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Michael Marchese Jul 2018
The all seeing iris imperial city
The swiftest of stylus this side of the ‘sippi
The trippiest spittin’ Promethean hippy
Conspiracy theorist of eeriest verse
The despotic hypnotic black flag bearin’ Hearst
Still immersing myself in a poverty trap
As I grapple with lack of fact check cashing crap
Cryogenically frozen emotion vibes flowin’
From out my funk bunker boombox
Overthrowin’
Your global dominion opinion with ease
Shootin’ breezes with Tirailleurs Senegalese
I’m the kid wicked picket sign paintin’ Tom Sawyer
The ill eagle Taino privilege enjoyer
Still swoopin’ in mean on each **** I make clean
Pick the bones dry of serpentine oil green dreams
Then I bury what’s left of your money machines
With the pharaohs of old’s latest pyramid schemes
Mateuš Conrad Aug 2018
i couldn't never write a book, sorry, a novel, i'd hate to become a puppeteer, someone who attempts to play chess, a fiddling and bothersome shadow-baron (schattenbaron)... imaginary "friends" is not my thing, plus... i don't have an exact elastic approach to heidegger's compliments concerning poets: i only like heidegger because he likes poets, **** me, he elevates poets to the stature of philosophers when language "things" are made necessary... i.e. (and verbatim) - language - only if speech has acquired the highest univocity of the word does it become strong for the hidden play of its essential multivocity (as withdrawn from all "logic"), of which poets and thinkers alone are capable... welcome! welcome! to plato's republic! Brennus & Alaric welcome you, quiet fondly depicted by Joseph-Noël Sylvestre... and when the Huns pushed the leaders Fritigern and Alavivus into the eastern empire to settle... and emperor Valens... that's history for you: a cascade of: and and and and and and... sometimes a p.s., but mostly the and and and of causality... facts come barging in, you forage... but thanks to heidegger: the poets have earned their graces... and can return to the republic... as wordsmiths... i mean, was i ever to think of myself as a french dada dandy? frivolous and superfulous raconteur / racketeer? poet or philosopher, that's beside the point, the point being: i'm not a novelist... i don't like dealing with language that chokes that i rely on mostly and that mostly being: i like the idea of a raw vocabulary... i'm more of a butcher than an artist... i like the rawness of an inverted crossword puzzle... in my "trade"... there are no clues, whether synonymous or antonymous, in this spaghetti of: ex nihil factum sermo (out of nothing came the word)... poetry, of all places, allows this form of unadulterated nibbling at raw vocabulary... bypassing the standard g.c.s.e.: overt-scrutiny of poetics... i never like that... a 5/ 7/ 5 syllable haiku poem should never be preserved for its essay-worthiness to extend into 2000 words in a school exam... poetry strapped to pedagogy is... less heavily censored, more... over-scrutinized... you're not supposed to think in terms of poetry: you're supposed to, feel... and since when has feeling become so overrated, so despsised? oh... when people "learned" to feel, prior to learning to think... you really have to learn to think, prior to learning how to feel... if you ask someone from the orient, they'd counter the western perception of placing thinking / "reason" on the top of the pyramid with horus' eye as emblem... to learn to feel: is to learn to how to not think, while to think? it's to learn how to not feel... pretty simple, no? not really... neither approaches should be underrated, they should be understood better... who the hell needs, or wants, to be an apathetic brain-in-a-pickle-jar zombie: constantly engaging with a dialectic? then again... who wants to be a heart in an electric chair constantly bamboozled into pointless reactions? so i'm more of a butcher than a "poet", i simply appreciate the raw realism of cutting pieces of the tongue that extends into the brain's fathomability - and that overrated visual ******* of dreaming most people associate themselves with... but that's beside the point... i really appreciate days akin to this one, humid as in the concrete basin of Beijing while europe is frying in the African plume... no thanks, no, me go to Greenland or the Faroes Islands... do i look like a ******* ******* / camel jockey? why do i have limited respect for islam? i once watched a video of a saudi with an european bride... sitting on oil was both a blessing... and a curse... muhammad would whip some of these saudi brats silly... but of all days... when i get to work my magic in the kitchen, and make the most superior food in the whole wide world? blue indian cuisine: i call them blue indians and not red soxs because: come on... the raj... and that polytheism that doesn't want to disappear... h'americans can boast all they want: the steak, the hamburger, the hot dog, the pizza... n'ah... n'ah mate... it's either curry or you're chewing chicken bones, ******* out the marrow... indian cuisine is superior... i love the days when i cook up two curries... it feels like being back in edinburgh, walking into the joseph black building, the perfumes of sulphur and wood, the 12 hour experiments it would take us to conjure up an ester... esters? bases for the perfume industry... that' the grand thing about cooking a curry... you start to feel like a chemist once more... the two curries? a tikka masala: sure, an easy adventure... marinating the chicken what not... the real fun came with the malvani... blitzing the masala up: a bay leaf, half a nutmeg, 4 / 5 cloves, 7 dried chillies, 10 peppercorns, a cinnamon stick, cumin seeds, coriander seeds, chilly powder, turmeric powder... and that's just the malvani masala... the cocunut masala... ****... only two green chillies... how to get the right colour? ah... blitz up some coriander stalks... garlic and ginger... milk to get the whizz-kid on the job... it's superior cuisine, indian cuisine... it reminds me of a being in a chemistry lab at edinburgh... doing organic experiments... mind you: it's more fun, the environment is less sterile... even my mother said: you're stinking up the place, you're worse than the sikhs two doors down... so... why would i visit an indian restaurant, or indulge myself in an indian take-away, if i can mimic? i see no point... there is no other cuisine on the planet as good as what could come from either Goa or New Delhi... the colours, the perfume of the spices... by now a hamburger, pizza or hot-dog are staples or both humble beginnings and even more humbled ends... i've found my 1st to none passion... and with a afghani naan bread... and with rice infused with turmeric... tiresome ponce schemes of duck a l'orange... spaghetti this that and the other... one bias... though... scandinavian treatment of raw herrings... in cream sauce... i'm a sucker for those herrings like i'm a sucker for pop music... the added zing of the herrings' rawness out-competes the bland sushi manifesto... eating one of these herrings in a cream sauce... has the complimentary sensation, very much akin to performing oral *** on a woman... oysters are beyond the marker of metaphor / literal association... well: hello today!

I.

i'm starting to suspect, that one of the...
"supposed" stars...
   is actually a planet - due to its colour -
      it's unlike all the other -
todkompf, metallic white
glitter...
      it's hued in a more orange
spectacle - more fire...
less distance...
                and on the canvas
of the night?
   sits lower than all the other stars,
which are more up -
   rather than on a horizon
to speak off...
   question is... is that *mars
,
or is that venus?

**** it: 'ere i go...
'n' buy me a *******
telescope to investigate further...

II.

did the ancient romans really
distinguish the arithmetic
quantity of I - or IX -
   or XII or...
                with a dot?
       not unless it was inscribed
in stone -
   where even upsilon had
to vacate the more easily chiseled
in:              YOVR POINT?
just wondering
   how only two diacritical marks
were applied to the encryption -
and both... not for orthographic
reasons, but for aesthetics -
    what's the actual difference
when the guillotine digestion
machine (like me) comes in and
says...
    
     ȷokιng around...
        what with the iPod...
   why shouldn't ι,
                    come ιn -
   and give a ȷester's ιnquιsιtιon?
out of... mere... curιosιty?
ιt's not lιke those two-heads
even make a dιfference...
come on! ιt's ιneffectιve,
there are no orthographιc reasons
for ιt!
        why, even, bother?
    and no fancy name eιther,
ιn the dιacrιtιcal famιly...
  dot... when compared to?
cιrcumflex, caron, macron,
      cedιlla,  ͅ (ιota subscrιpt)
...
you name ιt!
can someone, please,
ȷust gιve me, an approprιate reason?

III.

it's not like i can confuse,
i with I - since i have 1, and 2 instead
of II, and 3 instead of III,
and 4, instead of IV,
       and 6 instead of VI...
ah... L(l) -
              and the exodus of handwriting
in the digital age...
any schmuck can write
now... but... i'd love to see
them write with a pen, on paper...

personally - i couldn't write an intact
word with a pen...
   calligraphy: a bit like monkish
Gregorian chants... coming near
to extinction...
          i could sometimes write
out a intra-connectivity of syllables -
but... entire words?
    no chance... the digit system
came in... and i had to learn how
to position my arms before
the keyboard, to write, and not look
down...
   unlike my old G.P.,
who, bless him... nearing his retirement,
pecked, like a crow,
on the keyboard...
   looking down on it...

the ENTER key? right arm pinky finger...
SPACE BAR key? primarily
left hand thumb...
   unlike a piano, you don't actually
use all the fingers on both arms...
e.g.? ring ringer on the left hand?
rarely used... unless doing some
mental hand gymnastics...
  
stream of "consciousness" - no words,
just observations -

(0,0,) LH ******* A
    RH index finger N -
     that's - ah! ring finger of
the right arm is used, quiet a lot,
  notably?  SHIFT + (?/) key -
      *******...
   but for the apostrophe?
    the (@ ') key...
  which, on my machine translates
as the (" ') key...

IV.

     - interlude -
--- -- - - - -  - - - logic  -- - - -  -- - bomb -- - - --  -
- - -- computers -- -- - - & - -- microprocessors -
- - - --- -- - --- -- -(parasense ----- - - remix) -- -- -

V.

it is chiromancy in reverse,
only that i'm reading my hands...
facing down,
rather than staring on the reverse
side of the... where the girdle of venus
is situated,
   or the index finger skin folds
of the chokhmah, chesed,
    netzach
- respectively -
akin to reading mandarin:
   from the the head - to the base
               of a knuckle.
i read my hands - looking at a screen,
how else can you write anything,
distracted by looking down
onto the keyboard -
  no aware of the spacing?
        question: how fast is your typing?
don't know:
what sort of ******* am i to note
down, and how many amendment
will i have to make to the text,
as we plow along to your diatribe
monologue?
                  
VI.

why would anyone sit up all night,
drinking?
     ****** question, esp. given
yesterday's 5 / 6 am carnival of rain...
out of nowhere,
there i was, ready to call it a night
well spent (not working in a Stratford
casino) - dreading the heat of
the sunrise...
  boom!
   thunder, lightning...
    the air turned white from
the ferocity of the rain...
   literally...
                the ground was wriggling
with a meteor shower -
excited gnat fly like puddles
appearing and disappearing -
soon becoming lakes
  within the confines of a supposed
**** of worm parasites...
      probably your typical day
      on the Faroe Islands...
you know... on such occasions...
you really can't help, but stick
your head out of the window,
far enough to drench your head
and hair in regenwasser...
            i should have walked
into the garden and
cleansed my whole body...
   but...
guess all ι needed, was the head...
       god...
  there's nothing more **** than
listening to horror movie soundtracks
while it pours a mini-monsoon
outside your window,
  and there's thunder, and there's
lightning...
   and you're just about to fall asleep...
like a baby might...

VII.

oh god... the one time i don't take
a beer for a walk, coming back
from the supermarket...
and i pick up... this genius:
genius... tortilla wrap...
    falafel + hummus + a hint
of mango chutney (with a tease
of arugula leaves)?
            **** me... who needs
beer... if not a bottle of mineral
water... to accompany
taking a walk?
It’s the Eye of the Sun,
                                     -staring down at me…

At night the mind of the Moon,
                                                  -so bright it’s all you see…

Seven Glorious Ones, Horus-Follower’s sons,
                                                   -and the cycle’s complete; time for a repeat!

