Our  own meeting has no end , no outer shell, it does not float.
It only searches within its depths to find a bottom to pitch its anchor
and looses itself within the  colours of an ever changing earth.
Without air it gets carried away and shines like a fire,
unquenched and remote from evil tongues and envious eyes.
Ostracizing dark thoughts and delighting within its womb.
It remembers from always and lives on  forever
and within the moonlit dust it travels upon wings.
An aura which is immaterial and wonders intoxicated
it sings you an icy lullaby..

Something happened this morning
when I awoke to you lightly breathing.
It was sublime.
My chin rested on your shoulder
the skin so soft on my cheek.
I couldn’t help but kiss the sweetness.

On nights when I sleep alone
it does not matter how many blankets
wrap my restless body.
I wake cold.
Nothing is as warm as your arms.
Like that of a Texas breeze
on an August night.

I can only think to kiss
your unshaven face.  
The kisses are planted gently,
first your cheek,
then your temple,
and your forehead,
when I come to the tip of your nose
you stir slightly,
but I cannot stop.
I want it more then
the ocean waves need
the shoreline to crash upon.

Looking at your face
I smile at the odd way we met.
With a breath of *** and an intoxicated
grin we spoke.
“I don’t like you”
“Yea? Well I don’t like you first!”
Like children picking
on their first crush.
Tying to fight back the giggles.
Our childish ways still
run strong.

In your absence I sit
and watch the ticking minutes
laugh at my uneasiness.
Hours with others
are mere minutes with you.
The clocks envy
our cherished time
and tick-tock more rapidly
when we are alone.
All our time
would never be
enough.

When we get lost in each other,
the way the lonely roadrunner
looses himself as he runs
up and down
the oak covered hills,
it is love at its best.

This morning
when the soft breathes
you took woke me
and my chin rested upon
your shoulder,
something happened.
As the kisses fell
and your eyes continued to sleep;
I realized that this
is where I belong.
Drifting slowly  
into love with you.

The steeples are white in the wild moonlight,
  And the trees have a silver glare;
Past the chimneys high see the vampires fly,
  And the harpies of upper air,
  That flutter and laugh and stare.

For the village dead to the moon outspread
  Never shone in the sunset's gleam,
But grew out of the deep that the dead years keep
  Where the rivers of madness stream
  Down the gulfs to a pit of dream.

A chill wind blows through the rows of sheaves
  In the meadows that shimmer pale,
And comes to twine where the headstones shine
  And the ghouls of the churchyard wail
  For harvests that fly and fail.

Not a breath of the strange grey gods of change
  That tore from the past its own
Can quicken this hour, when a spectral power
  Spreads sleep o'er the cosmic throne,
  And looses the vast unknown.

So here again stretch the vale and plain
  That moons long-forgotten saw,
And the dead leap gay in the pallid ray,
  Sprung out of the tomb's black maw
  To shake all the world with awe.

And all that the morn shall greet forlorn,
  The ugliness and the pest
Of rows where thick rise the stones and brick,
  Shall some day be with the rest,
  And brood with the shades unblest.

Then wild in the dark let the lemurs bark,
  And the leprous spires ascend;
For new and old alike in the fold
  Of horror and death are penned,
  For the hounds of Time to rend.

Come, come, awaken all true drunkards!
Pour the wine that is Life itself!
O cupbearer of the Eternal Wine,
Draw it now from Eternity’s Jar!
This wine doesn’t run down the throat
But it looses torrents of words!
Cupbearer, make my soul fragrant as musk,
This noble soul of mine that knows the Invisible!
Pour out the wine for the morning drinkers!
Pour them this subtle and priceless musk!
Pass it around to everyone in the assembly
In the cups of your blazing drunken eyes!
Pass a philter from your eyes to everyone else’s
In a way the mouth knows nothing of,
For this is the way cupbearers always offer
The holy and mysterious wine to lovers.
Hurry, the eyes of every atom in Creation
Are famished for this flaming-out of splendour!
Procure for yourself this fragrance of musk
And with it split open the breast of heaven!
The waves of the fragrance of this musk
Drive all Josephs out of their minds forever!

What i had-
Recently, come lost to me.

Like winter looses warmth-
And the sidewalk looses leaves.

I see them in the trees-
I hope that they miss me.

I know that it sounds desperate-
Its desperate, I agree.

In life we tend build bridges
But not all are meant to last
Sometimes we burn those bridges
To keep us from what lies beyond

Everyday we meet new people
Have fun and make new friends
We form bonds and links; as such
We end up building bridges

Throughout our lives we go about
Being scared - in fear
But when we overcome the fear
We grow - we build our bridges

As time progresses - we age
We move on to do so much
We gain property and wealth
And at this very stage
Grow a family - get married
And go about our lives
Ease into reality
And we tend to then build bridges

All the time, things happen
Positive and bad
But we must overcome our problems
And learn from our mistakes
Take lessons from our failures
Know we don't cause success
And as we grow and learn
And as we learn and grow
We form more tightened, strengthened bonds
We tend to build up bridges

Memories are formed
And memories are kept
Stored in many forms
To remembered for being great
And as time passes us by
It brings with memory
As we add to vast memory
We reinforce our bridge

But not all stories flow
Like that of a fairy tale
In life we hurt and get hurt
And ******* seems to break
And when the key stones crack
And are shifted out of place
Our bridges looses and fall down
And our lives with them
And after all the pain is felt
We pull ourselves back up
And what remains after the storm -
We burn what was our bridges

People leave, people die
These things occur in life
Once they're gone, we break down
And are burning our bridges

Another reason why
We burn down our bridges
Is Friends who do us harm
And it's safer if we're apart
Instead of succumbing to evil deeds
We rather stay away
Refrain from any contact
And set ablaze those bridges

When trouble hits us hard
We lose our wealth and money
We hurt all those around
Unintentionally burning bridges

No memory can replace
The presences of a loved one
Instead of mourning forever
And hurting others too
We try our best to rid ourselves
Of memories and reminders
And as we force-forget
The things of our past
We end up sick of flames
Yet still burn down our bridges

In life we build and break
Many weak/strong bridges
Of a lifetime's worth of loved
memories and people
But this cannot be helped -
it is but human nature -
We build up what we love
And burn it 'cause we love it

Run run run, from the falling rain
seeking shelter from the struggle
seeking shelter from the strain.
Hop hop hop, across the empty streets,
running from the water's bellow,
running from the water's feats.
Gasp, gasp, gasp, as you see a yellow light
                  you let out a final sigh,
as your heart looses it's last fight.
Pain, pain, pain, your bones seem to cry
the tire tracks on your body,
the tire tracks where you lie,


Alas the rain drops have come to say goodbye
You are important to them.
They're here to watch you die.

You stick to my thoughts like an adhesive.
Ever wandering the canvas of my mind.

You travel at the speed of light,
through the nonexistent confines of oblivion.

Foreverness...
Without time, space or action.

The deeper I go,
to hide,
to get lost,
to be alone.

To think a thunking thought!

The closer you seem to be.
The tighter you cling to my chest.
Warming my heart and crushing my lungs.

You squeeze the words from my mouth,
without ever touching me.

The sun looses all essence of light and life when compared to you.

