PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi

Sitting in a waiting room with twenty other men,
All waiting for the good doctor to come; and then,
I notice, we’ve been waiting for half an hour;
Some worried sick, just sitting with no power
To help themselves or others in the room;
Just waiting; and although there’s no more room,
Another one enters. No! Sorry! A pair;
Yes! Most people come with companions who care;
Or, pretend to care, and seek relief here.
They say, “He’s always late. He has nothing to fear!
He is the great doctor!” But why is he late?!
Is he watching? Is he smiling at our fate?
Or, is he sleeping with some pretty goddess?
When are you going to come Mr. Flawless?!
Maybe I’m wrong, maybe I’m right; but if I’m right,
We are all waiting for him to ***, right?!
Forget it. This room makes illusions shatter;
All helpless, no relief; but, does it matter?

This poem is for the *******.
The ice princesses.

Solid and frozen.
Hearts carved from arctic stone.
Jaw lines so sharp they could *cut you.
Girls so bitter, *they bite.

Leave your mouth aching.

This is for the evil stepsisters,
The Ursulas,
The Queens of Broken Hearts -

I’ll tell you.
They are deadly beautiful.

They are the bossy, and the terribly too honest.
Mouths on fire,
jaws snapping,
man eaters,
sirens of the sea,
they will swallow you whole.

When the boys ask -
Tell them, no, I don’t need saving.

**** being a princess.
Be the dragon.

Be fire breathing, and pmsing.
Be angry, girl.

Cause you got **** to be angry about.

Every cat call –
Every glass ceiling you will shatter with your bare hands –
Every time you say the word no and mean it –
Every time they make you feel like you anything less than powerful.

You tell them –
You are eternal.

That you carry a generation in your belly -
That it all begins and ends here, inside you.

That you can bleed for seven days straight and come back with teeth sharpened for war.

Remind them that that when something is taken from you, you will do everything you can to get it back.

You will destroy what destroys you.
Eating fire and spitting brimstone.
And never, ever saying sorry.

They will call you crazy.
They will call you over emotional.
They will call you loud mouth.

They will ask for your smile, pretty girl.
Give it to them with poison ivy lips and a razor blade between your teeth.

What no body knew was that Ursula was King Triton’s sister.
A perfect storm.
Banished from the palace -
When a loud, powerful woman gets out of hand, we don’t call it leadership.
We call her dog.
*****.
Bossy.
Fangs out and snarling, we don’t battle, we cat fight.
**** kitten gone wrong, when she learns to leave scars.

A dog, no not a dog, a wolf in heat.
Domestication is a ***** word.

***** is to know your worth, and take it.

To carry it in your esophagus.
A war cry.
Feeding your enemies to your children, and coming back starving for seconds.

Doing anything to stay alive.

Because you were raised by a mother who fed you fear for supper.
Packed your backpack with mace, and brass knuckles.
She told you to turn your body into a weapon.
She knew there would be men who would try to cover your mouth.
So she taught you to bite.

This is how you protect yourself.
A mouth full of *****, and a bark to match.
“Beware of dog” sign around your throat.

This is how you keep them away.
This is how you warn them.

Because the villain was not always the villain.

She was made that way.
You were made this way.

You’ve got brands still healing, still smoking, skin still searing.
You’ve got a trauma written in your blood.
You’ve got a ribcage holding onto your heart too tightly.

You are chasing down a revenge so sweet it could rot your teeth.
A heart attack romance asleep in your chest.

You will come back home limping after this war.

And you will tell all the other girls -

It ain’t all about the love story.
**It’s about the “being in love with yourself” story.

this is an open letter to anyone who has the audacity to try and love you like i did.

