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Brian Oarr Feb 2012
Mr. Ivories

entertains with elan,
daily during cocktails on the mezzanine level.
Jolene always orders a Black Russian,

mine is a Dewar's and water.
We drop a fiver in his basket on the Steinway,
along with a request for "Ebb Tide",

Jolene's personal favorite.
He conjures an image of Fred Astaire at keyboard,
his tails flipped elegantly over the piano bench,

like long black raven's plumes.
Jolene points out two announcers from CNN,
seated opposite. Makes us feel

important by mere association.
Our waitress asks, would we like another round
before the hour's end, as we speculate

about Mr. Ivories' musical propensity.
Time escapes in moonlit harmonic vapors,
leaves us already longing our next soiree.
Ronald J Chapman Dec 2014
The ivories' sleeping is like a lonely black piano.

Beautiful, small girl quietly fight a dusty, misty bench.
Hello, old friend.  Did you miss me?

Ah, life!

Running loudly like an old hammer.
Banging ******* the ivories.

God, action!

Piano keys are only black and white,
But sound like blue birds singing ,
On a bright morning's day.

Oh! No!

Where are the noisy keys?
Never love a broken string.

Exhaustion, noise, and love.
Never fight a hammer.

Lord, anger!
Piano, why are you angry with me?


Copyright © Ronald J Chapman All Rights Reserved.
Piano string breaks while playing
http://youtu.be/R_RmfEjPzdo
Who
Who
      threw the silver dollar up into the tree?

                                                    I didn’t said the little
lady who sews and grows every day paler-paler she sits sewing and grow-
ing and that’s the truth,
who threw

            the ripe melon into the tree?you
                                                got me said the smoke who
runs the elevator but I bet two bits come seven come eleven mm make
the world safe for democracy it never fails and that’s a fact;

who threw the

bunch of violets
                    into the tree?I dunno said the silver dog,    with ripe
eyes and wagged his tail that’s the god’s own

and the moon kissed the little lady on her paler-paler face and said
never mind,you’ll find
                           But the moon creeped into the pink hand of the
smoke that shook the ivories
                                and she said said She Win and you won’t be
sorry   And The Moon camelalong-along to the waggy silver dog
and the moon came
and the Moon said into his Ripe Eyes
                                          and the moon
                                                          Smiled

                                                          ,so
PJ Poesy Nov 2015
Goth Child nursed his mother's tattooed *****

Snapped **** with teeth

Then grizzled grin at me and spit up

I poked at my chile relleno

Twisting hot cheesy sludge off prongs

Tour jete with fork finishes in arabesque

Between my own fangs

I spit back scalding ****

Goth Child points, says, "Pawpee, that man is scarewee"

