Dark emerald
Twisting lines of my imaginings
Creep upward
O'er the cold hard walls.

Disintegrate the temples
Men wrought of continental stone
Mountain disassembled
And raised here
To form
Buildings
Razed here
By the alchemy
Of green plants
And the elements
Of dark twisting lines
In my imaginings:
Even now
The dust begins to pile upon the ground
And the golden city fades
Beneath the growing green image.

Dark emerald
Twisting lines of my imaginings
Creep upward
O'er the cold hard walls.

Weave vine tendrils
Into the fabric
Of the stone,
Clamber over solemn tombs
What one life raised
Another will surpass,
Must first embrace its artifacts
And then exceed
And render into dust
The particles
Turn roundward.

Dark emerald
Twisting lines of my imaginings
Creep upward
O'er the cold hard walls.
Reintegrate the dust
To continental stone
In dark mantle
Mountain reassembled
And raised here
By alchemy
Of the earth
Turning in another million years
Beneath new life
Raised here.

Dark emerald
Twisting lines of my imaginings
Creep upward
O'er the cold hard walls.

Nightbird perches high
beneath the shooting stars
that dapple the bouquet
    of sleepless peace
... his soft downy breast      
    has lent breath
to the sweet April afterglow
     heaving with song

The mystical feathered troubadour's
     swooning echo
A melodic twilight serenade
conjures a moonstruck metamorphosis,
sprouting magical wings of flight;
rousing a lonely heart's esprit
     to fly away unfettered
     in constellations of song

How dare imaginings spilled from the big dipper
enchant such an enrapturing magic spell?
It's so far to fall from swinging on a star!
It's so far beyond nearing crescent moon
     when you wish upon a star  

Thereupon struck by a bewitching bolt of starlight;
Dropping asudden as a shooting-star!

    Rolling like trailing thunder;
        tucked and tumbling ―
             somersaulting,

           celestial rumbling
blossoming with an unearthly joy

A nascent winged heart splayed bare,
soars upon cresting wind waves;
    dreaming of that shapeless  
          w h o  o  o  o  s h ―
         gathering beneath
        ~ uplifting wings ~

  Suddenly ― gliding freely,
       winging gracefully
  upon wafting star drift glitter;
lilting lightly upon the arising cadence
of nightingale's melodious fluted song

Nightingale sings sweet April perfume
beneath the star shed lamplight twinkle

... and it makes no difference if it's only a dream
    if my heart had wings


imagined by:   Jesse Stillwater

SAILING TO BYZANTIUM
I

THAT is no country for old men.  The young
In one another's arms, birds in the trees
-- Those dying generations -- at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
Once out Of nature I shall never take
My ****** form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.

WHAT shall I do with this absurdity --
O heart, O troubled heart -- this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible --
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs.  French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day --
Music had driven their wits astray --
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards --
O towards I have forgotten what -- enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous.  half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs.  French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country *****.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost.?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.

III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse --
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come --
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -- .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.
THE TOWER
I
HDRWHAT shall I do with this absurdity --
O heart, O troubled heart -- this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye
That more expected the impossible --
No, not in boyhood when with rod and fly,
Or the humbler worm, I climbed Ben Bulben's back
And had the livelong summer day to spend.
It seems that I must bid the Muse go pack,
Choose Plato and Plotinus for a friend
Until imagination, ear and eye,
Can be content with argument and deal
In abstract things; or be derided by
A sort of battered kettle at the heel.
I pace upon the battlements and stare
On the foundations of a house, or where
Tree, like a sooty finger, starts from the earth;
And send imagination forth
Under the day's declining beam, and call
Images and memories
From ruin or from ancient trees,
For I would ask a question of them all.
Beyond that ridge lived Mrs.  French, and once
When every silver candlestick or sconce
Lit up the dark mahogany and the wine.
A serving-man, that could divine
That most respected lady's every wish,
Ran and with the garden shears
Clipped an insolent farmer's ears
And brought them in a little covered dish.
Some few remembered still when I was young
A peasant girl commended by a Song,
Who'd lived somewhere upon that rocky place,
And praised the colour of her face,
And had the greater joy in praising her,
Remembering that, if walked she there,
Farmers jostled at the fair
So great a glory did the song confer.
And certain men, being maddened by those rhymes,
Or else by toasting her a score of times,
Rose from the table and declared it right
To test their fancy by their sight;
But they mistook the brightness of the moon
For the prosaic light of day --
Music had driven their wits astray --
And one was drowned in the great bog of Cloone.
Strange, but the man who made the song was blind;
Yet, now I have considered it, I find
That nothing strange; the tragedy began
With Homer that was a blind man,
And Helen has all living hearts betrayed.
O may the moon and sunlight seem
One inextricable beam,
For if I triumph I must make men mad.
And I myself created Hanrahan
And drove him drunk or sober through the dawn
From somewhere in the neighbouring cottages.
Caught by an old man's juggleries
He stumbled, tumbled, fumbled to and fro
And had but broken knees for hire
And horrible splendour of desire;
I thought it all out twenty years ago:
Good fellows shuffled cards in an old bawn;
And when that ancient ruffian's turn was on
He so bewitched the cards under his thumb
That all but the one card became
A pack of hounds and not a pack of cards,
And that he changed into a hare.
Hanrahan rose in frenzy there
And followed up those baying creatures towards --
O towards I have forgotten what -- enough!
I must recall a man that neither love
Nor music nor an enemy's clipped ear
Could, he was so harried, cheer;
A figure that has grown so fabulous
There's not a neighbour left to say
When he finished his dog's day:
An ancient bankrupt master of this house.
Before that ruin came, for centuries,
Rough men-at-arms, cross-gartered to the knees
Or shod in iron, climbed the narrow stairs,
And certain men-at-arms there were
Whose images, in the Great Memory stored,
Come with loud cry and panting breast
To break upon a sleeper's rest
While their great wooden dice beat on the board.
As I would question all, come all who can;
Come old, necessitous.  half-mounted man;
And bring beauty's blind rambling celebrant;
The red man the juggler sent
Through God-forsaken meadows; Mrs.  French,
Gifted with so fine an ear;
The man drowned in a bog's mire,
When mocking Muses chose the country *****.
Did all old men and women, rich and poor,
Who trod upon these rocks or passed this door,
Whether in public or in secret rage
As I do now against old age?
But I have found an answer in those eyes
That are impatient to be gone;
Go therefore; but leave Hanrahan,
For I need all his mighty memories.
Old lecher with a love on every wind,
Bring up out of that deep considering mind
All that you have discovered in the grave,
For it is certain that you have
Reckoned up every unforeknown, unseeing
plunge, lured by a softening eye,
Or by a touch or a sigh,
Into the labyrinth of another's being;
Does the imagination dwell the most
Upon a woman won or woman lost.?
If on the lost, admit you turned aside
From a great labyrinth out of pride,
Cowardice, some silly over-subtle thought
Or anything called conscience once;
And that if memory recur, the sun's
Under eclipse and the day blotted out.
III
It is time that I wrote my will;
I choose upstanding men
That climb the streams until
The fountain leap, and at dawn
Drop their cast at the side
Of dripping stone; I declare
They shall inherit my pride,
The pride of people that were
Bound neither to Cause nor to State.
Neither to slaves that were spat on,
Nor to the tyrants that spat,
The people of Burke and of Grattan
That gave, though free to refuse --
pride, like that of the morn,
When the headlong light is loose,
Or that of the fabulous horn,
Or that of the sudden shower
When all streams are dry,
Or that of the hour
When the swan must fix his eye
Upon a fading gleam,
Float out upon a long
Last reach of glittering stream
And there sing his last song.
And I declare my faith:
I mock plotinus' thought
And cry in plato's teeth,
Death and life were not
Till man made up the whole,
Made lock, stock and barrel
Out of his bitter soul,
Aye, sun and moon and star, all,
And further add to that
That, being dead, we rise,
Dream and so create
Translunar paradise.
I have prepared my peace
With learned Italian things
And the proud stones of Greece,
Poet's imaginings
And memories of love,
Memories of the words of women,
All those things whereof
Man makes a superhuman,
Mirror-resembling dream.
As at the loophole there
The daws chatter and scream,
And drop twigs layer upon layer.
When they have mounted up,
The mother bird will rest
On their hollow top,
And so warm her wild nest.
I leave both faith and pride
To young upstanding men
Climbing the mountain-side,
That under bursting dawn
They may drop a fly;
Being of that metal made
Till it was broken by
This sedentary trade.
Now shall I make my soul,
Compelling it to study
In a learned school
Till the wreck of body,
Slow decay of blood,
Testy delirium
Or dull decrepitude,
Or what worse evil come --
The death of friends, or death
Of every brilliant eye
That made a catch in the breath -- .
Seem but the clouds of the sky
When the horizon fades;
Or a bird's sleepy cry
Among the deepening shades.

There are who lord it o'er their fellow-men
With most prevailing tinsel: who unpen
Their baaing vanities, to browse away
The comfortable green and juicy hay
From human pastures; or, O torturing fact!
Who, through an idiot blink, will see unpack'd
Fire-branded foxes to sear up and singe
Our gold and ripe-ear'd hopes. With not one tinge
Of sanctuary splendour, not a sight
Able to face an owl's, they still are dight
By the blear-eyed nations in empurpled vests,
And crowns, and turbans. With unladen *******,
Save of blown self-applause, they proudly mount
To their spirit's perch, their being's high account,
Their tiptop nothings, their dull skies, their thrones--
Amid the fierce intoxicating tones
Of trumpets, shoutings, and belabour'd drums,
And sudden cannon. Ah! how all this hums,
In wakeful ears, like uproar past and gone--
Like thunder clouds that spake to Babylon,
And set those old Chaldeans to their tasks.--
Are then regalities all gilded masks?
No, there are throned seats unscalable
But by a patient wing, a constant spell,
Or by ethereal things that, unconfin'd,
Can make a ladder of the eternal wind,
And poise about in cloudy thunder-tents
To watch the abysm-birth of elements.
Aye, 'bove the withering of old-lipp'd Fate
A thousand Powers keep religious state,
In water, fiery realm, and airy bourne;
And, silent as a consecrated urn,
Hold sphery sessions for a season due.
Yet few of these far majesties, ah, few!
Have bared their operations to this globe--
Few, who with gorgeous pageantry enrobe
Our piece of heaven--whose benevolence
Shakes hand with our own Ceres; every sense
Filling with spiritual sweets to plenitude,
As bees gorge full their cells. And, by the feud
'Twixt Nothing and Creation, I here swear,
Eterne Apollo! that thy Sister fair
Is of all these the gentlier-mightiest.
When thy gold breath is misting in the west,
She unobserved steals unto her throne,
And there she sits most meek and most alone;
As if she had not pomp subservient;
As if thine eye, high Poet! was not bent
Towards her with the Muses in thine heart;
As if the ministring stars kept not apart,
Waiting for silver-footed messages.
O Moon! the oldest shades '**** oldest trees
Feel palpitations when thou lookest in:
O Moon! old boughs lisp forth a holier din
The while they feel thine airy fellowship.
Thou dost bless every where, with silver lip
Kissing dead things to life. The sleeping kine,
Couched in thy brightness, dream of fields divine:
Innumerable mountains rise, and rise,
Ambitious for the hallowing of thine eyes;
And yet thy benediction passeth not
One obscure hiding-place, one little spot
Where pleasure may be sent: the nested wren
Has thy fair face within its tranquil ken,
And from beneath a sheltering ivy leaf
Takes glimpses of thee; thou art a relief
To the poor patient oyster, where it sleeps
Within its pearly house.--The mighty deeps,
The monstrous sea is thine--the myriad sea!
O Moon! far-spooming Ocean bows to thee,
And Tellus feels his forehead's cumbrous load.

  Cynthia! where art thou now? What far abode
Of green or silvery bower doth enshrine
Such utmost beauty? Alas, thou dost pine
For one as sorrowful: thy cheek is pale
For one whose cheek is pale: thou dost bewail
His tears, who weeps for thee. Where dost thou sigh?
Ah! surely that light peeps from Vesper's eye,
Or what a thing is love! 'Tis She, but lo!
How chang'd, how full of ache, how gone in woe!
She dies at the thinnest cloud; her loveliness
Is wan on Neptune's blue: yet there's a stress
Of love-spangles, just off yon cape of trees,
Dancing upon the waves, as if to please
The curly foam with amorous influence.
O, not so idle: for down-glancing thence
She fathoms eddies, and runs wild about
O'erwhelming water-courses; scaring out
The thorny sharks from hiding-holes, and fright'ning
Their savage eyes with unaccustomed lightning.
Where will the splendor be content to reach?
O love! how potent hast thou been to teach
Strange journeyings! Wherever beauty dwells,
In gulf or aerie, mountains or deep dells,
In light, in gloom, in star or blazing sun,
Thou pointest out the way, and straight 'tis won.
Amid his toil thou gav'st Leander breath;
Thou leddest Orpheus through the gleams of death;
Thou madest Pluto bear thin element;
And now, O winged Chieftain! thou hast sent
A moon-beam to the deep, deep water-world,
To find Endymion.

