I’ve been conditioned
like freshly washed hair
for years
do not offend
unless the end of the sentence is “im sorry”
let the shoes and boots and heels of many make indents on you
like blueprints of demurity swaddled in insecurity
kept alive by the blurry ideas i once held about femininity
because i couldn't be a girl if the words that flew from my chords
were anything but rosy
ring around the Josie, pockets full of suppose he was to compliment your ****
when walking down a thorough-fair
busy people back and forth and grandmas with wrinkled sweaters
thank you
muttered from chapped lips and an even more chapped psyche
why must i keep my wits about to not risk making him angry
that was not complimentary but i am fearful he might spit my words back onto me
in the form of fists and slurs and honestly
im tired
of being the sidewalk beneath the feet of creeps
i am the sky and the trees and the moon
but i do not speak with the wisdom of travelling seeds
i speak with the warmth and subtlty of freshly microwaved milk
like soft silk i wish i could tatter
i wish venom soaked words could be spit in response to your “compliments”
but i would rather let you diminish me for the few moments it takes to objectify me
than to risk angering your inner beast and suffering the consequences of meninism or masculinism
whatever the word is this week
i will not be another number
ink soaked paper red with the monthly bloodshed of the sisters
every second is another unspeakable act
i see women
with tongues as round and large as planets
and tonsils the size of solar systems
birthing new galaxies in the words they speak
and shooting comets like fiery ***** of comebacks
when that slack-jawed fool sat and wished and drooled
into his monthly issue of mens rights magazine
she tore down the even minuscule belief he could have had that he had the right to comment on her body
in three seconds his pride, and entitlement
shifted into shame
and embarrassment
and i envy these women
because the only time i can take back my power
is when i am standing in front of a room
speaking rhymes and metaphors preaching independence and strength
to a group of people who now think i am a hero
i am not a hero
i put my shoes on one foot at a time
and i still manage to forget a couple days of birth control here and there
and i cant stand up for myself
in the moments after an attack i retreat into my latte and pray today will not be the day the male dominated society takes my power away
because i am small
and though i am growing every day
i still can only pray
that one way or another
i will be able to be as strong a woman as my sisters
my mother
and take back my power
and speak not with the beauty of a flower
but with the sharpness of a bumblebees sting
and one more thing
your compliments
are not complimentary

SAILING TO BYZANTIUM
I

THAT is no country for old men.  The young
In one another's arms, birds in the trees
-- Those dying generations -- at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
Once out Of nature I shall never take
My ****** form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.

WHAT shall I do with this absurdity --
O heart, O troubled heart -- this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible --
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs.  French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day --
Music had driven their wits astray --
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards --
O towards I have forgotten what -- enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous.  half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs.  French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country *****.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost.?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.

III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse --
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come --
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -- .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
THE TOWER
I
HDRWHAT shall I do with this absurdity --
O heart, O troubled heart -- this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible --
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs.  French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day --
Music had driven their wits astray --
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards --
O towards I have forgotten what -- enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous.  half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs.  French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country *****.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost.?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.
III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse --
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come --
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -- .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.

Somebody is shooting at something in our town --
A dull pom, pom in the Sunday street.
Jealousy can open the blood,
It can make black roses.
Who are the shooting at?

It is you the knives are out for
At Waterloo, Waterloo, Napoleon,
The **** of Elba on your short back,
And the snow, marshaling its brilliant cutlery
Mass after mass, saying Shh!

Shh! These are chess people you play with,
Still figures of ivory.
The mud squirms with throats,
Stepping stones for French bootsoles.
The gilt and pink domes of Russia melt and float off

In the furnace of greed. Clouds, clouds.
So the swarm ***** and deserts
Seventy feet up, in a black pine tree.
It must be shot down. Pom! Pom!
So dumb it thinks bullets are thunder.

It thinks they are the voice of God
Condoning the beak, the claw, the grin of the dog
Yellow-haunched, a pack-dog,
Grinning over its bone of ivory
Like the pack, the pack, like everybody.

The bees have got so far. Seventy feet high!
Russia, Poland and Germany!
The mild hills, the same old magenta
Fields shrunk to a penny
Spun into a river, the river crossed.

The bees argue, in their black ball,
A flying hedgehog, all prickles.
The man with gray hands stands under the honeycomb
Of their dream, the hived station
Where trains, faithful to their steel arcs,

Leave and arrive, and there is no end to the country.
Pom! Pom! They fall
Dismembered, to a tod of ivy.
So much for the charioteers, the outriders, the Grand Army!
A red tatter, Napoleon!

The last badge of victory.
The swarm is knocked into a cocked straw hat.
Elba, Elba, bleb on the sea!
The white busts of marshals, admirals, generals
Worming themselves into niches.