Magic year, magic mind, Ozymandias seat,
                                                               a­ magic moment in time, 'ten found-on-the-line,' -mark a place where you'll be.                                                              ­                                                                 ­                                                                 ­                           
At the steps are the ones, ancient Kings of the Sun.
Torn apart by the people, when the harvest was done,
And solar barque crosses Styx, to the gates of Ammon…
Riders come from the steppe to see the death of the one,
Ancient King of the Sun redeem the land and the seed…
                                              -Rises up as Orion, again, and now he’s freed!


It’s the Eye of the Sun and the Lion is free, roaming over the lands, now the cycle’s complete…
The constellation of Orion represents the resurrected god or king. The seven glorious ones are the six northern pole stars and one southern pole star. Ancient Egyptians were Scythian making them Celts. Celts blamed their king for ill fortune and killed their kings as a sacrifice to god to rectify misfortune begetting the people.
Michael Marchese Apr 2017
Prometheus ignites to spark this
Molotov to make his Marxist
On swine Fuhrer's Faux News tweet
Hashtag it #GorbachevWallStreet
'Cuz Putin's puppet Pinochet's
Whipped Creme de Kremlin's CIA  
From JFK to Allende
Like Russian roulette ricochet
I'll Trotsky through McCarthy's brains
Leave slain these ****** sugar Keynes   
Discred' the Fed’s six-figureheads
With strikes at dawn more red than Debs  
Still breakin' breads with Mulan Bouges
Makin' men of Khmer Stooges
Seein’ Rouge when Al Spans Greens
Potemkin loan wolf ponzi schemes
Who count the sheep like Philippines
Then Black Pearl Harbor GRANMA’s dreams...

Of Marilyn Monroes in store
Just off-shore ****** who **** the poor
A Glass of Steagall's broken trust
Half emptier than bowls of dust
In rust beltways still spewin’ fumes
As factories become Khartoums
No carbon footprint tax the hint
Of Amazon decays in Flint
Just pop the caps and drown in debt
Like Kent State drinkin' to forget
That cuttin’ class engenders race
Leaves glory, gold and God's disgrace
To slaughter Moor than Reconquista  
From Marti to Sandinista     
With Zapata sharin’ crops  
Till my Mexica heartbeat stops

I'm Pancho infiltratin’ villas
The Magilla of guerillas
In the midst of Congolese  
Same colonies, just different thieves
To me, my breed’s of landless deeds
So how you like ‘dem Appleseeds?
FReeducatin’ caves of youth
Fed Citizen’s United Fruit
‘Cuz now my open eye of Horus
Battle cries Grito de Lares
Che is centered in these veins
So my Ashoka takes the reigns
These Iron paci-Fists pack hits
Like Jimi on some Malcolm ****
Still Hajj mirages I barrage
The Raj with sheer Cong camouflage

Deployin' Sepoys on viceroys
And pol desPots’ in the employs
Of Tweedledums who run the slums
With country clubs of loaded guns
These Betsy Deez bear arms to school
Till no kids fly kites in Kabul
So gas-mask your Sharia flaw
I'll Genghis Khan Sheikoun it raw  
'Cuz refugees are rising
And we're anti-socializing
Subsidizing private party plans
Who take commands from ***** hands
These grand old klans coup klux control
Your diamond minds with mines of coal
An oil Standardized existence
Solar powers my resistance

******* sun of Liberty  
My fear itself is history  
Rewriting wrongs of Leo’s creed
In culture’s blood and vulture’s greed
An alt-right/all-white cockpile   
Stockpilin' human capital
In tricklin’ contests over spoils
Of the cotton-ceded soils
Jingos chained to Cruci-fictions
Swallowin' good Christian dictions
I spit Spanish Inquisition
Trippin' Socrates sedition
Droppin' Oppen's fission quest
For "now I am become death"
'Cuz G-bay pigs in-Fidel's sites
Flew U-2's into my last rites

These Saddamites, I smite Assad
Then spread 'em like Islamabad
Convert for-profit prison tsars
From Escobars to Bolivars 
Like currency in Venezuela
Current police-state favela
Where 9/10th's of your possession's
Worth less than your Great Depression’s
Upscale bail ‘em outs of jail
With Dodd-Frank banks too big to fail
Your FDA-approved psychosis
From Campos’ daily dose of
More defense? Here’s my two cents
These slave wages ain’t excrements
So just say no to Reaganomics    
Got us hooked, but not on phonics

Just that Noriega strain
Of Contras stackin' crack contain
Like MAD dogs who trade weapons-grades  
For Ayatollah hate tirades
On “don’t ask, don’t tell” plague ebonics
Drug crusAID Jim Crow narcotics     
Warsaw rats injected, tested,
Quarantined, and then arrested
Guess the J. Arbenz' lens
Still Tet offends their ethnic cleanse
Still Wounding Knees of Standing Sioux
Till Crazy Horses stampede you   
For Mother Nature’s common ground
My Martin Luther’s gather ‘round
Is hellbound sounds of Nero’s crown  
Let's burn this Third World Reichstag down

Vox populyin’ to remove ‘ya
Like Lumumba then Nkrumah
So some Pumbaa kleptocrat
Declares himself the next Sadat
To hide supply-side Apartheid
Increase demand for genocide
So check your factions in Uganda  
Tune into Hotel Rwanda
Come play pirates with Somalis
Then desert ‘em like Benghazis
Thirst for blood so French Algiers  
It boils mine in Trails of Tears  
My destiny unManifest-
Oppressive Adam-Smitten West
So pay your overdues to Mao
I’ll Mussolini Chairman Dow

Then flood this 9th ward Watergate
With killing fields of glyphosate
I'll redistribute IMF’s
With leftist depth so deft it’s theft
I’ll My Lai massacre these lines
With sweet Satsuma samurhymes
I'll make these Madoff Hitlers squeal
With that Bastille New Deal cold steel
Now feel that Shining Pathos wrath
Drop Nagasaki aftermath
On Nanjing kings and dragon’s Diems
With ****** bodhisattva zens
To show you how I pledge allegiance
With razed flags still rapt in Jesus  
Laosy liars pogrom psalms
Can’t Uncle Phnom my Penh’s truth bombs

On heroes shootin' ******
My fix is un-American
Tiananmen democracies
To Syngman Rhee hypocrisies  
Theocracies drive me Hussein
With Bush league’s mass destruction claim
So I dig laissez pharaohs graves
With pyramids of Abu Ghraibs
Then nail their coffers closed like Vlad
I AM THE GHOST OF STALINGRAD
My hammer forged in winters past
My sickle reaps the shadows caste
By pantheons of penta-cons
Whose Exxons lead to autobahns
When liberal Arts of War and Peace in
Free speech teach my voice of treason
“Fascism will come to America wrapped in a flag and carrying a cross”
-Sinclair Lewis
zebra Aug 2016
love is a
state of mind
an emotion
sometimes ephemeral
sometimes steadfast

its source
an archetype
formless
it is not a relationship
although it may exist
in a relationship
or only
in a moment
like a spark in the dark
it is a function of imagination
as is empathy
it is magical thinking

*** may be an instrument of love
or a powerful healing balm
in and of it self
a profound therapy
and seen as an act of
divine grace

the ancients knew this
but unlike them
we have taken
sacred prostitutes
from ancient temples
vessels of the
goddess eroticism
Astarte of the Canaanites
Áine of the Celts
Min of the Egyptians
Aphrodite of the Greeks
Kama of the Hindus
Inanna of the Mesopotamians
and transformed them into demons
by subjugation to the depths of our subconscious

the archetypal female was replaced
by the neutered holy ghost
the patriarchal symbolic genital mutilation of women
a gift of horrors by Romes Council of Nicea
crippling values written in stone
frigidity guilts child
an abysmal morality
a theft by
kleptomaniacs of freedoms desire

for two millennium
vessels of the goddess
have been transmuted into a profanity
inflicting
a cold homicide on
****** freedom
forcing the abandonment
of a most essential constituent of sanity
the miraculous repair and revitalization
of the soul
through passions physical touch
sensual love
and the release of pent up desire

and left in its place
a harness of deprivation
an expression of a regressive culture
that promotes
a barren terrain
between
emotional ****** insecurity
and the monotony of monogamy


I am a voice of Thelema for the coming Aeon of Horus
LOVE IS ALL LOVE UNDER WILL
philosophical spiritual ,adult
Ria Bautista Jan 2011
I
There once was a boy who lost his smile
His name was Colin Trench, born evil & vile
A pale-skinned young lad, tall, wide-eyed and frail
His ashen hair quite unkempt, but sometimes he puts it in a pony-tail
Always dressed in a proper black suit, bow tie & all
"It makes me look more evil" says he, standing proud and tall
He lived in a dark & dingy tower up on Dreadful Hills
Where birds refuse to sing and a mere glimpse would give anyone chills
His only consort is a cat named Lacrimose, vile & evil as he
Both love the taste of ginger bread, strawberry ale & rose tea

II
One dreary morning in November when Colin woke
He realized that he missed his smile, lost since he was a little bloke
He stepped out of his room and summoned his loyal cat
"O Lacrimose" he said, "Today we will find where my smile is at!"
They began searching the tower, high & low, left & right
"It's just around here somewhere" he whispered, "I probably lost it in the dead of night"
They pulled out old drawers, empty cupboards & dusty cabinets
But all they found were cobwebs, memorabilia & broken trinkets
"Ah Lacrimose!" shouted Colin, "Look what I found here!"
"This wind-up jumping frog was given to me by mother dear!"
They searched behind the curtains, under the bed and beneath the sheets
But all they found was another toy, a little black bird that tweets
"This little bird" he remembered, "I gave it a name"
"Ah yes, it's Horus and hide & seek was her favorite game."
He put both toys in his pocket and continued searching, never giving up
Colin & Lacrimose were determined to find the lost smile before the sun was up

III
They left the bedroom floor and down the basement they went
A dark & sinister place with walls of chipped cement
Colin turned the light on and a rusty typewriter is what they saw
“This clunky old machine” he said, “used to leave me in absolute awe.”
Pointing at the corner, he went on, “This is where father used to write”
“He read to me his wonderful adventures much to my delight.”
“Let’s go to the attic” he told Lacrimose with a sigh
“There’s nothing left to see here but half-written stories & goodbyes.”
So up the attic they went, but as they entered the floor began to creek
“This won’t take long, Lacrimose” he assured the cat, “We’re just going to have a little peek.”
“The last time I went up here” he recalled, “I was a little boy aged 7.”
“It was that fateful day I was told that my loving parents went to heaven.”
He looked at Lacrimose feeling somber as ever
And noticed his cat nibbling on what seems to be an old letter:
“Colin, our dear son” he read out loud, “We love you with all our hearts.
We’re sorry we had to leave you, in the morning we must part.
The choice is not ours to make, we have to fight for our country.
We’ll be home after the war is over, just in time for your birthday party.”


