V. TO APHRODITE (293 lines)

(ll. 1-6) Muse, tell me the deeds of golden Aphrodite the
Cyprian, who stirs up sweet passion in the gods and subdues the
tribes of mortal men and birds that fly in air and all the many
creatures that the dry land rears, and all the sea: all these
love the deeds of rich-crowned Cytherea.

(ll. 7-32) Yet there are three hearts that she cannot bend nor
yet ensnare.  First is the daughter of Zeus who holds the aegis,
bright-eyed Athene; for she has no pleasure in the deeds of
golden Aphrodite, but delights in wars and in the work of Ares,
in strifes and battles and in preparing famous crafts.  She first
taught earthly craftsmen to make chariots of war and cars
variously wrought with bronze, and she, too, teaches tender
maidens in the house and puts knowledge of goodly arts in each
one's mind.  Nor does laughter-loving Aphrodite ever tame in love
Artemis, the huntress with shafts of gold; for she loves archery
and the slaying of wild beasts in the mountains, the lyre also
and dancing and thrilling cries and shady woods and the cities of
upright men.  Nor yet does the pure maiden Hestia love
Aphrodite's works.  She was the first-born child of wily Cronos
and youngest too (24), by will of Zeus who holds the aegis, -- a
queenly maid whom both Poseidon and Apollo sought to wed.  But
she was wholly unwilling, nay, stubbornly refused; and touching
the head of father Zeus who holds the aegis, she, that fair
goddess, sware a great oath which has in truth been fulfilled,
that she would be a maiden all her days.  So Zeus the Father gave
her an high honour instead of marriage, and she has her place in
the midst of the house and has the richest portion.  In all the
temples of the gods she has a share of honour, and among all
mortal men she is chief of the goddesses.

(ll. 33-44) Of these three Aphrodite cannot bend or ensnare the
hearts.  But of all others there is nothing among the blessed
gods or among mortal men that has escaped Aphrodite.  Even the
heart of Zeus, who delights in thunder, is led astray by her;
though he is greatest of all and has the lot of highest majesty,
she beguiles even his wise heart whensoever she pleases, and
mates him with mortal women, unknown to Hera, his sister and his
wife, the grandest far in beauty among the deathless goddesses --
most glorious is she whom wily Cronos with her mother Rhea did
beget: and Zeus, whose wisdom is everlasting, made her his chaste
and careful wife.

(ll. 45-52) But upon Aphrodite herself Zeus cast sweet desire to
be joined in love with a mortal man, to the end that, very soon,
not even she should be innocent of a mortal's love; lest
laughter-loving Aphrodite should one day softly smile and say
mockingly among all the gods that she had joined the gods in love
with mortal women who bare sons of death to the deathless gods,
and had mated the goddesses with mortal men.

(ll. 53-74) And so he put in her heart sweet desire for Anchises
who was tending cattle at that time among the steep hills of
many-fountained Ida, and in shape was like the immortal gods.
Therefore, when laughter-loving Aphrodite saw him, she loved him,
and terribly desire seized her in her heart.  She went to Cyprus,
to Paphos, where her precinct is and fragrant altar, and passed
into her sweet-smelling temple.  There she went in and put to the
glittering doors, and there the Graces bathed her with heavenly
oil such as blooms upon the bodies of the eternal gods -- oil
divinely sweet, which she had by her, filled with fragrance.  And
laughter-loving Aphrodite put on all her rich clothes, and when
she had decked herself with gold, she left sweet-smelling Cyprus
and went in haste towards Troy, swiftly travelling high up among
the clouds.  So she came to many-fountained Ida, the mother of
wild creatures and went straight to the homestead across the
mountains.  After her came grey wolves, fawning on her, and grim-
eyed lions, and bears, and fleet leopards, ravenous for deer: and
she was glad in heart to see them, and put desire in their
*******, so that they all mated, two together, about the shadowy
coombes.

(ll. 75-88) (25) But she herself came to the neat-built shelters,
and him she found left quite alone in the homestead -- the hero
Anchises who was comely as the gods.  All the others were
following the herds over the grassy pastures, and he, left quite
alone in the homestead, was roaming hither and thither and
playing thrillingly upon the lyre.  And Aphrodite, the daughter
of Zeus stood before him, being like a pure maiden in height and
mien, that he should not be frightened when he took heed of her
with his eyes.  Now when Anchises saw her, he marked her well and
wondered at her mien and height and shining garments.  For she
was clad in a robe out-shining the brightness of fire, a splendid
robe of gold, enriched with all manner of needlework, which
shimmered like the moon over her tender *******, a marvel to see.

Also she wore twisted brooches and shining earrings in the form
of flowers; and round her soft throat were lovely necklaces.

(ll. 91-105) And Anchises was seized with love, and said to her:
'Hail, lady, whoever of the blessed ones you are that are come to
this house, whether Artemis, or Leto, or golden Aphrodite, or
high-born Themis, or bright-eyed Athene.  Or, maybe, you are one
of the Graces come hither, who bear the gods company and are
called immortal, or else one of those who inhabit this lovely
mountain and the springs of rivers and grassy meads.  I will make
you an altar upon a high peak in a far seen place, and will
sacrifice rich offerings to you at all seasons.  And do you feel
kindly towards me and grant that I may become a man very eminent
among the Trojans, and give me strong offspring for the time to
come.  As for my own self, let me live long and happily, seeing
the light of the sun, and come to the threshold of old age, a man
prosperous among the people.'

(ll. 106-142) Thereupon Aphrodite the daughter of Zeus answered
him: 'Anchises, most glorious of all men born on earth, know that
I am no goddess: why do you liken me to the deathless ones?  Nay,
I am but a mortal, and a woman was the mother that bare me.
Otreus of famous name is my father, if so be you have heard of
him, and he reigns over all Phrygia rich in fortresses.  But I
know your speech well beside my own, for a Trojan nurse brought
me up at home: she took me from my dear mother and reared me
thenceforth when I was a little child.  So comes it, then, that I
well know you tongue also.  And now the Slayer of Argus with the
golden wand has caught me up from the dance of huntress Artemis,
her with the golden arrows.  For there were many of us, nymphs
and marriageable (26) maidens, playing together; and an
innumerable company encircled us: from these the Slayer of Argus
with the golden wand rapt me away.  He carried me over many
fields of mortal men and over much land untilled and unpossessed,
where savage wild-beasts roam through shady coombes, until I
thought never again to touch the life-giving earth with my feet.
And he said that I should be called the wedded wife of Anchises,
and should bear you goodly children.  But when he had told and
advised me, he, the strong Slayer of Argos, went back to the
families of the deathless gods, while I am now come to you: for
unbending necessity is upon me.  But I beseech you by Zeus and by
your noble parents -- for no base folk could get such a son as
you -- take me now, stainless and unproved in love, and show me
to your father and careful mother and to your brothers sprung
from the same stock.  I shall be no ill-liking daughter for them,
but a likely.  Moreover, send a messenger quickly to the swift-
horsed Phrygians, to tell my father and my sorrowing mother; and
they will send you gold in plenty and woven stuffs, many splendid
gifts; take these as bride-piece.  So do, and then prepare the
sweet marriage that is honourable in the eyes of men and
deathless gods.'