                  On gold sand impearl'd
With lily shells, and pebbles milky white,
Poor Cynthia greeted him, and sooth'd her light
Against his pallid face: he felt the charm
To breathlessness, and suddenly a warm
Of his heart's blood: 'twas very sweet; he stay'd
His wandering steps, and half-entranced laid
His head upon a tuft of straggling weeds,
To taste the gentle moon, and freshening beads,
Lashed from the crystal roof by fishes' tails.
And so he kept, until the rosy veils
Mantling the east, by Aurora's peering hand
Were lifted from the water's breast, and fann'd
Into sweet air; and sober'd morning came
Meekly through billows:--when like taper-flame
Left sudden by a dallying breath of air,
He rose in silence, and once more 'gan fare
Along his fated way.

                      Far had he roam'd,
With nothing save the hollow vast, that foam'd
Above, around, and at his feet; save things
More dead than Morpheus' imaginings:
Old rusted anchors, helmets, breast-plates large
Of gone sea-warriors; brazen beaks and targe;
Rudders that for a hundred years had lost
The sway of human hand; gold vase emboss'd
With long-forgotten story, and wherein
No reveller had ever dipp'd a chin
But those of Saturn's vintage; mouldering scrolls,
Writ in the tongue of heaven, by those souls
Who first were on the earth; and sculptures rude
In ponderous stone, developing the mood
Of ancient Nox;--then skeletons of man,
Of beast, behemoth, and leviathan,
And elephant, and eagle, and huge jaw
Of nameless monster. A cold leaden awe
These secrets struck into him; and unless
Dian had chaced away that heaviness,
He might have died: but now, with cheered feel,
He onward kept; wooing these thoughts to steal
About the labyrinth in his soul of love.

  "What is there in thee, Moon! that thou shouldst move
My heart so potently? When yet a child
I oft have dried my tears when thou hast smil'd.
Thou seem'dst my sister: hand in hand we went
From eve to morn across the firmament.
No apples would I gather from the tree,
Till thou hadst cool'd their cheeks deliciously:
No tumbling water ever spake romance,
But when my eyes with thine thereon could dance:
No woods were green enough, no bower divine,
Until thou liftedst up thine eyelids fine:
In sowing time ne'er would I dibble take,
Or drop a seed, till thou wast wide awake;
And, in the summer tide of blossoming,
No one but thee hath heard me blithly sing
And mesh my dewy flowers all the night.
No melody was like a passing spright
If it went not to solemnize thy reign.
Yes, in my boyhood, every joy and pain
By thee were fashion'd to the self-same end;
And as I grew in years, still didst thou blend
With all my ardours: thou wast the deep glen;
Thou wast the mountain-top--the sage's pen--
The poet's harp--the voice of friends--the sun;
Thou wast the river--thou wast glory won;
Thou wast my clarion's blast--thou wast my steed--
My goblet full of wine--my topmost deed:--
Thou wast the charm of women, lovely Moon!
O what a wild and harmonized tune
My spirit struck from all the beautiful!
On some bright essence could I lean, and lull
Myself to immortality: I prest
Nature's soft pillow in a wakeful rest.
But, gentle Orb! there came a nearer bliss--
My strange love came--Felicity's abyss!
She came, and thou didst fade, and fade away--
Yet not entirely; no, thy starry sway
Has been an under-passion to this hour.
Now I begin to feel thine orby power
Is coming fresh upon me: O be kind,
Keep back thine influence, and do not blind
My sovereign vision.--Dearest love, forgive
That I can think away from thee and live!--
Pardon me, airy planet, that I prize
One thought beyond thine argent luxuries!
How far beyond!" At this a surpris'd start
Frosted the springing verdure of his heart;
For as he lifted up his eyes to swear
How his own goddess was past all things fair,
He saw far in the concave green of the sea
An old man sitting calm and peacefully.
Upon a weeded rock this old man sat,
And his white hair was awful, and a mat
Of weeds were cold beneath his cold thin feet;
And, ample as the largest winding-sheet,
A cloak of blue wrapp'd up his aged bones,
O'erwrought with symbols by the deepest groans
Of ambitious magic: every ocean-form
Was woven in with black distinctness; storm,
And calm, and whispering, and hideous roar
Were emblem'd in the woof; with every shape
That skims, or dives, or sleeps, 'twixt cape and cape.
The gulphing whale was like a dot in the spell,
Yet look upon it, and 'twould size and swell
To its huge self; and the minutest fish
Would pass the very hardest gazer's wish,
And show his little eye's anatomy.
Then there was pictur'd the regality
Of Neptune; and the sea nymphs round his state,
In beauteous vassalage, look up and wait.
Beside this old man lay a pearly wand,
And in his lap a book, the which he conn'd
So stedfastly, that the new denizen
Had time to keep him in amazed ken,
To mark these shadowings, and stand in awe.

  The old man rais'd his hoary head and saw
The wilder'd stranger--seeming not to see,
His features were so lifeless. Suddenly
He woke as from a trance; his snow-white brows
Went arching up, and like two magic ploughs
Furrow'd deep wrinkles in his forehead large,
Which kept as fixedly as rocky marge,
Till round his wither'd lips had gone a smile.
Then up he rose, like one whose tedious toil
Had watch'd for years in forlorn hermitage,
Who had not from mid-life to utmost age
Eas'd in one accent his o'er-burden'd soul,
Even to the trees. He rose: he grasp'd his stole,
With convuls'd clenches waving it abroad,
And in a voice of solemn joy, that aw'd
Echo into oblivion, he said:--

  "Thou art the man! Now shall I lay my head
In peace upon my watery pillow: now
Sleep will come smoothly to my weary brow.
O Jove! I shall be young again, be young!
O shell-borne Neptune, I am pierc'd and stung
With new-born life! What shall I do? Where go,
When I have cast this serpent-skin of woe?--
I'll swim to the syrens, and one moment listen
Their melodies, and see their long hair glisten;
Anon upon that giant's arm I'll be,
That writhes about the roots of Sicily:
To northern seas I'll in a twinkling sail,
And mount upon the snortings of a whale
To some black cloud; thence down I'll madly sweep
On forked lightning, to the deepest deep,
Where through some ******* pool I will be hurl'd
With rapture to the other side of the world!
O, I am full of gladness! Sisters three,
I bow full hearted to your old decree!
Yes, every god be thank'd, and power benign,
For I no more shall wither, droop, and pine.
Thou art the man!" Endymion started back
Dismay'd; and, like a wretch from whom the rack
Tortures hot breath, and speech of agony,
Mutter'd: "What lonely death am I to die
In this cold region? Will he let me freeze,
And float my brittle limbs o'er polar seas?
Or will he touch me with his searing hand,
And leave a black memorial on the sand?
Or tear me piece-meal with a bony saw,
And keep me as a chosen food to draw
His magian fish through hated fire and flame?
O misery of hell! resistless, tame,
Am I to be burnt up? No, I will shout,
Until the gods through heaven's blue look out!--
O Tartarus! but some few days agone
Her soft arms were entwining me, and on
Her voice I hung like fruit among green leaves:
Her lips were all my own, and--ah, ripe sheaves
Of happiness! ye on the stubble droop,
But never may be garner'd. I must stoop
My head, and kiss death's foot. Love! love, farewel!
Is there no hope from thee? This horrid spell
Would melt at thy sweet breath.--By Dian's hind
Feeding from her white fingers, on the wind
I see thy streaming hair! and now, by Pan,
I care not for this old mysterious man!"

  He spake, and walking to that aged form,
Look'd high defiance. Lo! his heart 'gan warm
With pity, for the grey-hair'd creature wept.
Had he then wrong'd a heart where sorrow kept?
Had he, though blindly contumelious, brought
Rheum to kind eyes, a sting to human thought,
Convulsion to a mouth of many years?
He had in truth; and he was ripe for tears.
The penitent shower fell, as down he knelt
Before that care-worn sage, who trembling felt
About his large dark locks, and faultering spake:

  "Arise, good youth, for sacred Phoebus' sake!
I know thine inmost *****, and I feel
A very brother's yearning for thee steal
Into mine own: for why? thou openest
The prison gates that have so long opprest
My weary watching. Though thou know'st it not,
Thou art commission'd to this fated spot
For great enfranchisement. O weep no more;
I am a friend to love, to loves of yore:
Aye, hadst thou never lov'd an unknown power
I had been grieving at this joyous hour
But even now most miserable old,
I saw thee, and my blood no longer cold
Gave mighty pulses: in this tottering case
Grew a new heart, which at this moment plays
As dancingly as thine. Be not afraid,
For thou shalt hear this secret all display'd,
Now as we speed towards our joyous task."

  So saying, this young soul in age's mask
Went forward with the Carian side by side:
Resuming quickly thus; while ocean's tide
Hung swollen at their backs, and jewel'd sands
Took silently their foot-prints. "My soul stands
Now past the midway from mortality,
And so I can prepare without a sigh
To tell thee briefly all my joy and pain.
I was a fisher once, upon this main,
And my boat danc'd in every creek and bay;
Rough billows were my home by night and day,--
The sea-gulls not more constant; for I had
No housing from the storm and tempests mad,
But hollow rocks,--and they were palaces
Of silent happiness, of slumberous ease:
Long years of misery have told me so.
Aye, thus it was one thousand years ago.
One thousand years!--Is it then possible
To look so plainly through them? to dispel
A thousand years with backward glance sublime?
To breathe away as 'twere all scummy slime
From off a crystal pool, to see its deep,
And one's own image from the bottom peep?
Yes: now I am no longer wretched thrall,
My long captivity and moanings all
Are but a slime, a thin-pervading ****,
The which I breathe away, and thronging come
Like things of yesterday my youthful pleasures.

  "I touch'd no lute, I sang not, trod no measures:
I was a lonely youth on desert shores.
My sports were lonely, 'mid continuous roars,
And craggy isles, and sea-mew's plaintive cry
Plaining discrepant between sea and sky.
Dolphins were still my playmates; shapes unseen
Would let me feel their scales of gold and green,
Nor be my desolation; and, full oft,
When a dread waterspout had rear'd aloft
Its hungry hugeness, seeming ready ripe
To burst with hoarsest thunderings, and wipe
My life away like a vast sponge of fate,
Some friendly monster, pitying my sad state,
Has dived to its foundations, gulph'd it down,
And left me tossing safely. But the crown
Of all my life was utmost quietude:
More did I love to lie in cavern rude,
Keeping in wait whole days for Neptune's voice,
And if it came at last, hark, and rejoice!
There blush'd no summer eve but I would steer
My skiff along green shelving coasts, to hear
The shepherd's pipe come clear from aery steep,
Mingled with ceaseless bleatings of his sheep:
And never was a day of summer shine,
But I beheld its birth upon the brine:
For I would watch all night to see unfold
Heaven's gates, and Aethon snort his morning gold
Wide o'er the swelling streams: and constantly
At brim of day-tide, on some grassy lea,
My nets would be spread out, and I at rest.
The poor folk of the sea-country I blest
With daily boon of fish most delicate:
They knew not whence this bounty, and elate
Would strew sweet flowers on a sterile beach.

  "Why was I not contented? Wherefore reach
At things which, but for thee, O Latmian!
Had been my dreary death? Fool! I began
To feel distemper'd longings: to desire
The utmost priv

J.R. said the man in the helmet said, “Goodbye, my friend,” before shooting his father in the chest. His body sank, but the man shot him twice more, in the head and cheeks. The children said the three men were laughing as they left.*
-Daniel Berehulak, They Are Slaughtering Us Like Animals, New York Times

Manila, goodnight.
The world is watching you slowly die.
Tattered truths & losing sense of life
captivate your battered night. Mud hurls blood
streets batted with horror & blabbed
anonymous spirits ghostlier than ever.

(Even ghostlier than your Martial Law days)

Manila, tranquilize yourself.

Your rest will be disturbed by scourged souls, thunderous cracks of guns,
bullets hitting flesh, motorcycle tandem arrests,
people’s holy shouts shunning shibboleth sounding death.

Hear them not. Sleep well.

Maggots festering wound. Manila,
on your knees, worms stich your broken nerves
healing gunshot wounds with peace.

Your night will be a train of madness
shattered by lies through morbid holes in skulls
& confessions in cardboard signs.

(Justice today is served cold, so cold)

& everything from that day on is simply to be known
as a cold just.

Truth decays. Life smolders, vanishing.

Your nights will be unthreaded from memories
for no one dares to look back to twisted arms clenched
by plastic strips, head bowing to ground (instead of ground
bowing to head), ground kissing the body naked swarmed
either by grease or blood, the body breaking gossips
among gossipers & gossamer among spiders.

Weep not, dead men tell no fiction.
Their bodies are the shocking truth, forsaken
shocking headlines hissing morning papers
peppered with mint or lies.

Manila, goodnight for your night will be remembered
through vigilant myths & nothing more.

Often cold bodies, freezing voices from limbo,
can’t speak nor bothered the living.

Again, Manila, in your arms, dead men tell no tales.

The killing spree of fragmented morality,
mortality, fatality, vanity, sanity, insanity, apathy.

Manila, do not move. You are now sedated with fear,
stronger than cooked methamphetamine of crooked realities,
no less than a drug making your anxious, bothered
in the darker & dimmer night
in dimmer  & darker disaster.

Manila, walk with your graffiti walls.
Your gutters will be banks of blood. Daylight traffic
will erase your night’s unwelcoming sphere. Last night
persists as tiny figment of imaginings photographed
& again, nothing more.