Like an ember among the black atoms of nothingness.

And if you were stripped of all that you are...
I could,
and would,
love you for this alone.

Yet oh how I hate you for it.

.               "Peter Look at me." Lexi whispers moving closer to him, The hot spray from the shower head scalding her back. Peter had his back flushed against the back of the shower, his eyes, the red of an Alpha wolf, wild with pure animistic rage. He's lost his humanity, she thinks, I have to bring it back, Peter Snarls and lunges for her. Lexi just holds out her palm and water tentacles from the streaming water behind her snake out and wrap themselves around his wrists and ankles, locking him in places, vicious snarls escaping him, his eyes burning red. Anger wells up in her chest making her own eyes Flash violet, her powers rising inside her. She closes her palms and the water restraints tighten cruelly against him, a small whimper coming from him. She looks him in the eyes and steps even closer, leaving the comfort of the water. "Peter please, come back to me my love." She whispers moving closer still until she was standing right in front of him, his breathing echoing off the shower tiles. She stretches her hand out and touches the hard muscles of his stomach, making him flinch violently, struggling against his restraints as he tries to move away. Lexi thinks back to the time when he would have done anything just to feel her touch, now with his humanity lost,  and the wherewolf taking hold he couldn't bare it. She splays her hand across his abs, tracing the hard muscles, trying not to wince as sounds of pure distress came from him. Looking back up into his eyes she searches for the Peter she had fallen in love with, imprinted with, and found nothing but a cruel cold hearted Animal staring back at her. She takes her hands away and sees the distress turn quickly back into a murderous glare as he pulls against the restraints trying grab her, his claws glistening with spray from the water. With a flick of her wrist the tentacles pull at his arms until they are spread out, far from touching her, another viscous growl, more tugging against them. "Peter I know you can hear me,try to fight this I know you can." She says pleading to any shred of humanity that might still be lurking within his soul. For a split second his eyes lose some of the bloodlust as her words penetrate the wolf that was rising, his face twists in concentration

               "Lexi- I can't Save yourself" He gasps through clenched teeth, His eyes begging her to run before he closes them. She steps near, her heart soaring with hope that she might be able to save him. When he opens his eyes again though all hope she just had shatters as the cruel animal returns. With renewed strength He lets out a harsh howl and yanks his arms, the water tentacles turning to puddles, slipping down the drain with the rest of the water, in the small space of the shower he lunges toward her. Fear ripples through her but she quickly shakes it off and once again lifts her palm stronger tentacles obeying her command wrap themselves around him just in time, as his sharpened fangs came three inches from her face. His body is slammed back against the shower wall, his head bouncing painfully off the tiles. As he trashes and pulls at the restraints Lexi moves back close to him, shutting her eyes in concentration. "His ego cuffs concatenata bestiam, relaxare scintillis humanitas seen, With these cuffs I chain the beast, only loosen with sparks of Humanity seen." The Latin words falling easily from her lips as she casts her spell on the water, knowing they would hold and only lessen their grip when the Peter she knew and loved came back. Her strength leaves her as the spell takes hold and she sags against the other wall, seeking its help to keep her upright. She leans her forehead onto the water slicked tiles and breaths in the steamy air, her eyes drift close. Knowing she was safe from anymore escape tempts she turns her back toward the beast that wore Peters face and steps back into the scalding water of the shower, letting the heat seep into her cold riddled body, and washing away any remaining fear as she lifts her face to the spray. Anger toward herself bubbles up inside her, how can she be afraid of the man she loves? whimpers fro behind her make her sigh and step out of the comforting spray. Turning around, she opens her eyes which were flashing Violet with her rejuvenated powers, she once again faces the love of her life. Hope once against swells inside her as she faces her task of Being Back Peter's humanity.

               "Peter I know you are still in there, I'm going to touch you now." She says with confidence as she steps closer once more. Hot spittle flies from his mouth as a deadly snarl comes from deep within, his fangs fully elongated, his claws at full length, clawing wilding at the air trying to tear her apart. She ignores the snarls and the beast and focuses souly on her task, She reaches out and touches his chest, right above his pounding heart. Moving her hand upward she runs her hands up his muscled well toned arms and with her left hand she places it carefully on his cheek, keeping away from his deadly venom coated fangs, knowing that one bite would have her transforming into a werewolf like him. The terrified whimpers he made makes her heart squeeze, knowing that the touch of a human in his wolf fill brain was torture for him. She looks in his eyes and silently pleads for this to work, knowing that with each touch the Peter she loved would have a fighting chance to break through and once again take hold of his body. She steps closer and kicking his feet apart she presses flush against him, the roughness of his soaked jeans rubbing against her naked body, his shirtless upper half smooth against her own chest. A strangled growl leaves him as he tries to shrink away from the closeness. She takes her hands and places them on either side of his face yanking it back to look at her. "Peter come on love FIGHT THIS!" She hisses pressing herself closer to him. The blood lust fades slightly, his arms sagging slightly as the restrains register a spark of his humanity. Her eyes shine with joy when she realizes it was working. She takes her hands away from his face and wraps them around his neck, stretching up on her toes to reach his mouth with hers. She kisses his mouth, not afraid of the snapping teeth, and feels the growls dissipating in his throat, as his arms continue to sag with the loosing cuffs. She watches as his eyes close and feels his lips returning the pressure to hers. A small gasps escapes her as she feels his arms finally wrapping around her body crushing her to him.

               "Lexi Stop, I can't fight this for long," he pleads against her lips, and on Que his arms are softly yanked from around her as the restraints sense the animal rising again. Going against her intuition she lifts her hand and the spell is broken letting his arms sag fully to his sides, giving him full use of them. He growls "That was a mistake, Lexi AH" He chokes out shutting his eyes and shrinking away from her half turning his body, trying to keep himself from slipping away. She moves, easily deflecting his feeble attempts to push her away, she takes hold of his arm and turns him to face her again and softly pushes him up against the wall which they had started to stray from, pressing herself firmly against him.

               "You can fight this Peter," She whispers in his ear before claiming his mouth again. It was her mistake. He kisses her with desperation trying to fight back the Wolf that was clawing it way through him. IN a split second He looses control and the beast takes hold. Giving off a murderous howl he sinks his claws deep within her back, Her scream tears through her, echoing off the tiles. She sags against his claws, making them sink in deeper as whimpers of agony spill from her kiss swollen lips.  With a grunt he rips his claws out and watches as she crumples to the ground, her strength deserting her. She splashes in the water built up in the tub , barely noticing the sting as her knees and hands hit the porcelain. Her arms wobble as she tries to keep herself up, her eyes cast down as she stares at his bare feet, the hem of his jeans dark with the water sloshing around him. "Pe-Peter Fight, pl-please" she mumbles as a fog starts to creep into her mind. Her arms fail her and she splashes face first into the ***** water. The water was tinged red and tasted like cooper with her life's blood as it oozed out of the ten claw marks on her back. Her breath quickens as it become shallow, the fog creeper faster, her vision starting to unfocused. Tears spill down her face and mix with the ****** water as she realizes she was going to die, and without saving Peter.

               "I failed you Peter, I'm sorry, Forgive me," She whispers unable to lift her head to look at the beast that claimed him. " I- I love You" She manages to sputter out before the fog took hold of her, rendering her unconscious.

