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"trundling" poems
A dandelion sits alone dreaming emotions that don't belong inside a flower's wilted heart A dandelion on it's throne sees a man trundling along and grabs him before the start A dandelion rips the bones from the man without qualm until his head is the last part The head falls upon a stone the flower knows it's all wrong the wilt covering it's heart and whispers slowly to itself: "She loves me not..."
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Aug 8, 2014
Aug 8, 2014 at 12:25 PM UTC
wildflower
Today heard I a train, while I smoke my cigarette, I heard a train. The rumbles came trundling over mossing steel street bars, the hooves of an iron horse shattering glass floors- pebbles bickering  like stone woodpeckers on the grounds to come. The wind shudders, and apologizes for the frost on the leaves, the cracks in the ground and the holes in the sky, my cigarette part blur, awkwardness so comfortable, this plastic train i recreate, moments in-between, where we lay down to day-listen. The kinsmen that forgot call blacksmith, scared with his welded skin, protection in battle, drunken dichotomy, a hero ***** dans l’amour. As great the fall of king, the fall of next in line. The only thing to have moved quicker with age, time. Lest we forget, the blacksmith here reside;(unfinished) While the angel hath walk, with long grey and black web moth wings, stalking its sleeping prey, his eyes wide open back, watching the angel pace, infesting the air with despicable knots, its dangerous to stare, but a contest never started is a contest never won, and into the eyes of hell the blacksmith hast stared- to the foot of his bed. Where a three headed dog flap its ice wings to keep hell cold. These nights in particular had been an awful one, and again the tapping, again the train.
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Nov 29, 2012
Nov 29, 2012 at 1:24 AM UTC
Blacksmith-
The spider Queen, aloofly vain! She rules a silent ruthless reign, with black-bead eyes like pearls of rain that damp the depths of her demesne. . . . A spider spins, with nimble feet, a sticky web of grim deceit that drapes the corners, dark, discreet, in catacombs of her retreat. Her jointed legs (in number, eight) traverse the threads with stilted gait, but often more she'll lie in wait within the hub of her estate. Shy spiders live their lives alone ensconced within a silky throne; unless a transient guest comes flown, their lives bide empty, monotone. . . Well, now and then, a sullen breeze may twitch the toils, begin to tease – yet nothing's caught and nothing pleas, so patience's bid at times like these. But then again, when stars ignite, may maunder by a gnat, by night, be taught a dance, a writhing rite, within a lace of death, wrapped tight. Sometimes a spider's in the mood and waits awhile, whilst being wooed – and then, to later feed her brood, the widow slays her mate for food. In time a spider dies, 'tis true, bequeathing but a residue entwined, devoid of retinue, in fibers decked in silver dew. . . . One asks "What purpose serves the GNAT – to feed and make the spider fat? Well, 'tis perchance just naught but that within a mindless habitat. . . "Yet, what's the aim?” you may inquire, “at the heart of MAN's desire. To which goals should WE aspire reaching high and reaching higher?" We've, through the ages, left the mire, trundling wheels and taming fire, doing deeds that must inspire, nursing needy, calming crier, … Such things as these, most may admire: - placid dove and war defier (some are bolder, some are shyer) - patience (mess-up mollifier); - humankind (Life's justifier) - charity (charmed self-denier) - tolerance (proud pacifier ) - love of Life (folk unifier). What more could we, as flesh, require? Needless kneeling neath the spire? Childish chanting in the choir? Preaching hell's impending pyre? No, Death's the only rectifier, comes the instant we expire, nothing after, sentience prior. So, treasure Life and don't deny Her.
