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KathleenAMaloney Jul 2016
Drug Addict
Reaching  Out
Uncared For
How Quickly We Forget

Drug Addict
Reaching Out
Pariah of Friendship
City Defined
By Colors
of Its Deepest  Shadows .
Sorrow, For
What was Once Good

Mor, Mor ,Mor of the Same
Greed
Mor furniture
Mor construction
Mor coupons
Mor, Mor, Mor
Transmuted Greed
More , More , More
High Priced *****
Sold
For  
a Dissatisfied
Stars
Relief
Presidents Day Sale
Of Addiction
Forgotten Friendships
Betrayal
Far Beyond Pretending

Now Is Innocent Wisdom
Shared
Pure Giving
Authorship
From
Beyond

Leaders of the World
Do Your Work

Will
That I Am
Unforgotten  Forgiveness
Peace
Forgive Thou Me

Kind Passage
Thru
The Rock
My Stead
World Without End
Forever
Be the
Glory To God
I Am Grateful.
Amen.
Amen.
Amen.
And So It Is
Peace
Eli Weisel
Àŧùl Apr 2015
Male:
Main tennu eevein chaahnda,
<Yo baby! I love you like this,>
Jeevein Mor koi Morni nu - haaye...
<Like a peacock loves a peahen, yeah...>

^^

Together:
Saath poori jindadi daa...
<Well we'll be togetha foreva...>
Ehi saddaa vaada hai - haaye...
<Yea this is our commitment - yo...>

^
^

Male:
Jadon tu kitey meri jindadi vich jaaye, haaye...
<If you go away from my life someday, may mercy be upon me...>
Naal meri jindadi v jaaye, haaye...
<Along may go my life too, yea...>

^^

Female:
*Ke main tennu eevein chaahndi,
<That I love you like this,>
Jeevein Mor nu koi Morni ** - haaye...
<Like a peahen loves a peacock, yeah...>

Jadon main tennu kadi mildi haan,
<When I meet you,>
Bol paendiyaan akkhaan teriyaan, haaye...
<Your eyes start talking, yea...>

Main tennu eevein chaahndi,
<I love you like this,>
Jeevein Mor nu koi Morni **, haaye...
<Like a peahen loves a peacock, yea...>*

^
^

Male:
Main tennu eevein chaahnda,
<Yo baby! I love you like this,>
Jeevein Mor koi Morni nu - haaye...
<Like a peacock loves a peahen, yeah...>

^^

Female:
*Main tennu eevein chaahndi,
<I love you like this,>
Jeevein Mor nu koi Morni **, haaye...
<As if a peahen loves a peacock, yea...>*

^
^

Together:**
Saath poori jindadi daa...
<Well we'll be togetha foreva...>
Ehi saddaa vaada hai - haaye...
<Yea this is our commitment - yo...>
My HP Poem #842
©Atul Kaushal
Log har mor pe ruk ruk ke sambhalate kyon hain
Itana darate hain to phir ghar se nikalate koun hain
Main na juganu *** diya *** na koi tara ***
Raushani wale mere nam se jalate kyon hain

Nind se mera taalluq hi nahi barason se
Khwab a a ke meri chat pe tahalate kyon hain
Mor hota hai jawani ka sambhalane ke liye
Aur sab log yahin ake phisalate kyon hai
Copyright© Shashank K Dwivedi
Web- skdisro.weebly.com
email-shashankdwivedi.edu@gmail.com
Follow me on Facebook - https://www.facebook.com/skdisro
ungdomspoet Nov 2014
min mor har altid set på mig som en kat
*** kan ikke fordrage det dyr
betegnelsen var baseret på et digt *** engang hørte
noget om en kat der strejfede rundt
og ikke havde nogen ejermand
for den var helt sin egen

trods min mor ikke kan fordrage katte
er der én kat *** elsker ubetinget
den sorte kat fra digtet
og jeg har altid været katten der ikke
ville fanges, ikke ville tæmmes eller bestemmes
så min mor gav op og lod mig gå mine egne veje

et og et halvt år gammel og store øjne
min mor prøvede at beskytte og nusse om mig
men allerede der var jeg blevet til en kat
jeg svarede hende "det skal du ikke kymre dig om mor"
så drejede jeg om og spaserede væk
min mor kunne aldrig beskytte den sorte kat

så *** lærte at elske den, netop fordi den er helt sin egen
og ingen andres
- om den kvinde jeg beundre aller mest
- om mig
Linus Stevenson Apr 2018
A(r)mor I wear
With drawstrings that dangle
Another layer to cover
A beating heart

Pulling sleeves
Covering wrists
Vulnerable but protected
Blood flowing, life

I see her, fair
Beauty and depth
Yet a frail and fragile heart
Not armed, not guarded

Like a piece of art
"Please be careful...
Sensitive to touch...
Handle with care"

She will wear my a(r)mor
And cover her wrists
Hood pulled over
Guarding from killing whispers

She will wear my a(r)mor
I will be without
Naked, defenseless, exposed
But she will have a(r)mor

My Armor, My Amor
Shrivastva MK May 2015
Sapne dikha kyon tor diya ,
Waada kar sath nibhane ka
Manzil se pahle hi kyon chhod diya,
Ab tujhse sare ristey tod denge hum ,
Mohabbat chhod denge hum,
Mohabbat chhod denge hum. ...


Ab to akele rahne ki aadat si ** *** hain ,
Tujhse to mujhe ab nafrat ** *** hain,
Kisi ko ab apna dil na denge hum,
Mohabbat chhod denge hum,
mohabbat chhod denge hum,


Tune mujhe aisa thokar mara
ki muskurana bhi bhul gya hoon,
Apne dard ko hi pyar samajh raha hoon,
Ab tere pyar se bhi mu'h mor lenge hum,
Mohabbat chhod denge hum,
mohabbat chhod denge hum. ... .
Mateuš Conrad Sep 2018
.the English pronounce the Cornish town's name as: nookie... the **** is it, a Green Day album name, or a Limp Bizkit song? perhaps i'm too French in my pronunciation... quail... eggs... quay... qua-a... if i were Welsh i'd write you the name like so... newyddquaa... but no... but no, has to be nookie... like buggering a ******* chimp... quail eggs... see how language becomes mutated? nothing is apparently, certainly, stable... always the permutation of a flux... i must have ingested a little of the French concept of: je ne sais quoi when learning English... come one... nouveaucarrière: new quarry... nouveauquai... nookie?! seriously?! Q, Q... Quail eggs... quay... new... quay... maybe the usage of hyphenating words into compounds needs to be revised in the english sprechen... ******* mutation... nookie... ****** ******, + a ******* wookie, walking carpet ride worth the name Chew-a-Buck-back-up! i'd settle for: new-key... some sort of variant of a maritime honing device for locating ships sending distress signals during storms... but... no... but hey... it's authentically Welsh territory... Cornwall is, after all... a pre modern extension of Wales... nookie this: shotgun my *** while is spew rhetoric concerning the health benefits of applying feces instead of ****** cream for the benefits of: no one.

over 20 years spent living on these isles,
and i never made the connection -
Welsh nationalism could only work
if you included Cornwall -
   given that Cornish is very much:
a southern dialect of Çymru -

    i guess... i'm not sure...
    let's put it to the etymological filter...
beginning with primary words:

black
           du   (Cornish)
      du   (Çymru)

    red
       rudh (Cornish)
      coch (Çymru)

    white
          gwydn (Cornish)
gwyn (Çymru)
      
        i guess that's how etymology works,
a shared origins story...
etymology is best
  examined with primary words,
basic nouns / adjectives...

that was the adjective test...
now for the noun test:

sun
          howl (Cornish)
  haul (Çymru)
      
  moon
   loor (Cornish)
    lloer (Çymru)...

    sky
               ebron (Cornish)
   awyr (Çymru) -
   ah...
      now we see what becomes from
etymological deviation...
the sky has to have more
inherent connotations
of a religiosity as the resting place
of sort...

i'm sure that sea, earth, water,
and fire, are very much akin
or mountain...
but i could be wrong...

sea
    mor (Cornish)
  môr (Çymru)
        
earth
    dor (Cornish)
   ddaear (Çymru)

   water
         dowr (Cornish)
      *dŵr
(Çymru)

fire
          tan (Cornish)
    tân (Çymru)

mountain
   menedh (Cornish)
         mynydd (Çymru) -

ah... well then...
that explains the separatist movement
of Cornwall akin
to the Spanish Basque or
the Catalonia...

  white cross on a black flag...
they're ******* Welsh down
in Cornwall!
   i was eating a Welsh pasty
all along!
           oh... i see...
  
  that's why they're separatists
down there...
but there's one word that's
crucial in all of this,
given the emblem is
on the Welsh flag...

  dragon...
**** me!
       there's an etymological source
for the word in English...
and, it comes from?
Cornish!

   draig (Çymru)
  dragon... in ******* Cornish!
**** me...

what's... snake?
   serpont (Cornish)
    neidr (Çymru)...

   there are similarities though...
blatant ones...
which explains the separatist
sentiment of the Cornish people...
they are like
the Hindu corp
of the Urdu speaking Welsh...
high Welsh and low Welsh...

nice to know...
thank god i didn't make the brash
etymological decision to
find the long lost cousins
of a shared source
akin to "abstract" words,
like...

        gallos-power-gallu...