               Those three words reached the beast, traveling down to Peter who was growing weaker by the minute LEXI! he screams mentally and pushes past the beast. He throws his head back, letting out a tortuous howl, as his eyes go from blood red to the Ice blue some Beta wherewolves posses, his original state. The beast retreats, never fully gone, just hibernating until the next best moment to strike. Peter looks down at the naked girl at his feet, and he drops to his knees in the red waters.

               "Lexi My love" He whispers his voice full of agony. He lifts her limp body out of the water and cradles her in his arms, He wipes away the hair that was plastered to her face and rests his hand against her cheek. "Open your eyes my love, you didn't fail me, you saved me, I'm right here, just open your eyes." He says, his voice choked with unshed tears. When she doesn't respond he cries out , placing his head on her chest, taking his hand away to wrap around her body in a tight grief stricken embrace, his blond hair making a curtain around his face as his grief pours out of him unchecked. A strangled Gasp makes her chest rise and he wipes his head up to find her eyes fluttering open, focusing weakly on him.

               "Peter, you're-" her words fade away as her strength seeps out of her. she lifts her hand and he quickly grasps it in his lifting it to his mouth kissing the fragile pale skin before putting his face in her hand, trapping it between his face and his hand.

               "Yes Lexi I'm me, I'm here, Don't give up" He says smiling through his tears. A faint smile spreads across her bloodless lips as she closes her eyes, her breathing was struggled but she clinged to the last bites of life in her as she pulls her power in, drawing strength from the water around them, the air that fought it's way to her lungs, the Fire from the small candle she had lit in the bathroom earlier for strength, the minuet grands of dirt that always managed to find their way in the house. But most of all she Draws on the Spiritual world the one that swirled around every living creature. She draws all this power inside her and wills her body to heal itself, Fighting for her life. Her power pulls and a soft warm glow fills her body as the wounds slowly pull themselves closed healing themselves. Her breathing becomes easier and she gulps huge mouth fulls, coughing as she takes too much in. Peter tighten's his hold on her and stares at her in wonder as she pulls her broken battered body together. "Oh Lexi," he gushes as color returns to her body, making it flush a pale pink, her eyes going from their crystal green to the purple as she works her magic. Finally the wounds were sealed shut, and her eyes return to their crystal green, her body sagging in exhaustion in his arms.

               "You're you, you're really you." She whispers, happiness ringing in her soft sleepy voice. Peter smiles at her and strokes her cheek, his fangs had vanishes and his claws had retracted.

               "Yes Lexi I'm really me."

               "I thought you're humanity was lost,"

               Peter just shakes his head at her, tightening his hold on her he stands up, carrying her bride style he steps out of the shower, not bothering to shut off the water. Holding her close to his body she rests her head against his bare chest and sighs as she hears his heart thumping at a normal pace. Leaving the bathroom he pads down the hall to their room. Once inside, with one hand he pulls back the covers on their king sized bed and gently deposit her onto it. going to his side of the bed he quickly strips out of his wet clothing and slides under the covers with her, drawing her close to his body, skin to skin. Lifting her eyes to his he smiles at her.

               "NO Lexi, I don't think I can ever lose my humanity again, want to know why?" He says, his eyes hypnotizing her. She snuggles closer to him, her legs tangling with his,

               "Why?"

               "Because YOU are my humanity." He says as his lips crush her in a passion filled kiss.

I. Cogida and death

At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.

The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.
The bass-string struck up
at five in the afternoon.
Arsenic bells and smoke
at five in the afternoon.
Groups of silence in the corners
at five in the afternoon.
And the bull alone with a high heart!
At five in the afternoon.
When the sweat of snow was coming
at five in the afternoon,
when the bull ring was covered with iodine
at five in the afternoon.
Death laid eggs in the wound
at five in the afternoon.
At five in the afternoon
At five o'clock in the afternoon.

A coffin on wheels is his bed
at five in the afternoon.
Bones and flutes resound in his ears
at five in the afternoon.
Now the bull was bellowing through his forehead
at five in the afternoon.
The room was iridiscent with agony
at five in the afternoon.
In the distance the gangrene now comes
at five in the afternoon.
Horn of the lily through green groins
at five in the afternoon.
The wounds were burning like suns
at five in the afternoon.
At five in the afternoon.
Ah, that fatal five in the afternoon!
It was five by all the clocks!
It was five in the shade of the afternoon!

II. The Spilled Blood

I will not see it!

Tell the moon to come,
for I do not want to see the blood
of Ignacio on the sand.

I will not see it!

The moon wide open.
Horse of still clouds,
and the grey bull ring of dreams
with willows in the barreras.

I will not see it!

Let my memory kindle!
Warm the jasmines
of such minute whiteness!

I will not see it!

The cow of the ancient world
passend har sad tongue
over a snout of blood
spilled on the sand,
and the bulls of Guisando,
partly death and partly stone,
bellowed like two centuries
sated with threading the earth.
No.
I will not see it!

Ignacio goes up the tiers
with all his death on his shoulders.
He sought for the dawn
but the dawn was no more.
He seeks for his confident profile
and the dream bewilders him.
He sought for his beautiful body
and encountered his opened blood.
Do not ask me to see it!
I do not want to hear it spurt
each time with less strength:
that spurt that illuminates
the tiers of seats, and spills
over the cordury and the leather
of a thirsty multitude.
Who shouts that I should come near!
Do not ask me to see it!

His eyes did not close
when he saw the horns near,
but the terrible mothers
lifted their heads.
And across the ranches,
an air of secret voices rose,
shouting to celestial bulls,
herdsmen of pale mist.
There was no prince in Sevilla
who could compare to him,
nor sword like his sword
nor heart so true.
Like a river of lions
was his marvellous strength,
and like a marble toroso
his firm drawn moderation.
The air of Andalusian Rome
gilded his head
where his smile was a spikenard
of wit and intelligence.
What a great torero in the ring!
What a good peasant in the sierra!
How gentle with the sheaves!
How hard with the spurs!
How tender with the dew!
How dazzling the fiesta!
How tremendous with the final
banderillas of darkness!

But now he sleeps without end.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
sliden on frozen horns,
faltering soulles in the mist
stoumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!
No.
I will not see it!
No challice can contain it,no swallows can drink it,
no frost of light can cool it,
nor song nor deluge og white lilies,
no glass can cover mit with silver.
No.
I will not see it!

III. The Laid Out Body

Stone is a forehead where dreames grieve
without curving waters and frozen cyprseses.
Stone is a shoulder on which to bear Time
with trees formed of tears and ribbons and planets.

I have seen grey showers move towards the waves
raising their tender riddle arms,
to avoid being caught by lying stone
which loosens their limbs without soaking their blood.

For stone fathers seed and clouds,
skeleton larks and wolves of penumbra:
but yields not sounds nor crystals nor fire,
only bull rings and bull rings and more bull rings without walls.

Now, Ignacio the well born lies on the stone.
All is finished. What is happening! Contemplate his face:
death was covered him with pale sulphur
and his place on him the head of dark minotaur.

All is finshed. The rain penetrates his mouth.
The air, as if mad, leaves his sunken chest,
and Love, soaked through with tears of snow,
warms itself on the peak of the herd.