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Oct 6, 2014
Oct 6, 2014 at 1:29 PM UTC
The Gnat
The spider Queen, aloofly vain! She rules a silent ruthless reign, with black-bead eyes like pearls of rain that damp the depths of her demesne. . . . A spider spins, with nimble feet, a sticky web of grim deceit that drapes the corners, dark, discreet, in catacombs of her retreat. Her jointed legs (in number, eight) traverse the threads with stilted gait, but often more she'll lie in wait within the hub of her estate. Shy spiders live their lives alone ensconced within a silky throne; unless a transient guest comes flown, their lives bide empty, monotone. . . Well, now and then, a sullen breeze may twitch the toils, begin to tease – yet nothing's caught and nothing pleas, so patience's bid at times like these. But then again, when stars ignite, may maunder by a gnat, by night, be taught a dance, a writhing rite, within a lace of death, wrapped tight. Sometimes a spider's in the mood and waits awhile, whilst being wooed – and then, to later feed her brood, the widow slays her mate for food. In time a spider dies, 'tis true, bequeathing but a residue entwined, devoid of retinue, in fibers decked in silver dew. . . . One asks "What purpose serves the GNAT – to feed and make the spider fat? Well, 'tis perchance just naught but that within a mindless habitat. . . "Yet, what's the aim?” you may inquire, “at the heart of MAN's desire. To which goals should WE aspire reaching high and reaching higher?" We've, through the ages, left the mire, trundling wheels and taming fire, doing deeds that must inspire, nursing needy, calming crier, … Such things as these, most may admire: - placid dove and war defier (some are bolder, some are shyer) - patience (mess-up mollifier); - humankind (Life's justifier) - charity (charmed self-denier) - tolerance (proud pacifier ) - love of Life (folk unifier). What more could we, as flesh, require? Needless kneeling neath the spire? Childish chanting in the choir? Preaching hell's impending pyre? No, Death's the only rectifier, comes the instant we expire, nothing after, sentience prior. So, treasure Life and don't deny Her.
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70
belaboring hurt-bells of twilight outside there is a furious wind sweeping the sour-faced pavement. the helm of the morning fits through the pinecones. through the dandelion, the diadem of some mystic flower, the flurry of children and the fury of the populace. i know whence the wind stirs cold flame from the many a dead stones, sequined floor and the dreary stillicide of night. our bodies rise to the sun that is a full woman or a ripe apple or a half-bitten moon in glare and when her lips purse there is pang in the wind that blows austere beneath the foot of hills in ruin. let the night come later than a bird's secret sojourn, or the cicada's enigma. let the cathedral of my heart quiver later than the unsheathing of the night's bone but in the twilight, when the skies are bruised with silence and somnolent without voice my hands shall leap into the wind and make do, the belaboring hurt-bells of twilight. no more than a crepuscular twining of a sad vine on a melancholy hymn that makes fuller with its tender maneuvers, the trundling in love's wearisome vessel.
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Sep 14, 2015
Sep 14, 2015 at 11:20 PM UTC
Belabouring Hurt-bells Of Twilight
For instance, recall daisies, or if you have not seen one, so much the better. Paint me a crass picture and sleep on the shallow crevasse. Stilt through the orchard and search there: nothing still. Even the nothingness is form-fitting, and thus, your vestigial image of daisies. Mold something out of the vacuity, and there a retrograde sculpture will wind back to clay. Cornerstones have your name, and your name even so, has taciturnly placed stones. Stones. These tiny bodies that lay, undemanding, scourged by the rapid passage of a carriage. I wait there, with them, still thinking of daisies. I know of a child, cylindrically obtuse, in front of the mirror. Have you seen yourself in the hazy windows of the Metro? What do you see? I still see daisies. Or people with heads of daisies. But remember your forethought of daisies? They are nothing. I am a beheaded daisy in the lackadaisical wind of Summer. There is nothing to gain here but the sadness of cold passing. And the child that I am speaking of, his name, Magno. Sturdy like the rucksack he’s carrying, lovelessly trundling altogether with the pipes and the handrails, almost signaling the alarm without warning. This uncared-for sultry evening decides to splinter itself against the masses. Again, the daisies appear to me, this time, in heady form rogue with peripatetic fragrance. Magno used to unearth daisies and give them to her mother when he was stiflingly young – he hustled through the carefully placed furniture. Whatever happened to him, I know not. And just like the daisies we have come to know now, trains that do not belong to anyone, and the daisies too, that go unheard of and unknown to the behest of the city, have gone into the subtle beginning of everything that once started in itself, the form of splendor. Nothing.