****!

          g­od?
       DUW | WUD

well... god is a universal word,
and it matches...
  duw is god in Cornish,
and in Çymru...
   as it is also Allah on Malta...
funny as the fact that Malta
and it's Knights Hospitaller
cross of St. John of
                                 1567.

20 ******* years on these isles -
and only now i realize
why the Cornish are separatists...
they're Welsh...
   in disguise,
under the guise of a tourist
hot spot that's "nookie":
                       i.e. Newquay...

come to think of it...
    even though i'm living in England...
i interacted more with
the Welsh, the Irish and the Scots...
than i have with the English...
    i'm starting to think that...
if i don't make my way to
Yorkshire...
  or Newcastle...
then i lived in a country...
where the supposed countrymen
of said name... never existed!
ha!

well, in english you'd never really know
that Cornwall was once part of Wales,
given that Wales, isn't in the name
Cornwall: but that's in English...

in Polonaise?
        well... Wales / Walia (that double-u
  or rather, the double-v,
   since... erm: ωμέγα?)
         ergo?
      Cornwall / Kornwalia...
      probably the most beautiful part of
England you can begin to imagine...

aside...
   the current debate over "the pond" in
h'america... tuition fees, student debt...
as much as the h'americans love to gloat
and boast this that and the other...

i'm looking at myself...
    i went to university, studied chemistry,
and history...
   3rd year? 12 hours per week in
the laboratories...
three tiers of chemistry:
a.  physical - i hated physical chemistry,
it's so un-chemical...
   too much physics / mathematical
*******, so obviously i was weak at it...
b. inorganic chemistry...
    something that mingles with
   geology / metallurgy...
   eh... so so... it was o.k. and finally
c. organic chemistry...
   my strongest route, my faustian dream...
and so much like cooking,
so much so that... well: heston blumenthal...
maybe that's why i love cooking
so much, since it reminds me of
organic chemistry...
   anyways, i digress...
      back when i studied...
  and labour was in power with their:
education, education, education mantra?
that's what was still great
                  about britain...
the last stand as it were,
   ****, i still remember tha handing over
of hong kong...
    fee, per year? 1,250 quid...
                      that's it...
student loan, 3,000 quid per year...
   i actually did manage to live
             on the 3,000 with enough money
spare to do weekend away trips to paris,
stockholm, barcelona etc. - and god:
how i loved to travel alone,
bumping into strangers in hostels...
and the best part?
    i don't have to repay my loan until
i earn over 15,000 quid per year...
and since i'm not earning that...
                  the loan will be annuled after
30 years...
   mind you... a really **** year to go
to university and become a british citizen...
since... in scotland... e.u. citizens didn't
pay tuition fees!
      hence the massive surge of the polans
circa 2005...
                                 so: america, **** yeah!

but on a night like this,
esp. in the evening prior to the night itself,
there's that surge in electricity in the air...
you're walking to the supermarket
and the most mediocre magic happens...
sonny rollins' blues in your ears
you pass a street lamp and it gets switched
on by the grid...

                   it's only special because
your're listening to jazz and when you listen
to jazz and promenade...
you might as well be as content as if
walking a yorkshire terrier...
    
   while on the way back, instead of your
usual beer... you buy yourself...
a rowntrees ice lolly...
    and you eat that... smirking, feeling
                                                 like a badass.

p.s. the best thing i received from
the university wasn't even the degree...
a chance to play squash, mountain climbing
(glen coe was a beau)...
         a t-shirt...
since, once i left: a self-teaching discipline.
Shrivastva MK Jun 2015
Ye hawayen kis or le jayengi mujhe,
Kab tak tere ishq me tadpayegi mujhe,
Na koi manzil na koi thikana raha mera ab,
etna dard dekar, Kab aur kis mor pe tumse milayegi mujhe,


Rukh tere pyar ka begana ** gya,
nahi bhul sakta tujhe main kabhi bhi,
Kyoki Tujhpar mera dil bhi deewana ** gya,
Teri yaadon ne mujhe etna dard diya ki,
Ab mere har lavj shayarana ** gya,


Nahi dekh sakta main tera ye udas chehra
Kyoki tumhari khushi hi meri muskan,
Lag jaye tujhe ye meri sari umar
Kyoki tum hi mere sapne aur tum hi mera jahan,
Kyon ruth gya ye pal mujhse,
Rone laga ye dil bhi jabse pyar hua hai tumse,
Shrivastva MK Jun 2015
Akela ** gya hoon tere bin jab se tune mujhe chhod diya,
Tor ke mera DIL mere pyar se jo yu mu'h mor liya,
Jab jab dekhi tujhe ye meri udas aankhen,
Chalak gye aansoo Jab yaad aai wo purani batein,
Kaise mitaoo sanam tera ye bharam,
Tujhe chahenge hum har janam,

Teri khusi me maine apni khusi ko dhundh liya,
Tu khush rahe sad'a eske liye maine rab se dua kiya,
Ab saare dard -e- gum bhula diye hum,
Tujhe chahenge hum janam -janam,

Ab har o pal tere bin main dard bhari yaado ke saath ji'h raha hoon,
Ekbar dekh lo mujhe ai jalim,
Tu kisi ke saath muskura rahi aur main akela ro'h raha hoon,
Puchh rahi ye duniya sari bewafa tum ya bewafa ** gye hum,
Tujhe chahenge hum janam janam,

Na mili mujhe tere sath jine ki khushi es janam to kya hua,
Tut gye hain hum, dil ko mere bahut dard hua ,
Khush ** jayengi zindagi meri jab es duniya ko chhod chale jayenge hum o bewafa sanam,
Tujhe chahenge hum har janam....
This poem is especially for those who have loved someone.
Alexandra Mor Mar 2015
Intimate surprises
spun
from thin air.

Precious metals
forged
to last an eternity.

Unwavering.
Uncompromising.
Unapologetically bold.
Unlike anything else.

The incomparable thrill
of one-of-a-kind.*

                        / *Alexandra Mor
All right reserved to Alexandra Mor LLC
I thought it right to assess some antidepressants, which philosophers are more inclined to call mood enhancers.
This was during my foray into human enhancement, substances intended to enhance physicality, cognition or mood. Nootropic compounds concern the latter two categories.

The most commonly prescribed mood enhancers are serotonin reuptake inhibitors (SRIs), but it takes over a week for these compounds reach their peak effect.
Thus I approached them with the notion that a limited dosage might point to their character, though  not reveal. These considerations in mind, I set about acquiring a few miscellaneous anti-D's.

