This house has been far out at sea all night,
The woods crashing through darkness, the booming hills,
Winds stampeding the fields under the window
Floundering black astride and blinding wet

Till day rose; then under an orange sky
The hills had new places, and wind wielded
Blade-light, luminous black and emerald,
Flexing like the lens of a mad eye.

At noon I scaled along the house-side as far as
The coal-house door. Once I looked up -
Through the brunt wind that dented the ***** of my eyes
The tent of the hills drummed and strained its guyrope,

The fields quivering, the skyline a grimace,
At any second to bang and vanish with a flap;
The wind flung a magpie away and a black-
Back gull bent like an iron bar slowly. The house

Rang like some fine green goblet in the note
That any second would shatter it. Now deep
In chairs, in front of the great fire, we grip
Our hearts and cannot entertain book, thought,

Or each other. We watch the fire blazing,
And feel the roots of the house move, but sit on,
Seeing the window tremble to come in,
Hearing the stones cry out under the horizons.

queer creature of white stone:
the spirit of the island in the head of this lion,
the soul of the natives in the body of this fish,
spirit and soul, lion and fish, mingle together by
mere wry humour of evolution’s word

we revere this beast, (it watches over us
from nine metres above), we bow down our backs,
(worship it as our exemplar): for many of us,
unknowingly, we emulate the spirit and soul
of this queer white creation of stone.

standing tall (unshaken!) even as jaundice bolts of heaven’s
creep tip-toed behind its scales and strike:
its cemented steadfastness of stone we emulate,
for through the towering grey waves of crisis, and
the threatening dark clouds that foretell our very fears,
we too, have floated and transcended and appeared
unscathed.

mutated monster – child of bad genes,
they despise such unfavourable antagonistic features
(shall it rule like a lion or flail like a fish?):
its unlikeliness of surviving, of thriving we emulate:
for this dotted smudge of red pen ink on the globe,
destined to bow down to fate – bowed down not, and
flourished.

beams of white water spouting out in a
perfect shape of a quadrant’s circumference, endlessly,
its majestic spewing action we emulate:
this island of expectations, sterile smell of success,
fate of our future in the setting of an exam hall,
(in there do you not think we resemble the merlion,
our mouths the hoses, the papers our well?)

but, oh, the merlion – so many of it –
the merlions, same-maned, same-scaled,
fluttering and bursting with imitation across our home:
such congruity, conformity we emulate:
for years of yearning to swim in the mainstream waters,
of being goldfish, instead of losing the waters for flight like flying fish,
have made us very much, about
the same.

queer creature of white stone:
do you see not how we resemble your very self,
how we offer you praise (by
lifting our human arms, arching on our mere knees,
hoisting our lowly mortal heads, surveying your colossal royalty,
camera in hand)?

I buried them in a shallow grave

outside the sunroom where their cage hung

rain washed their bones into a deep earth cellar

Where I descend by night with my lone candle

to find them fixed in strata, yet not fixed

scaled claws striking Jurassic dragonflies



My shadow flickers and dissolves

as I sit at the sunroom desk

Tiny scaled claws strike my head

Pinioned dervishes scold:

My suit of black and white feathers

my smooth hands and my scientist's smirk

my two-finger typing and opposable thumbs

my missing wings and manifesting teeth



We dinosaurs live on, incantations of ancestral rebirth

templates used, discarded, and used again

as our sphere cycles on, now warming, now cooling

the uniforms change, the costumes evolve

but the sudden-death scrimmage is eternal.

NAY! swear no more, thou woman whom I called
Star, Empress, Wife! Were Dian's self to lean
From her white altar and with goddess lip
Swear thee as pure as her pale breast divine,
I could not deem thee purer than I know
Thou art indeed.

Once, when my triumphs rolled
Along old Rome and blood of roses washed
The battle-stains from off my chariot-wheels,
And triumph's thunders round my legions roared,
And kings in kingly ******* golden bound
Shook at my charger's foot, past the hot din
Of Victory-whose heart of golden pride in wound
Most subtly through with fire of subtlest pain-
My soul on prouder pinion rose above
The Roman shouting, to an air more clear
Than that Jove darks with hurtling thunderbolts,
Or stains with Jovian revels-that separate sphere,
Unshared of gods or man, where thy white feet
Caught their sole staining from my ruddy heart,
Blazing beneath them; where, when Rome looked up,
'Twas with the eyes close shaded with the hand,
As at some glory terrible and pure,-
For no man being pure, a terror dwells
Holy and awful in a sinless thing-
And Caesar's wife, the Empress-Matron, sat
Above a doubt-as high above a stain.

Nay! how know I what hell first belched abroad
Tall flames and slanderous vomitings of smoke,
Blown by infernal breathings, till they scaled
Thy throne of whiteness, and the very slaves
Who crouched in Roman kennels wagged the tongue
Against the wife of Caesar: 'Ha! we need not now
And opal-shaded stone wherewith to view
A stainless glory.' In that day my neck
Was bound and yoked with my twin-Caesar's yoke-
Man's master, Sorrow.

I know thee pure-
But Caesar's wife must throne herself so high
Upon the hills that touch their snowy crests
So close on Heaven that no slanderous Hell
Can dash its lava up their swelling sides.
I love thee, woman, know thee pure, but thou
No more art wife of Caesar. Get thee hence!
My heart is hardened as a lonely crag,
Grey granite lifted to a greyer sky,
And where against its solitary crown
Eternal thunders bellow.

1.

dear feminism,
do i think of women
when i write to you?

why do i personify?

angry at an unjust world,
angry at injustice in ourselves,
have i been taught to fear you?
ignore inequity of fears?

or hide  
in the shadows of your salty curves
speaking soft with sycophantic tilt?

was this what mother meant,
portending talk of therapy
two decades in advance?

a bouy on three waves,
i crash against protuberances too:
limp didactics on avoidance for the victims,
waking in continuums of shrugging crime.

sameness differs in utopias --
every latent gut avers the right to spill.
despite the lissome quell forgetfulness contains,
my proper sphere will leave me
deafened in a wrack-dry
tidal echo--
'Fairness' stains clear beauty dark
as my imagined egos drown at last
from down our oceanic well of shame.

sacrifices fade,
i cannot write...
i write, and fail,
defined by sediment cliche,
reading women authors out of obligation ..odd desire,
and so in dim medieval-fashion
miss
the trail of monoliths erected
for a craven ease

2.

dear civil rights,
why were you taught
through prisms of boredom?
my voiceless reading left you to your rage,
while i communed with glossy nature,
private leaves.

how dare i clap your back
"congratulations"
at your tidy givens  granted
scars were open past my seeing,
and bleed still

while right here, empathy dies, now

dreams are bombed,
grafted to infected faculties
to wallow tended in a garden of injustice
erudite and dead,
i **** a bit i tell myself then stuff my face with food,
cover breath with smoke
and sleep in sour ignorance
no courage left to care.
blind grins bouquet the status quo
of rotted stems, discarded roots

i bury you with homeland fear
the killing silence filled with just intentions
for tomorrow

3.

dear feminism,
you speak for me, too--
my genderless ear attunes

cathartic sweep of ills
scaled beyond your other selves,
sexing into common chosen songs

no fearful tremble
at a mainstream backdrop reprimand--
to be a good gender,
--this gender not that gender--
gestate bigotry of symbol wombs,
cut ripe to cater to unquestioned whim;
no violent selfhood requisitioning
to closet inner innocence in pain

contractions shock in further waves
i midwife simple hope i hope
true fairness you have nursed in seeing death


4.

dear punk **** feminism,
marginal i ask as i perform
unstructured sutras on my heart
exemplar of a meta-freedom
burning in the core of threaded ages strung--
how then life without your voice,
vast silence unobserved,
the hidden anti-*** persisting
in our gender-theory--theorizing sterile norms--
sweet pulsing concupiscence
in our every waking breath
a pollinating zephyr tease toward
celebrating every feotal bathtub bliss --
unbridled ideologies unleashed
unmade into opining din

5.

dear temperance,
i vote you cherished
whirlwind
singing endless through the ageist ridicule
apparent failure in the civil warrior's eye
dogma blinks
denial of the rights you suffered for
but underneath compassion all along
i rally in your family's younger gaze
staring down,
questioning the steady rhythm of a whiskied fist

6.

dear feminism,
have i been taught to celebrate you?
have i been taught to fear for you?
have i been taught to treat you as a woman?
why do i personify you?
like some Sophia cybered up atop the forums of our age

blind and failing
i would be dust as well
like any rightful fading into dust
be swept along with all coercive screenings,
fear-born silences
immune to reason and the reasons of the heart--
rather than to live forgetting
letting go the questions giving rise to equals in a discourse
revising what it means to ask the meaning of


#
dear feminism,

when you are gone..
i for one will sing you
hope

to protest bigotry
a raging tranquil step
of care-filled voicing

dare an upward sloping arc
a dream becoming shared
to overcome
attain
inspired by once unfamiliar names

i will still be here,
the angry feminist
burning in my flagging underwear

brightest outrage at injustice
your deeper loves, fairness
selfhood honored
as if written in the stars
or ancient shorelines
-- you will not be gone

..."Una selva oscura."--Dante.


Awake or sleeping (for I know not which)
  I was or was not mazed within a wood
  Where every mother-bird brought up her brood
    Safe in some leafy niche
Of oak or ash, of cypress or of beech,

Of silvery aspen trembling delicately,
  Of plane or warmer-tinted sycamore,
  Of elm that dies in secret from the core,
    Of ivy weak and free,
Of pines, of all green lofty things that be.

Such birds they seemed as challenged each desire;
  Like spots of azure heaven upon the wing,
  Like downy emeralds that alight and sing,
    Like actual coals on fire,
  Like anything they seemed, and everything.

Such mirth they made, such warblings and such chat
  With tongue of music in a well-tuned beak,
  They seemed to speak more wisdom than we speak,
    To make our music flat
  And all our subtlest reasonings wild or weak.

Their meat was nought but flowers like butterflies,
  With berries coral-colored or like gold;
  Their drink was only dew, which blossoms hold
    Deep where the honey lies;
Their wings and tails were lit by sparkling eyes.

The shade wherein they revelled was a shade
  That danced and twinkled to the unseen sun;
  Branches and leaves cast shadows one by one,
    And all their shadows swayed
In breaths of air that rustled and that played.

A sound of waters neither rose nor sank,
  And spread a sense of freshness through the air;
  It seemed not here or there, but everywhere,
    As if the whole earth drank,
Root fathom deep and strawberry on its bank.

But I who saw such things as I have said,
  Was overdone with utter weariness;
  And walked in care, as one whom fears oppress
    Because above his head
Death hangs, or damage, or the dearth of bread.

Each sore defeat of my defeated life
  Faced and outfaced me in that bitter hour;
  And turned to yearning palsy all my power,
    And all my peace to strife,
Self stabbing self with keen lack-pity knife.

Sweetness of beauty moved me to despair,
  Stung me to anger by its mere content,
  Made me all lonely on that way I went,
    Piled care upon my care,
Brimmed full my cup, and stripped me empty and bare:

For all that was but showed what all was not,
  But gave clear proof of what might never be;
  Making more destitute my poverty,
    And yet more blank my lot,
  And me much sadder by its jubilee.

Therefore I sat me down: for wherefore walk?
  And closed mine eyes: for wherefore see or hear?
  Alas, I had no shutter to mine ear,
    And could not shun the talk
  Of all rejoicing creatures far or near.

Without my will I hearkened and I heard
  (Asleep or waking, for I know not which),
  Till note by note the music changed its pitch;
    Bird ceased to answer bird,
And every wind sighed softly if it stirred.

The drip of widening waters seemed to weep,
  All fountains sobbed and gurgled as they sprang,
Somewhere a cataract cried out in its leap
    Sheer down a headlong steep;
  High over all cloud-thunders gave a clang.

Such universal sound of lamentation
  I heard and felt, fain not to feel or hear;
  Nought else there seemed but anguish far and near;
    Nought else but all creation
  Moaning and groaning wrung by pain or fear,

Shuddering in the misery of its doom:
  My heart then rose a rebel against light,
  Scouring all earth and heaven and depth and height,
    Ingathering wrath and gloom,
  Ingathering wrath to wrath and night to night.

Ah me, the bitterness of such revolt,
  All impotent, all hateful, and all hate,
That kicks and breaks itself against the bolt
    Of an imprisoning fate,
  And vainly shakes, and cannot shake the gate.