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Jan 27, 2016
Jan 27, 2016 at 3:27 AM UTC
A Poem About Daisies, Trains, and Magno
For instance, recall daisies, or if you have not seen one, so much the better. Paint me a crass picture and sleep on the shallow crevasse. Stilt through the orchard and search there: nothing still. Even the nothingness is form-fitting, and thus, your vestigial image of daisies. Mold something out of the vacuity, and there a retrograde sculpture will wind back to clay. Cornerstones have your name, and your name even so, has taciturnly placed stones. Stones. These tiny bodies that lay, undemanding, scourged by the rapid passage of a carriage. I wait there, with them, still thinking of daisies. I know of a child, cylindrically obtuse, in front of the mirror. Have you seen yourself in the hazy windows of the Metro? What do you see? I still see daisies. Or people with heads of daisies. But remember your forethought of daisies? They are nothing. I am a beheaded daisy in the lackadaisical wind of Summer. There is nothing to gain here but the sadness of cold passing. And the child that I am speaking of, his name, Magno. Sturdy like the rucksack he’s carrying, lovelessly trundling altogether with the pipes and the handrails, almost signaling the alarm without warning. This uncared-for sultry evening decides to splinter itself against the masses. Again, the daisies appear to me, this time, in heady form rogue with peripatetic fragrance. Magno used to unearth daisies and give them to her mother when he was stiflingly young – he hustled through the carefully placed furniture. Whatever happened to him, I know not. And just like the daisies we have come to know now, trains that do not belong to anyone, and the daisies too, that go unheard of and unknown to the behest of the city, have gone into the subtle beginning of everything that once started in itself, the form of splendor. Nothing.
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34
They huddle in the cold damp darkness grateful for the sheltering sandstone shuddering at each echoing blast a remorseless dull ache like their meagre rations eyelids shutting wrinkling between attacks seeking peace and inner sleepless solace. 'Them docks is taking a pasting.' 'Me Dad works there.' Another attack, tunnels rumble evoking century old echoes of rusty trundling drum-line wagons bearing sandstone blocks to build the docks now being blitzed blighting the night sky. The morning brings a dusty disquiet. Merseyside emerges curses soldiers on.
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Nov 1, 2015
Nov 1, 2015 at 10:42 AM UTC
The Tunnels of Runcorn Hill
Thrift Shop Confessional Old carts squeak down re-sale aisles "One of," "two of," Sometimes "three of" items Tempting treasure-sifting shoppers, Bargain-needing families, Women seeking up-brand names at low-brand prices... Our wives, followed by their husbands, Acquiescent, but quiescently seeking Seeking a thrift shop oasis. A cast-off dining set beckons, Sturdy enough, if a little battered, To make us solemnly content to wait Carted clothing trundling Off to fitting rooms. He shuffled up with a foolish grin. "I think I'll join this convocation of Waiting gentlemen. My wife is a shopper... She'll close the place down." I moved a chair and gave some space; Strangers become brothers in this place. Five minutes on, I knew he was a vet: Army, Vietnam Nam... "I don't like to think about it," Cleared his throat, "Never can forget." I turned to look at him. "A little girl came running, With her hand behind her back. She only stood this high," he said, And showed me with his palm her height, "They carried grenades that way... All of 'em...couldn't tell which ones... Sergeant told us, 'Don't ever check...just shoot.'" The voice trailed off.... I sat sweating in a thrift store, Captive of my own politeness, Half a century, Half a planet, Transported in his words into a soldier's Hell. "So I shot... Nothing else to do." Silence then. A total stranger staggering under the weight of having Murdered his Albatross.... Of having carried this thing, This memory, Inside him all these years, Of finding me, The unsuspecting thrift shop guest Who'd listen to his lonely tale, Perhaps so he could earn some rest.... I, his unwitting Confessor, Uncertain what to say, Certain something must be said... Certain nothing could be said... Sat dumb, but understanding The wisdom of confessional dividers, The private comfort of two booths Where prayerful exchanges Intersperse uncertain silences, Present in the overhanging need: Demanding sorrowful returns, Impending memories of sorrows... And lonely trudgings home.... (Connections with Fr. Laurence's "Riddling confession finds but short shrift," in Romeo & Juliet, and Coleridge's "Rime of the Ancient Mariner")
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Apr 7, 2013
Apr 7, 2013 at 5:39 PM UTC
Thrift Shop Confessional