Fluoxetine was the first successful selective serotonin re-uptake inhibitor (SSRI), better known by its original brand-name Prozac. Fluoxetine has an acute biological half-life of between 1-3 days. Presence of a trifluoromethyl group on the compound deserves note, I wonder what the presence of electronegative fluorine atoms add to the psychoactive flavor of a compound (subjective effects).
I administered a single dose by mouth, there was some indication of subjective character. Light serotonergic sensations and seemingly benign mood-dampening, there is a ****** towards the positive. Waking headspace relatively uninteresting. Observed hints of oneirogenesis, did not manifest in enough character to be detailed - a sort of vivid, 'pulsive wandering, more pronounced in contrast to its waking character.
Good experiment, interesting results.
Ligand     Ki (nM)   Ki (nM)
Target      Flx            Nflx
SERT        1               19
NET         660           2700
DAT         4180         420
5-HT2A   200           300
5-HT2B    5000         5100
5-HT2C    72.6          91.2
α1             3000         3900
M1            870           1200
M2            2700         4600
M3            1000         760
M4            2900         2600
M5            2700         2200
H1            3250         10000

Sertraline is another popular SSRI, also known by it's original brand-name Zoloft. Sertraline has a variable half-life, on average 26 hours.
It's metabolite, desmethylsertraline, has a half life between 62-104 hours but is a far less potent Serotonin Releasing Agent (SRA).
The presence of two chlorine atoms is interesting. The usual, phenomenal serotonergicity is present and pushing towards the positive.
Some nausea, particularly when hungry (this disappeared after some minestrone soup). Some faintness after physical exertion. This dose did not promote onirogenesis. There was a moment of cognitive distortion when the proportions of a focal object seemed to be growing in-and-out, shifting in size.
Site                 Ki (nM)
SERT              0.15–3.3
NET               420–925
DAT               22–315
5-HT1A       >35,000
5-HT2A          2,207
5-HT2C          2,298
α1A        ­        1900
α1B                 3,500
α1D                 2,500
α2                  477–4,100
D2                  10,700
H1                  24,000
mACh           427–2,100
σ1                   32–57
σ2                   5,297

Escitalopram is an SSRI commonly prescribed for major depression and generalised anxiety. It is the (S)-stereoisomer of citalopram. The biological half-life is of escitalopram is between 27-32 hours.
I administered a dose and thought the phenomenal serotonergicity less apparent than fluoxetine but then gastro-intestinal disturbance was noted, I surmised it has a high affinity for 5-HT2C.
Any oneiric qualities were not readily apparent after a single dose, relatively little visual imagery which is understandable given its lack of affinity for 5-HT2A. I found this to be philosophically interesting. Mood elevation observed in bursts of conversation and as odd sensations, possible mental discomfort.
Ligand,
Recptr     Ki (nM)
SERT       2.5
NET        6,514
5-HT2C   2,531
α1            3,870
M1           1,242
H1           1,973

Venlafaxine is a selective serotonin-norepinephrine reuptake inhibitor (SNRI). Venlafaxine and its metabolites are active for about 11 hours.
Initial subjective effects similar to a very light empathogenic stimulant. Perception of altered attention-span/increased reflexive response; energizing yet paradoxically much yawning.
Ligand,  Vnfx      Dvnfx
Recptr    Ki(nM)  Ki(nM)
SERT  ­    82           40.2
NET       2480        558.4

Tianeptine is a tricyclic antidepressant (TCA) with an unusual mechanism of action. It is an atypical agonist of the μ-opioid receptor and has been described as a (selective) serotonin reuptake enhancer (SRE). It has a short duration as sodium salts [prescribed form] of between 2-4 hours but as sulfate this can be notably extended, some of its metabolites are active for longer than tianeptine itself.
Definitely anxiolytic, quite artificial; possible aphrodisiac. I find its opioid activity dissuading, requires caution.
Site          Ki (nM)
MOR       383–768 (Ki)
                 194 (EC50)
DOR      >10,000 (Ki)
                 37,400 (EC50)
KOR      >10,000 (Ki)
                 100,000 (EC50)
All other transporter/receptor/sub-receptor values are >10,000 (Ki).

Bupropion is a norepinephrine-dopamine reuptake inhibitor (NDRI) with affinity for some nicotinic receptors. Bupropion and its metabolites are active for between 12-36 hours. Interestingly it is a substituted cathinone.
Initial subjective effects similar to a fairly light stimulant. Perception of increased attention-span and improved cognition. It is an onirogen that is neutral in quality, enhancing vivid dreaming (a boon of its nicotinic affinity which is counteracted if the stimulant component impinges on sleep). Completely absent of serotonergicity, curious.
The N-tert-butyl group's effect is most interesting, how it affects metabolism and to what extent ROAs alter pharmacokinetics.
I took 150mg ******, as extended and as instant release (the latter was more pronounced). I thought an altered pharmakinetic profile might result from bypass of hepatic metabolism, so I tried 25mg insufflated and felt as if there was effect that it differed slightly from oral ROAs, but also worried that its metabolic fate is thence unknown (compare to the neurotoxic 3-CMC). What of other bupropiologues,
for example, 3-Methyl-N-tert-butyl-methcathinone? Indeed.
                        Bupropion    R,R-Hydroxybuprpn   Threo-hydrobuprpn
AUC               1                     23.8                                  11.2
Half-life         11 h                 19 h                                 31 h
IC50 (μM)
DAT               0.66                  inactive                          47 (rat)
NET               1.85                   9.9                                  16 (rat)
SERT              inactive          inactive               ­            67 (rat)
α3β4 nic         1.8                   6.5                                   14 (rat)
α4β2 nic         12                     31                                   no data
α1β1γδ nic     7.9                    7.6                                  no data

Moclobemide is a reversible inhibitor of monoamine oxidase A (RIMA), its monoamine oxidase inhibition lasts about 8–10 hours and wears off completely by 24 hours. Inhibiting the decomposition of monoamines (e.g. serotonin, norepinephrine and dopamine) increases their accumulation at an extracellular level. It tends to suppress REM sleep and so it lacks oneirogenic properties.
Feeling of well-being, less constrained by the usual anxieties; openness. Relatively unnoticeable side-effects when diet is carefully managed. Made the mistake of eating a cheese and turkey sandwich (i.e. foodstuff rich in tryptophan/tyramine), indications of serotonergicity later became apparent: feelings of overheating and flushing, slight sweating, racing thoughts and anxious discomfort. A stark reminder of Shulgin's old adage: "there is no casual experiment".
Combination with a select few tryptamines (not 5-MeO-xxT) should be safe, and synergistic (perfect for pharmahuasca); reputed to potentiate GHB. However, generally it is extremely dangerous to combine with serotonergic drugs.
Shrivastva MK May 2015
Kaun si mujhse khata ** *** ,
Bata do sanam
kyon mujhse khafa ** ***,
Maine to dil me basaya tujhe bhagwan ki
tarah,
Batado sanam
kyon mujhse juda ** ***,


Pyar to samundar hain ,
kaha dhundu tujhe,
Nazane kab aur kis mor par milogi mujhe ,
Mere aankhon me aansoo dekar,
Mere dil ko ek saza de ***,
Batado sanam
mujhse kyon juda ** ***,


Teri muskurahat meri dil ki khushi thi,
teri aansoo mere dil ka dard,
ab to teri yaadein meri dard ki dwa ban ***,
Batado sanam
mujhse kyon juda ** ***,


mere har ek baaton me bas tum hi tum,
mere khayalon me bhi bas tum hi tum ,
Najane kyon meri zindagi mujhse etni dur
chali ***,
batado sanam
mujhse kyon juda ** ***,
mujhse kyon juda ** ***. ..?
Georgette Baya Sep 2015
Love na love talaga kita eh, and it would mean so much lalo na
pag binanggit ko pa na mahal na mahal na talaga kita. NAPAKA STRANGE.

He is shy, kind, innocent, pleasant, different, even for a guy
He is fragile, sweet and mostly meaningful, mostly to my life.

Kahit alam kong wala kami dun sa stage na,
"in relationship" i'd bother myself to care.
Kasi he is meaningful, mahalaga siya saakin, yung tipong kaya ko syang alagaan at aalagaan no matter what. I would make time for him just to see him, smile, laugh or even giggle a bit, because his  happiness makes the most out of him and it makes me happy too.
Kung kakayanin kong kwentuhan siya gabi gabi hanggang sa makatulog sya gagawin ko (kaso ang tagal nya mag reply kaya ako yung nakakatulog :3)

Sabi nila sakin,

"grabe na yan ahh. baka nakakalimutan **** babae ka pa din ah?"

Sabi ko,

"oo alam ko, at alam ko yung ginagawa ko."

"yun naman pala eh, ano yan?"

"ang alin?"

"yang tipong support support na yan?"

"wala namang masama dyan, atleast napapakita ko padin sakanya na mahalaga siya sakin, kahit di nya nararamdaman"

"ayooooooon, manhid"

di na ko sumagot, sumasama din kasi yung loob ko pag naririnig kong sinasabihan sya na manhid eh, kahit totoo, parang sakin bumabalik kasi ako yung nagbibigay ng effort pero parang di nya na fe-feel. Pero mahal ko padin siya, walang makakapag bago dun.