Pawpee turns his tattoo tears to see

Flashes his gleaming grill

I sink in my seat behind sightline of salsa squeeze bottle

Chattering ivories
Life in the neighborhood.
MANY ingenious lovely things are gone
That seemed sheer miracle to the multitude,
protected from the circle of the moon
That pitches common things about.  There stood
Amid the ornamental bronze and stone
An ancient image made of olive wood --
And gone are phidias' famous ivories
And all the golden grasshoppers and bees.
We too had many pretty toys when young:
A law indifferent to blame or praise,
To bribe or threat; habits that made old wrong
Melt down, as it were wax in the sun's rays;
Public opinion ripening for so long
We thought it would outlive all future days.
O what fine thought we had because we thought
That the worst rogues and rascals had died out.
All teeth were drawn, all ancient tricks unlearned,
And a great army but a showy thing;
What matter that no cannon had been turned
Into a ploughshare? Parliament and king
Thought that unless a little powder burned
The trumpeters might burst with trumpeting
And yet it lack all glory; and perchance
The guardsmen's drowsy chargers would not prance.
Now days are dragon-ridden, the nightmare
Rides upon sleep:  a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free;
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.
He who can read the signs nor sink unmanned
Into the half-deceit of some intoxicant
From shallow wits; who knows no work can stand,
Whether health, wealth or peace of mind were spent
On master-work of intellect or hand,
No honour leave its mighty monument,
Has but one comfort left:  all triumph would
But break upon his ghostly solitude.
But is there any comfort to be found?
Man is in love and loves what vanishes,
What more is there to say? That country round
None dared admit, if Such a thought were his,
Incendiary or bigot could be found
To burn that stump on the Acropolis,
Or break in bits the famous ivories
Or traffic in the grasshoppers or bees.
When Loie Fuller's Chinese dancers enwound
A shining web, a floating ribbon of cloth,
It seemed that a dragon of air
Had fallen among dancers, had whirled them round
Or hurried them off on its own furious path;
So the platonic Year
Whirls out new right and wrong,
Whirls in the old instead;
All men are dancers and their tread
Goes to the barbarous clangour of a gong.
III
Some moralist or mythological poet
Compares the solitary soul to a swan;
I am satisfied with that,
Satisfied if a troubled mirror show it,
Before that brief gleam of its life be gone,
An image of its state;
The wings half spread for flight,
The breast ****** out in pride
Whether to play, or to ride
Those winds that clamour of approaching night.
A man in his own secret meditation
Is lost amid the labyrinth that he has made
In art or politics;
Some platonist affirms that in the station
Where we should cast off body and trade
The ancient habit sticks,
And that if our works could
But vanish with our breath
That were a lucky death,
For triumph can but mar our solitude.
The swan has leaped into the desolate heaven:
That image can bring wildness, bring a rage
To end all things, to end
What my laborious life imagined, even
The half-imagined, the half-written page;
O but we dreamed to mend
Whatever mischief seemed
To afflict mankind, but now
That winds of winter blow
Learn that we were crack-pated when we dreamed.
We, who seven yeats ago
Talked of honour and of truth,
Shriek with pleasure if we show
The weasel's twist, the weasel's tooth.
Come let us mock at the great
That had such burdens on the mind
And toiled so hard and late
To leave some monument behind,
Nor thought of the levelling wind.
Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.
Come let us mock at the good
That fancied goodness might be gay,
And sick of solitude
Might proclaim a holiday:
Wind shrieked -- and where are they?
Mock mockers after that
That would not lift a hand maybe
To help good, wise or great
To bar that foul storm out, for we
Traffic in mockery.
Violence upon the roads:  violence of horses;
Some few have handsome riders, are garlanded
On delicate sensitive ear or tossing mane,
But wearied running round and round in their courses
All break and vanish, and evil gathers head:
Herodias' daughters have returned again,
A sudden blast of dusty wind and after
Thunder of feet, tumult of images,
Their purpose in the labyrinth of the wind;
And should some crazy hand dare touch a daughter
All turn with amorous cries, or angry cries,
According to the wind, for all are blind.
But now wind drops, dust settles; thereupon
There lurches past, his great eyes without thought
Under the shadow of stupid straw-pale locks,
That insolent fiend Robert Artisson
To whom the love-lorn Lady Kyteler brought
Bronzed peacock feathers, red combs of her *****.
Such passion flows from fingers
that scale the controlled embellishments
of Chopin.
The melodies swirl in your brain
as you try to imagine caressing
the ivories with every female voice
that Chopin encountered.
Expressing profoundly the experience
of Chopin's work cannot be described
on paper.
It must be felt.
Only then will you find passion in its raw form.
Meagan Moore Jan 2014
Draped in fresh-knitted pearls
we traipsed
into saccharine peach orchard

The summer heat loped about our dew-kissed ******
****** - appropriated from dawn spent on neatly shorn plantation grass

Ambling into the knotted palatial arbor
we sat each in our own tree crux
behinds nestled upon ashen bark

Juice dripping in our grip
down our cast nets of flesh
sprawled about the branches
inset with gravity-defying liquescent orbs
dusted in translucent mink
painted with smears of
citrine, coral, amber, and ichorous
clinging to brass stem

The rondures secede to mandible
taut between palms pull and polished ivories
- torn-

Fluent in dulcet discourse
We cloak ourselves in provocative juice tatting
Until such time that our congealing garments
were found mapping the bark's topography
A saccharine map to the breath of soil

Bloodstone ants found our map
and had begun traversing - portent
to seize our treasure

We surrendered our jewelled cages
and took flight
to the sun-drunken lake to bathe
and swim
until heavy lids kissed moistly
heavily supped on the draught
sleep - beckoned transience
Judy Ponceby Nov 2011
Aged patina of ivory keys.

Chipped at the corners.
Black and white worn.

Still, as always,
able to coax beautiful notes
From willing keys.

To lighten the mood
or heighten suspense.
Notes tumbling one after another.

Each key, a single note.
When enchanted
able to suspend reality
in concert with its kinsman.
Inspired by this photo....http://pinterest.com/pin/373531200/
Dream Fisher Mar 2020
She dances on ivories
To a small bar dreams came to die
Closing her eyes as each digit sweeps
Becoming sound as fast as her fingers fly.
Hoping her music will set her free
From a town she lingered too long.
She plays them the song she's felt
In every bone, letting the piano tell
The words she's too afraid to say.

