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Spirk Burkham Mar 2014
it *****,
that ****;
the **** that *****
that lives inside my head.

it gropes around
for things to smite
with ****
because it *****.

the more I try
to smite the ****,
the more the **** smites
my thoughts with ****.

the **** that smites
my thoughts when I
try to smite the ****
that lives inside my head

***** like ****
that smites my thoughts
when I smite the ****
for smiting me.
the **** is gone,
the **** that smites.
I smote it down
without a fight.

I smote the ****,
but I did not;
the **** and I
have never fought

for I smote the ****
without a thought
Terry O'Leary Apr 2014
In times gone by, now recondite,
Neanderthal, *****, upright,
spoke softly, tones so lily-white,
and tried to put the world aright.

He taught us how the flame ignites
that wearing furs will warm the nights,
just why the rolling wheel excites,
and how the beveled flint stone bites.

Before the days of dynamite
he fought his foes with spit and spite,
and swung big sticks with all his might,
and rendered death with stones in flight.

Engaged in never-ending fight
(arenas were a global sight)
he forced his forces to unite
to sate his oily appetite.

To quell rude thoughts that may incite
he ruled the realm with fly-by-nights
and culled the winds of words in flight,
and darkened minds to anthracite.

With fairy tales of evil sprites
and how the fist of freedom smites,
he washed the world with flames alight
to vanquish hoards of parasites.

Each dawn the damage brought delight,
the foe was bent, a bit contrite…
yet battled on with no respite
until the dusk and evening light.

Encamped beside the firelight
Neanderthal, that shiny Knight,
awaited morn while sitting tight
assured the end would be alright.

Yes, conquest seemed his sacred right…
Forevermore?… well, no, not quite…
Neanderthal's extinct tonight
and lies beside the Trilobite…


MORAL
The Oreo is round, not bright:
while rolling near the candlelight
at first the searing seemed so slight,
the molten cream an oversight…
This screed has nothing to do with the noble Neanderthal (whose brain size exceeded our own).
it has nothing to do with' times gone by' (though who knows what future beings may think)
it has nothing to do with anything…
and even less to do with something…  
unless of course, you think it does…
Body of shame.
It haunts in tatters.
All this grief smites all that matters,
'til there's no one left to blame.

It has the fading scars
of good ol' times
plastered
like flaking paint:
Tattoos of radiant beach sunsets;
forgotten "beneath" a shore
of its memories
like an ordinary pebble
under a mountain of stones.

Ethereal grasp
never touching a thing,
yet finding itself
touched
by desire.

Where goes the time?
Past yet to come.
It has broken scales that balance wine,
yet it's sober to passion's drum.
Haven't written anything here for a while.
Been writing too many twitter poems, haha.

I hope you all enjoy!
Apollo’s wrath to man the dreadful spring
Of ills innum’rous, tuneful goddess, sing!
Thou who did’st first th’ ideal pencil give,
And taught’st the painter in his works to live,
Inspire with glowing energy of thought,
What Wilson painted, and what Ovid wrote.
Muse! lend thy aid, nor let me sue in vain,
Tho’ last and meanest of the rhyming train!
O guide my pen in lofty strains to show
The Phrygian queen, all beautiful in woe.
  ’Twas where Maeonia spreads her wide domain
Niobe dwelt, and held her potent reign:
See in her hand the regal sceptre shine,
The wealthy heir of Tantalus divine,
He most distinguish’d by Dodonean Jove,
To approach the tables of the gods above:
Her grandsire Atlas, who with mighty pains
Th’ ethereal axis on his neck sustains:
Her other grandsire on the throne on high
Rolls the loud-pealing thunder thro’ the sky.
  Her spouse, Amphion, who from Jove too springs,
Divinely taught to sweep the sounding strings.
  Seven sprightly sons the royal bed adorn,
Seven daughters beauteous as the op’ning morn,
As when Aurora fills the ravish’d sight,
And decks the orient realms with rosy light
From their bright eyes the living splendors play,
Nor can beholders bear the flashing ray.
  Wherever, Niobe, thou turn’st thine eyes,
New beauties kindle, and new joys arise!
But thou had’st far the happier mother prov’d,
If this fair offspring had been less belov’d:
What if their charms exceed Aurora’s teint.
No words could tell them, and no pencil paint,
Thy love too vehement hastens to destroy
Each blooming maid, and each celestial boy.
  Now Manto comes, endu’d with mighty skill,
The past to explore, the future to reveal.
Thro’ Thebes’ wide streets Tiresia’s daughter came,
Divine Latona’s mandate to proclaim:
The Theban maids to hear the orders ran,
When thus Maeonia’s prophetess began:
  “Go, Thebans! great Latona’s will obey,
“And pious tribute at her altars pay:
“With rights divine, the goddess be implor’d,
“Nor be her sacred offspring unador’d.”
Thus Manto spoke.  The Theban maids obey,
And pious tribute to the goddess pay.
The rich perfumes ascend in waving spires,
And altars blaze with consecrated fires;
The fair assembly moves with graceful air,
And leaves of laurel bind the flowing hair.
  Niobe comes with all her royal race,
With charms unnumber’d, and superior grace:
Her Phrygian garments of delightful hue,
Inwove with gold, refulgent to the view,
Beyond description beautiful she moves
Like heav’nly Venus, ’midst her smiles and loves:
She views around the supplicating train,
And shakes her graceful head with stern disdain,
Proudly she turns around her lofty eyes,
And thus reviles celestial deities:
“What madness drives the Theban ladies fair
“To give their incense to surrounding air?
“Say why this new sprung deity preferr’d?
“Why vainly fancy your petitions heard?
“Or say why Caeus offspring is obey’d,
“While to my goddesship no tribute’s paid?
“For me no altars blaze with living fires,
“No bullock bleeds, no frankincense transpires,
“Tho’ Cadmus’ palace, not unknown to fame,
“And Phrygian nations all revere my name.
“Where’er I turn my eyes vast wealth I find,
“Lo! here an empress with a goddess join’d.
“What, shall a Titaness be deify’d,
“To whom the spacious earth a couch deny’d!
“Nor heav’n, nor earth, nor sea receiv’d your queen,
“Till pitying Delos took the wand’rer in.
“Round me what a large progeny is spread!
“No frowns of fortune has my soul to dread.
“What if indignant she decrease my train
“More than Latona’s number will remain;
“Then hence, ye Theban dames, hence haste away,
“Nor longer off’rings to Latona pay;
“Regard the orders of Amphion’s spouse,
“And take the leaves of laurel from your brows.”
Niobe spoke.  The Theban maids obey’d,
Their brows unbound, and left the rights unpaid.
  The angry goddess heard, then silence broke
On Cynthus’ summit, and indignant spoke;
“Phoebus! behold, thy mother in disgrace,
“Who to no goddess yields the prior place
“Except to Juno’s self, who reigns above,
“The spouse and sister of the thund’ring Jove.
“Niobe, sprung from Tantalus, inspires
“Each Theban ***** with rebellious fires;
“No reason her imperious temper quells,
“But all her father in her tongue rebels;
“Wrap her own sons for her blaspheming breath,
“Apollo! wrap them in the shades of death.”
Latona ceas’d, and ardent thus replies
The God, whose glory decks th’ expanded skies.
  “Cease thy complaints, mine be the task assign’d
“To punish pride, and scourge the rebel mind.”
This Phoebe join’d.—They wing their instant flight;
Thebes trembled as th’ immortal pow’rs alight.
  With clouds incompass’d glorious Phoebus stands;
The feather’d vengeance quiv’ring in his hands.
     Near Cadmus’ walls a plain extended lay,
Where Thebes’ young princes pass’d in sport the day:
There the bold coursers bounded o’er the plains,
While their great masters held the golden reins.
Ismenus first the racing pastime led,
And rul’d the fury of his flying steed.
“Ah me,” he sudden cries, with shrieking breath,
While in his breast he feels the shaft of death;
He drops the bridle on his courser’s mane,
Before his eyes in shadows swims the plain,
He, the first-born of great Amphion’s bed,
Was struck the first, first mingled with the dead.
  Then didst thou, Sipylus, the language hear
Of fate portentous whistling in the air:
As when th’ impending storm the sailor sees
He spreads his canvas to the fav’ring breeze,
So to thine horse thou gav’st the golden reins,
Gav’st him to rush impetuous o’er the plains:
But ah! a fatal shaft from Phoebus’ hand
Smites thro’ thy neck, and sinks thee on the sand.
  Two other brothers were at wrestling found,
And in their pastime claspt each other round:
A shaft that instant from Apollo’s hand
Transfixt them both, and stretcht them on the sand:
Together they their cruel fate bemoan’d,
Together languish’d, and together groan’d:
Together too th’ unbodied spirits fled,
And sought the gloomy mansions of the dead.
Alphenor saw, and trembling at the view,
Beat his torn breast, that chang’d its snowy hue.
He flies to raise them in a kind embrace;
A brother’s fondness triumphs in his face:
Alphenor fails in this fraternal deed,
A dart dispatch’d him (so the fates decreed:)
Soon as the arrow left the deadly wound,
His issuing entrails smoak’d upon the ground.
  What woes on blooming Damasichon wait!
His sighs portend his near impending fate.
Just where the well-made leg begins to be,
And the soft sinews form the supple knee,
The youth sore wounded by the Delian god
Attempts t’ extract the crime-avenging rod,
But, whilst he strives the will of fate t’ avert,
Divine Apollo sends a second dart;
Swift thro’ his throat the feather’d mischief flies,
Bereft of sense, he drops his head, and dies.
  Young Ilioneus, the last, directs his pray’r,
And cries, “My life, ye gods celestial! spare.”
Apollo heard, and pity touch’d his heart,
But ah! too late, for he had sent the dart:
Thou too, O Ilioneus, art doom’d to fall,
The fates refuse that arrow to recal.
  On the swift wings of ever flying Fame
To Cadmus’ palace soon the tidings came:
Niobe heard, and with indignant eyes
She thus express’d her anger and surprise:
“Why is such privilege to them allow’d?
“Why thus insulted by the Delian god?
“Dwells there such mischief in the pow’rs above?
“Why sleeps the vengeance of immortal Jove?”
For now Amphion too, with grief oppress’d,
Had plung’d the deadly dagger in his breast.
Niobe now, less haughty than before,
With lofty head directs her steps no more
She, who late told her pedigree divine,
And drove the Thebans from Latona’s shrine,
How strangely chang’d!—yet beautiful in woe,
She weeps, nor weeps unpity’d by the foe.
On each pale corse the wretched mother spread
Lay overwhelm’d with grief, and kiss’d her dead,
Then rais’d her arms, and thus, in accents slow,
“Be sated cruel Goddess! with my woe;
“If I’ve offended, let these streaming eyes,
“And let this sev’nfold funeral suffice:
“Ah! take this wretched life you deign’d to save,
“With them I too am carried to the grave.
“Rejoice triumphant, my victorious foe,
“But show the cause from whence your triumphs flow?
“Tho’ I unhappy mourn these children slain,
“Yet greater numbers to my lot remain.”
She ceas’d, the bow string twang’d with awful sound,
Which struck with terror all th’ assembly round,
Except the queen, who stood unmov’d alone,
By her distresses more presumptuous grown.
Near the pale corses stood their sisters fair
In sable vestures and dishevell’d hair;
One, while she draws the fatal shaft away,
Faints, falls, and sickens at the light of day.
To sooth her mother, lo! another flies,
And blames the fury of inclement skies,
And, while her words a filial pity show,
Struck dumb—indignant seeks the shades below.
Now from the fatal place another flies,
Falls in her flight, and languishes, and dies.
Another on her sister drops in death;
A fifth in trembling terrors yields her breath;
While the sixth seeks some gloomy cave in vain,
Struck with the rest, and mingled with the slain.
  One only daughter lives, and she the least;
The queen close clasp’d the daughter to her breast:
“Ye heav’nly pow’rs, ah spare me one,” she cry’d,
“Ah! spare me one,” the vocal hills reply’d:
In vain she begs, the Fates her suit deny,
In her embrace she sees her daughter die.
   “The queen of all her family bereft,
“Without or husband, son, or daughter left,
“Grew stupid at the shock.  The passing air
“Made no impression on her stiff’ning hair.
“The blood forsook her face: amidst the flood
“Pour’d from her cheeks, quite fix’d her eye-*****
  “stood.
“Her tongue, her palate both obdurate grew,
“Her curdled veins no longer motion knew;
“The use of neck, and arms, and feet was gone,
“And ev’n her bowels hard’ned into stone:
“A marble statue now the queen appears,
“But from the marble steal the silent tears.”
D'Arcy Sahn Oct 2014
Girls married off
To a dogma they can't stop
Decided at birth
I would tell you it hurts
That it truly is terrible
But it gave me an outlet
Made rebellion bearable