Yung mga simpleng tweet nya na, napapalundag ako sa kilig at tuwa.
Yung mga kindat nya na (kahit hindi siya marunong) nakakamatay.
Yung mga biglang ngiti nya na, nasusulyapan ko bawat tingin.
Yung mga mata nyang mapupungay na lagi akong dinadala sa langit (hindi naman siya chinito, feeling lang hahaha)
Yung kilay at buhok nyang lagi kong hinahaplos (naka keratin daw eh hahaha)
Yung boses nyang sintonado, pero pag kinakanta nya yung "When You Say Nothing At All" pati ung "Life of the Party" lumalabas yung pagka inner Michael Buble nya.
Yung moves nya na mala 90's, na pag sumasayaw sya sa harap ko napapatakip nalang ako kasi, mas lalo akong nafafall.
Yung kuko nyang laging bagong gupit.
Yung amoy nya na parang amoy baby, tapos minsan panlalaking panlalaki (seryoso nakaka ******)

At maraming maraming marami pa.
He's my kind of perfect.
Sabi nga nila, pag mahal mo ang isang tao, lahat ng imperfections nya sa sarili o sa buhay pa yan, his flaws, handang handa kang tanggapin yun ng buong buo, walang labis, walang kulang.

Love is accepting, who they are and what they are.
Diba sabi mo di ka marunong mag luto? Ako din eh, siguro sa tamang panahon, we would invent kinds of dinner or even breakfast and lunch, that your dad and my mom used to do. Kahit di tayo sigurado sa anong lasa nung pagkain na magagawa natin, as long as we got it each other, we can make it better.

Di ko alam kung bat umabot ako dito eh, alam mo bang onting onti nalang, ako na talaga manliligaw sayo? Ang bagal mo kasi eh. Hahaha joke lang, syempre hanggang panaginip ko nalang yon.

Nung coronation night, pinuntahan kita sa dressing room nyo,
I was really stunned, as you walked out that room. Destiny nga ba talaga? I was REALLY shocked, kasi merong SLOW MOTION, i have never felt that feeling before, NEVER!
Tapos yung sinabi ni Sir Yu, may kwinento sya sakin tungkol sa napagusapan nyo tungkol sakin. Long story-short, naglululundag ako sa kilig at tuwa na, who would have thought na masasabi mo pala yung mga ganung salita na yun.
Tapos si B1, haha natatawa nga ko kasi kinikilig daw siya satin, aabangan nya daw yung next chapter natin, ang tanong meron nga ba?

Jon Ray Ico Ramos! Oo ikaw! Malakas loob ko banggitin pangalan mo dito, kasi wala kang account dito at di mo alam na may ganito ako, ibig sabihin di mo to mababasa and as far as i know walang taga SCCV ang may ganito, well. HAHAHAHA!
Mahaaaaal na mahaaaal kita. Minsan sa sobrang saya ko pag kausap kita napapatype nalang ako ng "I love you" muntik na nga akong makasend nyan sayo eh, buti nalang talaga hindi hahaha :3 wala na kong masabi kasi inaantok na talaga ako as innn.

Basta sana pagka gising mo, mabasa mo to (pero syempre di mo to mababasa) para malaman mo na, ikaw ang huli kong iniisip bago ako matulog.

Good mor-night!
---------------
Good morning, Jon Ray!


P.S: sinadya ko talagang ipost to ng 5:55 AM kasi favorite number mo ang 5 so, ayan :)
Edward Laine Sep 2011
The old green door creaked when it opened. The same way it always did. The same old pitiful, sad sound it had made for years.
Sad because, like the rest of Jimmy's Bar it wouldn't be broken the way it was if someone would only take the time to fix it, in this case to grease the hinges, and then maybe the joint wouldn't be such a dive.
But that was the way it was, and the old green door pretty much summed up the whole place before you had even stepped in.

It was an everyday scene, this dreary November afternoon like any other: the glasses from the night(or nights) before were still stacked up on the far end of the bar, waiting to be washed, or just used again. The regulars, as they were known really didn't care if they were drinking out of a ***** glass or having a shot or a short out of a pint glass or beer or a stout or a bitter or an ale or a cider or even a water or milk(to wash down or soak up the days drinking) out of the same old ***** glass they had been drinking out of all week long.
Anyway, when the door creaked this time, it was old Tom Ashley that made it creak.
He shuffled in like the broken down bindle-stiff he was. Yawning like a lion and rubbing his unwashed hands on his four day beard. His grey hair as bed-headed and dishevelled as ever.  He was wearing the same crinkled-up blazer he always wore, tailor made some time in his youth but now in his advancing years was ill-fitting and torn at the shoulder, but still he wore a white flower in the lapel, and it didn't much matter that he had picked it from the side of the road, it helped to mask the smell of his unwashed body and whatever filth he had been stewing in his little down town room above the second hand book store. It wasn't much, but it suited him fine: the rent was cheap, and Chuck, the owner would let him borrow books two at a time, so long as he returned them in week, and he always did. He loved to read, and rumour had it, that a long time ago when he was in his twenties he had written a novel which had sold innumerable copies and made him a very wealthy man. The twist in the tale, went that he had written said novel under a pen name and no soul knew what it was, and when questioned he would neither confirm nor deny ever writing a book at all. It was some great secret, but after time people had ceased asking questions and stopped caring all together on the subject. All that anybody knew for sure was; he did not work and always had money to drink. It was his only great mystery.  T.S Eliot and Thomas Hardy were among his favourite writers. He had a great stack of unread books he had been saving in shoe box on his window sill. He called these his 'raining season'.

But for now, the arrangement with Chuck would suit him just fine.
He dragged his drunkards feet across the floor and over to the bar. All dark wood with four green velour upholstered bar stools, that of course, had seen better days too.
He put his hands flat on the bar, leaned back on his heels and ordered
a double Talisker in his most polite manner. He was a drunk, indeed but 'manners cost nothing'' he had said in the past. Grum, the bartender(his name was Graham, but in the long years of him working in the bar and
all the drunks slurring his name it gradually became Grum)smiled false heartedly, turned his back and whilst pouring old Toms whiskey into a brandy glass looked over his shoulder and said, ''so Mr. Ashley, how's
life treatin' ya'?'' Tom was looking at the floor or the window or the at the back of his eyelids and paid no attention to the barkeep. He was always
a little despondent before his first drink of the day. When Grum placed the drink on the bar he asked the same question again, and Tom, fumbling with his glass, simply murmured a monosyllabic reply that couldn't be understood with his mouth full of that first glug of sweet,
sweet whiskey he had been aching for. Then he looked up at tom with
big his shiney/glazed eyes, ''hey grum,
now that it is a fine whiskey, Robert Lewis Stevenson
used to drink this you know?'' Grum did know, Tom had told him this nearly every day for as long as he had been coming in the place, but
he nodded towards Tom and smiled acceptingly all the same. ''The king of drinks, as I conceive it, Talisker, he said'' Grum mouthed the words along with him,  caustically and half smiled at him again. Tom drained his glass and ordered another one of the same.