Thrift Shop Confessional Old carts squeak down re-sale aisles "One of," "two of," Sometimes "three of" items Tempting treasure-sifting shoppers, Bargain-needing families, Women seeking up-brand names at low-brand prices... Our wives, followed by their husbands, Acquiescent, but quiescently seeking Seeking a thrift shop oasis. A cast-off dining set beckons, Sturdy enough, if a little battered, To make us solemnly content to wait Carted clothing trundling Off to fitting rooms. He shuffled up with a foolish grin. "I think I'll join this convocation of Waiting gentlemen. My wife is a shopper... She'll close the place down." I moved a chair and gave some space; Strangers become brothers in this place. Five minutes on, I knew he was a vet: Army, Vietnam Nam... "I don't like to think about it," Cleared his throat, "Never can forget." I turned to look at him. "A little girl came running, With her hand behind her back. She only stood this high," he said, And showed me with his palm her height, "They carried grenades that way... All of 'em...couldn't tell which ones... Sergeant told us, 'Don't ever check...just shoot.'" The voice trailed off.... I sat sweating in a thrift store, Captive of my own politeness, Half a century, Half a planet, Transported in his words into a soldier's Hell. "So I shot... Nothing else to do." Silence then. A total stranger staggering under the weight of having Murdered his Albatross.... Of having carried this thing, This memory, Inside him all these years, Of finding me, The unsuspecting thrift shop guest Who'd listen to his lonely tale, Perhaps so he could earn some rest.... I, his unwitting Confessor, Uncertain what to say, Certain something must be said... Certain nothing could be said... Sat dumb, but understanding The wisdom of confessional dividers, The private comfort of two booths Where prayerful exchanges Intersperse uncertain silences, Present in the overhanging need: Demanding sorrowful returns, Impending memories of sorrows... And lonely trudgings home.... (Connections with Fr. Laurence's "Riddling confession finds but short shrift," in Romeo & Juliet, and Coleridge's "Rime of the Ancient Mariner")
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70
Trundling through the loud clouds that barrage me with thunder. Pausing to smile at the lightning shuttering from the red-carpet-crowds. Tripping on the crimson rug as they capture my blunder. And smiling fake feelings, whilst thinking of you. You, with your unrequited commitment to critters. You, with your dedication to the unknown. **** you and only you. That's all I really wanna do.
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Apr 11, 2015
Apr 11, 2015 at 9:10 PM UTC
Hollywood
I've a song stuck in my head No words, but it's still there Trundling on with out a thought It's something I should share De da doodle la la de ding boo bar fiddle riddle king si saw be bop shhh shhh bing do waddle dip don boom There's no direction to where it goes It's a melody of sorts I've words a plenty, they don't fit I've just this thing and all its warts De da doodle la la de ding boo bar fiddle riddle king si saw be bop shhh shhh bing do waddle dip don boom I play nothing, but hear guitar some drums there in behind A backup singer singing loud And a bass to keep in time De da doodle la la de ding boo bar fiddle riddle king si saw be bop shhhh shhhhh bing do waddle dip don boom
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Jan 1, 2014
Jan 1, 2014 at 7:06 PM UTC
I've got a melody
Trundling through the Room of Word, The crude remarks and the young absurd, They come an go, no valedictory speech, Just to and fro, a vestige for each. So I sit and I stare, with a nihilist prayer, And I ***** my heart to the sticking place, Left alone in the quietude, left alone in a private mood, No crude remarks for a tired face. So I sit and I stare, yes, I sit and I stare,  screen boring me holes for eyes, I wait and I dare, my words in the air,  The atmosphere sets and dries -  The atmosphere sets and it dies. I'll wait there, 'do something, accompany me' I'll wait there, like waiting for a train. But once I've waited, no latened, loving response belated, I tire of this melancholy station, I'm alone in the Room 'o' Words, my company split to fifths and thirds, It's time for another, emotional vacation.
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Jul 10, 2012
Jul 10, 2012 at 3:58 PM UTC
Room o' Words
Sat upon the stone steps of my nanny's house, Reggae playing loudly in the street, The heartbeat of the people, The heart beat in my chest, Children with braided hair skipping in rhythm, The trundling bakery van drives up the hill selling loaves and rolls for a few cents, Aunties warm husky voice calling them for ices and mango, The clip clop of flip flops and the jingle of beads mixed with laughter, Brilliant white teeth, Wide dark eyes, A sea of noise, constant noise, In a city, in London, this would be infuriating, And yet all I feel here is happiness.