She dances on ivories
Live on a stage with attention of many
Looking for familiar faces but doesn't see any.
Her music takes her places far and wide
Everything she wanted, still it doesn't feel right.
Adored by her fans in a personal spotlight,
Loved for her sound, shaking countless hands
Thousands fill the stands as she's grown
With each show, she feels more alone.

She dances on ivories
For her family listening to her play,
Telling her children if they try to be,
They can be anything if they practice everyday.
"But listen, no matter how much you grow
Don't ever forget this is your home."
beth fwoah dream Aug 2015
i am the moss that hides
in the crevice,
the forest dreaming of
wood-elves and
white clouds,
the ivories of
the stars.
NA Sep 2012
Round, strong.. beautiful pair of eyes.
One of their brilliant confrontation,
Their deepest stare leaves you in confusion,
at times thinking, wondering and oh the mixed feeling
But what matters above all, they're just there by your side..
always by your side.

All the sleepless and dreamless night,
what will I do?  How could i turn off the lights?
watch your cat to sleep and bring them to their space.
their purrs are your lullaby..
and very soon everything would be fine.

Play them a song, tickle the ivories.
They'll hop along and lay on the keys.
their presence will not stop you from playing
you'll improvise the notes,
my dearest cat, you're all what I'm saying:

With a simple touch of love,
Cuddle them every now and then,
every hour, minutes and seconds..
Stay with me and don't leave me
they're the sincerest companion among all.  

*Much love to my dearest cat : whitina & tutut
Clare Veronica May 2017
Her fingers caressed the ivories
So very lightly.
The tunes that played
Echoing sweetly.

Nuvole Bianche,
Ludovico Einaudi

The title, she said,
means white clouds.

To her,
this song
captures the feeling of utmost sincerity
that exist in the purest
of her heart.

To be able to stay soft,
even after passing through cruel hands of the world.

To be as kind as you can,
even if the world will not pay you back.

To go out of your way for others,
even if it will never be enough.

To be genuine until the very end,
even when the whole world is against you.

To be soft in this cruel world
might just be the strongest power
a human can possibly possess.
Logan Robertson Jun 2017
His Key Unlocked Her Door

As the piano man plays her song
The ivories of his eyes dance along
He plays on her keys
The sweetest melodies
Rising onto his pitch her heart twang

Logan Robertson

6/07/17
******* at tickling the ivories,
at inducing the jet buttons
to chortle, say, in a concerto ;
but I do strum and flirt
with those amazing royal,
88 unrepentant loyal
keys for Jupiter and Saturn,
for Mars and Neptune,
making a blank bland tune
for extraterrestrial beings for fun.

On the cosmic moors
the moon's whirling feet
cease for my discordance.
What a slurred entrance
by F in D major!

Only a novice--an amateur.
I'm no magnificent pianist,
O majestic Mercury.

Summon the stars the search
to lead for a supreme virtuoso,
one of  no incongruent ingenuity
like this dilettante--a pseudo
music polymath, counsels Thebe.

A Mozart, Beethoven, or Bach?

Any of the greats scored above, as well
as geniuses like David and Handel.

Impressario fly! Flee thou away
and go get a classic maven.
Otherwise sleep there forever at Erebus,
never dream of waking up in Eden.

Circuitous world stops: strings break off
at the Earth's axis--
the Sun's panels pause

and darkness' movement begins
its own obscure notes to improvise:

apace demented melody
is released,-- bathos of symphony:
tinny wine of concord
settles on the lees of discord.

Asteroids hooting some ***** calls
when into the grand chrysolite chamber--
in her tailor-made blistering gown--
strolls in the coruscating Venus
in the sturdy arm of jaundiced Uranus,
garbed in his glistening stomacher.

Like a ball, all eyes are bouncing
hither and thither, up and down,

googling and ogling,
once more at them leering,

gaping at the irreplaceable paintings of
da Vinci, Picasso, and Van Gogh
cavorting  upon the weightless walls

to the romantic performance of Strauss
in the palace orchestral of Bacchus.
Ronald J Chapman Dec 2014
Hope!

In the far off land of Dae-han-min-guk, on a brand new day.

An angel's fingers dance and prance on the ivories.,
So confident the way she plays.

Like magic! Sending the gift of music to me flying though time and space.,

The music flowed out of the piano like birds singing good morning new day,

Amazingly!

Thousands of piano notes,
Filled with elegance and charm travel to my ears.,

This angel sent to me a gift of hope today.,

I have never heard or seen such a wondrous thing,
I must be traveling through a beautiful dream...


