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 Feb 2016
Maple Mathers
You are                                                              ­             
My ellipsis dots,                                           
                  trailing away, unspoken                     
. . .
                                                  You'll always belong
                                                                              on my horizon.
“I like your face better than you like my face.”

All poems original Copyright of Eva Denali Will © 2015, 2016
***Minus this one, sort of, as it was adapted but an old sinistra poem - the original work by my sister, Whitney Ingrid Will ©, 2007/2008.
<3
 Feb 2016
Maple Mathers
I come to you now
All gift-wrapped - and such
Hope you like what you see,
Cause I don't, very much.

Dressed, and accomplished
Within the charade,
I've nothing but danced
This stark masquerade.
My mind is shot. My words are not. So, here's what tumbled out.



All poems original Copyright of Eva Denali Will © 2015, 2016.
 Feb 2016
Maple Mathers
2011:

Here and there, you called my name
For this is what you christened me
“Maple is a hurricane.”
Here and there you called my name.
Face to face, you’ll ascertain
That this is not the truth, you’ll see
I’m not a ******* hurricane
For this is what you christened me.



2015:

Hear, and where you called my name –
Abyss is what you christened me.
Oh, “Maple is a hurricane!
Said puppeteer’s overt reframe.
Braced and faced, they’ll ascertain
That this just YOUR truth – decreed
You sought a ******* hurricane
Within YOURSELF; yet, christened ME.**



HURRICANE MEDUSA, *******.
(You IDIOTS Can't STOP Your Hurricane
Ready or not, here I come).


(All poems original Copyright of Eva Denali Will © 2015, 2016)
 Feb 2016
Pixievic
There's a small forest of paperwork
Taking root upon my life
Can someone please send me a woodsman
To help cut it down to size!

(C) Pixievic 2016
I should be working ..... but I appear to be reading poetry! ******!!
 Feb 2016
Maple Mathers
when I come to it.
(All poems original Copyright of Eva Denali Will © 2015, 2016)
 Feb 2016
Maple Mathers
on which
you
walk.
(All poems original Copyright of Eva Denali Will © 2015, 2016)
 Feb 2016
Maple Mathers
Once upon a time.

           Once upon a time there lived a young girl. A girl who believed that words could be mastered. This girl was young enough to confuse love with addiction – for in her mind, she knew no difference. She created symbols and motifs wherever she went. Speech failed her, but words did not. And more often than not, she listened, but did not hear a thing. When she listened, however, she maintained an untarnished faith in the words she heard.

           She was coasting fourteen when she encountered the master of words. He was disguised, however, as an unremarkable seventeen-year-old. His presence solidified a stereotype; he was older, darker, and lurid in his quest for love. Spun from his lust of literature, the boy could read with college leveled comprehension by the time he’d reached sixth grade.

           Once upon a time, a young girl met a boy whose charisma was nothing short of magic.

           Within the time they exchanged, she was too young, and he was needy, broken, and wildly manipulative. Their connection was catalytic and in some instances, he fell in love with her innocence, whilst she grew addicted to his words.

           Words; so trivial, so redundant, and so simple. Yet, so inexplicably controlling. In the same instance that sticks and stones could break her bones, his words would eternally mark her. His words, which enabled her addiction. Words that made it okay to leave her for another, to appear again, only to leave all over again. Words that – months later – talked him into her psyche, away from her companions, away from her family, her academics, her normalcy. Into a space where his redundant sweet-nothings ensnared and enveloped her whole. Into a space where she remained, waiting for the fix she could only find in his mind. Once upon a time, the master of words cajoled this young girl into a space which grew so vast, he eventually couldn’t fill it, so he left.

           On the brink of demise, she examined her feeble body. Within, she found the extra spaces. These spaces weren’t obvious; there were no gaping holes or severed chunks visible. Rather, her body was ravaged by innumerable chasms and hollows, small enough to overlook and large enough to define her; cracks in the foundation. Perhaps a gaping hole was preferable – the equivalent to a broken heart – consuming, but easier to pinpoint and remedy. One large hole in a wall can be filled in. But these cracks she felt, this empty space, it unsteadied her entire foundation.
Nine months into her word addiction, the girl could be found festering within hollows. Miles away from her former self, she dwelled within expired voicemails, his notes, his letters. She knew she had no one to blame but herself, but she blamed him anyways.

           Once upon a time, there lived an extra space in which a girl resided; a girl who was not only surrounded by extra space, but filled with it as well. There lived a recovering word addict. Subsequently, this was all her fault, which she realized in the saddest of circumstances. Yet, she slowly learned to fill the extra spaces with distractions. She encountered drugs, new friends, an environment where she sometimes belonged. She remedied her schoolwork, resurrected her family’s trust, and quenched her addiction with masochism instead. Yet, this new foundation stood a mere ghost of the old one. Within her psyche, there remained cracks and holes and the decaying animal of innocence. As some cracks were filled in, new ones spread forth. Her disrepair did not increase nor decrease in the years to come. Rather, it spread to different locations, as she patched and filled along the way. She strived to fill the void; and yet, nothing she tried, no pain she inflicted and no other drug she tried could fill the extra space inside of her. The foundation of her psyche remained perpetually flawed.

           Months later, the master of words returned. This time, he faced a girl who had been thwarted and mastered by his words, and had grown bitter and stronger. Greeted by this unfamiliarity, he left. Only to come back, and then leave, and return, and then leave again. Frequenting her enough to make sure the extra space remained. As the girl lived on, his magnitude faltered. Somehow, the boy lost his words, and mastered silence. This was mind boggling. How someone who was once defined by charm and charisma could lose his voice. How the master of words could become a pantomime of the past, lost enough to cease speech entirely. Lost enough to master silence.
          