dear whateverthefuckyournameis,

i apologize in advance for spilling my boiled blood on the hem of your skirt. what you need to understand, is that you are standing on ground previously reserved for my feet, so forgive me for any bitterness that seeps through the cracks in my clenched fists. i don't hate you, but i can't be your friend. you probably don't know about me, and if you do, let me commend your bravery. i have a tendency to set my problems on fire, and in my bouts of anger everything looks flammable, especially girls with paper complexions. i'm sorry. i have never been one to walk away, so i don't know how to explain to you the holes in the bottoms of my shoes. but i have been further than you will ever go. this is not supposed to be an angry letter, but lately that's the only thing coming out of me. i don't even know your name but the thought of your hands reaching for him makes we want to break them. i will douse your dreams in gasoline and strike the match against your cheek. but i know that's not right, see, the poison crawling out from the end of my pen belongs to a scarier version of myself i try not to know. my heartache is an insatiable war cry in the dead of night, that will stop at nothing to shatter all your windows. it shames me to admit that i've found a sort of twisted satisfaction in using passive aggression to breach your armor. i am sick with missing a set of arms i was not privileged enough to know. i speak with all the grace of an atom bomb and wonder about the rubble at my feet. you are white picket fence and i am barbed wire. some girls are lions, some are lambs, and i learned to love, teeth bared and snarling. one of the only things that keeps me going is the hope that one day i'll learn how to love something without making it bleed. i may have never been his, but for a time he was mine, so please understand why i taste acid when i think about your mouth on his. again, i am sorry. i know it is not my place to be so full of resentment, but there is a part of me that sincerely hopes it bothers you to know he dreamt of me before you were even a thought. there is a side of me that thrives on the image of the color being drained from your face when you read this. but i am trying to learn how to be softer. this letter is the manifestation of a self-inflicted war that has been raging in my chest since he first told me about you. you will try to be good to him, and you might even succeed. if you ever find yourself singing him to sleep, like i did, don't ask if he wants to hear another song, just keep going until his breathing slows.

- m.f.

down
  down
    down
      down
        down
          down
            deep
              below

children of the caves will let their
secret fires glow
~~~

An explosion of birds
Dawn
Sun strokes the walls
An old man leaves the Casino
A young man reading pauses
on the path to the garden
~~~

Bitter winter
Fiction dogs are starving
The radio is moaning softly
calling to the dogs
There are still a few
animals left in the yard

Sit up all night,
talking smoking
Count the dead & wait
’til morning
Will warm names & faces
come again
Does the silver forest end?
~~~

December Isles
Hot morning chambers
of the New Day
Idiot first to awaken (be born)
w/shadows of new play
learned men
in Sunday best
we’ve had our chance to rest
to mourn the passing of day
to lament the death of our
glorious member
(she whispers secret messages
of love in the garden
to her friends, the bees)
The garden would be here
forevermore
~~~

Mexican parachute
Blue green pink
Invented of Silk
& stretched on grass
Draped in the trees
of a Mexican Park
T-shirt boys in their
Slumbering art
~~~

-I fear that he’s been
maim’d beyond all
recognition

He hears them come &
murmur over his corpse.

Street Pizza.
~~~

funny,
I keep expecting a
knock on the door
well, that’s what you
get for living around
people

a Knock? would shatter
my dreams’ illusions
deportment & composure
The struggle of a poor poet
to stay out of the grips
of novels & gambling
& journalism
~~~

A quality of ignorance,
self-deception may be
necessary to the poet’s
survival.
~~~

Actors must make us think
they’re real
Our friends must not
make us think we’re acting

They are, though, in slow
Time

My wild words
slip into fusion
& risk losing
the solid ground

So stranger, get
wilder still

Probe the Highlands
~~~

Bourbon is a wicked brew, recalling
courage milk, refined poison
of cockroach & tree-bark, leaves
& fly-wings scraped from the
land, a thick film; menstrual
fluids no doubt add their splendour.
It is the eagle’s drink.
~~~

Why do I drink?
So that I can write poetry.

Sometimes when it’s all spun out
and all that is ugly recedes
into a deep sleep
There is an awakening
and all that remains is true.
As the body is ravaged
the spirit grows stronger.

Forgive me Father for I know
what I do.
I want to hear the last Poem
of the last Poet.

imagine —
you are the last of your species,

an angel, who dances on
ice.

like
a
film that protects
this earth ,
your wings are broken ,
and these are the pieces of you that cannot go
home .
.

so on
tiptoes, this cracked marble
does not shatter,
and
everyone gets to watch you perform ,
unknowing of the cold truth that you are shackled
to ,

like
a ballerina in a box
that hums a sweet tune —

you still dance ,
even as the last of your species,
even though
you are all that you have left.

and
even though
you have decided that love is a form of
betrayal.
.

Happy belated birthday Mom,
I'm sorry it's two days late,
but I've been a bad daughter
and an even worse person.
You always told me not to go to your grave or put flowers on your headstone;
"I won't be under that ground," you'd say,
"and don't waste your money on flowers, I'll have no use for them where I'm going."
I still visit sometimes, and I do still bring flowers, but not nearly enough.
I know if I had been the one buried, you'd wear the grass down with your feet and then have the courtesy to plant some seeds.

Almost eight years later I still think about you everyday
and not a minute goes by where I don't miss you terribly.
What a cruel thing it is, to live a life where you're always missing someone.
To have so many things to say and receive no reply.

You would've been fifty seven this year.
I wonder how you would look as you got older, and sometimes, rarely, I forget what you looked and sounded like when you were here.
That's probably the worst part of it.