Agony to agony, deep called to deep,
  Out of the deep I called of my desire;
  My strength was weakness and my heart was fire;
    Mine eyes that would not weep
Or sleep, scaled height and depth, and could not sleep;

The eyes, I mean, of my rebellious soul,
  For still my ****** eyes were closed and dark:
  A random thing I seemed without a mark,
    Racing without a goal,
  Adrift upon life's sea without an ark.

More leaden than the actual self of lead
  Outer and inner darkness weighed on me.
  The tide of anger ebbed. Then fierce and free
    Surged full above my head
  The moaning tide of helpless misery.

Why should I breathe, whose breath was but a sigh?
  Why should I live, who drew such painful breath?
Oh weary work, the unanswerable why!--
    Yet I, why should I die,
  Who had no hope in life, no hope in death?

Grasses and mosses and the fallen leaf
  Make peaceful bed for an indefinite term;
  But underneath the grass there gnaws a worm--
    Haply, there gnaws a grief--
Both, haply always; not, as now, so brief.

The pleasure I remember, it is past;
  The pain I feel is passing, passing by;
  Thus all the world is passing, and thus I:
    All things that cannot last
  Have grown familiar, and are born to die.

And being familiar, have so long been borne
  That habit trains us not to break but bend:
Mourning grows natural to us who mourn
    In foresight of an end,
  But that which ends not who shall brave or mend?

Surely the ripe fruits tremble on their bough,
  They cling and linger trembling till they drop:
I, trembling, cling to dying life; for how
    Face the perpetual Now?
  Birthless and deathless, void of start or stop,

Void of repentance, void of hope and fear,
  Of possibility, alternative,
  Of all that ever made us bear to live
    From night to morning here,
  Of promise even which has no gift to give.

The wood, and every creature of the wood,
  Seemed mourning with me in an undertone;
  Soft scattered chirpings and a windy moan,
    Trees rustling where they stood
And shivered, showed compassion for my mood.

Rage to despair; and now despair had turned
  Back to self-pity and mere weariness,
With yearnings like a smouldering fire that burned,
    And might grow more or less,
  And might die out or wax to white excess.

Without, within me, music seemed to be;
  Something not music, yet most musical,
Silence and sound in heavenly harmony;
    At length a pattering fall
Of feet, a bell, and bleatings, broke through all.

Then I looked up. The wood lay in a glow
  From golden sunset and from ruddy sky;
  The sun had stooped to earth though once so high;
    Had stooped to earth, in slow
Warm dying loveliness brought near and low.

Each water-drop made answer to the light,
  Lit up a spark and showed the sun his face;
  Soft purple shadows paved the grassy space
    And crept from height to height,
  From height to loftier height crept up apace.

While opposite the sun a gazing moon
  Put on his glory for her coronet,
Kindling her luminous coldness to its noon,
    As his great splendor set;
  One only star made up her train as yet.

Each twig was tipped with gold, each leaf was edged
  And veined with gold from the gold-flooded west;
Each mother-bird, and mate-bird, and unfledged
    Nestling, and curious nest,
  Displayed a gilded moss or beak or breast.

And filing peacefully between the trees,
  Having the moon behind them, and the sun
Full in their meek mild faces, walked at ease
    A homeward flock, at peace
  With one another and with every one.

A patriarchal ram with tinkling bell
  Led all his kin; sometimes one browsing sheep
  Hung back a moment, or one lamb would leap
    And frolic in a dell;
Yet still they kept together, journeying well,

And bleating, one or other, many or few,
  Journeying together toward the sunlit west;
  Mild face by face, and woolly breast by breast,
    Patient, sun-brightened too,
  Still journeying toward the sunset and their rest.

I saw a gigantic tree.
Uprooted and on its side.
The great roots forming a mane for the snarling ringed face on the stump.
But the fallen beast is taken, it’s husk a Home.
A vibrancy of weevils, ladybugs, frog hoppers, Cockchaffers that’s skittering, scattered like a smashed ant farm.


Around its base were prehistoric ferns,
Curled and scaled like sand lizards’ tales.
Reminiscing the demise of the tyrannosaur.
When dust clouds darkened the sun which warmed their claws.
The skittering skinks, slow worms and other small lizards, who need far less to survive, then feasted upon the monsters’ flesh and found a home in its bone structured palace.

As whale sinks,
Distorted into a globster of its former self,
It hits the sea bed hard in oil-Black darkness.
The hagfish burrow, starved for millennia.
Brutally tearing at the befallen banquet.
Mouths used to scraps choking on steak.
Getting their guts knitted as they squirm over each other to grasp some sashimi.
Dripping saliva as if we’re sweat in the ruckus.

Yeti crab pinch, as do isopods
But get only mucus insulting their jaws.
And they thought they helped to cut up the portions.

Soon all that is left is a skeleton.
Hanging in a museum for future generations to see.

Once again, dust gathers, from bombed out sand.
Erupting in the air as giants hit the ground.
We may soon again see darkness fall.
As the rayiys is skinned.

But no tears are shed.
We all cheer none the less.

A creature not of here or there
With parts that do not fit
Neither fish nor fowl, horse or bear
A bashed together kit

Too many heads, some with horns
Body furred and scaled
Eagles wings and spines like thorns
And as a peacock tailed

Some aspects might bring a smile
While others will repel
One small detail may beguile
Yet another breaks the spell

Each pack or flock it tries to join
Though they seemed akin
And in some facet quite adroit
Another portion can’t fit in

Every time it tries as best it may
To hide an offending section
Knowing that if seen in light of day
The result will be rejection

So the beast remains an alien
Cloaks what's best concealed
Strives to imitate the chameleon
That no misshape be revealed

All creatures hunger for a home
Chimera hungers too
But it wanders doomed to roam
A haven to pursue

Fever-flushed children and
Broken bodies
Litter hospital halls like so much
Human refuse
….Wondering why
their need for care is treated so tepidly by a
Society which worships
Profits
Power and
Prestige
….Waiting while
they wallow in anguish as
Privacy
Paperwork and
Payment are
Debated by bureaucrats in cubicles
….Wanting to be refreshed and
restored to some measure of usefulness
….But
Free to Pursue Life on their terms in exchange for  
Silence
Acceptance and
Despair

Huddling for warmth and in
Fear of discovery
they assemble in rag-tag formation
having scaled formidable fences
Seeking freedom from
Poverty and oppression
Searching for work of any sort
….No matter how
Humiliating or
Hard
….No matter the
Cost or
Conditions
Disparaged and despised they labor
in hope that their children will have a chance for success
instead of suffering a similar fate
…..But
Free to Pursue Liberty
in a land where their presence is
Ignored if not Denied

Unkempt in camouflage
One-legged and
Vacant-eyed
he rolls his rickety wheelchair along grassy median with muted effort
displaying cardboard sign
childishly scripted
in one weather-worn and gnarled hand
while clutching a decapitated jug in the other
Forgotten
Forlorn, and
Discarded veteran
Victimized far more by country than foe
….But
Free to Pursue Happiness while
Begging on street corners as
Upright citizens dispense
Unwelcome opinions or
Pocket change with equal
Self-righteousness


Life
Liberty and the
Pursuit of happiness….
Ideals that slowly incinerate on the
Altar of Capitalism
….Songs forever lost in the
Cacophony now
Played on the
Instrument of Politics

death calls
every heartbeat by name
making each one the same

this is your life
this is your life
this is your life
this is your life

the metronome, calling me home, ticking away, fading the day
life can be so melodramatic
like watching static
with the volume on mute
and your mind on mute, numbed by the gentle static hiss of your own personal hell
and the waves that swell
the remains of life-forms onto endless beaches of time

all time is mine
all time is mind

i look out by night
at the vast ocean of Being
and the sand, as it slips in my hands
is not made for my counting
infinity is not comforting

i smell salt
sitting on the naked earth, i draw from a vast reservoir
a deep well
hoping that maybe if i bury my head
under the beachy sand
i will escape the tide by becoming one with the earth and the stars

i try to write perfect words
with the absurd feeling that if i get them right
they will work like a spell
that shatters reality itself
and places me somewhere else
where things were right the first time

after all, we cast reality with words
and all of our pictures come to life
and all of life is our pictures
and words are our entire reality
so we must not be saying the right words, thinking the right words
no one taught us the right words, we don’t have the faculty for those kinds of words

silence and sleep
thoughts of the deep
give no rest for me
they reek of the sleep i dread to sleep
i make noise so that the universe must keep listening
i banish sleep because a white gangrene is glistening
where the worm never dies
and the smokes always rise, blotting the skies

are we the children of Cain? cursed from the face of the earth
is it because of ****** in my heart
that i am marked to die?

we stand shivering outside, in chains and shackles, all in a line
with brothers and sisters in front and behind
and every so often (we never know when)
our captors pluck one of us out of the line
and none of us can stop it
and we are forced to watch it
while they stand our mothers and fathers against the wall
and open fire, but not at heart or head
on stomachs and bowels instead
so our loved ones expire slowly, writhing on the cold dirt
pleading eyes upturned
begging our love to save them
but we can only wait our own turn

it seems that no Mind would dream up such a dream
and give it as Life
to its very offspring

i tremble to blaspheme
but i am questioning
doubting

whether Love has ever tread these tangled paths at all
whether Life ever begot life
whether we are not in fact just the spectacular fireworks
of passion and sorrow
that the universe has cooked up with
its chemical sorceries

which paint once the sky
for an instant in time

Father! Father!
do you even remember the name that you gave me?
do you remember the night you pulled me violently from my resting place
where it was dark and warm and secure?
and you cast me into a cold, hollow womb that continually miscarries
and i was born in a tomb
too soon?

it was winter
do you remember?

the dying of embers
O, wanton December!
Who pierced me with sorrows
and gave me tommorows
but stole all my todays


i inquire into the science
of infinite gaps
of gaping synapse

i investigate the substance of Being
poking at it from every angle
demanding that it yeild fruits fit for our consumption
that it justify itself

must i remind you
that i never asked to be here
and i never consented
to this form or this figure
riddled with cancers

i am the eternal thought
thinking itself
watching with terrified attatchment
these bodies which i inhabit

my haunts, my accostomed places
my ethos, my habits
my character, a socially constructed facade
my self, ever putting itself
into the eyes of others, looking on itself
imagining itself playing the roles
of each of the other children in the schoolyard


but at last, the primitive state of nature overtakes me
i’m going to sleep now, do not awaken me
and when i awake, Love will wake again with me
and all the smoldering, dying wreckage of this day will forsake me

ah, i remember now, the sound of Love, walking in the cool of the garden
when each day seemed to stretch on forever
and the night was full of magic
the infinite gaps can only be scaled
in the space of one instant, no more and no less

working its way back through every other instant
time, since it is a function of mind, is also subject to language
i stand back from the bodies of the dead i inhabit
i am the universal singularity, the one thought
throbbing and pulsing in the ****** heights before explosive creation
i
howl
the body electric
and rise, ******* over Moloch
whose mind is pure machinery
and whose children drown in their insanity

with a cold and broken hallelujah
i hymn the blessed race immortal
and rend the fabric of reality from top to bottom
entering in the place most holy
and die, writhing on the warm, welcoming earth
the place of my birth
the place of my hearth, where the embers glow and spark

December has now heard a lark
Hades, required to return to her mother
the goddess he has stolen for a season
and the Bird rises wreathed
in flame from the ashes
baptizing the Forms of our collective unconscious
with the blessed and holy power of life

and coming to life, all of our pictures bring us to life with them!

*

one can not blaspheme what is not
for one can not think of it
look again at what Love gave us
in the space of an instant, which extends on forever
since time and space alike are a construct of our symbolic processes

i pull out my tabula rasa
i am written on the tabula rasa
all is white on the tabula rasa
all is white
all is white

the waves now are dragging me in
to the ocean without beginning or end
and the depths are alive with the wind
of warm currents and of births and of sand
and death would appear now a friend
leading me in by the hand
calling me into the land

Love is life
Love’s alive
Love is death

Death calls

There are sleeping dreams and waking dreams;
What seems is not always as it seems.

I looked out of my window in the sweet new morning,
And there I saw three barges of manifold adorning
Went sailing toward the East:
The first had sails like fire,
The next like glittering wire,
But sackcloth were the sails of the least;
And all the crews made music, and two had spread a feast.