I abhor to see they way
They block us make us stay
They're pretty little vessels
But now it's too fun, I have to wrestle
The rules and regulations
The trials and tribulations
They really aren't that terrible

Mess with the horns, you get the teeth
Because she's determined to become a female preist
Tell her that it's wrong
That she disobeys God
But she'll just tap the Old Testament
Won't let her resentment
Control her when she smites you
Constructive criticism is appreciated. Admittedly, I don't know what story I was trying to tell
INSAMITY Feb 2011
I've started a habit, I ignore the best of advice.
I see the gold but I can't reach out and grab it.
My chances lost, thrown away, life doesn't suffice anymore.
Just shouting at the god that has ****** me!!
**** it!! He strikes me, smites me, I can't fight back and he bites me.
Self belief burned and buried, self esteem shot down and slowly drowned.


The power I crave is unteachable, untouchable, unreachable and unbearable.
I have such foolish ambitions and desires.
Never to have greatness and my helpless soul is on fire.
Duck, drop and roll, send me to the poles to freeze, please!!
Reduced to begging, I'm a disgrace, you better take that ugly grin off your face.
I'll continue to flow It like a poet so that you feel my self loathing.


I turn on the TV and look at the news, It's not good apparently.
The whole world's becoming a zoo, It's so true.
And guess what! The sky's not even blue, It's red!!
No wait; thats just the pain in my head, pain from exaustion, or maybe just hunger.
Life's a mess.
I need to get this crippling weight off my chest, can you help me?


Force the world off my chest, then I'll carry it on my shoulders.
Gonna live like this until my fragmenting fragments are broken.
Copyright of Fluffy on poeticvoice.ning.com and Sam Gregory Publishers
'The storm is in the air,' she said, and held
Her soft palm to the breeze; and looking up,
Swift sunbeams brush'd the crystal of her eyes,
As swallows leave the skies to skim the brown,
Bright woodland lakes. 'The rain is in the air.
'O Prophet Wind, what hast thou told the rose,
'That suddenly she loosens her red heart,
'And sends long, perfum'd sighs about the place?
'O Prophet Wind, what hast thou told the Swift,
'That from the airy eave, she, shadow-grey,
'Smites the blue pond, and speeds her glancing wing
'Close to the daffodils? What hast thou told small bells,
'And tender buds, that--all unlike the rose--
'They draw green leaves close, close about their *******
'And shrink to sudden slumber? The sycamores
'In ev'ry leaf are eloquent with thee;
'The poplars busy all their silver tongues
'With answ'ring thee, and the round chestnut stirs
'Vastly but softly, at thy prophecies.
'The vines grow dusky with a deeper green--
'And with their tendrils ****** thy passing harp,
'And keep it by brief seconds in their leaves.
'O Prophet Wind, thou tellest of the rain,
'While, jacinth blue, the broad sky folds calm palms,
'Unwitting of all storm, high o'er the land!
'The little grasses and the ruddy heath
'Know of the coming rain; but towards the sun
'The eagle lifts his eyes, and with his wings
'Beats on a sunlight that is never marr'd
'By cloud or mist, shrieks his fierce joy to air
'Ne'er stir'd by stormy pulse.'
'The eagle mine,' I said: 'O I would ride
'His wings like Ganymede, nor ever care
'To drop upon the stormy earth again,--
'But circle star-ward, narrowing my gyres,
'To some great planet of eternal peace.'.
'Nay,' said my wise, young love, 'the eagle falls
'Back to his cliff, swift as a thunder-bolt;
'For there his mate and naked eaglets dwell,
'And there he rends the dove, and joys in all
'The fierce delights of his tempestuous home.
'And tho' the stormy Earth throbs thro' her poles--
'With tempests rocks upon her circling path--
'And bleak, black clouds ****** at her purple hills--
'While mate and eaglets shriek upon the rock--
'The eagle leaves the hylas to its calm,
'Beats the wild storm apart that rings the earth,
'And seeks his eyrie on the wind-dash'd cliff.
'O Prophet Wind! close, close the storm and rain!'