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Jan 22, 2014
Jan 22, 2014 at 3:21 PM UTC
Vieille Case, 1998
Winging ponderously through the grey tortured sky, A crane makes its way to its homeland. Lightening blazes illuminating with weird yellowness Torrents of storm rain plunging earthward. There, sighted below, a car trundling through the downpour Yet another traveler homeward bound.
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Jan 16, 2011
Jan 16, 2011 at 11:05 AM UTC
Homeward Bound
I am thinking about newly-hatched sea turtles, and about how perfectly formed they are. And about how, with independent instinct, they head straight for the open ocean. In our dream worlds, where convention holds no sway, we do the same. Left to our own unencumbered instincts, and when we are rested and happy, we make choices that nourish our souls, and the souls of those around us. Finding a point of origin, and finding where we belong, are two sides of the selfsame coin. Trundling into the sea of our own authenticity may seem too simple, lacking in choice. It is our bravest, most definitive act. As vital to our real survival, as to those tiny beings, who innocently do as they must.
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Oct 5, 2015
Oct 5, 2015 at 8:36 PM UTC
Born Into The Sea
Lovely skies Dark with clouds and rain Leaden skies Lead, Pb, Plumbum Flat diffuse light, photographer's dream Latin 4 lead = plumbum We plumb our psychic oceans' depths, as the sailors did With lead on their sinker lines We plumb our depths if we choose When we are earnestly explorative Reflecting, meditating, in our psychic plumbing Pb: the ugly duckling brother of glowing gold Au of the aura Aurum Both are soft, malleable, unassailable, & so helpful Gold like Thor the glowing hero, lead like Vulcan the sooty artificer We have made one the hero, and misused, Demonized, besmirched the metal lead Is it lead's fault we have put it in our paint, our gas? That we made it accumulate in our fish, like fools? Without lead, your car would not start Imagine going on your trips on a mule Or trundling down the road in an ox cart Do not denounce lovely lead Gravid, protector, quiet engine starter Gently available to you to plumb your depths Before your chapter's demise Leaden skies Lovely skies Gravid with rain Keep me grounded, serene and sane
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Apr 3, 2015
Apr 3, 2015 at 2:52 PM UTC
Untitled
Thursday morning and I board the Preston train, a dumpy DMU, but less of a cattle-truck today. Over the bridge or beneath lines to Platform 5 to wait: Branson's Scarlet Pendolino will glide in soon bound for Birmingham - wonder who I shall meet and share travelling moments with ? At the caverns of New Street I must wend to Moor Street and a Chilterns train trundling me south for Warwick's 1,100th. birthday weekend and 100 years since trains of Lancashire PALS cattle-trucked themselves to Flanders fields never to return. (c) C J Heyworth June 2014
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Jun 4, 2014
Jun 4, 2014 at 11:47 AM UTC
Warwick Words
Her wide-brim hat was pointed, and worn with ne'er a tilt Her midnight robe was flowing, and wove from satin silk Her Besom broom was hazel-hilted, twigged with fresh cut birch As she flew o'er the hill, until she spied a rocky perch The hill was trapped in moons light, caught in its silken nets And grizzled trees were swaying casting eerie silhouettes A howling wind came moaning, as it wailed a haunting sound When her swishing broom came whooshing, as she swept o'er the ground She alighted on the hill top, landing dainty on her toes And took a tattered grimoire which she held up to her nose She raised a magic talisman and cast an ancient spell Then she waited through the gloaming, till midnight chimed its bell The hill stood gravely silent, as the wind restrained its breath The grass and flowers wilted and released their scent of death The shadows neath the trees became alive and took on shape And ghostly figures rose, as Hallows Eve called them awake The sounds of horse drawn carriages, came trundling up the hill Whilst babbling jeering voices exorcised the silent still A sudden gust of wind called out the names of those condemned Each manacled and chained up, as they rode to meet their end As time echoed its memories, she watched the scene unfold The victims forced unwillingly, to climb upon the scaffold Some offered up the Lord’s Prayer, and ne'er a word was stumbled They took a final breath of life, and into hell they tumbled Their bodies swung ungainly, as they swayed a ghastly dance With lifeless spectral faces locked into a stone-like trance Their deathly shrouds were pale, reflected in moons silken sheen And she watched as they cavorted, ne'er attempt to intervene They slunk back into shadows, at the fading of the night The hill reprieved from darkness by the early morning light The ritual was completed, as she whispered them goodbye And she climbed onto her hazel broom and kicked into the sky On Gallows Hill neath stars and moon they hung And ne'er a one had done the world a wrong