The first time I visited your grave was about a month or so after you had been buried,
the graveyard drowning in so much snow I actually visited the wrong headstone.
I'm sure Mr.Brown enjoyed the talk, though.
It was only after digging my bare hands through ten inches of snow and ice that I realized I was four spots down.
I then recognized your grave from the moonlight reflecting off the glass vases of yellow roses we had placed there during your funeral,
wedged in place with the snow hugging them tightly;
the roses frozen in time,
it was both beautiful and aggravating.
Good things funerals cost so much,
they should be able to have someone clean up the plot after the service.
I threw the roses out and gently tried to remove the vases:
the one with "wife" shattered in my hands and my frostbitten fingers picked each shard out from the snow.
I still carry a scar from that vase.
The one with "mother" on it remained in tact, I was just as gentle with it but it did not shatter.
You told me near the end that nothing in this world, nothing was powerful enough to ever have you taken away from me.
That vase sits on my dining room table to this day, nursing a reluctantly dying plant just as you'd want.
I don't think I'll ever have the green thumb like you did.

But I have everything else from you,
you always told me Kate was raised by your sister and that she was too much when you were so young,
"But you, Emily, you're MY daughter."
You said I was a godsend of a baby, never crying, content just to sleep,
and that I carried an old soul.
You laughed at how I always excelled at being alone as a child,
and you were so intrigued by my sense of imagination and creativity.
You always said you were the same when you were a kid.

So tell me, now that I'm older and I feel so alone all the time,
am I still you?
Were you this isolated and alien at my age now?
Did you carry the empathy to cry at little things you saw on the street or in a commercial,
so much so that you believe this world to be lost?
That you saw life as one big slap in the face?

I still try my best everyday to make you proud,
It breaks my heart constantly to think I didn't when you were here.
But life is cruel like that, and I was young and stupid and arrogant.
I know if you see my daily life,
you know I'm not 100% better,
and I know I probably never will be.
But I work hard, and I always say my "please" and "thank you"'s,
and I live by your example of always trying to help anyone in need.
It might not make up for the demons that I struggle with,
but atleast I still fight them, right?
I lost some years there where I should've died, and sometimes I wish I had,
but I didn't. I'm still here. I'm still trying.
And to be honest, it's not for me, or for my family, for love or sunsets, or dogs or any of the things that bring me up to a solid "content."

It's for you, because you taught me that's what you do in life.
You fight. You fight until your last breath.

I've thought this a million times in my head, but I'll say it now,
you were always right about everything.
As teenage girls, we challenge our mothers at every turn and decision,
convinced we are mature and capable of making decisions,
and then we say hurtful things when we don't get our way.
So you deserve to hear it, you were always right.

I wish I could tell you face to face.
I would tell you how much I miss you, more than either of us could've ever predicted.
I would tell you how blessed I feel to have had such an amazing mother.
I would apologize for judging you for the drinking,
I would tell you it took me forever to realize, but eventually I accepted my mother was human just like everyone else,
and just like everyone else, myself included, you made mistakes.
Above all else, I would tell you that I love you more than you'll ever know.

I'll be turning twenty-nine next month,
which means I have one year left of smoking.
I didn't forget my promise to you, I'll quit on my thirtieth birthday.
I'll continue looking out for my sister to the best of my abilities,
even though she can be impulsive and brash on occasion.
I'll continue to show empathy and kindness to as many people as possible, just like you would've wanted.
And finally, one day I hope to keep the promise I made to you so many years ago:
I promise to try and be happy.

When it rains here once again
I remember the time we clenched hands that monsoon.
And we trailed down that railway track on a cloudy noon
We weren't alone did you know?
In a place unknown to fog and snow
The weather had lost its temper
The train had been blinded enough to lose track.
Who doesn't know it's all a knack!
Derailed, they say.
Before the next I wish they simply care
These are not mere accidents you bare,
But testimonies you claim on a paid fare.
Indian Railways or any other for that matter I say,
When they pass the word 'happy journey'
We simply wish it's not our last.
When it rains once again here,
I remember the time we clenched hands that monsoon.
And I wailed down the railway track on that tragic day,
I do not understand which side to stake.
Or wish for summer once again in my life
Or curse the rails, frames and journeys that shatter.
Shatter! Solely due to human hands that fell short,
short to value the lives that derail.

Mirror mirror
On the wall
Who's the fairest
Of them all?

Not you

Mirror mirror
On the wall
Who's the one
About to fall?

You are

I shatter the mirror
And use the shards
To bleed the memories
From my skin

Mirror mirror
On the wall
You pushed me
Off the cliff so tall

*You deserved it