IV
As he held the letter in his hand, he sat on the floor and started to weep
His parents’ death he tried to forget, in his heart he buried it deep
“A few months after receiving this letter” Colin remembered completely,
“3 men in military uniforms informed me that my parents died valiantly.”
“They never made it to my 7th birthday, I had no reason to celebrate.”
“In my heart there used to be joy & love, but since that moment I replaced it with hate.”
And the days after that, Colin not once did cry
But today was different, he knew it was time to say goodbye
He went down the attic and walked to the garden behind the tower
Carrying with him Lacrimose, he picked up a tiny little flower
He approached his parents’ final resting place with hardly an upward glance
Colin yearned for forgiveness and this was his perfect chance

V
From his pocket he pulled out the wind-up frog & Horus, the little black bird
Along with the letter found in the attic and without saying a word
He neatly placed the items on the ground with the tiny flower on the side
Today Colin learned about acceptance; there is nothing left to hide
He began to speak and this is what he had to say:
“Forgive me mother & father, but your passing has left me in complete disarray.”
He kneeled on the ground and cried like he never did before
Tears streamed down his face and it didn’t stop ‘till his eyes were sore
His hands were shaking as he covered his face
He never did forget the loss he tried so hard to erase
As soon as he stood up and slowly opened his eyes
He saw on the horizon a beautiful & magnificent sunrise
Stepping through the field, wiping his tears away
To his loyal companion he said: “From now on we will have better days.”
“Lacrimose, my dear friend, we shall no longer be evil & vile”
Ah, it is a great day indeed for Colin Trench began to smile.
My first Children's Rhyme!

01.12.11
[Dedicated to Austin Osman Spare]

Have pity ! show no pity !
Those eyes that send such shivers
Into my brain and spine : oh let them
Flame like the ancient city
Swallowed up by the sulphurous rivers
When men let angels fret them !

Yea ! let the south wind blow,
And the Turkish banner advance,
And the word go out : No quarter !
But I shall hod thee -so !
While the boys and maidens dance
About the shambles of slaughter !

I know thee who thou art,
The inmost fiend that curlest
Thy vampire tounge about
Earth's corybantic heart,
Hell's warrior that whirlest
The darts of horror and doubt !

Thou knowest me who I am
The inmost soul and saviour
Of man ; what hieroglyph
Of the dragon and the lamb
Shall thou and I engrave here
On Time's inscandescable cliff ?

Look ! in the plished granite,
Black as thy cartouche is with sins,
I read the searing sentence
That blasts the eyes that scan it :
"**** and SET be TWINS."
A fico for repentance !

Ay ! O Son of my mother
That snarled and clawed in her womb
As now we rave in our rapture,
I know thee, I love thee, brother !
Incestuous males that consumes
The light and the life that we capture.

Starve thou the soul of the world,
Brother, as I the body !
Shall we not glut our lust
On these wretches whom Fate hath hurled
To a hell of jesus and shoddy,
Dung and ethics and dust ?

Thou as I art Fate.
Coe then, conquer and kiss me !
Come ! what hinders? Believe me :
This is the thought we await.
The mark is fair ; can you miss me ?

See, how subtly I writhe !
Strange runes and unknown sigils
I trace in the trance that thrills us.
Death ! how lithe, how blithe
Are these male incestuous vigils !
Ah ! this is the spasm that kills us !

Wherefore I solemnly affirm
This twofold Oneness at the term.
Asar on Asi did beget
Horus twin brother unto Set.
Now Set and Horus kiss, to call
The Soul of the Unnatural
Forth from the dusk ; then nature slain
Lets the Beyond be born again.

This weird is of the tongue of Khem,
The Conjuration used of them.
Whoso shall speak it, let him die,
His bowels rotting inwardly,
Save he uncover and caress
The God that lighteth his liesse.
Bunhead17 Nov 2013
[Verse 1: Drake]
Versace, Versace, Medusa head on me like I'm 'Luminati
This is a gated community, please get the ******* the property
Rap must be changing cause I'm at the top and ain't no one on top of me
****** be wanting a verse for a verse, but man that's not a swap to me
Drowning in compliments, pool in the backyard that look like Metropolis
I think I'm sellin' a million first week, man I guess I'm a optimist
Born in Toronto but sometimes I feel like Atlanta adopted us
What the **** is you talkin' 'bout? Saw this **** comin' like I had binoculars
Boy, Versace, Versace, we stay at the mansion when we in Miami
The pillows' Versace, the sheets are Versace, I just won a Grammy
I've been so quiet, I got the world like "What the **** is he planning?"
Just make sure that you got a back up plan cause that **** might come in handy
Started a label, the album is comin' September, just wait on it
This year I'm eating your food and my table got so many plates on it
Hundred inch TV at my house, I sit back like "**** I look great on it"
I do not **** with your new ****, my *****, don't ask for my take on it
Speakin' in lingo, man this for my ***** that trap out the bando
This for my ****** that call up Fernando to move a piano
**** all your feelin's cause business is business, its strictly financial
I'm always the first one to get it, man that's how you lead by example
Versace, Versace, Versace, Versace, Versace, Versace
Word to New York cause the Dyckman and Heights girls are callin' me "Papi"
I'm all on the low, take a famous girl out where there's no paparazzi
I'm tryna give Halle Berry a baby and no one can stop me

[Verse 2: Meek Mill]
Versace, Versace
Its killers, real ****** that's all in my posse (shooters!)
I'm getting so rich that they making up rumors that I'm illuminati (rich!)
Just me and my ****** we killin' these *******, go body for body (murders!)
These suckers be hating, they praying to God that I don't cop a Bugatti
Hold up, drop the top on the rari
Pull in the club and I'm stopping the party
Hold up, got ******* on *******
They poppin' on molly's I'm prolly at Follies with PeeWee and Tip
Of course i went with Lou
I did everything that I said I would do
I really won't tell you that I'm better than you
But we're not on the same level as you
Cause the G55 got a hell of a view
Regular ****** make regular moves
With ya regular ***** and ya regular crew
And you ***** still smokin on regular too? Like word?!
What a shame, my *****
Louboutin blood like Game, my *****
Get left tryna aim, my *****
Like Saddam Hussein, my *****
I'm whippin' this brand new machine
100 bands in my jeans
Call yo ***** Barry Sanders
She done ran through the team
I got hoes out the D
They playing on the team
Do anything for me
I mix that xan with the lean
Hold up, let me get it back
Versace, Versace
I'm gettin' this money, I'm stackin' my broccoli (racks!)
I'm running my city
You might gotta pay me if you land on my property (tax!)
I bought the boardwalk and I parked on the ave
****, my life's like monopoly
You caught a new case and you got outta jail
Boy, you look like a cop to me
(Get out of jail free card?)

[Verse 3: Tyga]
Aughh! Versace, Versace, I brought that **** back, all these ****** they copy
Medusa head on me I'm at the hotel, Versace Palazzo
I rented the yacht for a week, but I bought the convertible Lambo
Six mill for the mansion
I see haters coming I need some more ammo
These ****** gay that's Elmo
So much green I turned camo
Some hoover ****** on flannels
Light light you up no candle
Grip on that handle Yosemite Sam ya, that ***** bang like a banjo
Told my arms dealer no need for a box, I don't read the instructions, I throw out the manual (WOO!)
Versace, Versace, my brother king Trell he in a Ferrari
I don't look the same, my camera the same, I made too much money (WOO!)
Paul Pierce is my neighbor, I told him he should of went to the Clippers
I got some crazy ideas for Versace, get them and tell'em my number
Versace, auggh Picasso, Basquiat I'm cocky
23, 15 mill I'm just getting started
Pop water my water
I walk around on my wallet
I don't **** with Saddam but, that's gold all in my toilet
Statues of Horus, and the annubis is polished
I don't got to, rap about, coke for you to enjoy it
I'm bout' to join the money team, just holla' to Floyd about it
Versace, Versace, I'm taking my money to the Cayman islands (WOO!) Versace Auggh!!

[Outro: Quavo]
Versace, Versace, Versace, Versace
Versace, Versace, Versace, Versace
Versace, Versace Versace, Versace Versace
Versace, Versace Versace, Versace Versace
I love this song!... lyrics to  "Versace" by: Migos ft Drake, Meek Mill, and Tyga ****. by:  Zaytoven.
"The Druids taught their disciples many things about nature and the perfections of God, and that, there was only one God, the Creator of heaven and earth. One name, under which they worshiped him, was Esus or Hesus (“He," in Celtic meaning, "Lord," ) or Harits which is their name for Horus..."

~Julius Caesar from [Signs and Symbols of Primordial Man, by Albert Churchward circa 1912] [Page 186]



"He,"  -meaning, "Lord," and "Sus," being the most ancient Minoan form of, "Zeus," therefore, "Jesus," means in Celtic and Greek;

"Lord Zeus."

The word "Harits," being Sanskrit identical to, "Charits," and "Marits, Maruts," a mythical epithet for Aryas, or Aryans so the usage of it for his name means it represents him as being Aryan.  

Jesus as an Aryan.

If You can prove it, prove it wrong,
then do so here or do so in song.
If you can also, do it in verse,
then truly you'll deserve a purse.
I do not believe there will ever be,
on this point,

...a mortal man to challenge me!


Good Luck
Russell Douglas Feb 2010
A Verse In Time: A Trickster’s Alchemical Approach to Memory in Three Waves

(Warning: The following collection contains depictions of three waves
of the psychedelic experience—particularly with God’s allies, Los Aliados, the mushrooms—and like the psychedelic experience each wave possesses its own waves within itself.  Ride with discretion.)

.

Wave I: The Allies’ Nursery Rhyme

The Allies
came to visit
and take me
on a trip.
No need for boat
or bus
or plane
or even rocket ship.
The galaxy, as they explained
resides inside your mind,
The portals to the universe
are windows you call eyes.
Instead of always looking out
you should try to look within.
The ending you have always feared
is exactly where you begin.

Yes, all the spans of time and space
exist in you behind your face
and yet you cannot understand
that nothing is a race.

Oh wait, please be careful with that mirror
when we are here and you draw nearer.
Don’t let the face of everyone replace your face with fear.
You are Horus, Mary, Jesus Christ, Cervantes, and Shakespeare,
and all the men from beast to mice, from oceans down to tears.

And so they pried behind my face
and pushed me on through outer space
and soon enough I understood
there never was a race.

It all exists right here, right now—
the past, the future, the grass, the cow,
the vast, the nature, the cash, the house,
the king and the savior
the beast and the mouse
are all your creation,
your relation,
your spouse,
your Path,
your Bible,
your ‘Gita,
your Tao.

It is all
of your moment,
It is all
of your now.

For you are the mystery
of that which you seek.
You invented the minutes, the hours, the weeks,
the deserts, the rivers, the valleys, and peaks,
your digits, extremities, elbows, and knees.
You created the cure, you invent the disease.
The labyrinth is you and
You defeat it with ease.
To master the Minotaur just follow the string
Discover the dinosaur, discover the king,
discover this grandiose song that you sing,
and uncover the truth of the message you bring
when you ring bells or

Stroke piano keys
and make the doctor sweat.
The pranksters shifting shapes again,
it’s time to make a bet.
With silly laws of threes and fives, this riddle I repeat, replies
that by the time the rhyme is over, the trickster will arrive.
Gliding up in cycles by, the prankster grins and winks his eye.
He fabricates a fluffy fix with fuzzy snow white lies
to bring the doctor to a six then down to four inside
and bring the tempest to a wave
on which the four can ride.

Do we glide?
Do we slide?
Do we fly really high?
Do we bobble and sink
with the rise of the tide?

I remember the brink
the cellular stride, the following leap,
the primitive mind
I remember the dirt, the water, the fire,
the wind and the ether,
the passion, desire.
I remember that art
can never expire.