What is they saying? A stenching silence settles down.
We are here with a body laid out which fades away.
with a pure shape which had nightingales
and we see it being filled with depthless holes.

Who creases the shroud? What he says is not true!
Nobody sings here, nobody weeps in the corner,
nobody ****** the spurs, not terrifies the serpent.
Here I want nothing else but the round eyes
to see his body without a chance of rest.

Here I want to see those men of hard voice.
Those that break horses and dominate rivers;
those men of sonorous skeleton who sing
with a mouth full of sun and flint.

Here I want to see them. Before the stone.
Before this body with broken reins.
I want to know from them the way out
for this captain stripped down by death.

I want them to show me a lament like a river
which will have sweet mists and deep shores,
to take the body of Ignacio where it looses itself
without hearing the double planting of the bulls.

Loses itself in the round bull ring of the moon
which feigns in its youth a sad quiet bull,
loses itself in the night without song of fishes
and in the white thicket of frozen smoke.

I don't want to cover his face with hankerchiefs
that he may get used to the death he carries.
Go, Ignacio, feel not the hot bellowing
Sleep, fly, rest: even the sea dies!

IV:

The bull does not know you, nor the fig tree,
nor the horses, nor the ants in your own house.
The child and the afternoon do not know you
because you have died forever.

The shoulder of the stone does not know you
nor the black silk, where you are shuttered.
Your silent memory does not know you
because you have died forever.

The autumn will come with small whiet snails,
misty grapes and clustered hills,
but no one will look into your eyes
becuaase you have died forever.

Because you have died froever,
like al lthe dead of the earth,
like all the dead who are forgotten
in a heap of lifeless dogs.

Nobody knows you. No, but I sing of you.
For posterity I sing of your profile and grace.
Of the signal maturity of your understanding.
Of your appetite for death and the taste of its mouth:
of the sadness of your once valiant gaiety.

It will be a long time, if ever, before there is born
an Andalusian so true, so rich in adventure.
I sing of his elegance with words that groan,
and I remember a sad breeze through the olive trees.

The wee hours late night
in a blink of an eye
blows her Niqab (veil) away.
Oh, that folds springs in style
in the chalice of rose flower
never gone with the rainbow
splash of the first light!

Stunned broad daylight
rather looses for words
punting in sleek brook of twilight
scurries back into the night.

She doesn't think she's beautiful but ugly
It's strange to me
Its hard to complement a girl full of insecurities
She hides her pride behind her eyes
Those ocean blue eyes
The ones full of love
They shine when the sun kiss them
I swear I get a glimpse of heaven
I feel like I'm floating, no flying
But then I crash
She says I don't make her feel pretty
And it's silly of me
To fail at a such easy thing
My attempts fall on deaf ears
The words "your beautiful"
Never reach the top of her hills
Her insecurities stop them cold
Like the steel around her nose
That finds the sun an shine bright
My complements hides in her blacks streaks
In her golden blond hair
The hair she uses to hides her face
As I brush it away
In that one second our eyes meet
In that one second she looses her insecurities

Am I really complex
Like the reticulate venation of a leaf?
An abstract art on the wall?

Why face can't be read, why?
Should I promise to be an ice-cream
melting upon tongue?

Truth may looses uniform
and puts on the fake costume
But I'm a shade of 3bs:
bell, butterfly and bonsai!


Poem 19
Book 'Beckoning Jade-Dreams' April 2007
Copyright Musharrat Mahjabeen
Mizan Publishers, Dhaka, Bangladesh
ISBN 984-8700-82-X

city night,
speaks
in million
discordant
neon voices.
                   night in village,
                   has lanterns
                   shedding  soft yellow droplets of light,
                   here and there;
                   singing solemn
                   hymns.
city knows no silence.
it's music is cacophonous;
pain is its sweetness.
when silence descends
city is stifled,
looses its color.

village absorbs
it's wisdom
from deep dense silence-
the color of green foliage.

for the village,
grass is green
on the other side of the fence;
but city is coiled in itself.

silence slowly looses ground.

Starfish are versatile
Humans are weak
Starfish have such a placid lifestyle
One of which we never speak

They are free to do as they please
Without rhyme or reason
Drifting through the seven seas
Never suffering such ****** treason

What kills us so violently
They survive
Our minds, traitors, stalking silently
They have none; so they thrive

What leaves us so broken
To the starfish is a game
But they don’t end up unbroken
For this they gain their fame

Like a little modern hydra
Of a less vicious sort
Loosing just a little paraphernalia
It’s arms the starfish must abort

A part of it that it that it looses
So that it could be free
All we humans are left with at bruises
Left by insecurity

Every day the starfish stars anew
Free from worry, free from woe
To such luxuries we bid adieu
And so we lead ourselves to the gallows

Yet not for one moment can we regret
Our greatest curse; our most beautiful blessing
We pay to this world a hight debt
A price we pay for all of our guessing

We claim to be free
But it's almost lie
In the harsh reality
We are free to live or die

I feel night whispering  
My hot bath looses it's heat slowly
My tea waits patiently
I can't sleep
There is nothing more I need, only rest
My spirit won't let me
I hear it's whining
A toddler in full tantrum yelling, "I'm hungry, feed me"
There is no food to satisfy the hunger
It still wants everything  
Taming the feast
A tug of war with my spirit and rationality  
Circumstances are an excuse
I'm to tired to argue
Please god, let me sleep
I will try to have courage in the morning
Tonight let me be

poems like these are difficult to revise let alone convene over drunk once more, but in my own interpretation, the whole understanding of it begins with a joke: what do i care if a portent was given to him, did he think he could do anything he wanted after? it’s like me caring for albert fish sticking needles into his pelvis for that extra conductivity frying in the electric chair. but the main interpretation is as follows:

well you know how the *debye length equation reads

  λ subscript D = 1 / F x √(RT ε subscript R ε subscript 0 / 2000I)

given that F is faraday’s constant and R is the molar gas constant and I is ionic strength,

well that got me thinking in the humanities - where are the equations for the garbage heap of phonetics when κολοκύθι looses ‘appa ‘micron ‘ambda ‘micron ‘appa ‘psilon ‘eta ‘ota to simply say pumpkin? kolokythi? i see, ‘ above upsilon produces the kolokythi hence not kolokuthi; but still, where’s the phonetic garbage heap of ‘appa ‘micron ‘ambda ‘micron ‘appa ‘psilon ‘eta ‘ota? it’s in equations like the debye length, the sheer complication of losing the strict individuation of the letters... unlike in latin's do re mi fa so la a b c singalong, but with that come spelling mistakes and overly eloquent spelling of words and spelling mistakes.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