© 2014 Ronald J Chapman All Rights Reserved.
I wrote this piece to honor the wonderful young Korean
composer and pianist Chanmee Yang.
Sudden came the fall in temperature
that evening on the hillside
just me and the giant rock
on the hillside looking east

We chatted about her wonders for hours
he told me he missed her as much as I do
I grabbed his hand and to told him not to cry
looking into his eyes I told him, all of us do die

I did beg him please dear friend
do not let me shed tears for you again
please don't fall this day
as our inconceivability did

So I told him in quiet and old songs
the time when trees were like baby shrubs
when they sung hymns from the outside blue
for Primrose Molly was our only true love

Always was she a woman of good joy
a glory for all to behold
her eyes sparkled sapphire blue
as sunshine turned her hair gold

She would dance each day in parks public
with the summer wind caressing her hair
and with fragile hands of opal and ivories grace
did dear Primrose Molly do her utmost fair

So me and the rock sit here
here on the hillside steep
and in good thoughts
her soul we will keep


By Christos Andreas Kourtis aka NeonSolaris
By NeonSolaris

© 2013 NeonSolaris (All rights reserved)
Casper J Nov 2013
The green combusts, the cherry sclerotized mask dances above
the invisible paper carapace.
Stuffed full with Rotten skunk innards and burning,
tongues of heat sweat away its crystalline hairs.
Aren is hunched and crooked, all teeth and lungs,
under the mixed halogens of suburban porchlight,
being bathed in bluescale waves from the
strobe of the neighbor's telescreen.
Ropes of smog pour from the slats between his picket fence ivories and get frayed.
I drink the filth, choking down the viscera of the vermin.
It doesn't seem to get easier.

Stumbling inside, my feet detach and I throw myself on the door
until I've locked out the sickly tide pool light of dawn,
and I'm rolling toward his bedroom.
Jolting and sputtering, and
grasping at the hands of the clock,
listening for the steady metronome to
count me through.
And then numbness.
I know the feeling, and next come the
pins, digging into my
fingertips and the pads of my
toes, and then I'm all body and silent prayers.
And I'm whispering sick thoughts to Aren -

"Those adrenaline demons
will do me in,
and if only I could relax,
and my dear mother
used to have a stalker,
and I almost got run down
by a car on the highway when I was five,
and asthmatics are five times as likely to have a
generalized anxiety disorder."


The adrenaline demons gather my tendons in pincushion palms,
tugging at the strings,
panicked arthritis and my fingers are
twitching and curling backwards
while I glare on with shallow breaths and cataracts.
The organs moan in the cavern of my body,
with thick wet air pouring from the opening.
I'm standing now,
a fetishized devil doll,
shaking out the pins
and the needles
and the sick splinters of glass
and the long holy skewers
and I'm breathing again
and I sit and
I breathe.
JJ Hutton Jan 2011
Come on over,
and we'll craft a new key to the kingdom,
all I want is to cut the seams,
pulverize the patterns,
rewrite the Hamlets and all the works of Hemingway,
what are you doing now?
nothing?
great.
Come on over,
I have a handle of SoCo,
I know it's your favorite,
we'll shoot the **** and
chitty-chat about how
it's so easy to drink.
Come on over,
and brilliant minds
will strum guitars,
**** ivories,
croon with weary pipes,
all in plain sight.
Come on over,
this world wasn't made for us,
so let's force it into submission
with controversy and batshit revelry.
Let's lay on the carpet,
and swoon to the love that courses
in our veins,
let's help me to the tile
when the evening's endeavors come back up,
let's write a new Odyssey,
let's sing a new American anthem,
let's light the apartment on fire,
let's talk about how badass my girlfriend is,
what are you doing right now?
nothing?
great.
Come on over,
and I'll be your slave.
Whip me with criticism and fright,
I'll give comfort and brighten
the corners,
mix you a drink,
play you a Monk tune,
dance like I invented it,
and make you nostalgic for the 70s
like I lived each millisecond of the decade.
What are you right now?
Nothing?
Let's scare the ******,
the politicians,
the folks keeping scores,
the drunkards down the road,
self immolation?
Great.