Long sway'd the grasses like a rolling wave
Above an undertow--the mastiff cried;
Low swept the poplars, groaning in their hearts;
And iron-footed stood the gnarl'd oaks,
And brac'd their woody thews against the storm.
Lash'd from the pond, the iv'ry cygnets sought
The carven steps that plung'd into the pool;
The peacocks scream'd and dragg'd forgotten plumes.
On the sheer turf--all shadows subtly died,
In one large shadow sweeping o'er the land;
Bright windows in the ivy blush'd no more;
The ripe, red walls grew pale--the tall vane dim;
Like a swift off'ring to an angry God,
O'erweighted vines shook plum and apricot,
From trembling trellis, and the rose trees pour'd
A red libation of sweet, ripen'd leaves,
On the trim walks. To the high dove-cote set
A stream of silver wings and violet *******,
The hawk-like storm swooping on their track.
'Go,' said my love, 'the storm would whirl me off
'As thistle-down. I'll shelter here--but you--
'You love no storms!' 'Where thou art,' I said,
'Is all the calm I know--wert thou enthron'd
'On the pivot of the winds--or in the maelstrom,
'Thou holdest in thy hand my palm of peace;
'And, like the eagle, I would break the belts
'Of shouting tempests to return to thee,
'Were I above the storm on broad wings.
'Yet no she-eagle thou! a small, white, lily girl
'I clasp and lift and carry from the rain,
'Across the windy lawn.'
With this I wove
Her floating lace about her floating hair,
And crush'd her snowy raiment to my breast,
And while she thought of frowns, but smil'd instead,
And wrote her heart in crimson on her cheeks,
I bounded with her up the breezy slopes,
The storm about us with such airy din,
As of a thousand bugles, that my heart
Took courage in the clamor, and I laid
My lips upon the flow'r of her pink ear,
And said: 'I love thee; give me love again!'
And here she pal'd, love has its dread, and then
She clasp'd its joy and redden'd in its light,
Till all the daffodils I trod were pale
Beside the small flow'r red upon my breast.
And ere the dial on the ***** was pass'd,
Between the last loud bugle of the Wind
And the first silver coinage of the Rain,
Upon my flying hair, there came her kiss,
Gentle and pure upon my face--and thus
Were we betroth'd between the Wind and Rain.
Christian Bixler May 2015
Thunder roars its booming wrath,
lightning splits the darkling sky,
Ground trembles, mountains shake,
raging waves rise in fury, to dash to
pieces the trembling man, cowering
before the wrath, the raging storm,
Begs for mercy, cries in pain, lightning
smites his prostrate form, earth cracks
and swallows him, waves falling, rushing
in, Man is gone, destroyed in fire, and the earth
stills, the clouds depart, the waves recede to
ocean deep, this the fate of he who walked
the sacred ground, my only son.
Just something that came to me.
ringnir Jul 2015
The one who loves the depressive mind
Commits to smites; the wary waltz he gaits
Arresting all pride he denies he's blind
Yet the poison nectar; cures and claims his fate

A fate that by his hands has hewed
A fate where he is the *exclude
Hal Loyd Denton Aug 2012
Variables
Through an old church of considerable size the light shined through stained glass windows it was
Reproduced on a number of stone pillars that stood at a distance cold gray stone took on a liveliness
It rose to enthralling and then continued to blaze its power smites the eye enchanting escapes from the
Lips wondrous makes its bow in the soul there is another light that shines it strikes the heart
Unconditional exquisite light shines the lighted one enters the chamber where the heart abides this once airy sweet place of innocence is
Now tightly wound as a cord to his knowing thoughts this is a place of unbelievable dark foreboding but
He knows this mystery it also is a place that holds a profound gratification never be fooled sin is
Desirable the whole world is dying in its throes of pleasure then the heart itself black as ebony if a mere
Mortal would glance at it they would be destroyed we die gradually from its emanating force that is
Hidden so deep the great physician waste no time as the fragmented stained glass window glows with
Different colors he rather than imitates he produces the original color that is whitest purest love it
Strikes the ebony surface it appears to only be dissolved and drawn within without effect then the color
He uses is finest and rarest gold not ornamental this represents the golden grain that is the telling when
He says I am the bread of life and no where on earth is there a place of such hunger as in the human
Heart that has sold itself as a salve into sin many is the delicate morsels but there is no table spread
Prepared by the master for his Childs desperate need to be fed to brace and strengthen them for battle
There runs throughout the human family a weakness to do the right thing to produce true wellness
The second color is silver he lays this behind the gold making the word come to life apples of gold in
Pictures of silver the silver is mercy we come with the load of guilt mercy tenderly removes the straps
That has held the load because the straps have dug deep and cut into the shoulders mercy enfolds
The shaking tearful one and assuages with great assurance nothing has been done that the next color
Can’t resolve yes the savior’s red and pure blood silver white and the extraordinary essence that is
Wonder not a color but one of his names and he shall be called wonderful counselor almighty God
The everlasting farther prince of peace you little know these words have for ever destroyed the doctrine
Of the trinity that is the next color blue and never was it more profound or right than the saying true
Blue this is the game changer this is the dazzling beautiful light that can and will turn blackest ebony to
Purest white this vanguard is the measureless endless refuge of all human kind it continues and ends
With this the whole truth that sets every human totally free baptism is in Jesus name not in the titles
Of the father the son and the Holy Ghost and the evidence of receiving the Holy Spirit is evidenced by
Speaking in other tongues folks I have to meet you in judgment the word says this truth if you desire
Truths on the inward parts it will be reveled to you go to the word and prove these words wrong it can’t
Be done the heart of darkness has been cured and is now the inward home the holy temple of the
Crucified lamb that was slain before the foundations of the world for you and me
Soul so fair all the castles of Europe the grandeur of earths
Mountain ranges all combined cannot compare to you in story and lore there is no greater picture
But we behold our faces and lament how low and insignificant we are this is a natural scale we use
We down grade that which is the apple of His eye we slumber while wonder advances our cause with
Love renown it has these adversaries ever present man divides himself against Heaven for earthy gain
That isn’t worth one ounce of his interest but he will gamble his eternal soul for days of pleasure and
Put up a wall that cannot be breached even by divine light and love that is the essence and fabric of
Eternal Paradise nothing else could build your everlasting home anything else would fail it’s not gates of
Pearl or streets of purest gold that is just the over exuberance of his uncontainable love but only the
Heart as a flower will open to love that being the central need of every human life in disasters that are
Frequent in varied places all say those material things can be replaced but loved ones are irreplaceable
If Heaven has a unbreakable slogan or code it is that same word God has it behind His throne its written
In the savage glory of Calvary’s blood that none perish my I only son I gave but so few turn to the light
That their hearts can know more than a lone church where natural light stirs with such effect how much
More when the light is clothed with love and promise that will slay all woes and perfect every longing
And more you gave up the dust of earth to take your rightful place beyond the stars to be sons and
Daughters of the King of Kings glory, glory and more is yours look for the church with the light
If Memnon's mother mourned, Achilles's mother mourned,
and our sad fates can touch great goddesses,
then weep, and loose your hair in grief you never earned,
Elegy, now ah! too much like your name.
That bard whose work was yours, who gave you fame, Tibullus,
burns on the mounded pyre, a lifeless corpse.
See Venus's boy, bearing his quiver upside down;
his bow is broken and his torch is quenched;
look how he goes dejected: his wings trail on the ground;
he smites his naked breast with violent hand;
his tears dampen the curls that fall around his neck,
and heaving sobs keep breaking on his lips.
(Just so he went out, fair Iulus, from your house,
they say, at his brother Aeneas's funeral.)
No less was Venus stunned by her Tibullus's death
than when the fierce boar smote her lover's thigh.
They say we bards are sacred, favorites of the gods,
and even that there's something holy in us,
but that churl Death defiles every sacred thing:
his shadowy hand appropriates us all.
Was Orpheus saved by his father and mother, who were gods,
or by his songs that tamed the astonished beasts?
They say that that same father sang 'Linos! Ai, Linos! '
deep in the woods on his reluctant lyre.
And Homer, too, from whom, as from an endless fount,
bards' lips are moistened with the Muses' waters,
one last day pulled him under Avernus's murky wave:
his songs alone escaped the greedy pyre.
The work of bards endures: Troy's famous sufferings,
and the endless shroud, undone by nightly fraud.
So Nemesis and Delia: both their names will live,
the one his first, the one his latest love.
But what use now your rites? What use the Egyptian rattle?
What use, to have slept alone in an empty bed?
When harsh fate steals away the good (forgive my words!)
I almost want to believe there are no gods.
Live virtuous: you will die. Respect the gods: grim Death
will drag you from their altars to your grave.
Write glorious verse, and see! here Tibullus lies:
one small urn holds the dust of what he was.
Is it you the blazing pyre bears off, O sacred bard,
not dreading to be fed upon your breast?
Flames that dare so great a blasphemy would burn
the golden temples of the blessed gods!
She turned aside her gaze who rules Mt. Eryx's heights,
and some say she could not restrain her tears.
And yet it's better thus than if Phaeacia's land
had strewn mere dirt on your neglected grave.
Here, as you fled life, your mother closed your streaming
eyes, and brought her last gifts to your ashes.
Here your sister joined your mother in her grief
and came with loosened hair all disarrayed.
And with their kisses Nemesis and your first love
joined theirs, and did not leave your pyre forsaken,
and Delia, as she left, said, 'Happier far your love
for me: you lived, while I was still your flame.'
'Why, ' Nemesis replied, 'do you grieve for my loss?
Dying, he clutched me with his failing hand.'
If anything remains of us but name and shade,
Elysium's vale will be Tibullus's home,
and you will greet him, learned Catullus, ivy bound
on your young brow, with Calvus at your side,
and you (if it is false that you betrayed your friend)
Gallus, careless of your blood and soul.
These shades will be your comrades, if any shades there are:
you have joined the blessed, elegant Tibullus.
May your bones find repose within their sheltering urn,
and may earth not lie heavy on your ashes.
Aaron Amrich Feb 2013
in the un-mechanical nature of
nature's fist crashing into
mankind's attempt to stand firm against
everything we can't control
there are vigils, and there are tears,
tears in the veil that is the idea
that we are rulers of this world,
that thin, ethereal fabric of existence
that we put over our eyes to give us comfort
makes us blind to the hurricaine.
pride tells us we can let
our faces weather the acid rain,
leaving us scarred in lieu of granduer
that is no delusion.