(ll. 143-144) When she had so spoken, the goddess put sweet
desire in his heart.  And Anchises was seized with love, so that
he opened his mouth and said:

(ll. 145-154) 'If you are a mortal and a woman was the mother who
bare you, and Otreus of famous name is your father as you say,
and if you are come here by the will of Hermes the immortal
Guide, and are to be called my wife always, then neither god nor
mortal man shall here restrain me till I have lain with you in
love right now; no, not even if far-shooting Apollo himself
should launch grievous shafts from his silver bow.  Willingly
would I go down into the house of Hades, O lady, beautiful as the
goddesses, once I had gone up to your bed.'

(ll. 155-167) So speaking, he caught her by the hand.  And
laughter-loving Aphrodite, with face turned away and lovely eyes
downcast, crept to the well-spread couch which was already laid
with soft coverings for the hero; and upon it lay skins of bears
and deep-roaring lions which he himself had slain in the high
mountains.  And when they had gone up upon the well-fitted bed,
first Anchises took off her bright jewelry of pins and twisted
brooches and earrings and necklaces, and loosed her girdle and
stripped off her bright garments and laid them down upon a
silver-studded seat.  Then by the will of the gods and destiny he
lay with her, a mortal man with an immortal goddess, not clearly
knowing what he did.

(ll. 168-176) But at the time when the herdsmen driver their oxen
and hardy sheep back to the fold from the flowery pastures, even
then Aphrodite poured soft sleep upon Anchises, but herself put
on her rich raiment.  And when the bright goddess had fully
clothed herself, she stood by the couch, and her head reached to
the well-hewn roof-tree; from her cheeks shone unearthly beauty
such as belongs to rich-crowned Cytherea.  Then she aroused him
from sleep and opened her mouth and said:

(ll. 177-179) 'Up, son of Dardanus! -- why sleep you so heavily?
-- and consider whether I look as I did when first you saw me
with your eyes.'

(ll. 180-184) So she spake.  And he awoke in a moment and obeyed
her.  But when he saw the neck and lovely eyes of Aphrodite, he
was afraid and turned his eyes aside another way, hiding his
comely face with his cloak.  Then he uttered winged words and
entreated her:

(ll. 185-190) 'So soon as ever I saw you with my eyes, goddess, I
knew that you were divine; but you did not tell me truly.  Yet by
Zeus who holds the aegis I beseech you, leave me not to lead a
palsied life among men, but have pity on me; for he who lies with
a deathless goddess is no hale man afterwards.'

(ll. 191-201) Then Aphrodite the daughter of Zeus answered him:
'Anchises, most glorious of mortal men, take courage and be not
too fearful in your heart.  You need fear no harm from me nor
from the other blessed ones, for you are dear to the gods: and
you shall have a dear son who shall reign among the Trojans, and
children's children after him, springing up continually.  His
name shall be Aeneas (27), because I felt awful grief in that I
laid me in the bed of mortal man: yet are those of your race
always the most like to gods of all mortal men in beauty and in
stature (28).

(ll. 202-217) 'Verily wise Zeus carried off golden-haired
Ganymedes because of his beauty, to be amongst the Deathless Ones
and pour drink for the gods in the house of Zeus -- a wonder to
see -- honoured by all the immortals as he draws the red nectar
from the golden bowl.  But grief that could not be soothed filled
the heart of Tros; for he knew not whither the heaven-sent
whirlwind had caught up his dear son, so that he mourned him
always, unceasingly, until Zeus pitied him and gave him high-
stepping horses such as carry the immortals as recompense for his
son.  These he gave him as a gift.  And at the command of Zeus,
the Guide, the slayer of Argus, told him all, and how his son
would be deathless and unageing, even as the gods.  So when Tros
heard these tidings from Zeus, he no longer kept mourning but
rejoiced in his heart and rode joyfully with his storm-footed
horses.

(ll. 218-238) 'So also golden-throned Eos rapt away Tithonus who
was of your race and like the deathless gods.  And she went to
ask the dark-clouded Son of Cronos that he should be deathless
and live eternally; and Zeus bowed his head to her prayer and
fulfilled her desire.  Too simply was queenly Eos: she thought
not in her heart to ask youth for him and to strip him of the
slough of deadly age.  So while he enjoyed the sweet flower of
life he lived rapturously with golden-throned Eos, the early-
born, by the streams of Ocean, at the ends of the earth; but when
the first grey hairs began to ripple from his comely head and
noble chin, queenly Eos kept away from his bed, though she
cherished him in her house and nourished him with food and
ambrosia and gave him rich clothing.  But when loathsome old age
pressed full upon him, and he could not move nor lift his limbs,
this seemed to her in her heart the best counsel: she laid him in
a room and put to the shining doors.  There he babbles endlessly,
and no more has strength at all, such as once he had in his
supple limbs.

(ll. 239-246) 'I would not have you be deathless among the
deathless gods and live continually after such sort.  Yet if you
could live on such as now you are in look and in form, and be
called my husband, sorrow would not then enfold my careful heart.

But, as it is, harsh (29) old age will soon enshroud you --
ruthless age which stands someday at the side of every man,
deadly, wearying, dreaded even by the gods.