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May 9, 2014
May 9, 2014 at 9:18 PM UTC
Upon The Hill
Her wide-brim hat was pointed, and worn with ne'er a tilt Her midnight robe was flowing, and wove from satin silk Her Besom broom was hazel-hilted, twigged with fresh cut birch As she flew o'er the hill, until she spied a rocky perch The hill was trapped in moons light, caught in its silken nets And grizzled trees were swaying casting eerie silhouettes A howling wind came moaning, as it wailed a haunting sound When her swishing broom came whooshing, as she swept o'er the ground She alighted on the hill top, landing dainty on her toes And took a tattered grimoire which she held up to her nose She raised a magic talisman and cast an ancient spell Then she waited through the gloaming, till midnight chimed its bell The hill stood gravely silent, as the wind restrained its breath The grass and flowers wilted and released their scent of death The shadows neath the trees became alive and took on shape And ghostly figures rose, as Hallows Eve called them awake The sounds of horse drawn carriages, came trundling up the hill Whilst babbling jeering voices exorcised the silent still A sudden gust of wind called out the names of those condemned Each manacled and chained up, as they rode to meet their end As time echoed its memories, she watched the scene unfold The victims forced unwillingly, to climb upon the scaffold Some offered up the Lord’s Prayer, and ne'er a word was stumbled They took a final breath of life, and into hell they tumbled Their bodies swung ungainly, as they swayed a ghastly dance With lifeless spectral faces locked into a stone-like trance Their deathly shrouds were pale, reflected in moons silken sheen And she watched as they cavorted, ne'er attempt to intervene They slunk back into shadows, at the fading of the night The hill reprieved from darkness by the early morning light The ritual was completed, as she whispered them goodbye And she climbed onto her hazel broom and kicked into the sky On Gallows Hill neath stars and moon they hung And ne'er a one had done the world a wrong
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34
Piercing the shrouded sky They fight against surrounding black: Like flowers breaking through sidewalk cracks, The light seeps through the darkness. Between the leaves The stars reach for the eyes… But now thought reaches away: I escape myself through abstraction As the past violently asserts itself: Remembrance induced by a careless focus On a memory flowing from a present vision: The tree now Clothed in leaves Beckons forth remembrance: *Autumn leaves, Trundling into legs only to move past As they ride the restless winds Whispering their own poems Of meaning only experience could collect… They rush Through fallow ditches And enclosing brush which Form a pattern around The tree that beckons forth - With disrobed branches glistening White under stars, Dampened by the still-settling dew- A Self-realization that obliterates all boundaries And encompasses no thoughts, but the One which gives them: The One which gives a breath Held together by the moments Which trail the first puff of white that joins the airs that wrap themselves around the tree reaching up to the stars which do not reflect the one who sees them but give the light towards which thought now reaches.* All these memories induce The longing to feel the openness No words could possibly posses As slowly the months fade Into the dissolving moments it takes For the eyes to reach up to the light.
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Oct 11, 2011
Oct 11, 2011 at 6:06 PM UTC
I Am What I Am
On the road Through many a town Resting our heads Laying down Touring the world Trotting the globe Getting there via transport Be it any mode. Slow through the mountains Fast past the fields Trundling along country lanes Winding round hills Kicking up rubble Spitting out fumes Burning up rubber From sea to sand dunes Sights to be seen Sounds to be heard Places to be visited Languages to be learned Culture to be drowned in History in which to basque Food to be tasted Wines to be quaffed Seas you can swim in Churches in which to pray Beaches where it's possible to spend all of your day Sweat it out in the Sahara Freeze to death in the Arctic Get bitten to high heaven but you can get past it. On the trip of discovery The experience shall last Till the end of forever Until your last gasp.