Do we depart?
Do we retire?

The answer is yes,
The answer is no,
The answer’s the same wherever you go.
It’s never too fast,
it’s never too slow
and you are never the last to not really know.
For the sun always shines,
the moon always glows,
the old always die,
the young always grow,
The seeds that you plant
are the trees that you sow,
from the bees and the ants
to the bulls and
black holes.

It is all
in your stance.
It is all
in your
soul,

When you follow your dance
the bliss
takes control.
Take your place
in the play
and master
your role.
The Aum
is your home
it’s inside
of your dome,
Whatever
you wonder,
Wherever
you roam.

And so it flows behind my face
the universe of time and space
Now I understand that time
is invented as the race

Yes, you are Borges, and Buddha, and Krishna,
and Lorca, and Vishnu, Dickinson, Lennon,
Eliot, Gandhi, Marley, McKenna,
Campbell, Picasso, Alpha, Omega.
You are your enemy,
your stranger,
your neighbor.
You are the peasant,
the king,
and the savior,
the mandala man,
the cosmic *******.
You are the taste
You are the flavor
and you are
the wave
the unwavering
Creator

Even us
as they explained
merely extend from you
A mirror to the macrocosm
for you to gaze into.




So when you get lost
within your lies
and cannot find
your rhyme,
Gather inside with your
Allies
and master
the maze
of
time.


Wave II: Contemplating The Allies’ Advice

Thunderbolts of cackling giggles
shutter through your vitals, shaking shoulders
and squirting tears from squinting eyes.
Exciting when dimensions hidden creep into your line of vision,
morphing mapping iridescence with a fleeting fuzzy phosphorescent
undulating elfin presence following your every contemplation.

Concentrating on a caterpillar crawling up the wall
how curious, this furry beast has fingers not to fall.
He folds into his fuzzy form, a sleeping bag to keep him warm,
a little home as still as lead.  He hibernates and contemplates,
waits and waits and transmutates into a gilded butterfly
that flutters through my head.

Violet translucent landscapes bleed through grass and trees,
focus on a precise place of time and space and witness the birth of the human race.  Projections made in fuzzy fourth dimensions quickly fade
if your gaze should wander.  Positioned to ponder,
you plunge into prepubescent wonder as a shooting star splits the sky wide open revealing heaven and everything under the sun is tune and the sun is eclipsed by the moon.  And once again, the music comments chronologically on your moments, as if all these notes and lyrics were cataloged to sync with the scenes of your epic voyage.

Destroying contemplation again, the sea ***** the wind through the trees
and blows a blue marine breeze through your hair.
Do you dare take the time to recognize the punctuality of the gale?
Should your frail and fragile mind be dangled from a line
to flap and fluff and figure out the nature of the rhyme of our mother?
You are your brother, your keeper, and your lover.

All the lines align and oscillate in cadenced flow,
the more you see with your mind the more your mind will know.  
A ****** brain may strain and throw a fit
if faced with the tricky truth of the third eye
Surprise! Who knew that Jesus Christ could sprout from cow ****?
Can you believe it?  Wow, Bob, wow.
Where do you think we got: ******* and holy cow?
Heaven is the here and now
and every time you try to leave
you lose what you have found.

(* All words in italics come from    
   various songs, films, works of        
   literature, etc. and are not the words    
  of the author.)


Wave III: Los Aliados Wake

An apple carries a story deeper than the tree,
More nourishing than the luscious skin,
More central than the seed.
for the apple gave original sin
and knowledge from within
and fell upon the head, announcing gravity.
Have you ever heard the tale of Johnny Melon seed?
(The apple is global, so I wonder why,
what could be patriotic of pie?
Is it not just a strudel,
a pastry disguised?)

The colors we create
distort. manipulate.
The fools who follow fear
are doomed to find their fate
between their ears
where the colors seem
to blend and stream
and almost disappear.
To wonder why we’re here
all colors must appear
and merge into the blinding light
that obliterates our fear.

All your dreams, your fantasies, your symbols, and beliefs,
all a compass pointing you to endless mystery.
The treasure that you seek
resides inside the Self,
A jewel within the rock,
A book upon the shelf.


I bought the ticket,
I’m taking the ride.
I’m spiraling miles through the bowels of time.
I’m spinning and laughing
and losing my mind
and finding
it always returns
just in time.
It’s right where it left me,
so I’ll leave it behind
and return when
I’m ready
to relish the ride
with a bite
from the apple
of my
holy
third
eye.
(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
RAJ NANDY Jun 2017
Dear Poet Friends, the Sphinx remains shrouded in myth, legend, and History. Modern research by archaeologists and Egyptologists have revealed some of its hidden mysteries. My research has resulted in providing you with a short & a balanced view about the Sphinx, keeping in mind the short attention span of my readers. Unfortunately, I am not able to post the Illustrative photographs here which accompanies my Sphinx story. Hope you like this story, thanks, - Raj Nandy, New Delhi.
            
         THE MYSTERY OF THE EGYPTIAN SPHINX

INTRODUCTION
Towering over the Giza plateau facing the rising sun over the
River Nile,
The Sphinx stands defiant for over four millennia, braving the
vagaries of weather and marauding time!
With a lion’s body and a human head the Sphinx remains
shrouded in part myth, part legend, and ancient History.
While the date of its construction, and identity of its face
have intrigued scholars for many centuries.
Today I shall tell you about this monumental and magnificent
structure,
Which stands as an iconic symbol of Egyptian architecture!
Man fears Time since he forever remains as it’s bonded
prisoner in captivity.
However, only few hours of freedom are granted to him during
his earthly sojourn, to live and love life with impunity!
But Time fears the Pyramid and the Sphinx, as they stand
defiant with their raised head;
As miniature symbols of eternity which even Time dreads!

MYTHS AND LEGEND ABOUT THE SPHINX
Many controversies and theories abound as to the identity
of its builders during ancient times.
Some say it was built by the people who came from Plato’s
lost ‘Continent of Atlantis’, prior to the Egyptians, way back
in time!
Others say it was the ancient Zulus who had inhabited the
wet and rainy Giza region with its great lake.
Around 8000 BC, during the close of the Great Ice Age!
But with changing weather pattern the Giza region later became
a desolate and a deserted area.
Yet no records or hieroglyphs survive, to make things clear.
The name ‘Sphinx’ is said to have been given 2000 years later  
by the enterprising Greeks.
Since in Greek Mythology there is a Sphinx, but with a woman’s
face, a lion’s body and with eagle’s wings;
Which guarded the entrance to the ancient Greek City of Thebes.
To the Greeks we owe the ‘Riddle of the Sphinx’ which asked all
passing travelers the following question:
“What is it that has one voice, and walks with four legs in the
morning, with two during the day, and with three in the evening
time?”  - about which those travelers had no notion!
The Sphinx devoured all those who had failed to answer, till the
Greek Oedipus confronted the Sphinx and replied,
That the riddle had described the three stages of a Man’s life.  
Since he crawled on all four as a child, grew up to walk on two
legs.
But during old age used a stick which became his third leg.
Hearing the correct answer the Sphinx is said to have jumped
into an abyss killing itself!

THE  SPHINX PROPER  
Modern Egyptologists generally agree, that the Sphinx had been
carved out from a single mass of limestone mound, -
Which dominated the Giza plateau before 2540 BC.
Built by Pharaoh Kufu’s son Khafre of the Fourth Dynasty.
Khafre was the builder of the second largest pyramid standing
next to his father’s Great Pyramid of Giza.  
While the Sphinx stands on the eastern most boundary of the
Desert Sahara;
Six miles west of Cairo, on the edge of Giza plateau.
It is 240 feet in length and almost 70 feet in height, aligned to
the Pyramid of Khafre behind.
The Sphinx lies on its hunches guarding the vast ‘City of the Dead’.
Where pharaohs mummified bodies lie deep within the pyramids;
To facilitate journey of their soul to gain eternal life and be
resurrected,
To join the Happy Fields of Osiris the Egyptian God of after-life
and death.

Great conquerors like Alexander and Napoleon had stood
dwarfed before the mighty Sphinx.
But to Napoleon we remain grateful for our knowledge of
Egyptian civilisation among other things.
For it was his soldiers who had discovered the Rosetta Stone
in Egypt in 1799, with its  bilingual inscription.
Written in Egyptian hieroglyphs and Coptic Greek, resulting in
the decipherment of the Ancient Egyptian pictorial inscriptions!

EXCAVATIONS AND RESEARCH WORK
The Sphinx had been buried by the shifting sands of the desert
many a time during past centuries.
While periodic restoration work continues to preserve it for
posterity.
American archeologist Mark Lehner and his team during the 1970s,
had analysed the bedrock under the mighty Sphinx.
They found natural cracks and fissures, and also narrow passage
ways dug by early treasure seekers!
His team climbed all over the Sphinx like Lilliputians over Gulliver, -  while mapping its structure entire.
It was found the Sphinx had been subjected to five major restoration efforts since 1400 BC .
While Mark’s dedicated efforts earned him a Doctorate in Egyptology at the Yale University.

Mark’s research also concluded that the visage of the Sphinx was
once painted in red.
While traces of blue and golden yellow decorated the ‘nemes’, the
Pharaoh’s brightly stripped head dress.
Controversies rage even to this date, as to whose features the
Sphinx’s Negroid face did actually represent.
While the disfigured nose of the Sphinx has given rise to many
speculations.
Was it the Muslim Arab conquerors, or a fanatical Sufi Turk who had tried to destroyed it as a pagan symbol!
Today I recall that the mighty 1700 years’ old statue of the Bamiyan
Buddha in Central Afghanistan.
Which was destroyed during March 2001 as a pagan statue by the
fanatical Taliban!
  
Mark feels that in all likelihood the Sphinx’s face was that of Khafre, with whose pyramid the Sphinx stands aligned.
While those ancient architects had arranged the location of the three pyramids of Giza and the Sphinx in conformity with solar events, - while choosing their construction site.
A settlement bigger than 10 football fields at this site was excavated,
Where the Sphinx formed an integral part of Pharaoh Khafre’s building complex!
This ‘Lost City’ of Mark Lehner had barracks, workmen’s quarters and kitchenette.
While remnants of diets found suggested workers were perhaps
rendering national service, and were not slaves.
No iron or bronze tools were found, only crude stone hammers and
copper chisels lay buried beneath the ground.
These copper chisels had to be sharpened at the charcoal furnace
frequently, for executing chiseling  work with artistry.

SIGNIFICANCE OF THE GIZA COMPLEX AREA
Mark Lehner and other Egyptologists felt that the pyramids, Sphinx, and the Temples Complex of Khafre was thoughtfully arranged,
For linking solar events and harnessing the power of the Sun God  
to resurrect the soul of the Pharaohs after their death!
This transformation not only guaranteed eternal life for their dead king,
But also sustained the universal national order, passing of seasons, the annual flooding of the Nile, and their people’s well being.
During sunset at March or September equinoxes when the sun appears to sink into the shoulder of the Sphinx, -
“At the very same moment the shadows of the Sphinx and the pyramids
both symbol of the king becomes merged silhouettes.
Sphinx representing Khafre as Horus the revered falcon god, offers with
his two paws to his father Khufu incarnated as Ra the sun god, who rises
and sets in that temple,” – as the ancient Egyptian’s thought.
Unfortunately  Kafre’s dream was not realised, since the Sphinx Temple remained unfinished as now we get to see,
As the Old Kingdom of Egypt finally broke apart around 2130 BC.
The desert sand began to gradually swallow up the Sphinx, till almost a thousand years later,
Thutmosis IV cleared the area, and introduced cult of Sphinx worship during the New Kingdom Era!
Rest is history, which has been already covered by me.

