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"tatter" poems
Somebody is shooting at something in our town -- A dull pom, pom in the Sunday street. Jealousy can open the blood, It can make black roses. Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The **** of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh! Shh! These are chess people you play with, Still figures of ivory. The mud squirms with throats, Stepping stones for French bootsoles. The gilt and pink domes of Russia melt and float off In the furnace of greed. Clouds, clouds. So the swarm ***** and deserts Seventy feet up, in a black pine tree. It must be shot down. Pom! Pom! So dumb it thinks bullets are thunder. It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody. The bees have got so far. Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed. The bees argue, in their black ball, A flying hedgehog, all prickles. The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs, Leave and arrive, and there is no end to the country. Pom! Pom! They fall Dismembered, to a tod of ivy. So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory. The swarm is knocked into a cocked straw hat. Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals Worming themselves into niches. How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine. The man with gray hands smiles -- The smile of a man of business, intensely practical. They are not hands at all But asbestos receptacles. Pom! Pom! 'They would have killed me.' Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind. Napoleon is pleased, he is pleased with everything. O Europe! O ton of honey!
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The Swarm
Somebody is shooting at something in our town -- A dull pom, pom in the Sunday street. Jealousy can open the blood, It can make black roses. Who are the shooting at? It is you the knives are out for At Waterloo, Waterloo, Napoleon, The **** of Elba on your short back, And the snow, marshaling its brilliant cutlery Mass after mass, saying Shh! Shh! These are chess people you play with, Still figures of ivory. The mud squirms with throats, Stepping stones for French bootsoles. The gilt and pink domes of Russia melt and float off In the furnace of greed. Clouds, clouds. So the swarm ***** and deserts Seventy feet up, in a black pine tree. It must be shot down. Pom! Pom! So dumb it thinks bullets are thunder. It thinks they are the voice of God Condoning the beak, the claw, the grin of the dog Yellow-haunched, a pack-dog, Grinning over its bone of ivory Like the pack, the pack, like everybody. The bees have got so far. Seventy feet high! Russia, Poland and Germany! The mild hills, the same old magenta Fields shrunk to a penny Spun into a river, the river crossed. The bees argue, in their black ball, A flying hedgehog, all prickles. The man with gray hands stands under the honeycomb Of their dream, the hived station Where trains, faithful to their steel arcs, Leave and arrive, and there is no end to the country. Pom! Pom! They fall Dismembered, to a tod of ivy. So much for the charioteers, the outriders, the Grand Army! A red tatter, Napoleon! The last badge of victory. The swarm is knocked into a cocked straw hat. Elba, Elba, bleb on the sea! The white busts of marshals, admirals, generals Worming themselves into niches. How instructive this is! The dumb, banded bodies Walking the plank draped with Mother France's upholstery Into a new mausoleum, An ivory palace, a crotch pine. The man with gray hands smiles -- The smile of a man of business, intensely practical. They are not hands at all But asbestos receptacles. Pom! Pom! 'They would have killed me.' Stings big as drawing pins! It seems bees have a notion of honor, A black intractable mind. Napoleon is pleased, he is pleased with everything. O Europe! O ton of honey!
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60
I Our ****** dreams, all seedless in the light, Of light and love the tempers of the heart, Whack their boys' limbs, And, winding-footed in their shawl and sheet, Groom the dark brides, the widows of the night Fold in their arms. The shades of girls, all flavoured from their shrouds, When sunlight goes are sundered from the worm, The bones of men, the broken in their beds, By midnight pulleys that unhouse the tomb. II In this our age the gunman and his moll Two one-dimensional ghosts, love on a reel, Strange to our solid eye, And speak their midnight nothings as they swell; When cameras shut they hurry to their hole down in the yard of day. They dance between their arclamps and our skull, Impose their shots, showing the nights away; We watch the show of shadows kiss or **** Flavoured of celluloid give love the lie. III Which is the world? Of our two sleepings, which Shall fall awake when cures and their itch Raise up this red-eyed earth? Pack off the shapes of daylight and their starch, The sunny gentlemen, the Welshing rich, Or drive the night-geared forth. The photograph is married to the eye, Grafts on its bride one-sided skins of truth; The dream has ****** the sleeper of his faith That shrouded men might marrow as they fly. IV This is the world; the lying likeness of Our strips of stuff that tatter as we move Loving and being loth; The dream that kicks the buried from their sack And lets their trash be honoured as the quick. This is the world. Have faith. For we shall be a shouter like the **** Blowing the old dead back; our shots shall smack The image from the plates; And we shall be fit fellows for a life, And who remains shall flower as they love, Praise to our faring hearts.