Everything will pass like hyacinths of Pasig River.

Everything will pass like one’s eternal passing.

Everything will pass like a chilling December wind.

Everything will pass either a typhoon or a butterfly fluttering.

Manila, goodnight. I am afraid they will ****** you
in your sleep. I am afraid that everything will just pass
like your breath losing hold of your lungs then your heart.

I am afraid that your death, my dear Manila,
will just be a neighbourhood rumour passing
& everything turns into a fiasco of a madman who believes
that he is a messiah, was he a messiah or never he will be a messiah.

Manila goodnight, I will watch you in your sleep. Your sleep
will be a thousand fold peace. No more of your sons or daughters
will be killed at least not in my memory.

Manila, here comes the night. Sleep,
sleep holy in the hidden lair of my mind. Your
catacomb will be wreathed by flowers & tears.
Incense will be fragrant burning bones. Your life,
your tired life will be a gentle ebbing of time
like your Bay’s sunset beauty, like your lively street people
like your once known heritage, your life
in the busy daybreak of your kindred sons.

Goodnight, my dear Manila.

This is a three-part, longer narrative poem, seen
as old photographs that follow the main character, My Aunt, Lillian Goldrick, across two decades.  It was written 30 years ago*
______

“Hey Kid!”     Part I

Photographs aren’t fair
stopping the soul where it’s not
in rectangular guffaws
surrounded by serrated edges, pickets, teeth?
to fence and stab in yellow, soft-covered booklets
with designated floppy phrase
“Your memories”

Happier than she could ever be...

A black and white day at Salisbury Beach, NH
hung over his hammock
Private pin-up girl
tilts her head against silver sheen of shoulder
Hair, dark chignon
except for a few wispy curls about her face
freed by wind
bleached by sun

Stopped

...for three decades
Legs slightly bent—long extended
that could stop trains, stop traffic

Stopped

Modest bathing suit, probably peach
cannot hide (not that she would)
the undeniable
And if there were question left
you could look at her smile—and love her
posed by he message scrawled in sand:

“Hey Kid!”

What kid? Where?
In the foreground?
In the camera’s eye?

In the background—
a Ferris wheel, a billboard
and  r-i-g-h-t  there—Can’t you see it?
Look again—behind her eyes
You can barely see it, but it’s there.
Remember?

The Depression
Only ten years before
It was April
Stroke, heart attack
Both of them gone, a year apart!
The priest came
Last Rites for mortally stricken
Candles, crucifix, the Catholic containment
of holy water that dams the tears

Kneeling around the bed
they said the Rosary

——————————

After VJ Day he came
to the house on the corner
of Commonwealth Ave.
She knew he was coming
but she could not be ready today
nor tomorrow
nor next week—or ever...

“Lill! Will ya come to the door?
She’ll be ready in a minute.
Hey Lill! Hurry up, will ya!
They’re waitin’ fer us!”

Upstairs in the dark hallway
her door clicks shut....
________


"Hey Kid"    Part II


The clock at Joe Rianni’s read 20 minutes to 12...

Crowd from the Phillip’s Theater—gone
though laughter lingers
in a Friday mood
in high-backed booths
where only an hour ago swinging free
were high-heeled shoes
legs crossed at knees....

Now on tables abandoned
deserted fields of French
fries lie cold in salt flurries

Only female straws wear lipstick
as do Luckys bent in ashtrays
Males, uniformly flattened
as powder burned, as mortar might
shells, casings—the evidence of war
Among explosions of tickled giggles
one was taken broadside...

listing     toward      stars
_______

...The clock read 20 minutes to 12

when she walked in--
And Rhea stopped swabbing black mica counters
long enough to absorb late-customer hate
and envy that such beauty can arouse
In voice hoarse and weighted like a trucker’s

“Whadaya have, Lill?”

“coffee”

The small answer settled at the soda fountain
and slowly struck a match...
She was falling from the slant
of her black felt hat
dripping off the point of pheasant feather
Gray gabardine suit
tailored from angle of shoulder
to dart diagonally
toward such a waist!
Turned to skirt hips
that arched and dove toward slit—
then seams that run the round of calf

that seem to flow
to ankles of naught—
...and all that seems

Black     high-heeled     above it

Coffee— cold, stale
Gray glassed-in stare
searches air and random walls
of coat hooks, menus, mirrors...
while lips ****** exiled words— replies

Dragging a demon from her Camel
slowly     purposefully
she exhaled a burly arm of smoke
that rose and laid its hand
against the ceiled atmosphere of embossed tin
Then leaning over her shoulder
in roiling emission of shrugs and sneers—

“Lill—There’s no way outa here!”
________


“Hey Kid!”    Part III

After kneeling backwards on their chairs
after nuns, catechism recited
After—
Five of them scuffed through leaves and litter
along the curbing
spotting cars that counted—
Bugs, beach wagons, flying bathtubs
A slower way home of hunting
shiny chestnuts and muddy finds
rare match book covers
and bottle caps that win ya things!

One breaks from bunch
and trials off to where
dimes turn to candies!
...at a dingy luncheonette...Joe Rianni’s
____

Here—behind smeary wall of glass
pleasure leers while holding back
those grimy fingers, lips that long
for jelly fish, gum drops, lollies
holding back the company
of Baby Ruth, and Mary Jane
O Henry or Bazooka Joe!
For less money but the same salivation
there were colored dots to chew and ****
from strips of paper that last forever!
For a little more, plus the sweet struggle
of desire denied
a kid could be proud owner
of a pea shooter or trading cards!
While in the mouth
were golden imaginings—
the chocolate foil of coins
and the candied pretense of cigarette adulthood
_____

Rhea didn’t see her in the line...

Only grownups with wallets and purses
Only grownups get waited on...
...because Rhea was a Gypsy!
Kids could tell!
by her big red lips and hair to match
by the nasty way she chased them out—
“****** kids!”
Only grownups get waited on....
_______

And the clock read 20 minutes to 12

While a child waits—
time stirs in a ceiling fan
   There’s a drift in attention
      along deepening endless walls
         toward a line of sleepy booths
              carved with

“I was here—in such and such a year”

Her aunt—at the last stool—like always
Their names too close
Confused too often

A little girl wonders
about the sight behind the sightless stare
loafers, ankle socks, the ‘40s hair
the gathered skirt that gathers ashes
as they fall from cigarette
held in yellowed fingertips
Tremors crimp the smoke that climbs—

              ...a strobing pillar

“Whataya want, girly?”

              ...the only movement

“Hey! What’s it gonna be!”

              ...in a shot—

“HEY KID!”

              Snapped

i've just realized
i am a little too hungry
for the world's delicious hidden things
to sit here idly still
waiting upon those who watch over me
to figure out i'm not a figurine
to handle with care and
twirl on pedestals for the eyes of family friends
as though accomplishments
are only made of paper and years' hardships
and "look, dear, she did it!"s that
only bring bile to my lips
not proud smiles like i plaster
as though i'm only yours, nothing more

can you feel the furnace in my roots
lapping at the scraps of solitude
and fanciful imaginings that i throw
to sate the beast begging for death
of your dominion over my wellbeing
i don't want to be safe right now, love
i want to feel the rain on my face
and have permanence taper
until all that's left of me
is lived experience, no paper trails
and accolades that gather dust and wither.

Betwixt of any sense beyond experiment, I sat on the bed between shifts and out-whipped the bag of Concerta given to me by Matt, o'timey hard-worker-soft-souled Matt, who felt, perhaps, that I had a legitimate reason to explore this legal avenue of pharmaceutical mind-manipulation for reasons he would rather fathom in retrospect. I popped a single pill, and voilà, the legal-cocainnabinoid began to flow between my red and white blood-cells playing cops and robbers.

It is when I feel nostalgic that I feel the need to write. I remembered, at work, with all those strange everyone-elses faces gliding past (and myself annoyed at the general lack of positive reception "Hello there!" "h .. i ." is one sour-looking businessmans sultry whispered reply.. once, a woman told me 'look, I know that you are told to say hello at the door to everyone who enters, but I don't like it. I just want to shop in peace, and no, I don't need any help' and without case to what my managers could say, I somewhat-hissed-back, "if you don't want to be greeted, then perhaps you shouldn't walk into big private corporate establishments to find the books you're looking for," and she shrugged and muttered some ****-talk under her breath and glided upstairs to find a copy of Ayn Rand's Fountainhead or Machiavelli's The Prince to validate her bitter attitude, I bet, the sour witch), my time spent living in that backwater Esso suburb of Port Coquitlam back in 2011 when Occupy Wall Street was still a hungry potential, not yet bogged down in procrastinates over herbal teas and talk of chakras and enlightenment and how the typical Wall Street businessman probably never had a real ****** and hence had never truly satisfied the energies now burnt-to-crisps inside his Root Chakra or whathaveyou, where I believed I would find a better, more interesting world further from the musty-smallness of forest-drenched rain-drenched Powell River, only to discover I may be right outside my front door, but that's EXACTLY where I was, no further than right outside my front door.. I mean, for Goddaskes, I was born in Vancouver, this isn't a culturally-shocking move to New Delhi or Kathmandu--- and so on and so forth is how I once berated myself thru constant cycling thoughts of no-escape, I, a little walking hell of devils-advice and panic disorder-- the Great Big Port City of George Vancouver only succeeding in further overwhelming my already delicate attempt at false optimism thru self-voided Buddhist smalltalk as I travelled from bookstore to bookstore reading Alan Watts in shady attempts to save-myself but only digging my walking grave even deeper into the soil of feared-insanity.

Port Coquitlam itself was a small-town wearing a business suit and holding hands with an angry father forcing him to college for computer networking as it's the most economically viable market at hand.. at first, I did not see this. I saw my idolized imaginings of Vancouver (never Port Coquitlam), the shining water-reflected skyline of my past and present legacies, where my father once snorted ******* with a bohemian group of someones, and my mother tried LSD just to prove to her friends how bad it was (and lo and behold, what a terrible time she had!), all this Otherness, Strangeness, yet still Connected-- an Otherness with which I was taken, left to whisper into empty Campbell's cans so-as to speak with the city from a distance, two children growing older together 'til my inevitable return and our agreement to share costs on rent.

I returned, as planned. I returned, and found that old-best-friend hating the Homeless and loving the Rich-- spending time with the Peppy Plutocracy whilst enslaving the Middle Classes (first Letter Capitals to Assist YOU in Grasping my Anger with All Five Thumbs) and the horrors I saw in my already delicate state, all the starving addictives slouching-inching down the sides of ***** old walls, the only thing missing a smear of blood to follow their corpseish collapse, all just footnotes to history, footnotes to wealth and progress-reality, all footnotes with no shoes O my God O my Goodness and O Canada, Our Home and Native Land!

It hurt like it did, but I felt powerless and gaited. Felt like it were just as well me (*** it just as well is), I, in Vancouver.. *Great Big Port City of George Vancouver.. saw the end-stretching-cold-legs of Nietzsche's Dead God.. those in cutthroat-black-suits armed with calculators and wives could afford private jets and yearly trips 'round our globular strangeness whilst others had to beg and berate and debate and break-down to get a crummy old bagel and a past-due mostly-empty jug of old milk and perhaps a 'side of fries with that order.'

What crushed me so much about this playing a Witness to God's Death (or, not so much a 'witness' as a relative asked to the morgue to identify the body) was my intuitive grasp that this is the poverty of the First World.. this is not as bad as it gets and on a scale of 1 to 10 this would only be a 3.. all the poor and displaced of Eastern Europe.. Moldovan families indifferent to the whims and what's taken.. someone called me a Socialist and said I would later grow out of it as 'reality' angled its rearing-ugly head to chop me smithereens like it did so mercilessly to the Poor and Irrelevant.. I looked at them and still look at people like them and think 'that is evil unsure of itself.. that is evil unaware... that is evil and evil is  evil to watch..' the Evil Act being the use of Money to purchase the world, demanding us all to pay royalties (mass royalties) for the privilege of life so afforded by them.. (the Sons and Daughters of God first stabbing their father then stabbing themselves then locking away and ignoring their young brother with cerebral palsy '*** he could never be armed with a calculator, nor wife)..

I learned, thru practice, to cope with these evils as laws-for-now. Coping did not mean tolerance, nor did coping mean agreement.. I had charged at life expecting hugs and bottles.. what I got was hugs and bottles.. all while I watched over the shoulder of whoever embraced me and saw young-others doing the same, where are the hugs and bottles..? they sank into the nether as the crowd ebbed past, ignoring the cries of pleading love, pleading love over time so traumatised as to distort this love (so inherent and implied in the Heart) into confusion, confusion into loss, and loss into hatred.. as the crowd ebbed past, the crowd ebbed past..

After 3 and a half months, I moved back home to Powell River.. the soggy ol' calm of what I already knew.. the warm arms of the rest, the warm arms of water-reflected sunsets.. and I got my hugs and bottles.

but was this really a happy ending?

At Old Souls Shack
twilight descends.
It is quieter
after the ghosts
are gone.
The lightness
of darkness
takes their places.
Birds sing quieter
as well.
I softly imagine myself
far north of here
drinking wine
and reading poetry
to an older
younger woman.
She is wiser than I
but owns a gentleness
that belies her wisdom.
She makes up her world
and then inhabits it.
She is simply herself
which is a great deal.
She soothes me.
Sometimes I am lucky
and get to visit.
Twilight is uncertain,
so soft imaginings
are good friends
to have.