When you hit the bottom,
come to me,
your world-savvy
Midnight Man.
© Jan. 1, 2010 by J.J. Hutton
JJ Hutton Oct 2010
i made me some writer friends,
mistook the mistake,
tore the gate,
ate a ghost,
******* a ******,
slaughtered a village to gain your attention,
when you wouldn't look,
i painted myself black,
when you wouldn't look,
i told you i was a shepherd, you were sheep,
and you were going to get
eaten
by some gelatinous being
with very fine teeth.

all my writer friends,
they're all at my throat.
all my writer friends,
they sink claws, scream in my ears,
shove, shove,
tell me i need to love god above.

i made me some writer friends,
tricked the truth,
bent my back with compliments,
strung my neck with friendly kisses,
wrote all my writer friends a eulogy,
wrote a ****-all note to my mom and dad,
but i didn't buy the right stamp,
smoked a bowl,
baked a cake,
called the goat an *******,
poured a shot for a 15-year-old girl,
tickled the ivories until they stopped laughing at me,
discovered that all red-headed girls bite lips,
thanked danny elfman for scoring my bedroom scene,
continued working on an epic poem that rips ginsberg off.

all my writer friends,
tell me to stop distorting reality,
stop drinking,
stop dominoes of summer girls,
all my writer friends,
they are handing me bibles and pistols,
and i give them a nod,
a blanket,
a cup of coffee,
positive reinforcement,
and set myself on fire every night
to hear myself howl.
Copyright 2010 by J.J. Hutton
Micah Morse Nov 2013
Shakespeare, I'm writing you an emo poem.

Tyler cuts his wrists and plays piano 'cause he's so depressed.
You can tell it's not an exorcism though, since you can hear his lisp.

I don't play piano anymore (the ivories no longer tickle my fancy)
and I never really cut,
unless you count the symmetry,
or lack of it;
besides, I've always had a father.

Do you believe in demons, bard?
I'm not familiar enough with your works to know;
English didn't interest me much beyond the grammar.
Maybe that's a possession in itself, or an obsession at least,
since I don't think I could do the Devil justice--
and I'm none to bring light from darkness.

Do golden glittered gowns prove earnings or entitlement?
A different wealth perhaps, the philosopher kings of old (Do you know of those? I can't imagine otherwise, such a trove of inspiration).
I would not hold it against you if you didn't;
your productions sold for pennies,
and in the very least you were a man (or so the rumor goes).

All facades aside, I would inquire about purpose.
Were you satisfied with life? Were you not?
Did you desire a longer lease?
Would you say I should?
My outward walls are painted very gaily,
gayer than yours in all likelihood, or my boyfriend would say as much.
(I can't speak for the fashion of the times.)
Yet when I suffer loss, it seems absolute, one end and the other.
Do you approve of modern day's catharsis?

I expect a proper follow-up.
preservationman Feb 2017
The name Eubie Blake
Entertainment that fits the slate
The mood of swing was the evening date
Eubie Blake being the Jazz Pianist turning musical notes into a hit
It didn’t matter the Rhythm, as every dance step would fit
It was swing that made you move
Dancing with feeling that essence to soothe
The ivories that were played to perfection
But it was Mr. Blake’s pure talent that added the appreciation
Entertain he felt
Eubie Blake turned up the heat and wherever he played all the dance floors would melt
He performed at more than a piano
His music could be heard high above on patio
Mr. Blake was a superstar of his own called “EUBIE” on Broadway and appeared in Movies
Currently, SHUTTLE ALONG is playing on Broadway
Eubie Blake wrote it
He is also my Great Uncle
With every single beat, you were bound to move your feet
This was My Uncle’s musical treat
A dance twist having a musical wish
However, Eubie Blake, my Great Uncle wants everyone to continue to dance and that’s his insist
I still hear the ivories playing
It’s Jazz and more Jazz in the spotlight of relay.
silentpoetgrl Jan 2014
darkened shadows grow
fingers dance across the keys
ivories sing quieted melodies
haunted lyrics fall from soft lips
notes tear at memories
strangling the weaken mind
chilling, despair shivers
frozen down to the marrow
brittle bones break
struggling to turn away
backwards tiptoe
fallen prey
awakened mechanical gears turn
tirelessly rewinding time
prisoner to cruel nightmares
viscous claws reach
pulling another string
twisting again the marionette
poised, taking center stage
a broken lullaby echoes
quietly from within her cage
Nat Lipstadt Sep 2013
Six Straight

The old cowboys of  TV fame,
Were straight shooters,
Who carried six shooters,
Sometimes two.