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Our ****** Dreams
I Our ****** dreams, all seedless in the light, Of light and love the tempers of the heart, Whack their boys' limbs, And, winding-footed in their shawl and sheet, Groom the dark brides, the widows of the night Fold in their arms. The shades of girls, all flavoured from their shrouds, When sunlight goes are sundered from the worm, The bones of men, the broken in their beds, By midnight pulleys that unhouse the tomb. II In this our age the gunman and his moll Two one-dimensional ghosts, love on a reel, Strange to our solid eye, And speak their midnight nothings as they swell; When cameras shut they hurry to their hole down in the yard of day. They dance between their arclamps and our skull, Impose their shots, showing the nights away; We watch the show of shadows kiss or **** Flavoured of celluloid give love the lie. III Which is the world? Of our two sleepings, which Shall fall awake when cures and their itch Raise up this red-eyed earth? Pack off the shapes of daylight and their starch, The sunny gentlemen, the Welshing rich, Or drive the night-geared forth. The photograph is married to the eye, Grafts on its bride one-sided skins of truth; The dream has ****** the sleeper of his faith That shrouded men might marrow as they fly. IV This is the world; the lying likeness of Our strips of stuff that tatter as we move Loving and being loth; The dream that kicks the buried from their sack And lets their trash be honoured as the quick. This is the world. Have faith. For we shall be a shouter like the **** Blowing the old dead back; our shots shall smack The image from the plates; And we shall be fit fellows for a life, And who remains shall flower as they love, Praise to our faring hearts.
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46
I have enough treasures from the past to last me longer than I need, or want. You know as well as I . . . malevolent memory won't let go of half of them: a modest church, with its gold cupola slightly askew; a harsh chorus of crows; the whistle of a train; a birch tree haggard in a field as if it had just been sprung from jail; a secret midnight conclave of monumental Bible-oaks; and a tiny rowboat that comes drifting out of somebody's dreams, slowly foundering. Winter has already loitered here, lightly powdering these fields, casting an impenetrable haze that fills the world as far as the horizon. I used to think that after we are gone there's nothing, simply nothing at all. Then who's that wandering by the porch again and calling us by name? Whose face is pressed against the frosted pane? What hand out there is waving like a branch? By way of reply, in that cobwebbed corner a sunstruck tatter dances in the mirror. Leningrad, 1960
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March Elegy
This is the time lean woods shall spend A steeped-up twilight, and the pale evening drink, And the perilous roe, the leaper to the west brink, Trembling and bright to the caverned cloud descend. Now shall you see pent oak gone gusty and frantic, Stooped with dry weeping, ruinously unloosing The sparse disheveled leaf, or reared and tossing A dreary scarecrow bough in funeral antic. Then, tatter you and rend, Oak heart, to your profession mourning; not obscure The outcome, not crepuscular; on the deep floor Sable and gold match lustres and contend. And rags of shrouding will not muffle the slain. This is the immortal extinction, the priceless wound Not to be staunched. The live gold leaks beyond, And matter’s sanctified, dipped in a gold stain.
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Sundown
I Love Pie & You Sweetie Pie! I Love Pie & You Sweetie Pie Love pumpkin pie its so good Awe taste just like it should Love lemon pie with a touch of **** Love it deep down in my heart I love jello pie it's so sweet The way it wiggles it's so neat! Love pie of banana cream And chocolate is my dream I love blueberry too It's so good & blue I love BlackBerry too awe so sweet and black Pick em right off the vines and put em in a sack I love apple pie topped with cheese Oh and make that a scoop of val ice cream please Oh and also the Apple Dutch Oh how I love it so much! Custard Boston and Zesty Lime, Whip Cream Humble and Rhubarb all the time! Quick Set Frozen Cream Pie and Oreo Cookie Crust Sweet Tatter and Velvet Turtle Now that's a must! But my favorite pie of all is true That's my favorite pie "Sweetie Pie" it's you! WrittenBy:BarbieKirk 11-24-14 5:09am www.allpoetry.com/RainbowBlessings © Barbie Kirk . All rights reserved, 16 hours ago
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Nov 24, 2014
Nov 24, 2014 at 10:45 PM UTC
I Love Pie & You Sweetie Pie!
