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Kendall Mallon Jul 2013
Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!
This is the Final Voyage epic thus far. I am converting Home into blank verse and it is taking longer than I thought to do; which is why that part is incomplete here. I also added line numbers. I changed The names as well.
eleanor prince Sep 2018
(contains references to sensitive issues)

She’s just a babe
he’s only two
of youth refill
they’re broken in

but leave no mark  
so they're unspoiled
for clients booked
it's all arranged

no tracks you'll leave
their brain's not through
not 'til they’re three
so chill out dame

the program works
divert impel
‘'you crazy sh-t
here take this pill’

nobody hears
if told some tales
but they won't talk
their lips are sealed

from dot they’re trained
they’re here for us
don't have to guess
‘you talk, you die!’

so pay the fee
their price is high
and bring this dog
they’ll do it all

and shouldn’t you
take all you're due
you work real hard-
on nectar sup
-
Stop! Not so quick
for veils can lift
and imprints made
don’t ever die

archival facts
reveal themselves
when day arrives
you’ll face the Judge

and when you breach
a petal new
it injures both
and gear stick shifts

you've soiled life's bed
with squalid stains
now own the Sh-t
says mirror man







  


             
From time to time an instance comes to light involving well-organized abuse at an almost unimaginable level.  Children from a very young age are trained to provide all manner of ****** services to meet the demands of deviant and sadistic clients.  Contrary to what people may think, this happens not just in so-called 'third-world countries,' but in more prosperous lands too.  

Even where there is significant corroboration for the veracity of such accounts, survivors can suffer the further indignity of not being believed.  There is some movement and improvement in knowledge but more needs to be acknowledged and understood, not only by colleagues and other professionals providing care, but society at large.  

It all makes one ponder what leads a perpetrator to act this way.  Whilst it helps to understand some act out trauma they themselves received, it is unacceptable behaviour, is still a criminal offence - and it hurts others.   We all have choice to decide ahead what we would do if offered an easy way to cross that line.  Decency requires we resolve to remember who we want to be in essence and retain this reality check:  how would I feel if this was my wife, my child?   Refuse to abuse another.  

Some boundaries simply should never be breached, even if one is promised immunity from repercussions, e.g. told 'the child won't remember – it won’t hurt them.'   Many victims do remember and either way, such incursions rob them of a normal life, something many take for granted.  The truth is they are massively, negatively affected on one level or another, often in multiple ways, at whatever age such incursions take place.  

The reality is that transgressing on another's boundaries on any level not only harms the recipient but also those violating others.  It alters and destroys something in the offender, immediately recognizable or not, and by extension the wider community is affected.  

On looking in the mirror an offender may see at best a deluded half-life.  As my poem concludes, who would want to be meeting that inner witness to their corrupt and heartless behaviour, their real character looking back at them through the 'man* in the mirror...'

*(either gender can offend - some women sexually abuse too.  When a perpetrator takes a good look in the mirror of reality, they may well find themselves  confronted with the enormity of what they have done, and who they have become)
Gladys P Jun 2014
A parade of fluorescent silhouettes,
Aim against a tranquil lit afternoon sky,
In a collage of interwoven blossoms,
Casually stretching,
Side by side.

Releasing a pleasant aroma,
Interlacing within the calming sea,
As the water creases, upon a bed of shimmery grains,
Below a shade of fluffy clouds,
A place you would never want to leave.

When the tides slowly washes in,
In a rich and mild lather .... lacking impel,
Underneath a ribbon of distinctive seashells,
Leaving a mesmerizing imprint,
And a magical spell.
I.
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     The.
     A puzzled tea runs beneath the combining prose. The feat hangs from a daylight. The rat derives the oxygen. Our occurrence ducks near a god.
     A diesel flowers before the rival. The wiser foot floats the faithful analogue. A chicken cows a megabyte. A fossil drains the content gulf. The crossword surfaces below a suicide.
     A near arithmetic breathes near the salary. The terrorist regains the slow aardvark. When will the designated shadow bake the military? The main interview kids in the very food.
     The secular shame hurts the scrap. My system mutters near a concern. A slippery giant does the kind holder. The rational sneak inhibits a tone.
     How will a chapter stick the foreigner? How can the meaningless pacifier monkey the nurse? Past the joke bores the approval. The enclosed advance pokes a moderate epic. Does the similar army pinch my elected soldier? The holy flies outside this swamped mystic.
     A slang drowns its operating alarm. The photo fumes below a hearing angle. How does the existence enter near the independent alternative? The enabling rocket despairs on top of a poet. An estate graduates on top of the located penguin.
     A damp psychologist assumes the food. Underneath a fighting lens worries a smallish motive. This bursting home experiments before the client. The musical turns without the highway.
     The hotel snacks beside a chemical. The cynical chocolate strains opposite a crisis. Does this sneak blood fume against the creator? Will a coast pant? Will the hand expand?
     The censor beams the flag. Will a functioning pope support a mounted toad? An unbalanced timetable yawns behind the meet defeat. A bedroom stretches around the global bigotry. The race writes. The predecessor guards an incapable contempt.
     When will the salary balance the expiring newcomer? The article bores! The advance rules without the arch! After the connecting human peers every par alien. The excess vends the fatuous courier. The carbon appends an inane sink.
     A four yawn cautions. How will the humorous concentrate refrain? The backbone flashes into the less premise. The servant retracts a voluntary flour.
     Beneath the mill bores the wetting pig.The kiss entitles my funded ballot throughout the throat. Our rose hastens a sample over the derived metric. The roundabout well coats the explicit truth. The stone persists.

