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Jacob A Oct 2014
What a year was 570 AD
A person was born, a prophet to be
Muhammed (saws) that was his name
People were misguided and thats when he came
He would go on to leave all the idols behind
He is an example to all of mankind

Rabbi al Awwal the 12th, that was the day
He came to this world to show us the way
He was born in Mecca, the holiest place
A life full of challenges he was to face
Abdullah (ra) his father, had by then passed away
Leaving Amina (ra) his mother, in her arms he lay

Haalima Sadia, took over his care
Until he was six, our prophet was there
His mother then died, he was left all alone
Abdul Muttalib (ra) his grand-dad then made him his own
When our prophet was nine, his grandfather died
Abu Talib, his uncle, became his new guide

In his 20's, a merchant Muhammed (saws) became by trade
Al-Amin, (the trustworthy) became his grade
Hazrat Khadija (ra) aged 40, became his bride
He was 25, with her by his side
To the poor,she gave away all her wealth
A dedicated wife in sickness and health

360 idols in the Kaaba, they were at that time
Our prophet realised that this was a crime
He would go to mount Hira,leaving behind his wife
Reflecting and wondering about the meaning of life

While thinking there in the midst of the night
He heard a loud voice which filled him with fright
It was the angel Gibrail(as) who asked him to read
Our prophet couldn't and didnt take heed
The angel embraced him and then asked him later
Read, Read in the name of the Creator
Who created man from a drop of blood

Our prophet couldn't read but at that time he could
Our prophet rushed to the path straight ahead
He heard a voice from the heavens which said
Muhammed (saws) truly you are the messenger of God
Muhammed (saws) was scared and thought this quite odd
'Praise be to God' his wife said instead
''I know you've been chosen as God's messenger' she said
And thus Khadija (ra) became the first woman of islam

And over the next 23 years came the revelation, the Quran
He preached to all people, every creed every race
Yet so many hardships he had to face
There were fears for his life, then the Hijrat took place
He then entered Medina, all by Allah's grace
He was greeted by the Ansaris who gave their salaam
To him and his companians,the Sahaba ikram

Then came the battles, which were fought face to face
Then the conquest of Mecca, Muhammed (saws)'s birthplace
An Nasr was revealed, it's message was clear
Muhammed (saws) knew that his time was near
Everyone gathered to hear his last speech
little did they know how far Allah's message would reach

Muhammed (saws) gave us the miracle the Quran
And now a 1/4 of the world follow Islam
He is our role-model, the best of mankind
And has left the Quran and his Sunnah behind

Read the Quran as much as you can
The words of Allah (swt) for the guidance of man
And follow our prophet's sunnah, when eating and dressing
And send him salutations and many a blessing
He came to mankind to show us the way
And Insha-Allah, we'll meet him, we'll meet him one day
Read please.
robin Mar 2013
her mouth was sandpaper.

her mouth was sandpaper
and she spoke like
a smooth surface,
words scraped into fluidity
like a wooden sphere,
turned over behind teeth ‘til all friction
is lost.
she spoke like the walls of a birdhouse
in the room of a dead carpenter:
pretty unassembled things.

her mouth was sandpaper
and every kiss chafed,
rubbing raw my lips
and tongue
crafting with each touch
drawing blood like
juice from an apple,
like sap
from wood already cut from the tree.

her mouth was sandpaper
and she told me
i bite my lips,
rip at
the inside of my mouth,
cannibalize myself cell
by cell.

bone saws in her mouth.
the only difference between teeth of jaws
and saws
is mercy
(and she swallowed her mercy long ago).

her mouth was sandpaper
and she spoke like a carpenter’s hands:
rough palms,
tough pads,
a utilitarian artist
a crafter of dead flesh.
a mortician for dryads
and kodama.
the art and the artist
in lips
tongue
and teeth.

her mouth was sandpaper
and i brought mine to hers
again and again,
her bitten-rough lips
opening like doors to
purgatory.
less entrapment than addiction -
returning once more to nails and hammers,
hell’s blacksmiths below
heaven’s painters above.
coming back home
to the space between,
to bone saws
and a carpenter’s hands.

her mouth was sandpaper
and her voice was carpentry,
her teeth bone saws
her words
birdhouse walls.
her mouth was purgatory
but her hands
were hands.

her mouth was sandpaper.
i held her hand
and chafed my lips raw.
Joshua Haines Jan 2015
Every soul I come into contact with
leaves an impression onto me.
But I don't believe in souls,
so how can this be?
How can I taste the flowerless
nature of a coke nose
and find it to be an eternal bloom?
For I, to without and before sunset,
**** the shadows that mask the morose
and keep the victimized stalwarts close.
See thy honor in the trauma of the night
and transient beauty of the light
that shines in all that I touch,
not enough or, perhaps, too much.
To break my empathy would be shimmerless,
but I'm dimmer, thus, a shallow crest
of what I thought was best
on the Earth's grass
and in the brain's broken glass.


Intermission:
Soda Pop and Popcorn in the lounge.


****** in France,
you like coke and being other people.
You tried to **** yourself with your car
but it only went as far
as the saliva leaping from your mouth,
when your head hit the horn,
and blared until your ears popped,
with your spit splatting against the speedometer.
Because what is fast isn't fast enough.
The EMT told you this when you saw the lights flash
across your eyes. Focus. Focus. Focus.
Follow the light with your eyes.
This isn't god. Do you have parents?
What is your name?
Your wallet melted in the heat.
What is your name?

You think you hear rusty bone saws
but they're trying to cut your friend out of the vehicle.
There isn't enough time. Time is never enough.
Robert C Howard Jul 2016
They gathered by Williamson Road at sun-up
      from neighboring spreads across the Tioga valley.
They came with carts laden with lumber stacks -
      with saws, adzes, hammers and sundry tools.

They gathered with the homesteaders bond.
      to co-build their neighbor's' dreams.

Sweet music of community echoed off the hills.
     Chisels clanged into rock, shaping the foundation,
saws sang into boards to frame a timbered skeleton.
     The staccato syncopation of hammers fastened walls
that soon would shelter plowshares, stock and grain.
      A smithy leaned over his fire and forge -
chiming iron into sturdy latches and hinges.

     Children scurried about mixing squeals and laughter
with exuberant fetching and lifting whenever called.
    
In two short passings of the sun the deed was done
      and a handsome new barn, decked out in a wash of red
was silhouetted tall and proud against the fading light.

Homesteaders gathered at a celebration table
      to share a hearty meal adorned by the music
of fiddles, grateful smiles and easy laughter.
  
Then one by one they steered their wagons home
      gazing back at what their labors had wrought -
knowing to the depth of their communal souls
      that we are more together than we are apart

Listen up, America!  This is the music of community.
      We are more together than we are apart.

*© 2016 by Robert Charles Howard
A Masque Presented At Ludlow Castle, 1634, Before

The Earl Of Bridgewater, Then President Of Wales.

The Persons

        The ATTENDANT SPIRIT, afterwards in the habit of THYRSIS.
COMUS, with his Crew.
The LADY.
FIRST BROTHER.
SECOND BROTHER.
SABRINA, the Nymph.

The Chief Persons which presented were:—

The Lord Brackley;
Mr. Thomas Egerton, his Brother;
The Lady Alice Egerton.


The first Scene discovers a wild wood.
The ATTENDANT SPIRIT descends or enters.


Before the starry threshold of Jove’s court
My mansion is, where those immortal shapes
Of bright aerial spirits live insphered
In regions mild of calm and serene air,
Above the smoke and stir of this dim spot
Which men call Earth, and, with low-thoughted care,
Confined and pestered in this pinfold here,
Strive to keep up a frail and feverish being,
Unmindful of the crown that Virtue gives,
After this mortal change, to her true servants
Amongst the enthroned gods on sainted seats.
Yet some there be that by due steps aspire
To lay their just hands on that golden key
That opes the palace of eternity.
To Such my errand is; and, but for such,
I would not soil these pure ambrosial weeds
With the rank vapours of this sin-worn mould.
         But to my task. Neptune, besides the sway
Of every salt flood and each ebbing stream,
Took in by lot, ‘twixt high and nether Jove,
Imperial rule of all the sea-girt isles
That, like to rich and various gems, inlay
The unadorned ***** of the deep;
Which he, to grace his tributary gods,
By course commits to several government,
And gives them leave to wear their sapphire crowns
And wield their little tridents. But this Isle,
The greatest and the best of all the main,
He quarters to his blue-haired deities;
And all this tract that fronts the falling sun
A noble Peer of mickle trust and power
Has in his charge, with tempered awe to guide
An old and haughty nation, proud in arms:
Where his fair offspring, nursed in princely lore,
Are coming to attend their father’s state,
And new-intrusted sceptre. But their way
Lies through the perplexed paths of this drear wood,
The nodding horror of whose shady brows
Threats the forlorn and wandering passenger;
And here their tender age might suffer peril,
But that, by quick command from sovran Jove,
I was despatched for their defence and guard:
And listen why; for I will tell you now
What never yet was heard in tale or song,
From old or modern bard, in hall or bower.
         Bacchus, that first from out the purple grape
Crushed the sweet poison of misused wine,
After the Tuscan mariners transformed,
Coasting the Tyrrhene shore, as the winds listed,
On Circe’s island fell. (Who knows not Circe,
The daughter of the Sun, whose charmed cup
Whoever tasted lost his upright shape,
And downward fell into a grovelling swine?)
This Nymph, that gazed upon his clustering locks,
With ivy berries wreathed, and his blithe youth,
Had by him, ere he parted thence, a son
Much like his father, but his mother more,
Whom therefore she brought up, and Comus named:
Who, ripe and frolic of his full-grown age,
Roving the Celtic and Iberian fields,
At last betakes him to this ominous wood,
And, in thick shelter of black shades imbowered,
Excels his mother at her mighty art;
Offering to every weary traveller
His orient liquor in a crystal glass,
To quench the drouth of Phoebus; which as they taste
(For most do taste through fond intemperate thirst),
Soon as the potion works, their human count’nance,
The express resemblance of the gods, is changed
Into some brutish form of wolf or bear,
Or ounce or tiger, hog, or bearded goat,
All other parts remaining as they were.
And they, so perfect is their misery,
Not once perceive their foul disfigurement,
But boast themselves more comely than before,
And all their friends and native home forget,
To roll with pleasure in a sensual sty.
Therefore, when any favoured of high Jove
Chances to pass through this adventurous glade,
Swift as the sparkle of a glancing star
I shoot from heaven, to give him safe convoy,
As now I do. But first I must put off
These my sky-robes, spun out of Iris’ woof,
And take the weeds and likeness of a swain
That to the service of this house belongs,
Who, with his soft pipe and smooth-dittied song,
Well knows to still the wild winds when they roar,
And hush the waving woods; nor of less faith
And in this office of his mountain watch
Likeliest, and nearest to the present aid
Of this occasion. But I hear the tread
Of hateful steps; I must be viewless now.