our mother smites for insolence.
we are students never meant to be teachers.
our baby steps
and teenage mind
are going to
get us
killed.

and father time will forget us
after we are washed into the sea
that we tried to claim as our own.
Derik M Smith Jul 2013
Poets go blind from writing by moonlight,
But my artist smites the moon with her luminance,
I write by her subtle, cyan, rays
And would gladly go blind for, with her, my eyes find their fill quickly,

She is the unexpected wind bouncing off the water’s surface,
And my chest is the sail,
Lifted, pushed, expanded and fulfilled to its most righteous purpose,

If the world is a stage than she is the red velvet curtain,
Commanding a sway so slight and savory
That other rags rent and burn,

No matter how mesmerizing the performance is,
A sudden hush or vibrant ovation is demanded in her wake,
A sultry swirl of goddess and girl,
Too precious to be stored with other jewels,

Elegance with every hinting glance, every rowdy inhale,
And every placement of those sinister legs,
That rams would think twice to scale,

The bend in her back is the stroke of my oils,
The pout of her lips is scarlet meat to the lions,
And the feel of her hips sum up my surreptitious desires,

Like good jazz things seem to pull back
Before the cathartic crescendos,
But to put it bluntly dear, the next time you’re here,
It may pay to freshen up with a Mentos.
Jessie Dec 2013
I can never linger
it isn't written in my genes or encoded in my blood
in fact I simmer like a deep-brewing fire
only the wind on my cheeks
& the scenery whizzing by can stifle my flames
whimsical indecisive fickle
no commas can contain me
I am this metaphor & that simile
I am those paradoxical adjectives & I don't create irony
I am the irony
free spirit & old soul I have been labeled both
whatever you like to call it I can never linger
a blessing or burden either way
the loveliest blooms always depart from the fields the fastest
you have never seen a fairy because they carry on & on
carry on so quickly
I am the soul of your lost father & I am the nostalgia of your dead mother
I am all things mystical & majestic
the weeping willow tree by the lake & the lightning that smites it
the strength you misplaced is found deep within me
wherever I go love will seek me out & find me
but I can never be contained & I can never linger
I only wish to "burn, burn, burn like roman candles across the night"
so please
do not ask me to stay
I have a lot to say about this poem.
The reference made is from On The Road by Jack Kerouac.
This is like many poems inside a poem.
Definitely one of the weirdest things I've written.
I might tweak it but I kind of like it too
Beneath the fair blue face of Heaven, harp
In hand, a shepherd flats an A that's sharp.
He plucks and tunes and finds the perfect pitch
And plays a harmony exceeding rich.
The afternoon is hot, and all the sheep
Are full of grass and falling fast asleep.
Cotton ball clouds go slowly floating by
While drowsy songbirds neither sing nor fly.
Even the shiny fish in waters cool
Nap in the cooler shadows in the pool.
Save for the sound of rills that gently spill,
All things are silent.  Everything is still.
     So too a watchful lion keeping eyes
Upon a ewe lamb dozing where she lies.
As still as stone he stalks his sleepy prey:
He's waited patiently the livelong day.
And now the time has come to work his plan,
While most at ease is bird and beast and man.
He takes the first small steps in his approach,
Then breaks into a run and makes the poach.
Bewildered sheep in panic loudly bleat—
Asleep to wide awake in one heartbeat!
The shepherd's senses rush, and running down
The brute, he smites the beast upon his crown.
Dazed and confused, the lion drops the lamb
That lives but by the grace of Him, I AM.
The shepherd grabs the lion's beard, and, hair
In hand, he slays him (as he'll slay a bear.)  
     Returning safe the lamb unto the flock,
The shepherd goes and stands upon a rock.
He lifts his hands to God, and, singing psalms
Of praise, he gives the LORD his weather'd palms.
Cotton ball clouds go slowly floating by
As stars begin to twinkle in the sky.
Beside an ebbing northern sea
While stars awaken one by one,
We walk together, I and he.

He woos me with an easy grace
That proves him only half sincere;
A light smile flickers on his face.

To him love-making is an art,
And as a flutist plays a flute,
So does he play upon his heart

A music varied to his whim.
He has no use for love of mine,
He would not have me answer him.

To hide my eyes within the night
I watch the changeful lighthouse gleam
Alternately with red and white.

My laughter smites upon my ears,
So one who cries and wakes from sleep
Knows not it is himself he hears.

What if my voice should let him know
The mocking words were all a sham,
And lips that laugh could tremble so?

What if I lost the power to lie,
And he should only hear his name
In one low, broken cry?
Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.

I. SONG.

Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.

Fame that her high worth to raise,
Seem’d erst so lavish and profuse,
We may justly now accuse
Of detraction from her praise,
Less then half we find exprest,
Envy bid conceal the rest.

Mark what radiant state she spreds,
In circle round her shining throne,
Shooting her beams like silver threds,
This this is she alone,
Sitting like a Goddes bright,
In the center of her light.
Might she the wise Latona be,
Or the towred Cybele,
Mother of a hunderd gods;
Juno dare’s not give her odds;
Who had thought this clime had held
A deity so unparalel’d?

As they com forward, the genius of the Wood appears, and
turning toward them, speaks.

GEN. Stay gentle Swains, for though in this disguise,
I see bright honour sparkle through your eyes,
Of famous Arcady ye are, and sprung
Of that renowned flood, so often sung,
Divine Alpheus, who by secret sluse,
Stole under Seas to meet his Arethuse;
And ye the breathing Roses of the Wood,
Fair silver-buskind Nymphs as great and good,
I know this quest of yours, and free intent
Was all in honour and devotion ment
To the great Mistres of yon princely shrine,
Whom with low reverence I adore as mine,
And with all helpful service will comply
To further this nights glad solemnity;
And lead ye where ye may more neer behold
What shallow-searching Fame hath left untold;
Which I full oft amidst these shades alone
Have sate to wonder at, and gaze upon:
For know by lot from Jove I am the powr
Of this fair wood, and live in Oak’n bowr,
To nurse the Saplings tall, and curl the grove
With Ringlets quaint, and wanton windings wove.
And all my Plants I save from nightly ill,
Of noisom winds, and blasting vapours chill.
And from the Boughs brush off the evil dew,
And heal the harms of thwarting thunder blew,
Or what the cross dire-looking Planet smites,
Or hurtfull Worm with canker’d venom bites.
When Eev’ning gray doth rise, I fetch my round
Over the mount, and all this hallow’d ground,
And early ere the odorous breath of morn
Awakes the slumbring leaves, or tasseld horn
Shakes the high thicket, haste I all about,
Number my ranks, and visit every sprout
With puissant words, and murmurs made to bless,
But els in deep of night when drowsines
Hath lockt up mortal sense, then listen I
To the celestial Sirens harmony,
That sit upon the nine enfolded Sphears,
And sing to those that hold the vital shears,
And turn the Adamantine spindle round,
On which the fate of gods and men is wound.
Such sweet compulsion doth in musick ly,
To lull the daughters of Necessity,
And keep unsteddy Nature to her law,
And the low world in measur’d motion draw
After the heavenly tune, which none can hear
Of human mould with grosse unpurged ear;
And yet such musick worthiest were to blaze
The peerles height of her immortal praise,
Whose lustre leads us, and for her most fit,
If my inferior hand or voice could hit
Inimitable sounds, yet as we go,
What ere the skill of lesser gods can show,
I will assay, her worth to celebrate,
And so attend ye toward her glittering state;
Where ye may all that are of noble stemm
Approach, and kiss her sacred vestures hemm.