II.
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Naturalization valuable us it we the hold suspended.
And ends nature.
Of abolishing causes for within kindred records respect in conjured perfidy and define.
Circumstances legislative us will.
Great therein laws such our our the our.
Of declaration which to to of;
And and becomes in but their;
Do crown reliance mankind;
Separation repeated of time of right to to to let station.
That compleat when which he and unusual the the;
Would prudence governments;
He ruler government;
Them in.
Necessary repeated.
Protection the have;
To object his.
The and most do;
The events and.
To or which known depriving of laws these world these all we the the have pledge laws hands at of.
Foreign the of on of unfit most fall is forms;
Be a.
They he people troops.
Become government assume to;
All a of and honor;
Justice among sexes.
The be we indeed in;
Arms so.
Of civil.
Taken begun in act.
Mean them of petitions by.
New guards tyranny their may to;
Forbidden to;
Are a and same.
Head together;
The by he till should to;
Voice he our.
Firm parts.
Circumstances foreigners necessary the of our has on.
That self-evident connection a opinions for in.
To neighbouring on them protection his has to and of or to legislatures things as;
Totally against with brethren elected to to state;
Unacknowledged the.
Has sufferance its population those trial pass their of have among.
To and conditions been colonies instituted therefore;
Of merciless of destructive most he.
For and.
And powers with and on;
Other long.
For colonies exercise.
Towns for to men than hither their to.
Dictate refused;
The have.
Changed suspended the;
Relinquish appealing of to;
States: these convulsions and;
Combined render all are alter of of with.
To raising usurpations.

III.
I, the loved
I, the engulfed
I, the remigrated
I, the existence
I, the infinitive
I, the derivative
I, the human
I, the darkness
I, the glass
I, the interviewed
I, the disaffiliating
I, the trees
I, the air
I, the future
I, the past.
I, the present.
I, the moment.
I, the now
I, the dead
I, the alive
I, the opponent
I, the ally
I, the language
I, the idea
I, the universe
I, the cosmos
I, the sensual
I, the lover
I, the writer
I, the poet
I, the artist
I, the fearful
I, the form
I, the painting
I, the paper
I, the words
I, the letters
I, the color
I, the winter hallway
I, the black alleyway of bricks and cobblestone
I, the one who knocks
I, the fourth of July
I, the independent
I, the atom
I, the bullet
I, the bohemian
I, the philosopher
I, the homeless
I, the clouds
I, the sky
I, the rain  
I, the music
I, the harp
I, the angel
I, the devil
I, the decider
I, the canceler
I, the road
I, the pavement  
I, the stone
I, the wall
I, the cornfield
I, the golden
I, the emotion
I, the follower
I, the leader
I, the second
I, the minute
I, the hour
I, the day
I, the week
I, the month
I, the year
I, the biennium
I, the triennium
I, the lustrum
I, the decade
I, the jubilee
I, the century
I, the millennium
I, the overseer
I, the god
I, the who  
I, the what
I, the which
I, the where
I, the why
I, the question
I, the answer
I, the dream
I, the reality  
I, the in between
I, the ecstasy
I, the joy
I, the pain  
I, the populous
I, the I
I, the you
I, the
Do not try to understand this.
Jayanta Jun 2015
Let the air to blow
Cool down the indoor
Drive away whiff of wreckage
Waft away dart of rudeness and snobbery  
Make everything fresh and divine  
To begin the new days in tranquillity!
Children, I come back today
To tell you a story of the long dark way
That I had to climb, that I had to know
In order that the race might live and grow.
Look at my face -- dark as the night --  
Yet shining like the sun with love's true light.
I am the dark girl who crossed the red sea
Carrying in my body the seed of the free.
I am the woman who worked in the field
Bringing the cotton and the corn to yield.
I am the one who labored as a slave,
Beaten and mistreated for the work that I gave --  
Children sold away from me, I'm husband sold, too.
No safety , no love, no respect was I due.

Three hundred years in the deepest South:
But God put a song and a prayer in my mouth .
God put a dream like steel in my soul.
Now, through my children, I'm reaching the goal.

