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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Cunning Linguist Nov 2013
Hella business
Got hella *******
Poppin double bottles
With a couple of mistresses
Stellar mistreatment
Here's the key
Lock em in the cellar
Forever their memory lies
But a troubling mystery

Hysteria erupting
Like waves gushing
From the tip of my *****
My genius is better
I'm the King here's my scepter
Now watch the teeth
You worthless Queen
Or I'll stifle them screams

I **** ******* on trampolines
Motion sickness?
Overdose on Dramamine

Slave to the magnitude
Of my impressive **** munching
Exploring deplorable nether-regions galore;
Can't touch me you got nothing
Broke *******
Grind your brain like morning coffee beans

Shame is a word just outside the boundaries
of my fabulous vocabulary

Oh, am I contrite?
How trifling
Check my charm I'm enlightening
Enigmatic and igniting sporadically like lightning
Magically radical voyaging down
                                                           down
                                                  down the rabbit's hole
Inciting excited riots to light fires spark fuses and chew on live wires
You do not frighten me.
Delivering excruciating asphyxiation to every pwn'd n00b
Is my modus operandi
And this is my magnum opus

I have Tourette's

Conceive these merriments of abhorrent mental abortions
Precisely concise and incisive concocting incoherent comatose monstrosities to flatten your lifelines
Conduct these ensembles of debauchery and narcotics -
I'm fascinating;
Crippling your mind like a lobotomy and tripping the light fantastic through bombarding planes of consciousness
I'm on acid thraxXx'd the **** OUT and faded
Levitating fading and oscillating in time while inflating my ego

But lets be realistic
the caliber of my linguistics is intrinsically aesthetic
but none too altruistic
Untrue!
Be reasonable lest I demand be-headings on grounds of treason
Its not hard for me -
It's profound, the sound of suffering;
I'll swallow your soul
'Tis the season!

Inference for instance -
****-hand upturned to oceans of incessant peasants
Pestering to ****** and fluster your festering ****-hole
Exact my revenge; begin phase mayhem
initiating total brain annihilation
interring bodies posthaste with skilled persistence
And sporting in poor taste
RESISTANCE IS FUTILE

You who peers through eye of the pyramid-
Would you be so kind as to interpret my footprint at face-value?
Do you take me for a fool yet seek prophets reaping profits?
Listen to them sleep, baaah-ing away like flocks of little sheep
My hearts not on my sleeve but I have a trick or two up there;

Now bow before my marvelous flow
As I behold my throne whilst throwing bows and exposing hoes.
RAJ NANDY Apr 2015
Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,

are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(
’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(
’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(
Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(
Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(
Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an
Xoaquín Oznian Feb 2019
[Intoxicated by Freemasons is playing in the background]

(A smokin' hot intoxicated woman walks up to me initiating a conversation in the club.)

Kadija: Hey I couldn't help but notice your gorgeous self from across the room!
Me: I can definitely say the same about you. Matter of fact I'm saying it right now because I'm a free spirit lol.
(We both laughed)
Kadija: You're so **** hot!
(She grabs my face and starts making out with me very passionately.)
(The kiss lingers for about a minute and a half.)
(She then breaks the kiss. Both of us gasp for breath.)
Me: You're pretty ******* hot too!
Kadija: Can you sign my *****?"
Me: Sure I love signing chicks *****! It's one of the best **** party favors in America!
Kadija: I know right!
(She pulls her top down flashing her beautiful tan ***** and tan *******.)
(She briefly rubs/twists her *******.)
(I sign her ***** and put a smiley emoji along with a smiley with shades finishing her off with a deep kiss on each of her ***** giving a little bit of tongue swirling action across her *******.)
Kadija: Whoo! Hell yeah!
(She shakes her ***** from side to side and briefly jumps and down. I was mesmerized by the way they were moving up and down then puts them back into her top.)
Kadija: Thanks for the kiss babe!
Me: No prob. You have beautiful *******. I like them.
Kadija: They like you too lol.
(Grinning from ear to ear I smile.)
Kadija: Come on baby give them a squeeze lol.
(I grab her ******* and squeeze them.)
(She grips my **** through my pants and starts rubbing it.)
Kadija: Mmm thanks babe. These ***** have been needing a little TLC anyway. They've been bored to death and needed a little fun and excitement.
(We both laughed again.)
Kadija: But if you really wanna see them in action there is a bathroom right behind us.
Me: I'm down
Kadija: Come on baby let's go.
CK Baker Nov 2017
The feds are making headway
(generously passing out their treats!)
while the whistle blower
and his boon companion
hit the 22nd floor

fiscal plans
are tidily falling into place
and the suits are all busy
chasing their dimes
dancing around the spire
full of wine and cheer
(seems the demand side imbalance
has got everyone doing the same old shimmy!)

they’re all studying their bollinger bands
MACD's, and treasuries
just like the good old days
santali would say
while capitol hill is busy
with its own pleasantries;
repatriate that currency
hold those rates
bring the boys back home!

the affirmations are robust
and filled with glee!

conspiracy thinkers
are busy in their own back rooms
initiating the trade
and building their counter claims
as pork bellies
and soybeans
continue to soar
(looks like eddy and the margin men
are at it again!)

what happened to that bear masquerade anyways?
they really were a band of brothers
colourful clowns
with big painted smiles
ready to lead in any parade
but they met with the resistance
a horned wall
satan’s horsemen riding high
with bags hung heavy
under dark squinting eyes

are we near an end?
the undertakers will say
it's only a blink of an eye
to the thin red line
where risk takers and front men
all jump ship
debt addiction is crippling
and hell breaks loose
when entitlements are out
and towels are thrown in

there’s a center piece here
those pugnacious statesmen
with invigorating tales
have had their place
time to clip them at the limbs
and pull the punch from the bowl
(sobriety has its merits you know!)
let’s head to the commission
and throw darts to the board ~
seems the moral blueprints are fading
Rewind this memoir back to my first foster home.   I’m reclining on the couch in the living room watching Superman, a whatever's-on-tv-saturday-afternoon-movie.   "Give A Little Bit" played from the soundtrack.  The Supertramp song reached out from the screen and into my own complicated teen-aged life.  Oh the words of that song blindsided me, hit me hard in the chest with a sad yearning, an emotion I had ignored forever like that elephant in the room too big to push out the door.  Because life was so hard, too hard, and lonely on and on, and the world gives only just enough that you keep breathing, but you wonder why.  Yes, please  someone  give just a little....
But at the time I hadn't known anything else and I just stuffed that overwhelming sad lonely feeling.  Too much need wears out a welcome in someone else's home.  It seemed most everyone else had family, security, some money for perhaps things like a pair of cleats to run in school track if you have the desire. Its called belonging or opportunity and I was acutely aware I wouldn't have it.

Fast forward 25 years; business for my glass art studio is rewarding.  I live in Cleveland, or what I called Purgatory.  I like the city though; I think the motto should be "Its Not That Bad."  A tough steel town, unpretentious to a fault, tenacious, it inspired the Clean Water Act because the river was so polluted it   caught   on   fire.  People who live there just don't quit, except that the biggest export is young people. The streets are eerily empty, the quiet steel mills are epic sculptures of rust.  But its not that bad.  Now they make a tasty beer called Burning River.  Sometimes they gamble on unconventional ideas because they've reached the end of status-quo.  One can even surf there, when the wind blows a Nor'easter in the fall, just before the lake freezes. The wave break is nicknamed "Sewer Pipe"; one can imagine why.

I biked with a club there; cycling part of my life-blood.  Life was pretty good, blessed with measures of contentment and happiness and family, even through so many challenges.  Except I'm stuck pedaling a trainer in the basement most of the long winter.  It was during an endless, gray February that I was inspired by an idea: a Velodrome.  Its one of those banked tracks people in America only see during the Olympics.  Cover it, and people could have a bicycle park all year-round with palm trees in the winter, in Cleveland.  Its a blast of a sport with serious American heritage.  A velodrome is a place where all a kid has to do is show up and with enough heart he or she can make it to the Olympics.  They wouldn't need money, just 100% heart.  It would be the kind of opportunity I didn't have when I was a kid.