2. SONG.

O’re the smooth enameld green
Where no print of step hath been,
Follow me as I sing,
And touch the warbled string.
Under the shady roof
Of branching Elm Star-proof,
Follow me,
I will bring you where she sits
Clad in splendor as befits
Her deity.
Such a rural Queen
All Arcadia hath not seen.


3. SONG.

Nymphs and Shepherds dance no more
By sandy Ladons Lillied banks.
On old Lycaeus or Cyllene ****,
Trip no more in twilight ranks,
Though Erynanth your loss deplore,
A better soyl shall give ye thanks.
From the stony Maenalus,
Bring your Flocks, and live with us,
Here ye shall have greater grace,
To serve the Lady of this place.
Though Syrinx your Pans Mistres were,
Yet Syrinx well might wait on her.
Such a rural Queen
All Arcadia hath not seen.
673

The Love a Life can show Below
Is but a filament, I know,
Of that diviner thing
That faints upon the face of Noon—
And smites the Tinder in the Sun—
And hinders Gabriel’s Wing—

’Tis this—in Music—hints and sways—
And far abroad on Summer days—
Distils uncertain pain—
’Tis this enamors in the East—
And tints the Transit in the West
With harrowing Iodine—

’Tis this—invites—appalls—endows—
Flits—glimmers—proves—dissolves—
Ret­urns—suggests—convicts—enchants—
Then—flings in Paradise—
Hal Loyd Denton Apr 2013
Oh me Ireland from the green emerald shamrock how you tantalize and share the blarney cool pools
And streams in diverse scattered form you bedazzle the mind I and all others are your prisoner
We fell under the spell of your charm wickedly fun delight smites from the heights of joy we
Stroll even the national theme is to cajole it’s born from the woods where the wee ones abide
They are the pride and honor of Irish lore Dublin the lilt the thrill rolls down the hill Joyce
Found and spoke from his native tongue so well there is the Mexicali rose and the” Spanish rose
That grows in Spanish Harlem” but what I know is those Irish eyes are gleaming makes my
Heart start my dreaming oh soliloquy with haste you make your statement the blends of this
Ancient twist of tree and steam that flows and then breaks a fix point to gather from wind and
Water the beliefs and wonderings of Leprechauns how else could such magic unfold and be told
After you awake conscious thought is so limited walk on my dreams and you will find my inner
Heart there revealed lost garrisons and bastions of thoughts and deeds spread to the woods
And coast spellbinding the listener the cistern of bliss was cracked open it profoundly and
Evenly coursed through city and villages alike timelessness found its place in this land uttering
The wistful richer than many pots of gold it was as distinguishable as a man’s own signature it is
Like a check list it holds close and tight the facts a man who as a stone mason handles the hard
And course and lives with the residue of fine stone work deeply ingrained like the esteemed
And like forth telling words of Thomas Aquinas who had the closeness to God and set forth
Those royal surmising that scorched the earth of his day it could almost be said as it was of
Jesus no man speaks after this order overwhelmed by the laudatory speech it rises on the
Breeze it stands in these excellent hills to walk is to be staggered with emotional fervor the
Bloodline of Ireland runs deep and is abiding what privilege to stand as a voice a teacher for
Such a place that has such great history that is easily exported to other places making inroads
To build Ireland anew in other lands if nothing more than in a small way that is the greatest
Deterrent to war is for all people to meet and share their positive and unique outlooks nothing
Can build quality life like sharing and creating like mindedness in others crafted out of feeling
And knowing of your world and your place in it to dispel doubt and fear and replace it with the
Quaintness and charm that makes every rock and bush in wee fair Ireland
We say, 'God save the Queen', but only 'cause we've seen what God can do.
God likes to smite,
here and there and anywhere a bit of smiting's to be done,God is the one, and I'm quite sure that he has fun.
I came back to the fold but God knows I only did it coz I is getting old, and still get the hots for a spot of larceny,
and so it goes that God smites me.
He'll smite you too just wait and see, with specials on a Saturday buy two smites and get one smite free.
st64 Aug 2013
Fighting dimensions that are not real
Virtual hatred virulent viral.

When man grows up
Something happens . . .
Some apathy kicks in.


(Moon spits its half-light in greenish gobs and smites my ashen shame
No, dunno where to hide my life
Lame with wide-eyed horror)



Telepheric jollity and catherine-wheel of fun
Like a mist . . .




Equation of hope  / /
M a n k i n d
=
    Kind man
. . .



S T,  Sat (in)Auspicious  17, 2013
Hmmm . . . seeing the shenanigans in our mad world . . . less said, the better.
Really :(
Kinda HUGE shame.  

We’ve really mastered the art of killing one another / perfected infliction of misery.
Just . . . well done!
Gavin Paul Boehm Jul 2013
Lately I’ve been considering clarifying my spirituality while trying to get a hold on my reality. My days are surreal as I peel away from the human race, putting on ratty clothes to save face and change pace to obtain grace in a place where it can only be found in a name anymore.
I’ve been bound to the imaginary floor of my conscious by fending off faith like false accusations. Thoughtlessness is the root of this mess, as I’ve yet to reboot my less than sincere concept of what steers me down the road of apathy and godlessness. It could be nothing more than arrogance that causes belief in the chance that we learned this dance of existence all on our own; but from what we’ve been shown, nothing can be known without a doubt.
So I strut with a straight spine and my head held high, staring into space while glaring at the sky. I shout at the darkness to get out of my substance so my stance can beckon light toward me to explore my soul and implore me to roll my stone away… but it’s grown accustomed to the moss.
Now, accustomed leads to stagnant and stagnant leads to combustion, which is something I can’t stand for; so I strive towards infinity by growing my affinity for aesthetic authenticity at a constant rate.
The debate rages outside my tarnished gates: Religion teaches hate, but faith can be great when man’s meddlings are left on cutting room floor. Love each other. Treat each man as your brother, each woman your mother. These preachings reach to our basic decencies, but detrimental thoughts are spread through our frequencies, interrupting the harmonious symphonies to which our species dances to each day.
Our hearts know the way, but our brains overcompensate for the seemingly irrational, natural compulsions pulsing us towards our actual emotions.
The notion that we were grown out of the unknown isn’t easy to swallow when the thought of being so along leaves you feeling hollow, but I find it hard to follow along when the almighty one smites men for placing their faith in the wrong plans.
The idle hands of man have branded faith with scandalous standards for eternal happiness, which is why I’m happy to dismiss what some call bliss. But seeing as I can no longer identify as an atheist, I want whatever god will listen to understand me when I say this:
We all miss our respective Mimi’s each and every day, and I hope that mine will see me again one day. But going to church each and every Sunday should hold no sway as to whether or not that is the case. Amen.
Sophia Granada Jan 2020
The screech-owl in the wasted tree,
Who blights the branch and smites the leaves,
She wails that she was once like you and me!
Hey Lamia, hey love of mine,
Whose banshee moaning boils the night,
I won’t listen, for I know that Lilith lies!

Oh, naked beasts, oh variegated lives!
Whose ribs You cracked,
Whose love You lacked,
For whom You cast two wives!
Oh, hungry man, that bites his keeper’s hand!
You mixed his tears,
Instilled his fears,
And taught him “Lilith lies.”

I fled before you were brought forth
And spread, you race of sons of ******!
Oh children, you are mine, and I am yours!
Un-furred, un-feathered, and dull-toothed,
How the Almighty forsook you!
So sick and weak, you all can barely move!

Oh, teeth and bones, Oh heaven-wide applause!
Come Oneiroi,
Support ‘tcha boi,
The ape without no claws!
Oh, sticks and stones, oh desperation’s knives!
Come Seraphim,
Sing us a hymn,
Remind us Lilith lies!

“She lies, she lies,” you cry “she lies,”
But I have wings, and claws, and eyes
That pierce the dark, and to all schemes I’m wise!
Yes, I obtained these claws of gold
That keep me safe and fed and whole!
You can’t condemn what hasn’t got a soul!

Oh, life from mud, oh mare who bucked the stud!
Who sits on beds,
Perched at the heads
To drink the dreaming’s blood!
Oh, owl’s eyes, oh man’s dread realized!
Come talk at length,
And show your strength,
And show us how you lie!
There was once upon a time in a forest dark,
A wild brown bear, treads carefully he not
He was fearless yet fearsome, who is brave but not
He thinks, he snorts, he cries, a happy bear he's naught

With friends upon friends the bear's not really lonely
The brown bear laughs, talks, and enjoy other's company
But don't let that fool you with the fact that he hides,
A heaviness of heart, spinning mind, of endless thoughts that smites

Out of the crowd that gathers him
Somewhere deep in-between shoulders
Heads and paws huddle over to and fro
Someone caught the eyes of our bear so slow

It was a bear, no, not just any bear, a pink bear
With eyes that sparkle, pair of eyes so lovely there
And most of all her cheeks, and the smile formed in between
The brown bear turned pink as hot as day he blinked.