  ~mce

Hear the gentle summer breeze
Whisking through gulmohar leaves
In the music of wind chimes
Tinkling songs of summer time
Feel her quiet on the skin
Filling hearts imaginings
See her as the blossoms dance
In the cusp of dawn's romance
In saplings that take a bow
In wind blown hair tousled now
Petals touched by her stir
Silken soft in gossamer
Light and dark shadows play
On shrubs of green bunched bouquet
While butterflies and bees sup
Drink nectar from sun's molten cup

Go placidly amid the noise and haste,
and remember what peace there may be in silence.
As far as possible without surrender
be on good terms with all persons.
Speak your truth quietly and clearly;
and listen to others,
even the dull and the ignorant;
they too have their story.
Avoid loud and aggressive persons,
they are vexations to the spirit.
If you compare yourself with others,
you may become vain and bitter;
for always there will be greater and lesser persons than yourself.
Enjoy your achievements as well as your plans.
Keep interested in your own career, however humble;
it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs;
for the world is full of trickery.
But let this not blind you to what virtue there is;
many persons strive for high ideals;
and everywhere life is full of heroism.
Be yourself.
Especially, do not feign affection.
Neither be cynical about love;
for in the face of all aridity and disenchantment
it is as perennial as the grass.
Take kindly the counsel of the years,
gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.
Beyond a wholesome discipline,
be gentle with yourself.
You are a child of the universe,
no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you,
no doubt the universe is unfolding as it should.
Therefore be at peace with God,
whatever you conceive Him to be,
and whatever your labors and aspirations,
in the noisy confusion of life keep peace with your soul.
With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful.
Strive to be happy.

beginning with a title... the transcendent bicycle...
because it really is just that...
if you have walked as much as i have:
a marathon from Romford
to St. Paul's and back...
a marathon from Romford to Epping
and back...
       i don't know but i do know that
i might have been aiming for: flesh of my flesh...
aged 34... but i'm still "trapped" inside
the dimension of the bicycle like
i'm ******* quicksilver / the flash...
i haven't ridden a bicycle in well over a decade...
today i found out i have ghost muscles...
the bicycle became the antithesis of
prosthetic limbs...
   it's hardly a Descartes contemplating
a desk and / or van Gogh's chair...
beauty in pickling... depths of thought in:
picking, juices...
how a second birth happens with
the advent of thought...
when... penetrating inanimate things...
to think about objects is to...
become more objective?
         it's not like i'll summon...
a Freudian complex...
using a bicycle... as a Deleuze
did when ushering in the bicycle from
a Beckett's perspective...
  beside the "village bicycle" i hardly
want to give sway to some ******* metaphor...

the bicycle is more than a chair
a chair is such a fermentation process
since you can sit on it...
but can hardly concern yourself
with making a ******* gallop on it...
but a bicycle is not a horse...
but a bicycle is not a horse...
writes the man that...
yes... i have ridden horses...
all the equestrian clubs in Essex can shy away
from the detail of...
i have allowed myself to ride a horse
to a gallop... neck, sore... entangled in:
want of massage... yes...
but a bicycle is not a horse!
it's a dog... at best... it goes where you want
it to go...
the leash of gears the muzzle of the breaks...

the **** i need a car for?
in London... even if it's outskirts /
kilt Loon'don?
     ha ha FARKER TARTAN WILLIAMSSON...
blah!
enriched with hidden energies of
newly discovered... otherwise plainly
shelved sensations of motion...
there's nothing new about a bicycle...
said the man who withheld a smirk
when attesting...
a gap... the same centre of gravity... though...
almost like the buoyancy arrived at
when swimming...

oh how my father tried to teach me...
how peer pressure taught me instead...
it's this exasperating O oh and ah...
that's not really becoming of adding any more
detail to a rekindled love for life...

notably concerning England...
and outer-suburbia...
- when you have been walking these
labyrinth streets for months...
to be suddenly injected with
a very new, but at the same time:
a very old concept... dimension: which sharpens
the genesis of thinking about the sentence...
a new dimension of... speed...
time, space are their own affairs...
invoked for a day by a day...
walking is merely movement...
cycling? that's not merely movement...
that's...             speed...
because... there's a whole chi focus
of X yes precisely X...
        only half an hour's worth of cycling
and i covered the whole peninsula of the area...
unbelievable the detail of acquiring
traffic coordination...
a shared responsibility that a mere
pedestrian might take for granted...
      
tomorrow's a Sunday and i'm supposing
come circa 7am the
traffic should be "slim"...
having tested the breaks and the gears
somewhat proper...

bicycle bicycle... where have you been
all my past decade...
bicycle: grandfather Joseph...
death toll murk... fill the bells!
let them not resound in the night
while i reclaim the wind for my own...

- that i sometimes drift in and out
of solipsism...
yes... that solipsism is
laboratory minded experimentation
with states of autism...
but you're given the excuse
of riding a bicycle...

i wonder what wings might feel like....
a bicycle is not a horse...
a bicycle is more or less a dog...
it's certainly not a cat... meow...
if there was an advent of wind to harness...
but there's me... merely pulverising forward...
the leash the muzzle
all that's frame and the breaks:
downhill...

the lullaby of emotions intrinsic in:
blocking all rancid thinking... all thinking
like so...
Zen by ***... it's not that i know more...
i know... different... but first you have to walk
said distances... before loopholes...
wormholes appear gesticulating the mind
with a provided for, otherwise...

i'm 34 and i feel like i've just...
accomplished more than
having shed feather of my virginity...
never make me feel so entrusting...
never make me feel so demanding "x"...
peddle ******* peddle...
tread-water.... in your pyjamas...
i do remember, like an elephant's cranium
might... details of a historical tattoo...

philosophy books are...
paupers of metaphor...
language is ever hardly elevated into
a bouquet...
i don't want to be in love again...
i don't want to be such an...
undemanding... lack of ambition...
lack of sacrifice...

take me into the woods
and shoot me in the back of the head...
but before you do...
i'll merely ask...
take me into the sort of woods
where the deed be done...
but appreciate walking me so far
off the well trodden path
that you might not remember
how to retrieve a safe-footing back...
take me into the woods of no known
horizon...

guarded by a strict wall of a mile of trees
that block out the otherwise pleasant
azure of the sky come hiding the sun
at sunset... or sunrise...
in that zenith of immobile grey
between the hours of commotion
when nothing is to be salvaged as one's
own... but... abhorred as it too must be...
somehow... shared...

some privy in on England... a land
of fertile imaginings...
when Descartes had his table, and chair...
to fist & fester on...
i'll lay clamour to the debris of alt...

yes: an overbearing load of sensation:
delusional.. let's put him in his "right"
place... let him believe the sole provided
the psychiatric source of angst
no purpose = no posit of transcendence...
no bicycle...
   custard... pie-load...
angst...
               jerking off from "excess" libido...
well... exercise the "excesses" of libido elsewhere...
exert well squid parallels
and more: firm grasp... "tentacles"...
see the same within the confines
of an "elsewhere"...

how ***** i became being so...
muscular abiding... simultaneously... docile... too...
it's not a Lamborghini it's not
a British T... triumph motorcycle...
it's a peddling ingenuity of
somewhat self-origin...

i could have eaten up a Solomon's share
of ****** and *******
that same of wisdom...
should i, could i, would i have
demanded less than was already left available
from the Tetragrammaton...

how did "we" ever learn to laugh...
how was HA... the hebrew definite article spawned
those biggest,
no... those grieving questions...
how a monotheistic deity might be all
good... yet somehow not all powerful...
yet all powerful but not all good...
bling alley... cul-de-sac view:

the algebra not solved: attempted by
numbers...
letters later sieved...
and more letters sieved...
played the party pooper with membrane knowledge
of katakana and Hangul...
because... Latin script does slip...

chi-focus?
the multiplication ascend of:
what was walked prior...
can now be cycled... shortened because no
"lost" time was ever to be grieved...
although... the front suspension is...
an unwelcome addition...
ha ha... privy me on details
like... excesses that are there...
21 gears and when there was a rigid frame
throughout and rising up from
a sitting position is not necessary...

no... i'm not gearing up for motorcycles...
i like the idea...
but also... subsequently... the experience...
of a double-decker... bus...
of a bus of being the transit mahjong skeleton...
pieces... mein alles!

mein alles!             gott, mit... uns!

yes... unbelievable... the demands for yachts...
for ******... diminished into a fizzle....
when a Beijing demand for bicycles
skyrocketed... and all that was left to salvage
was... promises of a Sunday,
circa 7am...

hidden gems of plied-play-dough-esque:
sort of truths...
sort of beefing up... doubting pork...
within the confines of chops...
between me and a prisoner...
between me an a prisoner...
it's hardly the yacht...
the hardly any nuance of bother...
believe the existence of hierarchy...
because the Bolsheviks didn't
come about the first time around...
second try...
escape the English cwown they said...
escape the litany of squares
they-void-thought... "said"...
herr omar bin sa-id...
conquest of the Hey-Brews... "said"...

don't undermine the intricate
tribal workings of...
half-possessed...
half truant... thereby almost totally... true...
associates of Casimir the Great...
there be a god of wisdom
and there be a god of fire...
there be a god of letters...
if so...

the same god will be inclined
to mind...
an apostrophe as much as a surd (letter)
in Ęgli-sh...
when not minding... "it"..
lay an Ę to the side to wreck havoc with...
ha ha!    Щ...

  Ę / Щ... the **** are you looking
at me... like i were the one
who killed your mother with a *******
harmonica / what have these galoshes to do with
"these" galoshes...
what has this pumpernickel to do with
this windmill... "this" is an obstruction...
the proverb states...
what has a pumpernickel to do with
a windmill?

exactly... ****-all!

two-riddle *******' worth... worth of...
newly ******* jargon... and crust of...
for the load that might be minded
invigorating life... as life in prospect...
re-orientating man toward the clamour
of detailing sky...
not on foot...
not on horse...
not via car... will you...
to hell with running down...
a stampede of perspective...

planet... luancy? is that where we are all,
from?
i am born of madness...
i am this salty precursor of i think...
clearly i first arrived...
later... i somehow managed to "think"...
i didn't think first
but i certainly didn't either:
i think therefore i am therefore i think...

i was more on the lines of...
from the lineage of:
trouble...
i am therefore i think therefore i am...
i am not a spider i'm not all emptying and detailing
the filling of gob-***** with
i am hungry i am vector...
i am therefore i think therefore i am...
but this... ****** of french...
premature *******....
of i think therefore i am... therefore i think:

honestly? thinking is sometimes not...
necessary...
sometimes water needs no... glue, metaphor...

Amsterdam's open mouth darkseid
apocalypse abode...
le trio joubran - masar.... a finite quest...
primo.... detailing conquest...
handling crux....

            the cat's in the riddle...
the yard is in a mile...
scrutiny of the Levant...
           leverage of hark... -ing
denote: closure... of "ambition":
this lesser "king"...
brow of the most dignified...

                   keeping with allowance
(an)
  justly, met...
  
give me wind:
   give me... air...
not... hair... i laugh... i laugh too little...
i chisel my teeth...
i scream: nothing primo!
my life but q.
there are more lived importances
that matter, thus...
cradle... diamonds...

"the end".

(Descendant of the Eight Small Furies)

Cold frigged and wet but not icy and not yet. Two laborers at docks
find camaraderie in talks, tho’ their neighbors bustle by as they unload shipping stocks,  

For the kinsfolk miss a nothing a light mist of breath when huffing.  
The women like to pout as the crassy men do shout, shine on awhile whistling, Inn-keepers at shops coo their bristling and Old Wicca ones seen hissing from low, low talk in whisperings,

Although the morning bright the seas are high and not retreating, weather cool and fleeting, the peoples sounds a blend of bleating, as wily sheep would gather to speak about a matter for it is not the people’s spoke of that draws faint sorts of blather.

On this day...rains are much to rather, feigning raspy talons cloaked in chatter and from stores to shores to boat, seas, lakes, lochs, bridges over moat, not as to say they gloat, or ramble to invoke which fear of and from it stoke the gossip on one surly bloke…

For on this day everyone is talking in this seaside town in Eire. A hero undone by gossip but none can be called a liar. For about whom and what of -a man of such great fire.

Celebrity renown, born and raised but not settled down. Within its boundaries a-proper but of such character to copper, to change tasty meat to fat and bone, awe in disposition down to tone, mind boggling this gent whose life god gave as a gift of own.

In a perplexity of fright, brought tragedy each night and none could get away, from the obvious decay, due brutal awful fray, to make a beast from a shining dove, what the hell was God thinking of?

The crisper ears do so hear though not quite enough to whet, the imaginings to happenings they speak about just yet.  So hastily move spies, as I tell you of the sighs, the indignity and pride, swallowed with a town’s growing angry tide,

Upon this night so they see a man, creep who once the pride of Dan, loved more above all here in Tan, his birthplace this old briny-land but lately fondness on the wan, oh here he comes to close in again, to wane and wax vaudevillian, end up by dark a plain villain, as his face turns a shade of vermilion, electric ghost of Kirlian, eclectic host of deviling and calculated mind disheveling,

Pumped of mead or whiskey arguments are risky. Against his manner and girth, intoxicated nature -or mental worth. Sheer size attests his power, muck and mirth to fallen valor, the change is said to wow us, proven brute against all prowess, as such preferred and fight and such to nightly fright,

Béarthr is this man of once, of promises found to be just fronts, hanging around a town's high perch…though seen at the bar as sulk and lurch, or testy to some called a sailor who know not the fear of old dear Balor?