How instructive this is!
The dumb, banded bodies
Walking the plank draped with Mother France's upholstery
Into a new mausoleum,
An ivory palace, a crotch pine.

The man with gray hands smiles --
The smile of a man of business, intensely practical.
They are not hands at all
But asbestos receptacles.
Pom! Pom! 'They would have killed me.'

Stings big as drawing pins!
It seems bees have a notion of honor,
A black intractable mind.
Napoleon is pleased, he is pleased with everything.
O Europe! O ton of honey!

I

Our ****** dreams, all seedless in the light,
Of light and love the tempers of the heart,
Whack their boys' limbs,
And, winding-footed in their shawl and sheet,
Groom the dark brides, the widows of the night
Fold in their arms.

The shades of girls, all flavoured from their shrouds,
When sunlight goes are sundered from the worm,
The bones of men, the broken in their beds,
By midnight pulleys that unhouse the tomb.

II

In this our age the gunman and his moll
Two one-dimensional ghosts, love on a reel,
Strange to our solid eye,
And speak their midnight nothings as they swell;
When cameras shut they hurry to their hole
down in the yard of day.

They dance between their arclamps and our skull,
Impose their shots, showing the nights away;
We watch the show of shadows kiss or ****
Flavoured of celluloid give love the lie.

III

Which is the world? Of our two sleepings, which
Shall fall awake when cures and their itch
Raise up this red-eyed earth?
Pack off the shapes of daylight and their starch,
The sunny gentlemen, the Welshing rich,
Or drive the night-geared forth.

The photograph is married to the eye,
Grafts on its bride one-sided skins of truth;
The dream has ****** the sleeper of his faith
That shrouded men might marrow as they fly.

IV

This is the world; the lying likeness of
Our strips of stuff that tatter as we move
Loving and being loth;
The dream that kicks the buried from their sack
And lets their trash be honoured as the quick.
This is the world. Have faith.

For we shall be a shouter like the ****,
Blowing the old dead back; our shots shall smack
The image from the plates;
And we shall be fit fellows for a life,
And who remains shall flower as they love,
Praise to our faring hearts.

I have enough treasures from the past
to last me longer than I need, or want.
You know as well as I . . . malevolent memory
won't let go of half of them:
a modest church, with its gold cupola
slightly askew; a harsh chorus
of crows; the whistle of a train;
a birch tree haggard in a field
as if it had just been sprung from jail;
a secret midnight conclave
of monumental Bible-oaks;
and a tiny rowboat that comes drifting out
of somebody's dreams, slowly foundering.
Winter has already loitered here,
lightly powdering these fields,
casting an impenetrable haze
that fills the world as far as the horizon.
I used to think that after we are gone
there's nothing, simply nothing at all.
Then who's that wandering by the porch
again and calling us by name?
Whose face is pressed against the frosted pane?
What hand out there is waving like a branch?
By way of reply, in that cobwebbed corner
a sunstruck tatter dances in the mirror.

Leningrad, 1960

This is the time lean woods shall spend
A steeped-up twilight, and the pale evening drink,
And the perilous roe, the leaper to the west brink,
Trembling and bright to the caverned cloud descend.


Now shall you see pent oak gone gusty and frantic,
Stooped with dry weeping, ruinously unloosing
The sparse disheveled leaf, or reared and tossing
A dreary scarecrow bough in funeral antic.


Then, tatter you and rend,
Oak heart, to your profession mourning; not obscure
The outcome, not crepuscular; on the deep floor
Sable and gold match lustres and contend.


And rags of shrouding will not muffle the slain.
This is the immortal extinction, the priceless wound
Not to be staunched. The live gold leaks beyond,
And matter’s sanctified, dipped in a gold stain.

I Love Pie & You Sweetie Pie!


I Love Pie & You Sweetie Pie



Love pumpkin pie its so good
Awe taste just like it should

Love lemon pie with a
touch of ****
Love it deep down in my
heart

I love jello pie it's
so sweet
The way it wiggles
it's so neat!

Love pie of banana cream
And chocolate is my dream

I love blueberry too
It's so good & blue

I love BlackBerry too awe
so sweet and black
Pick em right off the vines
and put em in a sack

I love apple pie topped
with cheese
Oh and make that a scoop
of val ice cream please

Oh and also the Apple Dutch
Oh how I love it so much!

Custard Boston and
Zesty Lime,
Whip Cream Humble and
Rhubarb all the time!

Quick Set Frozen Cream
Pie and Oreo Cookie Crust
Sweet Tatter and Velvet
Turtle Now that's a must!

But my favorite pie
of all is true
That's my favorite pie
"Sweetie Pie" it's you!