A wave was all he could muster and a small "grr" that says "hi"
Meanwhile the pink bear blossoms, waved back looking shy
He thinks, he snorts, he laughs, a happy bear he is now
She completes his world that very moment, he feels alive.

Days turned to weeks, weeks turned to months
Many things have gone, time flew so fast
They are together now happily in their own world
Despite the rain or shine, they continue to ride

She's beautiful, she's kind, she's full of light
For him he's no one's treasure but to himself
To him she's his other half, his pink sugar cub
His only girl, his partner, his bestest friend, his only love

And she was the first one who
heard this poem.

She will always be.
My Pink sugar cub.
My only love.
My Mae mae chan.
I love you Kim, my Mae mae chan <3
Abigail Shaw Dec 2014
Creative Writing


Manchester uni,
Fifteen places, but that's it,
****, ****, ****, ****, ****.



The Fridge

I open the door,
But nothing has changed, no food,
My tears flow freely.




Fluffy

Fluffy the hamster,
In sawdust he hides plans for,
World *******.




Which is it

Some call my writing,
Insightful, to others it's,
Sociopathic.




2500 BC

I find peace in rain,
Ra, the Egyptian sun God,
Smites my insolence.




Look like Crab, Talk like People, Crab People, Crab People.

In the near future,
The crab people will rise up,
Crustacean war-fare.




Lunacy

Awake in my bed,
Pulled to open the window,
The moon calls for me




Lioness

Brave as a lion,
She does not show fear as she,
Devours her young.




97% Sure

Bodies in bin bags,
Powdered lime on window ledge,
Suspicious neighbour
Diane Jul 2016
Dear Diary,
As of today, I am officially a registered Republican
Now before you freak out, let me explain…
It’s finally happened!
I am in love! In love!
I can’t stop thinking about her…her rich auburn hair
Sensuous lips, smooth, silky voice…
She is an ambrosial goddess
Ahhhh just to say her name
Michelle…Michelle…
It’s because of her, I have become a Republican
Michelle has opened my eyes to so many things!
For instance, this country really was founded on Christian values!
Separation of church and state…that’s just crazy talk
Oh, and climate change? Forget about it!
But most importantly, Michelle helped me see that ALL lives matter
Michelle is very involved in her community
Why, just yesterday, we handed out boxes
Full of bootstraps to the poor
I gave my Birkenstocks
To Bernie Sanders…
Michelle says that nothing turns her on more than a man who wears crocs
And I am embarrassed to admit this….
I would only tell you, Diary
But She’s really into **** ***,
Michelle says it’s not ****** if it’s a man and a woman
And with her husband’s gay conversion camps, she would know
Come to think of it,
Nothing is a sin for a Republican
As long as you don’t get caught
So, there you have it, I have abandoned my socialist and Jewish roots
Do I have regrets?
Well, maybe sometimes,  
When Michelle talks about cutting veterans benefits
For a fleeting moment I recall how it felt
To take care of each other and to love people unconditionally
But then I think I sound like ******* flake
Twirling crystals and prisms or some stupid ****
I do like the idea of legalizing marijuana, though
But my change of heart and this whole Donald Trump thing is not my fault,
There are a limited number of seats open on this love train
I mean…
let’s be real, ok? Americans want epic battles and
Dad never smites people anymore,
Whatever happened to a good old fashioned smiting?
The way I see it, as long as Michelle doesn’t figure out that I am not white,
She and I are golden.
Anyway, thanks for listening diary,
I gotta go…Michelle and I are getting matching Jesus fish tattoos
I know, the irony, right?
written for a "dear diary" poetry slam
vamsi sai mohan Oct 2014
Few years from now where you
Will be living a fulfilling life and
myself unruffled inhabiting the latent aura ,
Ouch!then smites the peripetia,
Ensuingly at a gratifying glance,
You see me,you merely remember me.
Your mind ponders but your eyes struck
as if it has a memory,but
at the very Perceptively
poising moment I see you,
my mind and eyes struck intimately,and
Satiable senses synergize momentarily,
while the other senses get numb.
Nothing travels in my mind,
no electrical impulses,it is as if  I am meditating,
but my eyes gets emotional as if it bears an image.
It secretes the preserved fluid  
that gravitates  to my cheek,
where my hands scatter it along my face.
the years don't matter,even at the touch
of trance,you sprout from my thought.
The thoughts of partaken moments
vacillate in my mind,perhaps,
my senses don't work but
my heart works for you......
I love you for the millionth time,as
I say this it adds to another or nothing.

(A moment that happened for once,
never promised to happen twice nor hence,
but the fantasy pursues me thence,
the fantasy that pierces (me) )
Guss Feb 2014
The falcon’s wings beat fast like thumps of primal sacraments.
Battle continues endlessly in the cosmos, ever nearing total destruction.
While the ancient masters of the mountains watch and wait,
the hummingbird bravely enters the fight and smites us all.
A verse inspired by 10w poetry.
VG E Bacungan Jun 2014
Relieve the pain.
Scribble words.
An act mundane,
to his universe.

He'd had enough,
and so he said
                 ~
      Oh my love!
         I have paid.  
     All my love,
        down to the pave.
     For you bore not,
        the love I gave.
    Untie my knot,
        undone this slave.
                 ~

"Set me free!"
   His heart exclaims. . .

"I loved not thee."
   She proclaims.

Then cometh to his wits,
   it was he who enslaved,
himself to pain down the pits;
   when for love he had laid,
His Soul. His Truth. His Bliss.

Then so he wrote one final creed,
the last of his odes; his parting plead.
                      
                                                           Drag­ me deep down!
                                                           To the depths of fiery Tartarus!
                                                            for love is an act so murderous,
                                                            that everyday it smites mine heart.

                         I've given up this life I own,
                        sold to ink for one purpose.
                        Write poems, songs, odes; all in chorus.
                        Cram all ardor into immortal art.

 That if one day I be finally known,
 for the fool I was; in love I lose.
 May my path not be used,
 that time I know I've done my part.
                      
"To play the act of the  b r o k e n   f o o l."
Longest Poem I've ever written. I cannot believe I've done something like this. These are actually two separate poems I've done that I combined together. Dedicated to a friend of mine. Inspired by some of the events in his life and mine... a reminder of our foolishness in love. </3
Poetemkin Sep 2019
I.

Tнʏ functions are etherial,
As if within thee dwelt a glancing Mind,
***** of Vision! And a Spirit aerial
Informs the cell of hearing, dark and blind;
Intricate labyrinth, more dread for thought
To enter than oracular cave;
Strict passage, through which sighs are brought,
And whispers for the heart, their slave;
And shrieks, that revel in abuse
Of shivering flesh; and warbled air,
Whose piercing sweetness can unloose
The chains of frenzy, or entice a smile
Into the ambush of despair;
Hosannas pealing down the long-drawn aisle,
And requiems answered by the pulse that beats
Devoutly, in life's last retreats!

II.

The headlong Streams and Fountains
Serve Thee, Invisible Spirit, with untired powers;
Cheering the wakeful Tent on Syrian mountains,
They lull perchance ten thousand thousand Flowers.
That roar, the prowling Lion's Here I am,
How fearful to the desert wide!
That bleat, how tender! of the Dam
Calling a straggler to her side.
Shout, Cuckoo! let the vernal soul
Go with thee to the frozen zone;
Toll from thy loftiest perch, lone Bell-bird, toll!
At the still hour to Mercy dear,
Mercy from her twilight throne
Listening to Nun's faint sob of holy fear,
To Sailor's prayer breathed from a darkening sea,
Or Widow's cottage lullaby.

III.

Ye Voices, and ye Shadows
And Images of voice—to hound and horn
From rocky steep and rock-bestudded meadows
Flung back, and, in the sky's blue caves, reborn
On with your pastime! till the church-tower bells
A greeting give of measured glee;
And milder echoes from their cells
Repeat the bridal symphony.
Then, or far earlier, let us rove
Where mists are breaking up or gone,
And from aloft look down into a cove
Besprinkled with a careless quire,
Happy Milk-maids, one by one
Scattering a ditty each to her desire,
A liquid concert matchless by nice Art,
A stream as if from one full heart.

IV.

Blest be the song that brightens
The blind Man's gloom, exalts the Veteran's mirth.
Unscorned the Peasant's whistling breath, that lightens
His duteous toil of furrowing the green earth.
For the tired Slave, Song lifts the languid oar,
And bids it aptly fall, with chime
That beautifies the fairest shore,
And mitigates the harshest clime.
Yon Pilgrims see—in lagging file
They move; but soon the appointed way
A choral Ave Marie shall beguile,
And to their hope the distant shrine
Glisten with a livelier ray:
Nor friendless He, the Prisoner of the Mine,
Who from the well-spring of his own clear breast
Can draw, and sing his griefs to rest.