So I decided to take on the responsibility to build one... not to be afraid of the price tag, or how to do it, or let a label like "disabled veteran with a head injury" daunt me.  I figured my role was to get the project started and motivate others to do other parts.  I decided not to discuss my shortcomings, introduce myself with that label, or use it as a disclaimer.   As many times as I wished I had a chalkboard sign around my neck saying, Please excuse the mess, I had to tell myself it was not an excuse.
There would need to be many others; but the fact that I knew only a dozen people on the planet didn't stop me either.  Two people inspired me.  Kyle MacDonald had a dream to barter a paper clip for something better, trading that for something else, anything else, until he had a house.  I thought I could start with an old laptop, a couple thousand dollars, and my idea. I'd work to leverage each bit of progress, not knowing what they were yet.  Thats how anything gets done, right?  Erik Weihenmayer is a blind alpine mountain climber, conquering even Everest.  He didn’t let anyone convince him what he couldn’t do, and didn’t let impairments keep him from his goal.  He didn't let blindness, the fact that he couldn't see the top as well as others, make the goal any less enjoyable for himself.  Also, there’s no way he could have done it without help.

There are no business plans for a Velodrome or someone else would have built more of them already.  I'm good at figuring things out, what with having to relearn things all the time.  I don't quit because that has never seemed to be an option.  Resourcefulness is my middle name, having to put my life back together every year or so.  Certainly the project was eccentric but as an artist I've never really cared about what others thought.  I certainly didn't have a reputation for sanity to maintain.  Professionally, I’ve had experience with so many factors of development: from paperwork at the back end as a Project Assistant, to designing it as a Mechanical Drafter, to constructing it as a Steel Detailer.  I understood this project.

Every time I discovered something needed to be done, I'd figure out how to do it.  I took an online tutorial and put together a website, attended communication seminars for better speaking skills, learned how to recruit a Board of Directors, took classes for fundraising, won a few grants, and started a non-profit.  I had to buy a couple of suits for meetings.  I kept hoping someone who knew what they were doing would take over, but that never seemed to materialize.  What I thought would be a few months turned into several hard years of work, learning new things on the fly like politics, business etiquette, computer programs, how to understand and write financials and business plans for stadiums.

It felt like cramming for finals, taking exams for classes I never attended.  I didn’t just burn my candle on both ends, I was torching it in the middle too.  Every challenge I had ever gone through seemed like it was a preparation for this one.  Many times I wondered if it was all for nothing; so many dead ends and frustrations and years where the project was barely on life-support.  Mistakes and wrong turns making people mad, losing faith in me.  Would it ever really happen?  I kept imagining what my bike wheels would look like under my handlebars as if I was ridiing on the track, listening to the same particular songs on my ipod for motivation.

A small tangent here, a digression back to the fifth grade and my favorite teacher.  He was about as tall as his students.  Mr.A (our nickname for Mr. Anderson) was a barrel-chested little person but I didn't notice it till years later because he was so cool.  He was the first teacher, the first person actually, who encouraged me to be myself.  I was a little kid, a couple years advanced and bright enough to be skipped again.  Tthat would have been ridiculous since I was already too small.  I would get my work done early in class, and he would let me spend time doing whatever, encouraging my creativity.  I distinctly remember making little scale models of parks out of construction paper.  I would start by making a rectangular tray, and then fill it in with ponds, benches, and oval or figure-8 tracks for bicycles, elevated roller-coaster paths for walking.  It was my way of creating a whimsical place that felt good in my difficult life.  No lie, I was building bicycle tracks when I was 9.  That memory faded away until I was several years into the actual Velodrome project, trying create a light-hearted park on the edge of a ghetto.  This was my life's ultimate Art Project; made with wood, steel, and tenacity.  It made me wonder about a life's purpose... still just a what if... but cruel if there wasn't anything to it.

There is a necessary role for the dreamer.  Visionaries help to break status quo, introduce new solutions.  Sorting through the banal with unique perspective, the random is reassembled into intriguing newness.  What is creative nature?  Is it obsession to improve things, the need for approval, resourcefulness within limits, or perspective outside boundaries?   Is it tenacity to the point of obsession, focus to the point of selfishness?  

Thankfully, a few devoted people did take over after a few years and worked hard to raise the serious money.  In 2012, Phase 1 of the Cleveland Velodrome opened to the public.  Presently they are raising funds for Phase 2 to cover it.   By chance I was there the day the track was finished and got a chance to ride it.  All I wanted to do was one thing: listen to those songs on my ipod and see my wheels under the handlebars on the track... in reality.  I didn't want to race or be recognized at some celebration.  I just wanted to ride a few laps, happy just to have a role in building it.  In less than a year there are already training programs, youth cycling classes, and teams competing.  Through community grants and volunteers, its all free to anyone under 18.  

Not to be forgotten, some thanks should go to one supportive teacher who helped a scrappy kid dream.    Schools measure math and science so valuable, for good reason.  But this favors one brain’s side of thinking.  Initiating and working for the construction of an urban renewal project and improving a neighborhood is traceable to the exact same idea assembled with clumsy school scissors, white glue, and construction paper, during 5th grade free time.

I can't wait to hear the news of some tough kid from East Cleveland getting to the Olympics.
Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, traits, colors, and neutrality, focused towards a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, in whose diversity of genetic seizure, they will adopt natural and compound patterns, but always predominant in the pattern biological and organic. Wandering around the world in desert places, in alloys and compounds of classified plants, emptying their species through the hollow of the atmosphere and through the green shoots of grasslands in the reviving surviving evolution of organisms and species that for the first time take a look as a biotype among rocks and plantations, reciprocally among themselves and extemporaneously generating heritages of mythological genetics.  Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause in the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of and interprocedural reality of carbon, factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair of the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving extinction of plagues or flagrant excesses not reconverted, for compliance with the exercise of light beings as a parallel systematic contribution and ******-transmission of applicable inputs of quality of life and deflation of risk of biological cyclical deterioration.

Hyperdisis, has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No.  Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and teleportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic and endogenous diseases. Forests and parks of Hyperdisis in the open and symbiotic, for more airs in microbiological space, in the intimate portion from highest to lowest challenge of proprietary elements and antinomies of hieratic human bioculturation in a showcase of communities with interest in technologies and empirical usability and renewable, each part doing its scientific and biodiversity role in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existent, although it passes before our eyes without the Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super valuation measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and biological approval elements. The richness and abundance of this item is delegated to Leiak, in all the revolutionary processes of the oak forests and of the high mountains, where Vernarth directs him and is condescending of his dynamics, from countless temporary revolutions of other species.

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects.  Claiming innocent living beings with higher attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. The feedback quantifies carbon circulation offset options, offsetting the multipurpose CO₂ inventory. At night Zefián and Vernarth roamed the streets of Rhodes, in Tsambika, looking for the distilled portions of the carbon and sulfur emanated by Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Hellenika and the souls that were hanging around were ringed under the encrusted crescents, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Hellenika, in the myth of the woodworm of the dustbin of the frieze where Etréstles perched next to the strap that Zefián, who would manipulate the gold and alabaster chain, to pull it and its ruby ascetics approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Hellenika friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar the epithet of heraldry in the noble metals and woods of the autumn and mountainous temple of the one that follows the equinox in the meridian of seven days to the southern and northern hemisphere.

They enter the Hellenika Necropolis, through the upper and lower trays, cordoned off by obelisks in series of petrified ebels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intrabodies of petrified breaths, expanding in the segments of trepidating life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shadow. It was already dawn; Etréstles and the Archpriest were breaking the loaves to deposit them in the bowl of the Day, stretched out in the arms of heaven under the gargle of the god Vertumnus that he forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Yawning Citarist in the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Hellenika, Diogenes of Sinope is seen coming out from the lair of his rib, splitting with his doctrinal staff all the isthmic paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me and I bite the bad guys." Again, more murmurs, but Alejandro was undaunted by those responses and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me" ..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean skeleton seed, without heat or memory here in Corinth and its Diogiversity ”. Everyone is silent and fear takes hold of everyone in the sybarite contemplation of Alexander the Great ..., expropriating his speed more than a contempt for the cranium that is advocated for Vernarth "
Ethno-spirit and Biodiversity (Diogiversity) / part 14
CharlesC Feb 2013
Those who quilt
have their secrets..
emerging patterns
laced together..
an initiating flash
then flow of thread
filling the symmetry
with surprise..!
pained reluctance
those corrections..
finally uplifting joy..
Those who quilt
then ask this question:
does the recipient
of this labored gift
resonate with even
one-tenth appreciation..?
is she really
Quilt worthy...?
Patricia Drake Feb 2013
An anarchist atom
Assaults the atmosphere
With anger and aerial arson
Bringing, begetting
Brutal and ****** battles
In my brain
Initiating chaos
With charges
Of chemicals.
A disection,  distortion
Diversion of dedication
And direction
Causing eruptions
Emissions
Of erratic, electric elements
Of ego.
Ferocious fires form
In filaments, firmaments
Feeding the fantastic
Forces
Which grow and gain
In greatness in gravity
Grave, gory, gorgeous
Gloom.
Henceforth hidden horrors
Harrowed in a hollow heart
Instantly interact with
Intimate ideas
Initiating irregular, irrational
Irreversible
Irrelevant
Intimacy
Jealousy
Jumbling of jinxes
And laws of the jungle
For kicks
Leading to lies
Leaving love for loneliness
Loss.
A massive moral meltdown
In my mind
Negating, neutralising
normality
Orchestrates an open
Onslaught of order
And ordinary
People's principles
To pursue passion
And perfection
In a poetic periphery
Quite queer to some
And quaint to those
Not acquainted with
Rushes of ramblings
Received and reciprocated
Or radical ridicule
Of rascals.
Synapses send,
Signal every sinew
Simulating similar signs
But transmitting treacherous
Tingles
Teasing,  trapping thoughts
In terror, temptations
To commit treason
Unforgivable,  unforgettable
Us
Vivid and vibrant
But also very
Woeful
Wishing we were wild
And willing to walk
Our wishes make wonderful
Wells of
Youth
And creative zest.
Alexander K Opicho
(Eldoret, Kenya;aopicho@yahoo.com)