The first choir breathed in flutes,
And fingered soft guitars;
The second won from lutes
Harmonious chords and jars,
With drums for stormy bars:
But the third was all of harpers and scarlet trumpeters;
Notes of triumph, then
An alarm again,
As for onset, as for victory, rallies, stirs,
Peace at last and glory to the vanquishers.

The first barge showed for figurehead a Love with wings;
The second showed for figurehead a Worm with stings;
The third, a Lily tangled to a Rose which clings.
The first bore for freight gold and spice and down;
The second bore a sword, a sceptre, and a crown;
The third, a heap of earth gone to dust and brown.
Winged Love meseemed like Folly in the face;
Stinged Worm meseemed loathly in his place;
Lily and Rose were flowers of grace.

Merry went the revel of the fire-sailed crew,
Singing, feasting, dancing to and fro:
Pleasures ever changing, ever graceful, ever new;
Sighs, but scarce of woe;
All the sighing
Wooed such sweet replying;
All the sighing, sweet and low,
Used to come and go
For more pleasure, merely so.
Yet at intervals some one grew tired
Of everything desired,
And sank, I knew not whither, in sorry plight,
Out of sight.

The second crew seemed ever
Wider-visioned, graver,
More distinct of purpose, more sustained of will;
With heads ***** and proud,
And voices sometimes loud;
With endless tacking, counter-tacking,
All things grasping, all things lacking,
It would seem;
Ever shifting helm, or sail, or shroud,
Drifting on as in a dream.
Hoarding to their utmost bent,
Feasting to their fill,
Yet gnawed by discontent,
Envy, hatred, malice, on their road they went.
Their freight was not a treasure,
Their music not a pleasure;
The sword flashed, cleaving through their bands,
Sceptre and crown changed hands.

The third crew as they went
Seemed mostly different;
They toiled in rowing, for to them the wind was contrary,
As all the world might see.
They labored at the oar,
While on their heads they bore
The fiery stress of sunshine more and more.
They labored at the oar hand-sore,
Till rain went splashing,
And spray went dashing,
Down on them, and up on them, more and more.
Their sails were patched and rent,
Their masts were bent,
In peril of their lives they worked and went.
For them no feast was spread,
No soft luxurious bed
Scented and white,
No crown or sceptre hung in sight;
In weariness and painfulness,
In thirst and sore distress,
They rowed and steered from left to right
With all their might.
Their trumpeters and harpers round about
Incessantly played out,
And sometimes they made answer with a shout;
But oftener they groaned or wept,
And seldom paused to eat, and seldom slept.
I wept for pity watching them, but more
I wept heart-sore
Once and again to see
Some weary man plunge overboard, and swim
To Love or Worm ship floating buoyantly:
And there all welcomed him.

The ships steered each apart and seemed to scorn each other,
Yet all the crews were interchangeable;
Now one man, now another,
--Like bloodless spectres some, some flushed by health,--
Changed openly, or changed by stealth,
Scaling a slippery side, and scaled it well.
The most left Love ship, hauling wealth
Up Worm ship's side;
While some few hollow-eyed
Left either for the sack-sailed boat;
But this, though not remote,
Was worst to mount, and whoso left it once
Scarce ever came again,
But seemed to loathe his erst companions,
And wish and work them bane.

Then I knew (I know not how) there lurked quicksands full of dread,
Rocks and reefs and whirlpools in the water-bed,
Whence a waterspout
Instantaneously leaped out,
Roaring as it reared its head.

Soon I spied a something dim,
Many-handed, grim,
That went flitting to and fro the first and second ship;
It puffed their sails full out
With puffs of smoky breath
From a smouldering lip,
And cleared the waterspout
Which reeled roaring round about
Threatening death.
With a ***** hand it steered,
And a horn appeared
On its sneering head upreared
Haughty and high
Against the blackening lowering sky.
With a hoof it swayed the waves;
They opened here and there,
Till I spied deep ocean graves
Full of skeletons
That were men and women once
Foul or fair;
Full of things that creep
And fester in the deep
And never breathe the clean life-nurturing air.

The third bark held aloof
From the Monster with the hoof,
Despite his urgent beck,
And fraught with guile
Abominable his smile;
Till I saw him take a flying leap on to that deck.
Then full of awe,
With these same eyes I saw
His head incredible retract its horn
Rounding like babe's new born,
While silvery phosphorescence played
About his dis-horned head.
The sneer smoothed from his lip,
He beamed blandly on the ship;
All winds sank to a moan,
All waves to a monotone
(For all these seemed his realm),
While he laid a strong caressing hand upon the helm.

Then a cry well nigh of despair
Shrieked to heaven, a clamor of desperate prayer.
The harpers harped no more,
While the trumpeters sounded sore
An alarm to wake the dead from their bed:
To the rescue, to the rescue, now or never,
To the rescue, O ye living, O ye dead,
Or no more help or hope for ever!--
The planks strained as though they must part asunder,
The masts bent as though they must dip under,
And the winds and the waves at length
Girt up their strength,
And the depths were laid bare,
And heaven flashed fire and volleyed thunder
Through the rain-choked air,
And sea and sky seemed to kiss
In the horror and the hiss
Of the whole world shuddering everywhere.

Lo! a Flyer swooping down
With wings to span the globe,
And splendor for his robe
And splendor for his crown.
He lighted on the helm with a foot of fire,
And spun the Monster overboard:
And that monstrous thing abhorred,
Gnashing with balked desire,
Wriggled like a worm infirm
Up the Worm
Of the loathly figurehead.
There he crouched and gnashed;
And his head re-horned, and gashed
From the other's grapple, dripped ****** red.

I saw that thing accurst
Wreak his worst
On the first and second crew:
Some with baited hook
He angled for and took,
Some dragged overboard in a net he threw,
Some he did to death
With hoof or horn or blasting breath.

I heard a voice of wailing
Where the ships went sailing,
A sorrowful voice prevailing
Above the sound of the sea,
Above the singers' voices,
And musical merry noises;
All songs had turned to sighing,
The light was failing,
The day was dying--
Ah me,
That such a sorrow should be!

There was sorrow on the sea and sorrow on the land
When Love ship went down by the bottomless quicksand
To its grave in the bitter wave.
There was sorrow on the sea and sorrow on the land
When Worm ship went to pieces on the rock-bound strand,
And the bitter wave was its grave.
But land and sea waxed hoary
In whiteness of a glory
Never told in story
Nor seen by mortal eye,
When the third ship crossed the bar
Where whirls and breakers are,
And steered into the splendors of the sky;
That third bark and that least
Which had never seemed to feast,
Yet kept high festival above sun and moon and star.

She'd swooshed by on her skates.
He'd seen her in her reflection that day
On his car’s rear view mirror,
For the first time ever.
The new neighbour, was she?

That very night, for the first time ever,
Both happened to be on their respective rooftops.
The clock had just scaled eleven.
Now that they’d seen each other,
Tonight's coincidence sufficed to make way
For a rendezvous every night, thereafter.

He’d often be smiling his sheepish smile,
Panting for breath as he’d reach the terrace
While the clock would strike eleven,
A few heartbeats later.
Oh, but she would often already be there,
A teasing laughter on her lips,
A childlike smile in her eyes.
Relief followed by exultation in his heart.

And so, they’d be standing a lane's length apart,
United under the zoetic starry sky, every night hence.

You’d wonder, how both were somehow convinced,
That the other still believed
This nightly tryst
Under the sky's roof to be a coincidence.

She'd light cigarette after another.
He'd pretend
To be caressing his pet,
Fast asleep.
Or some such silly thing.

How he’d wish the whiff of smoke from her cigarette
Would drift across to his terrace.
He’d imagine the wafting smoke
That’d emanate as she’d part her lips
To be a peek into her coy desires.
And many such cheesy things.

They hadn't exchanged a word till date.
Oh but they'd exchanged hearts that very first night.
She didn't even know his name yet
She'd wonder if he knew hers’?
'Has it ever mattered?' she'd think.
'I'm better off not knowing her name!'
Thinking a name could define her
Is to be silly', he’d think.

She was at his door one evening,
To hand over a letter,
Mistakenly delivered at her home.
Or so she said. Something he'd happily believed.
She'd slipped her heart along with the letter,
She later happily realized.

The ensuing night lingered
Six and a half cigarettes longer,
The first time ever.

Fifteen evenings gone by since
She wouldn’t be seen.
He stayed for a brief bit on the sixteenth night.
Disappointed less, worried more.
Did she feel this silent encounter
Of their worlds had stayed silent too long?
Words could never suffice, didn't she know?
He went down to his room ruefully.
Oh but she’d reached just the terrace at that instant.

And they thought coincidences could only always favor them.

A few evenings later he saw her.
Not veiled by the sepia-tinted street lights this time.
Nor in the crimson blush of that evening.
Decked in bridal finery
The vermilion vows on her forehead
Staring starkly at him like an exclamation mark.

And you thought coincidences could only always favor us,
Seemed to be the rhetoric she was throwing at him.

That night, his tattered heart
Writhed in dead wakefulness on the rooftop.
Even now, he looks across
At her absence, a presence in itself.

.the crows' persistent croak undermines all attempts at man's adventure into universal fame, or one that might distinguish man's composition, from earth, as intended for adam, to air, as intended for odin, to water as intended for poseidon, to fire as intended for the tetragrammaton.

it fails, most of the time,
poetry is scarce,
too much fondness of the abstract,
hence residues of
distracted verse, whimsical,
overburdened pronoun usage -
such likes - complex punctuation
to replace diacritical marks in
france or germany or norway,
poetry doesn't have the impetus,
just doesn't have the impetus to
package fudge, package fudge paragraphs
of fiction, poetry isn't anything
unless it's anti-fiction,
there's no point idealising
how you would fit into a glass stiletto
when it doesn't allow a fitting: cindarella was first
two jealous sisters got their heel
and big toe cut off, you want to encode
that as .pdf or .jpeg?
technophobes ***-standing:
is that enough for a start-up religious cult?!
i'm just wishy washy wondering,
all bets on it taking off - congregation of
en masse suicide seems a fanciful expression,
mind you, i have no excuse.
where there's a middle there ain't no finger,
no message evaluation and furthered to
an execution, the middle has an eroteme:
not exactly erotically thematic, just
a hunch off huh...
so... poetry... it's scarce, tumble **** practice
of a lost joke...
poetry exhibits itself sometimes in tight-tangle prose
of a knausgård - fancy wording a mile apart
would make traffic accidents aplenty,
and it happens... ramble ramble ramble (worded),
then some poetic ecstasy like an unguided tour
of a gallery making you kneel in anti-catholic
gesticulation of a painting by francis bacon...
shouldn't happen, but it did...
so while prose writers are like things infused
with packaged designation of the right
digestion and right diet content of carbohydrates,
poets are like: what sustenance from air?
we ramble sometimes, **** naked i presume,
but we do, and when we do, we draft novels
for other people, we're not into nation building
or writing novels... we're the anorexia of prose...
and that's grand... because it means
that our readers have to be self-involved,
not ready to grasp the rooting of prose diction...
more fused to the open airs
of writings' scarcity...
we need strong readers not numbers...
we need people who are self-involved,
who would spit and kick a copper statue of
the poet represented in a public square with
people of the spoken tongue the real tourists
wondering: who's that?

that aside...
          i went to sleep thinking about chess...
into bed at around 1am
woke up at around 9am...
past two nights? interludes of
perhaps 2 / 3 hours...
    cutting on the alcohol is one thing...
keeping a tally?
proof: co-op sells 1liter labelled bottles
of scotch,
but as it turns out, according to my braille tally?
it's: ⠷⠷ (500ml) + ⠷⠷ (500ml) + ⠷ (250ml)...
they label it as a liter...
but it's actually 1.25liters...
three days later: you get the full picture:
-esque akin to 'and on the third day he rose
again, according to the scriptures...'

good luck to the men and their vanity
projects...
   i will never become as famous as
the man who "invented" stumbled upon
fermentation to produce beer / wine...
distillation to produce whiskey / *****...
dom perignon and albert hofmann
are known now... give it a few centuries later...
****! gone!
       but to overshadow the universal
stability of a woodland pigeon cooing,
a crow croaking, a fox laughing?
   my words are here: yet these examples
retain the future unchanged...
by void, crook, vogue or folly...

so i went to sleep thinking about chess...
there's the king: the point
of the game...
              to topple the king...
get ol' charlie firsty on the chopper...
distract charlie zee 'eck'und
with pseudo-harems and handel...
and fireworks on the thames...
little learning tool offshoot of louis XIV...
the king is just an elevated pawn...
it seems the king only controls the pawns
given his own movement rules...
the queen though?
   she's the bishop and the rook combined,
as she's also the king and pawn, combined...
the knight is the only odd piece
on the whole board...
   why? didn't queens feast their eyes
upon knights of old, at tournaments...
chivalry: the dropped oopsie handerchief moment
when the king wasn't looking?
the knight piece is the only outsider piece
on the board... hence it's ontological
grasshopper routine of jumping
outside the line of pawns and then
jumping back into line...
the king is a king in name only:
it would appear...
  while the most powerful piece on the board
is the queen: since if the king merely
control the pawns:
   at a battlefield a king command pawns
(soldiers)...
  in the background...
the queen will command...
   the bishops, the knights,
   the rooks (houses, castles) -
she's not on the battlefield with with pawns...
and soon knights become judges
and lawyers - merge with the bishops...
i never like playing chess -
but i liked thinking about chess...
  from the perspective of: the queen is
the most powerful piece on the board...

you could even rewrite chess by expanding
the board... so it would look like so:

1. denotes pawn         9. denotes king

2. denotes bishop        6. denotes queen
3. denotes knight        4. denotes rook.