Sullen rent asunder, quick to wit when buntered, try with fists this skunkard; you brought low as a punter, hail to hell with such a drunkard! To stand and watch in awe, as blood and cracks and calls with cries and screams at falls, at doors torn from building halls, no end or stop to pause, sheer terror fighting brawls with fists he lays the laws, a violent testament to theater,

The burly beast named Béarthr!

Eight levels down to hell with him, each evening a town made grim but not tonight and nevermore, a double barrel out missing door, a silence from frosty place our cavern and dead beast felled on floor of tavern!  

If you find yourself frisky one night and driving through our Tan. If you’ve got salt are brisk for fight and hold your weight in sand…
…then make your way to such a place, renowned for such a meter,

You’ll find a name above the door;

O’ Ochtar beag the Béarthr!

It's deep night, damp and sticky with the
residue of southern heat which refuses to
totally dissipate this far into the night.

The night is thick with the voices of insects
and sleepers sweating atop their sheets,
committing sins in their vivid imaginings.

Dreaming, I'm standing by the wide river
wishing I could fly with the breeze through
the trees, the soft, warm, cradling breeze

that comes up from the Mississippi River.
It stirs the boughs of cypress and oak trees
and arouses a wind chime's music somewhere

down the dimly-lit street, while scattering
a newspaper like huge leaves; a wind that smells
of magnolia and dogwood blossoms and

river mud. A full moon casts long shadows
which melt into even darker, yet benign
shadows. The night has compiled its secrets,

mysteries, transgressions; surely that is the
charm of night - it frees the mind to settle not
on what seemed important during the day,

but on the longings kept locked away, hidden
from the disclosing light, struggling to break
free and take wing with this night wind.

--

I must go back to the dream, to peaceful slumber and the calm,
And all i long for is rest from these chaotic times;
And the silence of thought and the warmth of the covers embrace,
And the touch of memories and the life never lived.

I must go back to the dream, to hear the lonely calls
Be answered by thought and see the life never lived play through;
And all I ask is for one dim day hidden by dreams above,
And the company of imaginings singing their merry tune.

I must go back to the dream, to taste the ire of nightmares gone,
To feel the warmth of dreams beginnings and the doorway from certainty;
And all I ask is the place to rest my head from the day’s journeys
And a quite sleep and a sweet dream when the long days over.

I syringe the essence from my imaginings
from depleted veins, the voidness of the white
concedes to the lobotomy of a manuscript
that hold no weight in the pool of my mind

A rhapsody serenades the dying breath of
faded delusions, a masterpiece of blind syllables
are never hitting the pool that they were thrown upon.
My words are a pool of breath that's evaporating.

I lingered in a abyss of charcoal motions,
everything versed parched, unrecognised
within the visuals of others contemplation.
But then I lingered on an image within my view.

*"Creation is just a moment captured in a sight versed,

l'amours dont sui espris...

  me and the moon cower,
me and the moon peer into the night,
from behind the cloud
from behind a puzzling thought...
me and the moon cower:
before the altar of the night...

well... i would never **** a fly...
at least i'd try...
the kingdom of insects states:
by some "consensus"
that the females are bigger
than the males...
i've heard it's not so with
mosquitos...

i couldn't **** a fly...
but when Monday's garbage collection
happens and i'm left dragging
an empty bin
into the garden to clean it...
i find... maggots at the bottom
of the pit...
still wriggling in the leftover juices
of meat and others...

carelessly like jerking off:
i pour some bleach into the cauldron...
sodium hypochlorite...
then some water for the foam...
the maggots disappear...
i wish them well...
but not much good could ever come
from drinking a corrosive salt...
alkaline implies corrosive salt...
well... i drowned some maggots in
alkaline...
but i very much care to have
a clean bin...

i ******* crocodiles and tears and tadpoles
into a tissue while
on the throne of thrones and send
them to: nowhere...
just before i take the no. 1 & no. 2
(no. 3 to ease up)...
then baptise myself in the shower...

summer will soon be almost over...
autumn will come
the proper fruits will start to fall...
i'll be making my wine...
it will take me 3 weeks or circa...
maybe 4... the apples will fall...
the pears too...
winter... when insects sleep...
as much as i might appreciate the copper-neck
suntan... i'll be happier to find that
the insects are sleeping: along with
the bears...

i rarely **** a fly... a mosquito, though?
each and every time...
if i were a zombie and a fly *******
a maggot-load onto me... i'd beg to digger...
well...
    i did't feel like killing this large
specimen of mosquito... it wasn't going to
bite me...
never mind...
i didn't feel like merely killing it...
i caught it be one leg...

i have two spider twins either side
of the door to my garden...
one was sleeping...
the other was awake...
how did i know?
the sleeping one curled up its legs
into a bud...
it wasn't awake to play piano with
its cobweb...

        so i pinched this one mosquito
by the leg and watched it frenzied...
trying to escape... my hand led it to the altar...
how quick the spider! how quick
the spider made a mummy of the would:
juiced up mushy meat!
i didn't **** it...
i just fed a garden spider...
a catch it couldn't otherwise catch...

i felt indifferent... more indifferent about
vegans than vegans feel: "differentiated"
from debating the need for milk...
eggs... never mind the meat... cheese...
i don't understand veganism on these three pillars...
milk (cream)... eggs... cheese...
i couldn't be a vegan...

vegetarianism: i can understand...
but... no eggs?! no... milk / cream?!
no... cheese?!
        get out of 'ere!

       maggots swimming in sodium hypochlorite...
or rather... dying in it...
but the prettier sight than killing a bothersome mosquito
was feeding it to a spider...
it almost felt like...
   feeding a cat sushi turkey ******* on
the end of the knife...

this song has nothing to do with the experience:
chevalier, mult estes guariz...
none!
why do i abhor Darwinism...
it... doesn't tease my vanity...
it just kills off history!
from ape to "somehow": now...
that's it!
   **** similis: the ape was known to the ancients...
but the ancients did ancient "things"
and didn't allow themselves to be swallowed
up by a ******* comparison!
metaphor! they would have settled for
a metaphor... but not a comparison!
a synonymous-ness!

Darwinism is right: nature abhors vacuums...
nothing in nature is to be ever wasted...
everything has a purpose...
if... somehow... it doesn't have a purpose:
it will... it will evolve... it will adapt...
but... Darwinism as... the prime idea...
the one & only source of the genesis of
"idea"? only in the anglophone world...
no where else will you hear
Darwinism so celebrated...
Hermes asked... why did Galileo overshadow
the findings of Copernicus?!
why did even William Burroughs undermine
Copernicus by staging a "fact" that...
oh the ancient Egyptians knew!
the ancient Greeks knew too!
but... no mathematics...
then some pope-****-smear of a Galileo
was the one with the telescope
"probing": proving the heliocentric model
most adequate...

one spider whispered to another:
find any cobweb: piano concertos in the desert?
no... me neither...
let's just wait for some of these sand-*******...
camel-jockeys to catch up...
we'll show them... mummification:
hey presto!

- and they did... how quickly that spider
launched into the mosquito...
rapping it up like a... nothing to be
beside the futures of food-stuff...
it felt...
well... not ignoble... a pride in a sense
of hierarchy...
the spider easts the mosquito...
it's really levelled ground in the insect
dominion...
i allow maggots to swim in sodium
hypochlorite...
i catch a mosquito by its leg
and feed it to a spider...
the spider does the mummification
ritual... the world balances itself out...

it's a strange sensation: it's hardly a feeling...
one gets feelings on a graveyard...
count the bones...
wake up... re-wake...
the fickle faculty of memory:
so prone to amnesia...
i abhor dreams.... therefore i dream none...
less Freudian ******* shrapnel....
less & less...

i need a mirror to take a selfie...
i need... the apparition of 3D space...
you can't revise QWERTY!
you can't improve it!

i can type without looking down
at the keyboard: here's to imitating the Liszt...
the Chopin...

eh?!
i didn't cite:  E... did i?
i included the surd of breath...
EH?!

ask the ******* Hebrews why we have concern
to begin to laugh...:
it's trapped in their definite article:
HA! SANTA!

           i'm here for only one thing...
beside thrilling it alive in Thailand...
or... recovering fractures in Europe...
someone... maybe one... or two...
have... stolen my identity...
                  sorry...
             garlic pickled in some red wine
will always go under the radar...
electric six's album should never have:
gat bar! bay bar!

   it's the 1980s and sade...
smooth operator....
             best kept feeling...
feeding a mosquito to a spider
rather than simply killing it...
like... the inversed... imploded...
ploy of game...

who needs tiger blood?
bluff?
i need... a mosquito...
a spider... a spiderweb... like a piano...
i need an awake spider...
the red wine is not to be...
necessarily... mixed with garlic...
although last time i heard:
infusing ren wine with three or four
teeth of garlic (nuggets?)
is a slimming elixir...

father SLiM? *******... yacht...
bogus crew...
feeding a mosquito to a spider...
death soon arrives... "tomorrow".

- still need the geocentric model when
reading the map... hell:
i need the flat earth perspective when
reading a map... i don't really care much
for the equator, the Greenwich meridian
when getting from A to B...
funny how geographic "algebra" works...
from point A to point B:
a round earth doesn't really help...
perhaps if i were sailing but even then...
a straight line...

Darwinism didn't really undermine
man's final vanity... according to Freud...
nor did Freud undermine another vanity...
Freud & Jung created the divided schematic
of what once man:
i wouldn't say man was Leibniz's pristine
monad: something indivisible...
but it was close: to be divided by memory
fickle faculty:
how it dries up through the churn of
pedagogy... so much strain on learning
2 x 2 = 4... a, b, c, d, e... f, g, h...
fair enough: to later rearrange into words...
but i don't appreciate the classical alphabet...
the genius behind QWERTY...
i type without looking down at the keyboard...
it's almost like: imitation of reading braille...

maybe the alphabet should be less: a, b, c...
it's not like the vowels are at the beginning
while the consonants follow...
it just doesn't make sense:
rigid...
i wonder what would happen if children
were taught the QWERTY alphabet sequence...

or... just remember all the letters:
it doesn't matter in which order you remember them...
just remember that there are 26 letters in the English
alphabet...

- it's so pointless just killing  mosquito...
a fly... hardly...
but a mosquito... just at the right time
when it inserts its needle and become a syringe...
that's the sweetest of moment...
lord of the flies? who is the lord of mosquitos:
didn't ha-shem eat up all the lesser
gods of the Levant... but somehow avoided
gobbling up the lord of mosquitos?
i'm conjuring up a deity the Hebrew deity
didn't gobble up into his pantheon...

what name... what name?!
to challenge a name like... Beelzebub?
Be'el'zee'bub...
proper pronunciation with
the apostrophes: intra-verbum...
just so you know...
who: hoo! i'm getting hot from all the cider
and whiskey... god... i'm gagging for
some absinthe... the moon is ripe!
it's full...
     i need some slimming elixir...
some red wine infused with garlic...
to keep the vampires away...

what will i name you: lord of mosquitos...
KOMAR... mosquito in western Slavic...
Darwinism doesn't bug my vanity...
i.e. it doesn't bother me...
it bothers me that it's a history eraser...
nothing from yesterday here on in...
in the anglosphere...
the monkey: mammon key "happened":
an oops! ****! hey presto!
deluxe! no one grieves for Robespierre...
i might...
like i might for the wild imaginings of
the Marquis...
               if only... i prefer prostitutes to these...
"free"... masculine prototypes of... ahem... "women"...
once the woe... once the woo of man...
now?!
i prefer prostitutes...
no need for dating: plus... if they're Turkish...
they like a beard... a hairy chest... a hairy
stomach...

i'll push this dagger into that crux of:
et tu... so far so far as it can be harnessed
collectively that i'm... passionate about...
not angry... bitter... pickling my emotions...
there's a gherkin for a heart if anyone is
willing...

lord of mosquitos: raba'albaeud...
well, i could make that apostrophe disappear...
but i'd only replace it with a diacritical marker
above the A... to imply: "a.a."...
i.e. that there are two... Siamese vowels...
but it wouldn't help the pronunciation...
let's see...

raba'albaeud vs. rabālbaeud...
            eh?          ha ha... "no" difference!
so much for everyone being... "literate"...
they read like they might eat...
i've been told i eat in a way that...
invites other people to eat...
so much for others... dictating pleasures
unattainable...
i was a dinner once... with school friends...
i was the only one who asked for
rare beef... everyone else...
doubly butchered their wants...
they wanted them well done...
beef? well done?!
oh i'm a snob at that...
IT'S NOT MINCED BEEF!
YOU NEED... JUICE!

i kept my mouth shut and ate happy...
so much for friends...
i.e. "friends"... people you spend a lot of time together:
it works in a pedagogic environment...
school's great...
you are ***** into their presence...
you have to have... work-around tactics...
bullies... brutes... nerds... teenage mothers...

the full moon: while everything is attired in:
quicksilver...
the full moon: skin-head BISCUIT...
while everything is attired in quicksilver!

too many vowels... too many vowels...
raba'albaeud...
i "think" i'll rename him...
phonetically, though: ra'ba'alba'ood...
although there's an E & an U instead
of the omega...