In response to the United States versus European Union  deliberations on Ukrainian- Russian stalemate  that were concluded on 25th may  2014 at Brussels , in which President Barrack Obama looked at the Putin’s political  behaviour in global set up of the postmodern era as a weakness, I beg to take my position within my capacity as global citizen, to go contrary to this stand of Barrack Obama by positing that President Vladimir Putin is a fact of global urgency , but instead it is Obama who suffers from universal class intellectual deficiency often  observed as insensitive rhetoric but branded as unmatched eloquence.
Firstly, let me give the sequential enumerations of facts which validate my position and hence this discourse. Barely the facts are; Ethnicity, Islam, terrorism, Guantanamo prison, Sino-African relations,Arab-springs,politics and human psychology and American political culture as state and an international citizen.
President Obama has always refused and rejected his ethnic connexion with Africa, he always refer to Africa as the land of ancestors. This is a stand that has most irritated Africans. Both in Africa and in the diaspora. Obama never learned a simple pre-industrial wisdom that every man needs ethnic identity for positive reasons. Because as per now Obama still stands as a Kenyan and as well as an American. This connotes a political fact that he is neither a complete Kenyan nor an absolute American in terms of political emotionalism. The empirical position of all these abode in the fact that there are a thousand and one Americans who feel politically belittled to be led by a first generation African American. Thus, a leadership fact has to be indentified in this juncture by inferring that, their voter consciousness as Americans is not fit to be crystallized as emotional resource to be enjoyed by Obama politics. In a sharp contrast Vladimir Putin has acquired substantial political strengths from positive recognition of Russian ethnicity. Putin recognizes Estonia, Crimea, Georgia, Serbia, Moldova and all small and poor lands around Russia in terms of ethnic connection to Russia. He calls these lands as the dear burial grounds in which Russian military heroes were buried. In a comparison, America has a lot of racial connection with Africa, but president Obama has earnestly worn blinkers on this. He only looks at Africa skeptically as a land of injured civilization in which terrorists abode. He has been wrong. African folk wisdom has a lesson that, you may not need your tribe in peace, only to need it in war.
Why did president Obama masquerade as a Muslim when he was vying for his first term? Moslems feel that he duped them only to turn around and **** their leaders. In Islam it is a heinous sin to pose as a Muslim when you are not one. President Obama mobilized the plotting which had to occasion the killings of Muammar Gadaffi and Osama Bin Laden. These two incidents fuelled high strength in anti-American feelings among the societies of the Arab world. Reasons are that both Gadaffi and Bin Laden deserved fair trial the same way Henry Kissinger was not tried when he perpetrated macabarous mass killing in Vietnamcong war. Muslim community least expected financial and ideological funding of the political hullabaloo known as the Arab Spring, through which heroic Moslem leaders were killed, to come from Obama government. But the contrary was surprisingly a fact. The meaning of this is that , in this tussle of show of mental mighty between Putin and Obama, All African and Arab states are behind Putin, China is behind Putin. Maybe it is Tanzanian and Ghanaian presidents who are in Obama camp, but not the Moslems in Tanzanians and Intellectuals in Ghana. The perceived rationale for this positioning inter alias is that the Number of North African Moslems in Guantanamo prison is the highest of all the detained terrorist suspects.
China is all over Africa today; African schools are teaching Chinese languages with passion more than they do with English language. The University of Nairobi in Kenya, has established the most prestigious Kungu Fu tze institute. Students in this institute are more self-confident and hopeful than those in schools of English and literature. China has designed a special business city for Africans, known as the chocolate city. Africans are more dignified in this city than their counterparts in Chicago.Negroes in Chicago of today still taste a vestigial pepper of negative racism on daily basis. All these conditions have graduated into appalling status from George Bush high school to Barrack Obama state University. These at times confirm the Russian Joke that Barrack Obama is an avatar of George Bush without a Nobel Prize. A political condition not evident during the Reagan and Clinton administration. Obama did not benchmark the shrewd equation of Vladimir Putin; good politics is equal to putting people at center stage.
Psychology of politics has a theory that being eloquent is not a connotation of political effectiveness. It may be sheer rhetoric. This is not a necessary variable for effective policy formulation and implementation. History of politics also has a testimony in confirmation of the same. The French society goofed when it fell victim of Napoleon eloquence, same to the Germans when they became emotional captives of Adolf ****** due to the razor sharp garrulousness of Adolf ******, which he adopted when selling **** values to German voters. In Africa Tanzania is the poorest country without hope of initiating any development this century. And all this is a preposterous protégé of utopian communalism planted through eloquent tools of prosaic socialism wielded by the articulate Julius Nyerere. The American society has also gone into annals of history to have collectively failed in its political choices as a national society by succumbing to rhetorical but policy insensitive conference management knack of the one Barrack Obama. These have happened in a capitalist conduit in which capitalism is killed by its success, just the same way which ignorance is never murdered but at most commits suicide.


Alexander K Opicho, is a social researcher at Sanctuary Research agencies ltd., in Eldoret, Kenya.  He is also a lecturer for Governance Research Methods.
James Floss Oct 2018
My car has got it’s brain back through
A trick automotive lobotomy hack

It was acting a little manic, the whacked
Human Machine Interface Module part

The screen was seen as a scary
Kerouac consciousness stream

An obscenity screed; a
Muddled fuddled car scene

HMIM installed anew—
Electroshock therapy

Zzzzzzhhhxt-phsssszzxt!
Initiating … initiating … initiating …

“Welcome!
Destination?”
George Krokos Feb 2014
Oh Swami Muktananda Paramahansa that bliss of liberation you attained
by Guru Nityananda's grace emancipation in this very life you had gained.
You were a representative of the lineage of poet-saints that had gone before
showing how easy it was, by chanting the name of God, to meditate for sure.

You stressed the importance of repeating the mantra 'Om Namah Shivaya'
and that if done with love would bear fruit regardless of who was the sayer.
There was so much energy about you that one could feel, like an ever present force,
the supreme blessing of Guru Nityananda was with you always being its very source.

You were a living embodiment of chitishakti or divine power-knowledge-bliss
and most of all those who came before you could also easily experience this.
It appeared at times you were unapproachable if one was by your presence overawed
and that you were on the constant lookout for any sincere aspirant who was not bored.

You also emphasized and revealed the true nature of the guru-disciple relationship
stating in plain modern words what was expected of one like in an apprenticeship.
Many secrets of the inner path you divulged and laid bare in all your writings and talks
saying the receiving of Guru's grace was what made a difference on the path one walks.

A book called 'The Play of Consciousness' explained some of the inner experiences you had
your spiritual autobiography for the world at large making many inspired and extremely glad.
To many it meant that someone was still around living these days who had been through it all
and was available to instruct and guide others on the path to the goal he'd been to well before.

You were a living True Saint, Sadguru or Perfect Master to many it seemed
and showed the way or path of the Siddhas being the one which you deemed.
Living at a place called Ganeshpuri in India nearly fifty miles from Bombay
many came from all parts of the world to see you and in your ashram stay.

In the abode you named 'Shree Gurudev Ashram' in that land of yoga where people came
many found what they were after becoming your devotees to whom you gave a new name.
There was a strict daily discipline of chanting certain scriptures, work, study and meditation
and also the occassional all night chanting of the name of God which was a holy dedication.

The atmosphere in that place was so pervaded by the energy radiating from your being
almost as if one were living in another world and could not help what they were seeing.
The whole place resembled that of a temple palace attracting people from far and wide
who came to experience what with your grace you said was to be found but only inside.