COMUS enters, with a charming-rod in one hand, his glass in the
other: with him a rout of monsters, headed like sundry sorts of
wild
beasts, but otherwise like men and women, their apparel
glistering.
They come in making a riotous and unruly noise, with torches in
their hands.


         COMUS. The star that bids the shepherd fold
Now the top of heaven doth hold;
And the gilded car of day
His glowing axle doth allay
In the steep Atlantic stream;
And the ***** sun his upward beam
Shoots against the dusky pole,
Pacing toward the other goal
Of his chamber in the east.
Meanwhile, welcome joy and feast,
Midnight shout and revelry,
Tipsy dance and jollity.
Braid your locks with rosy twine,
Dropping odours, dropping wine.
Rigour now is gone to bed;
And Advice with scrupulous head,
Strict Age, and sour Severity,
With their grave saws, in slumber lie.
We, that are of purer fire,
Imitate the starry quire,
Who, in their nightly watchful spheres,
Lead in swift round the months and years.
The sounds and seas, with all their finny drove,
Now to the moon in wavering morrice move;
And on the tawny sands and shelves
Trip the pert fairies and the dapper elves.
By dimpled brook and fountain-brim,
The wood-nymphs, decked with daisies trim,
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove;
Venus now wakes, and wakens Love.
Come, let us our rights begin;
‘T is only daylight that makes sin,
Which these dun shades will ne’er report.
Hail, goddess of nocturnal sport,
Dark-veiled Cotytto, to whom the secret flame
Of midnight torches burns! mysterious dame,
That ne’er art called but when the dragon womb
Of Stygian darkness spets her thickest gloom,
And makes one blot of all the air!
Stay thy cloudy ebon chair,
Wherein thou ridest with Hecat’, and befriend
Us thy vowed priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing eastern scout,
The nice Morn on the Indian steep,
From her cabined loop-hole peep,
And to the tell-tale Sun descry
Our concealed solemnity.
Come, knit hands, and beat the ground
In a light fantastic round.

                              The Measure.

         Break off, break off! I feel the different pace
Of some chaste footing near about this ground.
Run to your shrouds within these brakes and trees;
Our number may affright. Some ****** sure
(For so I can distinguish by mine art)
Benighted in these woods! Now to my charms,
And to my wily trains: I shall ere long
Be well stocked with as fair a herd as grazed
About my mother Circe. Thus I hurl
My dazzling spells into the spongy air,
Of power to cheat the eye with blear illusion,
And give it false presentments, lest the place
And my quaint habits breed astonishment,
And put the damsel to suspicious flight;
Which must not be, for that’s against my course.
I, under fair pretence of friendly ends,
And well-placed words of glozing courtesy,
Baited with reasons not unplausible,
Wind me into the easy-hearted man,
And hug him into snares. When once her eye
Hath met the virtue of this magic dust,
I shall appear some harmless villager
Whom thrift keeps up about his country gear.
But here she comes; I fairly step aside,
And hearken, if I may her business hear.

The LADY enters.

         LADY. This way the noise was, if mine ear be true,
My best guide now. Methought it was the sound
Of riot and ill-managed merriment,
Such as the jocund flute or gamesome pipe
Stirs up among the loose unlettered hinds,
When, for their teeming flocks and granges full,
In wanton dance they praise the bounteous Pan,
And thank the gods amiss. I should be loth
To meet the rudeness and swilled insolence
Of such late wassailers; yet, oh! where else
Shall I inform my unacquainted feet
In the blind mazes of this tangled wood?
My brothers, when they saw me wearied out
With this long way, resolving here to lodge
Under the spreading favour of these pines,
Stepped, as they said, to the next thicket-side
To bring me berries, or such cooling fruit
As the kind hospitable woods provide.
They left me then when the grey-hooded Even,
Like a sad votarist in palmer’s ****,
Rose from the hindmost wheels of Phoebus’ wain.
But where they are, and why they came not back,
Is now the labour of my thoughts. TTis likeliest
They had engaged their wandering steps too far;
And envious darkness, ere they could return,
Had stole them from me. Else, O thievish Night,
Why shouldst thou, but for some felonious end,
In thy dark lantern thus close up the stars
That Nature hung in heaven, and filled their lamps
With everlasting oil to give due light
To the misled and lonely traveller?
This is the place, as well as I may guess,
Whence even now the tumult of loud mirth
Was rife, and perfect in my listening ear;
Yet nought but single darkness do I find.
What might this be ? A thousand fantasies
Begin to throng into my memory,
Of calling shapes, and beckoning shadows dire,
And airy tongues that syllable men’s names
On sands and shores and desert wildernesses.
These thoughts may startle well, but not astound
The virtuous mind, that ever walks attended
By a strong siding champion, Conscience.
O, welcome, pure-eyed Faith, white-handed Hope,
Thou hovering angel girt with golden wings,
And thou unblemished form of Chastity!
I see ye visibly, and now believe
That He, the Supreme Good, to whom all things ill
Are but as slavish officers of vengeance,
Would send a glistering guardian, if need were,
To keep my life and honour unassailed. . . .
Was I deceived, or did a sable cloud
Turn forth her silver lining on the night?
I did not err: there does a sable cloud
Turn forth her silver lining on the night,
And casts a gleam over this tufted grove.
I cannot hallo to my brothers, but
Such noise as I can make to be heard farthest
I’ll venture; for my new-enlivened spirits
Prompt me, and they perhaps are not far off.

Song.

Sweet Echo, sweetest nymph, that liv’st unseen
                 Within thy airy shell
         By slow Meander’s margent green,
And in the violet-embroidered vale
         Where the love-lorn nightingale
Nightly to thee her sad song mourneth well:
Canst thou not tell me of a gentle pair
         That likest thy Narcissus are?
                  O, if thou have
         Hid them in some flowery cave,
                  Tell me but where,
         Sweet Queen of Parley, Daughter of the Sphere!
         So may’st thou be translated to the skies,
And give resounding grace to all Heaven’s harmonies!


         COMUS. Can any mortal mixture of earthUs mould
Breathe such divine enchanting ravishment?
Sure something holy lodges in that breast,
And with these raptures moves the vocal air
To testify his hidden residence.
How sweetly did they float upon the wings
Of silence, through the empty-vaulted night,
At every fall smoothing the raven down
Of darkness till it smiled! I have oft heard
My mother Circe with the Sirens three,
Amidst the flowery-kirtled Naiades,
Culling their potent herbs and baleful drugs,
Who, as they sung, would take the prisoned soul,
And lap it in Elysium: Scylla wept,
And chid her barking waves into attention,
And fell Charybdis murmured soft applause.
Yet they in pleasing slumber lulled the sense,
And in sweet madness robbed it of itself;
But such a sacred and home-felt delight,
Such sober certainty of waking bliss,
I never heard till now. I’ll speak to her,
And she shall be my queen.QHail, foreign wonder!
Whom certain these rough shades did never breed,
Unless the goddess that in rural shrine
Dwell’st here with Pan or Sylvan, by blest song
Forbidding every bleak unkindly fog
To touch the prosperous growth of this tall wood.
         LADY. Nay, gentle shepherd, ill is lost that praise
That is addressed to unattending ears.
Not any boast of skill, but extreme shift
How to regain my severed company,
Compelled me to awake the courteous Echo
To give me answer from her mossy couch.
         COMUS: What chance, good lady, hath bereft you thus?
         LADY. Dim darkness and this leafy labyrinth.
         COMUS. Could that divide you from near-ushering guides?
         LADY. They left me weary on a grassy turf.
         COMUS. By falsehood, or discourtesy, or why?
         LADY. To seek i’ the valley some cool friendly spring.
         COMUS. And left your fair side all unguarded, Lady?
         LADY. They were but twain, and purposed quick return.
         COMUS. Perhaps forestalling night prevented them.
         LADY. How easy my misfortune is to hit!
         COMUS. Imports their loss, beside the present need?
         LADY. No less than if I should my brothers lose.
         COMUS. Were they of manly prime, or youthful bloom?
         LADY. As smooth as ****’s their unrazored lips.
         COMUS. Two such I saw, what time the laboured ox
In his loose traces from the furrow came,
And the swinked hedger at his supper sat.
I saw them under a green mantling vine,
That crawls along the side of yon small hill,
Plucking ripe clusters from the tender shoots;
Their port was more than human, as they stood.
I took it for a faery vision
Of some gay creatures of the element,
That in the colours of the rainbow live,
And play i’ the plighted clouds. I was awe-strook,
And, as I passed, I worshiped. If those you seek,
It were a journey like the path to Heaven
To help you find them.
         LADY.                          Gentle villager,
What readiest way would bring me to that place?
         COMUS. Due west it rises from this shrubby point.
         LADY. To find out that, good shepherd, I suppose,
In such a scant allowance of star-light,
Would overtask the best land-pilot’s art,
Without the sure guess of well-practised feet.
        COMUS. I know each lane, and every alley green,
******, or bushy dell, of this wild wood,
And every bosky bourn from side to side,
My daily walks and ancient neighbourhood;
And, if your stray attendance be yet lodged,
Or shroud within these limits, I shall know
Ere morrow wake, or the low-roosted lark
From her thatched pallet rouse. If otherwise,
I can c
it is said that
a prophet finds no honor
in his own country

