Mayflies
by Michael R. Burch

These standing stones have stood the test of time
but who are you—and what are you—and why?
As brief as mist, as transient, as pale ...
Inconsequential mayfly!

Perhaps the thought of love inspired hope?
Do midges love? Do stars bend down to see?
Do gods commend the kindnesses of ants
to aphids? Does one eel impress the sea?

Are mayflies missed by mountains? Do the stars
regret the glowworm’s stellar mimicry
the day it dies? Does not the world grind on
as if it’s no great matter, not to be?

Life, to be sure, is nothing much to lose.
And yet somehow you’re everything to me.

Originally published by Clementine Unbound



Maker, Fakir, Curer
by Michael R. Burch

A poem should be a wild, unearthly cry
against the thought of lying in the dark,
doomed—never having seen bright sparks leap high,
without a word for flame, none for the mark
an ember might emblaze on lesioned skin.

A poet is no crafty artisan—
the maker of some crock. He dreams of flame
he never touched, but—fakir’s courtesan—
must dance obedience, once called by name.

Thin wand, divine!, this world is too the same—
all watery ooze and flesh. Let fire cure
and quickly harden here what can endure.

Originally published by The Lyric

The ancient English scops were considered to be makers: for instance, in William Dunbar’s “Lament for the Makiris.” But in some modern literary circles poets are considered to be fakers, with lies being as good as the truth where art is concerned. Hence, this poem puns on “fakirs” and dancing snakes. But according to Shakespeare the object is to leave something lasting, that will stand test of time. Hence, the idea of poems being cured in order to endure. The “thin wand” is the poet’s pen, divining the elixir— the magical fountain of youth—that makes poems live forever.



O, My Redeeming Angel
by Michael R. Burch

O my Redeeming Angel, after we
have fought till death (and soon the night is done) ...
then let us rest awhile, await the sun,
and let us put aside all enmity.

I might have been the “victor”—who can tell?—
so many wounds abound. All out of joint,
my groin, my thigh ... and nothing to anoint
but sunsplit, shattered stone, as pillars hell.

Light, easy flight to heaven, Your return!
How hard, how dark, this path I, limping, walk.
I only ask Your blessing; no more talk!

Withhold Your name, and yet my ears still burn
and so my heart. You asked me, to my shame:
for Jacob—trickster, shyster, sham—’s my name.



To Know You as Mary
by Michael R. Burch

To know you as Mary,
when you spoke her name
and her world was never the same ...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain ...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard you exclaim—
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



Belfry
by Michael R. Burch

There are things we surrender
to the attic gloom:
they haunt us at night
with shrill, querulous voices.

There are choices we made
yet did not pursue,
behind windows we shuttered
then failed to remember.

There are canisters sealed
that we cannot reopen,
and others long broken
that nothing can heal.

There are things we conceal
that our anger dismembered,
gray leathery faces
the rafters reveal.



ur-gent
by Michael R. Burch

if u would be a good father to us all,
revoke the Curse,
extract the Gall;

but if the abuse continues,
look within
into ur Mindless Soulless Emptiness Grim,

& admit ur sin,
heartless jehovah,
slayer of widows and orphans ...

quick, begin!



Bible libel (ii)
by Michael R. Burch

ur savior’s a cad
—he’s as bad as his dad—
according to your horrible Bible.

demanding belief
or he’ll bring u to grief?
he’s worse than his horn-sprouting rival!

was the man ever good
before being made “god”?
if so, half your Bible is libel!



yet another post-partum christmas blues poem
by michael r. burch

ur GAUD created hell; it’s called the earth;
HE mused u briefly, clods of little worth:
"let’s conjure some little monkeys
to be BIG RELIGION’s flunkeys!"
GAUD belched, went back to sleep, such was ur birth.



wee the many
by michael r. burch

wee never really lived: was that our fault?
now thanks to ur GAUD wee lie in an underground vault.
wee lie here, the little ones ur GAUD despised!
HE condemned us to death before wee opened our eyes!
as it was in the days of noah, it still remains:
GAUD kills us with floods he conjures from murderous rains.



stock-home sin-drone
by Michael R. Burch

ur GAUD created this hellish earth;
thus u FANTAsize heaven
(an escape from rebirth).

ur GUAD is a monster,
**** ur RELIGION lied
and called u his frankensteinian bride!

now, like so many others cruelly abused,
u look for salve-a-shun
to the AUTHOR of ur pain’s selfish creation.

cons preach the “TRUE GOSPEL”
and proudly shout it,
but if ur GAUD were good
he would have to doubt it.



un-i-verse-all love
by Michael R. Burch

there is a Gaud, it’s true!
and furthermore, tHeSh(e)It loves u!
unfortunately
the
He
Sh(e)
It
,even more adorably,
loves cancer, aids and leprosy.



One of the Flown
by Michael R. Burch

Forgive me for not having known
you were one of the flown—
flown from the distant haunts
of someone else’s enlightenment,
alighting here to a darkness all your own . . .

I imagine you perched,
pretty warbler, in your starched
dress, before you grew bellicose . . .
singing quaint love’s highest falsetto notes,
brightening the pew of some dilapidated church . . .