You opened up a whole new ancient path of spiritual experience leading gradually to the goal
that people from all walks of life could participate in and regain the lost treasures of their soul.
By one-pointed devotion, self-effort, obedience, meditation and the blessings of Guru's grace
anyone could practice Yoga easily without much struggle and attain that inner peaceful place.

There were many new centres that opened by enthusiastic devotees in far away lands;
with the money, sweat and labour of all those who selflessly gave by their willing hands.
And it didn't really matter at what distance or place this centre was situated from you,
although not physically present your spirit, being all pervasive, was subtly there for you.

You also visited many of the countries where your devotees lived both in the east and west
giving darshan to all those old and new followers of the Siddha path you said was the best.
Initiating many people by either a look, word, thought, touch or even by your physical presence;
and all who received of your grace getting a real buzz, were invited to tell others of its essence.

It was mostly at a certain two day program, held every one or two months, called an "Intensive"
anyone could partake of the Siddha Yoga Initiation offered, at a price, which wasn't expensive.
This was also designed to enhance and recharge those who were already practising meditation
involving chanting, meditation and talk sessions including a lunchtime meal and brief relaxation.

One had to participate fully, from about nine to five, over the two days, usually on a weekend
to get the full benefit of what the program had to offer and experience Guru's grace descend.
This was really the main date on the calendar for all those into meditation that were not to miss
if they had nothing better to do and wanted to get a lift in their 'sadhana' and acquire some bliss.

It remotely seemed to be a bit of a fund raising venture with all the money seen changing hands
but to those who couldn't afford it, must of been painful missing out, one somehow understands.
There was also the question, which crossed one's mind, as to what was being bought and sold?
- a meditative experience the result of Nityanandaji's grace through Swami Muktananda's hold!

Although no one was ever heard to complain about not getting their share of what was being given
and with the attitude of 'the more you put into something the more you'll get back' one was driven.
It also depended a lot on how much in tune you were and what prior preparation had been made;
how sincere you were in your effort also what devotion and faith at the feet of the Guru one laid.

There were no restrictions, it appeared, to either old or young, male or female to begin meditation,
all could profit and benefit in one way or another in the process and practice of Self contemplation.
One had to have an open mind and heart to receive and partake surely of the Grace that was there;
that power of the True Living Master, which was so all pervading, being available for any to share.

Sadgurunath Maharaj Ki Jai
_________________
This is a tribute poem to Swami Muktananda Paramahansa who I went to see and stay in his ashram back in 1978. From my unpublished book "The Seeds Of Life" compiled in 1996.
jonchius Sep 2015
beginning optional weekday
wielding officialese words
triggering hectic exchanges
determining original gangsters
distributing invisible data
refreshing urbane novelties

yelping our universe
chaining awkward neologisms
scripting encrypted e-books
tackling hacking exercises
cavaliering auric tumult
trivializing our obsolescence

preparing online pentimento
alternating rainy themes
allocating numerous droplets
meandering overseas missions
averting raging tornado
losing outscored lightning

hacking impish 'sblood!
alienating nival drumlins
hearing erudite raconteurs
beer-drinking on thursdays
finding obnoxious rabblerousers
finding upscale negroni

seeing ubiquitous purple
cavorting horse ebooks
inventing twitter subgenre
liking otherworldly vocals
initiating new greatness
defining ambient yesterday?

defining ambient yesterday
fancying oneiric retreat
hailing optimistic chicago
kiboshing expired yogurt
rushing airborne blackhawks
bestowing infinite shivarees

needing baller acronym
fleeting ideal notions
alerting left-coast state
featuring unquiet nights
finalizing orangeball results
nodding occidental warriors
the second week of June 2015 (with experimental acrostics)
jonchius Sep 2015
entering year 2000
rewinding vhs tape
installing napster client
anticipating victorious gore
bursting dot-com bubble
blocking tomorrow's nostalgia
commemorating festival tragedy
examining supersonic concorde
watching election coverage
recounting inconvenient truths
puzzling interface design
booing nuc-u-lar president

rising black monolith
editing non-linear encyclopedia
feeling inaugurally bushed
reliving century's dawn
unchanging state flag
processing royal massacre
escaping insane asylum
sensing impending collapse
perusing city guide
collapsing contemporary structures
initiating quixotic peacekeeping
ignoring conscription threats

entering year 2002
reporting unfortunate pearl
relaxing shotgun porch
exploding roadside bombs
addressing thousand followers
hugging financial meltdown
writing resembling skylines
shocking archipelagic bursts
processing theatrical disaster
tightening homeland security

entering year 2003
proliferating elegant telegnosis
rejecting freedom fries
blazing wartime trails
toppling dictatorial statue
unfurling "mission accomplished"
handling continental blackout
ejecting coronal masses

entering year 2004
flashing multiple sobriquets
populating dorm-roomy website
high-grossing aramaic movie
generating tunnel vision
rushing national anthem
parading goth athletes
letting games begin
accepting soviet passports
continuing obscure flumadiddle
lunar-eclipsing world series
two-terming republican regime
declining personality cult
glowing orange revolution
eroding periglacial drumlins
inundating lacustrine basins
exciting geomorphological processes
enduring tumultuous tsunami

entering year 2005
blasting "galvanize" repeatedly
unforgiving cyclonic scenario
printing controversial drawing
sketching cartoon prophet
overturning hurricane alphabet
rigging medal count
preparing new horizons
rejecting flash sites

entering year 2006
setting plutonian destination
synchronizing new horizons
sighting stellar foison
maintaining feudal system
emerging microblogging service
reading ancient tweets
rotating golden statue
mounting social debt
protesting planetary demotion
forecasting catastrophic recession
executing "innocent" dictator

entering year 2007
declining share prices
building ruby railroad
lifting presidential term-limits
perpetuating oil-rich dictatorships
falling interstate bridge
slugging giant bonds
clothing blackwater mercenaries
disappearing internet personalities
unforgiving writers strike

entering year 2008
stealing variable thunders
relaxing domain names
letting games continue
exploding sunrise propane
requesting birth certificate
electing another suit
disappointing orthodox republicans
microblogging maximal meltdown

entering year 2009
inaugurating new president
encountering bear markets
cackling risible laughter
dying pop king
deleting neolithic internet

entering year 2010
collapsing presidential palace
prospering cinematic avatar
pronouncing eyjafjallajökull effortlessly
"kettling riot police
flaming cop cruiser"
blasting text-based vuvuzelas
leaking diplomatic cables
fading pre-twitter memories
self-immolating street vendor

entering year 2011
"enervating nine-point quake
propagating harbor wave
inundating nuclear plant
irradiating unclear fates"
raging mid-eastern spring
throwing body asea
locating trojan asteroid
penetrating financial throughfare
resonating oral amplifier
blazing verdant material

entering year 2012
rising chubby dictator
gentrifying weird twitter
exploding next month
intriguing "fake" passport
proliferating single-hued avatars
surging sandy cyclone
inhabiting alternate universe
manipulating another election
rigging people's ballots
perpetuating manipulated world
fulfilling megalomaniac urges
surviving previous apocalypse
surviving another baktun

entering year 2013
descending rogue meteor
encoding festival weekend
obfuscating's very own
approving snow den
searching yaya island
soaking wet veld

entering year 2014
missing plane geometry?
annexing peninsular territory
printing powdered medication
forecasting meteoric boomtime
prevailing monochromatic identity
avoiding aviation accidents
determining auspicious date
revising deactivation plans
reliving years 2000-2014
The ****** Lost
The ****** of Soul – does it work
Like Nakedness of Flesh in flashing World?
This shameless question worthy is of Talk
For Answers are so ravaging and bold.

Disclose Enclosures, Cloths unwrap,
Partaking Tastes so openly dare:
The ****** of Flesh – a mighty step
To Nakedness of Soul, a potent Pair!..

All Visual is hidden – take a look
And blindness of the sight by Darkness washes:
******* flow running like a brook,
It starts when Star falls down like a brooch.

The covers follow it like Mysteries, –  
Their Names are ridiculed, Oblivion-like:
Be longer, Milky Way of naked Bliss –
Be burst of Lightning, you, releasing Strike!..