but i lament the fact the one of the woods i used to frequent
at night was stolen by an irish cerberus
one headed shoulder height hinger than an alsatian
chasing a rabbit one night,
and the other wood was stolen by a satanic mass
of the shrieking druid.
i miss those woods with my walk of pulverisation eyed
of faked hallucinogens of the night,
i miss them and therefore i confess like edward prior harold:
the sun will not rise from the west,
but the moon will be taken from the belly of the desert
from the realm of arabia
taken as the emblem of islam and be like the sun to japan,
the moon will be that - in the west and the north -
while the crucifix imported into the northern lands
will be sent back to those thieves of the moon
in the twinned linear parallel of the sun’s antonym
with the blood eagle stongehenge -
and i’ll not be weary to say:
a king is before a prophet’s honour in his homeland
an outcast and must remain so in order
that he might not invoke a prophet's honourable
wrath in his homeland -
but should a paul come unto a matthew
then the king's wrath is invoked!
so while a prophet’s honour is sacrificed like
isaiah’s with some king and with john the baptist
decapitated with the second king’s insurrection
so too the king’s honour is taken into consideration,
that a king hoped for keeping the egyptians cosmopolitan
with greek philosophy was what moved the nation of israel,
then too a second nation shall move
should a king's honour not profit standing still of the people.
but i too wish for a favour: i forgot what it was,
but it reminded me of something that could have been
a working household with screaming children aching for
a screening of the tate gallery in a slideshow -
but to prove god all men asked one man to renounce such
guises of the futures kept with the army of bothersome parentages.
hence i to the graveyard of the place where the 18th century
met the 20th century: as they say, they were kind to the 20th century youth,
they sent them packaged to death’s clot of chatter,
and midway, in the same century, platonism was usurped
with a care for poets! imagine it! midway they asked for the poets
to come back and arrange all the grecian lettering enigmas of the
sciences and snigger and smile at the romanic fakes of the once held by troy.
but many spoke of yod alef he waw ayin he - because so much of eve
once was that no more could be of the adam who abstracted himself
into her who once possessed him, and who unto being harmed
re-attached himself to his mother with the due humiliation she invoked in him:
but once you go back you’ll forever remain a child.
this is coming from a russian girl studying in scotland...
foreigner’s fees... cheap ***** -
my only chance of a steady income was with my father roofing!
why did you leave?
why were you rich and feared the bolsheviks by not turning into a philanthropist for a bit?!

he gets 5 women,
he's cool&fly;,
we try more than one,
or they'll pass us by,
he gets blow jobs,
***&mor;;
we do the same,
and we're a *****.
from all the girls,
he has his pick,
as if the girls,
were only tricks.
a player is good for them,
in from of their friends,
& is cool but when,
the girl then tries,
to hang with 2 guys,
shes nothing but,
a ***** ****.
a pretty young girl,
looses it now,
tells her mom,
gets kicked out her house.
a same aged young man,
same situation,
from his father,
get congratulations.

God always comes first
A man will never exist without Him
He made man in His own image
He creates us
Breathe in life in us
Guides us from infant to adult
Protect us and lead us
Forgives us
Watch over us everyday and night
Even as our body and soul goes to sleep
He bless us with many abundant things in life HE Bless with wife,kids, family and money to take care of them
He is not a man...He is the mighty supernatural being
He does not discriminate
If money could buy life many rich people will live forever
He does His things with equity and fairness
As a gives both poor and rich, tall or fat same life.                                                            ­        
Above all He gives to a man a Good wife

A good wife  is to a man God's blessings and a miracle
A good wife is made out of a man's rib
To become a helper
A companion
A good listener
Created to restore happiness to man
Man always need her....
To build a home...a happy home
To build a future...a bright future
She will give up many things just to be with HIM
She is always committed to her husband
Always by his side to encourage Him and support him
She is always by His side both in good and in bad times
She is the number one fan of her husband
Always ready to fly her husband's flag all over the world
Even when He isn't functioning to His best...she always knows the right time to suggest
A good wife brings the best out of Her husband. With love and understanding
And when he looses his way..she is always there to guide Him
There was a saying that ...................

A beautiful wife  pleases the eye,but a good wife pleases the heart, the first is a jewel while the second is a treasure

All a man could have to be happy and have a peaceful and happy Home is God and a good wife

Certainly our city with its byres of poverty down to
The river's edge, its cathedral, its engines, its dogs;
Here is the cosmopolitan cooking
And the light alloys and the glass.

Built by the conscience-stricken, the weapon-making,
By us. Wild rumours woo and terrify the crowd,
Woo us. Betrayers thunder at, blackmail
Us. But where now are They.

Who without reproaches showed us what our vanity
has chosen,
Who pursued understanding with patience like a ***,
had unlearnt
Our hatred and towards the really better
World had turned their face?

Who knows? The peaked and violent faces are exalted,
The feverish prejudiced lives do not care, and lost
Their voice in the flutter of bunting, the glittering
Brass of our great retreat,

And the malice of death. For the wicked card is dealt and
The sinister tall-hatted botanist stoops at the spring
With his insignificant phial and looses
The plague on the ignorant town.

Under their shadows the pitiful subalterns are sleeping;
The moon is usual; the necessary lovers touch;
The river is alone and the trampled flower;
And through years of absolute cold

The planets rush towards Lyra in a lion's charge. Can
Hate so securely bind? Are they dead here? Yes.
And the wish to wound has the power. And tomorrow
Comes. It's a world. It's a way.

WIMBLEDON COMMON

Wimbledon common
Was always the place to go,
Catching the train from Streatham
The family all aglow,
Sandwiches in a paper bag
Thermos in a sack,
Plastic sandels and tennis racket
Not forgetting the cricket bat.

Everyone was skippy
The sun high in the sky,
Dad had his umbrella
But the rain was shy,
Jumping from the platform
Down a row of steps,
Brother took a tumble
And that was that.

Plasters in a pocket
All was mended soon,
Finally recovered
Felt over the moon,
Reached the grassy stretches
Whoops mind the dogs,
Come away from the lovers
They're out for a jog.

Find a shiny tree trunk
Horizontal on the ground,
Four happy people
Tuck in to raspberry jam,
Now for the thermos
Plastic cups ahead,
Here come the wasps
To eat our jam and bread.

Later penguin biscuits
And a trip behind the bin,
Dad puts out the wickets
Let's see who wins,
After a quiet session
Brother looses his cool,
Slings the bat skyward
You should see it go,
Mother looked upwards
Covering her head,
Just managed to miss it
Landing on the hedge.

I went off walking
To gather pretty flowers,
Dad hid under the paper
We had a quiet hour,
Clouds gathering slowly
The sun going down,
What a lovely day in the country
We're now homeward bound.

In memory and gratitude to my lovely mum and dad
Grace and Eric Ayton- Robinson who always did their best.
Love Mary **

Bereft beyond contemplation,
          still do impoverished
memories still falter.

And every petal that
         lacerates within
inclines while scaring inward.


The blossom that you gave me,
        soils slowly. Soon I will have
just the decaying perfume to linger on.

she pinches me into the darkness
dried our playing ground
taking us to tangerine heaven
nostalgia, it will sound like

endless expressions of happiness
coming from semi-innocent minds
let the dust fill our skin
before the moon makes us all blind

these memories will never demise
stronger than the strongest wind and will always remind
of our afternoon sun
she's always good to us
our afternoon sun
we should go out and its a must

here we are, when black turns into white
and slowly looses those youthful hype
but will always understand and miss
our afternoon sun
even it's virtually gone
our afternoon sun
we haven't seen it in a month

our eyes may hurt from these watered chlorine
but we dont need euphoria from this morphine

By a day's difference, and a night's
indifference...angelic flight looses
evasion what was embrace.
The repose of memory blighted by
forgetfulness...seven constitutions
ago that personified the goodly
week of creation.
Incontinent, now...to All Things
small that were big.
Admonished whole by the changeable--
thou fairest...unwell.
Supping thy chinny chin chin--with
world-wearied, and wearying palms...
overgrow The Garden in hopes it may
obscure The Fall.

