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Tommy Johnson Mar 2014
Let’s say our reality is actually fantasy
Appalling avariciousness
Throw all our worldly possessions to the abyss
To me all the money is worthless
But you are both rare and priceless

I know, give it time to all sink in
It’s come to us
Traveling by word of mouth
Heading north and running south
Southern comfort’s here and now

The moon is coming up and going out
The sun is fading I’m going down

Cooling mints in the humid evening
Pleasure sense, keep going

The words need not be said
It’s already known
In the west
And in the east
Satin blankets, silk sheets I’m underneath
And the same is done for me

Taunting laughs and hidden wants
A secret dominant
Pulled out susceptibilities
The soul is a shattered vase
And love a is durable gauze

The stars look brighter than usual tonight
They’re lighting up the pitch black sky

Honey drip lick at night time
Flooded valley, never ending

The name on the back of your tongue
Is the one who inflames your throat
And pulls you close
And fills your lungs
Drake Taylor May 2014
Be good to yourself!
So says the neon sign
Hanging above the pizza shop.
For some reason it means
Something
To me.
I'm not sure what,
Or why.
But it is to me what the green light was to gatsby.
Or sweaters were to Cosby.
I loved that sign
Even after it switched off for the last time.
I saw a neon sign, and it meant something to me.
Jaanam Jaswani May 2014
Row words through the riverous air -
The poison in your papers

Pituitary glands in the sun -
Solar sweat

The ripping in your repetition;
The cracking in your cranium.
LN Apr 2014
It's hard to water plants
you believe will die anyway.
Nathan Squiers Apr 2014
Two lips met in the forest,
Sighing South and heaving North.
They prayed with words unspoken.
Drinking in the dried tears of sated loneliness;
Chewing 'pon the swelled pride of ancient lusts.

An ethereal plume drives the dew-soaked petals closer,
Until neither root nor stem can discern their place.

Two lips met in the meadow,
Singing East and chanting West.
They pursed with anxious anticipation,
And parted with baited excitement,
While the ghosts of lovers surfed upon their hums.

Two lips.
Are as one.
Luna Lynn Apr 2014
To behold the fruit which grew from the seed planted so long ago
And to be unsure of what to do with it, one can only hope the fruit remains sweet
and tasteful
and colorful
For when the natural process of decay begins
It is already too late
I wrote this with a ton of symbolic meaning. It actually has nothing to do with life or death but more so my desire to be a writer. The seed represents the early beginning of my writings from when I was just a child, and the fruit represents the maturity of my work (which is today).

(C) Maxwell 2014
Ferrin McGinness Apr 2014
it is hell
to have loved someone-
to know you love them
right now, still-
so much and for so long,
and to realize
you don't actually feel
them loving you back.

if you turn onto
a one-way street
in the wrong direction,
it is still dangerous,
against the law
even if you didn't see the sign.
and just because i love
and my love is accepted
does not mean
i'm on a two-way street.

now i'm crushed.
between metal and metal
i'm crushed. in flashes,
when you speak, i see
myself chewed between your teeth.

so when you light up when you smile
when i say in some way that
i love you, you are also
the oncoming headlights,
appearing suddenly,
coming at me on the highway.
Enigmuse Apr 2014
I didn't know you were a piano player.

This fact only came up while my palms burned
with anticipation as I reached out into the stillness,
searching for your hands. I found them beneath sheets
and cold promises, where the fingers were dancing
and the nails were scratching and you were looking to have a good time.
You're good at playing the blues.
A man by the name of Skye told me you knew all about snatching secrets
from the moon, and as I felt the scars and scratches along your callous, quick fingers, I knew this was true.
Your eyes never looked down at what you played, which is probably how they ended up this way: scarred and burned and stained a dark red. I
never found out why you liked to play music so dark that it did
nothing but leave bruises, ones you tried to wash away with
old wash cloths and chardonnay. Or why your nickname was *****
even though your mother named you Vivian. Or why you sold me those
tickets to that band you dreamed of seeing. Or why your hands started
shaking whenever you were near me. Or why I'm in love with your fingers,
and all the notes they've played and touched and stole.
I don't mind the fact that their skin is burdened with slices of depressed,
quiet peace, or the way your eyes turn blue even though they're supposed
to be green.
I can only hope in the wake of all these sad revelations, that your fingers will remain on those black and white keys, and tomorrow you'll still be playing.
I've got a terrible fascination with hands
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