In Mirrors Naked ****** reflects,
In Revelations Nakedness get ****,
And let the envy Ignorance neglect,
And let the jealous Ugliness be rude, –

The Flesh of Soul seduces Soul of Flesh
To let them live in Triumph of the Worth:
It gives the World initiating Flash
The shame of which for so long is lost!..
Philosopoet Feb 2013
Optimism fueled my hope
Negativity depletes it
My will fights destruction
If misery wants company
Then beat it
It becomes my obstruction
Initiating the assimilation
Replacing my hopes with heart-****** obligations
I retaliate with large amounts of pent-up rage
Have I won?
No...
I've merely set the stage
to become caged by what I refuse to be
I'm tricked into falling
towards the perilous seas
of judgement, pride, and justification
I watch my reflection in the sea
believing that everything is alright with me
...but I'm no longer who I chose to be
because I let the negativity infect me.
Is it too late to be rid of this disease?
With kindness, time,patience, and wisdom...
We shall see.
Zajan Akia Jun 2012
Isn't that what it's all about,
the synthesis of
discontent and momentum?

Abandonment
defies the unity
of perception,
while time knits
atomic moments into
molecules that thread
perception's needle

The fabric of reality
should be so fortunate
to tear
that it might be patched
with a square of
Pandora's consequence

The chaotic repair
initiating
the synthesis of
inertia and bliss
I would like
To witness you in another habitat,
And childishly pester you at work,
And awkwardly make pointless conversation-
Just enough to keep you wondering
If I came to see you or not.

I would like
To delicately undress your mind,
And walk up out of nowhere,
And playfully invite with a coy little smile-
To discuss your philosophy
Under the mundane guise of “coffee”.

I would like
To introduce my spirit to yours,
And let them circle each other in the park,
And sniff out each other’s aetherous attributes-
Perhaps initiating a game of fetch
Between two nervous systems.

I would like
To steal a busy night away,
And show you all my mundane wonders,
And see what you have to say-
Could you ascend truths in my walls
Unbeknownst even to me?

I would like
To be perfectly forward,
And say “You sparkle and intrigue me,
And I would like to get to know you better,” -
Do people do that?
I would like to.
10/17/12




Slowly and then all at once.
Dorothy A Mar 2017
As she often did, Mandy wanted to see the sunrise, but she missed it while struggling to get up and make herself a much needed cup of coffee. Her mug in hand, along with her favorite magazine, she walked out onto her front porch to enjoy the tranquility of the fresh, new day. She thought she caught something out of her peripheral vision and was quite caught off guard. A bit startled, she did not immediately recognize the sleeping figure to her left. Even more startled, she soon realized what she was seeing.  

“Lloyd? What are you doing here?”

Lloyd didn’t move a muscle at her response, sleeping fairly soundly, too soundly to know that he should have already been in his car and long gone.
Again, she asked, “Why are you on my porch? Lloyd! Lloyd!” She nudged him in the shoulder a few times. Was he drunk? There was no smell of alcohol on him.

Now she had roused him out of his slumber, and Lloyd flinched. He was dumbfounded and needed a minute to get his bearings. With a sheepish smile, he slowly sat up and produced a pretty long yawn, stretching out his arms to shake off the night. He was in a rumpled T shirt and jeans, and certainly could have used a blanket.  

Just what her brother doing on her gliding patio couch anyhow, acting like a hobo? Getting it together, he responded, “I just didn’t want to be there...couldn’t handle it last night.”

Mandy’s heart sank. “You mean you were afraid to be home by yourself”, she confirmed to his confession.

He nodded, reluctantly, and slumped back in a slouched position. Mandy handed him her cup of coffee. He needed it more than she did, and he was glad to have it. Her feet in fuzzy slippers shuffled back to the front door as she stopped, turned towards him and said to him, “If it wasn’t summer out I’d call you completely and utterly crazy. You know you could have just told me what really was going on in your head, and I’d have let you sleep on the couch. All you needed to do was to ask—no not ask—tell—tell me instead of making my front porch your hotel room. What kind of sister do you think I am?” She wasn’t sure that her little lecture got through his thick skull.

Before she opened up the door, she threw her little brother a slight glance of compassion and said, “I’ll make us some breakfast…”  

Mandy asked their brother, Bill, if Lloyd was acting strangely in his company, as well. He said, “Yeah, he hangs around here a lot more than he used to.  We have him over for dinner a lot, and I know he feels like an intruder…though he never says it. Karen never complains and the kids like having their uncle around.” Bill paused and added, “He used to be so much fun, but I see the difference. I see when he pretends with the kids, and see how it is when he is more alone. He probably doesn’t think I notice.  I notice”.

Bill and Mandy always looked after their little brother.  A gregarious boy, he always loved attention. Getting that attention often meant getting himself into trouble. He found himself in the principal’s office more than once—pulling the fire alarm was a prank that got him two days suspension. It could also be graffiti, clowning around in class, coming in with a jar of spiders to freak other students out, or initiating skipping school with his friends made him a big target for trouble.

When it was Devil’s Night, there was one demon that could be counted on for soaping windows and tossing toilet paper up trees. It seemed like harmless kids stuff, but it got Lloyd caught and in his room for punishment for one, whole week after school. It seemed he was grounded all the time, and his mother often delivered his punishment, but she still held a soft spot for her son.  

Lloyd had his redeeming qualities. Everyone thought Lloyd would be great in the drama club in high school, not one timid bone in his body, and he could captivate an audience. He’d be great for the stage. So when the school was putting on the play, Fiddler On The Roof, Lloyd got to be understudy for the role of Tevya. When Joe Schwinn came down with a really bad cold, Lloyd finally got his chance to get on stage.

It was just that Lloyd had such a huge task to be the lead role for this production. It wasn’t that he didn’t learn the lines, but it was a tall order to fill.  He was doing a pretty good job, but he was adlibbing all throughout the play, getting a few, unexpected laughs here and there. But when it came time for Tevya to confront his third daughter and her Gentile boyfriend for wanting to marry outside his Jewish faith, Lloyd really started to get stumped. He couldn’t think of his next line, and everything got uncomfortably quiet. He soon blurted out, “Leave my daughter alone and don’t come back, you **** *******!”

It got him the biggest laugh of the night, but also booted out of the drama club and back into the principal’s office the next school day. Nevertheless, Lloyd got lots of high fives from other students, had a blast, and loved having his moment in the limelight.  

Being the youngest in the family, Lloyd’s immaturity made his parents’ hair turn grey—at least that is what his father told him. After taking the family car out for spin to impress his friends, when he only had his permit, Lloyd got into a minor fender ******. He was afraid to call his dad, but the police never gave it a second thought.

His father was furious. “Bill and Mandy, put together, never gave us even an inch of the trouble you give us!” he shouted to his son. For that foolish gesture, Lloyd did not get his license at sixteen, like his friends did. He had to wait until he could legally sign for his own, and that was at eighteen.  It wasn’t cool to wait while all his friends were driving their own cars.

But now Lloyd was thirty-one. He seemed to have learned his lessons, and was a fairly responsible man. He was glad his mother lived to be proud of him, before cancer took her life. He still did not feel he was that much of an accomplishment to his father, and they only talked occasionally. It was like his dad blamed him for her passing, and Lloyd would have done anything to have her back.

In contrast to his funny, devil-may-care side, Lloyd had the more serious, thought provoking side. When his report card wasn’t as full of A grades—like Bill or Mandy’s—he would beat himself up over it. In spite of his shenanigans, he was actually a very good student

He really missed his mom. Though she often wanted to shake some sense into him, still she always believed in him. Now Mandy kind of took up that roll in her place. Even after he could make her angry, his mom would not hesitate to sit him down and tell him things like, “I’m proud of you Lloyd. It’s not what you do. It is who you are…and you are my son.”  If only he could hear those words again from her lips.

Why would he want to go home to an empty house? Especially, the nights were the hardest. The digital clock by his bed seemed to be frozen in time, and the nightmare of insomnia seemed endless.

After knowing him for over six years, with four-and-a half years of married life together, Pamela left him. She once loved him-- or so he thought. She loved his crazy side—his humor and his fun loving nature. Maybe it was the miscarriage that did it. They both wanted children. Maybe it was because Pamela felt sheltered all her life, and soon discovered that marriage would be the way she envisioned it. Maybe it was him--period.  Anyway, she left Lloyd and it tore a hole in his soul. On top of that, he was denied a promotion in the office that went to someone else who didn’t work there as long as he did. The group of friends that he had known much of his life grew apart. Life was caving in around him and he felt helpless to do anything about it.      

It was Mandy who came up with the idea running through her mind. She told Bill, but he was against it and told her to stay out of it. Well, Mandy’s friend, Libby, was cousins with Tammy. It was Tammy who lived down the street from Lindsay and was acquainted with her. Mandy usually never played matchmaker, but she found out that Lindsay was divorced, too, and without any children. Since she dated Lloyd several years ago, at least they weren’t embarking on like some blind date that nobody really wanted to meet up with.