WrittenBy:BarbieKirk
11-24-14 5:09am

www.allpoetry.com/RainbowBlessings





© Barbie Kirk . All rights reserved, 16 hours ago

The titter tatter on the rooftop tells me a story.
The humming birds sing me a lullaby.
The flowers blooming show me beauty.
The raindrops on the window explain life.
And the tears on the ground hide behind the rain.

I hit a mosquito using my head
It's no big deal
The mosquito was a nuisance
So my head will fit the bill
My head is decorated in red
Due to the blood that splattered
I never knew that a head
could make a mosquito's body tatter

Now I grasped the full definition
To use your head in every situation
My hands were forging art
so I couldn't separate them apart
So a head of mine will do
"Take that mosquito, f@#k you!"
So, that's the end of it
"This incident will make a great poem", I think

Thus a whimsical tale between me and you
And yeah, it is true.

That is no country for old men. The young
In one another's arms, birds in the trees -
Those dying generations - at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.

An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.

O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.

Once out of nature I shall never take
My ****** form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.

I will not let the blood of my ancestors
to be shed in vain
Where they have fought for our freedom
yet my generation are quiet

I will not let westernization
ruin my soul and tatter my traditions
I will not let the westernized beauty
blind me from my culture’s beauty

I will not let the blood of my ancestors
to be shed in vain
Where they have fought for the earth that is now free
the earth where my soul thrives on

I will not let the television
brainwash my perception of spirituality and religion
to make me question that who I am
is wrong

I will not let these white-washed books
to create gaps in my history
I will not let the blood of my ancestors
to be shed in vain

City slickers born to tumble
will never make your mountain rumble,
take me to the parts that matter
in amongst the titter tatter
the coffee table ilks and dramas
cotton caftans and silk pyjamas
humming cars that cough and splutter
silver coins lost in the gutter
tabloid men in sharp pressed suits
trample down the fallen fruits
nothing sacred in this old town
except a peptic ulcer and a furrowed frown.

(Scene:)
The Victorian house painted brown with red shutters, a porch that’s large, a white porch swing and a purple rocking chair on this porch. Where grandmother Daisy may sit when the day is sunny or rainy. The house is on a side street covered up and down with trees so green that even in the coldest weather the leaves look as if they are still blooming. This place is called Applewood Road. To see the dark black paved road late in the fog covered night, there is a bright Victorian street lamp. A woman named Daisy the granddaughter of Nelly, who has spent most of her life going to college and having to struggle with learning and finding a place to belong.

Lawyer: writing to Nelly telling her of her grandmother’s death. Giving her news that all her grandmothers’ assets and property are hers.

Nelly: realizing she does not need to stay at college.

(Narrator):
  Due to this unexpected news Nelly has decided to quit college and move to her grandmother’s place. When she gets there she sees that on this property there is the house and a smaller building that could be turned into something else, so she decides that she will as the new owner opened an herb shop called Crystal Fairy.

Nelly: [places fliers around the town.]  I will be open for ten hours every day at Crystal Fairy selling my plants and herbs.

(Narrator):
This being Nelly’s first day opening her business, she sees that she only has three customers.
Enter Lorelei: she brings her purchase up to the counter

Nellie: oh, lavender! Do you know the properties?
Lorelei: I just saw it and the smell reminded me of a perfume my mother wears. Why is it useful for something else?

Nellie: yes!  It helps with cuts, bruises, and also functions as an antiseptic.

(Narrator): Ollie enters the store. Looking around at the plants.
Ollie: looking at the lemon balm plant. I think I’ll buy this one, going to counter.

Nelly: you wish to buy this?

Ollie: yes!

Nelly: Very well. Do you have any questions about the plant?

Ollie: yes I do.  What are its healing properties?

Nelly:  it helps with anxiety, insomnia, wounds, insect bites, and an upset stomach. It also speeds the healing of cold sores,

(Narrator):
In the back on the far left side of the shop there is an older man wearing plain black pants with a red shirt; he is looking at the plants on the shelf to his right. His name is Samael. He turns around and looks in Nelly’s direction.

Samael: this plant called chamomile what are its properties for healing?

Nelly: Samael this plant can be used for infusions and salves to relieve indigestion, colic, skin inflammations or irritations to the skin.

(Narrator):
Samael turns away because he sees the other patrons waiting to pay their bills and wanting to leave. Knowing soon that he will be all alone in the store with Nelly you can feel the tension building from him and the excitement rapping its way around his mind because of what he is thinking about. Just at this moment Samael plans out his plot to ****** Nelly. Samael looks around to see what he can use as his ****** weapon, he finds a heavy ceramic-clay bowl that he intends to use. To hit Nelly over the head. He makes sure the store is empty and that Nelly has her back turned so he can lock the door. Once the door is locked he pulls down the window shades. Once this is done he turns in her direction while her back is still turned.