(ll. 247-290) 'And now because of you I shall have great shame
among the deathless gods henceforth, continually.  For until now
they feared my jibes and the wiles by which, or soon or late, I
mated all the immortals with mortal women, making them all
subject to my will.  But now my mouth shall no more have this
power among the gods; for very great has been my madness, my
miserable and dreadful madness, and I went astray out of my mind
who have gotten a child beneath my girdle, mating with a mortal
man.  As for the child, as soon as he sees the light of the sun,
the deep-breasted mountain Nymphs who inhabit this great and holy
mountain shall bring him up.  They rank neither with mortals nor
with immortals: long indeed do they live, eating heavenly food
and treading the lovely dance among the immortals, and with them
the Sileni and the sharp-eyed Slayer of Argus mate in the depths
of pleasant caves; but at their birth pines or high-topped oaks
spring up with them upon the fruitful earth, beautiful,
flourishing trees, towering high upon the lofty mountains (and
men call them holy places of the immortals, and never mortal lops
them with the axe); but when the fate of death is near at hand,
first those lovely trees wither where they stand, and the bark
shrivels away about them, and the twigs fall down, and at last
the life of the Nymph and of the tree leave the light of the sun
together.  These Nymphs shall keep my son with them and rear him,
and as soon as he is come to lovely boyhood, the goddesses will
bring him here to you and show you your child.  But, that I may
tell you all that I have in mind, I will come here again towards
the fifth year and bring you my son.  So soon as ever you have
seen him -- a scion to delight the eyes -- you will rejoice in
beholding him; for he shall be most godlike: then bring him at
once to windy Ilion.  And if any mortal man ask you who got your
dear son beneath her girdle, remember to tell him as I bid you:
say he is the offspring of one of the flower-like Nymphs who
inhabit this forest-clad hill.  But if you tell all and foolishly
boast that you lay with ric

Though the first carried more miles, the second day of the hike was totally and unapologetically uphill. 
When you ascend, hiking becomes the zen of endurance.



First, you are stripped of all the pleasures of hiking. Your excitement is boiled into lactic acid. Your love for the trail is baked, hardened and dehydrated into thoughts of laying down in the sun until the heat shrivels you into an unconscious raisin.



Try as you may to put on your “isn’t hiking just a slice of heaven?” face, strangers passing you on the downhill stride can only see your “PLEASE GOD, HELP ME OR ******* **** ME” face.

As much as hiking really is a small slice of heaven, there is no denying the living-death of taking 10 straight miles to the knees under the chaffing hell of a 50 pound sack in the relentless sun. 


But when you’re back in an office, sitting on your cushy little ergonomic chair, you long for the sweat and the torture that forces your mind to the ankle deathtraps of mountain terrain. To the deep valley behind and below you, and the crystal basin at the foot of the granite Giants.



The worst thing you can do is ignore the pain—that makes it relentless. Instead you focus on the pain until you become it. The only thing left is the moment between each step, when you remember why you are here and what it is worth. Every time your foot touches dirt, it leaves twice the footprint. One on the mountain and another in your memory where you will safeguard the misery of your ascent and hold on for dear life. One day, when your knees are too weak and your body can no longer table your pack, all the pleasures and joys of the trail that you once thought dissipated in the steam of uphill toil will come rushing back with the magnified strength of every year between you and the present you once knew and respected enough to actually live.

And if you didn’t, if you let it only be pain to get through and not to focus or dwell on, then that is what it is and will always be. A dull memory of pain, dark and somber and incomplete.

So now the changed year’s turning wheel returns
And as a girl sails balanced in the wind,
And now before and now again behind
Stoops as it swoops, with cheek that laughs and burns,—
So Spring comes merry towards me now, but earns
No answering smile from me, whose life is twin’d
With the dead boughs that winter still must bind,
And whom to-day the Spring no more concerns.

Behold, this crocus is a withering flame;
This snowdrop, snow; this apple-blossom’s part
To breed the fruit that breeds the serpent’s art.
Nay, for these Spring-flowers, turn thy face from them,
Nor gaze till on the year’s last lily-stem
The white cup shrivels round the golden heart.

I do not fear death.
But I do fear wasting life.

I don't fear the pain
of my skin burning,
the emptiness
of my last breath,
the aching
of leaving the ones I love.

I do fear
the lack of scars etched into my skin.
I do fear
the emptiness
of my thoughts.
I do fear
the tears that I will never cry
of a broken heart.

I want to meet all the people of the world
and share our ridiculous stories
before my lips become silent.
I want to make mistakes
and learn to be right the next time
before I see the Devil.
I want to fall in love with the Earth,
with the people that walk on it,
with the mud that gets under my nails,
with the sunlight and rain that my skin soaks up
before my body shrivels into ashes
flowing in the wind.

When the comes that I should die
and I still have not lived
I should beg the Lord
Give me one more day
I beg you, please!
I wish to feel the sun bake my withered skin.
I wish to smell the bitterness of the sea.
I wish to see the stars dance at night.
and hear the laughter of children running by.
Let me live
for one day
and I'll let an infant take my place.

I do not fear losing life
I only fear losing a life a that never got to live.

Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.
Her face is flecked with pomace and she drools
A cider syrup. Having tasted fruit,
She scorns a pasture withering to the root.
She runs from tree to tree where lie and sweeten.
The windfalls spiked with stubble and worm-eaten.
She leaves them bitten when she has to fly.
She bellows on a knoll against the sky.
Her udder shrivels and the milk goes dry.

The skin is dry
   The pull
      The tug
         The tear
The skin is dead
   It sticks
      It bleeds
         It shrivels

The white teeth stained
With the blood and the pain
As the pink lips scab,
The skin pulled back
   Blood drips
      Tongue licks
         **Teeth rip

left brain, left brain
logical and literal
logarithms and lessons
long nights with little light
left brain sees the one
we love
and stays away
because it's the right thing to do

right brain, right brain
romantic and ridiculous
poetry and promises
dreams and darlings
yet to be killed
right brain sees the one
we love
and shrivels up dead
because being so close and so far
is too much for one to bear
when your heart is impaired

left brain, left brain
sees sights of soaring smiles
sees sights of somber sorrow
and squashes it with seas of cynicism
because left brain knows better
those people hurt us before-
why let them hurt us some more?

right brain, right brain
silly and sentimental
attaches arbitrary attributes
to objects of ominous obeisance
because right brain is impulsive
in this moment, they are everything
so they will always be everything-
right?