Sure, Lloyd was lonely, but it wasn’t for Lindsay. He was lonely for Pamela. How could his sister expect him to just get over her?  She, too, was alone, almost married her longtime boyfriend, but backed out. Didn’t she understand? But Mandy made Lindsay her Facebook friend, and told her all about the latest with her brother. Though he was a bit perturbed, Lloyd knew his sister meant well. Soon, upon Mandy’s recommendation,  Lindsay sent Lloyd a Facebook request to be her friend.

They never had dated all that long—less than a year. Lindsay reminded him of that duration of time when he first came over for a visit to sit out on her deck in her back yard. To shut Mandy up, he agreed to see her at least once. By now, the feelings for her had long passed. They were once an item together, but it was over a decade ago. They seemed like just kids at the time, though they were twenty-years-old at the time. Lindsay was actually two months older.

“My mom was so upset when she knew I had been drinking with you”, she told him. “You remember?”

Lloyd lifted up his beer in irony and Lindsay lifted hers as they clunk their bottles together. They both burst out laughing, a rarity for both. “I know. She would never allow liquor in your house”, Lloyd said, “Strict Baptist lady, for sure!”

Lindsay teased him. “Oh, you’re such a bad influence! Mom was right!”

“I was!” he exclaimed. “We were underage and lucky no harm came of it other than some **** in the toilet. No wonder your mom wanted you to ditch me!”

Lindsay always tried to please her mother who single handedly raised her only daughter. That was hard to do, though no matter what Lindsay did. She liked Lloyd a lot, but she also loved her mom. But just where was there relationship going anyway.

“You know”, Lindsay confessed. “You were my first, real love”.  She playfully winked and sipped on her beer. “I love bad boys”.

It was like the rebel in Lindsay was delayed, not like it was in her younger years. She always tried to be the good girl, the dutiful daughter, unlike Lloyd. The two were in the same grade, and went to the same high school, but they barely knew of each other in those days. They were never in the same class together and only saw each other in passing down the school halls. Her locker was once across from his. Lindsay did remember, though, his famous role as Tevya, and thinking about it again made her crack up like it just happened the other day.

“You are so much more laid back”, he told her. “I guess your mother was always there to crack the whip, but not anymore. How is she, by the way?”

Lindsay looked sad for Lloyd as she said, “Like your mom, she got cancer, but thank God she recovered. She moved to Florida a few years ago because my brother and his wife insisted the climate would be better for her.” It was actually a relief to not have to rely on her mother. She now had no excuses.  “Sorry to hear about your mother, Lloyd. My condolences.”

Lloyd appreciated her condolences. They reminisced a while, but neither one wanted to talk about the pain of being alone nor express the pain of feeling like utter losers. Lindsay wanted to open up about her two failed marriages, but she also wanted to forget about them. Lloyd was never one to share his innermost thoughts to her. He certainly didn’t want to tell her that he preferred to sleep in his car or on his sister’s front porch or that he tried not to cry because guys don’t do that, struggling with the lump in his throat from holding back so much.  

After talking about their times at the lake, of how they loved to lay on the ground and look at the stars, Lindsay finally said, “I don’t really want to date anyone at this time. I don’t really feel like doing a lot, lately, that I used to do.”

Lloyd didn’t look at her, but felt her eyes upon him. “I know what you mean”, he agreed.  “Depression *****, doesn’t it?”

“I know”, she responded. “I’ve been seeing this counselor for a while, another one, and I guess it helps. I wondered if I’d ever feel anything again. I just often felt like I was going through the motions…and that it was the best way to just get along in life.”

Lloyd didn’t know what to say. Often, he felt the same way, but he just couldn’t voice it. Would he ever want to share his life again with another woman? No, Pamela wasn’t coming back. Everyone told him so, especially Mandy. She never really felt that good about him marrying Pamela to start with, but it wasn’t up to her. It was over. Lloyd logically knew that about Pamela, but emotionally he still wasn’t there.

“I pretend a lot”, Lindsay told him. “I mean I do what I’m supposed to do—go to work, pay my mortgage and my bills…I’m just existing but not living. I’ve made my mistakes, and now I’m afraid—period.  I prefer playing it safe. I prefer not to feel.” She smiled to lighten the atmosphere and rested her hand on his. “Now how’s that for a good catch phrase for a dating website?”  

Lloyd pondered upon what she said. He could have easily said it himself. Eventually, he stood up and extended his hand out. He decided they should go for a walk. It was about three and a half miles to the park they used to hang out in—a good spot.  They walked hand in hand, like they were still together. The wind blew through Lindsay’s hair and spread it around like plant life in the ocean, soft and swaying. She was lovely.

They got to the park and Lloyd pushed her on her swing, higher and higher until she felt like a little girl again. Then they went down the slides and the balance beams. Lindsay would tickle him in the back to try to get him off balance, or she’d push him off and he would pretend to chase her and give it to her. They truly enjoyed each other’s company. Being together really banished the blues for the time, and kept the ugly thoughts of loneliness at bay and from rearing its ugly face.

“So where do we go from here?”  Lindsay asked.

“Huh?” Lloyd wondered what she was getting at. Did she mean for the park or in a deeper way?

“Can we be friends?” she asked him. She seemed uneasy, as if he would say, “Thanks, but no thanks”.

Lloyd felt a bit uneasy himself. He never wanted to hurt Lindsay, or Pamela or anyone. “Of course we can,” he told her. He said what he meant, too. He really wanted to spend time with her. “Let’s just enjoy things for what they are”.

Lloyd picked up some pieces of mulch, and threw them one by one, ahead of him. He asked Lindsay, “Was I really your first love?”

Lindsay thought a moment, and then pulled him by the arm, taking Lloyd to one of the picnic tables. She inspected it.  No, it wasn’t that one. She looked at another table. No, it wasn’t that one, either. And then she went to another one.

He asked, “What are you doing?”

“Found it!” she said at last. Lloyd looked at the table, and among all the carvings in it, Lindsay pointed out what she intended to find.

Lloyd loves Lindsay

“Did I write that?” he asked. He didn’t remember it. He ran his hands over the indented letters surrounded by an uneven heart.

They both sat down and Lindsay explained. “All the time that we were together, I knew I was really starting to like you. I mean really, really like. I wasn’t sure at first, but the feelings just got stronger. I just didn’t want to be the first one to say it—and I thought you’d never!” Her eyes beamed as she went on. “Then it happened. You said, ‘Baby, I love you”. I said, ‘What? Did I just hear what I think I heard?’ Again, you said, ‘Lindsay, I really love you’. You could have knocked me over with a feather! I never thought you’d say it, but I hoped you would!”

Now he remembered. At the time, he was carving something into the table with his pocket knife. When he finally got the urge to tell Lindsay that he loved her, she asked to borrow his knife and right then she wrote it in the table. Lloyd than took back his knife and topped it all off with outlining those words in a heart.

Lloyd truly did love Lindsay. He didn’t lose those feelings after all. To know she loved him back was like medicine to him now. They began to walk back to her house
Draginja Knezi Apr 2021
I mean it
I'm in it
I'm initiating intrusive
I'm bruising
Amusing
You

You are
You mean
You are a dream
I mean it
I'm in it
WickedHope Jan 2015
I'm tired of this game,
This late night game,
I don't want to play --
I know I shouldn't play.
But you make me feel
Like I'm being looked at,
Not laughed at, like I'm
Beautiful, **** for the
First time in forever.
I don't want to play,
Yet I keep initiating it.
I want to be the one you
Hold in your heart, but
I'm the pictures on your
Phone, and it sure as hell
Isn't me you're holding.
I'm sorry I'm not enough to be
more than pictures on your
phone, and words in your ear.
M Harris Mar 2017
Photochromatic Sanity & Fluorescent Visions,
Metallic Vanity Initiating Phosphorescent Collisions,

Luminescent Effervescence In Her Iridescent Constants,
Convalescent Spells Of Her Tumescent Transplants,

Auroral Apertures & Acronycal Fractals,
Floral Kisses Of Her Quintessential Portals,

Velvet Transitions & Twilight Transmissions,
Reverberating Vocal Inhibitions Of Her Satellite Renditions,

Razor Rivers & Rogue Delights,
Shining Laser Echoes On Vogue Nights,

Molecular Suicides In Abysmal Desires,
Drowning In Atomic Oceans Of Her Ethereal Reprisals,

Static Pulses Of Her Prurient Delights,
Amorous Impulses With Hymens Of The Night,

Shaded Whispers & Livid Overtunes,
Serenaded Ceilings In Her Vivid Offtunes.

Condensed Rainbows Over Her Silk Citadels,
Slithering With Oblivious Love Of His Ghostline Vessels.