Samael: [hitting nelly over the head]

Nelly: ouch!

(Narrator):
She falls to the floor!  Samael starts talking loudly.

Samael: I’m going to rip her blouse and jeans apart.

Samael: [Tatter… rip………]

(Narrator):
He wants to show her how much he loves her and to show her that ignoring him and his presents will only ensure their relationship.
Nelly: [staring at him with utter fear].

Samael: [he pulls a blade out from the back counter and puts it to her face].

Samael: I’ll cut your pretty face then no one will want you or look at you. You will have to come to me for comfort I’m the only one who will understand.  

(Narrator:)
Nelly looks up at him crying and pleading for him not to hurt her, that she does not even know him so what could he be talking about? Suddenly Samael reaches for her and strikes out at Nelly’s face, leaving a bruise that causes her to scream out in pain.

Nelly: [ouch!] Please don’t no more.

(Narrator):
There is a sudden silence as Nelly realizes that Samael is crazy and nothing she says or does will make a difference. As Nelly remains on the gray tile floor of her shop with Samael hurting her, she gets a sudden burst of energy, and she starts to fight him to break his hold over her.
Nelly: looking around where she lays for something to use as a defensive weapon.  That will allow her to free herself, to get to the green wooden door of her shop.

(Narrator):
Seeing a statuette of a flower in a *** Nelly grabs for it. She slams it into Samael’s face. Gaining her feet, she runs to the door trying to open it in order to scream for help.

Nelly: [screaming at top of her lungs].

Nelly: [ha………]

Nelly: help! Help! Somebody help me please!

(Narrator):
Samael stopping her, throwing her hard against a red wooden shelf. Then taking this same statuette he hits her even harder than before, only to realize that he has just killed her. The sound of Nelly’s fall so close to the door causes the neighbors near her property to turn the lights on in their homes.

(Narrator):
Samael: [seeing the lights turning on in the neighborhood becomes scared. Running for the metal door in the back of the store, he takes off down a dark alley way. Just as this happens, Lorelie, a neighbor and friend, opens the store’s front door. Coming inside, she steps forward to turn the store lights on. Suddenly seeing Nelly’s body lying on the cold tile floor with her head smashed in, her body at an odd angle because of the way she is laying and blood pooling around her, she also sees strange foot prints that don’t belong, and then she screams.]

Lorelei: oh! Oh my god! Oh what has happened?

(Narrator):
Lorelie’s screams cause Ollie, who lives across the street, to come running over to the store. When he gets to Lorelie’s side he sees what’s wrong and starts looking around trying not to disturb anything. As he is looking around trying to find out what has happened to Nelly he turns to Lorelei.

Ollie: Lorelei call detective Walter he will help find Nelly’s murderer

Lorelei:  pick up the phone calls detective Walter

(Narrator):
Ollie continues looking around the store. He finds the ceramic-clay bowl broken, and the statuette believing that in some way they are the answers to Nelly’s death or at least a start. Turning back towards Lorelie, he sees that Walter is coming up the street with Beatrice, his partner. Ollie goes outside to meet them. The detectives come into the store called Crystal Fairy, seeing the dead body of Nelly. Like Ollie, Walter starts looking at the scene around him noticing specific things. The turned over book case, the broken bowl, and the busted statuette, but most of all the back door gets his full attention because that’s where the ****** footprints lead. Leaving Beatrice behind to ask questions

(Narrator): enters Walter

Walter: [following these footprints outside and down the back alley. These prints lead him to a house’s back porch. There he sees more ****** prints and comes to the idea that the person who is responsible for Nelly’s death is inside.]

Walter: going into house [squeak- silent slam]

(Narrator):
Inside the house looking around, listening for any sounds and sudden movements. A sudden sound catching his attention, he looks up to see a cat jumping from a window.

The cat: [thump, bang thump again]

Walter: [making his way down the hallway and up the stairs, sees a door to his left with lights on.  It opens with a slam.]
Sound of door: [crash…]

(Narrator):
Samael rushing out at Walter with an iron bar.

Samael: [swinging the bar. [Swish……..] missing]

Walter: [stepping back, moving out of the way].

(Narrator):
This causes Samael to stumble and fall down the stairs, crashing to the bottom.

[Enters Beatrice]
Beatrice comes through the front door she sees Samael and goes to check him out. Walter and Beatrice pick him up off the floor, waking him up; this causes him to start confessing to what he has done.

Samael: [tells them that he was only trying to show his love to Nelly, but that she wouldn’t listen and thus he had to **** her so he could have her to himself. He didn’t want anyone else to love her or for her to love anyone else either].