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Feb 14, 2013
Feb 14, 2013 at 3:26 PM UTC
Unnamed poem
Wrought from the depths of a wound not at all neglected by the surreal anger of the earth, a cold construct comes to life. Its steps are pressed into the orange sand inches ahead of where its foot falls and it heaves itself through the cycle of animation and fabrication. Why am I- The cosmos are cruel indeed. Every cycle brings forth a new inquiry, a new level of hell as fluctuating as the wavelengths shared between the sea and the shore. The ocean floor was in a curious juxtaposition of lost sea gods and sunken ships. Trundling alone across the ocean floor had granted it a metaphor of unfathomable depth. As it looked towards the pillars above, tendrils of dark breached the cracked stones around it, allowing the shadows to creep across the luminous grounds feeding the premonitions of doom that echoed from beyond the rocks. For what purpose does- Immortality is despair. To exist as something that time can touch must be beautiful. Grief ridden and slowly being crushed by a perennial execution, the spawn of malicious intent and a sense of retribution is slowly being coerced into the tendrils of the outside. With each step, the opalescent figurine melded into its chest grows brighter, as if drawing power from the prospect of reaching home.
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Aug 26, 2013
Aug 26, 2013 at 4:55 PM UTC
Hearthstoned
The owls line up in the vicinity, the street lamps switch on; traffic trundling by with homeward bound hungry crowds. The kitchens hives of domestic industry as broadcasts prepare to invade the living rooms of the temporary retired. Night falls.
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Jul 3, 2010
Jul 3, 2010 at 6:52 AM UTC
The owls line up
I read this poem once that said if you run fast enough you can leave your loneliness behind Yet sometimes trundling along some winding country road,where the power lines split the night sky into sections and the fog blurs and obscures all the other cars so just the headlights cut through the dark,you suddenly find your loneliness sitting next to you in the car.)especially if you have sad music on.Loneliness finds you in the oddest places,doesn't it?at parties,when you sit against the wall and break away from the hubbub of people.in a car with your family.public places,just walking around watching people.)But sometimes I find trees are better than people.sometimes books make good companions.sometimes the loneliest places are the most beautiful.I don't know;that's how I feel sometimes.I don't know about you. I don't even know your name.(but--and I know this sounds cheesy--maybe we can be lonely together,and suddenly realize the other is lonely,too,and wonder where the other person is in this strange lonely world.
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Mar 4, 2016
Mar 4, 2016 at 6:59 PM UTC
love letter to a lonely stranger
I take a pill each morning-- "to keep the madness away," declared the doctor, her tone clinically nonchalant as she handed to me a prescription for small, white tablets that leave a bitter chalkiness in your mouth when you've left them on your tongue for too long before swallowing. But there is only so much modern-day pharmaceuticals can remedy. Sometimes, I can still hear her, you know-- sweet. lost. mad Alice scratching at the tessellated patch-work of my psyche. I can still feel her as my fingertips flit across the liquor bottle-- "Drink Me," it murmurs. Curiouser & curiouser I become with every shot. When the room starts lurching, when I am too dizzy to stand, I close my eyes only to find that the world is still spinning. Or perhaps I am just falling. Yes, D    O        W             N the rabbit hole I go. And, as I plummet, the phosphenes of colour behind my eyes transmute into the most peculiar images: a mercury-tainted top hat encompassing the harlequin countenance of a man as crazed as I; the trundling wings of a Jabberwock and the heaving snout of a Bandersnatch; a pocket watch, its face lustrous and encrusted with Jadestone-- "Time. It's time!" it chimes. "Time for what?" exclaims the girl in the periwinkle petticoat (she appears simultaneously excited and terrified by the impending chaos). "Bloodshed," reckons the squire of the pocket watch-- the March Hare, a grisly little thing in a tattered waist jacket. "Bloodshed, bloodshed, off with her head!" And that girl in periwinkle? Why that girl is me, and the Queen of Wonderland has dealt her cards-- she'd like my head (and my heart). But sweet. lost. mad Alice has a trick of   her own to deal-- a Wild Card tucked beneath her sleeve. She is capable of imagining at least six impossible things before the high is over, you know. All it takes is a simple flutter of an eyelash and then, gripped between her fingers, appears a substance foreign to Wonderland-- *** "Bottoms up-- for with this, I shan't feel a thing," she surrenders. "What?" roars the queen upon her arrival. "You will not fight? Why, you must be mad!" "Haven't you heard?" replied Alice. "All the best people are-- Cheers."