left brain, right brain
dynamic dichotomy
different and drastic
secure and stubborn
too strong-willed to back down
too lonely to break apart
disagree as we may
we know we might as well stay
for everyone in life needs a friend
and left brain and right brain
will be together until the end

woman

you are
dazzle,

powdered
stomp of
colours,

mist dew
bright of
song,

melody
of a hum
when you
speak,

clear eyes
sparkle on
the surface,
delicate,
serene,

today you
said softly,

budge a little
in the path of  
an evening sun,
it gets into my eyes,

you shall be
the death of me,

should I be left
with words and
rhyme,

these stiff
laces of device
I call poems,

of what use
are they,

you will
not be
here,

my heart
gnaws,
twists,

caught
in perils
of desire

oh garbage
words,
you are a
beggar's
lament

be away,
let me
gaze at
her while
time benignly
spins a top,

soon it
is bound
to topple

this alphabet
string,
pearl scatter
of a necklace,

be away,
verse,

futility,

to live in
a papered
world when
loveliness
shrivels
to another
lost moment,

be away,
illusion

let me see
it as it is

her yellow
dress,

gathering
light,
her terse
shades,

her yellow
dress  

let
dreams
tarry a
little,

speckled,
hypnotized,
sunshine,  

her
yellow
dress

shall be
the death
of me

Springtime begins to prevail
The white blanket slowly shrivels
Lifting winter’s tattered veil
With a slow and sturdy swivel

Little purple ones sprout first
Followed by the dandelions
But until the lilac bushes burst
We’re still enduring frigid times

Their beauty brings warmth and light
To the wasteland winter left behind
Clearing the path for illuminated nights
Of the blazing, treasured, never-ending kind

The breeze whispers soft to the trees
Sweet summer air flows everywhere
The peepers chirp in splendid harmony
The sweltering sun seeps gold into my hair

The vines, the grass, the flowers; they flourish and they thrive
The delicate side of Mother Nature is so gorgeous, and so fair
She breathes us; gives us our homes, our food, our lives
But her harsher side can take life away with just one breath of her frigid air

She can devastate an entire town with her roaring winds
She trembles and buildings crumble, tearing people apart
Limb by limb
So treasure every moment of her beauty; but be well aware;
She will do what she must and cannot be forced to care

(A Virginia Legend.)

The Planting of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

His fear was on the seaport towns,
The weight of his hand held hard the downs.
And the merchants cursed him, bitter and black,
For a red flame in the sea-fog's wrack
Was all of their ships that might come back.

For all he had one word alone,
One clod of dirt in their faces thrown,
"The hemp that shall hang me is not grown!"

His name bestrode the seas like Death.
The waters trembled at his breath.

This is the tale of how he fell,
Of the long sweep and the heavy swell,
And the rope that dragged him down to hell.

The fight was done, and the gutted ship,
Stripped like a shark the sea-gulls strip,

Lurched blindly, eaten out with flame,
Back to the land from where she came,
A skimming horror, an eyeless shame.

And Hawk stood upon his quarter-deck,
And saw the sky and saw the wreck.

Below, a **** for sailors' jeers,
White as the sky when a white squall nears,
Huddled the crowd of the prisoners.

Over the bridge of the tottering plank,
Where the sea shook and the gulf yawned blank,
They shrieked and struggled and dropped and sank,

Pinioned arms and hands bound fast.
One girl alone was left at last.

Sir Henry Gaunt was a mighty lord.
He sat in state at the Council board;
The governors were as nought to him.
From one rim to the other rim

Of his great plantations, flung out wide
Like a purple cloak, was a full month's ride.

Life and death in his white hands lay,
And his only daughter stood at bay,
Trapped like a hare in the toils that day.

He sat at wine in his gold and his lace,
And far away, in a ****** place,
Hawk came near, and she covered her face.

He rode in the fields, and the hunt was brave,
And far away his daughter gave
A shriek that the seas cried out to hear,
And he could not see and he could not save.

Her white soul withered in the mire
As paper shrivels up in fire,
And Hawk laughed, and he kissed her mouth,
And her body he took for his desire.


The Growing of the Hemp.

Sir Henry stood in the manor room,
And his eyes were hard gems in the gloom.

And he said, "Go dig me furrows five
Where the green marsh creeps like a thing alive --
There at its edge, where the rushes thrive."

And where the furrows rent the ground,
He sowed the seed of hemp around.

And the blacks shrink back and are sore afraid
At the furrows five that rib the glade,
And the voodoo work of the master's *****.

For a cold wind blows from the marshland near,
And white things move, and the night grows drear,
And they chatter and crouch and are sick with fear.

But down by the marsh, where the gray slaves glean,
The hemp sprouts up, and the earth is seen
Veiled with a tenuous mist of green.

And Hawk still scourges the Caribbees,
And many men kneel at his knees.

Sir Henry sits in his house alone,
And his eyes are hard and dull like stone.

And the waves beat, and the winds roar,
And all things are as they were before.

And the days pass, and the weeks pass,
And nothing changes but the grass.

But down where the fireflies are like eyes,
And the damps shudder, and the mists rise,
The hemp-stalks stand up toward the skies.

And down from the **** of the pirate ship
A body falls, and the great sharks grip.

Innocent, lovely, go in grace!
At last there is peace upon your face.

And Hawk laughs loud as the corpse is thrown,
"The hemp that shall hang me is not grown!"

Sir Henry's face is iron to mark,
And he gazes ever in the dark.

And the days pass, and the weeks pass,
And the world is as it always was.

But down by the marsh the sickles beam,
Glitter on glitter, gleam on gleam,
And the hemp falls down by the stagnant stream.

And Hawk beats up from the Caribbees,
Swooping to pounce in the Northern seas.

Sir Henry sits sunk deep in his chair,
And white as his hand is grown his hair.

And the days pass, and the weeks pass,
And the sands roll from the hour-glass.

But down by the marsh in the blazing sun
The hemp is smoothed and twisted and spun,
The rope made, and the work done.


The Using of the Hemp.

Captain Hawk scourged clean the seas
(Black is the gap below the plank)
From the Great North Bank to the Caribbees
(Down by the marsh the hemp grows rank).

He sailed in the broad Atlantic track,
And the ships that saw him came not back.

And once again, where the wide tides ran,
He stooped to harry a merchantman.

He bade her stop. Ten guns spake true
From her hidden ports, and a hidden crew,
Lacking his great ship through and through.

Dazed and dumb with the sudden death,
He scarce had time to draw a breath

Before the grappling-irons bit deep,
And the boarders slew his crew like sheep.

Hawk stood up straight, his breast to the steel;
His cutlass made a ****** wheel.

His cutlass made a wheel of flame.
They shrank before him as he came.

And the bodies fell in a choking crowd,
And still he thundered out aloud,

"The hemp that shall hang me is not grown!"
They fled at last. He was left alone.

Before his foe Sir Henry stood.
"The hemp is grown, and my word made good!"

And the cutlass clanged with a hissing whir
On the lashing blade of the rapier.

Hawk roared and charged like a maddened buck.
As the cobra strikes, Sir Henry struck,

Pouring his life in a single ******,
And the cutlass shivered to sparks and dust.