hard truths
boldly spoken
are received as a
wretched cacophony
threatening to melt
the caked wax
blocking the closed
intolerant ears of
intransigence

Madiba
once found no
personhood
in his homeland

his people driven
from their land
by Voortrekkers

snortling Boers
gobbling the land
uprooting native
people from villages
they had occupied
since the dawn
of time

spilling Zulu blood
into roiling rivers
of conquest

meeting peaceful
petitions of the
aggrieved with
Sharpsville bullets
splattering
the blood of
innocents onto
hardscrabble roads

redressing crimes
against the victims
by corralling them into
denuded Bantustans
where rivers do not
flow, grass never grows,
game cannot graze;
only the dust doth blow

riddling the captives
with torments of
Transvaal Apartheid,
mocking the speakers
of mother tongues with
the fained eloquence
of bastardized Afrikaans

the dominion of the
oppressors, sanctioned
and affirmed by exiling
a people from their land,
outlawing their language,
dividing the nations into
a fallacy of separate
destinies where a forgetful
history blessed with amnesia
will anoint the conquerors
with the spoils of abundance
stolen from the vanquished

Madiba spoke of these things
and was awarded a prison
cell for twenty seven years

but the hostages of
a conquerors justice
remained destined
to be freed by the arrival
of an accepted truth
set free by the very words
prophetically spoken

prisons cannot contain truth
steel bars cannot imprison
the idea of divine justice

it slips through the smallest openings
like a wafting fragrance of the first day of spring

it saws away at the rust strewn steel bars
like the surest movement of a master carpenter’s arm

it melts the thickest links of iron chains
in the fiery forges that burn in the hearts
of all freedom loving people

the truth of justice
is born and takes flight
on the wings of history
covering the globes
cardinal ordinates

nesting in the most
humble villages
and mean estates
on God’s good earth

truth and reconciliation
can never be separated
planted together to grow
healthy nations and
communities of
trust and restoration

Madiba, you always
found honor with
the salt of the earth
the children of light
who seek to dispel
the darkness of
acrimony and
*******

we continue to
walk your way
guided by your
prophetic visions
we take the first steps
asking liberators to join
with oppressors, pairing
in a magnanimous walk
along wholesome pathways
perceiving the buena vistas
of reconciled communities
firmly established
on foundations
of peace, equality
and justice for all citizens

I caught a fleeting glimpse of Madiba
as he rolled by in the Canyon of Heros
showered under a June blizzard of confetti
and a resounding acclimation of love.

I was a plebe inhabiting a lower floor
Broadway office, yet my station blessedly
brought me closer to Madiba.  As he passed
I was moved by his miraculous smile and felt
the colossal reverberations of his waving arm
triumphantly hailing the sweet freedom of
liberation all hostages of feigned justice
exude in the vindication of divine justice
enraptured in the joy of affirmed truth.

Dearest Madiba
we are enriched
and blessed for
the time you walked
among us.  

You fought
the good fight
my brother.

Rest easy
for we shall resume
the climb to
the next mountaintop.

Well done Madiba
Godspeed

Rolihlahla “Nelson” Mandela
7/18/18 - 12/5/13

Ladysmith Black Mombazo
How Long

Oakland
12/6/13
jbm
A story, a story!
(Let it go.  Let it come.)
I was stamped out like a Plymouth fender
into this world.
First came the crib
with its glacial bars.
Then dolls
and the devotion to their plactic mouths.
Then there was school,
the little straight rows of chairs,
blotting my name over and over,
but undersea all the time,
a stranger whose elbows wouldn't work.
Then there was life
with its cruel houses
and people who seldom touched-
though touch is all-
but I grew,
like a pig in a trenchcoat I grew,
and then there were many strange apparitions,
the nagging rain, the sun turning into poison
and all of that, saws working through my heart,
but I grew, I grew,
and God was there like an island I had not rowed to,
still ignorant of Him, my arms, and my legs worked,
and I grew, I grew,
I wore rubies and bought tomatoes
and now, in my middle age,
about nineteen in the head I'd say,
I am rowing, I am rowing
though the oarlocks stick and are rusty
and the sea blinks and rolls
like a worried eyebal,
but I am rowing, I am rowing,
though the wind pushes me back
and I know that that island will not be perfect,
it will have the flaws of life,
the absurdities of the dinner table,
but there will be a door
and I will open it
and I will get rid of the rat insdie me,
the gnawing pestilential rat.
God will take it with his two hands
and embrace it.

As the African says:
This is my tale which I have told,
if it be sweet, if it be not sweet,
take somewhere else and let some return to me.
This story ends with me still rowing.
Wheer 'asta bean saw long and mea liggin' 'ere aloan?
Noorse? thoort nowt o' a noorse: whoy, Doctor's abean an' agoan;
Says that I moant 'a naw moor aale; but I beant a fool;
*** ma my aale, fur I beant a-gawin' to break my rule.

Doctors, they knaws nowt, fur a says what 's nawways true;
Naw soort o' koind o' use to saay the things that a do.
I 've 'ed my point o' aale ivry noight sin' I bean 'ere.
An' I 've 'ed my quart ivry market-noight for foorty year.

Parson 's a bean loikewoise, an' a sittin' ere o' my bed.
"The amoighty 's a taakin o' you to 'isen, my friend," a said,
An' a towd ma my sins, an' s toithe were due, an' I gied it in hond;
I done moy duty boy 'um, as I 'a done boy the lond.

Larn'd a ma' bea. I reckons I 'annot sa mooch to larn.
But a cast oop, thot a did, 'bout Bessy Marris's barne.
Thaw a knaws I hallus voated wi' Squoire an' choorch an' staate,
An' i' the woost o' toimes I wur niver agin the raate.

An' I hallus coom'd to 's choorch afoor moy Sally wur dead,
An' 'eard 'um a bummin' awaay loike a buzzard-clock ower me 'ead,
An' I niver knaw'd whot a mean'd but a thowt a 'ad summut to saay.
An' I thowt a said what a owt to 'a said, an' I coom'd awaay.

Bessy Marris's barne! tha knaws she laaid it to mea.
'Siver, I kep 'um, I kep 'um, my lass, tha mun understond;
I done moy duty boy 'um, as I 'a done boy the lond.

But Parson a cooms an' a goas, an' a says it easy an' freea:
"The amoighty 's taakin o' you to 'issen, my friend," says 'ea.
I weant saay men be loiars, thaw summun said it in 'aaste;
But 'e reads wonn sarmin a weeak, an' I 'a stubb'd Thurnaby waaste.

D' ya moind the waaste, my lass? naw, naw, tha was not born then;
Theer wur a boggle in it, I often 'eard 'um mysen;
Moast loike a butter-bump, fur I 'eard 'um about an' about,
But I stubb'd 'um oop wi' the lot, an' raaved an' rembled 'um out.

Keaper's it wur; fo' they fun 'um theer a-laaid of is' faace
Down i' the woild 'enemies afoor I coom'd to the plaace.
Noaks or Thimbleby--toaner 'ed shot 'um as dead as a naail.
Noaks wur 'ang'd for it opp at 'soize--but *** ma my aale.
Dubbut loook at the waaaste; theer warn't not feead for a cow;
Nowt at all but bracken an' fuzz, an' loook at it now--
Warn't worth nowt a haacre, an' now theer 's lots o' feead,
Fourscoor yows upon it, an' some on it down i' seead.

Nobbut a bit on it 's left, an' I mean'd to 'a stubb'd it at fall,
Done it ta-year I mean'd, an' runn'd plow thruff it an' all,
If godamoighty an' parson 'ud nobbut let ma aloan,--
Mea, wi haate hoonderd haacre o' Squoire's, an' lond o' my oan.