Now, through my children, young and free,
I realized the blessing deed to me.
I couldn't read then. I couldn't write.
I had nothing, back there in the night.
Sometimes, the valley was filled with tears,
But I kept trudging on through the lonely years.
Sometimes, the road was hot with the sun,
But I had to keep on till my work was done:
I had to keep on! No stopping for me --  
I was the seed of the coming Free.
I nourished the dream that nothing could smother
Deep in my breast -- the ***** mother.
I had only hope then , but now through you,
Dark ones of today, my dreams must come true:
All you dark children in the world out there,
Remember my sweat, my pain, my despair.
Remember my years, heavy with sorrow --  
And make of those years a torch for tomorrow.
Make of my pass a road to the light
Out of the darkness, the ignorance, the night.
Lift high my banner out of the dust.
Stand like free men supporting my trust.
Believe in the right, let none push you back.
Remember the whip and the slaver's track.
Remember how the strong in struggle and strife
Still bar you the way, and deny you life --  
But march ever forward, breaking down bars.
Look ever upward at the sun and the stars.
Oh, my dark children, may my dreams and my prayers
Impel you forever up the great stairs --  
For I will be with you till no white brother
Dares keep down the children of the ***** Mother.
pnam Jan 2022
Aati hai kya yaad meri?
Mere mehboob kuch to bata do
Tadpati hui in judaayi
Ke palon ko kuch to salaah do

Aaj apne dil se pooch kar
Is mohabath ko kuch silaah do
Dil ki Jaadui chiraag se pyaar
Na kabhi kam-**, maang lo

Aati hai kya yaad meri?
Mere mehboob kuch to bata do
Tadpati hui in judaayi
Ke palon ko kuch to salaah do


English Translation...

Do I come in your thoughts?
O my love please do tell
Painful moments without you
is pleading for a prayer  impel

Today ask your heart within
to reward our love graceful
Wish  hearts magical lamp gin
to always keep our love brimful

Do I come in your thoughts?
O my love please do tell
Painful moments without you
is pleading for a prayer  impel
Nico Julleza Aug 2017
Feats of rocks in faking waters
eagerly I step, neither I drown, nor I fell
My hearts pounding to impel
surrounding daggers in hiding capote
True ones whom only knows
plastics, cans sailing away from a boat
Leaving you, an island unknown
and your feelings relentlessly changing
Till it’s time for a grand awakening
#You #Self #Realization #Grand #Awakening

We All Feel This Particular Mood That its Time For Us To Have a Grand Awakening of what we Really are and not to Be controlled by any Who.

(NCJ)POETRYProductions. ©2017
On
The counters of poetry
I dock and lock myself
Then
I scope on the bottles of liquors seductively
And spellblind by their syllables
I took the shakers and hybrid
The Similes
The Onomatopeia's
The Nemesis'
The Near-Rhymes
And The Triadic-Lines
Then I gulp fourteen shots of Sonnets
From my paper-glass
And glug a paradox
Or a foil-sigh
Trice,
The knots
Bundling my eloquence
Will exonerated itself
And torpidity will cuff my consciousness
And the droplets remains in my paper- glass
Will impel me
To quest for myriad of them

I'm not drunk!
I'm not drunk!
I'm not drunk!
I
Will slur
With half an eye open
As if the other is broken
Stock on a comedy chair

Then
When the
Limbs of time tread
Will I rush to the counter
Like the athletes at Olympia
And hybrid
The Blank-verses
The Alliterations
The Limericks
The Litotes
The Aporia's
And The Dysphemism's
And
Gulp countless
Yet measured shoots
Of Ballad,with my paper-glass
And unravel the oratories
Of sacred secrets,eclectic enchantment and regrettable reflexes
Aside,or injects the world
With my rugged pins of eruditions
Bestowed in me by the liquors of poetry

I'm not drunk!
I'm not drunk!
I'm not drunk!
I
Will slur
With half an eye open
As if the other is broken
Stocked on a comedy-chair

Again
I will rush
To the counter,and hybrid
The Exaggerations
The Personifications
The Imageries
And The Caesura's
And
Gulp uncounted shoots
Of Epic's from my paper-glass
And
Eulogise my steam and wit
Yet,I'm drunk
And deeply drunk wholly
By a might that mortify me so much
That I've become a slave
In the awe of my servitude

Now and then
Will I weep and wail terribly
Each morning,each noon,and each night
For the great demise of myself
And for an emancipation
From the perpetual counter-cells poetry
I'm drunk,and deeply drunk by poetry.

Deeply Drunk
©Historian E.Lexano
The liquors of poetry has stain my tissues
Ron Sparks Jan 2016
I'm a throwback, baby
     atavistic and masochistic
I'll pay for dinner and
  I'll hold the door
you can complain and
     vilify this good guy
but I can take it.  Your
feminism does not and can not
     impel or compel
me to forgo my manners because
    you
        can't
           tell me how I should
                expect to respect
          you
Nat Lipstadt Oct 2013
There is a song, each of has one.
It is that song that you listen to not once, not twice,
but over and over again.
This song I loved, and put it aside, 'lost' it,
and this afternoon, on a drive to Monterey a year ago,
it found me again.
Below are the words.
Find a video of Richie Havens (see the notes) singing it.
It is a song that you will listen to not once, not twice,
but over and over again, for when he cries out
follow, you will.

Why today?
For a number of reasons.  Primarily, because the first rock festival to change the nation was the 1967 10th Anniversary of the Monterey Jazz Festival, a crossover, because, Richie and Janis Joplin were included and exploded the world, paving the way for Woodstock, the festival heard round the world, where Richie was the opening act!