Sir Henry stood on the blood-stained deck,
And set his foot on his foe's neck.

Then from the hatch, where the rent decks *****,
Where the dead roll and the wounded *****,
He dragged the serpent of the rope.

The sky was blue, and the sea was still,
The waves lapped softly, hill on hill,
And between one wave and another wave
The doomed man's cries were little and shrill.

The sea was blue, and the sky was calm;
The air dripped with a golden balm.
Like a wind-blown fruit between sea and sun,
A black thing writhed at a yard-arm.

Slowly then, and awesomely,
The ship sank, and the gallows-tree,
And there was nought between sea and sun --
Nought but the sun and the sky and the sea.

But down by the marsh where the fever breeds,
Only the water chuckles and pleads;
For the hemp clings fast to a dead man's throat,
And blind Fate gathers back her seeds.

My fingers bleed
as I scratch the inside of my skull.
Like cleaning out a pumpkin to carve,
removing pulp and fingernails,
and scattering seeds to be planted.
Vacant minded, a candle
placed and centered in my head,
illuminating my eyes
and putting color to my cheeks.

Tape measure stretched,
razor sharp snap back.
Graphite on pine.
Rusted teeth cut deep.
Being boxed in, yet waiting,
anticipating the metal nails to sing
as wood meets wood.

Plumes of smoke escape
the pine structure.
My candlelight depletes along
with oxygen. This containment
only serves to obfuscate while
holding a crowbar.
And the seeds planted above
linger in soil
marinated by wood chips.
All the while the vegetable
shrivels up and cries.

A loved one lost leaves us with less in life,
not a loss to death and his scythe, rather, love’s untimely death.
At first a soul severed does not suffer, numbness reigns over .
For hope, that foolish feeling, whose feigned friendship forges a trust,
woos without warning, whereby a weak body—in disbelief,
hears Hope’s healing message with haste and hardly heeds her coy hint:
“Toil with Time;” therefore, Hope, through truthful trials with Time, teaches.

Time’s quite an omnipotent entity—an ever-morphing force.
The stages of Love’s relations—from first sight to last—change
the flow of Time. When Love starts it trickles from the mountain’s source;
slow and steady, but gains speed as each shared interest adds on.
These streams form a river, Time passes by—Love keeps you busy.
Eons seem to pass in the blink of an eye, noticed only
when that love departs. Time’s effect returns, languishing the void;
that drop of water trickles over your soul making time lull.
The mind replays the broken record of Love’s last visit till
Time’s drop drips from its place onto the rose’s petal, splashing
that prison of longing open, for Love’s return sets you free.
If that drop lands on the posy, for your rose was picked by one
whose hand is unknown, Time causes unfamiliar drought as
that posy shrivels under the sun. Time, now vapor, ascends—
with others joining we form a cloud of soles—growing denser still.
Up here we watch the world revolve, Time’s presence perceived no more.
This Union of Soles float in a blur, each learns from a neighbor.
Knowledge gained heals the sole, but is useless if employed alone.
We pray, forlorn—hearts still torn, till we fall to an earthly shore;
so keep Faith close, along with Hope, for Time will take course once more.

At this point I must disclose that I still need to elevate,
by descending from the misty fog of Time’s timeless smokescreen;
however, my time spent is not in vain. The lessons I learn
shape my view on life’s inner workings—cognition reigns over.
Over and over, I’ve seen the world revolve, patterns appear.
I see sole souls enter this realm alone, then leave as quickly,
for few remain stuck here, jailed in the prison of the timeless.
Most move on— graduated, learned, and having passed Time’s tests.
Alas, I am a mule in a stable—stubborn and restless.
This aside is ending as a descent’s beginning takes flight.

Love is only truly lost when one cannot overcome change.
A switch, which demotes loves to a plane of platonic tenor.
With faithfulness, a likeness to those before the Fall furthers
the Sole’s doles—now brighter—they exonerate Love’s loss of love.
When the soul, driven, has forgiven, then friendship’s re-obtained.

if life were really a tree,
mine would be cold,
dead from the frost

the leaves would have fallen
no hint of gold left on there surface
no love
no care

for this tree stands shorter than the rest
its breaths short
quivering in the silent wind

the trunk shrivels,
its bark turned grey
ashy remains through fire

it has burnt its unending river
of scarlet as its trunk is sliced to pieces

all you do is stand and watch
you watch them tear the tree apart
its beauty being lost each second that ticks by

If life were really a tree
you,

are my Tree Surgeon.

There’s a lagoon in my head separated from the fierce ocean of confidence by a low sandbank.
The sand dawdles to diminish its size, with melancholy waves halting its ruckus,
Water was never that loquacious, only cooing hastily on the salty air
Quaint grains of mushy rutabaga make it hard to finagle,
Because the sirens beautiful song entices me to sink
So I flounce hysterically, unable to calm my mind.

Her fair face freckled with sand gleams with odes of despair,
Adding to the mournful steps of the receding tide.
Waters once at a healthy level, wisp the fresh sea foam away.
Jagged rocks now poke out from the depths,
The vibrancy of her seaweed hair messy and curly, shrivels.

The timid sand portrays such reserve in its frantic company,
The waves crash on cue with such force,
Predictability is only her turquoise concealment
Ephemeral brine absorbed by desire,
Encapsulated by the beige powder,
That cannot dissolve.

Hard squirming in my stomach
overpowers.
Missed a pill by a few
hours.
Hope it doesn't seed,
hope it starts to bleed,
shrivels up and sours.

Delivered to us by an optimistic gentleman in a black Stetson cap
who spent his days waving village traffic down with an open hand,
it's been four years since you were sat on the bookshelf in Kath's house.

You stood proud, surveying the fine china made across the border
wrapped up in donated newspaper articles and pristine hand-me-downs,
while my inky fingers welcomed regulars who only ever looked around.

Each weekend we were greeted by bright smiles set in permanent shadow.
Sometimes I declined banknotes on the street for carrying dismantled tables.
I'm still searching for namesakes when perched on local stones above sea level.

Friends like Elvis were divisive figures due to their signature tobacco smells.
Under a green bus shelter, I laughed at his frown about a Midlands town.
Thinking about the rows of vacant church seats still leaves me cold

even now. As I watch needles drop onto rocks and a solitary shell,
your frame shrivels daily and bends you crooked like a question mark.
Oh, Eric - will I ever meet your father again to discuss your burial?