     CONCLUDING THE SPHINX STORY
The ancient Sphinx as Egypt’s iconic art,
Has captured the onlookers mind and heart.
Buried deep within its shifting sand,
Lies many a secret still unknown to man!
The Sphinx still beckons out to me,
Perhaps one day I shall get to see.
Today the Sphinx stares out at a fast food restaurant.
As it now faces a full frontal urban assault!
The rising water level of the Nile, tourism, traffic, and
air pollution, along with many urban constructions;
Make the authorities to worry about its preservation!
The Sphinx beckons out to man from eons past,
What is that secret it wants to share with us?
Perhaps it is about Environmental Degradation;
And the urgent need for Global Preservation!
                                                   ­        -Raj Nandy
ALL COPYRIGHTS WITH THE AUTHOR ONLY
PJ Poesy May 2016
}I{
“Sinuhe”

King Khety is blinking madly
Haruspex has left him ominous oracle
Sinuhe is on his return, fugitive no more
Sinuhe brings with him enemy’s daughter
Not prize, Nefru his wife and Libyan lore
Sinuhe from slavery came, poet she did adore

Egyptian tombs do tell in detail
Hieroglyphic tales, this juncture of peril
Khety not King, but Sinuhe’s noble brother
Knows true King come to claim throne
Sinuhe the nobler, knows a life of none other
Than slave sold by Odious, the step-mother

Yes Queen Odious, deep in den of asps
Collected poison venom to undue her marriage
To Sinuhe’s father Merikare, Pharaoh of Moon
Odious’ ghastly act nearly tore Egypt in two
Her derangement sent Sinuhe far across sand dune
Odious took crown, added gilded teeth of baboon

Made her son King, though he did implore
Khety saw insanity and for what, he was in store
Khety remembers his Great Father’s words
“The heart of someone who listens to his temper
Is doomed to follow the stink of camel herds
Better to let heart fly upon sky, as do birds”

Yet by years tormented, Khety became undone
More like his mother and even more sniveling
Than the Odious one, so he did as he was told
Incessant dribbling marked a life for him
He minded his words lest he knew he’d be sold
Mother’s high priest Abhorus was bitter and cold

Sinuhe’s struggles were unknown to King Khety
Years of near starvation and wearisome labor
Made Sinuhe the better man, as he did never forget
Assurances of his noblest Father, Pharaoh Merikare
Virtue ascribed, Sinuhe kept valor in each trial met
Furthermore, his noblest task still to come as of yet



}II{
“Numidian Queen”

Nefru, Numidian Queen to Land of Libya
Recalls young slave Sinuhe’s hostility to captivity
His intelligence overcoming, who once would be King
Of Egypt had not violent arm but ferocious mind
Using wit to overcome adversity and words he did sing
To free his self of internment and all oddity it did bring

Nefru looks upon loyal husband Sinuhe
It is an arduous journey this man has taken
Her commitment be bound now by ivory ring
Loyalty to this man before all forsaken
It is spring, and amongst abundant life come dead things
Fledgling birds first flight failed or so siblings did fling

Now swept into his pilgrimage, Nefru perceives
All adversity Sinuhe did overcome so nobly
To her, he is chukar, partridge of rare plumage
It is to the ground, which this bird be bound
Never reaching sky, low brush be its’ *******
Though its’ song give to her heart an anlage

Freedom from slavery, is Sinuhe’s triumph
Vindication of crown be the mark of new flight
He prays to Horus Behudety, Winged Sun God
Nefru knows of her husband’s will and might
She gifts to him her father’s pinioned golden rod
Scepter of enslaver Mehru, and his feathered shod

It was not of great agreement by Mehru
Should his daughter Nefru marry a slave?
Much less to son of Merikare, an arch enemy
Yet he be so brave, impressions of Sinuhe’s strength
Be made so to change, very nature Sinuhe’s destiny
So much so, Mehru did lament in Merikare’s elegy

So it came to be, a slave marries Queen
Sinuhe and Nefru’s love broke all patterns
Such a love to win hearts of, Gods and Goddess’ unseen
Who rule other worlds and all rings of Saturn
History had never known affection so purely clean
Gatherings from far off fields came to witness such glean



}III{
“Haruspex And Detritus”

Haruspex, soothsayer speaks in half-truths
King Khety believes only small contingent
Be on way to Byblos, presently approaching Qedem
Little does he know, armies of Elephant in tow
Masses of feathered and golden archer’s stem
Blessed by breath of Bat, Goddess and her phlegm

Detritus, Animal Man, hired scout to King Khety
Possesses claws and hair of lion, his home Serengeti
Animal Man’s mane is thrashed in thorns and rubble
Smells of cat ***** but has nose that knows much
Such why Detritus be tolerated, though be much trouble
Haruspex twists tale of tailed man, speaks of him double

Calls him lazy, shiftless, yet Haruspex be cryptic mess
Detritus be banal yes, but true to Khety none the less
Knew his father well, Merikare be his master
It was always Queen Odious, Detritus distrusted
Knowing her demonic betrayal and Egypt’s disaster
She kept him in gypsum cave, scratching alabaster

Kindness had left this Kingdom sometime ago
When Odious and Abhorus overthrew rule
Merikare Moon Pharaoh mummy cry from tomb
Sinuhe ripped from his side by Abhorus
His funeral a very mockery and Detritus’ doom
Haruspex made way from Libya, eyes mucous rheum

Planted by Mehru, Haruspex be sent through desert
King of Libya be wise, sent this oracle as disguise
Not soothsayer at all but spy of opposition
King Mehru knew upon Moon Pharaoh’s death
Peace upon land would not soon come to position
Quickly he sent Haruspex, strangest magician

Detritus knew by the first smell of him
Haruspex came from earth west, not with best
Intentions to natural order of land and sky
And this test of two egos be quite perplexed
With each other and another reason why
This brawny epic riled through years gone by



}IV{
“Ode ‘O’ Odious”

Motioning her battalions, priests and beasts
Evil Queen who overthrow, joins Abhorus’ feast
Beldams be this clergy, **** all about Odious
Snapping of rabbits heads in cacophony of blood
Plunking chalices of malice’s, sacrifices melodious
All in dark chamber halls in depth’s commodious

Stretching of intestine to fine tune harp
Butchers waylay innards with daggers sharp
Mawkish music be Odious’ fame
Concavity’s entrance a perilous scarp
Passers-by enticed by bergamot oil’s flame
Fall to their death to be eaten by dame

Ode ‘O’ Odious, Ode ‘O’ Odious
Drunken mayhap through day and nightcap
She rumpus muck, she ruckus all luck
Ode ‘O’ Odious, Ode ‘O’ Odious
Chambers fill with all matter of bile guck
Bites cobra tails, hooded heads protrude to ****

Death be her power to innocence’s pain
Queen Odious oblivious to her own danger
Seems unstoppable to submissive subjugates
Spinning her terror, cackle calls to maidens
Fem ferocious, how ‘O’ Odious undulates
Casualties collected in long hundredweights

Probity of her high priest be none
Abhorus puppets Odious and will be done
With her second rare blue water lilies run out
The Nile produces this flower of intoxication
Extinction of it is of all certainty, no doubt
Named after her, O Odious flora beguiles lout

Ode ‘O’ Odious, Ode ‘O’ Odious
It is Evil Sorceress and midnight blue flower
Power of it be all in her high flighty head
She misuses its’ tincture to her own final hour
Harvesting it foolishly, nearly till it is dead
And when it is, it will be to all worlds’ dread



}V{
“Oasis In Iaa”

Sinuhe receives word elephants parched
Water need be found, arduous trek campaigned
Nefru never witness such worry, Sinuhe’s face
Ox tail be split to drain nourishment from beasts
No water for miles, no sea birds upon sky to trace
Sinuhe prays, “Montu, God of War find oasis to race!”

Sekhmet, Archer Goddess visits Nefru
Great Lady is besieged by dessert’s spell
Hallucinations bring mirage to Nefru’s sight
Transfixed on dessert’s horizon her eyes
Contingents warriors, bands of archer’s fright
Paths set forth, only to journey by starlit night

At dawn Sinuhe strands his band
Takes his most devoted men of arms
Bhaktu, Parsi, Rhaktu, follow their Lord
Each having faith in man and his wisdom
Eastward they find Syrian tribe in horde
They are welcomed, none need draw sword

Master of Syrian tribe Abu Sefa
Understands who Sinuhe is and was
Orders falconers to find Nefru and throng
Apprises Sinuhe of oasis beyond hummocks
All are soon joined together in wine and song
Oasis found, Iaa, fruited land and lagoon long

Khety is warned of revelry in Iaa
Sends legions Egyptian arms, by order Odious
Anubis, jackal head God given zebra sacrifice
Detritus employed for battle with spears
Copper shields, mediocrity will not suffice
All swords be sharpened by order thrice

Lifeblood battle of Egypt ensues
Sinuhe taken off guard in Iaa,
Elephant screams to be heard for miles
Bhaktu cut down, Rhaktu not found
Parsi’s archers never saw such trials
From lagoons come seething crocodiles



}VI{
Twist Of Fate

Rensi was chosen by Abhorus to speak for Khety
As High Priest, Abhorus did most doling of employs
This proxy Rensi though, be mockery of King
His speech more stammered than Khety’s noise
Grossly disfigured as well, soundings as mice sing
Rensi aware of this, musters all dignity he may bring

Perigee moon at present, o howling now
Hyena laughing at dissertation of Khety’s proxy
Ill ease overcomes this Rensi, an impediment
Speech undone on terrestrial stairs to Memphis
Escalades flora, fauna; monsoons washing sediment
Tefnut, great rain goddess turns world to excrement

This not so illustrious disquisition muted
By torrent winds and torrential liquid compounds
Tefnut’s tears plunk upon all, turning mud blood
Looking out from his great house Khety embroiled
Bares soul to Sobek-Re, Crocodile God; Sun and Crud
Sobek-Re answers prayer, suspending flash flood

In Iaa, as gore of battle ensues, fate lose
As twist of tale find new bemuse and worlds infuse
Detritus sees his lost master Sinuhe encroaching peril
This recognition swells an emotion deep and confuse
Detritus bent in memories flash reacts nobly not feral
With a roar to be heard over all, clamor become sterile

Sounds of battle cease and gaze of majesty
Sinuhe seeing Detritus is overcome by sensibility
Two old beloved friends stare upon each other
Dragging swords behind each move to indemnity
Embrace of each other; secures allegiance another
Sinuhe kisses feet of Detritus; calls him “brother”

As witness to such, all weary legions unite
Moon turn blue, assured sign of Pharaoh Merikare
Mehru’s star battalions federate Moon Pharaoh’s armies
Together as one to Memphis they shall siege Khety
Overthrow Queen Odious and her sinister parties
This mainly being High Priest Abhorus’ autocracies



}VII{
Epitaph Of Detritus

Odious in lair drinks tinctures blue water lilies
Abhorus her advisor suggests only more intoxicants
Khety is shrilling at sight of this deceptive lure
Haruspex makes prophesy of Detritus’ betrayal
Khety sends hunters to trace Animal Man’s spoor
Abhorus finds more legions of archers to procure