The titter tatter on the rooftop tells me a story. The humming birds sing me a lullaby. The flowers blooming show me beauty. The raindrops on the window explain life. And the tears on the ground hide behind the rain.
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Aug 8, 2014
Aug 8, 2014 at 6:19 PM UTC
Untitled
I hit a mosquito using my head It's no big deal The mosquito was a nuisance So my head will fit the bill My head is decorated in red Due to the blood that splattered I never knew that a head could make a mosquito's body tatter Now I grasped the full definition To use your head in every situation My hands were forging art so I couldn't separate them apart So a head of mine will do "Take that mosquito, f@#k you!" So, that's the end of it "This incident will make a great poem", I think Thus a whimsical tale between me and you And yeah, it is true.
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Jan 21, 2014
Jan 21, 2014 at 5:21 PM UTC
I hit a mosquito using my head
That is no country for old men. The young In one another's arms, birds in the trees - Those dying generations - at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies. Caught in that sensual music all neglect Monuments of unageing intellect. An aged man is but a paltry thing, A tattered coat upon a stick, unless Soul clap its hands and sing, and louder sing For every tatter in its mortal dress, Nor is there singing school but studying Monuments of its own magnificence; And therefore I have sailed the seas and come To the holy city of Byzantium. O sages standing in God's holy fire As in the gold mosaic of a wall, Come from the holy fire, perne in a gyre, And be the singing-masters of my soul. Consume my heart away; sick with desire And fastened to a dying animal It knows not what it is; and gather me Into the artifice of eternity. Once out of nature I shall never take My ****** form from any natural thing, But such a form as Grecian goldsmiths make Of hammered gold and gold enamelling To keep a drowsy Emperor awake; Or set upon a golden bough to sing To lords and ladies of Byzantium Of what is past, or passing, or to come.
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Sailing to Byzantium
I will not let the blood of my ancestors to be shed in vain Where they have fought for our freedom yet my generation are quiet I will not let westernization ruin my soul and tatter my traditions I will not let the westernized beauty blind me from my culture’s beauty I will not let the blood of my ancestors to be shed in vain Where they have fought for the earth that is now free the earth where my soul thrives on I will not let the television brainwash my perception of spirituality and religion to make me question that who I am is wrong I will not let these white-washed books to create gaps in my history I will not let the blood of my ancestors to be shed in vain
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May 20, 2014
May 20, 2014 at 6:32 PM UTC
Shed Blood
City slickers born to tumble will never make your mountain rumble, take me to the parts that matter in amongst the titter tatter the coffee table ilks and dramas cotton caftans and silk pyjamas humming cars that cough and splutter silver coins lost in the gutter tabloid men in sharp pressed suits trample down the fallen fruits nothing sacred in this old town except a peptic ulcer and a furrowed frown.
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Mar 10, 2015
Mar 10, 2015 at 11:55 PM UTC
This old town
I dipped my extraordinary toe into the cool waters. It was colder than I had expected it to be. And as I glowered at myself in a mirror of sorts, I discovered I wasn’t alone. Deceptively perfect and perfectly sculpted. A body of total glory. A glistening aura, with freshly chopped wave. A glistening fauna, amongst all the flora. Irreverently so, she fit no humanly mold. A creature to truly behold. I behold the true embodiment of the truth and the good. And I certainly remember the tales of the crude. *Tatter becomingly of thy soul. Please don’t develop an interlude. Ive been laying while dying underneath old coal. Please woman. Call my name.*
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Dec 1, 2013
Dec 1, 2013 at 7:00 AM UTC
Mermaids Honor
Slip into a syncopated Yaw that staggers some, Never touches others. Come back home if you don't have the chops, or Open up to ranges Pleasant... Awkward... Totter some and Tatter some. Insiders, Outsiders Nestle or Negate whenever Music syncopates.