           Once upon a winter night in the midst of February, the boy finally grappled to re-master words, and seek the extra space, so long reserved for him. He picked up a phone, wrote some long forgotten words, and she came to rediscover him – wondering if his words could rekindle her space. They sat on a bed of formalities and spoke of nothing. Later, when he kissed her, she realized something; this boy was human. He was not an addiction, or a master, and he had no talent of filling up her emptiness indefinitely. Whether she had put him on a pedestal or he had schemed it, she never knew. Her crucial realization was that no one can master words. Words are merely filtered thoughts, twisted and abused by manipulators, such as the boy who became human. Most words are not genuine. They cannot be mastered because they are infinite.
          
           Extra and speechless, she realized that she was not a victim to any of his actions. She had invited him in, fell every time for his words, created a void, and welcomed him back whenever he saw convenience. He was nothing special, nothing to crave, just a boy. A boy whose words disagreed with his thoughts.

           The next day, she lost her complete and utter faith in words. And years later, she would write books and letters; ones he could not fill.
(All poems original Copyright of Eva Denali Will © 2015, 2016)
 Feb 2016
Maple Mathers
Bottle after bottle
Lay under my bed,
An ache in my stomach
A throb in my head

And yet, I won’t cease
This pattern, can’t sever
This alcoholism
Will go on forever.

A problem I have
I’ll gladly admit,
But the concept of stopping?
I'll never commit

Some people want wealth,
Some people want love
My concept of happiness
Lies in the drugs.
All poems original Copyright of Eva Denali Will © 2015, 2016.
 Feb 2016
phil roberts
Dripping with gory sarcasm
The sharpest tongue cuts a dash
The house speciality is cruelty
Naturally
And so, gathered revellers
To the evening's main course
An innocent
A babe amongst blades
Who'll carve?

With glinting teeth and cutlery
Feasting on the lamb begins
An ideal from each bone that's chewed
Is spat upon the floor
And they're snatching and snarling for more
More succulent and pure
Fresh blood for the body politic
Come to the party
Who'll pour?

                                By Phil Roberts
 Feb 2016
Kvothe
You are tea,
serene in your surroundings.

                                                  ­                                                         I am coffee,
                                                         ­                        attention always bounding.

Your colour a milkish pale,
creamy optimism.

                                                      ­                                           I am taken black,
                                                          ­                                           bitter cynicism.

Two sugars,
to match your disposition.

                                                   ­                                                      None for me,
                                                             ­             I'll maintain my grim affliction.


                                               We differ so much,
                                                     it's obscene.
                                                  
                                                   But in the end
                                               we're both caffeine.
 Feb 2016
Maple Mathers
the less I
know.
(All poems original Copyright of Eva Denali Will © 2015, 2016)
 Feb 2016
Nora
Children, gather round
Your second parent calls
A simple box
Wooden and metal
A face of glass
Adorned with two knobs
Take your seats
And take off your shoes--naughty!
Elbows off the table
Legs crossed, hands clasped
Black and white
Levittown
Like your mary janes and stockings
Your president birthed
And mourned
Mother’s in the kitchen
The window outside your little world
Is black and red but not white
Malcolm X, and all the rest
Standing up for their territory
Little girl, the country’s changing
Pick your daisy
We’re not crazy
The bombs come closer every day
Haven’t you seen Castro
And our fiascos by the bay?
Great Society
Social Security
Aid for the old and poor
Dinner’s ready
Mother’s specialty
Credibility on a plate
Crudely disguised
Plastic, fantastic, and uniform
Yet your mind is so hungry
That you eat it all the same
And give it no thought
The window’s widening
Its light reflected
On that glowing omniscient face
Color! Color!
Bright and vivid
Dancing at your fingertips
Brother’s gone off to Nam
Off with your skirts, your stockings,
Your mary janes,
And that awful ribbon in your hair
Burning dope
The rainbow bathes you
In its splendid glory
The birds in the sky
Like rolling thunder
Hawks tearing at the doves
****** falling to the trees
Agent Orange
Fire, death, destruction
Where’s your meal now?
Johnson stumbled,
Faith has crumbled
And so have the foundations
Of your enclosed walls
Bobby’s groovy--
No--he’s gone
And King’s dream
Escaped with his last breath
White rabbit,
Gentle rabbit
Sing your peace
The country’s ablaze
At home and away
Stand your ground
Chicago, Ohio
Each one’s a battlefield
Time for dessert--
Licking lollipops
LSD
Clear your plates
For a second course
50s/60s zeitgeist.
 Feb 2016
phil roberts
Strange creatures circle the edges
And their eyes are hungry and haunted
One day their teeth shall glint dangerously
And I know it very well
For I shall be their meat
Though I cannot imagine fear
And I should feel something

Several people are asking me for help
But I shall probably turn away
For uncertainty clings to my head
Like a monkey that cannot be shaken
With claws in my eyes
I try to see my way out
But, of course, there is none
And the demands on my name
Echo where my conscience should be

Passengers come and go
On my endless journey
The landscape is familiar
And occasionally a memory smiles and waves
All too briefly, it seems
I feel I ought to cry more
But nothing seems to hurt as it used to
Only my nakedness makes me cold

                                               By Phil Roberts
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