A few more drinks, a few hours and a few more drinks again
passed, Tom put them all on his tab like he always did. Grum,
nor the owner of the bar minded, he always paid his tab before
he stumbled home good and drunk and he didn’t cause too
much trouble apart from the odd argument with other customers
or staff but he never used his fists and he always knew when
he was beat In which case he would become very apologetic
and more often than not veer out of the bar back stepping
like a scared dog with his tail between his tattered trousers.
Drinking can make a cowardly man brave but not a smart
man dumb and Tom was indeed a smart man. Regardless
of what others might say. He was very articulate, well read
with a good head (jauntily perched) on his (crooked) shoulders.
By now it was getting late, Tom didn't know what time it was,
or couldn't figure out what time it was by simply looking at
the clock, the bar had one of those backwards clocks, I
don't know if you have ever seen one, the numbers run
anti-clockwise, which may not seem like much of task to
decipher I know, but believe me, if you are as drunk as tom
was by this point you really can not make head nor tails of
them. He knew it was getting late though as it was dark
outside and the  lamp posts were glowing their orange glow
through the window and the crack in the door. It was around
ten o’clock now and Tom had moved on to wine, he would
order a glass of Shiraz and say ''hey Grum, you know Hafez
used to drink this stuff, used to let it sit for forty days to achieve
a greater ''clarity of wine'' he called it, forty days!'' ''Mr Ashley''
said Grum looking up from wiping down the grimy bar and
now growing quite tired of the old man’s presence and what seemed
to be constant theories and facts of the various drinks he
was devouring, ''what are you rabbiting on about now, old
man?'' ''Hafez'' said old Tom ''he was a Persian poet from the
1300's as I recall... really quite good'', ''Well, Tom that is
truly fascinating, I must be sure to look in to him next time
I'm looking for fourteenth century poetry!'' said the barkeep,
mockingly. ''Good, good, be sure that you do'' Tom said,
taking a long ****-eyed slurp of his drink and not noticing
the sarcasm from the worn out bartender. He didn't mean
to poke fun at Tom he was anxious to get home to his wife
who he missed and longed to join, all alone in their warm
marital bed in the room upstairs. But Tom did not understand
this concept, he had never been married but had left a long
line of women behind him, loved and left in the tracks of his
vagabond youth, he had once been a good looking man a
''handsome devil'' confident and charming in all his wit and
literary references to poets of old he had memorised passages from ,Thoreau,Tennyson ,Byron, Frost etc. And more times
than not passed these passages of love and beauty off as
his own for the simple purpose of getting various now wooed
and wanting women up to his room. But now after  many
years of late nights, cigarettes and empty bottles cast aside
had taken their toll on him he spent his nights alone in his
cold single bed drunk and lonely with his only company being
once in a while a sad eyed dead eyed lady of the night, but
only very rarely would he give in to this temptation and it
always left him feeling hollow and more sober than he had
cared to be in many long years.
The bell rang last orders.
He ordered another drink, a Gin this time and as he took
the first sip, pleasingly, Grum stared at him with great open
eyes and his hand resting on his chin to animate how he
was waiting for the old man to state some worthless fact
about his new drink but the old man just sat there swaying
gently looking very glazed and just when the barkeep was
just about to blurt out his astonishment that Tom had noting
to say, old Tom Ashley, old drunk Tom took a deep breath
with his mouth wide, leaned back on his stool and said...
''hey, you know who used to drink gin? F. Scott Fitzgerald''
''really?'' said the barkeep snidely ''Oh yes'' said Tom
''The funny thing is Hemingway and all those old gents
used to tease Fitzgerald about his low tolerance, a real
light weight! He paused and took a sip ''but err, yes
he did like the odd glass of gin'' he said, mumbling
into the bottom of his glass.
Now, reaching the end of the night, the bartender
yawning, rubbing his eyes and the old man with
close to sixty pounds on his tab, sprawled across the
bar, spinning the last drop of his drink on the glasses
edge and seeming quite mesmerised by it and all its
holy splendour, he stopped and sat up right like a shot,
and looking quite sober now he shouted ''Grum,
Graham, hey, come here!'' the sleepy bartender was
sitting on a chair with his feet up on the bar, half asleep,
''Hey Graham, come here'' ''eh-ugh, what? What do you
want?'' said the barkeep sounding bemused and
befuddled
in his waking state, ''just come over here will you,
please''
the barkeep rolled off his chair sluggishly and slid
his feet across the floor towards the old man ''what is
it?'' he said scratching his head with his eyes still half
closed. The old man drowned what was left of his
drink and said ''I think I've had an epiphany, well err
well, more of a theory really w-well..'' he was stuttering
. ''oh yeah? And what would that be, Mr Ashley?'' said
the bartender, folding his arms in anticipation. ''pour
me another whiskey and I'll tell you''
''one mor... you must be kidding me, get the hell
out of here you old drunk we're closed!'' the old man
put his hands together as if in prayer and said in his
most sincere voice, '' oh please, Grum, just one more
for the road, I'll tell you my theory and then I'll be on
my way, OK?'' ''FINE, fine'' said Grum ''ONE more and
then you're GONE'' he walked over to the other side
of the bar poured a whiskey and another for himself.
''OK, here’s your drink old man, and I don't wanna
hear another of your ******* facts about writers
or poets or whoever OK?'' Tom snatched the drink of
the bar, ''OK, OK, I promise!'' he said. Tom took a slow
slurp at his drink and relaxed back in his seat and
sat quite, looking calm again.
The bartender sat staring at him, expecting the old
man to say something but he didn’t, he just sat there
on his stool, sipping his whiskey, Grum leaned forward
on the bar and with his nose nearly touching the old
mans, said ''SO? Out with it, what was this ****
theory I just HAD to hear?'' ''AH'' said the old man,
waving his index finger in the air, he looked down
into his breast pocket, pulled out a pack of cigarettes,
calmly took two out, handed one to the barkeep,
struck a match from his ***** finger nail, lit his own
the proceeded to light the barkeeps too.
Taking a long draw and now speaking with the blue
smoke pouring out his mouth said '' let me ask you a question''
... he paused, …  ''would agree that everybody
makes mistakes?'' the barkeep looked puzzled as to
where this was going but nodded and grunted a
''uh-hum'' ''well'' said the old man would you also
agree that everybody also learns... and continues
learning from their mistakes?'' again looking puzzled
but this time more  intrigued grunted the same ''uh-hum'' noise,
though this time a little more drawn out and
higher pitched and said ''where exactly are you going
with this?'' curiously.
''well..'' let me explain fully said Tom. He took another
pull on his cigarette and a sip on his drink, ''right,
my theory is: everybody keeps making mistakes, as
you agreed, this meaning that the whole world keeps
making mistakes too, and so the world keeps learning
from is mistakes, as you also agreed, with me so far?''
the barkeep nodded ''right'' Tom continued ''the world
keeps makiing and learning from its mistakes, my
theory is that one day, the world will have made so
many mistakes and learned from them all, so many
that there are no more mistakes to make, right? And
thus, with no mistakes left to learn from the word will
be all knowing and thus... PERFECT! Am I right? The
barkeep, now looking quite in awe and staring at his
cigarette smoke in the orange street light coming t
hrough the window, raised his glass and said quite
excitedly ''and when the world is then a perfect place
Jesus will return! Right?'' ''well Graham...'' said the old
man doubtingly ''I am in no way a religious man, but I
guess if that’s your thing then yes I guess you could be
right, yes''
He then drowned the rest of his whiskey in one giant
gulp, stubbed out his cigarette in the empty glass
and said ''now, I really must get going ,it really is getting quite
late'' and begun to walk towards the door. The
bartender hurried around the bar and grabbed Tom
by the arm,
'' you cant just leave now! We need to discuss this!
Please stay, we'll have another drink, on the house!''
''Now, now,Graham'' said the old man, ''we can discuss
this another night, I really must get to bed now'' he
walked over to the door, and just as his hand touched
the handle the barkeep stopped him again and said
quite hurriedly,'' but I need answers, how will I know
everything is going to be alight? You know PERFECT,
just like you said!'' the old man opened the door
slightly, turned around coolly and said ''now, don’t
worry yourself, I’m sure everything will turn out fine
and we’ll talk about it more tomorrow, OK?'' the
barkeep nodded acceptingly and held the door open
for the
old man, ''sure sure, OK'' he said ''tomorrow it is,
Mr Ashley''
Just as Tom was walking out the door he stopped
looked at the   barkeep with large grin on his face
and said very fast, as fast as he could ''you-know-an-interesting
-fact-about-whiskey-it-was -Dylan-Thomas'
-favourite-drink-in-fact-his-last-words-were -"I've-had-18
-straight-whiskeys......I-think-that's-the-record."­!! HAHA '' he
laughed almost uncontrollably. Graham the barkeep looked
at him with a smile of new found admiration and began to
close the door on him.
Just as the door was nearly shut, the old man stopped
once
more, pulled out a roll of money, looked in to the
bartenders
eyes and put the money into his shirt pocket, then putting
his left hand on the bartenders shoulder said ''oh and
Grum, one of those great ol' women I let get away, once told ,me:
''if you are looking at the moon then,everything is alight'' and slapped
him lightly on the cheek.
. Then finally, pointing at the barkeeps shirt pocket said ''
for the bar tab'' then went spinning out the door way with
the grace of a ballroom dancer(rather than the old drunk
he had the reputation for being) and standing in the
orange glow of the street and seeing the look of sheer
wonderment on the bartenders face still standing in the
old green door way and shouted ''LOOK UP, THE MOON,
THE MOON!'' The barkeep, shaking his head and laughing,
peered his head out of the door and took a glance at the
moon and grinned widely then closed the old green door
for the night. It made the same old loud creak when he shut it.