When I grow up,
I want be a  six straight cowboy too,
Six straight hours of sleep,
Or dem bad poems all dressed in black,
they're a gonna shoot me, holy dead.
~~~~~~~~~~~~~~~~~~~~~~~

The youniverse is getting smaller

The you-in-verse is getting smaller,
My poems, shorter,
Hemingwayesque, see!
Why use two words,
Whenonewilldo.

Warmer, too,
Somehow tho global heat
Ain't reached my woman's
Hands or feet.

When you touch my GPS,
It stands ready, at attention,
Always opens up with a prayer,
Directions to Home,
Like I said,
The you-in-verse is getting smaller.
~~~~~~~~~~~~~~~~~~~~~~~~~

Lend Me a Tune**

Wish I knew how to
Compose some love lyrics,
But can't carry a tune,
It seems that the music
Must always comes first.

So with conceit and disbelief,
Wrote words and shot 'em into space,
Hoping they'd pass thru galaxies,
Maybe a comet tail,
Find a Songster who will strum them
Into perfect, into complete.

I ain't unhappy that all I got
Was the lesser gift of
Humming words to myself,
Ain't dissatisfied, but wish they
Could be ratified, by the music
Of a voice reading them to me
Or fingers tapping, happening them
Upon the ivories upon my chest,
The chest that needs exploration.

So let's make some music
Finish these lyrics jointly,
When all finito, pointedly
Take our co-sing-song,
Dance to it with our bodies
Sing words the whole night long,
And please baby,
Don't tell me to shut up so you can sleep....
Midnight poems analyzed.  1).  Should carry some kind of disclaimer like at the end of a commercial, when they give you 60 seconds of warnings to your health spoken  in 20 seconds 2) inevitably end up with a carnal conclusion 3) probably should leave in the auto corrections that are so funny that you make that sniggering, piglike snorting-laughing noise that annoyingly weakens(?) your "next door" neighbors!j
Paul Hardwick Mar 2014
"Tickling The Ivories"
I would like to tickle those
but my teeth feel out
so why tickle those ivories
when a glass does it by my bed.

;-0        >        :-)                 P@ul
Just for you   p@ul
Max Neumann Jul 2020
ivories that are made of letters
grey skin, blackred hair, word babies
gigantic mirror, blackly glowing
psychedelic nature like 1968

apartment in the projects
hallways full of dust and spiders
uncle is smoking the daylight away
his walls covered with bulletholes

red and tired eyes, no smiling
uncle's wife killed in a car crash
dead goons are torturing him now
the memory of her dead body, stuck

past encounters like smoke in the air
red frost covers uncle's body, glaciers
a button to turn back time, fantasies
melting hours for god's sacrifices
Today is a sad day.
J Jan 2011
sleepless under that blanket of monsters,
trembling in the heat.
the medications you're taking are helping her sleep,
when the night comes and your heart-shaped hit
flows through space time
to pursed lips behind which jagged ivories grind.
01101100011011110111011001100101
flowing freely across
a woven circuit board of smiles and wires.
words surfing along radio waves,
slow and gentle, strong and deep
a lullaby to which finally sleep
can take a hold across stiff shoulders.
relaxing the pace at which she runs through the slew of
gunfire and ****** and fear;
intravenously
pumping clouds
   across
        her closed eyes
fields of vision turning from broken glass to meadows,
thoughts from lost kittens to the same warm blankets
under which she curls.
hum a lullaby, so she'll sing a lullaby, the buzz of noise
in her mind so clear yet so far away;
dancing on clouds to keep you smiling.
dancing with this glow
illuminating everything she touches,
let light lead this lovely lullaby tonight.
sweet sugar rains send sticky waves
from the clouds,
now everything is sweet
and the songs on the radio waves
send waves of peace flowing through aching bones.
slow and gentle, strong and deep.
a lullaby to which finally sleep
can take a hold across stiff shoulders
written 10/23/2010
Nat Lipstadt Sep 2013
Lend me a tune

(For Robert C Howard,
One of the lucky ones)



"But I'll know my song well before I start singing".   Bob Dylan


Some of us poets,
some of us musicians, and a few,
A very blessed few
Songwriters and lyricists,
Poets in sound and words,
Both.

Wish I knew how to
Compose some love song music notes,
But can't carry a tune,
Seems to me,
Comes first the music,
Must music comes first

So with conceit and disbelief,
Wrote words and shot 'em into space,
Hoping they'd pass thru galaxies,
Maybe a comet tail,
Find a Songster who will strum them
Into perfect, into complete

I ain't unhappy that all I got
Was the lesser gift of
Humming words to myself,
Ain't dissatisfied, but wish they
Could be ratified, by the music
Of a voice singing them to me
Or fingers tapping, happening them
Played upon  the ivories upon my chest,
Where the lyrics are aborning,
The chest that needs
Music to be whole, and word-completing

Wish I knew how to
Compose some love notes
But can't carry a tune,
Seems to me
Music,
Must come first