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Oct 7, 2018
Oct 7, 2018 at 2:32 PM UTC
Requiem for Wonderland (Drink Me)
I take a pill each morning-- "to keep the madness away," declared the doctor, her tone clinically nonchalant as she handed to me a prescription for small, white tablets that leave a bitter chalkiness in your mouth when you've left them on your tongue for too long before swallowing. But there is only so much modern-day pharmaceuticals can remedy. Sometimes, I can still hear her, you know-- sweet. lost. mad Alice scratching at the tessellated patch-work of my psyche. I can still feel her as my fingertips flit across the liquor bottle-- "Drink Me," it murmurs. Curiouser & curiouser I become with every shot. When the room starts lurching, when I am too dizzy to stand, I close my eyes only to find that the world is still spinning. Or perhaps I am just falling. Yes, D    O        W             N the rabbit hole I go. And, as I plummet, the phosphenes of colour behind my eyes transmute into the most peculiar images: a mercury-tainted top hat encompassing the harlequin countenance of a man as crazed as I; the trundling wings of a Jabberwock and the heaving snout of a Bandersnatch; a pocket watch, its face lustrous and encrusted with Jadestone-- "Time. It's time!" it chimes. "Time for what?" exclaims the girl in the periwinkle petticoat (she appears simultaneously excited and terrified by the impending chaos). "Bloodshed," reckons the squire of the pocket watch-- the March Hare, a grisly little thing in a tattered waist jacket. "Bloodshed, bloodshed, off with her head!" And that girl in periwinkle? Why that girl is me, and the Queen of Wonderland has dealt her cards-- she'd like my head (and my heart). But sweet. lost. mad Alice has a trick of   her own to deal-- a Wild Card tucked beneath her sleeve. She is capable of imagining at least six impossible things before the high is over, you know. All it takes is a simple flutter of an eyelash and then, gripped between her fingers, appears a substance foreign to Wonderland-- *** "Bottoms up-- for with this, I shan't feel a thing," she surrenders. "What?" roars the queen upon her arrival. "You will not fight? Why, you must be mad!" "Haven't you heard?" replied Alice. "All the best people are-- Cheers."
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It must be nearly four on this side of the road. With a great touch of import, Trundling through the semi-wet And gazing at the flints refracted in sod. A few meters across and there is succor, There is warmth, where the earth is Turned fresh. Very little keeps me thus From that solid solid open door. Still, I should be a fool to with a one Hand cast resolve into the nighted water Of the soul and with the other Craft the very means for its Exhumation. As I turn around I close The door and shamble into dawn.
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Mar 5, 2011
Mar 5, 2011 at 8:16 AM UTC
Escape on Junction Four
Epitaph (by KT) 19 September 2012 at 12:11 Write me a poem. Use the words you were born with, The words you grew up with, The words you speak everyday of your life. Don't bring me a rose from a garden you did not grow. Better the thick green stalk of a **** Grown wild and unbidden Behind the steps of your back porch. Better a handful of parched grass Plucked fitfully from your own lawn. Write me a poem And let me hear your voice. Unsmooth, raucous, Irritating as the sound of a rusty tricycle trundling by. Let me see your face. Scarred and uncared for, Unwashed and unshaven, Tender and sad. Write me a poem And deliver it to my mossy grave With a ragged bunch of flowers Planted and picked by your hand And read me your words. I WILL LISTEN. And beneath the earth And upon the winds And across the seas I will sound my applause In the song of the tiny sparrow As she flies forever home.
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Sep 23, 2016
Sep 23, 2016 at 2:44 PM UTC
Epitaph
Street lights shift in tandem, Flickering rhythmically Sputtering small halos of safety Bleached, cracking pavement devoid of fellow travelers, and subsequent passengers I devour dotted lines, The speed of light no longer constant. I allow heavy lids to fall without much hesitation. Feel the road sway beneath I above, disconnected, yet grounded still. Oil atop water; Disharmonious cohabitants Consistency is lost. I pretend time moves as I please With or without me I begin to count One Testing preservation, Instinctual construction of survival. Two How long can I trust touch to keep the course Three Can distance be anticipated without visual stimuli? Four I feel the whir of the engine, obediently churning Five hear the wind whipping defying my wish for silence slipping through the back window Six This is bliss. I swim envisioned oblivion Seven I should open my eyes Eight Reality in motion - time makes me queasy. Nine Sight returns. I stop counting. Safe, trundling on I slide silently down 48. December 12, 2016
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Feb 5, 2017
Feb 5, 2017 at 9:21 PM UTC
Night Rider