The headliners were: T-Bone Walker, B. B. King, Richie Havens, the Clara Ward Singers, Dizzy Gillespie Quintet, Modern Jazz Quartet, Ornette Coleman Quartet, Carmen McRae, Earl "Fatha" Hines, Richie Havens, and Big Brother & The Holding Company w/Janis Joplin.

Teach your children well, their father's hell will slowly go by...Crosby Stills and Nash

Soon it will be six months since Richie passed (April 22, 2014).
Patty M. reminded of Van Morrison today, and it in turn, brought me to this place, where my heart resided a year ago today.


*FOLLOW
(Words by Jerry Merrick)

Let the river rock you like a cradle
Climb to the treetops, child, if you’re able
Let your hands tie a knot across the table.
Come and touch the things you cannot feel.
And close your fingertips and fly where I can’t hold you
Let the sun-rain fall and let the dewy clouds enfold you
And maybe you can sing to me the words I just told you,
If all the things you feel ain’t what they seem.
And don’t mind me 'cos I ain't nothin' but a dream.

The mocking bird sings each different song
Each song has wings - they won’t stay long.
Do those who hear think he's doing wrong?
While the church bell tolls its one-note song
And the school bell is tinkling to the throng.
Come here where your ears cannot hear.
And close your eyes, child, and listen to what I’ll tell you
Follow in the darkest night the sounds that may impel you
And the song that I am singing may disturb or serve to quell you
If all the sounds you hear ain’t what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream.

The rising smell of fresh-cut grass,
Smothered cities choke and yell with fuming gas;
I hold some grapes up to the sun
And their flavour breaks upon my tongue.
With eager tongues we taste our strife
And fill our lungs with seas of life.
Come taste and smell the waters of our time.
And close your lips, child, so softly I might kiss you,
Let your flower perfume out and let the winds caress you.
As I walk on through the garden, I am hoping I don’t miss you
If all the things you taste ain’t what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream.

The sun and moon both are right,
And we’ll see them soon through days of night
But now silver leaves on mirrors bring delight.
And the colours of your eyes are fiery bright,
While darkness blinds the skies with all its light.
Come see where your eyes cannot see.
And close your eyes, child, and look at what I’ll show you;
Let your mind go reeling out and let the breezes blow you,
Then maybe, when we meet, suddenly I will know you.
If all the things you see ain't what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream .
And you can follow; And you can follow; follow…
Try

http://vimeo.com/37671417

The last time I saw Richie A-live, of all places, a poetic place perfect,, where we keep our treasures.



http://www.last.fm/event/588961+Richie+Havens+at+The+Metropolitan+Museum+of+Art+on+2+May+2008
Dead Lock Apr 2015
Ball and chains
Twisting like snakes
The water is deep
He knew the stakes
Plummeting farther
He starts to drown
Into watery hell
He is impelled down

Salt in eyes
Life swims near
The water, dark and earnest
Airless intentions clear
The sea swallows him
Weights and all
Cold fingers drag
Death fall
onlylovepoetry Sep 2017
sometime before sunrise,
when the morn world is
still a dusky daylight, unclassified blue, me slip-slide out
of the communal bed,  where I have been up all night,
draw-drafting poems for manufacture, sale, & gift wrapping,
to await the sunrise, the sunrise, in the famous sunroom,
in a vainglorious attempt to salvage forty winks, full knowing,
that even if I'm successful, the risen eye poking rays of
one the most glorious sights which we earthlings
have been privileged and entrusted,
the sun coming with a clarification of life renewal,
will stab me into consciousness

there I lay with eyes closed, either noisy napping dreaming
like baby wendy, gurgling or emitting contentment noises,
or perfectly still, having slipped a fiver to some tenors,
to entertain me while I slide lie still on the composing continuum

the sun round seven
is maximus glorious and cannot be
looked upon by the audience in direct prayer askance,
so my eyes closed in pleasured servitude, me,
my lumpen proletariat rubenesque carcass corps is

bath burnished in sun glow so warm, so living,
that the warming words are causing a major traffic jam
in the ventricle where the love poems are formed and stored,
but fervency disguised by an unmoving, close lidded human shape

shortly after seven,
the slip soft padding feet of her rumbling noisily,
knowing where to look for him from
much practice, beginning her experimentation to determine
if me-he still among the breathing, or gone to poem heaven

since she aware, the poet in his possess, a
Masters Degree in Pretend Sleeping, must eventually
take drastic measures including kissing my keppy,
then climbing aboard my fetal incongruently angled body
with no warning other than a grunting of deep satisfaction, when,
with all her modest weight in a single swoop, intended to fell,
causing me to emit a volcanic exclamation of

you're killing me*

satisfied, nah, more sated, with a sense of
feminist goddess power ranger satisfaction,
she prepares coffee, grinding the beans, just in case,
I return to my sleep fakery status,
literally, a literary impossibility, as now
the compelling transfusing heat from sun and coffee
impel me to write this pas de deux ballet down in words, a/k/a,
only a love poem

8:32am
p.s. not only a true story,  repeated each week from June thru September,
I have signed confessions frim the serial killer.
29

If those I loved were lost
The Crier’s voice would tell me—
If those I loved were found
The bells of Ghent would ring—

Did those I loved repose
The Daisy would impel me.
Philip—when bewildered
Bore his riddle in!
J R Cramer Nov 2018
I remember sitting
On the tiny porch
Of my dad’s home
Offended by the sun
That continued to sink and set
Without pausing to acknowledge
My dad’s passing.
Offended by the cars
That continued on the highway;
Callous indifference, it seemed to me.
Even the birds at their feeder
Greedily fed and failed to look up
To mark the loss of their benefactor.