So let's make some music
**** right, together,
Finish these lyrics jointly,
When all finito, pointedly
Needed your music, my darling,
Music to make them soar,
Take our co-sing-song,
Dance to it with our bodies
Sing words the whole night long
Another old one recalled to active duty status to tribute Robert C,
The man who does not . in his name,
For he  c's both music and words simultaneously,  with nothing in between
Vic Miller Jun 2019
The girl could dance on the keys
While shedding her garments with ease.
   She'd then toss a few jokes
   To the admiring blokes.
They called her the Comic Strip tease!
J Jan 2011
there's that safe place between cold sheets,
the shivers welcome the dreams that harbor this unknown peace..
so close your eyes just this time and we'll let the substance sing us to sleep
pulsing through twisting veins as we're counting killer sheep
savage teeth rip animal instincts across your outstretched arms
and there lies a broken promise, you're no longer safe, raise the alarm;
these claws are killer digits, these fangs are sniping rays, so softly sneaking through curtains of hair;
their lights pierce through shades of skin, turning you
black and blue as you begin to pale
and now i'm singing siren songs, melodies to lure them in
one by one, my massacre begins
and all these morbid metaphors mean just one thing
i speak of that healing that time is supposed to deliver
and as my limbs curl under these sheets, gathering folds of fabric
while my mind's velocity reels under a veil of false awakenings
i'm just waiting for those shivers
for those ******* shivers that rack my spine, turning my lounge into fetal position
leaving my jaws open in silent indignation, letting quiet sounds drain my emotion
i jolt awake, leaving cries on the stagnant air of this summer night
and clack together these sharp rays of light
grinding these ivories down to soft keys again.
the stars hide from me in their shroud of fossil fuels, saturated, decomposed on the heavy air.
when i open my eyes, you are still elsewhere.
and i close them again, just to be sure you're not a ghost, but here they come again, those god ****** shivers.
written 05/26/2009
R W Oct 2013
And so I'll run away from the deaths
The heartbreaks and the wars
And lock myself away

There's ivories and ebonies
Rosewood and steel strings
Horse hair and pearls

I'll stare at white pages for hours
Deciphering their strange locked codes

The way I truly feel
I've let my soul take flight
And it's never coming back

My life is filled with song
Music runs my life
My heart
And it's never setting me free
Alyssa Jun 2015
bask in the
11 PM
humid June air
with me,
our skin
soaking up the ivories
of Luna's glow
and the stars
sinking into your pores,
leaving my hands
scorched
from their touch.
silver clouds
rising in the sky
holding back their tears,
husky grumbles of thunder
in the distance;
these storms
are nothing,
compared to the things
you start in me.




Copyright ©  2015 Alyssa Packard
All Rights Reserved
this is all happening so fast
zebra Jan 2017
for some
their sexuality
is intimately tied
to curves and licks of pain
and their own
abject destruction
trussed, ornate
for a brutality
that accentuates
****** lucidity
in the dark caverns
of a perforceive mind
and o so willing body
which
like bruised piano keys
in a triumphant concerto
of ecstasy
aspires
to be played hard
like Rachmaninoff's
beaten ivories
finding immense pleasure
in constant crises
stretched
between the entwined
demand of desire
and the need
for a
a depraved ritual
of exquisite subservience
imposed
by an idyllic master

sweeten the world
my darling
honey machine
industrious slave
bend my beloved
like the weighted ridge pole
are you ready to break
oh princess
of cruel inflictions
that intoxicate
with onerous dark thrills
the sway of your writhe
where pleasure is piqued
by perfect suffering

blood glitter paradise

she beckons
from hells shadowed doorway
enter my love

enter
Paula Swanson Jun 2010
She played the keys with an angels caress,
drawing upon emotions from love to duress.
He would come place a single rose of blue hues,
upon the ivories to express his love true.
Gently she would place the gift in her raven hair.
While from his chair he would listen and stare.
Never a time did he miss presenting his blue rose.
He enjoyed a love deeper than most men know.
The years quickly passed, as they have wont to do.
Their love for each other, like his blue roses grew.
One night from, her silver hair, the blue rose fell gently to lay
upon the ivory keys, as she did beautifully play.
There it dried and wilted before her eyes.
With tears, she looked over at him and knew he had died.
zebra Apr 2019
darkness falls from night
i am still here waiting
after you are gone
azure veined seraphim

i think of you through this long season of my life
like swallowed ivories

you always said you did death best
and haven't made a gasp since
laid out in the field face down
my grey goddess of the wan sinless moon
smiling vacant
mud mandible
while a tempest beats the grass

are you here
shrouded wave
is the wind your voice?

a perfumed music plays

are you a smatter of molecules
a floating eye
sensate
a voluptuous ghost shaken din
in a sea of burning nights
between
sleep and wake
between
the living dead
and the dead living?

i could swear you hover
arches over arches
a continent of form
like heaving clouds
red legs and wafer thin shoulders
dancing ballet in a prismatic wilderness

flaming tongued angelic heads
burn lanterns of lust and gloom
Aria of Midnight Nov 2014
My heart bled ink
on the ivories
of the piano;
enveloping all white
in supreme darkness.