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Jan 21, 2012
Jan 21, 2012 at 11:53 AM UTC
Syncopated
FEW POETIC REFLECTIONS  ON OLD AGE Dear Poet Friends, after a long break, I have composed a few lines as a very senior citizen and a lover of poetry. If you like the same, kindly Re-post this poem for wider circulation. Thanks and best wishes, - Raj Nandy of New Delhi.    It has been often been said that old age is that period of life,   When all bad habits are given up on doctor’s advice, And yet you don’t feel all that good while you survive! Yet I do try to take some solace from Robert Browning’s poem ‘Rabbi Ben Ezra’ which says;- ‘’Grow old along with me!   For the best is yet to be,   The last of life, for which the first was made.’’ Despite my grey hairs and wrinkled face, With creaking joints and scattered aches and pains, ‘’Soul clap its hands and sing, and louder sing   For every tatter in its mortal dress’’, In thanks giving to the Lord and sings his praise; As I recall WB Yeats’ ‘Sailing Byzantium’, - that lovely poem from my college days. As our biological clock continues to tick incessantly, Getting older becomes compulsory. But becoming Wiser in wrinkled years remains optional, A choice our free will has the opportunity to make! I recall what Agatha Christie had once said, That an archaeologist is the best husband a woman can get, For the older she gets, the more interested in her he becomes; With due respect to our women whose age is impolite not ask. Here I recall what the Pulitzer Prize winner Robert Frost had once said, That a diplomat is a man who always remembers a woman’s birthday and not her age. I recall the observation of Sartre the famous French philosopher who had said, That more sand that escapes from the hourglass of our life, The clearer we should see through it as a blessing of time! It is true that we live in deeds, not in years; in thoughts, not breaths; In feelings, not in figures on a dial, - as James Bailey had said. I finally conclude by quoting the first stanza from ‘Beautiful Old Age’  by DH Lawrence; ‘’It ought to be lovely to be old   To be full of the peace that comes of experience   And wrinkled ripe fulfilment.’’                                                      -Raj Nandy of New Delhi.
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Dec 19, 2019
Dec 19, 2019 at 11:04 AM UTC
ON BLESSINGS OF OLD AGE !
FEW POETIC REFLECTIONS  ON OLD AGE Dear Poet Friends, after a long break, I have composed a few lines as a very senior citizen and a lover of poetry. If you like the same, kindly Re-post this poem for wider circulation. Thanks and best wishes, - Raj Nandy of New Delhi.    It has been often been said that old age is that period of life,   When all bad habits are given up on doctor’s advice, And yet you don’t feel all that good while you survive! Yet I do try to take some solace from Robert Browning’s poem ‘Rabbi Ben Ezra’ which says;- ‘’Grow old along with me!   For the best is yet to be,   The last of life, for which the first was made.’’ Despite my grey hairs and wrinkled face, With creaking joints and scattered aches and pains, ‘’Soul clap its hands and sing, and louder sing   For every tatter in its mortal dress’’, In thanks giving to the Lord and sings his praise; As I recall WB Yeats’ ‘Sailing Byzantium’, - that lovely poem from my college days. As our biological clock continues to tick incessantly, Getting older becomes compulsory. But becoming Wiser in wrinkled years remains optional, A choice our free will has the opportunity to make! I recall what Agatha Christie had once said, That an archaeologist is the best husband a woman can get, For the older she gets, the more interested in her he becomes; With due respect to our women whose age is impolite not ask. Here I recall what the Pulitzer Prize winner Robert Frost had once said, That a diplomat is a man who always remembers a woman’s birthday and not her age. I recall the observation of Sartre the famous French philosopher who had said, That more sand that escapes from the hourglass of our life, The clearer we should see through it as a blessing of time! It is true that we live in deeds, not in years; in thoughts, not breaths; In feelings, not in figures on a dial, - as James Bailey had said. I finally conclude by quoting the first stanza from ‘Beautiful Old Age’  by DH Lawrence; ‘’It ought to be lovely to be old   To be full of the peace that comes of experience   And wrinkled ripe fulfilment.’’                                                      -Raj Nandy of New Delhi.