When she looks back,
A small teen believed
he was the happiest milestone
that's ever been marked
in her journey of life.  

She treated him like a dying man.
She cherished every second,
laughed at every word,
loved every part of him
entirely every moment she could.

Her brain would plant
beautiful flowers
and they became nourished by
a simple thought of him.

He did not show efforts
to create a new garden.
Malnutrition problems.
She was over blossoming
beautiful bouquets.
And gave them to the poison.

Time passes by,
she tried to be her again.

The thought of him always lingered
and it achieved all it needs.
Questioning herself, lack of confidence.
Day after day pass by,
She doesn’t know what she wants
lost in the ways of the world.

Her brain participates in ways to burry
the negative feelings to succeed
at only feeling good.
She’s stuck, the pain overbears her.

Fatigue, sadness, lack of motivation
all tag along, alone with nothing better to do. Weighing her down in the world while he is living like one normally does.

6 years later. She’s asked about her first love.

When she's thinking about him,
her brain shrivels up
like a flower would when it's cold.  
She try to protect herself, “Debatably a waste of time but also glad it happened.” She answers.

Growth is in pain, she acknowledges.
She thinks of her previous pain
only to find the root of sadness
to be able to change.

She lets go. She loves herself. She is beautiful. She feels like she is worth the world and deserving of a loving guy.

She notices that her maturity was key.
She lives life for her every day. Not for a boy, not for her school, grades, parents. SHE LIVES FOR HERSELF.

Her peace became important. She realized, feelings of hers are real. She is allowed to feel. Her emotions have power.

A pipe -- deferred
The American Dream
Shrivels
Raisin in the
Sun

They came in search of incredible sun,
seduced by cicadas and an easy time;
extraneous baggage with nothing to declare.
Two days in:
Sister Rose shrivels on her browning stem;
survives on lettuce leaves and cheap wine.
Pitiable by design, knowing perfectly
she's past her beauty max.
At her feet:
The blue pool cups cured hide
of idle heat-crazed beast
unleashed from his computer belt-
a doughboy moulded to his insubstantial boat-
afloat for fourteen days!
Entwined-
my crazy brother reclines with his latest lover
to share 'delightful' elderflower champagne
through a single straw,
****** together by their eyes.
And in the shade:
mother sits it out in floral silk,
sustained by seventy deniers
and her would-have-liked ideals-
the shadow of a lattice grill tatooed across her brow.

Then as the just deserts arrive,
and darted looks are handed round,
I glower at the heat - crazed ground
and muse-  'it's time to go,'

........but they would never forgive me..

She kept staring at the full moon
Her friend, confidant, fixation
Regretfully, I learn later, her escape
I kept talking in eerie silence
And keeping company to no effect
She like a bird tethered in a cage
I remember that night
Solemn the scar
Fourteen years hence
We were parked along a beach in Hawaii
Paradise one would think
Man and wife
Gazing in the opposite direction
I learn later our lasting vacation
Somewhere in the distance
Happy palm trees dance to the music of the waves
Whitecaps accentuate the moonshine of the night sea
Statues of tall mountains stand sentry
Separated by a treeline
Rolling hills, bare picket fences
And a defining moment
In the darkness and contrast
In·con·gru·ous
I see a few horses approaching our view, us
No doubt curious
My wife jests, as her eyes, depart the moon
Her reverie, her prayer pause
As the inside of the car shrivels
My heart braces
Her words, one by one
Denouncement at its finest
As she looks back at the horses, then me
"Even the poppies are in love
They're so stable"
She says this over and over
For my effect
Her eyes glassy
Her voice but a whisper
Steel, still
Drawing the horses nearer
Where soon their eyes
And noses peek through the fences of gloom
Big and brown,
Neighing
She begins to tear
Again
Sad and red
Real childlike
Her past begins to flash
Where she says something to the effect
That she once worked the corner of 42nd steet
In San Francisco
A bombshell went off
The horses sank in their seats
Lava spewed from my head
Mount Robertson in ashes
No votive candles could save her
Or us
Her angels on her shoulder
Lost to her rescue
Only albatrosses
Sinking
Sinking, us
Again in reverie
"Even the poppies are in love
They're so stable"
On and on
"I once worked the corner of 42nd Street
In San Francisco"
Her words, again, like ice
Melting
Reverberating in my mind
Where did I go wrong, I thought
Melancholy on the rocks
That night a man
And a moon cried
The sublimity of her message
The pantomime
The mock of steel
The planted seeds
The turning point
I can only gaze at the rolling hills
Now with two horses hoofing it back to safety
The darkness
The lost rebuttal and love
Her full moon
So prophetic
My teary eyes and mind could only wander
Past the happy palm trees
To the pieces of the puzzle
"You don't love me any more"
Deeply, I dug, wanting to find the answers
As her eyes and fingers quickly curled my lips
My insides a mess
She blows out my candle
Takes away the shovel
I knew
She knew
No words needed to be expressed
Only these
"Even the poppies are in love
They're so stable"
Soon it seamed,
Seemed
Stitches of our love ripped apart
That car that was once parked along the beach
Paradise searching
Now more suited for a funeral procession
As we  bereave the aloha attire, hotel, vacation and then the airport
As two ships departed in bereavement
Rudderless, without sails
Our port becoming a pretense
The living room couch soon my refuge
Saturated with my tears
Faithfulness and honor
Her bi-polarity worsening
Sadly
Truly
I didn't know at the time
If only I had known
Had some understanding
The winds at war
Of what was in her harbor
More of the anchors of doom
Holding her down
The barnacles, erosions of her mind
I could have helped
I will always remember that night
Fourteen years hence
Two horses short of being stable
And the battles in my mind
The tears
The waning days and months
Where the seasons and time felt lost
A year later,
A morning dawn
Mourned
I looked into her vacant eyes
The stillness
She was finally at peace
No longer tethered or caged
There was a full moon the night before

Logan Robertson

3/04/2019

I have a desire to unleash
My imagination unto the world,
I wish to give birth to many worlds
To terraform colorful plains
Of unbelievable skies and creatures.

One is of a cat, a dangerous cat
Who stands on his hind legs
And cups his top hat with his right paw,
And bows his orange coat,
Careful not to wrinkle his fine suit.
He is dangerous because he is a gentleman,
And in this era
Gentlemen are scarce and unheard of.
So unheard of that Gentleman Cat
Is always given conservative, cautious, and quizzical looks
Looks that try to read Gentleman Cat
Of any deceit, dishonor, and destruction
That drip from his light whiskers.