1 1 1 1 1 1 1 1
         9 3               (battlefield formation)
      2 4 4 2             (behind the scenes formation)
        3 6    

but the board would have to be expanded from
64 to say... 100 squares... per board...
it's still chess... but with a twist...
it's what real life would look like...
one knight would be faithful to the king
and stand behind his army on the battlefield...
the other knight would be *******
the queen in secret surrounded
by castles and the clergy / the judicial system...
well: so many people have become so good
at the game of chess...
   kasparov vs. deep blue...
         so smart: and yet no imagination.

besides... i had more important things to do
today than remember what i fell asleep with...

1. making the perfect sausage rolls...
the most pristine invention of the english
and how the french fumed when their puff
pastry was "degraded"...
never use meat from sausages...
always minced pork...
and instead of adding carrots...
celery... and who would have thought
that fennel seeds are the secret ingredient...

2. watching india get their *******'
whipped and their ***** put into
a meat grinder by the new zealand side
at the cricket world cup...
**** me the last 5 overs!

3. lamenting the state of cinema...
the pursuit of "being" via distraction
with the end goal of fulfilling "happiness"...
so much for "being" and so much for "happiness"...
take two prime examples...
it only took 8 years to spare all the details
that seperate them...
1958's the inn of the sixth happiness
starring ingrid bergman...
those movies! mmm hmm!
i would gladly take away all the current
heavy editing and metallurgy scaled
CGI for a classical western panoramic view...
no dialogue... just an expansive camera
distance where the characters are dwarfed
by the grander scheme of things:
even if it's just a valley or a field...
cinema dropped the paranoramic
   interlude, resorting for the clausto-****
of heavy editing with multiple cameras
switching backwards and forwards
like watching a game of tennis...
    actually: both genres degraded themselves
dropping the panoramic view at times...
less in sport, more in cinema...
but this is 1958... the 1950s! the glory days of cinema...
fast-forward to 1966... and the film:
ALFIE...
       what's the difference between a lothario
and a ****? a self-employed ******...
or some other weird combition of 'not-a-joke'...
wait a minute... why are the women
so ******* dumb come the mid-1960s in cinema...
while back in 1958: they were so admirable?!
ingrid bergman learned mandarin,
she was ambitious, she was stubborn...
she was bossy...
  come the 1960s we're talking about
    beings without either soul or will
simply orientated at being dumpster *** toys...
i don't even know where the men
did that to them...
           the women in 1950s cinema
gained respected... they were commanding...
or at least decisive in giving
the least expected virtue: generosity
and on top - a sense of fairness -
                             a merit pyramid...
1960s cinema women, "women" are nothing
more than sloppy teenagers...
these women are not women...
1960s cinema doesn't depict women...
it's starting to depict one direction:
  pissy-pants teen girls...
               ******* at the sight of harvey styles
sighing and ****...
        plus... back in the day:
cinema used to be... engaging...
ben-hur? how long? 5 hours?
  gone with the wind? how long? 7 hours?!
cinema like opera: 15 minute interludes,
toilet breaks before the next part went on...
now? a quckie 1.5 hours long CGI ***** fest
of minimal dialogue and the heavy editing
juxtapositions of "angles"...
       people don't watch modern cinema
because it's engaging...
they watch it... because it's... distracting...
pretty bright lights! ooh! aah!
i love the fact that i'm being snarky
           and sarcastic... what else can you be?!
   i don't even think is missed that much
when it comes to the sub-culture of drugs...
psychadellic or otherwise...
i ****** well missed on a decent amount
of cinema...
   and when that happens...
       look at me...
                            what's that phrase...
a bitter old man... aged 33...
bitter doesn't even cut it...
              it's not even a bitterness...
it's an elevated sense of nostalgia...
   for me nostalgia is something i was present
at when it started going to ****...
late 1990s... cartoon network, early internet...
etc.,
              1990s date night movie quality
requiring adults to employ babysitters...
i was there...
1950s cinema? yeah: i wish i was nostalgic
about that... but i wasn't there...
hence the technical observations...
and how, objectively: movies were...
oh god so much better.

Dedicated to John and Bob

From first flesh we move down widening halls
That lead to lives of wondrous walls.

Our spidered fingers gripped walls of brick,
Cruets, cups and candle sticks.
Incense clouded open graves
When we too believed we too were saved.

Between Annex walls we learned our phonics,
On tin-roofed walls we lived our comics.
Garage walls scaled showed different views,
Kitchen walls steamed with soups and stews.
Our school yard walls tallied pitches
That marked our summers of youth and wishes.

Now lift memory's pane and go back
To the white-framed walls of a secret shack.
There, in confusion we would cling
To the unknown wonders girls would bring.
These young boys' walls we both outgrew;
Now new walls sprang, as we did too.

Coffee House walls offered something new.
Wet kisses lingered near shadowy walls,
We heard poetry read in a backroom stall.
Recreationals made our new skin crawl.

Cliff walls were breached by stairs of clay,
Carved by Incas on a turquoise day.
Tent walls echoed with impish fray,
Green walls beckoned at the end of day.
These walls gave rise to hot desires,
Like Vikings planning funeral pyres.
New music, cheers and weekend guests
Stood us ***** to pound our chests.

Those walls no longer ring our shores;
Time swept us forward with worldly lures.
We doffed our coats of suede and frills,
And donned new clothes and workday skills.
The walls of work are a rocky climb,
Stones laid by us, for yours and mine.
Such towers & turrets of heart & hearth
Guard all we know of any worth.

I see distant walls on cliffs, in fields;
Where do they lead? What will they yield?
Yet, there three friends climb one more hill,
Climb one more wall. Then all is still.

because chances are, you haven't heard it
before, i know, in either case
not to my liking either -
but then the olympic flame was passed
between a thousand interlocking legs
that ran from one centre of the games
being celebrated, and onto another -
and if there were aquatic obstructions
along the way, the baton was still allowed
to run, on a ship, in circles, before landing
and unwound, allowed a straight line
once more - not straight in the strict
geometric sense, obviously zigzagging -
but let's say i found cross-generational points,
in each generation there are cross-generational
interests - should my own produce very little,
or of little interests, there's a back-catalogue
to delve into - who'd imagine the youth could
never die like that - but intact - even though
some could be asserted as being ancient -
a revision of their work years later only made
them however the revision was to understand it -
and yes, links, under a million and the chances
are you haven't, haven't heard it, you yet to be
a cross-generational - cronquist stick-seeds might
describe the writers born in the 1910s - and say
a rebellion against Wordsworth took pace -
or some other rebellion, or even an appropriation -
you have those from the 1980s too, minding
the literary output from the 1960s, anticipating a
future, a splinter group of hopefuls anticipating
something more - unlike in the current state of affairs,
where no longer the old moaning and groaning
cuckoo cranks - our's, youth's cultural arthritis -
we too complain, scaled to the nanometres of
metaphysics - our spiritual health has been dampened,
and if the timing was anything, although in agreement
it was: canto LXXXV - rock drill, well a drill assuredly,
a burning that implants a windy vacuum of gravity,
cf. (conferre, i.e. - id est - compare) with an article
in the style magazine (every sunday, religiosity of
newspapers, a weekly event, much anticipated) -
the article in question? generation viz / not to
be confused with viz. (videlicet - namely, that is to say),
rather generation viz as visual, a visual generation,
visuals only, censor all ****** words and have as much
******* and gore as you like, the offensive
u                c                  k               from fathering an oath,
so generation vista print, vista (the all pleasing generation),
no drink, no drugs, aloe vera water and cucumber
extracts - generation squeak - squeaky clean -
mother's failed rebel - generation mind the gap -
it's no longer a stoner, a mary and juan dipper -
'yeah man, far out...'
                                worse, it culminated in post-language,
and due to lack of intoxication, it's supposedly
serious... well... by god it is serious - post-language
is akin to a venture into the unknown acronyms -
acronyms and emotive chinese of :( -
the lesser form of computer coding - the tip of the
iceberg as they say - a champagne bottle splits
in the ratio 1:10 - that's one bottle and ten mouths -
during london fashion week also called an entrée,
in russia it's called a canapé - ah but the sober
eye that can explore further afield rather than raw
memoriam dimmed slightly - a rattler of cigarette
packets - more caffeine less gasoline -
and so, i too a hackelia nervosa, clingy to the past
in some way or other, not to mention attempting
an enticement to my palette - a storage room,
just there, lost & found - umbrellas, books and
other memorabilia - should any claimant come,
it's, just, there.

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I built my soul a lordly pleasure-house,
    Wherein at ease for aye to dwell.
I said, "O Soul, make merry and carouse,
      Dear soul, for all is well."

  A huge crag-platform, smooth as burnish'd brass
    I chose. The ranged ramparts bright
From level meadow-bases of deep grass
      Suddenly scaled the light.

  Thereon I built it firm. Of ledge or shelf
    The rock rose clear, or winding stair.
My soul would live alone unto herself
      In her high palace there.

  And "while the world runs round and round," I said,
    "Reign thou apart, a quiet king,
Still as, while Saturn whirls, his steadfast shade
      Sleeps on his luminous ring."

  To which my soul made answer readily:
    "Trust me, in bliss I shall abide
In this great mansion, that is built for me,
      So royal-rich and wide."

* * * *

  Four courts I made, East, West and South and North,
    In each a squared lawn, wherefrom
The golden gorge of dragons spouted forth
      A flood of fountain-foam.

  And round the cool green courts there ran a row
    Of cloisters, branch'd like mighty woods,
Echoing all night to that sonorous flow
      Of spouted fountain-floods.

  And round the roofs a gilded gallery
    That lent broad verge to distant lands,
Far as the wild swan wings, to where the sky
      Dipt down to sea and sands.

  From those four jets four currents in one swell
    Across the mountain stream'd below
In misty folds, that floating as they fell
      Lit up a torrent-bow.

  And high on every peak a statue seem'd
    To hang on tiptoe, tossing up
A cloud of incense of all odour steam'd
      From out a golden cup.

  So that she thought, "And who shall gaze upon
    My palace with unblinded eyes,
While this great bow will waver in the sun,
      And that sweet incense rise?"

  For that sweet incense rose and never fail'd,
    And, while day sank or mounted higher,
The light aerial gallery, golden-rail'd,
      Burnt like a fringe of fire.

  Likewise the deep-set windows, stain'd and traced,
    Would seem slow-flaming crimson fires
From shadow'd grots of arches interlaced,
      And tipt with frost-like spires.

* * *

  Full of long-sounding corridors it was,
    That over-vaulted grateful gloom,
Thro' which the livelong day my soul did pass,
      Well-pleased, from room to room.

  Full of great rooms and small the palace stood,
    All various, each a perfect whole
From living Nature, fit for every mood
      And change of my still soul.

  For some were hung with arras green and blue,
    Showing a gaudy summer-morn,
Where with puff'd cheek the belted hunter blew
      His wreathed bugle-horn.

  One seem'd all dark and red--a tract of sand,
    And some one pacing there alone,
Who paced for ever in a glimmering land,
      Lit with a low large moon.