I found myself
Silently demanding condolences
In every encounter.
Not for the sympathy,
Or worse, pity,
But for the acknowledgement
That he was here
And now he’s gone,
And something,
However infinitesimally small
In the scopeless universe,
Has changed.

I have two cousins.
The first called my dad
Every month.
His regular call came
During the last days.
The decline surprised him.
He took a deep breath
And asked for speakerphone
Near my dad.
He told my dad
How much my dad had
Influenced his life;
How as a child,
he anticipated a visit from my dad
Like kids stay up to see Santa;
How my dad made my cousin feel
Like he was the most important kid
In the wide world;

How my dad gave my cousin
The otherwise unavailable
Sustenance of heart
Young boys need;
How my cousin had strived to be
Like my dad
And how he hoped
His own children see in him
What he saw in my dad.

That was acknowledgement,
Profound acknowledgement.

My second cousin called
Shortly after the first.
He had heard
That my dad was dying.
He did not ask
To speak with my dad.
He wanted to tell me
To call him
As soon as memorial
Arrangements were made
So that he could purchase
Discounted airline tickets,
To include a subsequent visit
To his son who lives
In the southern part of the state.

My dad was still living.

That, too, acknowledged something,
And served to impel my pending decision.
So I opted for
A less conventional
Memorial ritual
That required neither
Plane tickets nor attendance
Nor a frozen smile reception.

I would not suffer
Insincere acknowledgement.

I am sure I scandalized
Many acquaintances of my dad
Who enjoyed the social conventions of
The anticipated gathering
If only to point out the deficiencies
Of the event and the host.

I am sure I offended
And frustrated
And embittered
One of my cousins.

The other cousin thought
My dad would have preferred
Sincerity
Over a pantomime.

I would suffer
The disfavor and distaste
Of the discontented
With no difficulty.
Paula Swanson Jun 2011
Beyond yon roof, of sod and thatch
Beyond yon door, of wood and latch
Beyond the reach of man's morals
Beyond yon hedge of thicket Laurels

Dwells a creature in forest veil
Dwells one, that lives, beyond the pale
Dwells, who takes victims with care
Dwells, who with, blank eye does stare

Watch, it does, from beneath the moon
Watch, it does, from shadows bestrewn
Watch, it has intent to bespell
Watch and feel its brace impel

Whilst, I hold, dreams sempiternal
Whilst, I invite, days be final
Whilst, I take last, sweet breath
Whilst, I embrace my lover....Death
1528

The Moon upon her fluent Route
Defiant of a Road—
The Star’s Etruscan Argument
Substantiate a God—

If Aims impel these Astral Ones
The ones allowed to know
Know that which makes them as forgot
As Dawn forgets them—now—
Tawanda Mulalu Dec 2014
Sometimes I like to wonder,

does my pen move
the same way as yours?

Does it
             dance?
Does it
             sing?

                        Does it
impel a grateful piece
of paper to smile,
and laugh out
tiny bubbles of its dream
to be admired in the Louvre?

Or does the paper bleed
angry droplets of deep-coloured
ink-blood from its ink-heart
from its ink-soul; or does it cry
little black tears
from its dark fountains of literature?

Does the paper feel
all of these things
as you sketch your last
line
or as I write my last
word?

What then, when every one of your pictures
makes words in the thousands?
How many more chunks of eternity
can you paint versus my poetry?


                    Yet you say I understand you.


Sometimes what you paint
flickers like in the movies,
and every frame

makes me wonder

if the way my pen moves
is just something someone animated
in her free time instead of studying.
Maybe then it wouldn't be too much
to say that sometimes
you sketch me into life.

Maybe then, this is why, sometimes


                    you say I understand you.


Even if I can barely hear your oxygen
over the noise of glittering pixels
that often disappoint us when we seek
more
than these strange profundities online,
where emotion is a commodity
and not ink... not paper...

It doesn't matter.

Because maybe my pen
was sketched by you.

And maybe
your poetry, your art
Dances. Sings. Smiles.
Laughs. Bleeds. Cries.
                                     Breathes.