Do godamoighty knaw what a's doing a-taakin' o' mea?
I beant wonn as saws 'ere a bean an yonder a pea;
An' Squoire 'ull be sa mad an' all--a' dear, a' dear!
And I 'a managed for Squoire coom Michaelmas thutty year.

A mowt 'a taaen owd Joanes, as 'ant not a 'aapoth o' sense,
Or a mowt a' taaen young Robins--a niver mended a fence:
But godamoighty a moost taake mea an' taake ma now,
Wi' aaf the cows to cauve an' Thurnaby hoalms to plow!

Loook 'ow quoloty smoiles when they seeas ma a passin' boy,
Says to thessen, naw doubt, "What a man a bea sewer-loy!"
Fur they knaws what I bean to Squoire sin' fust a coom'd to the 'All;
I done moy duty by Squoire an' I done moy duty boy hall.

Squoire 's i' Lunnon, an' summun I reckons 'ull 'a to wroite,
For whoa 's to howd the lond ater mea that muddles ma quoit;
Sartin-sewer I bea, thot a weant niver give it to Joanes,
Naw, nor a moant to Robins--a niver rembles the stoans.

But summun 'ull come ater mea mayhap wi' 'is kittle o' steam
Huzzin' an' maazin' the blessed fealds wi' the Divil's oan team.
Sin' I mun doy I mun doy, thaw loife they says is sweet,
But sin' I mun doy I mun doy, for I couldn abear to see it.

What atta stannin' theer fur, an' doesn bring me the aale?
Doctor 's a 'toattler, lass, an a's hallus i' the owd taale;
I weant break rules fur Doctor, a knaws naw moor nor a floy;
*** ma my aale, I tell tha, an' if I mun doy I mun doy.
Robert Ronnow Aug 2015
The four fundamental forces:
Zeus, Aphrodite, Ares (or Mars), and Adam and Eve.

                            <<0>>                                          >> 0 <<

             Electric field induced by             Electric field induced by
            a positive electric charge            a negative electric charge

"Deutsch thinks that such 'jumps to universality' must occur not only in the capacity to calculate things, but also in the capacity to understand things, and in the closely related capacity to make things happen. And he thinks that it was precisely such a threshold that was crossed with the invention of the scientific method. There were plenty of things we humans could do, of course, prior to the invention of that method: agriculture, or the domestication of animals, or the design of sundials, or the construction of pyramids. But all of a sudden, with the introduction of that particular method of concocting and evaluating new hypotheses, there was a sense in which we could do anything. The capacities of a community that has mastered that method to survive, to learn, and to remake the world according to its inclinations are (in the long run) literally, mathematically, infinite. And Deutsch is convinced that the tendency of the world to give rise to such communities, more than, say, the force of gravitation, or the second law of thermodynamics, or even the phenomenon of death, is what ultimately gives the world its shape, and what constitutes the genuine essence of nature. 'In all cases,' he writes, 'the class of transformations that could happen spontaneously--in the absence of knowledge--is negligibly small compared with the class that could be effected artificially by intelligent beings who wanted those transformations to happen. So the explanations of almost all physically possible phenomena are about how knowledge would be applied to bring those phenomena about.' And there is a beautiful and almost mystical irony in all this: that it was precisely by means of the Scientific Revolution, it was precisely by means of accepting that we are not the center of the universe, that we became the center of the universe."

Danger comes from the root bad brakes and bald tires. Chain saws
      and wildfires. Poisonous
ideologies, housecleaning chemicals and toiletries. Powerful
      industrialists, alcoholic fathers.
Invasive species, illegal immigrants. Concentration camps, attention
      deficit disorder.
Performance phobia, identity enhancements. Pleasure, applause.
      Quiet moments, walking and
talking war buddies. Electoral politics, marriage and divorce. Pest
      exterminator, Yeats seminar.
Love affair, pencil sharpener. Whatever, matter. Ionic and covalent
      bonds, republican hairstyle.
Events in their mere chronology.

"What is a typical place in the universe like? Let me assume that you are reading this on Earth. In your mind's eye travel straight upwards a few hundred kilometers. Now you are in the slightly more typical environment of space. But you are still being heated and illuminated by the sun, and half your field of view is still taken up by the solids, liquids and **** of the Earth. A typical location has none of those features. So, travel a few trillion kilometers further in the same direction. You are now so far away that the sun looks like other stars. You are at a much colder, darker and emptier place, with no **** in sight. But it is not yet typical: you are still inside the Milky Way galaxy, and most places in the universe are not in any galaxy. Continue until you are clear outside the galaxy--say, a hundred thousand light years from Earth. At this distance you could not glimpse the Earth even if you used the most powerful telescope that humans have yet built. But the Milky Way still fills much of your sky. To get to a typical place in the universe, you have to imagine yourself at least a thousand times as far out as that, deep in intergalactic space. What is it like there? Imagine the whole of space notionally divided into cubes the size of our solar system. If you were observing from a typical one of them, the sky would be pitch black. The nearest star would be so far away that if it were to explode as a supernova, and you were staring directly at it when its light reached you, you would not even see a glimmer. That is how big and dark the universe is. And it is cold: it is at that background temperature of 217 Kelvin, which is cold enough to freeze every known substance except helium. And it is empty: the density of atoms out there is below one per cubic meter. That is a million times sparser than atoms in the space between the stars, and those atoms are themselves sparser than in the best vacuum that human technology has yet achieved. Almost all the atoms in intergalactic space are hydrogen or helium, so there is no chemistry. No life could have evolved there, nor any intelligence. Nothing changes there. Nothing happens. The same is true of the next cube and the next, and if you were to examine a million consecutive cubes in any direction the story would be the same."

The 5 colors of sadness:
disappointed, didn't get what was wanted
confused, don't know what to do next, where to go
lonely, no one to love or be loved by
sorry, unable to help or change what happened
depressed, can't get out of bed, want to **** self

"Unless a society is expecting its own future choices to be better than its present ones, it will strive to make its present policies and institutions as immutable as possible. Therefore Popper's criterion can be met only by societies that expect their knowledge to grow -- and to grow unpredictably. And, further, they are expecting that if it did grow, that would help. This expectation is what I call optimism, and I can state it, in its most general form, thus: The Principle of Optimism -- All evils are caused by insufficient knowledge. Optimism is, in the first instance, a way of explaining failure, not prophesying success. It says that there is no fundamental barrier, no law of nature or supernatural decree, preventing progress. Whenever we try to improve things and fail, it is not because the spiteful (or unfathomably benevolent) gods are thwarting us or punishing us for trying, or because we have reached a limit on the capacity of reason to make improvements, or because it is best that we fail, but always because we did not know enough, in time. But optimism is also a stance towards the future, because nearly all failures, and nearly all successes, are yet to come.

As I think of things to do I do them.
Thing by thing I get things done.
That's how my father and his father did things.
I guess my mother and her mother did things that way too.

Sometimes I'm driving and I think how my father and his father drove
      too.
There was weather and they had problems. There is weather and I
      have problems.
Time exists only in the human mind. But if the mind exists, time exists.
Joy everywhere. Joy at birth. Joy at death. All joy, all times.
--Alpert, David, "Explaining it All: How We Became the Center of the Universe", NY Times Book Review, August 12, 2011
--Deutsch, David, The Beginning of Infinity, Viking Press, 2011

www.ronnowpoetry.com
Rebecca Gismondi May 2014
a letter to myself:
(a reminder, rather),
I know it feels as though you are now in the trenches
the mud clinging between your toes,
the walls too inevitably high to scale,
the rain beating and pouring down on your body,
and you see everyone above the surface hovering,
watching you as you try and clasp the sides of this hollow grave, frantically trying to escape
and you want to just lie in the mud and have the rain drown you until you are nothing
but you must remember this:
you will be fine.
And I know it feels as though you have been butchered, gutted and cleaned
ready to be thrown on the grill by he who so carefully flayed you open over time and space
only to have all your guts and bones trailing behind you, and thrown into a stock *** to boil away
and I know you miss his furrowed brow
and his incessant organization
and his frigid room
and you want him to call and say
"go to where we met and I will hold you and not say anything more than I'm sorry and I want you and you're all I see"
but remember this:
you will be fine.
And right now, I know you want to cover yourself in paint
all colours, but especially red; Tabasco to be certain
and slather it on until all the marks and scuffs disappear
until you disappear
and you want to refuse to let it dry; apply layer upon layer of every shade of blue from sky to navy;
from lime to forest green,
from sunshine to mustard yellow
and all variations of pink,
and your brush becomes heavy because this paint is caking your skin,
a cast of plaster holding your true self in
until you are as frigid as a statue; you are clad in stone
immovable and impenetrable;
your shield
but please remember this:
you will be fine.
One day someone will see your statue in a square or a park,
the sunlight beaming off your sheen,
and will see past that paint:
the layers of Tabasco
and emerald
and ocean
and canary
and pink
and see you
because you are a light
you are the last piece of pie that you know you shouldn't have, but take anyway
you are a phosphene that never disappears, even when their eyes are open
and he or she will approach your statue,
in a stance of utter uncertainty and self-doubt
shoulders hunched, spine pulled in and face blank and wanting
and will see you
and will take a chisel to your stone
and break off the layers
reduce them to dust, surrounding your pedestal
brush, blow and wipe it clean
and they will suffer from the heat and labour
but they will see you
and they will chip until finally you emerge
that light
and all will be gathered in that square or park
and as you look around you realize that they are the people you love the most
and the person who has broken your mould, your shell
is the one you love most of all: you.
Because you look in the mirror and you love you
you want you
you need you
and I know it's dark
and I know there are drills and hammers and saws
and I know when you sleep you are erased
but remember this:
you will be fine.
you are alive.
you are here.
you are better.
you will rise.
Steven Hutchison May 2013
Tomorrow I will write.
Tonight I will bleed,
Silently,
With a stomach full of table saws.
Not actual bleeding in any way, and I don't condone violence. ****** why did I post this?
SE Reimer Mar 2017
~