  One show'd an iron coast and angry waves.
    You seem'd to hear them climb and fall
And roar rock-thwarted under bellowing caves,
      Beneath the windy wall.

  And one, a full-fed river winding slow
    By herds upon an endless plain,
The ragged rims of thunder brooding low,
      With shadow-streaks of rain.

  And one, the reapers at their sultry toil.
    In front they bound the sheaves. Behind
Were realms of upland, prodigal in oil,
      And hoary to the wind.

  And one a foreground black with stones and slags,
    Beyond, a line of heights, and higher
All barr'd with long white cloud the scornful crags,
      And highest, snow and fire.

  And one, an English home--gray twilight pour'd
    On dewy pastures, dewy trees,
Softer than sleep--all things in order stored,
      A haunt of ancient Peace.

  Nor these alone, but every landscape fair,
    As fit for every mood of mind,
Or gay, or grave, or sweet, or stern, was there,
      Not less than truth design'd.

* * *

  Or the maid-mother by a crucifix,
    In tracts of pasture sunny-warm,
Beneath branch-work of costly sardonyx
      Sat smiling, babe in arm.

  Or in a clear-wall'd city on the sea,
    Near gilded *****-pipes, her hair
Wound with white roses, slept St. Cecily;
      An angel look'd at her.

  Or thronging all one porch of Paradise
    A group of Houris bow'd to see
The dying Islamite, with hands and eyes
      That said, We wait for thee.

  Or mythic Uther's deeply-wounded son
    In some fair space of sloping greens
Lay, dozing in the vale of Avalon,
      And watch'd by weeping queens.

  Or hollowing one hand against his ear,
    To list a foot-fall, ere he saw
The wood-nymph, stay'd the Ausonian king to hear
      Of wisdom and of law.

  Or over hills with peaky tops engrail'd,
    And many a tract of palm and rice,
The throne of Indian Cama slowly sail'd
      A summer fann'd with spice.

  Or sweet Europa's mantle blew unclasp'd,
    From off her shoulder backward borne:
From one hand droop'd a crocus: one hand grasp'd
      The mild bull's golden horn.

  Or else flush'd Ganymede, his rosy thigh
    Half-buried in the Eagle's down,
Sole as a flying star shot thro' the sky
      Above the pillar'd town.

  Nor these alone; but every legend fair
    Which the supreme Caucasian mind
Carved out of Nature for itself, was there,
      Not less than life, design'd.

* * *

  Then in the towers I placed great bells that swung,
    Moved of themselves, with silver sound;
And with choice paintings of wise men I hung
      The royal dais round.

  For there was Milton like a seraph strong,
    Beside him Shakespeare bland and mild;
And there the world-worn Dante grasp'd his song,
      And somewhat grimly smiled.

  And there the Ionian father of the rest;
    A million wrinkles carved his skin;
A hundred winters snow'd upon his breast,
      From cheek and throat and chin.

  Above, the fair hall-ceiling stately-set
    Many an arch high up did lift,
And angels rising and descending met
      With interchange of gift.

  Below was all mosaic choicely plann'd
    With cycles of the human tale
Of this wide world, the times of every land
      So wrought, they will not fail.

  The people here, a beast of burden slow,
    Toil'd onward, *****'d with goads and stings;
Here play'd, a tiger, rolling to and fro
      The heads and crowns of kings;

  Here rose, an athlete, strong to break or bind
    All force in bonds that might endure,
And here once more like some sick man declined,
      And trusted any cure.

  But over these she trod: and those great bells
    Began to chime. She took her throne:
She sat betwixt the shining Oriels,
      To sing her songs alone.

  And thro' the topmost Oriels' coloured flame
    Two godlike faces gazed below;
Plato the wise, and large brow'd Verulam,
      The first of those who know.

  And all those names, that in their motion were
    Full-welling fountain-heads of change,
Betwixt the slender shafts were blazon'd fair
      In diverse raiment strange:

  Thro' which the lights, rose, amber, emerald, blue,
    Flush'd in her temples and her eyes,
And from her lips, as morn from Memnon, drew
      Rivers of melodies.

  No nightingale delighteth to prolong
    Her low preamble all alone,
More than my soul to hear her echo'd song
      Throb thro' the ribbed stone;

  Singing and murmuring in her feastful mirth,
    Joying to feel herself alive,
Lord over Nature, Lord of the visible earth,
      Lord of the senses five;

  Communing with herself: "All these are mine,
    And let the world have peace or wars,
'T is one to me." She--when young night divine
      Crown'd dying day with stars,

  Making sweet close of his delicious toils--
    Lit light in wreaths and anadems,
And pure quintessences of precious oils
      In hollow'd moons of gems,

  To mimic heaven; and clapt her hands and cried,
    "I marvel if my still delight
In this great house so royal-rich, and wide,
      Be flatter'd to the height.

  "O all things fair to sate my various eyes!
    O shapes and hues that please me well!
O silent faces of the Great and Wise,
      My Gods, with whom I dwell!

  "O God-like isolation which art mine,
    I can but count thee perfect gain,
What time I watch the darkening droves of swine
      That range on yonder plain.

  "In filthy sloughs they roll a prurient skin,
    They graze and wallow, breed and sleep;
And oft some brainless devil enters in,
      And drives them to the deep."

  Then of the moral instinct would she prate
    And of the rising from the dead,
As hers by right of full accomplish'd Fate;
      And at the last she said:

  "I take possession of man's mind and deed.
    I care not what the sects may brawl.
I sit as God holding no form of creed,
      But contemplating all."

* * * *

  Full oft the riddle of the painful earth
    Flash'd thro' her as she sat alone,
Yet not the less held she her solemn mirth,
      And intellectual throne.

  And so she throve and prosper'd; so three years
    She prosper'd: on the fourth she fell,
Like Herod, when the shout was in his ears,
      Struck thro' with pangs of hell.

  Lest she should fail and perish utterly,
    God, before whom ever lie bare
The abysmal deeps of Personality,
      Plagued her with sore despair.

  When she would think, where'er she turn'd her sight
    The airy hand confusion wrought,
Wrote, "Mene, mene," and divided quite
      The kingdom of her thought.

  Deep dread and loathing of her solitude
    Fell on her, from which mood was born
Scorn of herself; again, from out that mood
      Laughter at her self-scorn.

  "What! is not this my place of strength," she said,
    "My spacious mansion built for me,
Whereof the strong foundation-stones were laid
      Since my first memory?"

  But in dark corners of her palace stood
    Uncertain shapes; and unawares
On white-eyed phantasms weeping tears of blood,
      And horrible nightmares,

  And hollow shades enclosing hearts of flame,
    And, with dim fretted foreheads all,
On corpses three-months-old at noon she came,
      That stood against the wall.

  A spot of dull stagnation, without light
    Or power of movement, seem'd my soul,
'Mid onward-sloping motions infinite
      Making for one sure goal.

  A still salt pool, lock'd in with bars of sand,
    Left on the shore, that hears all night
The plunging seas draw backward from the land
      Their moon-led waters white.

  A star that with the choral starry dance
    Join'd not, but stood, and standing saw
The hollow orb of moving Circumstance
      Roll'd round by one fix'd law.

  Back on herself her serpent pride had curl'd.
    "No voice," she shriek'd in that lone hall,
"No voice breaks thro' the stillness of this world:
      One deep, deep silence all!"

  She, mouldering with the dull earth's mouldering sod,
    Inwrapt tenfold in slothful shame,
Lay there exiled from eternal God,
      Lost to her place and name;

  And death and life she hated equally,
    And nothing saw, for her despair,
But dreadful time, dreadful eternity,
      No comfort anywhere;

  Remaining utterly confused with fears,
    And ever worse with growing time,
And ever unrelieved by dismal tears,
      And all alone in crime:

  Shut up as in a crumbling tomb, girt round
    With blackness as a solid wall,
Far off she seem'd to hear the dully sound
      Of human footsteps fall.

  As in strange lands a traveller walking slow,
    In doubt and great perplexity,
A little before moon-rise hears the low
      Moan of an unknown sea;

  And knows not if it be thunder, or a sound
    Of rocks thrown down, or one deep cry
Of great wild beasts; then thinketh, "I have found
      A new land, but I die."

  She howl'd aloud, "I am on fire within.
    There comes no murmur of reply.
What is it that will take away my sin,
      And save me lest I die?"

  So when four years were wholly finished,
    She threw her royal robes away.
"Make me a cottage in the vale," she said,
      "Where I may mourn and pray.

  "Yet pull not down my palace towers, that are
    So lightly, beautifully built:
Perchance I may return with othe

She came among us from the South
  And made the North her home awhile
  Our dimness brightened in her smile,
Our tongue grew sweeter in her mouth.

We chilled beside her liberal glow,
  She dwarfed us by her ampler scale,
  Her full-blown blossom made us pale,
She summer-like and we like snow.

We Englishwomen, trim, correct,
  All minted in the self-same mould,
  Warm-hearted but of semblance cold,
All-courteous out of self-respect.

She woman in her natural grace,
  Less trammelled she by lore of school,
  Courteous by nature not by rule,
Warm-hearted and of cordial face.

So for awhile she made her home
  Among us in the rigid North,
  She who from Italy came forth
And scaled the Alps and crossed the foam.

But if she found us like our sea,
  Of aspect colourless and chill,
  Rock-girt; like it she found us still
Deep at our deepest, strong and free.

Once there was a water dragon. He was brilliant and blue and he knew the depths of the sea like no other. Once upon a time a spider laid it's tiny eyes on him. This spider saw how wondrous and free the water dragon was and decided to silently follow him only so as to be close. The dragon, once observant noticed this but decided what's the harm. He let the spider look on as he continued to be himself. One day the spider realised it had something inside of itself that wanted to be free too and it bit the beautiful water dragon. The bite was venmous and the dragon could feel it corse through him and before he could even muster a thought against it, he wanted it. He wanted it and everyday the tiny spider would come to bite him again. The dragon knew this was wrong but he thought, that tiny spider all alone and everyday it comes back to bite me, that must be love. That tiny venom I feel in my heart must be love. And so he kept it.
The spider came from the ground but there was never a way back so it just stayed close to the dark. The cold places where there was little light and slowly those places became the dragons home too. He didn't swim in the light anymore. He didn't swin at all. His beautiful blue faded to grey and he forgot the sun. The spider continued to bite him every day until that last time when it borrowed itself right underneath his skin and then, the spider was swallowed whole.
The spider was called
Lie.
The water dragon thought, at last it is dead now I can be free again. I can go back to the water now. And he did try, he tried to escape the cave but when he started to see the light again he had to turn away. His head was hung. The spider lived inside of him now and even if it was forever only in that tiny place, he knew he would not escape and inside he felt it and in the bottom of his soul he knew the spiders name.
Lie.
He was trapped but at least now he could see the outside or watch as it went by. He could even feel the water again and float, floating was better than nothing at all, and he accepted his fate. He was content and he could be happy with being content and he wasn't even all that grey anymore. Mostly grey but still so magnificently beautiful. So he would watch the world but no one could ever see him because all they could know was a sad angry thing that is only called a shame because the dragon that once was is no more.

Once there was a beautiful water dragon...
Now no one remembers, no one searches because of what they might find...
Lie.
It's better forgotten.
The dragon became a thing that was lost to even a single thought but if there ever was one it went like this.
Beware of that hidden thing, he was once something you may have spoke of. That's all.

But the same water dragon was still there somewhere and he himself knew this much and in everything that was enough.
That's what he wanted to believe.
It wasn't real though.
One day a curious girl found his dwelling, he was sure she'd be too afraid but admittedly nervous as she was she did not look away. Her wide eyes only grew. She touched his face and whispered "beautifil" he unclenched and began to free himself from a rigid position he'd been wrestling with for what seemed like lifetimes. The girl lost her footing quick realising too late that she stood on the dragons tail. She fell back off the cliff from the cave right into the sea.
The dragon thought, if I do this now if I save her then I can remember myself. I will never be grey again but I'll remember that it was not me. If I go out into that sea now I might not ever be able to find a way back here and even though I know this is not home.
this is my only home.
But the girl was drowning.

The dragon saved the girl and he brought her back to his home and there she woke and said "I love you dragon, you have saved me but you are most beautiful in the light. You do know that don't you?" And she gazed at him in wonder but he just hung his head because he could not forget what he believed the girl should never know.
Lie...
He remembered that spider who was long dead now but part of it would forever remain inside of him.
The girl slid down and caught his head in her hands, smiled and pushed him back into place.