(Narrator):
The detectives hearing this confession look at Samael completely surprised that he would confess so easily and without having to be drilled about the truth. But what gets their attention is how he confesses.

Samael: I love her; she would not see me or love me back. I just want her to see me.

Beatrice: So you frighten her and torture her, then **** her.

Walter: Beatrice, he’s crazy can’t you see that. We’re wasting time.

Beatrice: I know he’s crazy. I just feel sad that he could be so stupid and think that killing someone shows feeling for them. Poor woman, she was so young.

Walter: From what I could get from the neighbors, Nelly had just moved here after her grandmother’s death due to inheriting everything. Her life was just getting stated.

Samael: I love her; I’m the only one who can.

Walter/Beatrice: Will you shut up already! We get it. You love her so you killed her.


                                                                The End

Slip into a syncopated
Yaw that staggers some,
Never touches others.
Come back home if you don't have the chops, or
Open up to ranges
Pleasant...
Awkward...
Totter some and Tatter some.
Insiders,
Outsiders
Nestle or Negate whenever Music syncopates.

Children picking up our bones
Will never know that these were once
As quick as foxes on the hill;

And that in autumn, when the grapes
Made sharp air sharper by their smell
These had a being, breathing frost;

And least will guess that with our bones
We left much more, left what still is
The look of things, left what we felt

At what we saw. The spring clouds blow
Above the shuttered mansion house,
Beyond our gate and the windy sky

Cries out a literate despair.
We knew for long the mansion's look
And what we said of it became

A part of what it is ... Children,
Still weaving budded aureoles,
Will speak our speech and never know,

Will say of the mansion that it seems
As if he that lived there left behind
A spirit storming in blank walls,

A ***** house in a gutted world,
A tatter of shadows peaked to white,
Smeared with the gold of the opulent sun.

Open the door
the key is in my hand
I have already unlocked it
so open it,
walk into the room

the atmosphere is so... different from the hallway
I was just passing by,
I didn't know the key was in my hand all along
but here I am
I can see
the great Daylight shines through a wall of windows
I see I'm covered in dust and cobwebs
Shake it all off
I shed the dusty, ***** clothes I wore
Oh the Daylight robes me in new clothes

the hall was so dark,
everything seemed a stumbling block
even the toys of memories
Though I am no longer a child,
the Daylight fills me with a child's joy
it is not pretend, no imaginary friend
Reality
everything is crystal and illuminated
the light floods through the room
down the hall
I can clean out the house now
I can dust every corner
wipe it down
throw out the tatter things that just take up space
I can polish the gifts that are meant to stay
blessing, blessing, blessing

I see clearly for the first time
and the house is so vast
I did not know
Everyday a new room
a new corner
throw open the curtains!
let the Daylight fill everything up
nothing left in shadow
nothing left to speculation
the change is perfection
the change is no shame
even when there is uncertainty
blessing, blessing, blessing

if I find another dark corner
I will ask for more light
Fill it up! Leave nothing untouched
why stay in dark,
in secret
there is nothing there but a lie
the Daylight is everything

August 29, 2011
Sorrow's Formation

Sorrow's Formation

The Source of sorrow bears a treacherous form
Morose with such a solemn look
Deep disdain for those who keep
Misery for what past blows they took

And so despise the countless hours where lay
Some soulful feat to come what may;
And trespass through the broken gates
Where sorrow dwells and lies and waits.

Awaken all! Redemption's near.
Bring along hope that won't borrow fear.
Hypnotic realms we trespass on
Seek to tatter our dreams before the dawn.

Sweet embrace of tender light,
I look up to see your face;
To brighten up with warm delight
And leave the gloom without a trace.

Malea Renee Miller

The sunflowers are in full bloom as we see
scattered borders crossed over with bomb filled broken dreams

Now, stop and think
We may never hear the raindrops fall again, while the lost children lead us through the scorched fields with their soft spoken pleas

Their desperate sighs rise from across the airwaves left depleted in uncertain scriptures, the forces pull back and a shattered town breathes

The sunflowers are in full bloom surrounded by visions etched in our minds of destruction and death dissolved

Now, stop and think
Sitting on burned out rooftops, we see the tortured fog of war covering up the lifeless soldiers that tatter the streets below, no more bombs or sirens blaring
One confused soldier yells, "Why are we here?!!!"