Lithuanian: U'ODAS: ooh... not you...
i need bitter... twice bitter than an IPA
Czech absinthe...
i need to see straight... wonky too!
i need my tongue to be aflame!
i need teeth made from iron!

- history has become less linear than it used
to be... it has begot an ouroboros
of repeated... thanks to journalism:
history used to be linear...
time has reached a year 0...
but there's no revision taking place...
don't shoot the messenger!
i'm looking for the name of the lord
of mosquitos...

it's a hard name to conjure:
even though you have all the tongues in the world
available on the palette...
i need bitter... Czech absinthe...
i want to feel: hot... as rot...

Latvian: not Estonian... i.e.:
not sääsk (saaaask):               ODU...
主 / オモ (omo-odu)... that's clearly pushing it...
       オヅ
it would be so much simpler to just **** a mosquito
rather than... purposively...
feeding it to a spider...
i would "feel" much better killing it...
than having fed it to the spider...

Napoleon might have added:
sure... they're literate... but literacy only arrives
as useful when the literate are bilingual...
what use do i have for these people
distract by letters...
what use for the priestly class...
since... their safeguard is... "missing"?

sweet amber... whether beer: gods' juices...
or simply... mead...
from the work around of Hephaestus....
safeguard these names of the gods...
before they disappear...
before the Czech absinthe becomes too
bitter... still drinkable... but hardly enjoyed...

"too many vowels"... the "argument" follows
suite... i'm red... hot... chilly-esque...
chasing zeppelins... chasing diacritic markers...
covert: how you might say:
SPIERDALAJ: DALAI LAMA....
  ARES... his son...
                  Hephaestus....

             while i'm burning!

                         pronoun verb
custard: ich arbeit...
all the nouns the world might allow...

butterfass...
                   i'm itching to pass by:
butterfaß.... consonants ought to have...
better... phonetic encoding symbols...
like TH and PH have to encapsulate F...

who needs buTTer when one Tao might
have... MITE vs. miGHT?!
two consonants coupled...
not another night in Posen...
please... not another night in Posen...

chasing
i don't want to be English so much....
too many troubles...
too many fictions...
i want to be inherently "biased"...
too many frictions...
  too many fictions...
chasing  Zeppelin....
     ditto: base... the Warsaw "boat":
about to... sink.

I feel your love,
Yet your marksmanship is poor,
For towards me your love aims not.
Your intentions aimed elsewhere.

A past lover.
And I am not he.

Malicious Misery pushed you too far.
Too far this time.
Your life is precious to me,
Yet a treasure you seek not.

It dwindles within these machines,
Like a strand of seaweed.
Being crashed upon by the waves,
Of this poison you endowed yourself with.

Much a tragedy this is.
Yet not that of Shakespeare.
No, this much too real,
To take a form of fictitious imaginings.

This, much more complicated,
Than a Shakespearean masterpiece.
For if so,
Your love would be aimed at I.

But it is not,
And in resent, I mourn this tragedy.
Yet, I must let love,
Travel upon its everso hellbound path.

My eyes lie upon thee,
And my heart within the feeble hand of yours.
Yet your mind lies elsewhere,
And your desires lie with your mind.

Upon he.
The one currently at your arms reach.
The one at your desires demand.
The one you truly love.

I must not resent this,
For love hath struck thee as it struck I.
And Cupid's arrow hath stuck he as well.
I can see it in his sorrowful stare.

He loves you in a way that I cannot.
A consentful love.
For I am just a scapegoat.
Temporary.

Well now you've quenched your desire.
You've acquired what you sought.
Love of he.
(And I, for whatever its worth.)

His love is a precious gold,
And mine a mere coal.
Black, unwanted.
Only able to provide temporary warmth.

Pardon me for obstructing.
Love hath stolen my precious vision,
And wandered, I,
Into the meadow in which you hunt.

As a poor marksman,
Thou cast thine arrow of love upon me,
And realized I am but a scapegoat,
When the white stag is what you seek.

Once before,
you lined him in your sights.
But evasive is this mystical creature.
And once, he escap'd.

If your life so solidifies,
I shall replinish my vision,
Banish my love,
And obstruct thee no more.

Instead,
I must prosper in silence and patience.
Shun my hearts desires,
And let thee hunt.

I apologize for my inconvenience.
I shall groom each of your horses,
So that you may ride into,
The meadow of love together.

Hence, beware of hunters,
And wandering creatures.
Teach thine unsteady hand,
And this time...

Don't miss.

“Never trust a ginger”
she sings giggling looking at the red head next to me.
Her song is a pretty good representation of our friendship.
Throw in a ***** bump and some dorky dance moves
oh yea
that’s the definition of our friendship.
Laughing and dying at things no one else gets
actions no one else see’s
and mouthed words no one else understands.
That’s just a little inside view of our *“love”.

“Never kiss a ginger”
It’s a little late for that don’t ya think
blackberry tea and coffee making her laugh till she dies.
Hysterics that break her down till she’s on the floor rolling
rolling down a hill and being so dizzy she can’t get up.
Oh but she’s a monster that chases you around
trying to tackle you to the ground.
Falling off the playground rail and hitting her head
just like in our story
so she lays there laughing hysterically.
All I can do is shake my head

“Never kiss a ginger…twice”
yea that’s a little better.
he won’t be telling my slightly stunned, amazed face its cute again.
The face we later joked about
mouth dropped to the floor
eyes wide.
Like did that seriously just happen.
Our dumb and quirky reactions to everything
exaggerated, excited yeses
and happy little dances.


"Never date a ginger”
I’m not nor have I ever…
where do you get these thoughts that run through your head?
Ok I can’t say much
my mind wanders to the strangest places
and leads us to the greatest conversations.
Like cops on bikes with prisoners in baskets
leading to Mortal Instruments characters all riding one bike.
I’ve no idea where our minds get these strange ideas and imaginings.

“Never love a ginger”
I never said I love him
don’t let your mind wander
dangerous things happen when our minds wander
anywhere from dinosaurs ruling the world to death
and the things in between are sometimes worse to think about

“Never like a ginger”
OI!
with this again
I don’t I promise there’s nothing there
now please shut up.
Yes, yes I love you now please don’t attack my legs again
I really don’t feel like falling on the floor
it’s not very appealing.
Uh-oh

.              Part One               .

January
I wake up in a hungover haze that seems
Irrevocably unending. All the places I threw up,
That stiffness in my neck, the emptiness in my love;
There is too much to feel
So I feel numbness
And I feel remnants
Of ***** in my throat, only manifested fully
When my friends and I make fortune cookies,
Singing along to songs that we’re hearing for the first time
Amidst the chaos of exploding poinsettia plants and nascent tattoos,
All of which litter your mom’s otherwise bare counter.
I don’t make much mention, in my fortune cookies,
Of that girl who still leaves me hungover;
I fill them instead with cruel jokes
That send me cackling
Until my dehydrated headaches pass into

February
When I’m moonlit tipsy stumbling
Through a campus-wide coniferous forest in Washington State
With two strangers that I soberly think
Might be my future.
We arrive at the clear polluted waters
Of the Puget Sound, our boots all
Sinking into deep-mud as we walk past broken bits of shells
To low tide.
Even as the full moon sinks and I realize
That those two strangers can never be my future
(That Athens, Ohio is my future)
I still walk forward
Into the Puget Sound
Knowing that the water will stay with me
In my lungs, on my skin,
In my mind, and although I don’t tell a single person, I fear,
So rightly,
That the water from the Puget Sound,
Set to perpetually accumulate in my lungs,
Will one day come to drown me.
Even as I cry to my mom in our kitchen,
Relieved from that seemingly endless indecision
I’m not surprised. I’m not surprised
By the choice I’ve made, I’m not surprised
By the fears I still have, all that surprises me
About any of this
Is the immediacy with which
My conclusion’s future culmination begins, as I begin
And continue
While always feeling like I’m concluding,
An infinite

March
In spirals, spirals, spirals, leaving trails
In subconscious sands, someone paints
Blue spirals on my body, and when
I drive back to Lake Erie later,
To retrieve abandoned items and moments,
The road looks much different.
Less swirly, less threatening at first, and when we get there
We eat pineapple/onion pizza on my ****** cottage’s front porch,
Just barely shielded from the snow, and just barely
Shielded from one another. And even those
Slim shields between us begin to fall
When we stand on our melting Lake Erie.
Because the whole world
Calls to us.
The sky screams, the wind explodes,
The thin layer of water above ice rushes
Blissfully, almost hallucinogenically, towards you and towards I
And I am howling
Into the face of it all,
Fearing nothing—not even
The absence of that girl’s palm in mine
Or the water from the Puget Sound
Or the cold of the air
That is tearing at my scalp; that is tearing
At my whole being and

April
Is best described by a rampage
Home from a campsite
That I only ever saw
Drunkenly, in the dark, and under the pressure
Of Allan Ginsberg’s poetry and an ultimately failed ****.
On that rampage we steal tombstones,
We steal memories for ourselves,
And we steal crass glances
With crass jokes that sound sort of
Like the crass fortune cookies which somehow
Never went bad.
Someone notes during that drive
That the air is getting warmer
With regularity now,
And while I somehow can’t bring myself to cry when my cousin is shot to death,
I have to struggle to hold back tears
In our high school’s only classroom when you tell me
That you’re quitting that play we signed up for together.
I guess it’s cuz I’m concerned—
Cuz I’m deeply
Deeply
Deeply concerned—
That it’s a lack of dedication
To me, to what we do together, to everything
That will prevent my rampage from concluding quietly
Amidst the smells of Indian food and the soft light
In your future dorm room
Where I will hug you
And where I

May
Finally
Let all the tears
Flow freely.
I guess it’s the unnecessary intensity
Of this collective celebratory anticipation
That preemptively reveals to me
That the moment of walking across a stage
To receive my high-school diploma
Won’t be quite as transformative as I’d hoped it might be,
And when I make out with that girl who still has me hungover
In the bed at my dad’s house where I lost my virginity
Almost exactly one year prior, I realize that in fact,
I’m still marching the same march, and
Both magic moments of idealized transformation in that bed
Were just as illusory.
Somehow though
Your no longer nascent tattoos have not yet faded
And I can’t help but worry,
(As sweat pours from my forehead and drenches these bedsheets;
As my finger nestles itself tiredly between the folds of her ******)
That I have, and in

June
When all my anticipation is realized,
People clap in the audience despite the fact
That it’s the same stream of sweat
That’s trickling down along my spine
To reach my ***.
I stare into the spotlight
For just a moment, amidst those stale applause
And in my squint, I think briefly
That none of it ******* mattered. I mean,
Despite this perspiration, I’m
Dehydrated. Hungover. I guess
Drinking more alcohol
Isn’t the best way to get over it, but I can think of nothing else,
So even when I acknowledge
That all my attempts have not even been half-assed,
But, like, one-quarter-assed
The only resolve I find is in distraction, in
******* my other ex-girlfriend instead
And not until that distant

July
When I’m ascending through Never Sink,
Does my head finally
Feel clear, yes,
In that glowing blue pit
Of bioluminescence,
I feel the whole world slow to a stop,
Embrace my body with its taproots
And whisper
Playfully and
In a child’s voice,
“You are the whole world” and I know that I
Am the whole world.
I breathe heavily, the only sound for miles around,
And for a moment I feel that the Puget Sound,
Along with everything else that is so ******,
Has fallen away.
For it is not my body
That is climbing on-rope through the stars and galaxies of this great sinkhole
But my mind,
But my soul,
Because Never Sink
Is not a landscape
But a mind-scape,
A soul-scape,
And it is one which is never dark
Thanks to the blue lights of soulful- (not bio-) luminescence—
A glow that is strong enough to see
Finally
A singularity
In the form of an unlocked lock,
Appearing with grace upon my driveway
After I return home
From ******* my other ex-girlfriend
For the last time.
It is only when I stop the car,
Open the door,
And hold that unlocked lock in my hand that I realize the extent to which
I am being
Un-defined.
The ethereal being in Never Sink’s soul-scape,
Alone in the blue grace of the night,
With nothing in my breath.
The thought is terrifying.
So in

August
On the night of my eighteenth birthday,
The girl I’m hung over and I
Send magical, sparkling lanterns into the sky
With a wish so brilliantly bright and simultaneous
That even I am able dismiss the slurring drunk words spoken next to us—
“Here’s hopin’ that you two get married some day”—
As superfluous.

.                Part Two               .