He painted every key
with careful, calculated words
that spat venom
to cover
to conceal
and to showcase
the superior identity
of the black keys.

Suffocating black drowned
strangled cries
as the white blended beneath
the black;
forced to play the same
sharp
note
while ignoring their own.

But music is harmony.
Without white, there is no melody.
As a monotonous sound resonated,
the black scrambled to recover
these voices --different,
soothing, rich in beauty--
have already broken.

And so the black keys play
--imbalanced, remorseful,
and forever imperfect.
This was inspired by events of the Holocaust and the basic outline of events, but it took a different turn; of the oppressed, those who oppress and silent bystanders, I suppose, were explored.
The "he" in this situation is Adolf ******, his "words" referring to propaganda used to make segregation of Jewry socially acceptable.
Rachel Rae Jun 2021
Sweet breath of me
Lily on the water that trembles
In the slightest breeze
The bells that herald the new morning sun
Yawn of a sapling oak,
That stretches its arms across the dawn
The laughter of yours that drives the winds
My name that balances between your lips

With pattering lashes, you drift asleep
As I coax the tune from the ivories
Oh beauty still, even should my fingers bleed
Even should I melt into the keys, the strings
I shall die before I end this piece
To keep alive, one more day
My darling melody
JR Rhine Jul 2016
Jam
Can we jam, brothers and sisters?

Dare we meet at the impalpable chat room
that exists beyond our third heaven?
Dare we to speak in tongues and timbres,
our skin taut across hollow shells,
our veins strung across cadaverous bodies?

I'll grab my drumsticks if you grab the guitars,
and there's somebody on the bongos
slappin' the skins with zealous fervor--
where my tambourine girls at?

Don't worry, I haven't forgotten our forlorn hero
sitting behind the keyboards--
Tickle me those ivories with pious hands and aching fingers,
shake em down sweet Jerry Lee!

And so we begin--
I lay down the drum beat that bops heads and scatters feet,
and the bassman always on top of things
slaps and slides and skips and sizzles
hot diggity dog!

I hear that sweet guitar scream and moan,
praying for death under hazy lights
and we all coast with eyes rolled back into our skulls
and torpid lips drooped open over slack jaws.

Not a word is said from a human voice,
we speak through hands and feet,
basking in colors eking from every kick drum stomp
and the desperate wail bleeding from amplifiers.

Feedback sings and screams, fighting the silence we taunt
and hold at bay.

Around every corner the colors trail
coursing through our vesselious bodies
propelled along the dizzying venture.
We somehow spot every pothole and take detours,
embarking down backroads and backalleys--

We can turn the wheel,
but don't think for a moment we know where it's going.

And the mirror's have all vanished,
we know not from where we came.

Someone shouts from the discovery
as we exit a phrase to enter serendipity,
toying with destiny, clay in our hands,
stretching out the ****** perennially--
We laugh as the gods try to remind us we are Man.

And the screams and the moans
sensing the ****** is getting close
so there's a crescendo I ramp up the tempo
ahhhhhhhHHHhhhHhHhHhHHHHHhhhETERNITY IS NOW AND WE HOLD THE KEY TO HEAVENS GATES AND TIME STANDS STILL AT HIGH NOON IN THE TOWN'S SQUARE WHERE TRIGGER FINGERS TREMOR AND WE SPEAK TO GOD ON HIS PRIVATE CHANNEL COMING THROUGH WORN SPEAKERS CELESTIAL CREATURES IT WOULD BE SACRILEGE IF WE WEREN'T SUDDENLY SO HOLY HOLY HOLY HOLY HOLY HOLY HOLY HOLY HOLY

So I say again, brothers and sisters,
can we jam?

SO I SAY AGAIN, BROTHERS AND SISTERS,
CAN WE JAM?

SO I SAY AGAIN, BROTHERS AND SISTERS,
CAN WE JAM?

So I say again,
brothers and sisters,

can we jam?

— The End —