                                       FIN
sunshine May 2014
my eyes burn
not only because they beg for sleep
but from the tears shed
too many have fallen
not just today
but in my (short) lifetime

my mind is all over the place
i can't fathom my thoughts very well
i don't know what i want or how i feel
i do know i feel alone
although i am not

i honestly love him
and know he's good to me
good for me

you are trouble
yet why do you continue to walk yourself into my brain?
yet why do i reach out to you?
yet why do you respond to my distress calls?

a few months ago
i would take back what we had in a heartbeat

now things are complicated

i don't know if i can trust you
do you only want me now that i'm with someone else?
would you still want me once you regained me?

yet they get even more complex

yes i may still love you
but i am in love with him as well
he's everything i thought he would be and more
but i'm not so sure the "and more" is positive

he is far mor ****** than i ever imagined
he is far more unstable than I could ever guess

i'm unstable
he's unstable
you're unstable

but you are by far the most stable out of us three
and i was the most stable with you
you were my stability
and when you left you took it with you

i cry a lot
i cry when i'm with him
not because he makes me upset or angry or unhappy
but because i am afraid
afraid to hurt him
and cause more unstableness in him
or get hurt
and lose more stability
or that I can't help him
that is my greatest fear

so why did i message you?
and why did you respond?
why am i feeling conflicted when i am in no dilemma what-so-ever?

is it possible to fall in love with someone while still in love with a different someone?

because i believe i have

and i believe i am going insane
possibly from an overdose
an overdose on love

                           -please send help

a.a.
Budding Dirt Nov 2017
"Nyamama owada in e mara ma oingo nyiri duto"-Ongoro Jakarachuonyo.

Busy listening to luo music; What a cool evening of inspiration.

I felt a lot of connection hearing my brothers defining love with such honesty.
   "Nindo otama yawa nindo tama yaye kaparo nyadundo"

The purity of rhythm was soaking my blood . Rhumba is soothing with notable songs like “Elector Nyarkano” by Madanje Perimeter.

Prezda “Igwe” Bandasson
“Nyisuba” one of his best creations. What i love most about Bandasson is that he got unique style and writing skill not like his fellow benga artists; If you like  Ferre Gola, now this the man to listen to.

My evening was going on well with some ohangla likes of ; "Kanungo".

“Kanungo is one of the song that you must have heard wherever you are in this country. Its one of the top songs of both 2014 and 2015 even though it's not my musical taste but Otieno Aloka defines Ohangla in a creative way; The drums are well arranged and composition is just amazing.

That brings me to a funny question who is Emma Jalamo?  He is not old in the game but the guy has come up with a unique Ohangla sound that takes him at par with the rhumba musicians as old fork and young people alike listen to his music with zeal. His new album, “Sherry” is a master piece with hits like “Wivu mbaya”.

Luo music is intelligent entertaining and soothing .

Tony Nyadundo is another seasoned musician who has traveled wide with his Ohangla beat which spread across the country like bush fire. He released hits like "Mapenzi Kizunguzingu".

My playlist couldn't be complete minus The bird aka Osogo Winyo;
he has taken a low profile of late, musically, but he has some of the best Ohangla sounds of this decade.

Musa Juma and Limpopo Band is so common in luo with sweet resonating songs like ; "Aggrey ,Maselina,Lake Victoria" .

It didn't stopped their; i went deep to discover heartbreak sounds likes of "Our Only John Juniour".
John juniour, is one of current trending names in Nyanza due to his sweet voice and romantic writing skills. "Nyoremo and kalisto baba" are well crafted when it comes to composition.

Another talented artist is ; Wuod Phiby who is also a producer and sound engineer at Barikiwa studio. He's the owner of hit songs like " Cham gi ****'i" and many more.

Makadem is one of the the artist signed to Ketebul music is known worldwide with a brands that precedes him as he is commonly known as the Ohangla man.

We have alot of talented luo artists but let me focus on our own few who are so creative when it comes to fusing . I'm talking of Owiyo ; She is one of the first female artists to fuse the Nyatiti beat with modern fusion and with songs like “Kisumu 100”, she still remains so relevant in the industry that her new song, “wamiel” is doing quite fine.

I've listened to a lot of modern Benga maybe ones played on the radio. I was not well informed that much on old sounds but when i dug the tapes and crates to so called luo "thum gi timbegi".
Abila gi thum machon ; I discovered names like;
1) George Ramogi
George ramogi died but left a name for himself with songs like Affline the Pretty and Wiya Chandore Malit.

2) Ochieng Kabaselleh
When we were growing up we use to hear  songs like," Zainabu,Achi Maria and Dunia mokili".  Kabaselleh and Luna Kidi Band were the voice of love within Nyanza at that time.

3) Okatch Biggie
"Nyathi nyakach atimni ang'o?"
Before his death he sold thousand of copies of the same record. He had countless hit songs like "Okatch pod ngima,Hellena nya kabondo e.t.c".

4) Osito Kale
Osito and Ogina Koko termed to bring some of remarkable songs like "Rapar Angelina" .Asembo born artist is one of luo musician with aggressive thoughts and creativity.

5) Ouma Omore
Many of new generation might not have known him but he got massive Jams like "Atwech Nyaduse" were so common in my parents mouth. He wrote many songs on him like "Perry Odhi Chuth,To Natimi Nade e.t.c".

5) D.O Misiani
The late misiani and Shirati band was and still one of the voices who spoke against corruption in moi regime with songs like "Bim en Bim,Lee tinde mor and Amolo piny Pako Te". Tanzania born Benga star rose to fame with songs like "Auma Lando and Wich Teko Ok Kony".

6) Collela Mazee
I don't have much to say about Collela but lyrics like;
"Kare piny luoro ka aleki nya john" caught my attention. Collela was a great composer with every rhyme and sense falling at their place".

We have thousand artists(some died)who did and still doing music from Nyanza i couldn't mention all even though there are different genres associated with Luo music like Benga , Ohangla, Rhumba, Afro-fusion and the likes, the musicians have always strive to be at the top of the music game. By Luo music, I mean those music sang partly or fully in Dholuo,the music is honest,creative and enjoyable.

I'm blessed to say;This artists have done great with their music and still doing it.

By Quoting The Late Ongala lyrics..."Mziki haina mwenyewe", As long as you can create;
Educative
Entertaining
And melodical changes a persons life don't stop doing it. Music is power. Let's support our own.

   Compiled By Budding Dirt.
Every breathe you take,
Every step you make;
Can it be done
by all
to all
simultaneously,
Is this not wrong?

Become the human difference engine.
Be the person you want to be,
The person you'd want them to be;
Be who you are, become with many.
llcb Oct 2015
Løftede fingre, sænkede bryn, små suk og lange sug af sju i smug og altid brug af dug på bordet og bordkort til kernefamilien, og kerner i brødet til børnene og bøn ved bordet af brødrene, og smil til hinanden og for andre og ikke for sjov, aldrig for sjov. Samtaler om skole og skolehjemsamtaler for hjemmets ejere, høje forventniger i fryseren og mælk i køleskabet, og smørret står ude så et barn går i seng med en varm kind og får kold aftensmad af kolde ansigter. Skråt op med hjertet er i hjemmet for hjemmet er hos hjertet, men nogle gange sidder hjertet bare fast i fryseren, så det er svært at komme væk derfra med hjertet i takt.

Men hvis man en dag får løsrevet hjertet fra fryseren
så selvom det højst sandsynligvis er iskoldt
så kan det heldigvis i rette temperatur
tø op, varmes og banke igen
mor
Din krop er blevet så lille,
der er ikke meget af dig tilbage
selvom du er i bedring ved jeg ikke hvordan det hele vil gå
for de lange dage med længere nætter gør mig tankeløs
jeg svæver og flyver
jeg leder
efter et svar på et spørgsmål der aldrig blev stillet
og det ridser i mine knogler når jeg tænker på min hverdag
som den er nu
uden dig
alene
---^-^------^----^-^------------------------
Mateuš Conrad Mar 2016
painting when being bilingual, the naked phonetics of the english alphabet, and the diacritics on the polish one, for example -sh- of the former and -sz- of the latter, but the painting is still entitled: trying to capture what was being said without lip-reading but by optics encoding the sounds, so that someone bilingual might decipher; and yes, dependent of aesthetics / orthography the -rz- versus the ż.

azog
szak gaum'dasz!

blog
kruto, goniś... gunwondersmargen'ś.

azog
mor'rzyrljisz?

blog
golumdo, sza zu lisz sza za duh.