late winter’s dusting,
on tarnished ores;
a dreamer’s seeds,
these rails once bore.
rain-washed colors,
on sun-warped steel;
their conjured hopes,
an age once real;
oxidized
by rust and time
blackened timbers,
no longer bind;
what still remains
are worn out ties,
a distant memory,
of centuries gone by,
now mere after-sighs.
structures standing,
but just by chance...
a gust may blow them down;
these buildings where
men’s dreams once danced,
now a ghost, this town.
though no soul is left inside,
still a body here resides.
so long ago
her carried goods,
these rails rode,
to distant homes,
built dreams of wood;
like dandelion wishes,
scattered... gone,
tracks going nowhere,
now a fading ode,
just another dusty song.
for advancing progress
never fails to leave
someone's dying dream behind.

~

*post script.

Oregon’s hills and back country hide these relics of a time when a nation’s spirit was fed by the sounds of industry, steel and steam, the whir of saws, and men calling, “timber”... long before the age of wood and rail were left in a saw-dusty bin of history by the sweeping hand of time.  i could easily be persuaded that this change was for the best, yet this can't erase the longing sense, left beneath my breast... advances do not come without leaving something or someone behind.
Nat Lipstadt Mar 2014
on fine paper,
quality paper,
deserving of thoughtful
care and consideration,
summon courage,
write for one,
even if too many will indifferent read

write for the one,
who will wait for you,
long after closing time
for the need to say
Something
of thanks,
something that cannot go
unsaid

write for the one,
who cannot say
what they needs to say,
and in their stumbling style,
fumbling unsuccessful reach,
says it better than anyone

write for the blind and
sing for the deaf,
be their guide,
be their intimate,
aid them to escape boundaries,
by granting them the saws
to cut loose binding emotions,
share with them your most
intimate courage

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
"Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things."

T.S. Eliot (1888 - 1965)
Lawrence Hall Mar 2017
Tools of the Patriarchy

Fence pliers, claw hammers, crescent wrenches
Nail sets, c-clamps, wood planes, mitre boxes
Come-alongs, White Mule gloves, ball-peen hammers
Jumper cables, wood planes, mill bstrd files

Plumb bobs, twist bits, cross-cut saws, ripping saws
Tire irons, air compressors, pressure gauges
Brace-and-bits, drawing knives, pneumatic jacks
Cold chisels, clamps, mortar trowels, channel locks

A twelve-hour day plus d*mned low pay, you bet!

And

A work ethic, knowledge, muscles, and sweat
Sleepy Sigh Sep 2010
We dance in the wetlands:
Hopping tree to tree in galoshes,
In snake boots.
We can hear the rattlers and
Crying crocodiles over the
Buzz buzz buzzing of our chainsaws,
But the bossman says stay down.
So we wait and watch, and when
A snake snaps to bite, we touch it
Just so: on the back of the head
With our buzzing tools. Then
We go right back to dancing
Tree to tree and rock to rock.
Step in the water and scaly babies
Will cry out for mother,
But bossman will say to stay
And shoot the mama if she snaps to bite.
We drive them from their homes,
Scaly devils, with our buzz buzzing saws
And our snake boots. We clear the land.
Where they shall go, we shall follow,
Always there is more to clear
More to cut and haul away
But we must be prepared for
Attack, always awake,
Always ready to shoot and touch
The back of their heads, just so,
With our insistent buzzing saws.
share, don't steal, etc

Poetry is everywhere.
Ako Jun 2017
Firm hands
Visage, chiselled by gods
I pray upon the temple
Intertwined fingers
Sinful embrace
I have longed a touch for Mars
So far, yet he saw the wood,
The hill,
The Temple.

The Mars enraged!
Raging howl of a lone canine
Digging of what the burried desire has for him
Digging, digging
Dig!
The Lumberjack fervently saws the hills
O God! Visage with a burning desire!
Not a tune of emotion compares to what this broken vision has seen
Not a tune of reality passes him.

Unconcious by the dew,
Concious by the sun
Ending the sin of a forbidden bind.
spysgrandson Nov 2015
a refugee from wealth,
he and his Dartmouth degree found the spot
farthest from his New England roots, and the first roots
he saw there were those of a banyan tree, giant gray tentacles
piercing the Asian earth, imploring the black soil
for atonement, he thought

the natives said the tree was older than God
immortal, but cursed with some blight that bedeviled them
and that prudent pruning of ailing arms would be wise

the man had only a Swiss Army knife  
with its minuscule saw, but soon he set about the task
of trimming the behemoth, one mad millimeter at a time,
and mad was all the natives saw

this white creature, high in the canopy,
often from dawn until the sun sank in the jungle behind him
sawing away, a half branch a day, treating the gargantuan arboreal
like a prize bonsai

villagers would come, hunker, watch in the shade of the tree
once in a great while, they would see a branch crash on the ground,
at which time they cheered the pitifully patient woodsman

many offered to help, some leaving bow saws,
axes at the banyans' base, but he would have none of that
over and over he received new red knives with their tiny saws
these parcels the only mail he got

even during monsoon rains,
the man's labors did not desist
though his audience waned

appearing to defy physics' uncertain laws
the tree was nearly felled, but the man disappeared
before his colossal task was done, the locals claiming he climbed
into the thinned canopy one day and never came down

not even a well worn blade was found
allowing the witnesses to aver he was yet high in the heavens
resting after love's labor had wearied his hands  
but perchance healed his heart
Joanna Oz Nov 2014
my professor tells me that
'we often infer our attitudes through behavior
rather than direct action through intention'
so i'm picking apart
my every move - rewind, re-watch, repeat
the black & white play continuously fluctuates
through infinite shades of gray
as i'm retracing, re-reading between my swiveling lines
to interpret my flip flopping flightiness
i'm flitting across the floor
and my forward motion propels me backwards
into a merry go round of maybe, possibly, & sort of
blurred up & down, up & down, round & round
past decisions that I regurgitated
and now re-ingest to reinforce their meaning
but the recurrent ambivalence I taste
keeps my see-saw heart swinging
and i'd love to have a hand to hold
but all i'm finding are holes to sink into
and the blanket of darkness provides a comforting
lack of sight, but growth lies in the light
so i'll backpedal with all my might
hop on your rocket ship & take a deja vu trip
to the land of indecision where our hearts live.
emma joy Aug 2013
The color of wilted daisies is a dark shade of regrets
Take me back to my wild years
when I always had big hair and seemingly small hands
each finger has a heartbeat you know
I swear every extremity has a pulse
Pieces put together
that's what it is
a puzzle gone wrong
Shubham Solanki Sep 2019
What if trees could move
Would they stay where we do
Would they filter our CO2
I say the answer's NO.

They would rather want a place of their own
Away from humans with axes and saws
Where they'll be at peace
Doing stuff like photosynthesis.

Wonder what would happen then
Wait,Don't bother,Do not say
We'll all be dead anyway!
climate change is real,it is about time we act consciously and help plant more trees. Global warming is coming for us all.
wordvango Nov 2014
on a demented chorus
I began
I entitled
soberly
of moon and body
speaking of green
or ales
I have not imbibed
in  the last 1 hours
but I hear tweets
from mockingbirds
chasing gliding swooping
down from the nests
I guess
i threaten.
So, this message mis-titled
a chorus mis-guided
sails into the air
as a chirp chases me,
hiding,
I need a beer.
Where Shelter May 2017
The Prism Through Which We See Clearly

~

light saws our untrue selves with acute angles,
piercing our holistic pretenses, daily disambiguation features,
our sheltering disguises into our essence refractive elements

this is not a cute rainbow poem - run from here

it is a dissection of our true nature
why belabor, why elaborate?

through the prism
you color-coded self, tracted,
a mapping of your intersections,
what each color speaks, needs not an explication,
your hidden humanity comes to my eyes, in full revelation

at last I see you clearly

the lost and black withered limbs,
the stirring, leaping, enflamed flaring, never ceasing, breathing elements that mark your singularity

did you know your eyes are constant singers?

through prism, each note heard distinctly, as it rises uplifted,
your song, mine for observation and weeping exhalations,
your song, the production number of thy own composition,
through prism, our interior visual disinterred and released,

here I must cease, for what seen, grievous weeping deepens,
from the glory and the pain my blurred wetness overwhelms
the clarifying crystal useless when tear coated

through the prism,
before the full length mirror,
my own, unowned, never could be owned,
'mirror mirror on the wall,'
warped weave of tissues, mine,
the song sounds, mine,
from lungs disgorged
myself, diagnosed and displayed

of what I see, spitting speech
ceases and desists,
the only thought permitted, repeated,

where is my shelter now?**


5/13/17 6:49am
Mikaila Sep 2013
Oh, I am raw.