"I found you dragon, I FOUND YOU!!! That means you are mine and I say you cannot live here like this anymore. I will take you with me and we will find someplace beautiful for you to swim again so you can be what you are, so you can feel the sun. I want that for you, dragon. You know why"

"don't say no ok! let's just go far away from this cave now because I love you and I won't ever leave you here but I am a girl, dragon. And I need to see the sun and I want that and that is a freedom that you could never know confined to this cave"
The dragon came so close he was almost inside of the girls wide eyes. His huge, deep, warm breaths on her face made her skin come alive like she was in command of countless living creatures, breathing in her veins. Powerful. That is what he made her.
The dragon said, I saved you didn't I! You know why but please don't ask these silly things. I will not leave here now because it is my home somehow but you can come here anytime you like and see me. Looking at you makes me happy and you know, you know I'll love you but just don't try to move me now because because I am so much bigger than you tiny girl and know this, I have already tried. Nope! I am not going anywhere so don't even ask.
The girl smushed her face into some kind of unnatural expression and huffed.
"I'll show you dragon"
She kicked his tail and ran right up to his ear and whispered.
"I am not afraid of you. I saw that spider once and I know you feel it too and dead as it may be that spider will always borrow down deeper and deeper unless you just let it be free. The dead have left marks all over you. something a girl could never imagine, dragon. I see that and I do not have to know but you should know this, I am not afraid!
And I'll be back tomorrow, and tomorrow and all of eternity because I will never leave you alone here dragon.
And tomorrow, I will make you smile.

Tomorrow the girl came back. She scaled the slippery wall with a world of belongings on her back and when she reached the top where the dragon called home she flung what could have been all of her tiny life's worth out on to the hard rock. She yelled
"I am here, dragon"
And the dragon appeared. He slowly wrapped her in his cold skin and he said nothing. The girls face looked disappointed so he tightened his grip but she sighed and wriggled free and looked at him in the eye.
The girl laughed.
The dragon was in awe of how anyone could escape his grip and he did indeed seem defeated almost but the girl just smiled at him and said "silly dragon, you know that I am too small, you could never hold me"

"But dragon, this is the predicament now you see, I have told you that I am a girl who needs so many things and the sun and the sun but you are my only sun and that is the only warmth that I want to know now and I don't know how to tell you I was wrong. I only need you and I've taken all these things here with me so to make you admit what you yourself already know. You have said it and not said it in too many ways so now you just need to let it be. You dragon, you love me. You have saved me and now I will save you too"
The dragon still said nothing so the girl continued.
She stood the ground, taller than she was and proclaimed.
"THREE THINGS I WILL PUT IN FRONT OF YOU
Not to sway you but to show you how to look and see what is real. This is all I have dragon, so it will work because you will not tell yourself that it cannot.
Just see"

"First,
I took these three strings, sangen. And sometimes I can melt colours so you may not feel grey anymore and I will write and sing for you a million songs if you promise to always open your eyes for me.
Secondly,
All of my words which have now fallen right here in front of you. You really should open your eyes and see, it's like an endless haiku.
And third,
What else do I have of value save for myself and who knows how much value is in that. But third, it is spilled out clear. Honesty dragon. All of my honesty and I am not a perfect girl, not at all but I will accept whatever you show me because I only want to see you and I am not afraid"

"look"
she asked the dragon and she showed him her heart and all the times her tiny frame had cracked trying to get it out.
"I was not always this either but it is enough dragon, even if we are the only ones who ever know. You are still alive in here.
We are.

The dragon spoke and he said, ok girl I am listening. I am looking so show me. Then the girl whispered
"I know the spider all too well"

"it camouflages itself as something innocent but it was never that. I have been bitten by a spider too and I know what it never wants you to see"

"it can never rest even when you know its dead and the further down it digs the more eggs it lays inside of you, dragon and the only way it stops is if you set it free and I know that feels impossible but all you need to do is show me. Then it is gone and you will be free. I can see its marks on you, it's all over you poor dragon, but it is dead now so please let it go"

"I am only because I had looked at that spider everyday until I wasn't afraid, so I picked it out from inside of myself and threw it away. I cannot do this for you, dragon but I can stay here and make you smile while you find a way to let it go. But, just show me and I promise you it will go and don't worry I know I am small but I am not weak and I am not afraid of you and I will still stay"
The dragon spoke again but only to say,
stay here just don't say anymore.
Sleep now.
But the girl refused to tire and finally the dragon grew strong enough to show her.
Look now, you see it can never come away and I will never let it go now because I am afraid.

The girl saw the spider and it was in the dragons beating heart. She kissed his heart and told the dragon.
"it's ok, dragon. Thank you for showing me this"

For several days and nights they slept until a day the girl awoke. She was alone in the dragons empty cell and she walked to the opening where a light broke through and stumbled over a dried out tiny corpse of something that was once called
Lie...
And she looked far out through the cracks onto the waves and there he was like she had never seen him before and yet somehow it was entirely fitting to her image of what she knew the dragon could be. He was blue again and so fast and when he moved she could feel it through the bones. 

The dragon came back to the girl but still he said nothing. His breath was so close to her again that all the tiny creatures she never let die ran back through her veins and she knew. She was alive.
The girl climbed on the dragons back and he said said
Now, we can go home.

I didn't see her for three days

then she was back
but her color was not

where her hair parted
was starkly arid
on her forehead
wasn't the dot of red
and her saree was bleached white

yet nothing was amiss
she intently scaled the fishes
cut them neatly into pieces
though a piece of her went missing

She knows well
for no price
can she stop the sale.

A lifetime has passed
since then.

I sat for hours on
that fetid bus,
excitement knotted in
my belly like a nest
of twisting snakes,
until we arrived and
nestled in the mountains,
South and West.

Our cabin was on the fringe,
just as I was, back then.
I spread my bed and
settled down,
made myself a temporary
home.

Days passed with but
little consequence--
rock walls
and
human foosball
and
oversized
jawbreakers
and
a giant swing;
corn dogs in the
sand of the
volleyball courts
and ice cream on
the balcony
at the overlook.

We hiked uphill
to find a waterfall
as utopian as
my foolish faith,
and there we
basked under the
Carolina sun

I climbed
and slipped
until I found a
perch behind
the roar.
I can still feel the
goosebumps
upon my pale
adolescent skin.

When I grew bored,
I scaled to
the top and
jumped
feet first.

The TSA won't let me fly
It seems when airplane-jailed,
My muse sneaks aboard
Without paying for a seat.

Another airplane poem like 30B,
From a long ago flight,
Found dusty, in the poetry sewing box


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

with every breathe he tithes
a packet of whispered wishes,
a blended osmosis of
past and future scenes,
reviewed, previewed,
moments in time,
actual and dreamed

some received,
airborne plucked,
in his chest stored,
prepared for future
takeoffs and landings,
for ultimate insertion
in both
your recesses
and
your abscesses

some native,
combobulated, containerized
packets of seconds,
of joyous moments,
bytes of historical
hugs n' kisses,
as a child
to a child
from a child

those are vanilla frosted,
residual payments for the
good done and given,  
forwarded with all clear signals,
to his loved ones,
now resent, to you,
fellow travelers and sojourners,
intersectors of our peculiar
coded dots and dashes

thirty five thousand feet high,
composure lost,
he swoons as
Bocelli's voce del silenzio
releases tears so sweet,
which are by nature,
gravitated and transformed
into snowflakes to decorate
the Sierra Nevada's
breasted peaks and valleys,
over which his physical notion
is at rest, yet in motion,
within a Delta flying ship

Yet his fevered chest
beats rough,
for every flight seems
a time warp interlude,
a forced reflecting rhyme,
not of his choosing,
a lawful, thoughtful, imprisonment

having donated to you
his best, the remainders,
the man tallies, recalls:

ancient slights, scaled heights,
requiems for his forefathers
scored by cantorial choirs,
liberation struggle weariness,
offers taken and refused,
aces in the hole that proved
insufficient to save his soul.

goal line stands made,
onslaughts refused,
true lies and false truths,
moist lips and monster tears,
occasional A's and calcu-hell-us,
hand me downs received,
help me ups got n' given,
buildings pricked by airplanes,
death wishes granted
and nothing thereby gained,
children, found and lost,
mine, yours, ours...

The sums, always the sums!

engine noises and pilfered winds
are dulled and semi-silenced,
yet the silvered chamber prison
resonates from end to end
as each ledgered memory,
each packet of the
hidden whispered poems
he does NOT choose to send,
dents the man,
leaving claw marks,
screaming pay attention to me,
as if they were the priorities
of a six year old child,
refusing to be ignored

he does,
attention, he does pay,  
allowing rocking guitar heroes
to overtake weeping violinists,
just as newer transgressions
surfeit even his
most really *****,
ancient sins

No matter how he counts,
unable to master the additions,
no matter how many times
counts are initiated,
taken and retaken,
the tally's net net is
concluded, numbered
"forsaken"

his life's W-2 is black n' blue,
deductions falsely enumerate
and thereby underestimate
dues he has paid summarily,
earnings, distorted,
taxes paid never enough,
to satisfy the justice scales,
so wearily he
cries and enunciates,

The sums, always the sums!

THEN COMES HIS SHOUT OUT,
at his most vulnerable,
when a thin veneer of alumina
separates him,
from a fall inglorious
to an end most gorious,
a rapping beat moderne
insists that he go all out,
disallowing no
airy fairy poetry
to disguise that:

If the integers are false,
the entries of a life lived,
are sucker lies
black eyed flies
toxic shockers
that bust open
stinko lockers
where the B.S.
mocking stories
are kept

don't look close
at his documents
they ain't exactly
heaven sent
and the government men
be back on his track
their aviator shades
protect them from
burning light of the
man's furnace
where he burns their liens,
and the agent's ear pieces
drown out his screams of

The sums, always the sums!

God bless you,
keep and recall those packets of
whispered wishes, good tithes,
that the man bequeaths,
gift baskets of
expresso essentials
with God's love delivered

Tho his words,
amateurish and unvarnished,
silly and pompous,
nonetheless, they are the
return on his investments,
his yearnings for your happiness
are the savings accumulated,
though meager jewels are they,
they are ad valorem,
mixed into his confused murmurings

here then,
are his summings up,
what he wills you,,
the tally finale
the best wisdom is
found on coffee cups
at 2:47am.

Dance
Love
Sing
Live

to which he respectfully amends with a
Write.
(See banner photo)