Leaving Iaa and moving toward Memphis
Detritus is fitted by Nefru’s maidens new armor
Embroidered with gold, a striped khat is made to adorn
Detritus is humbled by Sinuhe and Nefru’s gifts
His body is perfumed and oiled; his mane then shorn
Beholden to the true King of Egypt, Detritus is sworn

Two men of different lands, both once slaves
Overcome their adversities and rise upon sun
Sinuhe and Detritus’ bond is legitimately noble
Wearing of these worlds bare them new providence
Seemingly this union appears fortuitous global
Keeping steadfast of Abhorus’s archers now mobile

In Sakkara, south of Memphis come tempest
Raining arrows as if raindrops, Sinuhe’s challenge
Detritus’ valor finds reckoning to his last will
Defending Sinuhe, Detritus falls to cumulating
By strength this virtue witnessed, Sinuhe rise still
Throwing down legions of archers, making his ****

Abhorus, Odious, and Khety with no troops left
Surrender to Sinuhe upon his return to Memphis
Odious drinks last vials blue lily tincture, expires
Abhorus struck dead by hand of Khety in resolve
Khety bows to Sinuhe and his Queen as requires
King Sinuhe , Queen Nefru read parchments and fliers

In honor of great Detritus and his noble deeds
Commissioned is greatest sculpture Animal Man
During its’ long construction, most joyful jinks
Song and dance to honor a great warrior true
Each artisan so proud to have heritage to links
Of Animal Man, Detritus, now known as Sphinx
This is my adaptation of The Tale Of Sinuhe. It is the oldest known work of Egyptian literature. This epic poem was written by me with the intent of creating a puppet opera. I hope to collaborate with other poets, musicians, artists and puppeteers to see this come to life. Between each chorus should be arias which embellish the plot and theme. If you may be interested in working on this piece, please let me know via private message. I hope to make it a collaborative work.
dj Jul 2012
I've been searching these deserts
I've been rummaging through my closet
I've been eating more than usual
I've been spontaneously bursting into laughter
I've been attentive
I've been regularly missing taking my anti-depressants
I've been crying hard all at once (expectedly)
I've been very extremely me

This is okay - this is okay
Thank you life
I'm okay.

I'm at this airport and it's like a chorus
The people go up the ramps
Fly away for 3 days like Horus
The returner's come home now
Waiting families embrace them with love
Jumbo jets zoom outside these giant windows
Visitors, excitedly saunter
Into this new and open place...

And this is okay
Thank you, thank you airport
I'm okay.
This will be my last update until I return from my vacation :) Fittingly.
Sara L Russell Jun 2015
A Poem in 3 Parts by Sara L Russell, 4/6/15; 00:51am*

I

There is a grey area between
this world and the next.
People can be foolish; they dabble in ouija, in
dowsing, in automatic writing;
and - wittingly or unwittingly,
they may open a portal
to the other side.
That is how they enter.
Beware of inviting them in.

Shadow people are there
where needle pierces skin; where the ******
sits, glassy-eyed, on the precipice of oblivion;
they lurk in unholy places where godless
politicians declare themselves to be
speaking for God;
they haunt the dreams of drunkards,
schizophrenics, junkies
and the paranoid.
But they are not spun out of dreams,
they are real.

Shadow people were there
when the ancient pharaohs of Egypt
were interred, with all their gold;
they took them to Hades
for also burying their wives
and servants, alive.
They were there
in **** concentration camps,
sitting on the left shoulders
of those who blindly carried out
orders of death and torture.

They subsist in underworlds of catacombs,
they lurk in the spaces between
our conscious and unconscious minds;
In blackened mirrors they seek out a vortex,
My friends, be the light that
keeps out the darkness,
Do not seek to question the dear and foregone,
No matter how much they are missed;
for there are others lurking in the shadows.
Be not the portal inviting them in.


II

Did I see you in Bohemian Grove,
smiling at the Cremation of the Care?
Were you there,
and did you have more than one shadow?

Did I see you in that Great Hall
with chequered floors,
where the Eye of Horus
watched over a pyramid of gold?

Did you lift a cup of
the good red wine,
did blood brothers drink each other's health,
gazing through a glass darkly?

Did we toast the Cremation of the Care,
and how many others were there?


III

Sometimes we visit Hell in our dreams,
though we may fervently pray before sleep.
There is no shame in sleeping with the light on.
Wear a cross, if you think that it will help.

Sometimes the citizens of Hell visit us,
in that stasis between sleep and wakefulnes;
they are only ever seen at the outer periphery of our vision.
It's never a good idea to look at them directly.

Sometimes they venture a little closer than the rules allow.
Sometimes the line between their domain and ours is blurred.
Occasionally, the breeze seems to whisper your name -
only, it's not the breeze.

Be vigilant.
Always try to see them first.
Ken Pepiton Oct 2018
Thursday, October 25, 2018
1:33 PM History records my state of mind:

Pure thought projects zoom in and out of focus,
Political integrity, personal honesty, good medicine, bad medicine

Whose hell imagined itself transfigured int-energ-
emagically into
the set of NULL?

Mine.
Imagine that. Pure thought experiment, unjudgeable, fret not.

Puritans lack the pineal insight to see the light in the forest.
Horus eye in the middle of the brain?
I just saw that, too. Pineal reality.

The light in the forest?

The man in black lingered there, according Hawthorne,

or did old Nate mock the man in black and laugh at the idea of

good medicine, bad medicine, goody two-shoes
holds it in her holy socks. She's a witch.
stupid.

That was a McLuhanwaderyadoin joke. You don't have to laugh.
We no longer know of his work.
Have to is a stupid saying.
say waht it means, spellt out have, et to.
I have
breath,
blood, spit, eyes, ears et cetera

but to, have to, what? can to having have meaning with no do:
to what end have I any thingable thought to what?
Stupid language, nothing is ever clear.

Ought we explore our relationship, you and me, I mean,
when I say we. We are intimate, dear reader.
As close as two minds may be, with permission, assumed.
My insane, in your brain, is not my insane in mine.
A little like leaven, if you ever bake.

No con querity con cerns us here, we filtered those before.
CERN's discerning of the matter making
thing, bosonic tonic device,
that led us to line our tinfoil hat with lead,
just in case Higgs ups happen and stutters start.

Hold your breath. We both have one to hold, but not for long.
And so it goes, I do enjoy a vintage Vonnegut thought
floating by on a breeze.

Imagine me a Virginia Wolfe trust fund child gone wild,
un gentled, sent down t' Tobbacca Road
in a hot rod Lincoln,
t' find a bride.

Some said something in the water, flouride, petrafied
pineal glands and blinded a generation,
to the sins of their father's
legions of liars,

hired to progressively teach us to work in factories
which vanished
right before

the beans vanished from our ears and we heard the rush
of the rolling tide lifting boats big and small.

Remember being accused, in your mind, of only wanting to be on the side that's winning?

That hot rod Lincoln, Thunderword road, remember the environ?
Pure
Moonshine, melts that petrafied flouride away,

a whole generation o' peasants
turned on.
Holler Hi dee **, burns the tummy, doncha know but

epigenetic application of pure moonshine in the ac-company-ment,
companion, accuse amigo,
same bread, same leaven,
com panion we be
joined.

Jesuits, that was the idea,
formed in Xavier's fever wracked brain
as his medievally medicated flesh fought for every
breath.
Heroic. Hagiographic. Stale, smoke filled acacia incense maybe

We have gone to havings
whence such bread is said to become the an-ointed, magi know, knew, expected, fore told for if ever forever begins,
as far as mortal peasants may be concerned with such high mindedness.

The leader is a liar and the people feel free to follow him.
When the twisted rule the ruled twist, too.

Solomonic wisdom, that is. Oil on the water. Pass the torch.

This was 2018, Donald Trump was President.
how come this to be
to have to be
held.
Who still,
can imagine war?
None.

No reflection,
lack of humility,
proud noble rare-ified re-ified de-ified

Charming fellow, though, can't you admit
his charm is a luring, tempting thing, temporary testing,
is he
an enemy,
donchaluvem? Life is the test. It is that simple. Right, Mr. Perot?

No distraction action condemns a man here, we have none.
Condemnation, none of that here. My reality, you know.

Tempests in teapots, fersher. Command zed, eh.
Fold it up, put it away. New idea. New everything.

People and political servants. No more leaders, no more war.
imagine that.
People and servants serving to govern the emerging
situations
as time rolls out the barrel with the single rotten apple,

and we, the people, feed that rotten apple to the pigs,

who were addicted to pearls,
during the confusion
as mankind lost its mind

we never doubted the need for men to be born.
again, we knew not what we believed born again may be.

Taste, good medicine is bitter more oft than not,

Sugar blues on a global level, those never justify the cost,
of making the medicine go down.

Sweet desire deprived, that is poison.
Dainty appetizers, served in the rich man circus,
stolen by servants racked with guilt,

shame and blame arise,

emergency action, a reason, why are those dainty meats so alluring,


ask the fisherman. Watch for his hook.
Someday, I don't want anyone to gues where I stood concerning Donald, I never met the man and never liked the mask.
A World in which free Thought is demonized
is a World seized by Demons

A World in which free Worship is demonized
is a World bereft of Sanctity

A World in which division of the One is glorified
is a World hopelessly mislead

A World which glorifies demonetization
is a World within the dominion of Hell

A World with such abidance towards Evil
may as well, itself, be Evil
but, ultimately, what is Evil
but knowing misuse of potential?

Energy is all that is.
Matter is but crystalline Energy
(and people say Science isn't mystical)

God, Tao, Zen, Allah, YHWH,
Brahman, Zeus, Jupiter, Ammon,
Mars, Ares, Týr, Horus, Kali, Mixcoatl,
Aphrodite, Athena, Venus, Minerva,
Isis, Ceres, Demeter, Freyr;

whatever you want to call
the ineffable Energies
is just fine by me,
but I maintain
the only Evil
is the intent
to misuse
that Cosmic Energy,
whence all was given rise,
and thereto all shall return,
for, truly, it never left
that Divine state;
that supple,
ephemeral,
dreamlike
Being-ness.

Hello.
Welcome back to Now:

Carpe diem.
Seize the day.
mike Nov 2015
the pupil is the light.
Aaron LaLux Nov 2016
The Great Pyramid

Scared to Death,
which makes sense,
nowhere to go but up,
from the top of The Great Pyramid,

no pictures here,
so free you can’t capture it,
white owls and black cats,
call me Alexandria,

honest what,
do you do when,
all of the wisdom,
gets spoken but people don’t listen.

Listen.

I’m at the top of the pyramid,
and I’m scared to death,
not scared of death,
but scared to death,

and that’s exactly what a paradox is,

Isis,
and Horus,
light the,
menorahs,

bless all,
our children,
the need,
more than hope when,
their families are dying,
and it’s not enough to just be trying,
need more than hope,
need to do more than try,
when you can walk no higher,
that is when it’s time to fly.

Scared to Death,
which makes sense,
nowhere to go but up,
from the top of The Great Pyramid.