Philosophy 6/13/2020: A New Model of Time (The Original Document Was Expurgated Because it was Too Genius so I am trying to reinvent the argument) EXPECT FUTURE EDITS WHEN I AM NOT INEBRIATED
A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the pioneering basis of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context that consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously and both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny that by very definition could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor (I will edit this philosophy at an opportune time but the basic ingredients are provided)

a.

227.9 million years away
                   (mars)                   heliocentric model
i.e. away from coordinates (0,0), i.e. the sun

b.

149.6 million years away
                      (earth)                         "               "
etc.

c.

    standard metric system, alternatively
                        this is the geocentric model emerging
i.e.        one day on earth is equivalent
           of a day and forty minutes on Mars...
  we don't have access
                     to a heliocentric model for this
primarily because of the coordinate of the sun
being (0,0), in Kantian symbolism 0 = denial,
therefore the sun cannot encompass day,
or night, hours or minutes...
                             you cannot apply
the relativity of days comparatively being different
on Mars or on Earth using the heliocentric model...
              
      and to think, all it took was for nautical directions
being blessed by the movement of constellations,
        and that phrase of mine: where's Copernican east?

            we're all shouting at the ****** project,
it's either who write the best concentrated plagiarism
of the masses for the visual effects,
          the glued together parts of iron and oxygen
tanks... or who can write the words behind the images
well enough to capture the imagination
        and shift it elsewhere...
oh believe me, i am living in a 48 hour week,
    i'm not writing science fiction,
                       i'm on earth, but this isn't earth,
it doesn't require a measure of distance,
   but still the figures stand... so i might as well
toy with them and get some bogus answer...

d.

what does life constitute on a "planet" that consists
of 48 hours?
                     today i put on something warm,
the cold finally got to me,
                          i'm the butterfly while a hurricane
rages on elsewhere,
                              quantum humanism some call it,
because the physics never really inclined itself
to treat human emotions well enough -
                    just today,
as i peered into the day's sky -
                     the moon and the sun shared the same
blue horizon -
                           in the summer the moon has the
tides - and keeps them at bay, calm,
         but when autumn and winter come,
and the earth tilts - the moon looses the grip on
the tides in the northern hemisphere -
hurricanes in the west, tsunamis in the east,
              storms at Greenwich meantime -
the time of day? when the moon engages in
profane acts with day, appearing and stunning
insomniacs into coherency, as if asking:
            so if i am being given a very quick
and less romantic sunrise, and esp. a less
romantic sunset, by seeing the moon closely aligned
to the sun during the day:
                 am i seeing the nightly delights of
the southern hemisphere, and if so,
            is that to the east, or is that to the west?
i am guessing it's to the east... for i am seeing
the night in the southern Pacific continent -
              i am seeing their night
                          for the moon has transgressed
its boundaries, and left the northern waters
ready to rebel under the polytheistic guise
complimenting the spacious orbs -
                       when order and monotheism of
the north during spring and summer...
         then Poseidon's upheavals with the watery
rebellious graves during autumn and winter:
or how Hades persuaded his two brothers to
pay due and meet with the Titans in Tartarus:
to thus form a pact against the monotheistic concept:
for the soul of the ancient Greeks said:
                shame be unto you, brats,
for shunning the religion of your forefathers!

e.

indeed the 48 hour day, two days and two nights,
or more precisely: three nights and one day -
sooner or later they'll push the clocks back,
a man will go to sleep in the dark,
   and catch but a glimmer of a day - then too
thrown into the darkness: a 48 hour day on a planet
involves three periods of darkness, and one
period of daylight - and if they said Alaska was
torture... here is a man engulfed alone in it.

f.

strange to think that 78.3 million years between
Mars and Earth only add 40 minutes more to a day...
           as ever, the non-uniform suggestion of gravity,
take but one step on that soil,
                           the curse of the astronauts on the moon:
and then invite the poets of the cult of the moon,
the emblem of the moon that's Islam...
                              an then wait for the consequences
and the ***** dreams of those people and their children...
               even the Atom Bomb seems to have
been forgiven by comparison -
                                but never the moon: or the death
of childhood - lunar crown shattered -
                              death of storytelling for children
some might say: 1001 minutes of advertisement
before Cyrus starts weaving a web of entrenched
consumerism - not even the Belgian fields
and their world war 1 trenches could have provided
such a status quo to continue...
            to continue...

g.

so do i multiply that figure by something?
78.3 million years disparity -
                        times the time difference?
i.e. 78.3 multiplied by 40 and added to
the distance from earth?
            λoγος - no!
                                 what's the distance from
starting coordinate (0,0) to the earth? 149.6 million...
      and mars?
227.9 million...
                                      which means 78.3 multiplied
by taking away the negation symbol due
to the double-negation coordinate that the sun is
(timeless and without space-affirming
                  timing to our necessary comprehension
of the day to day) - meaning the distance
of the planet with 48 hour days (three nights and one
day) is 313.2 million years away from the sun...
               Jupiter stands at being 778.5 million years...
and that's a kept in ****... a gaseous giant...
                 so the distance is plausible...
but like i said before: first comes logic,
which splits into rationality and irrationality -
                      but irrationality still uses logic -
      we all know that irrationality is not reasonable -
          but it is ably-reasoned-with
           or can succumb to some variation
                     of the illogical -
                                              namely illogical rationality:
as in passing Platonic theories down the ages,
or succumbing to the Freudian psychoanalysis -
fashion is simpler, cruder -
                                               it cuts off the missing
points, it desecrates the shrines of famous names
and does the grand thing of keeping everyone
hooked in, rather than out of it nostalgic -
       no one is really winning either side of this point.

h.

and this is really what two beers can do to you
to relax after living on plant H-48 -
                     no yoga teacher can tell you that ***
gets better when you pay alms to this world -
         the yoga fakes are making enough dosh laughing:
*** is good, where there's a billion of them,
not a scattering of what i call the real reason
why we evolved to be so numerous:
     cancerous libidos, or overblown libidos,
   and a knack at ******* each other off - which just
says: keep 'em coming!
                                    and they expect people to really
be awe-stricken when you have such nice names
in biology: chlorophyll and enzyme and hydro and
aqua... and for all life to begin with a big bang?
    i thought you couldn't hear astronauts scream
in space?        or maybe that big bang was just
       a big boo - because aren't we **** scared?

i.