Another is of an industrial wasteland
Where all its people reek of bewilderment
Taken aback by this strange place.
It is full of leaking deformities
And sopping wet clothes
And screeching radiators.
It is a sad mad realm,
But the coal still burns
As freaks walk in the rain
Under the hypnosis of poisonous air.

Another is a place I haven't fully developed yet,
But it includes a bust, a butcher, and a *****.

Another follows a bright young princess
Who chooses to walk barefoot,
Much like her people.
However, she cuts her foot on a rusty nail
And dies because modern healthcare
Is an illusion.

Another is a card player named Luke
Who sees debt as a challenge,
More so than a problem.
His ****** ignorance leads him
To a troubling situation
Where he has nothing to pay
After losing a game of chance,
Except for his fleshed jewels
Passed down since the dawn of man.

Another is one that I just thought of this instant.
It is of a psychotic policeman
Who shoots himself
In order to increase his **** count
From 27 to 28.

Finally, one more story.
In this story a woman has two dreams,
In the first she is chased by
A thunder cloud through a corn maze.
She is panting and flailing her lungs
Trying to grasp for air,
And the dream ends.
The second is she is on a conveyer belt
Sitting at a wooden school desk
Receiving lessons from a hooded figure
With a gavel
Hammering ideals and priorities
Of the old world.
The figure is crying
And drawing infinite circles on the blackboard
With a new piece of chalk.
Eventually the both of them
Arrive at the end of the line,
And fall into a cavern of outer space
Where a butterfly appears from the hooded figure's hood
And crumbles and shrivels right before the girl's eyes.
And then she wakes up.

I.

I wear the stern face of my ancestors,
the apron-clad Scandinavian matriarchs
who built me from rock and bone.

My husband, my good friends, my family, my colleagues
all affectionately name me "intimidating."

They say:
"You're the strong one."
"We'll send you to win the battle."
"They should have known not to cross you."

They name me fighter,
mouthpiece,
leader,
and stand like tin men in legions at my back.

I am obliged to march on;
I cannot remember a time
when my feet have rested.

My banner waves in the northwest wind
and I hold it, dutifully,
fearing its inevitable fall
as my arms shake.

II.

My arms
shake.

Wind camouflages
this constant trembling: the
fabric of my
flag
whips and ripples and any
falter
in its course
is blamed on the wind, but

veins shrink - skin
shrivels - muscles
shake - I am no Atlas,
my
breath slows
sharpens
stops -

III.

I am a dry sand-castle:
one touch will obliterate me.

I am the brittle leaf on concrete:
one shoe will shred me.

I am dandelion spores on a plain:
one gust will erase me.

IV.

In my chest beats the soft heart of my ancestors,
the ruddy-cheeked Scandinavian matriarchs
who built me from soft earth and azaleas.

So name me weakling,
broken-down,
dependent;
give voice to all of me.

Lift this banner,
and give rest to my weary shoulders.
Hold me in your arms
when I need to collapse.

V.

At times,
even a general must be carried by her soldiers.

Too much of one worry is our buckled knees
dragging
the question to the fountain to make it drink. I’ll tell you the right
and proper Why I had to stifle
my cigarette break before my wrists broke
before my wet-eyed babbling witnessed your last constellation --
My last star
The star that bore the envelope between Doubts and Wisdom.
And Mourning -- that tossed bag on the vagabond's back.
I'll wait until the morning breaks.
I'll stake my flattery on the flyman's ****.
We'll wring that excuse "We were young"
until the dishrag shrivels moreso than
the letter on the fire.
Stick-figured promises -- know why you're here.

The first sinking dismay
she had in her humdrum life
was the first bongless time
when she heard herself cry.

The swallow of a muttered moan
following a stricken strife
like a shade hurtling the shadows,
a last dismaying gasp.

Where the zephyr in southerly arms die
where the nymph shrivels on a thirsty desire
where the Wheel crashes on a pallid meadow
where the plucked wings of the Dove fly?

Where the shadow of the bear downed stone
will dim my own umbra, eventide's gravedigger
brooding on a fractured glass? Lights' eyes queller
the lips' ballad subduer, ripper of the flock's strokes.

Your own stonewalling dismay is
double-crosser of a sea of dust chalk,
drowning feeble lying fireflies...
twinkling the sneers of your eclipse.

-Follow, follow her shadow
calling your own void from afar.

Where the wild lilacs the foggy crucify
where the stinging memory stirs dawdling desires
where a stabbing thought make the blurred red rock dance
dance in an **** between the answer and the why.

consider
the field is never always smooth;
there are times that the grass turns brown
and the flowers wilt and their petals
return to the ground
…consider these things…
what was a frolicing maid becomes a hag;
the virulent man shrivels and becomes incapable
and so the sky, never always clear and boundless
and so the clouds, not always childhood pleasantries
but they come into chaos and dreariness
and pile dollops of dark humor
and so our lives,
darlings, O sweet ones -
regard these things well -
and so our lives too pass from radiant days
to gasp below dreary shades
from a happy, happy song to a dirge over the dale –
and not all our rosaries and beads and prayers and faith
nothing will halt, in spite of stories they recite,
nothing will halt the sun and the passage of time
and so like the artist it is best to observe
like the artist in the field
capture the moment, savor the life
and if anything, make of one’s life a beauty
that others may pause to gaze at
as pausing to gaze at a rose, the cherry blossoms…
be you makers of beauty,
darlings, O darlings, consider these things
O sweet ones…

I am so sick of being that girl
The one who sits awkwardly
Tries not to show too much on my face
But here I am
I watch all around as people
Stare
Judge each other
And it isn’t even me that I am tearing the roots out of my faith in humanity over

I watch
And I listen
And all I perceive is laughter
“Oh my gosh that was totes hilarious”
No.
It wasn’t.
Those people you laugh at…
People of Wal-Mart
That crazy chick
The person at the end of all of your jokes
Harmless as they seem
Those people are people too
They have people who love them
Loved ones losing them to the horrors of the person that you force them to see in the mirror each day
Each breath
Rigid and Choked
Trying to be the person on the inside
“Only inner beauty matters…”

Then why won’t you let them be more than
The punch line.

I know
It’s harmless
Everyone laughs
It’s funny

And everybody laughing
And joking
And smiling
As they look past your soul
Just searching for a witty response
Instead of a human being

It isn’t harmless.


If I fall
And I can’t even breathe
I can’t even tell who I am
And no one is around to hear my cries for help
No one hears…

Do I still exist?