The soft whirling hum of a fan works its way from one corner of the room to the next. I succumb, defeated, deflated, shoulders slouched over, to passing wafts of air that briefly foam over the drooped skin of my emotionless face. Its touch invigorates the senses, momentarily reminding me to take in a breath of the foul and arid air that lingers lifelessly in this second story bedroom. As a sliver of light makes its way slowly up my chest and falls back to its original place, a muffled sound of pain boils over slowly softly searing through my torpid ears. Meanwhile, transparent tendrilous hands of memories begin to curl through my mind appearing and quickly vanishing like steam before I can grasp the true gravity of their presence.
        It must be ninety seven degrees in here. A drop falls from my face onto the back of my clenched hand and for a moment the fan is at it again pulling my head with it from side to side. Oscillating, it dictates a hypnotic lullaby, an ***** riddled rhythm sanding away at my rigid thoughts. Another drop falls toward my wrists driving me away from the blissful moment. Then losing its grip a metallic clang reverberates throughout the room as the object leaves my hand and finds the old wooden floor. Looking back at my hand I see where the two drops had fallen, now glistening in the dimly lit room. Were those tears? When I direct my sight down to meet with whatever had fallen a rush of blinding pain jaggedly inhibits my vision with a flaming wall of white instinctively calling my eyelashes into the backs of my eyelids painfully. My voice cracks and I hear the same singe of grief from earlier reflect ballistically throughout the room and into the hallway where ghosts gargle back an echo of my anguished voice. Am I hurt?
        Afraid now of what I may have done,I cautiously work my foot away from the chair and navigate it across the floor until it hits the handle of something sending it spinning around. Reaching down, the once trance like hum of the fan falls deaf and gives way to a steady beat of drips that are accompanied by an ever increasing tightening of my chest. When I reunite with the object I had dropped the image of blood and steel mesh a murderous hue onto my fingers as I fumble to recover it. Realizing what has happened my mind fizzles and pops with panic and I begin to beg for respite, for a chance to revisit the moment before I had slit open both wrists. Cold anguish flushes the heat from the room and out into the hall as the dam of reality breaks and in with it a torrent of emotions and images of the blood peppered hardwood floor that now seeps dauntingly with the new life it is drinking. In desperation my eyes fire off in every direction, finding an open journal perched on a coffee table. The pages are in a fretful fury revealing pages dotted with smudges and smears of bloodied ink and teary paragraphs. Confused, I begin to search the room again and there beneath the window blinds lies the woman I have loved for eleven years lifeless in a pool of blood. Lorraine.
        My head lashes violently backward as if to howl toward the moon of time in an attempt to beckon the falling grains of sand to return to me what had once been mine. A sobering clarity strikes me and I begin to recall the events that led up to this moment. Beginning with a distressed phone call from Lorraine. I came,I told you I would come. And then I recall the strange feeling that scaled through my body slithering down my arm until it coiled its nervous grip around my fingertips as they bit into the **** of our bedroom door. As it creaked open, I had thought, I'm here baby, but you were already gone. Lorraine. It took what felt like hours to reach the part of the journal where you had confessed your infidelity that resulted from the tangles of promises I never kept, from the things I hadn't done, and should have said. Oh Lorraine why didn't you tell me. I would have changed, would have done anything for you. I'm so sorry,I forgot, I hadn't noticed. After seven years I thought you knew, but I will show you now. I will give you my life as you had given yours. I would have forgiven you ******, they were only kisses that meant nothing. Lorraine...and then nothingness.
        A grey shadow in a once enraged Congo of colors and emotions in an otherwise empty room now fill my eyes until I'm choking on its thick smoke and drowning in tears. When one of those tears fall, this time on my bloodied wrists I'm called back to the present moment. Once more the fan catches my sight directing me toward your lifeless body, and then a warm hand from the deepest recesses of my mind begins to cradle my shoulder. Lorraine. My eyes flutter open and find you placing a kiss on my forehead as you say something sweetly into the soft embrace of night. The scent of your hair bristles around my cheek and ears while you caress the short hairs along the ridges of my neck. All I can manage in the moment is to pull you in closer as I whisper "I'm sorry Lorraine. I love you. I can show you." A tear catches a lock of your hair as you kiss my lips and with your love I am drawn back into our bed and out away into sleep.

For one month Odysseus toiled and
Built up the house that stood so great before,
Clearing away the cobwebs that had been.
Twenty years since truly being a home,
Twenty years since being filled with laughter
That was more than lust of insolent men.
And so Odysseus sent for his son
That they may set out on an angling jaunt.
Whilst they were making their way in the deep,
A strange singing filled the air and they were
Surrounded by fog as thick as the stew
Telemachus’ mother often prepared.
Out of the mist strode a Nereid with skin
The color of the purest of milk creams.
Silky hair fell in lush amber waves down
Her flawlessly curved back, flowing smoothly
Such as the Nile river in the wind.
And she said unto them, “Friends, do not be
Frightened, for I shall bear you no harm. You
Who have come from years of fear and anguish,
I now call to bear a terrible task.
There is a great daemon in these waters,
An archfiend who calls herself Lamia.
She eats any children who dare descend in
Waters where she lurks hidden in shadow.
She snatches at the ankles of the young
Like a solicitous epistle grasps
At the heartstrings of those who read it. She
Is a sickness that has no remedy,
A war with no end. She is the dark thought
One cannot be rid of. She is pure death.
Please, great Odysseus, vanquish this thing
Haunting every step of the innocent.
I give to you this costume that one may
Receive the breath of life underwater. ”

Upon agreeing to the colossal
Undertaking, Odysseus and his
Progeny initiated their search
Across the marine for the beast behind
The mask of trepidation. However,
‘Twas not long until Lamia herself
Appeared to them and made to devour
Telemachus himself, for he was a
Young man, young enough to vex her temper.
This thing that had risen out of the depths,
She had a beautiful face matched closely
Only by Venus herself. But beneath
The splendor is that of an animal
With the scaled, winding tail of an immense
Serpent and talons ending her long hands.
She apprehended the son of our great
Hero in a clawed fist and began to
Raise him to her massive gaping gullet.
Before the harm was done, Odysseus
Seized a sarsen from a near formation
And heaved it at Lamia’s beautiful
Head. The boulder succeeded in breaking
All of her shining teeth, preventing her
From consuming Telemachus. She
Fulminated for a moment, and then
Hastily withdrew to her cavernous
Space.
           Odysseus followed, retrieving
A bronze sword from a shipwreck he passed in
His haste. Brandishing his weapon fiercely,
He charged. Managing to scarcely avoid
Lamia’s lashing tail and slashing claws,
He climbed to the base of her neck and plunged
The sword into the soft flesh that was there.
He tore the blade back and forth, severing
The pronounced head from her ghastly body.

After slaughtering the daemon, the two
Swam for shore, Telemachus breathing by
Way of keeping hold of his father’s suit.
Once at the surface of the sea, they were
Met once again by Amatheia,
The Nereid who’d charged them with the duty,
Who rewarded Odysseus with a
Magic bag that could hold any item,
Size or shape, and never got heavy, no
Matter its load. When given, it held 100,000
Drachma, a great deal of money for them.

After thanking her freely and being
Thanked in return, the men were magicked back
To their home on Ithaca, where remained
Penelope, wife to Odysseus.
They lived quite happily off the money
Gifted graciously to them, and were graced
By the great Gods forevermore for the
Grim duties performed by Odysseus.

Dear Depression,
I see you. We all see you. You're not very avoidable. Those slivers of light you try to enamor us with. How death seems so delicate when we talk of flowers and restful slumber- for all eternity. What the lights do not show; a grotesque, scaled abomination with a gluttonous appetite for happiness and life. I can't let you gnaw on anymore souls to leave nothing, but sunken eyes and bones. They do not belong to you nor were they yours to take. You're not welcome in the mind's of my friend's and family. Life is welcome in their heart's where joy can still be found. Don't find yourself slithering down our throat's anymore, in the empty stomachs or scars we have. The thoughts we think when you entice us are dangerous. You stole her. You stole him. You stole me. I can't recognize the stoic, numbed faces I gaze upon. You undo any progress ever done.

It's been so long since, I've heard them laugh or flashed a smile I meant. Still, your might looms over as you admire the damage you've caused. Next, feeling the audacity to sneer when we weep. Depression, you're a monster who causes nothing, but suffering. Those tears are not your's to season hopelessness with. You make the covers seem like the most comfortable coffin, you make our skin look as if we've fought thousands of wars. The sun an inconvenience with the days in reverse. We've tried to compromise, you are no friend. Just a foe.
Depression, there are so many things I want to do to you. You break my heart when all your captors don't believe they are worthy of love, but they are the ones I love most. I will break you like, you've broken us. My bare hands would reach into your chest, ripping the lungs out; stomp on them to preventing future sufferers. I would crush your heart in the palms of my hand's- praying for the sickness and terror to end. These innocent people you've robbed of life, love, happiness, opportunity and a soul. Will have their revenge. Your blood covers our skin and we bathe in the warmth of redemption as our thought's belong to us once more. We let the pain held inside escape our sutured lips, begging your soul to ascend back into the abyss never to return. Your bones are mine to assemble a castle for the broken to heal. Your skull resembles a crown honoring those who had given into the temptations of surrendering. We honor them.

i.

Coming out of the state of anabiosis, mine form was ripped and torn, mine adorn was battered and burned, I went through Hades whilst the pit of death's kiss shattered me in agowilt;

ii.

I was dying, in Hell's kilt; once a shape, now ***** in a pit of unsatisfactory demon's; roped, doped, bleeding.

iii.

The scaled creature's bit me, the ceiling's muck dripped me, whilst at mine ending breath's, a light shined forthward, a Filipino empress.

iv.

I was nothingness: a mess, molested, infected, by the realm of raven's nest's. That's when she thundered in, in Baro’t saya wonder; twas me who on the sea, on her lip's i swirled up-with Satan down under, mine tears hadst fluttered by like butterfly's; mine ghost awoke with Jane;

v.

Twas, she was
Heaven on
Mine side;
She took me
For a ride,
Back to
Life
Again!!!



©Brandon Nagley
©Lonesome poet's poetry
©Earl Jane Nagley dedicated ( Filipino rose)

It's optional
Like the fading of skies
Early, wild, or remorseful.
All the impalpable space in the lights
Scaled in weighty gilt and curls
The locks and gold of sun,
early as it sets on a moiety of moor grey
Brushed by shadows of agonised poplars
on a spiral land of sheer pistachio blanket.

Muffled by lyres played from the trumpets of
convolvuluses, behind spears of the brain-
an imagery commence to carouse
into planet deep.

A promenade atop the tulle of skies,
an optional way to live.
Saunter and fall onto slopes, shudder, meditate
and hit a bee coffin pebble on the temple
Where there are options to live, to bleed.
Like the lurid sunrise sifting on
yellow-green nuts, and dandruffs combed
like granulated sugar
Oh the taste of chemistry
on the shea butter candles.

It's sanguine and optional,
your farewells on laden calendars of poems
A promenade- back into sea of spears and flames
A cadaver veined in pink,
bearing plethora of methanol
down pulverising bone.

You tried to be my lighthouse
(though I never asked you to),
a bright, clean, unwavering beacon
that could guide me through
the most treacherous,
the most turbulent,
the most shark-infested of waters,
and bring my sea-tossed self
safely back to harbour.

How frustrating it must have been for you to watch me
- in spite of your true, benevolent light -
wrecking myself against every rock I could find,
chasing storms,
searching for mines and riptides,
hanging out where the sirens
in their tiny, iridescent-scaled bikinis
ride on barracuda.

I
Ribb at the Tomb of Baile and Aillinn
BECAUSE you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none ha've
heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the ******* of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II
Ribb denounces Patrick
An abstract Greek absurdity has crazed the man --
Recall that masculine Trinity.  Man, woman, child (a
daughter or a son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are
wed.
As man, as beast, as an ephemeral fly begets, Godhead
begets Godhead,
For things below are copies, the Great Smaragdine
Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped
by the body or the mind,
That juggling nature mounts, her coil in their em-
braces twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air,
share God that is but three,
And could beget or bear themselves could they but
love as He.
III
Ribb in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences.  My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in ****** spasm begot
Godhead.  Some shadow fell.  My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV
There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V
Ribb considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman Or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A ****** or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI
He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
"His light had struck me blind
Dared I stop'.
She sings as the moon sings:
"I am I, am I;
The greater grows my light
The further that I fly'.
All creation shivers
With that sweet cry
VII
What Magic Drum?
He holds him from desire, all but stops his breathing
lest
primordial Motherhood forsake his limbs, the child no
longer rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic
drum?
Down limb and breast or down that glimmering belly
move his mouth and sinewy tongue.
What from the forest came? What beast has licked its
young?
VIII
Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their ****** joy
"For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive *****
Ignorant what that dramatist enjoins,
What master made the lash.  Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was con-
ceived?
IX
The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X
Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI
A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII
Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.

"Neither heaven nor earth will be at peace if
I don't find it on my ******* desk
before six," snarled Julius Caesar into his cell
To the smell of ubiquitous coffee.
I was blended in line, and could see all:
Caesar's smart sharkskin-grey suit clearly
Some modern beguilement to help him blend, too.
Gone were silks linens and laurels,
I only knew him from the meridians of his face
And the crash of command in his baritone;
I had known that heartfelt stone and all its loss
Grown from titanic achievement. This man
Had scaled Olympuses to clasp his wreaths
And wore them well, though stonewise. Then,

She took my shriveled paper president
Apparently to fund her mascara habit
And I went to wait in the amorphous collective
For those done waiting in line.
From even across the establishment,
Opposite the opulent armchairs,
His muffled business-curses floated with aroma
And I realized the importance of blending.
(One of their machines had broken
Which is why I had time to wonder at all.)
Without a blended beverage, beans and water are
All I'd own: one taste would destroy the other.

I can become the air and sometimes do,
When I am sick from being bean or broth,
And this was how I saw so well
His snakeskin tongue and his eagle's claws
And plights of Gaul that his face told.
All this I saw while blended, so,
He saw me not. If a bean in his coffee,
No doubt he'd grind me to clay
To better insulate his office from the wind.
(It's not that I despise malleability
But that sometimes a gust can be helpful
When waging ****** campaigns.
Also, clay cannot sing.) I sing,
When I can. I wonder what a tactician
Could know of that fragile thing called music
That graces us best when half at-rest.
Though some say that Caesar shook, thus
He may have been mad; he may have had music.