But that was before autumn’s
messianic dark hymns . . .
Deepening on the landscape—winter’s inevitable shadows.
Love came too late; hope flocked to bare meadows,
preparing to leave. Then even the thought of life became grim,

thinking of Him . . .
To flee, finally,—that was no whim,
no adventure, but purpose.
I see you now a-wing: pale-eyed, intent, serious:
always, always at the horizon’s broadening rim . . .

How long have you flown now, pretty voyager?
I keep watch from afar: pale lover and ******.



what the “Chosen Few” really pray for
by Michael R. Burch

We are ready to be robed in light,
angel-bright

despite
Our intolerance;

ready to enter Heaven and never return
(dark, this sojourn);

ready to worse-ship any gaud
able to deliver Us from this flawed

existence;
We pray with the persistence

of actual saints
to be delivered from all earthly constraints:

just kiss each uplifted Face
with lips of gentlest grace,

cooing the sweetest harmonies
while brutally crushing Our enemies!

ah-Men!



wild wild west-east-north-south-up-down
by Michael R. Burch

each day it resumes—the great struggle for survival.

the fiercer and more perilous the wrath,
the wilder and wickeder the weaponry,
the better the daily odds
(just don’t bet on the long term, or revival).

so ur luvable Gaud decreed, Theo-retically,
if indeed He exists
as ur Bible insists—
the Wildest and the Wickedest of all
with the brightest of creatures in thrall
(unless u
somehow got that bleary
Theo-ry
wrong too).



The Strangest Rain
by Michael R. Burch

"I ... am small, like the Wren, and my Hair is bold, like the Chestnut Bur?and my eyes, like the Sherry in the Glass, that the Guest leaves ..."?Emily Dickinson

"If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry."--Emily Dickinson

The strangest rain, a few bright sluggish drops,
unsure if they should fall, run through with sun,
came tumbling down and touched me, one by one,
too few to animate the shriveled crops
of nearby farmers (though their daughters might
feel each cool splash, a-shiver with delight).

I thought again of Emily Dickinson,
who felt the tingle down her spine, inspired
to lifting hairs, to nerves’ electric song
of passion for a thing so deep-desired
the heart and gut agree, and so must tremble
as all the neurons of the brain assemble
to whisper: This is love, but what is love?
Wrens darting rainbows, laughter high above.



Note to a Chick on a Religious Kick
by Michael R. Burch

Daisy,
when you smile, my life gets sunny;
you make me want to spend all my ****** money;
but honey,
you can be a bit ... um ... hazy,
perhaps mentally lazy?,
okay, downright crazy,
praying to the Easter Bunny!



A coming day
by Michael R. Burch

for my mother, due to her hellish religion

There will be a day,
a day when the lightning strikes from a rainbowed mist
when it will be too late, too late for me to say
that I found your faith unblessed.

There will be a day,
a day when the storm clouds gather, ominous,
when it will be too late, too late to put away
this darkness that came between us.


lust!
by michael r. burch

i was only a child
in a world dark and wild
seeking affection
in eyes mild

and in all my bright dreams
sweet love shimmered, beguiled ...

but the black-robed Priest
who called me the least
of all god’s creation
then spoke for the Beast:

He called my great passion a thing base, defiled!

He condemned me to hell,
the foul Ne’er-Do-Well,
for the sake of the copper
His Pig-Snout could smell
in the purse of my mother,
“the ***** jezebel.”

my sweet passions condemned
by degenerate men?
and she so devout
she exclaimed, “yay, aye-men!” ...

together we learned why Religion is hell.

Published by Lucid Rhythms, The HyperTexts and Black Waters of Melancholy



Hellbound
by Michael R. Burch

Mother, it’s dark
and you never did love me
because you put Yahweh and Yeshu
above me.

Did they ever love you
or cling to you? No.
Now Mother, it’s cold
and I fear for my soul.

Mother, they say
you will leave me and go
to some distant “heaven”
I never shall know.

If that’s your choice,
you made it. Not me.
You brought me to life;
will you nail me to the tree?

Christ! Mother, they say
God condemned me to hell.
If the Devil’s your God
then farewell, farewell!

Or if there is Love
in some other dimension,
let’s reconcile there
and forget such cruel detention.



Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it QUICKLY!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram—the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did Japheth devour for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?



Modern Dreams
by Michael R. Burch

after David B. Gosselin

I dreamed that God was good, but then I woke
and all his goodness vanished—****!—
like smoke.

I dreamed his Word was good, but then I heard
commandments evil, awful, weird,
absurd.

I dreamed of Heaven where cruel Angels flew
above my head and screamed, the Chosen Few,
“We’re not like you!”

I dreamed of Hell below, where prostitutes
adored by Jesus, played on lovely lutes
“True Love Commutes.”

I dreamed of Earth then woke to hear a Gong’s
repellent echoes in Religion’s song
of right gone wrong.



Star Crossed
by Michael R. Burch

Remember—
night is not like day;
the stars are closer than they seem ...
now, bending near, they seem to say
the morning sun was merely a dream
ember.


Keywords/Tags: god, Jesus, Christ, Christian, prayer, Bible, angel, atheist, faith, blasphemy, heresy, heresies, heretic, heretic, heretical, pagan, pagans, god, gods

Published as the collection "Nonbeliever"



Kim Cherub is a pen name of Michael R. Burch. Keywords/Tags: God, male chauvinist, religion, Christian, Christianity, Jehovah, Jesus Christ, feminist, feminism, skeptic, nonbeliever, atheist, agnostic

— The End —