The winds above Lake Erie carry me,
Along with that lantern, into the foreignness
Which Never Sink foreshadowed.
But with the lantern as my very being
And the Puget Sound in my every breath,
Athens, Ohio does not become my soul-scape;
Even its gorgeous autumnal rolling hills
Are just land-scape, and I don’t know
Whether things would have been different
Had I not walked into that stranger’s party
For that terrible beer
On one of my first nights there, but regardless in

September
I walk up endless hills and stairs daily
To get around this hellhole where the only genuine people I’ve yet found
Were prepared to leave from day one, like I
Wasn’t. I wasn’t preparing for that at all, but the Puget Sound,
Lingers like phlegm in my lungs and distorts my regular refrain
Of “I can be happy here, I can be happy here,” keeping it
From ever loosing its hypothetical but eventually forcing it
To loose its conclusion:
I can be…
I can be…
I can be anything that I want to be and I am still here,
Sitting on the top terrace of this weird-assed biker bar with some girl
I just met, with some guy
Who seems cool, but in both cases
I drink one too many Blue Moon’s because I know
That neither of these people
Will ever loose their hypotheticals and will only ever
Loose their conclusions.
Gazing upwards towards the stars in the fading summer,
I try to ignore the physicality of all that’s around me,
But the alcohol churns in my stomach like violent waves, like in

October
How I rock like tides between the shores
Of two continents, of two
Acid trips.
One, on the floor of my dorm room, staring at my ceiling
In an attempt to make patterns
Out of patternless white paint, all the while holding hands
With that guy who seems cool, who has been dancing
In and out of hypothetical.
And the other acid trip with you,
Who somehow in the face of everything
Became one of my only certainties.
You, with whom I stood on Lake Erie
Howling into the wind in an unrealized epiphany.
An epiphany
That is now realized
Because the beers on that top terrace didn’t matter.
The white speckles on my dorm room ceiling during that first acid trip
Didn’t matter.
Hell, that girl I am in love with
Didn’t (doesn’t, can’t, won’t) matter.
What matters to me,
As I’m dressed in drag on Halloween,
Lying in your dorm room that smells of Indian food
With 120 dollars of drug money in my pocket,
Is what’s ultimately present. Right there.
Right here. But then, lying there, the time
Clicks over into

November
And at two in the morning it becomes
One in the morning.
I don’t know which of those hours wasn’t real
But when I hug you and cry in the soft light
It is a moment too brief.
It is a moment from which I am pulled straight
Into a hotel bed halfway to New York City,
Where I lie with that girl who I guess I’m in love with
And I’m kissing her, and I realize
That blue spirals still linger on my body, but when she groans,
So softly
That “we shouldn’t be doing this”
I pause before saying “I know,”
And in that pause, my pixelated, televised, and falsified image of reality
Briefly turns to fuzzy grey static, its finite infinity like the trance
Of meat on a rotisserie; I’m waiting
For this turkey to cook
In my friend’s mom’s home—funny
Because I’m still a vegetarian
Who sometimes likes to think of himself, in quest for definition,
As a vegan, but man
I’m beyond definition, I’m beyond anything,
I’m beyond even my darkest imaginings of myself, so when I get wasted
At a 2am that doesn’t click back on Thanksgiving morning,
I have a slice of that ******* turkey,
Cuz the vegan chili my friend and I made at school was good and all,
But I had to bike through freezing rain to get the peppers
And even though I’m starting to feel
Like I’ve found a few people who I can take in with permanence
Nothing feels more like permanence
Than this home-cooked meal
Of turkey and cranberries and sweet potatoes at a granite counter
Where, on January 1st when the ball dropped,
We all took shots, leaving me drunk, stumbling
And eventually
Hungover.
And of course in

December
I’m still
Hung over it all.
Part one, part two,
The futility of that division is so obvious now.
It’s the same poem, same sentence,
And when two not-so-new-anymore friends and I sit on a rooftop in Athens
With a bunch of still so-new I-guess-friends
Right before exam week,
Right before this emotionally excruciating semester comes to a close,
Right before I prepare to head home,
I realize that even though this place
Hasn’t quite become home yet,
My ‘home’ isn’t really at home now either.
I am without a bed in which I feel comfortable,
Without a body next to which my whole life makes sense,
And I am driving to go swing dancing—
An activity I can’t believe I’m still trying to like—
When I finally tell her that I’m in love with her:
Words that don’t matter despite
How much they do. Ultimately,
To me, to her, it’s just
A quick red-light phrase
And this poem is, without too many layers of resonance,
Not even addressed to her,
But to that girl with whom I stood on Lake Erie,
Howling into the wind,
Imagining part two but preparing
For part three, so
With that lantern still floating skyward, “here’s hopin’ that”—
                                         (No. No. No. Start over.)
Here’s hoping that
At midnight
On this New Year’s Eve,
When the ball drops and when we all take shots,
Perhaps around that same granite counter-top,
These clocks
Won’t click back again.
These spirals
Will fade.

My lips can no longer hold back.
The muted tones cannot bring out the infinity that hides
discretely
points
to an exit sign.
Certainty waves goodbye. My only function now is to collapse it.
To put the past behind.

The barred doors allow the bottleneck to tighten for a few hours,
but memory has a way of sounding the alarm in the morning
when the early birds rise,
armed with ancient lessons
that remind me they're the ones who are eating well.

I want to come up from the dirt and drink from the well.
My low-life self can no longer heed the worm's advice:
"Sleep all day and you won't get eaten."

Out.

Out with your tepid voice and halfway disposition.
Out with your elevated mind, your profound commitment to the mediocre task
of enlightening the little people.

The empire you fabricate may stay stitched for a while.
But the clothes of emperors always burst at the seams.
A workaholic, addicted to the common
you're winning your converts with tired dreams, vicarious imaginings of those finer roads, well tread by shoes that are not your own.
You don't believe in the masses. Fine. But get the *******
your throne.

Reciting badly drawn poems at four in the morning
(it could have been worse e.g. I could have wrote "mourning")
looking to insight myself,
not into a passionate frenzy
like Bacchae drunk on the moonlight.
No -- I want piercing red. That's what I want to be.
Want to show the heavens how I use the precious wine.
Sip it.
Out the undulations go.
Sweating out the great myth that time forgets when it flows.

My pagan-witch ego has put me on the hunt for blood tonight,
and the full moon is giving rise to ****** undulations,
washing up teeny-book explanations
of loves once lost.
But I'm far from my being,
and from the infinite ocean.
And the only sound I can hear right now is my one hand clapping at the curtain call,
retiring my broom,
bowing goodbye.

The cram of stars in the navy-night
blue-light of summer solstice.

The majestic zodiac sprawled
across the ever-stretching sky.

Ancient definitions of myth
star-stories of pre-determined fate

mapped in the moment and place
of our birthing; such fantasies

such imaginings of stellar systems
and mankind’s significance.

Heavens and humours; rules and rights
from Gods to kings and subjects

All settled in an ordered Universe
until, curiosity, ingenuity and invention

observation and record, rigor and Science
with its license to question freedom.


© M.L.Emmett

Within a world of azure blue,
the mantas glide with angel wings,
and fly on winds of ocean waves,
inside their realm of mystery.

Like ancient beings from the deep,
they flash and shimmer in our light,
with other-worldly mammoth forms;
cephalic fins and flattened frames.

These gentle giants of the night,
draw fishes from the briny deep,
their vivid forms flash to and fro,
feed on the banquet of the sea.

They dance balletic in our lights;
exquisite, rings and summersaults,
with bubbles lit to guide their path,
they glide just past our mortal reach.

These stunning marvels of the deep,
are but a finite sampling,
of what our planet offers up,
far past our wild imaginings.

My lips, pressed against hers in the dark,
under a streetlight
with only our shadows witness to our love.
She stopped
and pulled a cigarette out from her pocket.
The tiny flicker of a flame lighted,
she breathed in the smoke,
and let it out in a slow exhale.
The smoke rose,
curling and dancing
amongst the wind
like white silk it wrapped
around nothing
until it dispersed.

When will I make it stop!

When will I hear the sporadic
rise
and fall
of her chest before she was eternally still,

I could barely stand it!
We were so close to our destination
that my impatience would be the end of us.
I waited and walked and watched
until she came closer to that dark alleyway
which I knew she would turn down.
I knew she would wait outside
the door wedged between and below brick walls
faded and crumbling,
distorted
and discolored
from the erosion of the winter winds.
I would take her then.
Then I would take her.

PAST arthritic decrepit elderly female wearing traditional black southern Mediterranean clothing long silver hair braid sits in stiff wooden chair

PRESENT handsome athletic 21-year-old male soldier in tan uniform stands at ease

FUTURE eye-catching 32-year-old female wearing spaghetti-strap dark slate gray slinky cocktail dress 3” black Italian calf heals long loose brown red hair red fingernails lipstick



act 1 scene 1

PAST (clasped hands) you’re ruining everything

PRESENT get out of the way old woman you don’t belong here anymore

PAST (hands gesture) you think you’re making things better look around the earth is a toilet of human errors accidents self-destruction violence greed corruption horrible secrets

PRESENT be quiet old woman silence hear me shut the **** up (short pause) what? you think your former oppressive hierarchies were better

FUTURE talk ***** to me

PAST shush up girl

PRESENT let the pretty lady speak

FUTURE (coquette stride across stage) i have a vision a world where everyone is equal living in harmony shared respect appreciation for each other we’re entering a critical crossroads extraordinary passage in time

PRESENT you hear what the pretty lady said

PAST she’s baiting you hook line and sinker

PRESENT (male bravado stance) you wrinkled bitter blind old woman can’t you see feel this critical crossroads extraordinary passage in time

PAST i know a black widow when i see one

FUTURE who you calling black widow you old witch

PAST i remember when food was good natural cows chickens lived happy neighbors were neighborly you could walk home at night without looking over your shoulder or stick out your thumb hitch a ride or if you drove up to a stop sign no one was in front of you people greeted each other as they passed it wasn’t that far back just 50 years ago

PRESENT ***** you old woman i don’t know what time that was what were you some privileged person

FUTURE let’s order pizza

PAST who can eat at a time like this

PRESENT pepperoni and mushroom

FUTURE mushroom tomato basil no meat

PRESENT cool

PAST you’re escaping into comfort food immediate gratification

FUTURE why must you judge everything

PRESENT i’m with pretty lady pass away old witch let the future and me figure this out

PAST don’t say i didn’t warn you all this banter has exhausted me i need a little nap (she tilts head closes eyes slumps in chair)



act 1 scene 2

PRESENT (swaggers up to eye-catching female) perfect now you pretty lady and i can get more familiar with each other know what i mean

FUTURE what do you have in mind

PRESENT pardon my straightforwardness i’m shooting for 69 you know what that is

FUTURE hmmm uhh yes i know what that is

PRESENT you mind spreading open those long lovely legs of yours and let me see what you got hidden there

FUTURE you think you’re man enough to see what i’ve got hidden here

PRESENT oh yes ma’am

FUTURE lie down on your back on the floor

PRESENT anyway you want it i’m glad to oblige you ma’am

FUTURE (lifts dress to waist and stands over his head) like what you see

PRESENT oohhh you are a beauty my mouth is watering please let me have a taste

FUTURE (bends knees squats above his head sinks pelvic area into his face) give me your best shot soldier boy

PRESENT mmmmmmm (long pause)

FUTURE ease up (pause) it’s a delicate flower slow gently treat it like an intricate story plot construct it carefully strong foundation listen to my breathing heartbeat feel my muscles flex follow mounting rhythm by rhythm building to crescendo

PRESENT (long pause) how am i doing

FUTURE terrible (stands ***** drops dress walks away) you’re all over the place no skill discipline direction you need to be more precise more anticipatory more presence of mind less messy rashness

PRESENT no girl ever told me that before

FUTURE probably because she was so grateful to see your face down there she would not think to ask for more but i’m the future and my needs are more demanding

PRESENT you sure do smell and taste good ma’am may i please have another shot

FUTURE listen up soldier boy i know understand you you’re a man with needs that torment you i think you have been going through this long before i knew you i see through your tough veneer i have an idea what haunts you

PRESENT what do you mean what haunts me

FUTURE maybe you didn’t get enough love from mom dad was never around none of your teachers at school knew how to get through to you now look at yourself soldier boy you’re fighting a war inside and out trying to save something that can’t be saved the world is changing faster than you can keep up do you honestly think your life and labors will have any effect on me

PRESENT i don’t understand

FUTURE i’m on the horizon you desperately need me (pause) and i don’t need you



act 1 scene 3

PAST shut up i can’t get any rest around here can’t stand hearing all this drama gibberish

PRESENT you’ve been listening (pause) you heard everything

PAST i’ve heard enough to make my stomach turn sour i don’t need to hear any more of this crap

FUTURE (flexed posture eyes glare at elderly female) don’t give me reason to trash you

PAST you think i’m afraid of you

FUTURE i mean it old witch i’ll annihilate you

PRESENT what’s happening here i don’t understand let’s all just chill

FUTURE stay out of this soldier boy it’s between the old witch and me

PAST (stands from chair raises arms revealing long black shawl) you think i am a feeble old woman or witch as you like to call me but my power goes beyond your imaginings wherever you go i will follow track you down haunt you infect you with your errors accidents self-destruction violence greed corruption horrible secrets

FUTURE shut up shut up you’re ruining everything (frantically rushes to edge of stage looks out searching audience paces back and forth hands cover ears)

PRESENT i’m lost who do i believe listen to

PAST (spreads arms out like wings) you want to know about the future i’ll tell you i can see right through her lies it’s a world devoid of fish in the seas or creatures in the forest instead industrial farming complexes producing genetically altered strains of cattle pig chicken flavorless fruits vegetables grains toxic black oceans toxic black skies stifling temperatures coastal cities swamped swarms of vermin parasites oh lest i forget trillions upon trillions of humans and robots robots!