"That's not what concerns me Karen,"
Intoned the Emperor of Rome,
"You don't take responsibility when you ***** up. Yesterday--"
But I didn't hear about that because
My blended beverage was ready. So out
Into the fresh of air with my cup of cardboard,
I snuck a farewell glance through the glass
At that gracious lionskin monarch
Unblended in the coffee shop.
It seems his damning sin was zeal
And possession of a mighty stature --
And deafness to Calpurnia's fear.
Her ugly dreams I carry with me now
And hope I passed none stealthier than I,
Perhaps some well-cloaked Cassius
Or Brutus lost in hidden bravado waiting
To penetrate Caesar in the parking lot.

Without the souls of Trouvere, will he aspire to spheres from where he can replicate himself in the ductile state of the ceremonious Energeia...? The naive action is univocal as the first practice modulated in inclinations and lexical motricities, where they die within their fears, failing to hope and convalesce their desecrated wounds congruent in concepts of Energeia, as an arbitrary neologism to move what in itself is not self- scrollable. Vernarth after witnessing Stratonice's intermission decides to run barefoot for those who banish needs on the parental scale of his range. Succeeded by the need of Energeia towards the impudent sense of being enraptured in possibilities, and supernatural substantialities that transported him in the Epistle even to his desiring hands, but in natural causes, and kinetic emotionality in the destiny of the principles of a movement that dialogues by a spinning spin; alembicated in particles of displacement time eccentricity, towards itself in the synonymous statics, providing intrinsic angles to be associated with the rotation of time and Epistolary demands so that the quantum light can relate the energetic spiritual emotionality, with the own dissociated relationship in the spaces of appearance; where it is to be believed that there is a moment of bias provided in the emotional-movement rooted in linear memories of the temporality of the Hellenic mental axis. Everything is proper in the coordinates of the speculating, which is adduced and duplicated in Poielípsis or unveiled generation of relativistic emotions. For this reason, Vernarth naughty importunates this metaphysical precognition, alluding to particles that generate dissimilar inclinations in lapses until reaching the threshold from when Stratonice partially divided its material and spiritual origin into stationary diversity, in meditated phases that will not take place nuclear, but in the polymathy of its exteriorized threshold, and of the emotional mass of its free and passionate matter that concerns its strident and impalpable Macedonian origin.

From this moment on, the intuition corresponds to the angular reinforcement of "Poielípsis", in this way the coordinate of the Souls of Trouvere becomes present, as pseudo images of the Diadochi, involving magnetized radial movements that will lie in the spheres of physical value., in the garb of the Gerakis and Petrobus, who strived in the sense of the energeia of the Epsilon neologism, not to restrict themselves as Aristotle affirms, investigating the being towards a mono-sense in this causal, of such alpha that it says the paradoxical, demonstrating the diversity of optics. Faced with this diatribe Vernarth from the naturalness decides to empower Souls that are part of both topics according to Vernarth, it is to alleviate the potentialities of the acts that apprehend the light of genius that coexists with both. What the entity justified us in unfolding will be delivered by divine intelligence, so as not to reduce the free power of the Epsilon that was extracted in the welcoming presence of Stratonice still withdrawn in the atmosphere of the Voielípsis (substitute scale of relativistic emotions of Vernarth). There are few seconds that can be extended more from a selective argument of trends in the specifications, which could be attributed to dimensions of the Trouvere period of souls, lacking stillness in simulated biological environments, as if they deliberate the naturalness of an expression of who It does not philosophize if something has to detach itself or grab hold of creation to privilege the natural, re-arguing affection when professing, if there is time to express it, so it is intuited what the virtue of muttering simultaneously in the laborious, and in what does not progress. The dynamics of this Poielípsis is to dress the Voielípsis, as an analogous addition of quantum causality and of temporal and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas, heading towards the prop in the mega absorption of Christian Aristotelian ideals. The souls of Trouvere will be residents of the indeterminate spiritual mechanics, to deposit effects of the incredulous versatility in themselves, in the sub-aquatic depths that coexist with the geological structure of the cavern of San Juan Apóstol, but in subterranean concomitance, under the same axial coordinate that is sustained sub-geological. Namely; They will coexist as long as the Mandragoron of the Duoverso and its Voielípsis are established, but three hundred and eight meters from its antipode in the underwater base of the Profitis Ilias.

The antithetical line is the verifiable germinability of those vertical events of the plinth settled by the Souls of Trouvere, containing the germinable starch of the growth of the ergonometric stirrup of the Zefian Bolt, which from zero elevation to 308 meters above the Aegean level will form a mega extra parapsychological bilocation, which will be gestated in its uniform vertical chronological numbering, with the pre-Christian Pythagorean and post-Christian representation in the coronation of Carlo Magno, mentioned in royal visions by the Apostle Santiago, in the versant apology of Pythagoras as an entity supra divine, envisioning the scenographic depository, and fragmentability of these three components of this start of the Hellenic Magna in the hydrographic, sub-terrestrial geological and residential basin of the Souls of Trouvere.
The upholstery of the Pythia of Herófila attacks the subtended of the flying buttress that supported the volcanic cavities of the Sub-Patmos, indicating its agreement with the Souls of Trouvere by its disoriented cognitive dissonance, generating paradigms that traced stones that formulated Aquarian sounds, in a dominant tonality by the minuscule machine of light, more distant from the incommensurability that escaped eclipsed in the resplendent major note that becomes monarchical by the hypotenuse of a rectangle in three subdominant angles. This brings about the thaumaturgy of Pythiais, the mother of Pythagoras who, together with Vernarth's Poielípsis, forge retentive songs given the scarce natural light that was only born from some of Trouvere's souls called Poielípsis, in stories of the oracular Delphians. The Poielípsis remains encapsulated from the thaumaturgy of the banal anti-desires that would make it mortal, for a hypotenuse that makes the gift of poetic prayer tangible, prompting the Bio axiom, by fertilizing scaled suspicions of repeated mortality in the banner of risk. Stratonice well points it out:

“The signal field has been prophesied today for the Apollo tripod. Having to reencause itself in three parts of the support of the oracles, and in clairvoyance in the pre and post Christian insemination of the gift of the word that redeems man from sin, sub-tenant of the flying buttress, from the interface of the supra trinity of sin as a blood element, and difficult to evade or avoid. Here the Hegemonic energy of Alexander the Great has been condensed in the arch of ideas, pointing out that the diseased body of Antiochus; my father…, is supplanted by that of the to happen all the trances and difficulties that are assumed after the hazardous departure in Babylon. Therefore he has to bring all the corollary prophesied in the death of my grandfather Seleucus in the hands of Ptolemy Ceraunos. Wanting to dress up the irrevocable interference that occurred in Judah by his Diadocos gangs, opting for the effect of his offspring, therefore on his spiritual stretch of energetic residual and static mass, ad libitum that will end when unleashed in his son. All will already be consumed in the pathogenic body of Antiochus, and of the love for my mother where she was abducted, and possessed she sees by retaliation from Alexander the Great for proven insubordinate ethical demands. "

Stratonice walks with the sendal that should be translucent by Santiago of Compostela. As an intra-everlasting geometric raconto, subduing fears that slide through the sendal of the dogma of the architrave, where no philosophy can look higher if it is not allowed, typical of vegetarianism or freedoms that turn green in fears that do not illuminate life. eternal, perhaps from the same Matematikoi who doubts a basis for Adfinitas, to understand limitless limits, taking Pythagoras to the soil of Crotona. Always, someone who is ignored of the linguistic power, he plans to rewind spheres that still weave crossed angles, placing himself in scores to consider as an irreplaceable past. The soul of Poielípsis adopted a Pythagorean conception, in the halters of the livid legions of Orpheus, as if it were his consecrated hypogeum where the high position was, to stir to the embankment where it will merge with the Zefian arrow. This liquefaction should purify all storage of cognitive and circumscribes of those ancestral, becoming reincarnable pre-Christians, who transmigrate in the need of osmosis of universal unity. Atonal music will transmigrate molecules to great sidereal distances, being the same replica of the other eurythmic, in multi-trigonometric periods, vivifying the fractional number residues as souls of the same numeral that finally perish of Pythagorean digits, perhaps at the angles of the Phalanxes of Vernarth or in the oblique crucial moment that slumbers in an elegy, flourishing in those beings that do not Live...! Already under-treated, they will only be souls tired of keeping themselves alive and deprived of their morbidity, in a dissociated cause of immortality that will distance itself from the forbidden abstinences, in liberating exercises of any count that ponders in the coming etymology of the Vita Pythagorae, on the divan of the joys of serving his doctrine, which saves himself, and which will save the Messiah, for those who in the soul have no sacrifice of a lamb that grazes..., nor on the pedestal that goes ahead in the centuries..., pasturing what nobody was capable of ?. The second triad of the oracle of Apollo of the Souls of Trouvere reveal Charles the Great, favored by the Apostle Santiago for the protectorate of Compostela and its spiritual regency, invited Charlemagne from Aachen, in 33 consecutive years of dispute with swords, stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne placed himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence.

In the second segment of the concave wasteland of the straight ascendant of Trouvere, he crowned Charlemagne emperor of Rome and the Franks, predicted by the Apostle James, in defensive papal struggles and in defense of Christianity. In this paradigm it appears how they are transmitted from the dead ungraspable world, they unite here in the axon of Poielípsis for the sake of the times that occur due to the anonymity of a silence that augured to link, and to know within what the endless intrinsically organic movement is, as well as the biological cosmos in the discovery of the Jacobean route. In what better region than the Dodecanese, he will be fused by twelve apostles, and now the brother of the son of Zebedee; Santiago brother of Saint John the Apostle. Dating back to 778 AD, spreading to Hispania. In the ****** and constant fight against the Saxons, Carlo Magno, entered Hispania crossing the Pyrenees, as a preview of the aforementioned Jacobean Route, everything raged witnessing their overwhelmed squares in the fueros of the Trouveres, who were Pythagorean elite soldiers, who had been bilocated in this post was Christian, preceded by the perfidious Basque in the forests, subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to continue them to Pamplona with Charlemagne. All escaped from Islam, and not a few Christians resented this affront, the dynamics will be reflected in the Songs of the French Gesta, to enter the Jacobean Route on the way to Santiago de Compostela, when the Calixtino Codex, in its book IV o Historia Turpini, the apparition of the Apostle Santiago to Charlemagne is told in dreams, pointing to the Milky Way as a way to find his tomb, which must free them from the Saracens to be able to venerate their relics with the enamels and medallions that they issued in the Apostle's crypt in Compostela. The souls of Trouvere, are beings that enjoyed a short life in the Pyrenees, they enjoyed the fortune of originating a liberator of post-Christian inheritances, mechanized by the exquisite citation of Pythagorean antiquity, behind indigo faded in red blood cells, to dress the sendal of the figure of Faith, freed behind those who should have dressed her as a Codex Calixtinus.

Five sections rose along the straight line of the Trouvere pyramidal axon, the base of the liturgical appendix that honors the multidimensional space, with antiphons for the cult of Carlo Magno on the underlying Patmos. Santiago was lacerated in the Holy Land far from his Brother Apostle Saint John, but he came to meet with the Trouveres who came from the rugged Pyrenees. Santiago passed the Strait of Gibraltar and reached Padrón, which is about 20 kilometers west of Santiago de Compostela; there some angels took him to the place where he actively rests. In a boat he arrived..., and always by the Mediterranean he will now reach Patmos, still acquiring the iconography that attempts to find Charlemagne, and a codex that would unite pre-Christians like Pythagoras and Aristotle united in the relic of the taxpayers transformed into three maritime rivers, concerned with a predicted belligerent episode, to say that all roads lead to Patmos, like Locus Sanctus, of all the shepherds who heal their sheep in which they are not of others that are populated with souls white, for the good of others. Thus the souls of Trouvere from the Pyrenees revealed themselves as predecessors of the raiding of the shells 308 meters below the Profitis Ilias, in agreement with Stratonice who would be arriving in Macedonia, where the passing of the centuries would tell him about the Jacobean Route instructed in confronts, and concordances with the airones of the Trouvere, protected by a rectangle in three subdominant Pythagorean angles in the dissipated darkness of the golden indigo of Theoskepasti, in the meridian of Kímolos.