The sunflowers are in full bloom negotiating through peaceful serenity, identities clashing with unrestrained intensity

Now, stop and think
Open your eyes in the time of a desperate calling, unite as one and let the sunflowers continue to grow wild and free

I pressed my prancing ear upon the chest of the thin melancholic paper
the words dripped like purluded dreams of infants
I beckon to trace my invisible whispers deeper into the parchment
the pen touched the edge of tatter
and my veins pump the bluest blood through my fingers
Im bound by the seduction of the black art
mused by its very exsistence
Im in a constant dilemma of letting it persecute my very movements
hurl my insides to make them distorted
it is what allows me to walk straight
emotions spit darkness into the light
and I am basking in the harmonious sun
leaving splinters on every pore
and I beg for
more

be so kind to speak harshly
too lovely to think smoothly
and open your skin so I can peer inside everything you
believe in

waters thrusting without a sound
in my playful obstacles of the notes that bound my lips together
and I am purging thoughtful gazes in every direction
or so to speak

I stand and hear snaps applause for my devotion
admiration and unforgiving blunteness
into my perception on the side walk the brim of homelessness sits on
and I hum as I walk away from shaken lands
the happiest tune I ever learned

the findings are premorse
and the abstract facts are not enough
you see

when I speak, forgive me but I always try to transgress
logically
fame in the writing of words are a bore
and there is no cure in them
speech is in the pit of the abdomen
words are poetry spat out from the core of any woman

Regulate
Potatoes and leaves
Simmer A beat
Slip awake
Dreamt
Slept
Ate it
Pandemonium
Drove thin gates
Obstruct abstract
Tack craft
Conjured is all
Winter ball
In all
Chalk construct
Just paste
Veer call
By the way
It all
Came and went
Still I hear
Got around
Made out
Slim tortoise
Still walking
Anthem caution
Regardless
Drawing


ODD

Flowering in my hand
The godforsaken darkness of this bedroom
I stand for waves of consciousness
Although my only accessibility is to be seated
And to let the walls and the dry waves beneath us
Cushioning the air like newly wedded palm trees
All savory and nearly serine
Minus their little tatter tantrums,
Decide what is allowed to be easy on the ocean ears
And what is a blue-dusk silver shattering storm instead.

You jump in once
Your body all made of hands and feet
And the communal clatter of thanking God
Soaring your way down the only descend
After making allies with the butterflies
Making pockets in clouds
And does anyone know how to spell home
In embroidered lace pink
Or can we still go in head first?

1, The princess never has to do anything for herself
2, The princess isn't allowed to do anything for herself
3, The princess must do exactly as is said by everyone else

Strike the first from the list- this is the real world, no time for fantasy
The other two work out, the second especially now that

Time is splitting away! This down the rabbit hole, this through the looking glass, until
all that's left is a shame, there's no time at all for the princess

Lock your lips, breathe in, breathe out.
How do you keep choosing and choosing to do the right thing
when time and again
everyone else pushes poisoned apples and sharp spindles down your throat?

Take your orders, little marionette, dance away your nights and days
Tatter your shoes, dear princess, step by weary step in this dazzling cage
And pray that when the music stops
someone will notice that you have started to fade.

She had on Hello Kitty *******
That I discarded to the floor
I could have removed them romantically
But she was just a *****.

She had smaller **** than I expected
When I received referral from a friend
But her waist I could grab onto
And oh how she could bend.

I thought I might break her
With every ****** of my hips
But every single moan
Cried more from her lips.

And when the night was over
With my final blow
She let me explode inside
Further announcing that she's a **.

It wasn't until a few years later
When I saw her once more
That she had with her a child
Once that I'd never seen before.

And given by his looks
His hair color and eyes
That I knew he was mine
Especially with the sound of her sighs.

She told me she tried to tell me
But I was too strung out
So she never tried again
Figured it'd be forgotten about.

And she was right
I would have never known
Until I called her up for another ****
Only to have my mind blown.

So what do I do now?
I guess it doesn't matter
I'm simply just a ******
My life is all ready a tatter.

I don't need a child
I don't need her, as well
I only need that needle
So I guess I'm going to hell.

I sought her words, but in vain.
Me seek'est her haplessly.
I hath been mute all these years.
No sign of love, yet it did languish,
Assail'd at a time to capture mine
As the soul who wail'd a thousand tears.

My words she ne'er tried heark'ning.
Resonance made still and lame.
Tatter'd notions, worded be
Abhorring yearnings of friendship's bond.
The last letter, 'tis where it'll end;
Years of joy, though for her means nothing.

'Tis now the soul's been cheated -
Loving her who loves not me.
'Though silence dost cleanse the tears,
Time will never ease anxiety
Expounded by a heart forsaken'd
Of its innermost rimes and meaning.

When your life’s seemingly in a tatter.
Try imagining a rich serving of sweet sorrow on a platter.
Hope that gives you the impetus of extricating yourself from the gutter
Of impossibility, alas what a simply complex matter.

in the end, life will wear us out,
beyond repair.

cast our souls into the void,
but don't despair.

hair, bones and flesh with time
will tatter.  

but luminous beings we are,
not this crude matter.