V.

When civic renovation
Dawns on a kingdom, and for needful haste
Best eloquence avails not, Inspiration
Mounts with a tune, that travels like a blast
Piping through cave and battlemented tower;
Then starts the Sluggard, pleased to meet
That voice of Freedom, in its power
Of promises, shrill, wild, and sweet!
Who, from a martial pageant, spreads
Incitements of a battle-day,
Thrilling the unweaponed crowd with plumeless heads,
Even She whose Lydian airs inspire
Peaceful striving, gentle play
Of timid hope and innocent desire
Shot from the dancing Graces, as they move
Fanned by the plausive wings of Love.

VI.

How oft along thy mazes,
Regent of Sound, have dangerous Passions trod!
O Thou, through whom the Temple rings with praises,
And blackening clouds in thunder speak of God,
Betray not by the cozenage of sense
Thy Votaries, wooingly resigned
To a voluptuous influence
That taints the purer, better mind;
But lead sick Fancy to a harp
That hath in noble tasks been tried;
And, if the virtuous feel a pang too sharp,
Soothe it into patience,—stay
The uplifted arm of Suicide;
And let some mood of thine in firm array
Knit every thought the impending issue needs,
Ere Martyr burns, or Patriot bleeds!

VII.

As Conscience, to the centre
Of Being, smites with irresistible pain,
So shall a solemn cadence, if it enter
The mouldy vaults of the dull Idiot's brain,
Transmute him to a wretch from quiet hurled—
Convulsed as by a jarring din;
And then aghast, as at the world
Of reason partially let in
By concords winding with a sway
Terrible for sense and soul!
Or, awed he weeps, struggling to quell dismay.
Point not these mysteries to an Art
Lodged above the starry pole;
Pure modulations flowing from the heart
Of divine Love, where Wisdom, Beauty, Truth
With Order dwell, in endless youth?

VIII.

Oblivion may not cover
All treasures hoarded by the miser, Time.
Orphean Insight! truth's undaunted Lover,
To the first leagues of tutored passion climb,
When Music deigned within this grosser sphere
Her subtle essence to enfold,
And Voice and Shell drew forth a tear
Softer than Nature's self could mould.
Yet strenuous was the infant Age:
Art, daring because souls could feel,
Stirred nowhere but an urgent equipage
Of rapt imagination sped her march
Through the realms of woe and weal:
Hell to the lyre bowed low; the upper arch
Rejoiced that clamorous spell and magic verse
Her wan disasters could disperse.

IX.

The Gɪꜰт to king Amphion
That walled a city with its melody
Was for belief no dream; thy skill, Arion!
Could humanise the creatures of the sea,
Where men were monsters. A last grace he craves,
Leave for one chant;—the dulcet sound
Steals from the deck o'er willing waves,
And listening Dolphins gather round.
Self-cast, as with a desperate course,
'Mid that strange audience, he bestrides
A proud One docile as a managed horse;
And singing, while the accordant hand
Sweeps his harp, the Master rides;
So shall he touch at length a friendly strand,
And he, with his Preserver, shine star-bright
In memory, through silent night.

X.

The pipe of Pan, to Shepherds
Couched in the shadow of Maenalian Pines,
Was passing sweet; the eyeballs of the leopards,
That in high triumph drew the Lord of vines,
How did they sparkle to the cymbal's clang!
While Fauns and Satyrs beat the ground
In cadence,—and Silenus swang
This way and that, with wild-flowers crowned.
To life, to life give back thine ear:
Ye who are longing to be rid
Of Fable, though to truth subservient, hear
The little sprinkling of cold earth that fell
Echoed from the coffin-lid;
The Convict's summons in the steeple's knell;
"The vain distress-gun," from a leeward shore,
Repeated—heard, and heard no more!

XI.

For terror, joy, or pity,
Vast is the compass and the swell of notes:
From the Babe's first cry to voice of regal City,
Rolling a solemn sea-like bass, that floats
Far as the woodlands—with the trill to blend
Of that shy Songstress, whose love-tale
Might tempt an Angel to descend,
While hovering o'er the moonlight vale.
O for some soul-affecting scheme
Of moral music, to unite
Wanderers whose portion is the faintest dream
Of memory!—O that they might stoop to bear
Chains, such precious chains of sight
As laboured minstrelsies through ages wear!
O for a balance fit the truth to tell
Of the Unsubstantial, pondered well!

XII.

By one pervading Spirit
Of tones and numbers all things are controlled,
As Sages taught, where faith was found to merit
Initiation in that mystery old
The Heavens, whose aspect makes our minds as still
As they themselves appear to be,
Innumerable voices fill
With everlasting harmony;
The towering Headlands, crowned with mist,
Their feet among the billows, know
That Ocean is a mighty harmonist;
Thy pinions, universal Air,
Ever waving to and fro,
Are delegates of harmony, and bear
Strains that support the Seasons in their round;
Stern Winter loves a dirge-like sound.

XIII.

Break forth into thanksgiving,
Ye banded Instruments of wind and chords
Unite, to magnify the Ever-living,
Your inarticulate notes with the voice of words!
Nor hushed be service from the lowing mead,
Nor mute the forest hum of noon;
Thou too be heard, lone Eagle! freed
From snowy peak and cloud, attune
Thy hungry barkings to the hymn
Of joy, that from her utmost walls
The six-days' Work, by flaming Seraphim,
Transmits to Heaven! As Deep to Deep
Shouting through one valley calls,
All worlds, all natures, mood and measure keep
For praise and ceaseless gratulation, poured
Into the ear of God, their Lord!

XIV.

A Voice to Light gave Being;
To Time, and Man, his earth-born Chronicler;
A Voice shall finish doubt and dim foreseeing,
And sweep away life's visionary stir;
The Trumpet (we, intoxicate with pride,
Arm at its blast for deadly wars)
To archangelic lips applied,
The grave shall open, quench the stars.
O Silence! are Man's noisy years
No more than moments of thy life?
Is Harmony, blest Queen of smiles and tears,
With her smooth tones and discords just,
Tempered into rapturous strife,
Thy destined Bond-slave? No! though Earth be dust
And vanish, though the Heavens dissolve, her stay
Is in the Wоʀᴅ, that shall not pass away.
Transcription presented without claim to accuracy. Original text, page 213: https://books.google.com/books?id=lpncWYjJneYC
T2m Aug 2014
Sadness may be a lover's world
Loneliness its dark gray clouds
Yet, love's beauty stands out
Like a spotless white dove
Flying against, a somewhat, eternity of blackness.

Oh the silly things we do for love
She smites us and make us cry
But away we wipe the tears and wear a hopeful smile
So that all pain gets concealed behind a thick mud wall of love

The longer the cry lasts
The tears begin to melt the mud wall away.
All the flickering stars of hope fades away,
Of emptiness, loneliness and emotional pains the heart begins to ail

Each day dawns wearing a new face
The sun smiling and yearning for a smile back
In the rays of the sun
You will feel the warmth of my love
And in the stillness of every song
Hear my heart beating strong
Oh yes, it is all in love and nothing wrong

If this love is true
Though it burns me and you,
Even through this emotional storm  
She will bring us safely home.

I love you, dearly, I really do.
David Plantinga Nov 2021
The boy-king wanted to incinerate
A fell and meretricious thryrus.  
His grandfather would venerate
The same staff, terrified of curses.  
His mother’d slandered the drunk god,
But regretting feckless blasphemy
She counseled them to spare the rod,
Until they heard the divine decree.  
Once the summoned prophet had appeared,  
Blind, and clad in a frayed, goatskin cloak,  
The monarch sputtered “It’s cursed, weird,
And wrong, burn it down to ash and smoke!”
The former monarch begged, “Appease
Bromius with primeval rite,  
A lord who smites his enemies
A lord too terrible to fight.”
The daughter next, “His worshipers
Run mad, and slaughter their own kin,
Even children.   The god massacres
Those who dispute his origin”
The prophet lifted up the staff
And tore the ivy from its tip.  
“Rites, massacres, don’t make me laugh,
And immolation’s sponsorship.”
He swung the staff to test its heft,
And said, “I need a walking stick,  
The drunkard has no bacchics left,
****** the goatish lunatic.”
At this, the grandfather turned pale,
And the repentant mother winced.  
Matched severity cannot avail
If fear and butchery convinced.  
A proverb soothes the quondam king
And the dowager, “He frightens you,  
But moderation in each thing,
And that in moderation too.”
From Euripides' The Bacchae
Eleni Aug 2017
Pulses and waves
Have their joys across my body.