Extinct Hemispheres Of Her Tender Tracings,
Broadcasting Distinct Light-Years In Spiritual Casings.

- 03:50 AM -
Dee Renee Smith Nov 2012
My poetry is the embodiment
of the creator's fore knowledge of my existence.
My birth to my death are in each line
that I've laid down to lay with.

With a power my speech can not equal
my writings demand I "let there be."
Now, she's calling for me to sacrifice it
as Abraham was told to sacrifice his Seed.

Yet his requester provided a replacement
once loyalty was shown in the raised knife.
A trapped sacrifice to spare the son
from a blade raised to honor the All Mighty.

You know that I would give you anything
yet nothing has pulled my fingers away
from the plunging of blades into my eternity
with each completed writing's lifting away.

Where is my ram struggling in strong vegetation?
Where is your voice stating firmly
that I've done enough to show my heart
and that my lineage has been spared by mercy?

Inspiration tells me its receptive desires
so God must know my divine purpose in creation
is the reception of initiating penetrations
that conceives fillers of the gap between our separation.
- From InterPositioned
Fah Apr 2014
we need only rocks and butternut squash
daylight mellowtime
cold wind change snap brisk
  fog mouth.

   The cities ******* cling to the shoreline
lake of ontario.
      share tea , share kiss
peace yum day break activity
meditation on stillness
stones stacked seamless .
    
   Before a powerful night , of music sung with joy in note,
friend snuggles -
      smoke lips -       crying - mercy
vision ascension.
                Body pulsating in your hand.

   Pancake quinoa breakfast , maple syrup hotchocolate .

Later to lentil soup with french bread and brie cheese , grapes  
Reading park time medicine cards
      Shaman training , initiating 46 yr old lady to her first joint under the swell of almost full moon gleam.
i dance the whirling dervish round the baseball pitch , extend my legs in ballet-tai-chi whirl. Find my footing in
the lightning flash sky
   nestle and snuggle more with friends.

To midnight snack of orange , ginger zest cookies with sunshine and peace printed on , peppermint tea and
a slight fondling shower.

     New music runabout
talkin bout american deeds ,our own self , our progression and human dissociation from animal instinct
    
Be love.

POWER in HEARTBEATS.
have you chosen love today?
RyanMJenkins Oct 2013
I am
calling for my spirit guide
to take me back to the lost haven of Atlantis.

Various medias
Reach out to bug me,
so I'm praying while they lie in wait like a mantis.  

Dark lords
Rain down plagues that sicken the mind,
but I have the light which illuminates my advantage.  

And so
Into Imagi-nation
I can successfully vanish,
MANifesting a tangible reality,
Proving I'm not one they can manage.

Nature
was never against Nurture,
but the battle plays on just as they planned it.  

You're more powerful than those behind screens,
and your dreams will live when you demand it.  

Think of your thought as a seed and plant it.  

See your life within your third eye,
It's now time to revamp it.

Your vessel has been flying low seeking love,
It's already within you
-land it-

We are one*
Once you understand it,
Unto the you-niverse
you can hand it

Spark a fire of compassion and fan it

This,
is how,
We expand bliss.

Just
Remember
The list requires
initiating imagination
(like when we were kids)

Miracles exist

So long as you allow yourself to believe it
Saint John the Apostle says: “Hellenika and Tsambika, they will be the lily, the saffron, the rose and the violet, but also new, like the calendula and the chamomile, making of all a crown headband, to ad put the world of the Duoverse in everything its radius, for the star that illuminates par excellence as a white planet without thorns, which is the perfect one among the perfect ones, anti herbicide of language and incarnation, as in the Empyrean medieval zeal and in the highest of heavens. It is also the site of the physical presence of God, where the angels and the souls welcomed in Paradise reside, between Thistles and Roses towards the nourishing plane of the conventual voice and the tonic of the Milky Way; galactogens, ******* third grade milk to curdle in children who have not been a Messiah yet. Paths of thorns will guide the visitors of this gallery of flowers and plants, through the Panagia Monacal, for the holy homily with the Lilies and their lower valleys, where no more Lilies can evade their chains of the Liliorum genome and in their valleys of galactogenic virtue. As Mother Rosa and son Lirio, being the mother of all and of that one, behold ... your son, "I myself in the path of the three Marias. Over there in the desolate andurrial, an aquiline carries me imprisoned on my heels, as a bond of a son who makes my footsteps, the columbine sole of my saving feet.

At 320 meters of altitude, the Still Life appeared, concealed behind the Vas Auric, here everyone approached the auric circle of Morality that made them authors of the proximity of the Universe falling on Greece and Herbalism that fell with all its historical structure in the forest where many more species such as Caltrop, Laurel, Olive, Linen, Granada appeared, in a simple and flat devotional with nuances with pro delegating status; the same Hexagonal Birthright, to make the cinnabar fistulas, which was elemented by the different colors associated with the Grail tutorials, which were seen indigos on top of some Rhododendrons. If it is eschatological, it is in mystical nets of the Empyrean, further away in a form that is said to be called a form of gonism, between Cardinals and their dead Lilies. As the first among the last, the bulbous and clayey Tulip orb and basilica symbolism, peacemaker and philosophical Eritrean, for spiritual searches, which eager effusions of the Empyrean, reached the Messiah on his Pollino on the way to Bethany.

Around the Monastery, they could all be seen arriving to the beat of the cymbals and aulos, among the lyres that prowled, tickling the inquiry to rest their fingers, or perhaps by some augur Trojan villain in those of "Daedalus".  The latter being, here a tulip, with flames of a true seeker trying to sacrifice subsistence daring over the risk of the flame of saving death.

Daedalus says: “After the incident with Perdix, I Daedalus was expelled from Athens. I then went to Crete, and in the kingdom of Minos I was placed in the service of the monarch. One of his tasks was the creation of Talos, an animated bronze giant who defended the island from invasions. By order of Minos, I built the labyrinth to enclose the monster. The labyrinth was a building with countless corridors and winding streets opening one to another, which seemed to have no beginning or end. Minos locked me up with my son Icarus, whose mother was Naucrate, a slave from Minos, in the same building. The reason for the confinement was the collaboration of Daedalus in the escape of Theseus from the labyrinth. I have to lament for the rapture of Perdix, now turned into Partridge, who now carries in his clutches the creation of the Universe-Duoverse, turned into his own, and me in envy, harassing me with the endings of my endings and not initiating nor ending. That is why I appear here coming from Crete, to wrap myself around the garden and its mystery, closing all the madrigals and trees, like a world that has created me. In its splendor, seeing the humility, fragrant of violets grafted into lavenders, with my soul now, of a somewhat  syncretism Hebrew-Hellenic and Mythological-sub Mythological, like a nobleman who walks free and without chains ..., passing through the Parthenon to put garlands, in dresses that are adorned with linen, but of evangelical lineage here in Kímolo. From here in the humility of heaven I will go with Kanti and Etrestles to unite on the prominent hills of the Hexagonal Birthright.
Daedalus
Sian Carrington Jul 2014
Tucked away in the crevices of my mind,
Are shades of sorrow you left behind.
Memories of joy and sweet contentment,
Innocent of hate and bitter resentment.
Initiating as friends who desired affection,
Enthralled by lust and blind to speculation
From those whom regarded it all "too soon",
To prove them right and close in June.

Six months of sweet, indolent days,
Precious as the next due to the simple way
Your presence alone kept me elated,
Your revered wit held me captivated.
The moments we shared basking in the sun,
Or curling with the kittens - equally as fun.
The hushed inertia of our days spent together
Was not irksome and dull but treasured forever.

I can adopt adjectives, embellishments and rhyme,
In the child-like hope they may turn back time.
I can exhaust poetry as a means to say
That I miss you more each day.
But should you read this, I pray you must know
That the colourless wave of self-pity and woe
Brightens and shallows with every passing day,
And that our precious moments are pocketed away
In the warm embrace of my broken heart,
Slowly mending now that we are apart.
Like a phoenix rising from ash-glistened coal,
I will grow from the embers and rejuvenate my soul.
I will rise again and start anew,
And cherish the days I shared with you.
This is a tribute to someone who left me recently. I am not bitter or resentful but grateful for our time together. Writing this has helped me to mend and move on, and realise that some paths are meant to cross.
Nat Lipstadt Aug 2022
Something’s changed.


6:00 AM Sun August 16 2022

The temperature today will baby step
up the kitchen ladder, careful, senior slow,
to hover at a pleasant 79 Fahrenheit.

But, I am unfooled.

‘tis the birthing of the
changeling of mid-Augustus,
June’s initiating summer solstice,
an intimate longing now a long
gone forgotten memory, now a
calendar X a valedictorian graduate.