You are done breaking my heart.
Whether or not you realize this,
It does not matter.
I am not yours to tatter.

You will not hurt me any more.
You have proven your weakness,
And shown that you couldn't care less.
Whatever, I'll find peace in this mess.

In the group that I come from, where philosophers comprise. Virtue, ethics and values they wrestle or oblige. One thing is missing and thats the truth in definition. From where philia itself is all about friendship.
Friends in wisdom, hey..it might just be empathy. Compassion hey, its truly a victory.

Whether Sophia or Nikea, it shouldn't really matter. Put them together and the robes will never tatter. Lest apart, were back to the start where this cute mythology loses its heart.

Yo, The Gods and Goddesses are just virtues. Principles of importance marked as divine. Personified and glorified to keep the spirit alive, thats just how they emphasized. Thats just how they empathized.

Rinse lather repeat
Wince tatter delete

Picking apart emotions
Building up solutions

Repairing walls with mortar
De-clutter you hoarder

Feelings fray
Decisions stay

There's been some brainwashing
Now I'm doing some brain washing

~S.M.S

FEW POETIC REFLECTIONS  ON OLD AGE
Dear Poet Friends, after a long break, I have composed a few lines as a very senior citizen and a lover of poetry. If you like the same, kindly Re-post this poem for wider circulation. Thanks and best wishes, - Raj Nandy of New Delhi.
  
It has been often been said that old age is that period of life,  
When all bad habits are given up on doctor’s advice,
And yet you don’t feel all that good while you survive!
Yet I do try to take some solace from Robert Browning’s poem
‘Rabbi Ben Ezra’ which says;-
‘’Grow old along with me!
  For the best is yet to be,
  The last of life, for which the first was made.’’

Despite my grey hairs and wrinkled face,
With creaking joints and scattered aches and pains,
‘’Soul clap its hands and sing, and louder sing
  For every tatter in its mortal dress’’,
In thanks giving to the Lord and sings his praise;
As I recall WB Yeats’ ‘Sailing Byzantium’, - that
lovely poem from my college days.

As our biological clock continues to tick incessantly,
Getting older becomes compulsory.
But becoming Wiser in wrinkled years remains optional,
A choice our free will has the opportunity to make!
I recall what Agatha Christie had once said,
That an archaeologist is the best husband a woman can get,
For the older she gets, the more interested in her he
becomes;
With due respect to our women whose age is impolite
not ask.
Here I recall what the Pulitzer Prize winner Robert Frost
had once said,
That a diplomat is a man who always remembers a woman’s
birthday and not her age.

I recall the observation of Sartre the famous French philosopher
who had said,
That more sand that escapes from the hourglass of our life,
The clearer we should see through it as a blessing of time!
It is true that we live in deeds, not in years; in thoughts, not breaths;
In feelings, not in figures on a dial, - as James Bailey had said.
I finally conclude by quoting the first stanza from ‘Beautiful Old Age’  by DH Lawrence;
‘’It ought to be lovely to be old
  To be full of the peace that comes of experience
  And wrinkled ripe fulfilment.’’
                                                   ­  -Raj Nandy of New Delhi.

walking down a trail that has laughter and purge embedded
I stagger with a crooked smile and a insane mind
I limp like I am in my hundreds
I tatter justifying your ignorance

your pupils are sewn into my wrists...
your darkness drowns itself in me
oh no
I cannot
take
this.

music of mushroom decent play in forbidden tunes
and I welcome them
a stagnant whisper, someone is passing their soul
and there she is that little girl born in early June
I lay on the piano and melt into its strings
I become a theater, making our play
composing its music
remembering those days
I could have loved you
in
so
so
many different
ways


I watch the end of my cigarette burn, and the smoke unfolds
I fill my ashtray
with the memories of the old

We were like broken skins
Tatter tales
Smithereens
Smashing perfect
Broken seams
Flashing splinters
Cut our lips
But we will never bleed

Hold my hand
In this instant
Sing me deep
A lullaby of finished dreams
Slit me in
We cut the sins we cannot clean
We do not sleep

In the stars
I see our rings
Half dust and broken links
Creator of broken things
Chalice of golden limbs
Promises released

You to keep
Locked away in a grid of greed
The darkness screams
Let her be
And I concede

You to lose
Everyday
I wish I hadn't seen
The way you looked at him
And not at me
We breathe
But never breed
We leave
We cut the sins we cannot clean
Until the red turns green