Son of Aphrodite, he that smites ******* with an unknown Promethean heat.

The delectable wound on my chest marked from his piercing arrow.

Animating force, who's origin is only mumbled in gentle whispers
across my neck.

Shall we build our haven upon him,
Before the Father of The Sea washes us away?

Eros will save our love from the gallows
And forever gleam those beacons in his eyes: The idol of arrows.
This poem is revolved around the Greek mythological god, Eros. The Roman equivalent is Cupid. In this short and lustful monologue the speaker recognises that their relationship is purely built on lust. Yet the speaker holds hope that the affair will last before the Promethean Heat vanishes. Do they need another word for "love"?
Akemi Jul 2018
THE GULF WAR DID NOT |
THE GULF WAR DID NOT |
THE GULF WAR DID NOT

WHY WE OPPOSE:
Staid quanta of individuality. Phenom asks if they can go. The Big Mouth replies, babble babble. In a fit of rage, Phenom shouts, I’ve had enough of this. They wrench themselves off the dissection table, fetters flying into the air, but a sudden bout of vertigo sets in. They lie back down. The Big Mouth sticks a thermometer into their mouth and begins heating a can of corn soup.

WHY WE OPPOSE:
Professor Kippotkin takes the stage. She coughs into the mic to quiet the audience, but they are caught in sordid *******. She coughs again, managing only to project a trail of spit onto the shoulder of the nearest security guard. He turns immediately, a perfect ninety-degrees spin, automatically signalling the first in command. He has been trained since seventeen for this one task of momentous disciplinary precision. The first in command bellows, Let her speak! a phrase his colleagues repeat in serial down the chain of command.

The crowd soon catches on. An isolated few nod in consternation. Let her speak! they yell from the pits of their lungs, Let her speak!

Thank you, thank you all, Professor Karlpoppins exclaims, cheeks flush with amazement. More and more of the crowd join in. It is a rousing spectacle, a poignant display of human decency. But something is awry. The professor’s gratitude is swallowed into a cacophonous whole. Let her speak! The carnal grip of the big Other’s command unleashes the crowd’s jouissance. United in the master discourse, the crowd fragments into a bewildered totality. Let her speak! they scream at one another, arms jostling, heads tilting back, necks bared to the beating pulse of the earth-sky. LET HER SPEAK! Their combined blows begin to generate an ominous om.

Pl-please, Professor Kibbiezsche sputters, please, everyone! but the crowd have already forgotten her existence. Reams of toilet paper fly through the air. A crashing plane sounds in the distance. Crops burn.

The security team are forced to intervene. They close in from the sides, wielding riot shields and tear gas. HYPOCRITES! one of the members of the crowd screams. OPPRESSORS OF THE WORD! another follows. Footage of security guards flailing on the ground circulate on social media, tagged with the phrase WHO SPEAKS MY SPEAK?

Within twenty four hours, the whole country is ablaze with media coverage. Political scientists gather with literary scholars to speak the unspeakable into commercially-viable forms. Semiotext(e) sign a deal with Hollywood to write a docudrama about Baudrillard’s turbid *** life. Professor Kubblebutts is flown to Hawaii to give a speech on combine harvesters.

WHY WE OPPOSE:
I desire, therefore I am not. Incantation of the other spills through my greasy fingers as I fumble towards the hot sauce, dollop dollop, chicken salt strewn across the nommy wedges. That’ll be $4.50. They have already handed me the note. Our fingers touched for the briefest second, an anointment of the greasy chicken, the wedge fingers, the have a good night mister gurgle bop.

The taxi man sits outside in the cold, back heated by the friction of the smoothie machine, an indefinite spin, western civilisation’s meltdown. The turgid heat breezes past my neck and I sigh, almost in delight, but mostly out of convention and solidarity with the other workers. I hear the pitter pat of my shiftpanion as she scoops hot chips into the fresh night; it is so fresh, there is still so much night, why are you giving me $5 dollars, there is a bug on your face.

I take a break. The cool taxi man glances over just as I put my hands down my pants to shift my boxers into a more comfortable why is it always like this.

Everyone blames Foucault for destroying agency, but agency only arises in the gap between discourses, which is never a gap in power, but rather, the transversal of one power relation into the discursive matrix of another; what appears original is merely the same performance in the wrong site, that’ll be $24 for your **** and condoms.

The crumbled fish is shrinking with each passing day, little gasping body beneath the heat lamp, waffle waffle, waffle waffle, I am suffocating :)

WHY WE OPPOSE:
|||||FEeling BOLD? FeEL BOldbous ;;;; new Paracetamol Jelly and the KINK-CATS tour out the last week—
Thank you for holding. Please note this conversation may be recorded.
To continue, please state: 'my voice confirms my identity'
||"my voice confirms my identity"
and again, please state: 'my voice confirms my identity'
||"my voice confirms my identity"
Please note that this conversation is being recorded for the purposes of confirming your identity.
||"thanks"

WHY WE OPPOSE:
Slowly, slowly, Juniper sinks into the bed frame, the draughty window, the rotting sink. Hibiscus coveted for its prophetic dreams, pale steam smites nostalgia for a vision of the beyond. Streamlined entry into New World, an endless reshelving of family-value Mi Goreng, stormwater through the hollow vessels that twist beneath Juniper’s soles.

Juniper climbs the Garden steps. Pale trace of past motions set to automate at the slightest incline. The cloying rot beneath the pines pulls her closer and closer to the vital cache, the hidden excess. Another hedgehog climbs the mound; it admits its body, it expands in putrefaction.

Exiting onto the street, Juniper is greeted by a sign that reads “Caution. Night Shooting. Stay Out.”

WHY WE OPPOSE:
Steam creeps the mouth of the lid. Pallid flesh of yesterday’s body, settles the kitchen table, the hand, as motes crumple beneath gravity’s well. Mottled refuse, tied with a plastic ribbon, thrown into the street. Keys digging trenches, grandfather, the hollow behind my knee.

Last summer I waited for the rain in the dry concrete channel of the Leith. I was alone with the kayaks and the road cones and the fish, holes festering, showing their ribs in the walls of our flat, legs spread wearing high school sweaters, unable to breathe through cling wrap.

The summer before that, I watched films of myself bashing in the heads of strangers. Every night the ceiling of my mouth would transfigure into a doorway and I’d force my tongue through its serrated edges, waking with a new face. The cassettes would arrive soon after, testimonies of a brute physicality I could not remember enacting.

Earth grins, death strides. Hydraulic incisors pry the dead awake. At the smallest unit of life: phones, condoms, water bottles.
a piece i wrote for a zine

a piece
tangled
upturned
headed towards demise

ouroboros in its last desperate gasp

kingbabel.com/2018/07/09/faff0-plastic-death/

collab with hellopoetry.com/abloobloobloo/
ringnir Jul 2015
Whence the saint felt himself
Aggrieved by the sinuous blight
His apostles stood meek
Bequeathed off consensus malign
And its weight so foreboding
His shoulders denied

Ever so slight

And the ***** cursed her bane
As inimical smites bore her brain
She spoke in a slur
"Tug on my nape as you pierce me this night,
So a passage may emerge
From this face you despised"

*Ever so slight
JDK Mar 2016
Surfing on the waves of the apocalypse,
our hero dives deep to grab the wings of angel fish
then spins with hands full 'til he's at the center of a whirlpool capable of drowning the world.

The reaper appears in the eye of a storm,
and as our hero peers into the depth of his cowl,
he's surprised to find a smiling caricature of his own face.

(This is the part where the main character blasts off into outer space.)

Armed with a bottle full of light,
he slays the wicked worms boring holes through his brain.
With the combined might of all the stars that remain,
he smites the dark matter beast before it can retreat to the unseen place between all things.

But victory is bittersweet,
as our hero soon discovers that he can no longer breathe.
For lack of the existence of gaps,
his lungs collapse beneath the crushing weight of everything as it condenses into one solid mass with an atomic number quickly approaching infinity.

Everything goes black,
then suddenly . . .
BANG!
He opens his eyes and wakes from his dream.
Abbigail Nicole Apr 2017
intimate game, aiming of the heart
the target thrumming thirst then a terminating surge
a snare that smites, ignites the muse
nature nursing rage, raising remains
a fine art form earning guts, hanging hares
remnants raining sanguine sienna

fanfare of horrors offsetting reform
moonrise mourning, murmurings of nature

unhinge the earth, anointed assassin
ushering the inhumane, staining the air
a heist that haunts
she, an intent instrument of the forest
heir of grim harmonies, rot is her ornate signature
a tormenting mirage, her transient reign of ruin
beau présent format

— The End —