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42
Children picking up our bones Will never know that these were once As quick as foxes on the hill; And that in autumn, when the grapes Made sharp air sharper by their smell These had a being, breathing frost; And least will guess that with our bones We left much more, left what still is The look of things, left what we felt At what we saw. The spring clouds blow Above the shuttered mansion house, Beyond our gate and the windy sky Cries out a literate despair. We knew for long the mansion's look And what we said of it became A part of what it is ... Children, Still weaving budded aureoles, Will speak our speech and never know, Will say of the mansion that it seems As if he that lived there left behind A spirit storming in blank walls, A ***** house in a gutted world, A tatter of shadows peaked to white, Smeared with the gold of the opulent sun.
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A Postcard from the Volcano
Open the door the key is in my hand I have already unlocked it so open it, walk into the room the atmosphere is so... different from the hallway I was just passing by, I didn't know the key was in my hand all along but here I am I can see the great Daylight shines through a wall of windows I see I'm covered in dust and cobwebs Shake it all off I shed the dusty, ***** clothes I wore Oh the Daylight robes me in new clothes the hall was so dark, everything seemed a stumbling block even the toys of memories Though I am no longer a child, the Daylight fills me with a child's joy it is not pretend, no imaginary friend Reality everything is crystal and illuminated the light floods through the room down the hall I can clean out the house now I can dust every corner wipe it down throw out the tatter things that just take up space I can polish the gifts that are meant to stay blessing, blessing, blessing I see clearly for the first time and the house is so vast I did not know Everyday a new room a new corner throw open the curtains! let the Daylight fill everything up nothing left in shadow nothing left to speculation the change is perfection the change is no shame even when there is uncertainty blessing, blessing, blessing if I find another dark corner I will ask for more light Fill it up! Leave nothing untouched why stay in dark, in secret there is nothing there but a lie the Daylight is everything
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Jan 23, 2018
Jan 23, 2018 at 8:31 PM UTC
Daylight
The sunflowers are in full bloom as we see scattered borders crossed over with bomb filled broken dreams Now, stop and think We may never hear the raindrops fall again, while the lost children lead us through the scorched fields with their soft spoken pleas Their desperate sighs rise from across the airwaves left depleted in uncertain scriptures, the forces pull back and a shattered town breathes The sunflowers are in full bloom surrounded by visions etched in our minds of destruction and death dissolved Now, stop and think Sitting on burned out rooftops, we see the tortured fog of war covering up the lifeless soldiers that tatter the streets below, no more bombs or sirens blaring One confused soldier yells, "Why are we here?!!!" The sunflowers are in full bloom negotiating through peaceful serenity, identities clashing with unrestrained intensity Now, stop and think Open your eyes in the time of a desperate calling, unite as one and let the sunflowers continue to grow wild and free
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Mar 29, 2022
Mar 29, 2022 at 3:05 PM UTC
Sunflowers
August 29, 2011 Sorrow's Formation Sorrow's Formation The Source of sorrow bears a treacherous form Morose with such a solemn look Deep disdain for those who keep Misery for what past blows they took And so despise the countless hours where lay Some soulful feat to come what may; And trespass through the broken gates Where sorrow dwells and lies and waits. Awaken all! Redemption's near. Bring along hope that won't borrow fear. Hypnotic realms we trespass on Seek to tatter our dreams before the dawn. Sweet embrace of tender light, I look up to see your face; To brighten up with warm delight And leave the gloom without a trace. Malea Renee Miller
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Aug 30, 2011
Aug 30, 2011 at 7:54 AM UTC
Sorrow's Formation
I pressed my prancing ear upon the chest of the thin melancholic paper the words dripped like purluded dreams of infants I beckon to trace my invisible whispers deeper into the parchment the pen touched the edge of tatter and my veins pump the bluest blood through my fingers Im bound by the seduction of the black art mused by its very exsistence Im in a constant dilemma of letting it persecute my very movements hurl my insides to make them distorted it is what allows me to walk straight emotions spit darkness into the light and I am basking in the harmonious sun leaving splinters on every pore and I beg for more be so kind to speak harshly too lovely to think smoothly and open your skin so I can peer inside everything you believe in waters thrusting without a sound in my playful obstacles of the notes that bound my lips together and I am purging thoughtful gazes in every direction or so to speak I stand and hear snaps applause for my devotion admiration and unforgiving blunteness into my perception on the side walk the brim of homelessness sits on and I hum as I walk away from shaken lands the happiest tune I ever learned the findings are premorse and the abstract facts are not enough you see when I speak, forgive me but I always try to transgress logically fame in the writing of words are a bore and there is no cure in them speech is in the pit of the abdomen words are poetry spat out from the core of any woman
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Nov 1, 2010
Nov 1, 2010 at 6:27 PM UTC
Lady Speak
Flowering in my hand The godforsaken darkness of this bedroom I stand for waves of consciousness Although my only accessibility is to be seated And to let the walls and the dry waves beneath us Cushioning the air like newly wedded palm trees All savory and nearly serine Minus their little tatter tantrums, Decide what is allowed to be easy on the ocean ears And what is a blue-dusk silver shattering storm instead. You jump in once Your body all made of hands and feet And the communal clatter of thanking God Soaring your way down the only descend After making allies with the butterflies Making pockets in clouds And does anyone know how to spell home In embroidered lace pink Or can we still go in head first?