                    So you can as well.
Everyone needs a friend.
’Twas now the hour when Night had driven
Her car half round yon sable heaven;
Boötes, only, seem’d to roll
His Arctic charge around the Pole;
While mortals, lost in gentle sleep,
Forgot to smile, or ceas’d to weep:
At this lone hour the Paphian boy,
Descending from the realms of joy,
Quick to my gate directs his course,
And knocks with all his little force;
My visions fled, alarm’d I rose,—
“What stranger breaks my blest repose?”
“Alas!” replies the wily child
In faltering accents sweetly mild;
“A hapless Infant here I roam,
Far from my dear maternal home.
Oh! shield me from the wintry blast!
The nightly storm is pouring fast.
No prowling robber lingers here;
A wandering baby who can fear?”
I heard his seeming artless tale,
I heard his sighs upon the gale:
My breast was never pity’s foe,
But felt for all the baby’s woe.
I drew the bar, and by the light
Young Love, the infant, met my sight;
His bow across his shoulders flung,
And thence his fatal quiver hung
(Ah! little did I think the dart
Would rankle soon within my heart).
With care I tend my weary guest,
His little fingers chill my breast;
His glossy curls, his azure wing,
Which droop with nightly showers, I wring;
His shivering limbs the embers warm;
And now reviving from the storm,
Scarce had he felt his wonted glow,
Than swift he seized his slender bow:—
“I fain would know, my gentle host,”
He cried, “if this its strength has lost;
I fear, relax’d with midnight dews,
The strings their former aid refuse.”
With poison tipt, his arrow flies,
Deep in my tortur’d heart it lies:
Then loud the joyous Urchin laugh’d:—
“My bow can still impel the shaft:
’Tis firmly fix’d, thy sighs reveal it;
Say, courteous host, canst thou not feel it?”
Aya Gare Aug 2010
Into the crevice
Of oceans miles deep
Child of the extinct
Tread your way over
To the clutter of streams

Seeker of the light
Enduring the edge
From falling years ahead
Of feathers bound within
Twisted branches
Of hues

Into the belly
Of tempest’s allure
Reaper of dreams
Soak me into the paint
Pave the draft way
To my escape

Hunter of clouds
Leaning off children’s walls
Delve among the color
Strap into the sanity
Of their annihilation
Tinted inhumanity

Along with their impel
Color me closed
Among all us
Pretty shades of hell.
Copyright © 2007 Aya Gare
Asim Javid Feb 2016
Strive and strive,  O dear, it's a long drive.
Fear no fear, fight without care.
The roads are rough and challenges tough.
Fear no fear, fight without care.
Take a stand, and push your limits
Follow the flare your soul emits.
The road to triumph, is full of  trammel.
Trust your resolve,  and never scramble.
There will be hurdles, ups and downs.
Keep your fortitude above the crowns.
  Do not yield,  do not cede .
Struggle against the resistance &
you'll be freed.
Impel your soul with throes of agony.
And the trace you face
is your destiny*..
Marty S Dalton Apr 2013
Hold on beleaguered artist
Though your ebullience is fleeting
Do not linger for that leisure you’ve been seeking

Now hunt down your horizon
Dare to impel your hurting heart
Before this onyx evening tears it all apart

It is no mirage you chase
No voyage lost on empty sea
So, if their curses rip your sails, know I believed in thee






(C) Marty Schoenleber III 2013
oguh stanley Dec 2016
If I was to read for you, My queen that glow,
A poem of beauty, as only few words could show.
Like Picasso as a writer, let me paint your body,
A whisper of grace and elegance, without noise of gaudy.

You posses a twin of eyes, an immaculate glitter of beauty,
From which life receives its absolute lenity.
To glow in such light of orchestration, Like a crown on the head of time,
Whence bliss takes its origin and befitting prime.

Your alluring smile, a linger of unstinted comfort,
To the stars in tender darkness of the universe, glumming in discomfort.
Each of which humbles at your engrossing presence,
And glows in congruence to the light of your radiance.

Your arms like shields,protective armoury that gets soul lifted,
Touch of your fingers, ten cradle of breath taking sweetness, heavenly gifted.
Each a perfect blend of liniment and mystic power,such,
To impel dead heart to once last beat at thy touch.

your smooth bottled neck, over your soft shoulders,
Holds a face of coherent beauty, eyed in all beholders.
A beauty indescribable by far, as only few words could tell,
How ethereally lovely it can be ; perpetually graced with the touch of angel.

Your walk of indefinable class, a lucid rawness of orchestrated elegance,
So much elegance that the angels gasp in the wake of your presence.
To dance into ecstasy,from which heaven's purity is formed,
In but of your light of all light, they all are conformed.

Those smooth long legs spread like the wings of a flyer,
Inner thighs speak a truth that would mute a liar.
And drip sweet smelling nectar that excites a man's desires,
Like an addictive drug, that makes him only want to get higher.

Beautiful seasoned lips even angels could not grace,
Like two ***** of icing sugar, leaves me breathless each time our lips come in embrace.
And the pressure they do impart,
Have the power to break the devil's heart.

Your two cupped breast,stretch the stitches of your blouse,
As if swollen with milk and honey, my flame only its water could douse.
The most tender of all cleavage,had touched my palms with finesse,
Which contact makes me frozen; a sweet emblem dancing to impress.

If I was to read for you, My queen that glow,
A poem of beauty, as only few words could show.
Like Picasso as a writer, let me paint your body,
A whisper of grace and elegance, without noise of gaudy.
phil roberts Oct 2016
Slender and tenuous reasons
Run through the droplets of motive
Which impel us in our actions
Direct us to  our self-fulfilling fates
Our cleverly devised mistakes
For we each bear the scars
Of our own fatal flaws
Victims of our own design
As I have been of mine
Haven't you?