azog*
jam dysz! *** da kurz nak krza rzuk;
arz ga bejark gundabadul,
mar kam narm karszrz.
mulgaj! a'naj! ursdraj! tu pu nam - ah me c!
Alexandra Mor Mar 2015
As a designer,
I have always been fascinated by the interplay
between people and objects of design.
The responses change over the years,
and with this in mind, my collections
become tangible reflections
of my own journey,
as a woman to this day.*

                                     / *Alexandra Mor
All Rights reserved to Alexandra Mor LLC
Nikoline Nov 2014
du fik den af din mor og far
den dag du blev født
den dag du kom til verden
uskyldig og ren og lille
og uvidende
det var den røde tråd
meningen med dit liv
og de gav den til dig
så du kunne forlænge den
og slå mindeværdige knuder på den
og det gjorde du
i mange år
indtil han kom forbi
og efter flere års forlængelse (forelskelse)
klippede han den over
med sine skarpe ord
og den var i stykker
og du var i stykker
og meningen med dit liv
var i stykker
og selvom du var spejder
dengang du gik i børnehave
kunne ikke engang
den stærkeste (*****) knude
binde den sammen
binde dig sammen
selvom du forsøgte ihærdigt
dagligt
men på din uniform
sad intet **** mærke
kun et bål mærke
og det brændte indeni
og han lod dig brænde
indtil den røde tråd var forkullet
sort
sort som natten
sort som dit sind
og du fik den af din mor og far
den dag du blev født
og du døde den dag
han tog den fra dig
The Jester came to see the King one day ,
“these fools are no good they are full of dancing’.

Then the following day a joker came up to the king ,
“; these fools are no good for they are full of laughing .

And we are no good for we sit and moan for the crown we stole
has been a stolen .
The ring we borrowed ,
the knowledge we shared ,
the love we cherished ,
Is as loose as a hang mans noose .

The jester stands on our walls we built ,
just to tell us we are fools .

The joker on our bed laughs tingles his bells as we lay asleeping .
The minstrels have all but left to go a Caroling ,
the love we cherished lies
as empty as the grains of wheat to sodden to eat ,
to sodden to sell .
Christ’s love hangs in art
ripped flesh a truth of love lost
lies in rock umugst our sands .


We head off to the streets with laughter one foot to the right ,
the other to the left ,
the joker stands in the middle .
One foot to the left ,
then to the right
and we all sing lasciviously ,
as the plagues acoming ,
and we go asinging ,
for its. acarolling time ,

and it dos’nt lead to heaven .

For now the wine tastes sweet ,
and the barrels are dry ,,

our heads are kinda dizzy ,
We ***** and puke ,
then **** and poo as we
hung draw and quarter our souls as O
the boils will rise by the morning. The joker jokes ,
the jester sings ,
and we held hands ,
round and round and round we went
and it did not lead to heaven.

#Gals. Come home my dears come home my loves ,
for we will cook you pottage in the morning
and they didn’t end in heaven.

Men reply and we’ll all be dead by the mor ..ning #

And the boils arrived in the morning
and they didn’t. lead to heaven.
Title        : Beauty Within Beauty
Poet        : Phyll
Genre     : Love/Beauty/flaws
Year        : 2018
P/Swno. : 260


BEAUTY WITHIN BEAUTY
    As Authored By Phyll


Love,
You stand so bold,
And so sleek.
You have this Beaut...
Beautiful,
Rich,
dark,
And chocolate complexion.

Your smooth,
Chocolate skin...
So smooth.
So soft.
So silky.
So sweet...
So sweet like a piece of candy.

When I try and speak,
My words get so mashed up.
I end up not saying anything!
You give me this sense of urge...
Urgency to be the best...
The best person I can be.

You have this beauty about you,
That i can't go a day without.
I have this chronic disease,
The doctor called it ATAY;
Always Thinking About You!

Even though you are already mine,
You have this beauty about you...
You make me feel warm and safe.
Your beauty is mor...
More than just beauty!
Your beauty is a thing I call;
.B..L..A..C..K. .B..E..A..U..T..Y.

Never fall;
For anyone else!
They'll just hurt you in the end.
Trust me cause for them,
As easy as it was to get you
It'll be even easier to replace you.

Believe me when i tell you;
Your BLACK  BEAUTY,
Is not your ideal beauty.
Your beauty,
Is the way you carry yourself;
In this high esteemed way.
That I don't care,
About what you say or do wrong.
Cause to me,
It's what your beauty entails.

The way you make words sound;
So smooth and so good.
You give me this sense;
Sense of protection and comfort.
Whenever we hug,
To me the world is just for two;
Just me and you!

When we make eye contact,
And our eyes lock;
I can feel what you feel,
You feel what I feel?
But I can't say how I feel,
With my words.
We can't say a thing,
This connection is wordless...
I just can't explain,
I just don't know why.

I want to get to know you,
More than I know myself.
Despite the fact that I'm a gent,
You make me feel beautifu...

I felt a certain way for you,
Ever since I first met you...
I don't doubt you feel the same,
Ever since I first saw you.
Just never had the courage to say anything,
But i am now your beholder.

Your BLACK BEAUTY,
Portrays it all.
That's why,
I not only like you,
But i love everything about you!
Feel Special my
.B..L..A..C..K. .B..E..A..U..T..Y.


ALL RIGHTS RESERVED
COPYRIGHT BY PHYLL
phyllspokenarts@gmail.com
(C)2018.
Black lives matter.
The darker the berry the sweeter the juice
Shiloh Dec 2015
Things play back in my head a whole lot
whether or not I give them permission to
I try and shut the blinds close my eyes
but they keep on poking through
this time around it's not as scary
just groundbreaking and unsettling
you are alien to me because you are healthy
a change for me I can't see happening
what truth lies before me
is past continually unraveling
I have been ruined by others
emotionally sore rotten to the core
waiting for
something to push me forward
I was always aware of the lessons
that I needed to go through
but slower than I ever handled
because I realized no one else was worth it
but you...
my shell had grown hard
always accustomed to defense
built tiny fences growing tall
protecting myself from it all
enjoying solitude until made to feel small
useless worthless pointless ruthless
I have let my dear fear hold me back from
basically everything
white-knuckled, foam-at-the-mouth
to my bad habits, I cling
but still the universe aligned
with what stirred in the back of my mind
you were right about taking this time
but I can't live this way, not anymore
I have no idea who this is turning me into
but that is not really the point.
Libby is responsible for this, couldn't sleep because she was pulling me towards these words, started to write then I saw she came back on here herself.
I love this woman.
Mann Choudhary Apr 2013
KHAPHA HOKE WO MUJHASE
MUH MOR CHAL DIYE…………
KI KYA THI KHATA ……………
BIN BOL CHALDIYE…………….
HUM TO UNAKE KADAMO MEN
DIL KHOL RAKH DIYE………………
KYA THI UNAKI RAJA……………….
BIN BOL CHAL DIYE………………..
BIN BOL CHAL DIYE…..…………♥
Fritzi Melendez Jan 2018
the ringin g in          my              he ad       doe snt stop
it                   is                              so            lou d
a const a nt              dea d           s i lent  soun d
              eee e e e e e e e e  e  e    e            e          e           e             e                            
                          e e                      e ee                                     e e

         b                          w w aa                 a         a               a       a        
   a                        a                          ­ a    a                         a  
                                         w         a  a  
                   a            a                    a        a        a            ­  a               a  b      b


i   fe el               w eightl es s
im no t            m y se lf                                                          
p l ease          le ave         m e                                alo ne

  i wa n t                 t o                       be                       f ree                                  
  i t                hurt s                                      so mu ch
                             

i ca nt                                   h ear                    
i      am n ot                                         m e                  
i dont wa nt to            c ry
a     ny                                               mor e
                 i    m    sor ry

i h ad to  te ll the m
.


.


.



y                
                                        o      ­        
   u

                                 
     s      
                ­                                            h
                                o
                                                                ­                     u
                                     l
     d                                  
   n
                                                    t
         ­               
      h
                                                  a
                   v  
                                                             ­                                     e
                                                               ­     s
                  a
                                      ­            i
    d
  
                               m
y
                                                               ­                                             n
                  ­                                                  a
m      
     ­                             e
...
Sethnicity Nov 2015
made me
So horney and gifted
I lifted         a tune
Which lit the moon
now your waters obey me

Bath me with light
my imperfect iridescence
to slither through fertile crescent
Such twisted insight
yet adorned in the shadow of night

This hunger for mor ning
star
my clandestine appetite.