American politics has cracked with this presidential
election, the real dynamic is out...
           it reminds me of
the trinity of ******, the brown-shirts
(Sturmabteilung) thugs leader Ernst Röhm
and the man that replaced him:
               Heinrich Himmler of the
less thuggish and more professional murderers'
brigade the (Reichsführer Schutzstaffel) -
you see, i actually have a better attention span
when i live on H-48... did you notice
that neither of the presidential candidates mentioned
the literature in their debates?
one said: tax evasion, the other said: emails!
but these two sly foxes are toying with the whole
process... they're citing the literature...
   tim kaine and mike pence are the geniuses behind
the scenes... you have to give credit to them...
                it's the ingrained discussion -
the gospels -           it subconsciously will even convince
black voters (of a certain age) to vote for Trump,
regardless of his blunders... which are like ******'s
blunders even though Eva Braun has Jewish heritage
(as seen in one documentary on channel 4) -
                    and you know they're running the show
because they only have one debate...
         that's how important they are...
                       did you ever care to watch a
Ingram Bergman film twice? or three times?
i don't think so. once... and then the butterfly is gone,
gone gone. i'm not here for the entertainment -
American protestant-ism isn't European,
                          it's ultra-Catholic -
                    oddly enough, not in terms of all
the iconic symbolism - that's scaled down -
       but the message is profoundly Catholic -
the two men cited the literature - they're
not thugs, they're not blundering rhetoricians like
the two puppets in their hands...
                        they're the power brokers
or what in England we call the kingmakers -
   i'm not into conspiracies, just the obvious things -
****** had a funny moustache,
          Trump has a funny haircut -
J F K was handsome L B J wasn't and was furious
when Marilyn sang the birthday blues...
                   Gerald Ford is the founder of the Mafia...
Nixon wanted in... oops... didn't happen...
                    ever since Ford it's been playtime after
playtime and no one doing the arithmetic on lives -
               well you know, a washing machine
breaks down, you get a new one...
                  but something came up at the turn
of the 21st century, no one expected it -
this is where i only ascribe one conspiracy:
                                         you can't miss it,
it's blatantly there on the geographical map,
S.A. and that beautiful ornament flag with a pretty
sword and Arabic calligraphy...
                             i'm not wetting my appetite with
these words... it's just common sense -
                money is something that provides the
trans-valuation of all things: it's what the alchemists
were always hoping to find, but it was found
so long ago that it didn't matter how childish they
thought they could be: thanks for paracetamol
though...
                                     what's actually the most
mystifying aspect of this is how there's an ingrained
desirability of a status quo:
      you can have a coin with Rex's head on it,
and no matter what the base metal is,
it will still devalue something more precious
                     and increase value of something more
precious...               it happens in the art world
with the artist being recognised posthumously
                                for the object of his work,
but nothing beyond that...
                                              and since it is painfully
obvious... the question is...
                     do you challenge the status quo
                                          or do you consider yourself
a unit of qua                 -
                                   and that's an open question,
if a question at all...
                                        it's because i have left the
exciting part of this poem,
                                    gravity pulled me down to
planet H-24 (otherwise known as earth), and i see
all this ****** misery...
                                       and i think...
even though my life on planet H-48 can sometimes
feel like torture - i know that i'm in control of
certain perks on it...           and all because i decided
to travel there, with one missing clue as to
why it took me 2 years to escape Heidegger's Alcatraz -
            and why i decided to go back in...
      after reading the previously mentioned book
i realised i was given the key into something else,
           kaleidoscopic even -
worded physics, worded chemistry, worded biology,
  not the physics of equations, or chemistry
of electron-migration diagrams in organic reactions,
or biology and its oops after oops and
a boxing match with theology -
                                           i even considered
buying the Alcatraz in English... but that would
make no sense...
                         given the already bilingual dynamic
being established...
                                     as Dante chose Virgil
to wade through hell... you too must also choose
the one companion, and reject all others...
               and if Heidegger chose Aristotle
i must choose Heidegger - and would i say that
my grandfather was a bad man for being a
communist party member? do you think
a small town boy gets sold the highest form of
Versailles intrigue that culminates in
the Siberian gulag? they got you spinning that old
housewives' tale like a dodo doing dodo
                                           rather than being dodo.

(Commemoration of Earth-Day, 22nd-04-09)

Earth hath
Been Weeping!
Nature lacerated & pleading?
Extinct species beseeching;
Antarctica mercilessly melting,
Noxious gaseous emissions heating.
Have you ever wondered?
“Of the Greek mythology!”
women warriors of Scythia astray burned off the
Right ***** to try
to habituate the bow and arrow in sly,
arsenals of terror abound harsh shear ploy!
Hitherto, the atrocious force upon Nature ne'er stops.
Wherefore-now the lost leaf of the conifers?
Searching for the nearest route to the Savannah Plains,
Waiting pro the long anticipated cascades of the tropical rains. Babylon wrests & clinches intimately thy adored hanging gardens that black slaves tend no more hasten. Euphrates in the Persian Gulf wanders uncertain; Everest looks down in pitiful scorn…
As it wobbly looses its molecular activity in pain.
Humanity squirms in an enamored Trance
to heave a foundation Of conscious Purpose
That Earth day waits Upon us
To elucidate a divine Hypothesis.



~~/|\~~

Namaste'

~~\|/~~

This great white wolf made for traversing wilderness giving it the most identifiable sound for its
Wild uncompromising soul beautifying the night wind adding an extra chilling effect but giving
Unspeakable comfort too it tells of freedom and possibilities latent in us all but he is reduced to
Confinement in a small enclosure pitifully no larger than a small yard his is a life sentence with
All these noble creatures that is at hand what would be so awful to set him free after five
Years and replace him with a kit a lot of his five years would be in youthful play and when he
Did mature and the wear begins then repeat the action we ourselves have and experience this
Fate we have a great white pure spirit that longs to be masterful but our eyes and the things we
See deface and scar our opportunities that are innumerable but dark bars hold us in pens their
Shadows show on our fleece that is white as snow there is the outward physical blackness but
Of the greatest sadness it burrows into the sacred hidden places of the mind this is a tether
Most cruel but outwardly we convulse with misery but can’t clearly identify why misery and
Sadness hounds us without end we all desire love but we practice selfishness and try by greed
To use others to give us what we think will make us happy what darkness grips us what light
Would be found and we would emerge from deep pits if we understood giving helping others is
Where satisfaction out weighs gold and its benefits are perpetual well being to making the soul
Gleam as white as brightest day and this will not become cankerous and subtly start to shrink
Your heart to bitter ridicule of your own self you can go forth groaning or singing blackness
Befalling you at every turn or your heart will be leaping over fast moving streams that have
Depths of joy they rush over your feet and then swirl upwards from your feet all through your
System until your head is invigorated and swimming bestowing on you pleasure your heart will
Leap like a hart you truly will be the envy and guide to others that you unsuccessfully sought at
Other times in devious ways and you were so misguided you were plagued with a unreachable
Denseness you fight with such fervor but it cost the loss of everything but by simple obedience
And surrender to the much over looked and demeaned golden rule all it asks is love your
Neighbor as yourself what a healthy and wise statement love yourself without restraint now
Just go and double it by giving the same consideration to your fellow man and then vanquish  
The darkest and most powerful restraints by confessing I see deaths grip it has perfected traps
That are mine alone and it is not in our power that we can break free but His power is without
Equal why should I languish in this black dungeon when on white wings as an eagle is my true
Potential I was made to fly in bluest skies and to match the cool moist clouds I was made to
Make a show only to be sky bound not locked in myself and become hidden by my black
Outlook that obscures what love I am capable of