Please God,
we are,
the Children of Egypt,

we created the pyramids,
and our pyramids created this,

so don’t expect,
a symphony of sympathy from us kids,
even if we,
we unconditionally accept it,

Oh God,
please don’t neglect,
can’t you see we did this all for you,
and all we ask for in return is your acceptance and respect,

Oh God,
I’m scared to death,
I’m stressed and I’m tense,
please allow me to relax,

and please,
when I reach your gates,
I pray you let me pass,

I am just a child of You,
and we are family especially in death,

yes,

I do believe the Light will prevail,
even if it hasn’t happened in this generation yet,
and I’m excited and I’m ready all my bags are packed,
and I’m climb up the steps to the top of The Great Pyramid,

and I’ll come when you call,
even when I’m scared to death…

∆ Aaron LA Lux ∆

The Holy Trilogy Vol. 1; available worldwide: 11/11/16
Another True Story...
bjynxthelyric Dec 2015
Death...
Destruction erosion
Eruption explosion
Compulsive emotion
Divided by demons
And what was the quotient
Impulsive implosion
It ***** when you blow it
That shoulder's the coldest
You're stuck feeling frozen
Overcome by the moment

None is more free
than the man with no motive
He knows it
The life of a loner
chose it
Cause even his closest
bogus

Friends are hidden corpses
Trapped inside colossus corpus
Where the Devil's ego grows too big enormous when we're dormant

Racing through the floor
for blood and gore
to stick a fork in
Devil blacked out
woke up feeling
on his forehead
He was hornless

Touring door to door in
Southern Kemet
Selling hope with
All the people
Who had taken
What he witnessed
For a joke

When he spoke
His followers quote

But watered-down the quality
Of the words
in the knowledge he wrote

So over time via scribe
the mythology ghost
Would come back to **** reality
And haunt the people
lil mind purge for my own sanity
Synthesis Apr 2015
darkness consumes all
the black night swallows our thoughts
Vomits back our fears

Shadows pollute minds
Specters of the past revive
They taunt tease and laugh

We give in so quick
Victims to our own morals
destroyed by self doubt

Quick to love others
so fast  to hate ones own self
So slow to forgive

The mirror whispers
The wind curses so sweetly
The blade kisses you


It tenderly glides
Slides against ebony skin
Gaping rift remains

Scarlet life erupts
History of an empire
Contained in those veins

Osiris Horus
Pharaohs Gods ,and rulers.Kings
Contained in those veins

Isis Hathor Bast
Greats queens, protectors, healers
Contained in those veins

Garden of Eden
Cradle of our mother Earth
Contained in those veins

Newton,King,X,Parks
Men and women with Brave Hearts
Contained in those veins

Swift minds,Diamond tongues
hip-hop jazz blues rock, our sound
Contained in those veins


Firm hands,and strong arms
The power to hold the world
Contained in those veins

A deep rich opus
there is his story and hers
Contained in those veins

Our blood stains the soil
Why destroy the tapestry
Contained in those veins
Man Jan 15
The eye sees-
Singular, as I am only,
In corporeal, in tangible form;
We are 1 out of many.

When our cup runneth empty,
Many welcomes back the one;
As a droplet joins a water's body-
Like tides taken back by the sea

As dawn & Sun meet

We are as day,
The slim slivers of light that separate
Night, from next night; the fleeting life
In the darkness that permeates.
Michael W Noland Jul 2012
some say im cynical
satanical
that my minds mechanical
diabolical
spoken essence erotical
detestable
jaded imagery hypnotical
unstoppable
liable to solve the unsolvable
while prodigal poets drown in their nautical modules

im a criminal
a cannibal
storming the street like an animal
shooting cannonballs
through prison walls
splattering the generals
in bathroom stalls
hostil
leave you poppin pain pills in the hospital
uncontrollable
my temper is flammable
mumbles illegible
choking you with your pentacle
leaving onlookers speckled
the abominable
mental protocols unstoppable
the unfeasible constable
shooting up the card table
willing and able
to call your fables
and smash apart a label
i raise babies in unstable cradles
let you bleed out
like cracked ladles

engorged in unholy wars
exploring
the corruption of the core
deplored
uniformed for
the clash of the double edge swords
taking control of vocal chords
a meet of the hordes
of the horned
misinformed
adorned
in sunlight

trying to shine
just 1 line
at a time
until my life signs decline
almost time
light and shadow combined

Horus and set

by hindsight blessed
yet to contest
to the rest of this mess
by melancholy caressed
as i arise unrest
from the cess
of the un confessed
blessed
sajjad ali Apr 2015
the mystery of Egypt
the sands of time
serpents on crowns worn by pharaohs
Queens that rule their kings
while sipping on honey wine
chess games might have changed
but symbols don't lie
Isis and Horus
the all seeing eye
im so lost in your words
and the journey that im on
where the God of Moses has
become the Queen of the Nile
Peace is what is seek and here it lies
rhyming words with the spirit that
never dies
your picture is the god i used to seek
the heart does not know why
its all in the smile and in your eyes.
Egyptian goddess on hello poetry <3
Walid Abdallah Apr 2021
The Nile has been running here for millions of years
Carrying all the good and removing our fears

I built the first great civilization on earth
I eliminated the world thirst and dearth

I was born a soldier defending my land
Sacrificing my life for a grain of its sand

Anubis and Horus are forever ready
Protecting Egypt and always steady

I am a pharaoh and here is my fate
Teaching the world how to love not to hate

The Nile is my blood that flows in my veins
Look into my face to see Egypt's mounts and plains

The map of Egypt is carved into the wall of my heart
I taught the world the first writing, music and art

I am the sleepless eye that protects Egypt from any harms
Who dares to get closer and Egypt is between my arms

I command every Egyptian to stand upright
To defend our beloved by day and night

Pharaohs become lions in battlefield
Right and faith are always our shield

The Nile is life artery in time of thirst
That's why we always put it first

Egypt always seeks for peace and justice
Always make them her regular practice

Egypt never seeks for war or conflict
Egypt is the land of love you all expect

If war is imposed on Egypt and its land
Anubis is carrying his spear in each hand

Horus is above fluttering his wings
Celebrating the victory he always brings

Egypt can protect herself against devils of hell
Ask the Hyksos, Tatars and all those who once fell

Ahmose, Mina and Hatchepsout are always there
Sending to the world all the love, peace and care

Peace has always been our first call
That's why Egypt will never fall
Jacky Xiang Oct 2010
With eager hope, lines are flung from stone quays,
In cerulean depths, lobsters drink crystal *****,
Banners of Mars ripple across lengthening days,
March festivals surrounds the sky with ambrosia.

Tiny dinghies dot the shores of crystal shine,
Jewel glints on serene ripples of the coast,
Velvet gloves of mirth while we wine and dine,
April races into hedonistic delights with a toast.

Gentle showers of rain caress our joyous minds,
Feeling the sweet uplifting scents assail us,
Choirs of birds paint rainbows for the colorblind,
May serenity soothes the birth of young Horus.

Beauteous blooms decorate the healthy fields,
Amidst the hush, come avalanche of avian flocks,
Summer-tide tickles the sickle it wishes to wield,
June love bind resonating halves in holy wedlock.

Spectral symphonies echo with rise of nations,
Waves of sultry heat from pulsating solar veins,
Let the tellurian realm bask in sleepy volition,
July warmth masterfully holds onto summer reins.

The waving forest whisper missives of lasting peace,
Stroll through sylvan woods to reveal new dreams,
The graceful rush of lucent creeks has not ceased,
August reverie rests on the soil of our daydreams.

Falling colors heralds summer's wave of adieu,
Scarlet pillows above billows of restless seas,
The harvest of ripened grains among rich milieu,
September bounty overflows the humble eaves.

Waning sunset unleash dying orange hues,
Above deep carpets of brittle gilded leaves,
Somber silence greets the coming of bad news,
October winds whistle through the lonely caves.

A maple flag shivers in the frigid air,
Upon a parapet far on the distant hill,
Boreal winds herald flares of despair,
November ice upon empty lifeless mills. 

From gloomy blooms above fell sparkling dust,
Asthmatic gales howl by gates of frozen pearls,
'Tween the valley crevice, stellar shine avast!
December frost rimes up the stormy whirls.

Chains of stiff ******* will soon be asunder,
Bolts of aurelian steel pierce the somber veil,
Of numb terraqueous veins arise new wonders,
January snow cradles early blossoms well.

The day's eye blinks awake across the skyline,
Phantom calls from across the sea stuck in time,
Steady upward climb the green grapevine,
February thaw shall meet the thirsty maritime.
Wrote half of it before midterms, and the other half after midterms. March is traditionally the first month of the year. It is the meteorological beginning of spring. A chronicle of a single orbit on the third planet of our solar system.
Sive Myeki Jun 2016
the sound image of a tree
a word of mouth it cannot be
nor can a pecker of wood see
but in our mind's eye we recite
the four veda's of creation
absent is your breath when fires ignite
in nourishment of a flowing imagination
for this is what the tree had said
on a rooted bed the boy sits being fed
the ability to recite a word
to thee in mind without speech
speaks of one sound image
to see and hear one's own phenomena
because rather than the physical sound
the tree recite's the word tree to thy self.
Chris D Aechtner Dec 2013
M
Long before Horus' exposure on its trunk
and the nailing of Jesus upon its grain,
rings have been added within the Tree
while people proclaim to hold the key
of salvation: a continually borrowed mythology
swallowed; an extra-strength sleeping pill

pulling the masses into slumber,
and away from the awakened truth
that such supposed salvation
is an illusory ticket far too easy to obtain
for it to be real—
a discriminatory, fairy tale-damnation
that multiplies the divide
of "Us and Them."

Too many people hand out the easy tickets,
then cut and light the tree:
a hypodermic injection of selfish memories
mixed into the mortar of temples designated as sacred,
while dogmatic shears amputate roots from the sky.

Too many people preach
about a cheap, polystyrene heaven,
while only a few walk the narrow path
that leads towards the kingdom within,
and live the sacrifice because it feels right.

Again and again,
the ticket isn't so easy.
We must put aside our slumber-crutches,
stop watching the few carry the rest
upon their backs, until bones creak and groan
from the weight of people waiting for salvation
to be handed to them.

For 27 years, 46664 was etched into the bark
of a branch in the road.
When forked doors opened,
a living, breathing gospel
brought down fences,
and even then, the wood was made into crutches
for people to say,
"M will fix it; M will do this, M will do that;
M will save us, just wait and see."


M is finally free. Yes, he is free!
Free, but not lost to us;
he survives as spirit-seeds.

We must cease to lean upon crutches;
we must purge the pill from our blood
and awaken into gardeners who water the seeds
within the soil of our hearts,
before the vision withers completely,

and we remain only as husks
waiting to be hydrated by watering cans—
weakened hands and arms unable to lift their weight

held in our own hands all along,
held in our hands all along.
Inspired by Madiba (Mandela)

December 7th/8th, 2013
Cunning Linguist Jul 2014
I, fluoride - sanity theft
Winding toy soldiers
to march the path toward furtive glory
While spurting the tune of war
to the end of their very last breaths

Harbinger of certain death
Peek from behind the curtain
Witness the brain mining
From inside your skull
eyeballs explode, deftly blinding
Defining images which pervade
Overwhelming emotions stowed
Once turned to stone
mental harm, tractor combines harvest FarmVille tards by the barnload

Certainly,
The eye of Horus and ISIS see all
scorching and seizing nations, arm in arm
All for one, none for all

Bombarding bravado
Clasp the trap
Lapse in conscious
All tapped out
Drowning in tap water
Until all comes tumbling down like Niagara Falls, dauntless

Like Satan's hands expanding
advance upon the homeland
Then race trickling downward
Total assest forfeiture
(***** buried in sand)
Faces hidden, ashamed

Orchestrate the line in frame
Shape my frame of mind
Until my thoughtscape escapes
To peer through one eye
Met to widespread acclaim

Descending into the mind of Chaos,
His stables gates
burst forth with beasts of fable, insatiable and rampant
Triumphant, turn the tables
Arch-Angels blare your trumpets

Tell Famine get off his high horse
And rear his ugly head
So we can really show that *****
Mother Earth what for;
**** that ***** until nothing's left

Effectively wrecked
From careening trains of wretched gang-bangs
Now she'*****
& the caged bird that longs to be free, is inevitably
**dismembered to pieces by the felines that be
***** to die for
Edward Coles Dec 2013
Today is your birthday, spindle-top maid.
Another year of desolate bridges.
Bridges by us, once believed to be true,
now laid to rest in mineralised brine.