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Aug 16, 2016
Aug 16, 2016 at 2:37 AM UTC
Pottery Under the Sea
In the group that I come from, where philosophers comprise. Virtue, ethics and values they wrestle or oblige. One thing is missing and thats the truth in definition. From where philia itself is all about friendship. Friends in wisdom, hey..it might just be empathy. Compassion hey, its truly a victory. Whether Sophia or Nikea, it shouldn't really matter. Put them together and the robes will never tatter. Lest apart, were back to the start where this cute mythology loses its heart. Yo, The Gods and Goddesses are just virtues. Principles of importance marked as divine. Personified and glorified to keep the spirit alive, thats just how they emphasized. Thats just how they empathized.
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Dec 6, 2021
Dec 6, 2021 at 3:00 AM UTC
Lesser Known Wisdom
She had on Hello Kitty ******* That I discarded to the floor I could have removed them romantically But she was just a ***** She had smaller **** than I expected When I received referral from a friend But her waist I could grab onto And oh how she could bend. I thought I might break her With every ****** of my hips But every single moan Cried more from her lips. And when the night was over With my final blow She let me explode inside Further announcing that she's a ** It wasn't until a few years later When I saw her once more That she had with her a child Once that I'd never seen before. And given by his looks His hair color and eyes That I knew he was mine Especially with the sound of her sighs. She told me she tried to tell me But I was too strung out So she never tried again Figured it'd be forgotten about. And she was right I would have never known Until I called her up for another **** Only to have my mind blown. So what do I do now? I guess it doesn't matter I'm simply just a ****** My life is all ready a tatter. I don't need a child I don't need her, as well I only need that needle So I guess I'm going to hell.
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Mar 3, 2011
Mar 3, 2011 at 6:19 AM UTC
****** Surprise"
I sought her words, but in vain. Me seek'est her haplessly. I hath been mute all these years. No sign of love, yet it did languish, Assail'd at a time to capture mine As the soul who wail'd a thousand tears. My words she ne'er tried heark'ning. Resonance made still and lame. Tatter'd notions, worded be Abhorring yearnings of friendship's bond. The last letter, 'tis where it'll end; Years of joy, though for her means nothing. 'Tis now the soul's been cheated - Loving her who loves not me. 'Though silence dost cleanse the tears, Time will never ease anxiety Expounded by a heart forsaken'd Of its innermost rimes and meaning.
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Jul 9, 2010
Jul 9, 2010 at 5:14 AM UTC
I Sought Her Words
in the end, life will wear us out, beyond repair. cast our souls into the void, but don't despair. hair, bones and flesh with time will tatter.   but luminous beings we are, not this crude matter.
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Mar 9, 2016
Mar 9, 2016 at 1:42 AM UTC
luminous beings
*When your life’s seemingly in a tatter. Try imagining a rich serving of sweet sorrow on a platter. Hope that gives you the impetus of extricating yourself from the gutter Of impossibility, alas what a simply complex matter.*
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Feb 27, 2015
Feb 27, 2015 at 2:58 AM UTC
Cycle of obstacle.
You are done breaking my heart. Whether or not you realize this, It does not matter. I am not yours to tatter. You will not hurt me any more. You have proven your weakness, And shown that you couldn't care less. Whatever, I'll find peace in this mess.
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Mar 16, 2016
Mar 16, 2016 at 10:50 PM UTC
In This Mess