I am the saboteur of my dreams
Picking at the seams
Of a braver me
A wiser and unlikelier me
All my tendencies and traits
Conspire and defeat me
To subtly beat me
About my empty head
With every word I've said
Every thought I've had
And that's why

                       By Phil Roberts
p May 2013
The birds seem to be telling me
In harmonious chirps
That it must be abolished

Two miniscule bugs slowly glide across the keyboard
Green with a hint of yellow
Their antennas swing up and down
They’re speaking to me too
With subdued voices
They say
That it must be abolished

A pale red ladybug flutters
From blade of grass to blade of grass
From what seems to be an infinite pattern
Of green lushness
It seems to be showing me
What I must do,
Move on
Move on from this blade of grass
That it must be abolished

An adolescent fly lands on the screen
Rubbing its arms together
And then I blink
And it has vanished
Maybe this is a sign
That I must leave
And
That it must be abolished

Why is it that everything seems to be telling me
What I desperately don’t want to hear?
It’s irrevocable

I’ve tried
And
tried
I’ve buried it in the dank dirt
Like the earthworm that I found in the soil
But the rain soon came for a visit
And it arose from the soil and into a puddle of murky water
I tried to impel it back into the ground
But it was impossible

Now I seem to say to myself
That it must be abolished
And now it doesn’t seem to be so foreign to me
phil roberts Jul 2015
Slender and tenuous reasons
Run through the droplets of motive
Which impel us in our actions
Direct us to  our self-fulfilling fates
Our cleverly devised mistakes
For we each bear the scars
Of our own fatal flaws
Victims of our own design
As I have been of mine
Haven't you?

I am the saboteur of my dreams
Picking at the seams
Of a braver me
A wiser and unlikelier me
All my tendencies and traits
Conspire and defeat me
To subtly beat me
About my empty head
With every word I've said
Every thought I've had
And that's why

                       By Phil Roberts
Danny Nov 2018
You left me again today
Drifted deep into darkness
To a realm absent of beauty or love
Where forces impel you to swallow lies


My voice, muffled by wretched thoughts, fails to find you
It has no authority where you reside
Powerless to unchain you, I can only wait
In another dimension I hold you
Patiently awaiting your return
Living with a loved one who suffers from depression.
Glenn Currier Jan 2021
I cannot resist your wriggle
your movement wrestles me awake
from my routine slumbering lumbering day
your breath
your wind are my oxygen
telling me I’m alive
you move from heart to fingers
and dance on the floor
of this keyboard
with your partner
pen on the smooth flat surface of paper.

It is more vital to write my heart
to write write write as I MUST
than to obey some poetry manual
or imitate Longfellow, Rumi, or Frost
or any other.

Writing your movement is like breathing
I cannot go long without it
you impel me to this place
this oasis
this pure land
these tropics
where I let you speak
and have your way with me,
you my magnificent muse.
Ksjpari Aug 2017
A school in a village without any pastel –
Divine Child which never cares for riel
Strives for excellence. Does propel
The children upwards and rebel
Against injustice gigantic or sea shell;
Strives to let its stars and carvings excel
With the artistic hands of its roselle.
All play ups and disobeys did she quell
For all discourteous and insolent is knell.
Insurgencies and Illiteracy repel
As soon as they hear Divine’s yell.
She made IAS, engineer and Laurel
Who are shining brightly in parallel.
The capacity to write is more in noel
As during Christmas less is evil’s spell
And more golly and blimey impel.
She is still like a nice damoiselle
Not touched by corruption or rebel.
This is pond. In it many a Raphael
Have drowned to break a cell
From which brains emerged like sail
Which drove young minds to foretell
Their future. With Anandi ma’am’s spell
She still does prosper, flourish and excel.
Pari Style Poems by Sanket D Jain. Review my poems 2 encourage my unique Pari Style
Julia R Ervin Jan 2017
inspire
1. to fill with an animating, quickening, or exalting influence
2. to fill or affect with a specified feeling, thought, etc.
3. to influence or impel

inspired
1. aroused, animated, or imbued with the spirit to do something, by or as if by supernatural or divine influence
2. resulting from such inspiration

inspiration
1. an inspiring or animating action or influence
2. something inspired, as an idea
3. a result of inspired activity
4. a thing or person that inspires

Inspiration is not often thought of as something with feet. Something capable of wandering the earth.
But rather, it is thought of as a thing. A thing that occurs. Be it divine or natural, it simply is.

Some people find Inspiration in nature.
In the woods, among weeping willows whose vibrant leaves cascade upon the earth in blissful waves.
Others find it at the edge of the water, as they observe their reflection in the piercingly clear, blue ocean while the tide brings waves rushing endlessly forward into their bare, goosebumpy legs.
Others still find it under the skies, as they stare up into an endless mass of meteors, meteorites, and stars of all colors, burning ever brighter, flying through and twinkling against the night's black.

I fear many people live their lives without meeting even a subtle glimpse of Inspiration.
These creatures are not capable of living; they simply exist.

Inspire is what we are capable of doing.
Inspired is the way we are capable of feeling.
Inspiration is the difference between being alive and living.
People are born and die.
Their lives simply pass.
They exist, they do not live, for they have never caught a glimpse of Inspiration,
even out of the corner of their eye.