You knew.
You knew this whole time.
And you made your bid for love and freedom oncemore,
Like you'd never been hurt in your life,
Like it couldn't turn out wrong.
You knew, you knew.
Every single time, the hope wins over the sense,
And it's like you don't even try.
Who are you to march away and leave me here,
Heart?
Who are you to skip away blithely into the night every time I beg you to stay?
It's like you don't even belong in my breast,
The way you leap forth and hitch a ride
With people you see pass near, who shine like stars.
You follow them like gravity,
And every time, I scream inside my head,
Locked in,
"WAIT! Don't go, don't leave me here to feel your space!"
But you ignore me each time,
And briefly I am sure you are right,
Briefly, every single time,
I believe that you are the one I should be following,
Dragged behind you,
And not the other way around.
And then it comes,
It comes and I trip myself just so I will have chosen to go down,
And I am here,
Left
Wretched on my knees
And you never have to take the fall.
You never have to deal with it.
You're only in control when the sun is shining.
When the storms hit and knock the breath out of me like thunder rolling,
You plead you never chose a thing.
You traitor,
I would claw you from my chest!
But you already did that,
And I have no way to take revenge on you for your treachery-
You are me.
Your pain is mine.
(your joy is mine as well)
And so you get to,
Every time,
Abandon me and make me thank you for it,
And I am so sick of it I could scream.
You don't have consequences, Love.
You ARE a consequence.
What ever gave you the right
To turn my life upside down?
To leave me so unable to do anything but watch as I am dismantled by a force I never asked to feel?
I'd be happy, content, perfect,
(no, unfulfilled, empty, lost...)
To just give you up and cut the strings
That she
(whoever she may be, for I never get to choose, do I?)
Saws at with a bow, poison-tipped like a Shakespearean sword,
Plays, like violins singing melodrama.
I'd sever you from me in an instant and let you go
Play your games elsewhere,
Heart.
I swear I'd do it and dance in the streets,
(I'd have nothing, not know what to do)
If only it was possible.
(I am not damaged enough to give up)
I don't believe in love,
(Oh but I do, and sometimes I don't want to)
But I am married to my work, to you:
My job is not to be paid,
It is not to be happy,
(you are my chance for "happy")
It is simply and exhaustingly to survive your choices.
I don't get my life!
I get you.
I get kicked when I'm down, I get holes and hollows in places
I didn't know a heart filled,
Like fingertips and rib bones and lungs,
And that awful twisted spot above my stomach
That echoes cavernously with loneliness in the middle of the night
And sometimes in the lunchroom or on the subway.
(I get to think maybe that sadness will cease)
I get haunted dreams and impulses I can't control,
(sweet relief from a life of restraint)
I get your puppet strings
Jerking me to my knees
Knocking the pride out of me like breath.
(It speaks, but underneath I worship you)
I get your fingers inside my head, on the ridges of my brain,
Digging in like a migraine headache,
Gouging a place for someone I don't even know.
(Replacing the sorrow with joy so intense that I fear it.)
Who put you in me?
You don't fit here.
(you are the only thing that fits here)
You don't belong here.
(I am so afraid you don't.)
Like a parasite, you feed on me
(I need something to take this ache.)
And I am slowly dying of it, Heart.
(cure for my loneliness, arsenic for my mind)
I've tried everything I know,
I even tried to make you die inside me-
(I didn't know what else to do, I'm sorry)
Husk of a soul skittering along the undersides of my graffitied ribs,
But no, no you rose again,
Stronger,
And I... I wept in fear, Heart,
I really did.
(I made the hardest choice and you unmade it.)
Nobody knows that-
That I wanted you to go,
That I wanted you to stop, actually.
Nobody knows that I'd have happily never felt a thing for the rest of my life,
(only in fear, Heart, only in fatigue)
When they saw me fight so hard to become myself again.
(I couldn't beat the part of me that needs you)
But I knew,
I knew
Because the day you stretched and yawned after leaving me for months to rot around your frozen form,
I felt in me a terror I will never be able to explain,
Never be able to understand fully.
(Self preservation was never one of my talents, or yours)
This gibbering, skin crawling agony of panic,
That here you were again to bend me and break me,
That I was mortal, carrying a love that couldn't ever be killed.
It was the moment of clarity,
(of awe, as well, and terrifying vitality)
Before I decided I had to force myself to work with you,
Slap a smile on and go look for my next defeat,
(oh, maybe this time I could keep the love)
During which I saw my life unfold before me like a vast map,
Your destruction burning it to ashes in all the places I'd love to live,
Place by place by place,
Charred path to death over the lengths of decades,
No control, no say, just heat- and me, following along behind
Like a lost puppy
Trying to rebuild something substantial enough to make my home in.
I saw before me a life without rest,
Of this, the constant struggle to find and keep a wholeness I apparently don't deserve,
(I can't stop trying to deserve it)
To catch you and stuff you back where you belong and force you to lie still,
When I know you will only consume me with flames anyway.
I hate you, I really do.
(fear, not hate)
I hate you because I want to live.
(I am afraid you will destroy me)
I hate you because I want to die.
(I am afraid I will destroy you)
I hate you because if it were not for you, I would never suffer,
And I would have nothing to live for-
For I know nothing but the constancy of you,
Pushing me down, forcing me to my knees
And me struggling to rise and find a way to bear your burdens.
(GIFTS)
I hate you because I will never, ever be rid of you,
And I hate you because nobody should want to be rid of
What makes them live.
I hate you because underneath I still believe, somehow, that every single second's worth it,
Because that naive faith in you just won't die-

How can I stand that?
(How can my pride abide a hate for something vital, and a love for something toxic?)

And you've betrayed me every time, Heart,
And I don't forgive you.
(I already forgave you long ago)
And what if you've gone and done it again?
(Let me say I hate you so that I can have some control)
And how am I supposed to know that
For all these years to come?
*(Please don't go cold again, my Heart.)
Glen Brunson Jan 2013
halfway home from
that concrete-bowl arena
teeming (heaving) with
stinky-sweat-soaked rednecks
layered in sawdust and grease

      a messy blackface mob
      spreading spit tobacco
      over their naked bones,
      they sneak around
      through the drafty back hallways
      casually scattering
      dad’s old shotgun shells
      fresh cigarette ash
      mamma’s whiskey labels
      and let-this-be-broken pregnancy tests.

      rusty dogtags clink together
      sliding between camouflaged denim
      mocking quick African rhythms

      circular saws scream over
      the echoing footfalls of
      steel-toed boots padded with
      suspicious glances

and my lonely power lines
are laying lazy across the
sweet, forgiven sky

honeysuckle weep
as they hug the barbed-wire  

the sunset smells something like grace
“Willis, I didn’t want you here to-day:
The lawyer’s coming for the company.
I’m going to sell my soul, or, rather, feet.
Five hundred dollars for the pair, you know.”

“With you the feet have nearly been the soul;
And if you’re going to sell them to the devil,
I want to see you do it. When’s he coming?”

“I half suspect you knew, and came on purpose
To try to help me drive a better bargain.”

“Well, if it’s true! Yours are no common feet.
The lawyer don’t know what it is he’s buying:
So many miles you might have walked you won’t walk.
You haven’t run your forty orchids down.
What does he think?—How are the blessed feet?
The doctor’s sure you’re going to walk again?”

“He thinks I’ll hobble. It’s both legs and feet.”

“They must be terrible—I mean to look at.”

“I haven’t dared to look at them uncovered.
Through the bed blankets I remind myself
Of a starfish laid out with rigid points.”

“The wonder is it hadn’t been your head.”

“It’s hard to tell you how I managed it.
When I saw the shaft had me by the coat,
I didn’t try too long to pull away,
Or fumble for my knife to cut away,
I just embraced the shaft and rode it out—
Till Weiss shut off the water in the wheel-pit.
That’s how I think I didn’t lose my head.
But my legs got their knocks against the ceiling.”

“Awful. Why didn’t they throw off the belt
Instead of going clear down in the wheel-pit?”

“They say some time was wasted on the belt—
Old streak of leather—doesn’t love me much
Because I make him spit fire at my knuckles,
The way Ben Franklin used to make the kite-string.
That must be it. Some days he won’t stay on.
That day a woman couldn’t coax him off.
He’s on his rounds now with his tail in his mouth
Snatched right and left across the silver pulleys.
Everything goes the same without me there.
You can hear the small buzz saws whine, the big saw
Caterwaul to the hills around the village
As they both bite the wood. It’s all our music.
One ought as a good villager to like it.
No doubt it has a sort of prosperous sound,
And it’s our life.”

“Yes, when it’s not our death.”

“You make that sound as if it wasn’t so
With everything. What we live by we die by.
I wonder where my lawyer is. His train’s in.
I want this over with; I’m hot and tired.”

“You’re getting ready to do something foolish.”

“Watch for him, will you, Will? You let him in.
I’d rather Mrs. Corbin didn’t know;
I’ve boarded here so long, she thinks she owns me.
You’re bad enough to manage without her.”

“And I’m going to be worse instead of better.
You’ve got to tell me how far this is gone:
Have you agreed to any price?”

“Five hundred.
Five hundred—five—five! One, two, three, four, five.
You needn’t look at me.”

“I don’t believe you.”