I wander not lost
but sea rching,
est u aries mi
Jane tap sap
Sens u al it y
because I lick you
and your
***** pha lang ease
*** with text or a sintext error
I may have to revisit this...
Ashlagh Naighlim Jul 2010
Pe cand noaptea se lasa si nimanui nu-i pasa,
Pe cand ceata-ndeasa si acum far-de-prefata,
Pe cand lumina piere si se lasa cu durere,
Masca eu o pui deoparte si ma definesc aparte.

Caci ma vezi ziua schimbator,pe emotii trecator,mijlocitor
Sad sau merg,vorbesc sau tac,dar sunt tot un...liliac.
Caci doar eu ma inteleg si fluier mut,caut coleg...
Dar de unde sa gasesc,noaptea zbor,ziua zabovesc.

Stau si plang,stele de stele,indurerat,companie-mi tin doar ele.
Luna nu o mai suport,imi strica lumea ce mi-o port...
Indoliat mereu,dar nu se vede,caci doliu-mi tot...cine ma crede?
Nimeni,caci imi scriu doar mie;Sa ma cunosti?!...e Blasfemie.

Hai sa-ncerc sa ma arat...usor,sa nu dau indarat.
Schimbat in singur,deci cu timpu,trecutau anii,schimband grupu,
Cutand mereu fata far-de-zar,siguranta pura,dar e in zadar;
vesnic adaptiv,renuntator,am invatat constant *** e sa mor.

Trecutau anii,evoluand,am luat cu mine tot,furand,culegand.
Tarziu mi-am dat seama *** de izbutesc...In invizibil eu traiesc
Domino eu mesteresc si involuntar,mereu,eu il pornesc;
Toate piesele-mi cad in sac,se evapora...plang si tac
Munca,alinare o secunda,dau masca jos,da sa se-ascunda
Urlu,magai,simt,gandesc si mereu ma pacalesc.

Cautand mereu ambrosie,dar nectaru tot ma chinuie...
Trec prin sange si prin sentiment cu idealu-mi stimulent
Dau de-o ea si dau de mine,dara EA nu da sa vie...

Va ascult *** reprosati,radeti,inghiontiti,bucurosi sau suparati,
Calcati pe voi,calcati pe mine,ignorati si totusi tine...
Gasiti refugiu-n contradictii,fugiti de voi,va luati de dictii
Si astfel tot ma atacati,priviti spre mine indignati...

De ce? eu pur "sange" m-am nascut,fara frica si nu m-a durut
Ati venit,m-ati "educat",fara mila si regret,tot voi m-ati conturat.
Sad in fata voastra-acum,reprosati,ma indemnati pe alt drum.
Ce vina am eu ca v-am ascultat?,fac ce stiu,ce ma-ti invatat.

M-am luptat,m-am ridicat,de unde voi m-ati aruncat,
Si cu aripi noi noute,diferite,...dar dragute...
Am decis sa nu v-ascult,sa fac ce stiu,tot mai mult
Si astfel ne-am departajat,in voi si eu,...TERIFIANT!

V-ati semnat propriu testament,sa va dau iubire vehement,
Va dau tot ce batjocoriti,va dau ce nu vreti pana muriti,
Dar cu timpul s-a schimbat,ati invatat,ati evoluat...
Tot,tot,tot,ce eu am dat,miseilor,ati manipulat...

Am luptat,am incercat,ce simt,pe  voi e insemnat,
Tatuaj fara de voie,nevazut,scris cu lamaie;
Caci il vad,il desclusesc,in oglinda eu privesc
Intorsi pe dos pana la moarte,va citesc ca pe o carte.

Am trecut incet,incet,printre voi,plin de regret...
Sa va iubeasca Dumnezeu,caci in lumea me-as doar eu.
Emotiv,departajat,scriu in stele-ndoliat...
Preamarind singuratatea,cunoscand nici-cand dreptatea!

Greu de inteles,desprins,incalcit parca-n adins.
Zbor acum si scriu departe,bucurand scantei de soapte.
Sad in somn,visez pucioasa,tremur vesnic dupa raza.
Si tipand pe ploaia deasa,ma asez usor,...mi-e greata.
Unknown101 Apr 2015
once, i picked
a habit from a tree
ripe and red, not meant for me
had it fa(l)*** instead by gravity
i’d n(o)t be tasting this (v)ery insanity
what remained but a rotten core
i bit and i bit and
i bit
i bit
i bit
i bit
i bit
i bit
and again once mor--     **(é)
n.b. the trunk in theory should grow a lot taller
hendes øjenlåg var farvelagte
hendes læber tøvede sjældent
ordene var limet fast tæt til hendes
månehvide hud, og *** smilte kun,
når ingen andre så det
for lykken var et sted, der gemte sig,
og kun viste sig, når ingen andre så på
hendes mor havde fortalt hende, at unge
kvinder som hende ofte endte ud som
sindssyge,  men *** tog det let, og trak
på skuldrene som man nu gør, når
ens ord bliver intetsigende

*** fortalte mig en hverdagsaften foran
københavns rådhus, at *** havde læst
for meget Charles Bukowski til at forelske
sig, og det var sådan en aften, jeg havde
lyst til at kysse de altsigende læber
det var sådan en aften, hvor københavn
hang fast i baggrunden
det var sådan en aften, hvor jeg opdagede,
hvor meget jeg kunne holde af et andet
menneske
i dag er jeg lavet af grankogler og oktoberbrise
i dag er jeg  pigen, der er iført lyserød
neglelak
hende, der drikker lemonade alene
i dag er den dag, jeg mødte dig på biblioteket med
blå mærker i mange nuancer på dine læber kreeret af
hende
tanker eksploderer som klare stjerneskud
jeg ved ikke, hvad jeg tænker, men pludselig sidder vi
i et mørkt lokale, og din ven køber billige øl til mig
og du får lov til at smage
din mor var din far utro, fordi *** lever i 18 forskellige
universer, og hendes hår er lavet af hjemløse dage,
og på nøgne gader er kærlighed det samme som ***

i dag er jeg klar over, vi ikke er venner længere,
dog vil vi stadig lade som om over lun te i sensommeren
men vores tunger er ikke lavet af samme kviksølv
jeg vil stadig smile til dig, når jeg ser dig i byen
men jeg vil også være dit eneste univers, jeg vil tælle
blomster i Kongens Have med dig, men jeg vil aldrig
se dig igen

i dag er den dag, du lærer, hvad lykke er
den slags, der danser på din hud som aftenregn
den slags, der gnaver i dine lunger, som stikkende
bordeaux ild
at lege mor og tørre op
og vaske op og at gå op i
et andet menneske
helt så samvittigheden
klistrer på din tunge,
helt så du glemmer din hud
i dørkarmen
sætter aftryk af blod
i badeværelset, og efterlader  hemmeligheder
i gulvsprækkerne
hvisker historier til væggene, alle
dem jeg aldrig fik fortalt dig
jeg var hende, der rakte kolde
hænder ud i et naivt forsøg på at
få dig til at smile i marts
opdrog dig med moderlige øjne
og blå ord, jeg ellers kun skrev ned
holdte dig i hånden, og lod dig ikke
bevæge dig yderligere
indtil du omsider kunne gå selv
vidste ikke dengang,
du ville gå længere ud,
end du selv kunne  bunde
lærte dig at holde om pigeskuldre
så det skar i organer af glæde
lod dig blive afhængig, og lod dig
skænke samvittighed op til randen
af glasset, så vinen smagte af
cork og følelser, der gav mig lyst
til at stikke tre fingre i halsen
måske bliver jeg væk en dag,
drukner
mig selv så jeg måske er væk
snart
- digte om et papmachesind
Unpolished Ink Oct 2023
I see you
Laird of Tanera Mòr
shaded scotsman
misty on the dock
I hear your skirling pipes
threading salted air
silent sound which cuts
and tops each bouncing wave
music on the bridge
between the living and the grave
I saw it with my own eyes
Laura Amstutz Jul 2017
mine favoritpersoner har altid været dem
med sand mellem tæerne
og bølger i tankerne
(for ikke at glemme salten på deres læber)
jeg synker al skylden for disse ting
- bliver kvalt
ligesom vandmelonfrøene
man ikke måtte sluge
som mor altid sagde
disse frø voksede til planter
der aldrig visnede
jeg har gemt kys som valuta
og skyld er bare frø
og kys er bare læber
men hvad er valutakursen på hukommelsen

— The End —