People stop wanting to exist when they feel like their life doesn’t exist.
I’ve been there before

So

Just stop.
Stop.
Stop.
Just stop.
Think for a second.

What if that was you?
What if it was your best friend?
Your everything?
And their existence is laughed off.

Until it shrivels and dies.
No more growth.
Not ever.

We are walking uphill through a snowstorm of meaningless arrows
Poison soaking the tips
And I can’t fight them forever.
So please.
Somebody help.

And even though you may finally hear my cries
And cry with me
You keep on shooting
Not even thinking
Because it is only natural now.

Please.
Think.
Stop.
Think.
Let me go.
Let everyone try to figure out who they are
What they want to be
Without pushing waves of stereotypes
And laughing at their dreams
Scoffing their entire existence away

THE bronze General Grant riding a bronze horse in Linc-
oln Park
Shrivels in the sun by day when the motor cars whirr
by in long processions going somewhere to keep ap-
pointment for dinner and matinees and buying and
selling
Though in the dusk and nightfall when high waves are
piling
On the slabs of the promenade along the lake shore near
by
And make to ride his bronze horse out into the hoofs
and guns of the storm.
I cross Lincoln Park on a winter night when the snow
is falling.
Lincoln in bronze stands among the white lines of snow,
his bronze forehead meeting soft echoes of the new-
sies crying forty thousand men are dead along the
Yser, his bronze ears listening to the mumbled roar
of the city at his bronze feet.
A lithe Indian on a bronze pony, Shakespeare seated with
long legs in bronze, Garibaldi in a bronze cape, they
hold places in the cold, lonely snow to-night on their
pedestals and so they will hold them past midnight
and into the dawn.

Body longer than the veins of men combined,
Taller than the heads of seven men
The wind bites and tears through its skeleton,
The rains cleanse its mercurial skin
      the texture of gravel      hardened by fire

It is an artificial parent
A barely-there mother
Young children fall below
     crowd around its silver skin,
reaching up with bladed arms fragile-thin,
and adhere themselves to it,
pulling themselves up     up     up
each twist and turn nearing them to light

One of them dies, and fades
from viridian lime into burnt sienna
Ever clinging on,
refusing to let go,
even when its body shrivels and withers off  
refusing to say goodbye to its mother,
who long since the start
had held it up
brought it close
to the warming light it so desired.

The others,
Carry on
Climbing and winding,
higher and higher and higher until

Finally!

They blind her.
The brush grows thick with feathers and thorns
Surrounding her, her sight
That one no longer sees anything but

An organic fortress

No trace of her skin remains.
None of those shredding scales are seen
Fear-inducements, horror-sights
Hidden behind the blades of her children

Silver bones turn to rust
The damp pour turns her brittle
armored legs crowd round, as close as they dare come
keeping distance still, wary of the past

Her young rush over without fear
Snaking through her teeth, barbs that shred bone
Knowing that her jaws will never close on them–
     her beloved little children
Their cloying arms, arms that once hugged close for comfort
Now ensnare and hold captive
On their own, they wish to stand
     to be as resilient as their guardian–but without her all the same

Limbs wrap tighter
Blades draw nearer
The weight is heavy
     stifling almost, clouding, suffocating
And yet, she endures

There is no sound

And with the groaning of the wind,
A glinting silver bone breaks
Followed by another     and another      and another
Till stolid earth is littered with crystal fractures
     of a once majestic form     that slowly disappears

The green spills over, crashing over placated earth
The children once-fragile, scatter to the plain
Nothing holds them now,
As cold as their once-mother's skin had been,
     her absent passing, far more chilling

Child, nightmare and dreams
You have them so short,  so it seems!
The hardest part is letting go!
Your head says yes and the rest screams no!!
Try to give them right from wrong
Show them how to be strong!
To stand on their own two feet
To be a good person to any they meet!
But sometimes it goes so bad, drugs, drink or they just don't care!
Their demons take over and as parents we have to pay the piper the fare!
You can't say don't give a ****, give them the cold shoulder!
Because deep down they're your babies and without them the world is trully colder!!
To lock them up in a safe haven, cotton wool, no monsters in their cupboard you say
Your inside shrinks and your heart shrivels to see them  take the wrong road, their way!!
DiD you do your best? Do you love your children enough?  Are you still trying to fix things you think you didn't do right?
Me if I could go back in time, I'd be a little strickter, still love them the same, unconditionally just meybe not so busy more in sight!!
Say no when I should've, tell I them I love them, hold them in my arms much much more!!
Meybe then I wouldn't feel such a failure and my heart  
wouldn't hurt be so sore!!!!

S is the 19th letter of the alphabet.
I had to count twice on my fingers to be sure of that.
It glues together many, many words.
It fixes people to the walls.
It shrivels fruit in the bowl.
It sticks us all in the same soup (****).
Let's swim.

You have 19 reasons to die,
written out like manuscripts in manila folders  
  populating a small cubicle containing your confidence
   pasted to the walls, and neatly nested on the next door desk
     at least you told someone.
The logic of your feeling breathing life into the spreadsheet,
The simple clicks of order covering up the shame of dead weeks
Day in Day out working toward a little more
Waiting for the future where the ability to break out is yours.
Cage around each arm. Suffering in small doses.
Never overwhelming the epicenter.

I have 19 reasons to die.
Scrawled in sidewalk chalk on 17th street.
  Ringing in the ears of all my close relatives and their next of kin.
   They say, "Hurry up and usher in the next generation so we can stop worrying about fixing yours."
The crumpled cover letters in my compactor spell pure love, and the reasons it's never noticed.
  Simplicity in disarray, a life of static colors. Repugnant sorrow odors.
I am the only town crier left in this town.
  Always complete but never fulfilled.
The sad sequel to a Mexican standoff with a self-referential story.
  Narcissism and narcotics.
  Nihilism and Mnemonics.
Space and the stuff of the stars.
Love and the war of the heart.

S is the 19th letter of PSEUDOPSEUDOHYPOPARATHYROIDISM
No it's not but what a great word.
No it's not but aren't you glad you tried to count?
No it's not but aren't you satisfied with yourself for trying to decipher?
No it isn't and wasn't it worth it to try to speak the sounds?
No it is not and wasn't it the sibilance in your mouth worth every second?
No it is not thank you come again have you had your fill when we're only 19/26?


Reasons to live:







Seemingly unneeded. We're here aren't we? Doing what we could only be meant to do.
R is the real 19th letter.
One more would have been S.
But you'd never know if you didn't count.
So let's count.
Ready?
3...2...1...