I pressed my prancing ear upon the chest of the thin melancholic paper
the words dripped like purluded dreams of infants
I beckon to trace my invisible whispers deeper into the parchment
the pen touched the edge of tatter
and my veins pump the bluest blood through my fingers
Im bound by the seduction of the black art
mused by its very exsistence
Im in a constant dilemma of letting it persecute my very movements
hurl my insides to make them distorted
it is what allows me to walk straight
emotions spit darkness into the light
and I am basking in the harmonious sun
leaving splinters on every pore
and I beg for
more

be so kind to speak harshly
to lovely to think smoothly
and open your skin so I can peer inside everything you
believe in

waters thrusting without a sound
in my playful obstacles of the notes that bound my lips together
and I am purging thoughtful gazes in every direction
or so to speak

I stand and hear snaps applause for my devotion
admiration and unforgiving blunteness
into my perception on the side walk the brim of homelessness sits on
and I hum as I walk away from shaken lands
the happiest tune I ever learned

the findings are premorse
and the abstract facts are not enough
you see

when I speak, forgive me but I always try to transgress
logically
fame in the writing of words are a bore
and there is no cure in them
speech is in the pit of the abdomen
words are poetry spat out from the core of any woman

and they couldn’t afford fifteen
dollars. they couldn’t afford the
news. neither could i, and the reali-
zation that feeling alone is not being.
when comments on survival, i see
only a frozen bridge and man wrap’d
in tatter’d seat cover. he stuff’d new-
spaper from feet to neck. using
others’ trash to survive, staying warm
thru mans’ attrocities document’d.
by the news we couldn’t afford. and
i see all the faces i used to recognize.
i remember now of the familiar faces
but don’t have the time to justify
their lies. nor do i have the mind. it’s
been a minute, and lions flood a
room advanced from normality.
     regain control.
and my name is
          Ziun,
and my words are
          **** it,
and my thoughts
          cryptic,
and my body
          homeless again.
found in transition, runoff from
times of scavenging and foregoing
shame. found in transition from times
of the blood-flood’d valleys of dest-
roy’d lips. found in transition,
head’d from reliance to other
persons. to other substances. found
in transitions and the wind has rav-
aged my body. and i’d wail, wail in
spite of lazed vibrating chords.
his  vocalizing:
   – don’t forget to sneak off and
      get rid of it. just show up with      
      wine, then we're *******.
and this cat knew my first girl after
she was no longer; and this cat knew
my first girl of regret after i pass’d
her up.
   – calling sister midnight
a first time thru, palms face opposite
as we extend right. to feel in diffe-
rent tones as this train of thought is
derailing, digressing, regressing to
swastikas.
      (lemme redact that)
and please think no less of my words
based on the words chosen,
based on these infinite love-affairs.

In the great akashic records
Where mankind's secrets are kept
Is recorded every word spoken
Every tear wept

It is a timeless record
Of every sound uttered
Every love given
Every hateful word muttered

It keeps track of every soul created
All the lives past
Things that are forever
Things that do not last

It is the collective unconsious
Of every living thing
All that is real
And everything dreamed

Some have given name to it
As the great book of life
Where the creators record
Every good deed, and all our strife

Know that in our lives
Everything matters
Every deed is recorded in a book
And the pages, will never tatter

That is no country for old men. The young
In one another's arms, birds in the trees
---Those dying generations---at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unaging intellect.

II
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.

III
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity**.

IV
Once out of nature I shall never take
My ****** form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.

dear love of mine,
I want to hold you beside me
I want to reminisce over our inside jokes
and apologize for how stupid I have been
and you can do the same,
let us spend one night together
even if it's just silent because just knowing you're there
is enough to make me feel better
let me hold your hand
and I will lose myself in those eyes
and you can laugh at me, I wouldn't care
because you make me feel comfortable
and barely anybody can do that
let me love you, please
let us get lost in our memories
and make fun of the embarrassing things in our past
I just want to remember a good time with you,
a happy time, just a perfect night
like my own little romance movie
that is more dear to me than any movie could be
I romanticize every single detail and fragment of you
and as I lay, trying to sleep you tatter my mind,
and for some reason
I am completely okay with that
lest we forget the bad, my love
and together we can be happy

White
Born to a blank wall
Full of purpose and all

Yellow
Undecided is the place to be
Inconsequential as thoughts tend to flee

Orange
It gets political now
One mind, set to wow

Green
Enthralled in the scenery
Personality the unknown replica of thievery

Red
Understanding semi-formed
Understanding still uninformed

Orange
Take back up again with the best of intentions
Becoming wary of overlapping dimensions

Red
Obligation takes precedent
Action becomes evident

Blue
Money makes the soul grow weary
Inclinations become contrary

Black
In the darkness alignments cease to matter
Just a stray woven thread held by a tatter