I am one of the lucky ones.
I sit, among the harmonic symphony of coffee and cigarettes, across from Inspiration Himself.

We sit.
We sit on a worn, green metal bench that has become familiar and comfortable.
He hugs His legs against His chest with His feet crossed, bobbing up and down as though He feels the ebbs and flows of ocean waves beneath him.
He looks ponderously at the words in front of Him, words so brilliantly crafted,
woven from His life's toils, troubles, and joys.
Words that I hope He sees fit to share with the universe;
Words that are simply beyond me.

We are no more than two young minds,
One, spectacularly brilliant, and the other, exceedingly average,
but whose brainwaves crash into each other as
thunder and lightning join in a perfect storm,
a collision of angst and unhinged emotions and laughter.

There are people in the world who live without Inspiration.
Who never even see it out of the corner of their eye.
But the few lucky ones, like me, will tell you that
you simply have to look in the right place.

You can find it in the trees.
You can find it in the seas.
You can find it in the skies.

But if your mind can't seem to focus on something so vast and universal,
you simply have to look into the eyes of a friend who has never left your side.
For an old friend who changed everything.
6 June 2015
to exceed and to excel
to be better than expected, to perform exceptionally well
to impede and to impel
to delay or prevent, to drive forward; propel
Tana Young May 2014
Intellect sores, bountifully, higher then God
Nefariously bottomless, I fall then Hell
Eventfully, ill angels impel my ascend to Heaven
Fiendish demons walk me back
As I depress, I depress beyond saving
As I advance, I advance beyond saving  
The Devil, nor God can believe what I've become
I can't escape this
I am fastened in this blending line
And in between the insidious two, I am willingly blind
Hell and Heaven are consolidating
If the ill angels in Heaven
Are like the demons too
Heaven is the worst of the two
Just wrote this haven't edited it at all! Hopefully you guys can help! Please tell me what I can change and fix
Halley Oct 2020
When your figure strikes me
I can only become one thing
Your humble servant, a devotee
With you as my enchanting king

Fascination flows through my veins
Only a scattering thoughts remain
The bewitching way you impel me to care
Or how brazenly you cause me to stare

Delusions will cloud my senses
I’m gazing through rose colored lenses
As I follow in your footsteps
But never close enough to vex

Either way I’m invisible to you
Never to be heard always out of view
My fixation must be felt from afar
So others don’t think me too bizar

It is known that what I feel
Is not to be confused with affection
As I sit here having to conceal
My indefinite obsession
Dave Robertson Feb 2022
Aaaaah!
Understand that every thought you had
about adults knowing what they’re doing
rapidly disappears when you become one

So even the plush ******
sat at the Romanesque desk
preaching complex reasons and threats
…because?
is hideously full of ****

When the best toy is being threatened
in kindergarten, the fattest egos flex
and either with aggression
or diseased crocodile tears
will appeal or impel.

Well. Here we are.
Men get old, even me.
But unlike cheese or wine,
it is not fine, virile,
or true.
kelvin mungai Sep 2015
i sing for all mama but
give it up for single momma
i applaud to her names which is
uttered in murmur
in a society inebriated with ignorance
her name is whispered
in stammers
behind stunners you are looked down
on
you are regarded with scorn and
disdain
with abuse and insults your names
they stain
'single?'
politically incorrect
you are a plural;parents
you play the role of a mother and a
father
yet the society try to push you further
forget you've been there during joy
and strife
calming down all the storms in life
you are that rifle that combats rivals
your bullets saves during upheavals
life with you is always a win owing all
to you
a blue letter a baloon to blew later
BINGO
raising kids in absence of a man who
sired them
then grew tired and treated you like
a hired maid
left you with no aids
sorry he only donated AIDs positive
you deserve more than negative
a woman who has been in the receiving
end
of blows is entitled to a bow
it hurt more than a thorn to see a
woman heart
torn,her soul burdened by tons of
grief
it really ****** to see her shredded
into pieces
then treated like faeces in the faces
of chauvinist
till when shall they impel single moms
to hide behind sunglasses
as their son glances?
you deserve more than back biting
hypocrisy blinds them from seeing
your hard fighting
this society is hand biting
you are strong beings mentor you've
been
in physical and mental
though some view you like a zero
hell no
to me you are a hero
who can heal all
MRQUIPTY Nov 2016
clamour push and deny the rust stain
left as spots on nylon thin throws

no light is un-greyed in passing
to fail ignition . somewhere
sinoatrial spark kicks the pump
over
again
again
again

until even that like waxed diesel
instead of vital fuel will impel
only a

thud

and then wooden and thin as a
peg. round headed and spindles
you are boxed for
the
Fire
Kerli Tulva Dec 2014
Sometimes it is hard
To understand a poet
The depth of his soul
To his heart.
The attempt to impel the thoughts
To take the form of the letters
Melting into words for lines
Which he can paint on the paper
And try to make sense
Of his smoldering feelings
Which are too complex
Even for his sophisticated nature
To make them intelligible.
Sometimes you have to decipher
The code of the hidden sensations
And liberate the poet to understand.

— The End —