“I told you, Willis, when you first came in.
Don’t you be ******* me. I have to take
What I can get. You see they have the feet,
Which gives them the advantage in the trade.
I can’t get back the feet in any case.”

“But your flowers, man, you’re selling out your flowers.”

“Yes, that’s one way to put it—all the flowers
Of every kind everywhere in this region
For the next forty summers—call it forty.
But I’m not selling those, I’m giving them,
They never earned me so much as one cent:
Money can’t pay me for the loss of them.
No, the five hundred was the sum they named
To pay the doctor’s bill and tide me over.
It’s that or fight, and I don’t want to fight—
I just want to get settled in my life,
Such as it’s going to be, and know the worst,
Or best—it may not be so bad. The firm
Promise me all the shooks I want to nail.”

“But what about your flora of the valley?”

“You have me there. But that—you didn’t think
That was worth money to me? Still I own
It goes against me not to finish it
For the friends it might bring me. By the way,
I had a letter from Burroughs—did I tell you?—
About my Cyprepedium reginæ;
He says it’s not reported so far north.
There! there’s the bell. He’s rung. But you go down
And bring him up, and don’t let Mrs. Corbin.—
Oh, well, we’ll soon be through with it. I’m tired.”

Willis brought up besides the Boston lawyer
A little barefoot girl who in the noise
Of heavy footsteps in the old frame house,
And baritone importance of the lawyer,
Stood for a while unnoticed with her hands
Shyly behind her.

“Well, and how is Mister——”
The lawyer was already in his satchel
As if for papers that might bear the name
He hadn’t at command. “You must excuse me,
I dropped in at the mill and was detained.”

“Looking round, I suppose,” said Willis.

“Yes,
Well, yes.”

“Hear anything that might prove useful?”

The Broken One saw Anne. “Why, here is Anne.
What do you want, dear? Come, stand by the bed;
Tell me what is it?” Anne just wagged her dress
With both hands held behind her. “Guess,” she said.

“Oh, guess which hand? My my! Once on a time
I knew a lovely way to tell for certain
By looking in the ears. But I forget it.
Er, let me see. I think I’ll take the right.
That’s sure to be right even if it’s wrong.
Come, hold it out. Don’t change.—A Ram’s Horn orchid!
A Ram’s Horn! What would I have got, I wonder,
If I had chosen left. Hold out the left.
Another Ram’s Horn! Where did you find those,
Under what beech tree, on what woodchuck’s knoll?”

Anne looked at the large lawyer at her side,
And thought she wouldn’t venture on so much.

“Were there no others?”

“There were four or five.
I knew you wouldn’t let me pick them all.”

“I wouldn’t—so I wouldn’t. You’re the girl!
You see Anne has her lesson learned by heart.”

“I wanted there should be some there next year.”

“Of course you did. You left the rest for seed,
And for the backwoods woodchuck. You’re the girl!
A Ram’s Horn orchid seedpod for a woodchuck
Sounds something like. Better than farmer’s beans
To a discriminating appetite,
Though the Ram’s Horn is seldom to be had
In bushel lots—doesn’t come on the market.
But, Anne, I’m troubled; have you told me all?
You’re hiding something. That’s as bad as lying.
You ask this lawyer man. And it’s not safe
With a lawyer at hand to find you out.
Nothing is hidden from some people, Anne.
You don’t tell me that where you found a Ram’s Horn
You didn’t find a Yellow Lady’s Slipper.
What did I tell you? What? I’d blush, I would.
Don’t you defend yourself. If it was there,
Where is it now, the Yellow Lady’s Slipper?”

“Well, wait—it’s common—it’s too common.”

“Common?
The Purple Lady’s Slipper’s commoner.”

“I didn’t bring a Purple Lady’s Slipper
To You—to you I mean—they’re both too common.”

The lawyer gave a laugh among his papers
As if with some idea that she had scored.

“I’ve broken Anne of gathering bouquets.
It’s not fair to the child. It can’t be helped though:
Pressed into service means pressed out of shape.
Somehow I’ll make it right with her—she’ll see.
She’s going to do my scouting in the field,
Over stone walls and all along a wood
And by a river bank for water flowers,
The floating Heart, with small leaf like a heart,
And at the sinus under water a fist
Of little fingers all kept down but one,
And that ****** up to blossom in the sun
As if to say, ‘You! You’re the Heart’s desire.’
Anne has a way with flowers to take the place
Of that she’s lost: she goes down on one knee
And lifts their faces by the chin to hers
And says their names, and leaves them where they are.”

The lawyer wore a watch the case of which
Was cunningly devised to make a noise
Like a small pistol when he snapped it shut
At such a time as this. He snapped it now.

“Well, Anne, go, dearie. Our affair will wait.
The lawyer man is thinking of his train.
He wants to give me lots and lots of money
Before he goes, because I hurt myself,
And it may take him I don’t know how long.
But put our flowers in water first. Will, help her:
The pitcher’s too full for her. There’s no cup?
Just hook them on the inside of the pitcher.
Now run.—Get out your documents! You see
I have to keep on the good side of Anne.
I’m a great boy to think of number one.
And you can’t blame me in the place I’m in.
Who will take care of my necessities
Unless I do?”

“A pretty interlude,”
The lawyer said. “I’m sorry, but my train—
Luckily terms are all agreed upon.
You only have to sign your name. Right—there.”

“You, Will, stop making faces. Come round here
Where you can’t make them. What is it you want?
I’ll put you out with Anne. Be good or go.”

“You don’t mean you will sign that thing unread?”

“Make yourself useful then, and read it for me.
Isn’t it something I have seen before?”

“You’ll find it is. Let your friend look at it.”

“Yes, but all that takes time, and I’m as much
In haste to get it over with as you.
But read it, read it. That’s right, draw the curtain:
Half the time I don’t know what’s troubling me.—
What do you say, Will? Don’t you be a fool,
You! crumpling folkses legal documents.
Out with it if you’ve any real objection.”

“Five hundred dollars!”

“What would you think right?”

“A thousand wouldn’t be a cent too much;
You know it, Mr. Lawyer. The sin is
Accepting anything before he knows
Whether he’s ever going to walk again.
It smells to me like a dishonest trick.”

“I think—I think—from what I heard to-day—
And saw myself—he would be ill-advised——”

“What did you hear, for instance?” Willis said.

“Now the place where the accident occurred——”

The Broken One was twisted in his bed.
“This is between you two apparently.
Where I come in is what I want to know.
You stand up to it like a pair of *****.
Go outdoors if you want to fight. Spare me.
When you come back, I’ll have the papers signed.
Will pencil do? Then, please, your fountain pen.
One of you hold my head up from the pillow.”

Willis flung off the bed. “I wash my hands—
I’m no match—no, and don’t pretend to be——”

The lawyer gravely capped his fountain pen.
“You’re doing the wise thing: you won’t regret it.
We’re very sorry for you.”

Willis sneered:
“Who’s we?—some stockholders in Boston?
I’ll go outdoors, by gad, and won’t come back.”

“Willis, bring Anne back with you when you come.
Yes. Thanks for caring. Don’t mind Will: he’s savage.
He thinks you ought to pay me for my flowers.
You don’t know what I mean about the flowers.
Don’t stop to try to now. You’ll miss your train.
Good-bye.” He flung his arms around his face.
Londis Carpenter Sep 2010
Bruce the Spruce was a Christmas tree;
     he lived on Christmas Farm.
Each night he dreamed that he could bring
     cheer into someones home.

He stretched his branches every day
     and squeezed his needles tight,
so he could be a perfect tree
     for holding Christmas lights.

Every year at Christmas time
     Bruce did as he was taught.
He showed all of his Christmas charm,
     hoping he would be bought.

The people came from miles around
     to buy their Christmas Trees.
They pulled and tugged at branches
     and gave the twigs a squeeze.

They looked for trees just the right size,
     with needles that would stay,
trees that gave a Christmas smell
     to brighten Christmas day.

Bruce was a perfect Christmas tree;
     the children seemed to love him.
But Bruce was small and other trees
     still towered high above him.

The years went by and Bruce the Spruce
     eventually grew tall.
His branches spread and held their form;
     they didn't droop at all.

But there were many Christmas Trees
     that grew on Christmas Farm
and no one ever seemed to pick out Bruce,
     with all his charm.

Bruce grew so sad as years went by;
     it seemed he'd grown too tall.
It seemed that he would never be
     a Christmas tree at all.

When the new families came each year
     to buy trees for their home,
they never looked at Bruce the Spruce;
     he stood there all alone.

Bruce never forgot Christmas;
     it brightened all his dreams.
Yet, in the light of each new day,
     he lost his Christmas schemes.

One day a truck came to the farm;
     men came with saws and rope.
They came to cut the tallest tree;
     Bruce finally lost all hope.

"My time has come; Ive grown too old,"
     his arms trembled in fear.
"I'm only good for firewood now;
     I've seen my final year."

They cut him down and tied him to
     the flatbed truck they brought.
They drove away, while Bruce the Spruce
     lie weeping on the truck.

Bruce closed his eyes and fell asleep;
     he dreamed of silent nights,
of children's smiling faces,
     of gifts and colored lights.

When Bruce awoke He couldn't hold
     back all of his delight.
Bruce couldn't believe what he saw;
     his branches all had lights.