Though my desires have long since faded,
small town streets will forever sing your name,
calling, calling, for youth and infant love.
Time may have set, but as with Giza stone

you lay in evidence of what has been.
And now, in years progressed, I tend to this,
my page. Some hungover apology,
for cruelness, that in ignorance, I wreaked.

For, though in my life there is ugliness,
and evil now apparent in this world;
I have learnt through experience, virtue
of kindness, of careful tread upon land.

Oh, mother of Horus, and Christian slave,
you bought me devotion in time of aid.
I'm calling, calling, in meekness undue,
for your sandstone likeness to hold in place.

With time comes erosion, African wind,
to scorch at the kindness, held to your breast.
So, in fear of forced blindness, cynical
waste; I mumble in this dirt-kissed prayer.

God of knowledge, oh God of braying flock,
bring to me your scripture, word of Thoth.
All so I can deliver, all so I
can sing; this tuneless ode of my redress,

this humbled hope for spring.
Harry J Baxter Jul 2013
"So what is it"
"It's the chemical dreams are made of"
"it comes in waves:
the first hit you feel awesome,
the second hit you feel awful
the third hit makes you forget everything"
three hits
lightly cooking the bowl
1
this feels great
2
my heart is going to explode
3
the color drains from the world into black and white
sepia
and purple stars
the spirit molecule
and my body feels like a thousand pounds
"just close your eyes and ride it out"
fractal light patterns
and flashes of eyes
the eye of ra?
the eye of horus?
no
the Goddess Seshat
I had no idea who she was
but she was talking to me
her voice breaking through the tentacles and sound wave mesh
she said
God is weeping
and I said but why?
is it because I was bad?
and she said
no,
it's because you think you are
and his face flashed before
drenched in tears
only to be replaced by a scorpion
but I'm a Taurus and not a Scorpio
the silhouette of a bull blowing smoke
and she told me many things
she told me about me
about wisdom
about the world
then a phone ringer sounded
it was a text
and the cloud of cosmic dust particles slowly settled
It was the real world again
only this time
more peaceful
"Guess how long it's been?"
"five minutes?"
"twenty."
and I could already feel it fading away
all that's left are flashes of images and conversation
and the feeling that there was an important message
There's a hole in the sky,
Where light shines in.
Dark and hollow.

If you stare at the centre,
You see right through,
To other worlds,
To heaven, to hell.

All around the hole,
The light defuses.
Rays of sunlight,
Light is spread.

Apollo and Sol,
Ra and Helios.
Surya and Horus,
Tonatiuh and Amaterasu.

The hole has substance,
The hole gives heat.
Great fire of sky,
Our local star.
Horus without his eyes could see
the lies that told untruths to him
but
felt the seed grow deep within that
pinned hope to his heart
and sin?
the many or the few
knew what the riddle was,
the sphinx not being one of them.

I was one among the many men who
travelled chaotic in the now and then it
always came back to some beginning.

Legend has it that,  but legend always did
apart from that which Arthur hid
and who knows where?

I skip
I prance to lead myself
a merry dance
at times it seems
the thing to do.

Horus knew
and now
I do too
you only have to see.
CR Franklin Sep 2014
-Open
-To a man on the street; as he stands  no shoes on his feet and his heart on his sleeve
-Call'em Andy
-Now he sees the smiles on their faces and mouths speaking phrases
-But he's frozen
-Anesthetized mind, body, and thought but the soul can never be caught
-On the contrary
-Unable to move or analyze; trapped in his mind but his eye works just fine
-Like Horus
-Cuz is only after the one, two, and three that the fifth can be freed
-Fourth
-"The worlds in chaos, the worlds on fire. The world will pay for its burning desire."
-Close
The difference between ‘this’ and ‘that’
existentially plastered and preparing for nothing

The Hadit and Nuit
Bored and lonely on a carpet and picking acne

The being in and for
The words of infinite relation and perspective

Horus and Nut
On Saussure’s lap dogged, tired, and deceptive  

Gilgamesh and Inkidu
"And nothing else matters" Metallica claim

Yin and Yang?
All are the same

and different at the same time
built in illusion
'the paradox conclusion'

God written in Mathematics
And forgotten in words

The Nature of the universe is SO immature
Always sitting and waiting for life to begin

Looking for answers to moral and logical sins
A Non gendered third person pronoun, shin

Cough! and Cough! and sputter and Die!
Burnt by the spent life
Why?

We are but the glorious observers of such things
Mateuš Conrad Aug 2016
papa internet goes wacko with his cybernetic compulsory
esoteric ****, says words like: the person who's to go against
the holy trinity (minus the surd no one really bothers) is no longer
a Jungian fantasy, the trigger and
the detonator of world war une and part deux,
but the paraclete isn't a person of much
relief either - cold war une and part deux -
right now, china's expressionless billion -
you squint, they look sober,
you drink, they look squinty eyed,
can't winde up that cold heart readied for
a billion polymath antonyms of your self
in automaton mobility -
compared with the fragile western championing
of individuality, China looks like a billion
despots morphed into one, you can't win.
back to Catholic bureucracy:
that's two names at your baptism -
matthew, conrad - and a third
at your confirmation (which i never
had, scouts' honour, cross my fingers
mea culpa my heart and count to 100)
would have been: Shiva -
the auspicious son returns -
well, **** me, canned peaches
and some apples and the NATO
phonetic: will you be my bride?
that's a thumbs up on the Rockefeller Sq.;
Isis: blatant espionage: mother of Horus
sister of Osiris - and i'm the Duracell bunny,
******* a clone sheep with a ***** dummy eject;
******, ***** strap-on, thingy magic eek (
the fidgety bit of putting together an Ikea table
for high tea).
you never went to a faith high-school
you never got to grips with the uniform,
or the bureaucracy, some of it invented
to simply rebel against it -
not the uniform bit, i thought that
was clean, in terms of non-discrimination
and how trans gets gendered as both, or neither
being allocated the chance to foster
would-be abortions.
hey! if Elton John can have a telly-tubby, so can i!
but this isn't your song...
and you just made an effort to scrap the idea
of singing in a shower -
poetry is never a sing-along, more or less
a thought-along - thought... a word masturbated a lot...
and i meant a lot - esp. when you're day-dreaming
and nothing you think precipitates into being
what you were thinking about -
so anti Cartesian, fair enough, thinking can precipitate
into a centimetre definition, a centimetre allowance,
self-consciousness bit - but beyond this fact
it's back to square one, daydreaming,
the disagreeing fact of thinking but not being,
or not thinking and being: the latter reserved for
entertainers and sports -
this is the secondary stage of the Cartesian realisation
that Descartes didn't mention... when thinking
does not precipitate into being - secondary meaning
a telepathic joke - or the men that stare at sheep
in the U.S. army and think they can run through walls...
of course the classical model involves the easiest
explanation, ergo as in +, -, x, ÷, take whatever metaphors
from this tetrasignum you want on a vacation into
psychiatry, i'm not one schizoid moment bothered
about firebombing Dresden either (slaughterhouse 5),
it's true enough to say that thought proves existence,
but thinking doesn't necessarily prove being -
whatever that means - it's the daydreaming bit
of the equation - Descartes is really a primer for
the study of philosophy, even Kant comes back to
this vocabulary arithmetic - as does Heidegger with
his bemusement: when people say "i, i",
cognitive identity and otherwise expressed.
the roads are divergent, or let us say the one's
origin from nothing leads to no big bang,
let us just say: a personal rebellion, not so much
that one precipitates into another,
let's just say that the ergo is worth replacing,
given our daydreams... and the fortune of never
realising our fancies... or as some might claim:
our misfortune of not realising our fancies, but
having a personal life without a media microscope
itemising our every movement... poly-diadem
dictator of western media:
                                                cogito para sum.
or, as stated by the benzene trinity affixes -
inclusive ortho- and meta-, obviously shortened
for liquid extraction - or the quip -
as in para: guard against, | |... interjecting / intersecting, i.e.
the suffix -llel (closure? not really, it could be
a nuanced noun, category affix, less familial concerns -
ah yes, an affix -llel, a suffix is a complete word:
pre- agaro -suf phobia, till the no. xi).
so a step beyond the cul de sac of Descartes -
the daydreaming part, when indeed thought materialises
into artificial intelligence simulators concerned
with the question of self-consciousness, paradoxical twins,
where thought materialises into its existential recipient standard
of never fulfilled, always unfulfilled, always demanding...
the bemoaned culture gap between youtube videos going
viral and virology on a canvas of infected flesh -
so forget the Cartesian cascade, that thinking will precipitate
into being of some sort, given current care for celebrity
culture we can't be assorting this equation with a rational
sequence, or the "as it should be", that train is long gone...
we need to defend ourselves against the precipitation of
thought into non-being - to regain a pleasure from mere thought...
not every thought will leave us richer off or as start-up
entrepreneurs - hence the need for non-materialisation,
our perfected mechanisation - the daydream - oh don't worry,
i'm not writing this from an ivory tower...
i have a constant fear too... but this ergo of 1 + 1 + 1 = 3
will not do... hence the revision, as all philosophical
standards are cared for akin to Renaissance canvases -
                                                               ­             cogito para sum:
that my thinking parallels my being - as i indulge in the former
and economise in the latter.
Cailey Duluoz Sep 2010
We spend it close in spirit,
but our bodies never touch.

I know little of your Inner Thoughts,
but your Eyes are like those of Horus,
gazing over me always,
your Heart nurturing like Hathor's
caring for me eternally,
but at a safe distance, from above.

You showed me my Identity;
You chastise me for my wrongdoings.
Like Osiris making my last judgement,
you sit, enthroned, with your tall white hat, flanked by vultures,
and deliver your verdict:

Love.
Love despite my failings, despite my faults,
for which you give me disappointed
looks that smash my heart to pieces,
like Seth did to your own body, you god of the Dead.

And now she, my Isis, gathers them for me.
But she forgets one vital part:

My ability to distinguish good from evil,
and now my heart is not light like the vulture's feather.

It is heavy as a river-stone and will be eaten by jackal-headed beasts.

But still, my time with you is a time of love:
enigmatic, painful love.
- From The Beginning
AMcQ Nov 2015
Us
We are the heartstrings;
we play songs in chorus,
to summon the hands
of the ones who adore us.
To call you to our land
to rule, as did Horus.
Yes! You built your guard:
tried hard to ignore us.
"Desist with that noise"
we hear you implore us.
But your wall is no match
for the lilt of the Taurus.
It's thick and secure
but deceptively porous.

— The End —