FUTURE (abducts arms) but what about my beautiful vision a world where everyone is equal living in harmony shared respect appreciation for each other

PAST you’re in love with your own deceptions foolish woman you can’t possibly believe the sins of the past will ever let go of you

FUTURE that’s it you ***** you die (attacks old woman’s throat strangling)

PRESENT (intervenes pulling enraged female off elderly female) please stop this fighting stop your hostility

PAST (coughing choking trouble speaking) it’s up to you now soldier boy what will you do

PRESENT i need fresh air i have to go get away from here goodbye to both of you

FUTURE not so fast

PAST in a way we’re all joined at the hip understand soldier boy now lie down on your back on the floor there’s something i’ve got hidden if you’re man enough to see (lifts skirt hem)

FUTURE i want in on this

PRESENT oh god

His eyes were gleaming
in her wake; black and white
yet holding all of the colours she could see.
If it was possible for eyes to refract
in prismatic glory, his did,
and only for her.
Her hair, blowing
in front of her eyes and half obscuring
her wild laugh,
being brushed aside by a straying,
tender hand. They tried
to stay so solemn, so serious,
but they couldn't help it.
Love like that, when it shines like that...
It can't be dimmed.

I

Just as my fingers on these keys
Make music, so the self-same sounds
On my spirit make a music, too.
Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,

Thinking of your blue-shadowed silk,
Is music. It is like the strain
Waked in the elders by Susanna;

Of a green evening, clear and warm,
She bathed in her still garden, while
The red-eyed elders, watching, felt

The basses of their beings throb
In witching chords, and their thin blood
Pulse pizzicati of Hosanna.

II

In the green water, clear and warm,
Susanna lay.
She searched
The touch of springs,
And found
Concealed imaginings.
She sighed,
For so much melody.

Upon the bank, she stood
In the cool
Of spent emotions.
She felt, among the leaves,
The dew
Of old devotions.

She walked upon the grass,
Still quavering.
The winds were like her maids,
On timid feet,
Fetching her woven scarves,
Yet wavering.

A breath upon her hand
Muted the night.
She turned--
A cymbal crashed,
Amid roaring horns.

III

Soon, with a noise like tambourines,
Came her attendant Byzantines.

They wondered why Susanna cried
Against the elders by her side;

And as they whispered, the refrain
Was like a willow swept by rain.

Anon, their lamps' uplifted flame
Revealed Susanna and her shame.

And then, the simpering Byzantines
Fled, with a noise like tambourines.

IV

Beauty is momentary in the mind--
The fitful tracing of a portal;
But in the flesh it is immortal.

The body dies; the body's beauty lives.
So evenings die, in their green going,
A wave, interminably flowing.
So gardens die, their meek breath scenting
The cowl of winter, done repenting.
So maidens die, to the auroral
Celebration of a maiden's choral.

Susanna's music touched the ***** strings
Of those white elders; but, escaping,
Left only Death's ironic scraping.
Now, in its immortality, it plays
On the clear viol of her memory,
And makes a constant sacrament of praise.

my cat loves watching cigarette smoke
in the night,
while i love watching clouds,
but what consecrated us
      within a similitude
was:
   being brought into this world,
finding humanity, fast asleep,
   if not in the least: lost to sleep,
as if they were beyond medical
attention, comparing dreams
   to automations of imagination,
imagination become rampant;
for why would dreams be a mystery,
is they are only un-inhibited
representations of imagination?
why do dreams deserve a respect
to be treated as something mysterious,
when they are nothing but robotic
forms of imagination?
   robotic? yes, in terms of being
lawless...
    beyond conscious control...
there is nothing mythical, nothing
freud-orthodox about them...
       they are rampant imaginings
that never tread the path toward
fruition... it's not that they are
repressions...
              they are natural inhibitors
of what day-dreams are...
                            the real inhibitors...
let's talk about enzymes...
there is no worth interpreting dreams,
unless you're poised to craft
a trade with your *******...
           dreams = inhibited imaginings,
infectious, when the mind
is at "rest", posit coordinate 0,
which sleep ought to be...
             a denial of all conscious
activity... dreams are, ergo,
comparable to *******,
   i.e. a self-****...
                             it is better to treat
dreams as an omni-nonsense
   than a labyrinth with a minotaur...
i hate dreams...
           for what's it worth
i also don't believe in the western
diatribe of
   a subject-object dichotomy,
let alone a dualism...
to me dreams are akin to any other
virus infection...
                  esp. when people note
having recurrent dreams...
             i came into this world
and found humanity fast asleep...
  toward not asking,
but nonetheless writing this,
i asked for one "virtue"
and one "virtue" alone...
                 please, bar my infectious
capacity to dream...
          since then,
all my dreams have become nonsense,
for how can i trap light
     and then create a cinema
from exposure to this light,
in my sleep?
                       i appreciate
that i can stare into a light-glorifying
orb, and then see a geometric form
x-rayed onto a blank slate of focus...
but the complexity of dreams...
the narratives...
              there really isn't an
interpretation of dreams,
        to be a disciple of freud...
                      unless you have a lot of
time to waste and be bound to be
looking up your own ****...
                  to me dreams are
            like a sun within a black-hole...
there's light coming from the ultimate
recess...
    dreams are like the rebirth of a star...
light from the most hidden
    darkness,
         that is bound to originate in sleep...
i simply find dreams exhausting,
and too juxtaposed, to find a worthy
narrative, and subsequent interpretation;
at loss, to begin with,
   if ever to begin with,
         should genesis = zenith,
  if not, given the expression
                and regressive attitude
                          it not be: genesis = nadir.

Sun and traffic - day economy.
Six a.m. drive to plywood mill. Too tired
to be angry. Each day a step
toward death. What is being accomplished? The
small satisfactions
within each day. Book consciously read.
And frustrations. Package dropped, honey jar broke.

One of 175 soil types. With the fifty
tree species
comprising the canopy under which Eric and Lisa clean
      their baby's face.

Sun in winter, old apples.

Inside the school
a brilliant but rebellious history teacher
is suspended by the school board.
200 students
wearing armbands and painted teardrops
protest. Another 400
are silent.

Within each structure
human dramas and routines.
Nancy will not love
any man who cannot do as many push-ups as she.

Trees grow,
porcupine **** in snow.

No job,
no niche,
no existence.
How you earn money is who you are. You are
what you do to get food to eat
and shelter from the winter, summer heat.

Each morning I seek God
by holding still
waiting for the smoke to be black or white
coins heads or tails
wind dark or bright.

Flock of evening grosbeaks
nipping maple buds:
the sign I need.

                   --------------------------------------

Less need =
more wealth.
2/23/89. So much equipment just to sleep.
More than a bare floor.
Plumbing vs.
wash at stream, find a log in woods.
Implements of human existence
unlike the deer or bear who
nip buds, forage berries.
I cannot eat the gum out of balsam fir
or bark from a popple.

I am not Wendell Berry
with a wife, a farm, philosophy.
I like the accuracy
of counting pear thrips in maple buds.
8/bud = complete defoliation.
This insect has four wings fringed with hairs
and is minute, 2.5 millimeters.
Two species within the genus:
one with tubular abdominal segment,
the other with conical abdominal segment.
Sugar maple their preferred food.

All I need
are names.
Names and habitats.
Elements, products, decay fungi, egg masses.
Marriage, copulation, regeneration, education.
Machinery, accounting, hand tools, laboratory.
I need your names
and histories.
****** histories, books read, imaginings, unrequited loves,
      significant landscapes, broken bones, periods of boredom,
      favorite shows.

                   --------------------------------------

Immediately means
without mediation, intermediate moments
time in the middle.

Time in the middle
time in the middle.
I'm bummed I never saw a dinosaur, an ice age, a cave man,
      even missed the last world war.
Thanks to paleontology, geology, archaeology, history
mind equipped to take
time out of the middle.
It's in our DNA!

Why should she love me, her tenant?
Because I pay the rent on time.

                   --------------------------------------

Excellent. The white sun rose
and lit the frost.
Early February, late March, or in between.
Birds begin
discussing family. Sap starts to flow.
Where the borer spirals in, it comes out wet.
Birch or maple.

I watched from the window. Beautiful
but no desire to go out and touch
swelling buds of elderberry.
Is this shrub crazy? It knows what it knows
with elderberry knowledge.

Come Spring, so much to identify and name.
Insects, diseases and new flowers.
Lepidoptera, root rot, the pinks.
I think I might get married too
and watch the moons pass through the mists.

                   --------------------------------------

March rain.

Some snow remains
roads dangerous
but truck deliveries must be made.
                                                           ­ The light
pushing back the dark.
Bark
getting softer, slippery
at the cambium. Sap
simmering. Summer
and spring are here and there
although only winter birds are in the air.
Some buds
break swell
want
to turn inside out
but wait
knowing better.

I too will not break or run
early
hold hope bound by ropes of discipline, experience
time the magic moments to come
take the last sleet and pain
slap in the face
glad for predictable seasons.
                                                 We anticipate however
drought, maple defoliation, increased gypsy moth infestations
which some attribute to our existence.
That may be true.
Or it may be that the universe
has reversed its decision on us
and there's nothing we can do.
But we will do
what we can
and some things we shouldn't
because that is human.

Continuing
into the space inside me
unconnected to the light switch, plumbing
fairly independent of materials beyond
food and sound.
Where I pray
like an oak
that the light will enter me
unbroken, forever
and I will live the meanings in the wind.
                                                           ­          Basic
necessities, wood
wine
and friends. And
the names
of everything
by which we know our way.

genghis knew two food groups.

red and white, look it up.

Many Genghis genes remaing, tut tut tut,
no error yet, wait

in time the idea, the reason for so simple a sorting
is lost
and food laws arise to insure the purity
of progenity
"man ist vas man eats, nicht nur brot, y'kin, hear-ken"

destined to rule the world in the

here,
after all the others are killed by our wisdom and
dietary rules.

--- toxic masculinity
--- I heard first hand, a hipster-seeming voice tell me
--- Jordan Peterson is the source of the poison

Ah, am I to reply?
Am I to add a layer onto each pearl I feed the swine?

laque of knowing growing pains for what they really are,
we, the people,
blooming, bhering weight, finding worth

feeling ing ing the squeeze,
squeeze,
glory in the pain for gain, gain is good, grow, grow grow
try---umph
ic magi
bent and bowed bansai-wiseman, fed for years mere humble PIE
chanting more enthralled-folk songs
marching
words bubbling to the surface of spaceship earth,

blistering the deserts and the forests with black tar sludge
seeping from the fractures

to form mortar
to re
build the tower... that was Sad'am's idea,
it fell short in shocking offal from the rusting empir-
ical rule of laws of matter,

dis integrating to dust, leaven in the winds...

But every hundred years or so,
some one sees the problem
accused of causing the laquering of peace that seems
to be
beginning
to shine on
the rub,
the itch,

the cause celebre of this warrior mind, this
toxic
masculinity, but in the end

times change, nue and new and aljadid genii arise,

winds converge in great gyres and plan the melting of
the frozen one,

the great gyre in the north, the up-end of the spin,

locked these twelve thousand years
in de-salinated ice,

the salt squeezed from the very molecules of frozen ocean
once free

to spin
counter
clock, lock, lock the POV, see it, see it, see

the direction of the spin,
does it **** or blow?

You could know. Such things are not hidden now,

our simple sort of men have visionary tools,
eyes in the sky,

we look from the moon and see immediately,

there should be six spinners spinning currents
returning, turning turning
as winds return on their circuits on an un flat earth,

as Solomon noted in the sayings of Thoth;
so,
we see the ice, as ***** Gibson said it would be seen,

cybernetic, tic, you, tic, know, tic
what i mean
magi-
confidence in uncom-fort-ible
am-big-yous-is-us-ness

--- it was them ****** cow boys
--- imagined forever afters, based on guns for Christmas
--- appearing areal, Asreal can be, if one stared,
-- starry-eyed, Uriel appears to grant a wish, stare

staring in hope and prayer.
for all a child's prayer is worth

--- long-enough, at the wishbook from monkey ward
--- I'maxin' Please, Ma t'tell Santa I'd wear my guns t' school, Ma, I'd be cool.

hour-wareness of war;s worthlessnesses, winking eye sign;
pure floccinaucipilinihility, winks 'n' nods

manifestations of the imaginings of men,
wombed and un,

for money, not its use, just
luv o'the stuff it's made from in minds so inclined,

which tend to destruction from the mere knowledge
of a missing something, a meaning,
a hole,
a place of nada-zil-chic spells re re re main al and  
analible and
allathat, uninalienable mass of meaningful things...

name your God same as mine, shibbol-ethical as allhells-gnownstinki

fini.
eh? Fini? Uno fini, allathestinki? Bad-wind or kami-kazi?

it's a wish,
come true.
this world containing life, an air bubble to pre
vent
our inventions
from drowning in the fields of far-flung, far-fetched

god ideas gone sour,
for lack of a proper fungus. We can fix that now.

From now on,
we can listen to Lex Fridman sing "Simple Man"
from
a bubble remaining inside the lost disco years,

we can listen to Richard Feynman make plain what he meant
about life's locks all having keys in
a bubble remaining viable inside those Leave it to ****** years,

or read, since when in ever writing for ever began
and Google can translate, and
we can read by listening, now, we can read asif blind, and
see

there's more to this than that, why
settle for the simple, when

if
you step beyond, one step,
you find treasure
in truth
kept for you in the heart of your hiding child.