But of late, the sun has lately been
heisted by late afternoon by a batter
thick grayish cloud cover, right here,
hovering upon this godly place on earth.

there is a underlying fragrance, familiar,
an unmistakable chilling odor of cool fall.

an urgency emerges, hurry up you,
pluck the blueberries, harvest the peaches,
because trace hints of crispin fall apples,
falling browning foliage, curling leaves,
pumpkin flavorings and yellow gourds
is unjustly barely there, a definitely discernible.  

Back-to-school ads replace banners proclaiming
bargain prices for summer necessities, vin rosé.

Even the squirrels are enjoying a Sunday rest,
after mornin’ worship, no feverish acorn collection,
a subtle hint, winter supplying must be nearly done.

dare not superstitious say out loud, the **** geese,
have made themselves scarce going on two weeks,
having learned a trick or two from the Ukrainians,
I chuckle to think that we may have regained territory.

But, I am unfooled.

Morning boats of all ilk and demeanor ply-plow the
bay waters, but all seem less hurried, savoring the pretense
of forever long summer days, beyond-belief sunsets, soft white
ice of creamy calming waters, no impasto^ seas wintry rough.

Return-to-bed, coffee mugged, I await the Dumps early call,
the sorting done, metal, plastic,compostable, so easy to bring
order to our daily detritus, thinking if only one could sort the seasons then I would be a forever summer man, here,
on this godly place.


But, I am unfooled.

7:06 AM Tue Aug 16 2020
Shelter Island, N.Y.

————————
^Impasto is a technique used in painting, where paint is laid on an area of the surface thickly, usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming out of the canvas.
Mateuš Conrad Mar 2017
can you really do it for 24 minutes?
  i mean... really?
                try it some time,
        i'm bored of the traditional stuff,
this is what i meant in the first place,
i need a mirror.
                i waited with her for 24 minutes
until both of us squirted.
        i'm just bored of the "traditional" ****...
simply bored of it...
     but ****! it's unfair... she has one of her
hands initiating her ******* to goose,
and the other hand with a *****...
  what the **** do i have?
   hopefully a ******* in one hand...
                  and a tissue in the other...
                      and trying to keep up with her doing
it for nearly half an hour...
    i can usually do it in under 3 (minutes)
               while taking a ****...
                     no scented candles, no video screening;
          evidently women take more pleasure from
***, and then double that pleasure while jerking off...
while the men congregate and say:
- mate, gym?
- yep, spot you on the weights?
- cool cool.
                       what is this?! clearly it's a tier below
being called a circus.
Kris Apr 2010
The Catalyst to the endless torture of my mind.

It lurks beyond the twilight waiting for the starry skies and droopy eyes to kick in and tap me out of the match of heavy weight limbs and and light weight bed sheets.

It whispers and creeps under my pillow humming endless tunes and catch phrases to remind me of the day i had laid to rest. Initiating the hours yet to come.

And I can hear the clock in the adjacent room tick tick tocking, ghosts walking. Dancing to the creeks in the floor board. Celebrating this monster that has grabbed hold of my shaking knees and restless fingertips itching for dreams or nightmares. Which ever comes first.

Just end this weight on my shoulders and the gruesome way my body aches with discomfort wrapped in fleece and cotton blends of linen on clouds. End the attack and bring sand to my eyes so I can allow my pupils to dilate with the light of the sun versus the stars and car alarms at 4am.

Bring me the horizon where the light kisses the earth and heads northbound like a swimmer coming up for air. End the way I crave unconscious states on made up highways and turnpikes in cars I cant drive in real life. Bring me the subconscious wishes from my heart and mind.

Open my heart and I wont mind if the truth spills over to cover lies. End this madness a hater cant bear.

End this unavoidable courtship with insomnia and let me sleep.
Sajdah Baraka Mar 2013
Dream a lucid dream.

Where my attention isn't enough for your ego,
So you have an affair with mine.

Let it feed you with deception.
Because it seems that ignorance is the only thing that'll make you smile.

And when my infatuation becomes a threat to you,
Instead of initiating the game of russian roulette,
you just pick up the gun and shoot.

Taking me out of my misery, since you refuse to keep it company.
Pulling the evolvement from its roots.

When you begin to wonder what sparked your curiosity,
Take a look at the bruises I model
From every time that I've fought to leave.

Recollect the moments of peace and security,
And the incision of a bleeding heart left on your sleeve.

Come to your senses and sense that
I can love you to perfection,
Before you can even recognize what perfection is.

I could fulfill your wildest dream before you even realize where the inception is.

And if you decide to follow the light,
Make sure to remember how it feels.

Cause if the pain never sets in,
Then you'll know it wasn't real.
Druzzayne Rika Feb 2018
the real nature
hidden beneath many layers of skin
there is truth
deeper in those myths
many doors
to the same corridor
met each other
quite a lot of times.

Many scene changes
the travel lengthens
along grows like and dislike,
dark and white.

There are many dimensions
the time relative
evolution and decline
and all the unknowns undefined.

There is the pride
with the many passions
dragging us towards another illusion
the mirage stays for the eyes.
Existence questioned
time blinks away
only in grasp of enlightened
others effort futile
this chance while.

Acceptance will keep the peace
no appeal, no appease
keeping still
the background wheel
initiating the end of the suffer
meditating to get better.

The inner light
shaded and dim
concentrate to ignite again
to the right bright
remove the leftover dirt
all that spins it
and revive the lost spirit
the one hidden beneath.
M Harris Feb 2017
Spectral & Whites,
She shoots liquid kryptonite,
Forming civil twilights,
Lighting up satellites,

Effusive she moves in crowds,
Vetting the loud,
Entombing in her vortex clouds,
Fiction stitched exclusive to her shroud,

Translucent transcendence,
Sinking in ascendance,
Obscured abundance,
Her celestial dependence,

Mutating sacraments,
Dissolving electrolytic laments,
Decaying she resents,
Her serene blood stains,
Choking reckless intents,

Torrential far cry,
Of her desecrated lullabies,
Edging serrated highs,
Triggering sulphur lies,

Profanity in her transmits,
Photonic duality she emits,

Fluttering in trance,
Her psychopathic stance,
Initiating empathetic dance,


Seductive incandescence,
Buffering her schizophrenic vehemence,
Veiling the era of repentance,
By unveiling spiritual severance,
And pseudo sacrosanct irreverence,

The future’s here,
Nuclear souvenir,

She past my prime,
When the evidence realigned,
Confiscating her downtime,
She committed my crime,


Make amends… We are designed to be outlived….

03:22AM
The same doors open
from bedroom to bathroom
and house to car.  
A poor vehicle, it's body stable
yet barely in service
so poor--
cracks and scrapes,
half a grill missing,
the brand and emblem since eroded
and long withered.

A turned key
brings either exhausted
startles or sputters
congesting from the engine.
Or is it just the ignition?

All familiar moments
from the same minute at the same turn
initiating the redundancy to follow.
So that car--my car
shall endure
upon my abandoning
from the minutes before morning's end
to early evening's last light
swelling from the sun's sultriness, creaking
where wheels meet brakes
and they the axis, springs and suspension
as the thin cold does to frail human fingers.
K Balachandran Jan 2016
Power and military acumen to the mighty king
were  the true weapons of conquest in his possession,
til the time marauding made him squirm with pleasure
went on his trail of terror, destruction and subjugation.
Many wars won;no bloodbath to this iron willed one
ever seemed different from any other, victory was routine

then came a rare moment of pause, a sudden bend
in the path of a roaring river,initiating change.

"It's time to put down this blood splattered crown
envy of others, but  weighing me heavily down"
Frenzied, in no time he removed the thorny crown
and every bit that embellished him from head to toe
in naked glory he stood before the mirror, but why
couldn't he look for a long moment in his own eyes?

"All I see is an architecture of muscles, nerves and blood
on a skeletal frame, no different it is from any other
just lingering  further, all one can see is  dead matter waiting
to dissipate in to elements, when the time rings bell"
(words of his Guru, long long forgotten, came alive)
"The bird is  bound to this cage,with elements for a time
in a flash, it would pass,where then is the bird's true abode?"

All the wars won, achieved only the creation of cycles of pain
countries taken over by brute force,women taken as trophy,
loads of gold, diamonds and riches; just footnotes of an epitaph

"To search and find what really matters, that transcends time"
was the famous last words, before the conqueror's renunciation.
Remember the Indian king Asoka the Great(304-232 BCE)
who was quite a bloodthirsty emperor early in his reign, who after the Kalinga bloodbath, became the follower of Buddha Dharma and established a model of "Buddhist kingship"

— The End —