Bonus
Imperfections
The kindest evidence the savior passed was the marks he bestowed in the most gentile articulation in this
His wise choices matched imperfection to our needs. One of the most telling attributes of women can be
Her hands but what if they are slightly marred the grace only flows to a deeper level quickness is
Replaced by deliberate action slower more thoughtful and profound a touch placed with this kind of
Feeling goes to a measure instantly felt it is not just the ordinary but a thing of force that unravels
Trouble mysteriously it finds the hidden knots looses them allows love to flow wide and full. Perhaps a
Man no longer strides with a power that has an assurance maybe he is depended on a stick for support
Where power is diffused it only changes channels it makes the heart stronger the eyes feel it too
Humanity in others is recessed the blunder the self efficiency drains from boisterous streams into calm
Assessment a flow that harnesses possibility not vain bravado that can at times wound those who are
Weaker and that are struggling. If times try men’s souls then imperfection can be a clarion call the
Placement of virtue at the lead where sometimes pride is the driving force this writing came from seeing
A woman walking in a sunny scene and she had a blotchy spot on her arm others could observe this and
Be to one degree or another repulsed but to the man who loves her it is a special calling card it
Touches makes the forces revel in a display that sets her apart from all others an instrument of sound
That separates from the den isolates carries a marker that generates tenderness, esteem, and honor
Thou art the tune and sound of a masterful violin play nothing else in my presence nothing else will do
Your imperfections makes another whole don’t ever fret over your special make up it is the breath and
The visitation of the divine in the human form boldly brushed in the shadow perfected by sun light

whoever falls in love first
looses

and i am a sore loser

and you are a sore winner

stop gloating  
so i can stop crying

Stop! Stand there in that yellow line
That line, yes, painted in yellow
Extending relentlessly in horizontals
Dividing our world and will keep me away from you

Now I can see you, and so do you
You are just 10 steps away from me
But 1 more step and you'll break that line, which is yellow
No, not the yellow line, your shoes should not touch its edges
Oh my poor yellow line

Just an old habit, intoxicating myself in the wonders,
Now I wonder, wondering if once you stepped in that yellow line
You might see the oddities of my world revolving in solitudes
Plain gray celestial bodies and dull stars
It's simply really boring there you know..(while shoulders shrugging)

My way of stopping you is such an abomination! Diabolicaly unacceptable!
Causing this whole fiasco to be more catastrophic, you can rebuke me if you please
How could I? Forgiveness should not be given right?
Its too much to be deserved by the person behind those yellow lines which is not you

Now you are walking away
I'm just there gazing at your back then back to my precious yellow line
I just noticed now, why does the flute i'm playing produces no sound?
It looses its voice, must be broken for the first time


No, not in the melancholic blues again
I've been too much indulged there
Maybe I should paint my moon green?
A touch of blue in my sun,
Then a little red in my stars
Orange in the asteroids then
Rainbows in the planets
Of course, yellow in my whole universe

Now it's so bizzare and confusing but I love it
But nope not to call him back
Nor the other shoes to step on that yellow line
No shoes should touch my yellow line
Now, there i'm sleepy but before that I just realized,
Monsters inside you simply be awaken and unleashed through playing with poetries
And again, the line which is painted in yellow

Every hard thing that happens to a soft heart
leaves a callus
Every mean thing a heart hears leaves a ringing echo
Every stone that's thrown leaves shattered pieces
Every beating leaves a bruise
Every hailstorm it endures leaves dents
Every wreck leaves a place in need of a fix
Every tear leaves a place to sew a new stitch
Every lie it's told leaves it with a doubt
Every scream leaves it a little more deaf
Every bite leaves it starving
(for kindness)
Every tear drop makes it sink a little deeper
Every drought leaves an unquenchable thirst
Every time a heart is left starving it turns into a glutton
(for punishment)
Every heart that gets cut is left with a deeper scar than before
Every time a heart is pierced by a dagger
it puts on a little more armor
When a heart is left to bleed it
learns to apply pressure
A heart that gets shot learns to become a gangster
Every stab slices, stings, and burns
Every hit leaves a gaping hole too big to ever fill
Every time a tender heart trusts a lie
It becomes timid and learns to fly
(away)
Whenever a sweet heart gets tainted
it becomes bitter
(sour even)
When a hopeful heart's dreams don't come true
it becomes jaded
When a loving heart witnesses hate
It becomes scared with terror
When a heart gets broken it
learns to heal
But becomes misunderstood
When a heart gets cornered it rolls over
or lashes out in defense
When a heart has been used it
stops being so giving
When a heart becomes wounded
It decides to lay down or stay in the fight
When a heart is shackled and tortured
it cries out in pain
When a heart is abandoned
it becomes self sufficient as it stands in the rain
A lonely heart becomes depressed
and learns to self medicate
When a heart becomes an addict
it learns to deal
When a heart is ravaged it
looses its passion
And when love is  lost within a  heart
It becomes just another body part
(that can't be fixed)

© Ashley Rodden. All rights reserved

As we begin at the starting line we know who's going to win
There's the white rabbit
Obnoxious,Cocky,A *****
Fueled by red bulls an monsters
He can barley be contained
Fur coat at attention
Like there's electricity in the air
But we're drawn to things with a flair
In our eyes his white coat nothing could compare
It's special
Then there's the turtle
Passive,majestic,shy,common
The underdog
We only like them when there's a chance they might win
It takes each step gracefully
Carefully, trying not to impress
It's been counted out shunned for its slowness
As the race begins the rabbit dashes away
Down the trail reaching its peak on the straight away
Not looking back
His speed unforgiven
Giving it the illusion of hovering off the ground
Not a sound heard as it flies by
The turtle still at the starting line
It's progress unhealthily
It to makes no sound
It's footsteps stealthy
But it stills marches on
The rabbit far ahead
Looses his sights that this is a race
He knows the turtle pace
He begins to dash around trees
Running in circles
His momentum makes the ground begins to give
making a donut effect
So detracted he begins to chase leafs
Caught in the wind
So burned out he crashes
Falls into a trance like slumber
As the turtle still moseying along
Moving at a records pace two steps per minute
Begins to catch up
Soon enough it passes the rabbit
Flabbergasted hes asleep
Quietly it sneaks away down the trail
Pace still two steps per minuet
As the race progresses the turtle has the finish line in sight
Thinking this is its moment
To shock the world
But it ain't over yet
The sleeping rabbit awakes
Yawning an switches its nose
Starts running again
He sees the turtle in his sights
Confused how this happened
There's no way he's going to lose
But fate was not on his side
As he widens it stride
Trying to catch up the turtle just near the finish line
One step and it's all over
And just as the rabbit catches up
It's too late

How it feels
When each strands that held us together
Starts breaking.
One by one
With every twang, another strand looses
Its bonding with the rest of us

One by one
Each one breaks away
From the memories
The touch
And the belongingness
Like some one plucking
Petal by petal
Loves me, Loves me not
While the flower, in the process
Dies a slow death.

Wish you were here
Holding unto my arms
A promise of loved future
and a dying breath
How it feels to lie down slowly
In the loneliness
Of timeless
Fading depths.

Sands of times run out, grain by grain

From our clasped fingers and shaking hands.

It feels so lonely - The softness of dying breath.