His arms were filled with tinsel.
     Children were gathered round.
Everyone was cheering
     and laughing on the ground.

Bruce looked around in ecstasy;
     he couldn't help but stare.
Bruce had become the Christmas tree
     that now adorned Times Square.
copyright by By Londis Carpenter
all rights reservrd
Mia Sep 2018
I think I killed somebody
But you can’t tell anybody
It was just one simple body
A soul of a nobody

I had hands that ached to be claws
And feet that dreamed to be saws
I had eyes that sharpened into arrows
And lips that sharpened into blades
I had a tongue that was very splintered
And hair of thickened rope

It was the brain that leaked its poison
It was the ******* from which one drank
It was the heart that made one numb
But it was the thighs that slit its neck

I didn’t mean to do it
Yet I just heard a secret
It pounded at the bones in me
My skin couldn’t keep it
I never knew before then
What was thicker than blood

I think I killed somebody
But you can’t tell anybody
It was just one simple body
A soul of a nobody
Ignatius Hosiana Jun 2015
I guess that's the final straw
The one last time I see your brow
I guess that is the end for us
The end to this blessing of a curse
I should have seen it from start
One of us would end up getting hurt
I should have seen with my mind
Knowing love is heart,heart is blind
That's what one reaps when one saws
In a wrong field,hard blow to the jaws
Should have just told me you had him
Instead of letting me keep the dream
Should have said It's down the stream
Better than pain,massage and cream
Should have told me to man up & gym
Or walk away 'stead of causing steam
Explain,how you could face me & lie
Rather than watching you cry
You know I cannot stand your tears
I avoided them through the years
It's too late to cry, what's the point of it
He succeeded but you caused the heat
I hope he's better than me in every bit
I'll bury the hatchet, I concede defeat

I concede defeat, I concede defeat
I concede defeat because you
never thought me fit

I concede defeat, go on with your pete
I concede defeat,
**** I concede defeat

You've had my hopes punctured
You've had my jaws fractured
Had my bloating pride raptured
Broken my heart, cupid archered
Don't explain I'm so angered
It's me you had endangered
Dude is a gang member
With bullets in the chamber
Imagine he'd taken that shot
If I had retreated not
You took a chance with what we had
Didn't know forgiving could be hard
Guess all of it is charred
Whatever it was we shared
Cause if you had really cared
Couldn't have had me beat for dead  

So I concede defeat, I concede defeat
I concede defeat
And I hope you find him fit
I concede defeat, I concede defeat
I concede defeat so I guess this is it
Crazy moments when I listen to a good beat and I try to rhyme
st64 Nov 2014
it saws old rain in my skull
and your thoughts take a tour; wet and heavy
and quietly, the dirt shifts in the metal tracts

you break me every single time
my internal spilling is entangled
hopelessly


my summer-psyche enmeshed in your season
and forever swallows a few more ribs
don't wake the children of the light
for their feathers will burn beneath my nails

a storm hangs patiently on the wall
like a delighted painting made from frantic crystals
and I skitter from your towering moods
yet the moon dances in and out of every calm abyss

the lid is no more vacant than my veins cursed with
your silence
like algae, I slip on

my terror squeaks like a vehicle possessed
cheeks go ashen in my gay smiles
you will blush, in secret at what I will do
to you

sails lift on garlicky air in a port where ships don't wait
and my tongue loosens another melody only doubt hears
I'm completely in your hands
and willing for that crush

my acts for coins fall meaningless in embedded frustration
       don't come to the table, then
       keep the shades drawn
only the sense of phantoms
will be hanging in my smoke
intoxicating me to radiance
racing through to the ripples in your day

I'll keep lancing pebbles across the ocean's surface
they will never really reach the riverbed
frosty comes in agonising diamonds
a feast of distress sitting urgently
a shudder flutters through me, imperceptible

reduction of sweetness
a date with the cherubs from a netherworld
my nose feels the snows you carry
and I know you constrict still
my language falters and thinking shatters
and although slumped and vulnerable, it flourishes.
:)
Moon Humor Nov 2014
What is it about this drunken town where the snow falls like cement
that made it so easy to fall in love with the delirious nightlife that never sleeps?
It seems like when I’m with you at night I never sleep.

We’re dancing around the cemetery like we threw a ball for souls.
No one believes you when you say you see something from the corner of your eye
but we all feel the chill and agree that tonight we will never sleep.

Do you remember the night you told me to never hold back? ******* I wanted
to cry but I forced a smile through my lips and eyes. I laid next to you with a blank mind
for hours knowing that you think I‘m a mystery. I learned that the train yard never sleeps.

The ******* microwave is broken again when you come home drunk.
You called me a **** and punched another hole in the wall and
I’m scared enough to know that tonight I’ll never sleep.

That bag of ice clutched tight won’t leave his hand jammed in his pocket. When
he gets home he feeds the crystals into the glass and heats it up. Tweaked out
and wandering the streets at three. A woman mutters, “**** addicts never sleep.”

Have you ever dozed off in warm grass while watching
clouds passing lazily by? My god I swear there’s nothing better than
a nap in the sun for someone who never sleeps.

Glass rips my forehead clean open and exposes my frontal skull bone while
strange men hold me down and taunt me with knives and chain saws.
Reoccurring nightmares are why many insomniacs never sleep.

A sensual shower at midnight, that fat hit at two did nothing. Lavender and candles
aren’t working. I’m staring at the ceiling. You roll over and pull me close.
“Leah, please, go to bed. It kills me that you never sleep.”
A ghazal.
All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.
-William Shakespeare (1564 - 1616)
The buzz-saw snarled and rattled in the yard
And made dust and dropped stove-length sticks of wood,
Sweet-scented stuff when the breeze drew across it.
And from there those that lifted eyes could count
Five mountain ranges one behind the other
Under the sunset far into Vermont.
And the saw snarled and rattled, snarled and rattled,
As it ran light, or had to bear a load.
And nothing happened: day was all but done.
Call it a day, I wish they might have said
To please the boy by giving him the half hour
That a boy counts so much when saved from work.
His sister stood beside them in her apron
To tell them “Supper.” At that word, the saw,
As if to prove saws knew what supper meant,
Leaped out at the boy’s hand, or seemed to leap—
He must have given the hand. However it was,
Neither refused the meeting. But the hand!
The boy’s first outcry was a rueful laugh,
As he swung toward them holding up the hand
Half in appeal, but half as if to keep
The life from spilling. Then the boy saw all—
Since he was old enough to know, big boy
Doing a man’s work, though a child at heart—
He saw all spoiled. “Don’t let him cut my hand off—
The doctor, when he comes. Don’t let him, sister!”
So. But the hand was gone already.
The doctor put him in the dark of ether.
He lay and puffed his lips out with his breath.
And then—the watcher at his pulse took fright.
No one believed. They listened at his heart.
Little—less—nothing!—and that ended it.
No more to build on there. And they, since they
Were not the one dead, turned to their affairs.
Here in this dim, dull, double-bedded room,
I play the father to a brace of boys,
Ailing but apt for every sort of noise,
Bedfast but brilliant yet with health and bloom.
Roden, the Irishman, is 'sieven past,'
Blue-eyed, snub-nosed, chubby, and fair of face.
Willie's but six, and seems to like the place,
A cheerful little collier to the last.
They eat, and laugh, and sing, and fight, all day;
All night they sleep like dormice.  See them play
At Operations:- Roden, the Professor,
Saws, lectures, takes the artery up, and ties;
Willie, self-chloroformed, with half-shut eyes,
Holding the limb and moaning--Case and Dresser.
Adam Childs Jul 2016
As an instinct flies
in a place of beauty
an untamed nature
footprints in ground.
Where frosty stares in the still air
will frighten the devil.
We hear the haunting howls
within the wilderness as we
search for all that is
wild inside us.
In each stride a dark beast
inside us roars
sharp claws scratch prison
walls and paws rattle
the jail house bars.

I am the mad man in the
lunatic asylum who howls
at the full moon.
Barks at the visitor
I am the crazy one.
I am the werewolf
Look into me and I will scare
every bone in your body.
As a band of brother we all give
birth to a fresh madness .
Bound together we feel the freedom
of just being in our nature.

And I am so so sorry that you
always feel like a prisoner.
As he is wild and on the outside
you hold yourself captive.
As he is the wilderness
you are the farmer.
And all of his territory surrounds you.
Be careful in the land of the untamed
beast listen for his frosty breath
a cold bloodied steam.

Frozen in the wolfs glare you feel the
force of nature.
A thousand armies may try to penetrate
and conquer.
But stone walled by an eye
they are kept on the outside.
As they hear a voice
from a bearded old man
Some call nature
others call GOD
Saying,
"GET OFF"
"I SAID"
"GET OFF"
"HE IS MINE"
With thunder in his spirit and chain saws
in his growl you know he belongs to God
not man.

They place you in a prison
calling it
Freedom of choice
I will crack you open
break you free
and give you instinct
with no choice.
Burdened by the baggage
of decision i will set you
a path which has
rhyme
but no reason.
Strangled by the mind I will
I will give a ferocious growl
that carries you right through.

Gliding through the wilderness you
race free following your instinct
breaking fresh snow each day.
Gain the thrill of your own wildness
and learn the power of running with wolves
in the wilderness.  
.
I takes courage to follow your instinct you almost have to be slightly mad
something wolves may help us with

— The End —